Walled Culture the book (digital versions available free) is about the incompatibility of the traditional copyright system with the digital world, and its failure to reward creators fairly. That raises the question of what might replace it, and the book’s last chapter offers one solution in the form of true fans. These are people who love an artist’s work and are happy to support it directly. This allows those works to be made available for no cost, since they have already been funded by fans. That, in turn, means creations can be shared – no need for punitive copyright infringement laws here – thus spreading the word about the artist, and bringing in new true fans and additional financial support.
This system is already working well for books, music and graphical art. But a common criticism of the approach is that it could never work for films, which therefore require copyright protection for them to be made. In support of that claim, people often point to the extremely large budgets of many films, often running to hundreds of millions of dollars. Clearly, the argument goes, such sums could never be amassed through the donations of true fans.
One issue with that argument is the widespread practice of “Hollywood accounting”, which Wikipedia explains as:
the opaque or “creative” set of accounting methods used by the film, video, television and music industry to budget and record profits for creative projects. Expenditures can be inflated to reduce or eliminate the reported profit of the project, thereby reducing the amount which the corporation must pay in taxes and royalties or other profit-sharing agreements, as these are based on net profit.
In other words, those huge budgets may not reflect the real costs of making a film, but are often a scheme for depriving people such as actors and others of their promised share of the profits by minimizing or even eliminating the latter. Moreover, a recent development certainly suggests that successful films do not requires such inflated budgets, discussed here on the BBC site :
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Which film would you expect to be a summer hit – a family-friendly action-adventure which is based on tried-and-tested IP (intellectual property)? Or a creepy low-budget horror film dreamt up by a first-time director? Until very recently, most of us would have put our money on the first option.
But this summer, it’s looking as if low-budget horror will be triumphant, with two indie films, Backrooms and Obsession, vanquishing two megabudget extravaganzas, Masters of the Universe and Star Wars: The Mandalorian and Grogu.
The figures speak for themselves:
The difference between the appeal of tired IP and original movies is illustrated by this weekend’s US box office figures. Masters of the Universe, which derives from a 1980s Mattel toy range and cartoon about a loincloth-sporting, perma-tanned warrior prince, is a new release which made just $29m (£21.7m). The Mandalorian and Grogu, which came out in May, is faring poorly for a Star Wars film: this weekend it made $10m (£7.5m).
By contrast, Backrooms “took $81m (£61m) in the US on its opening weekend. It’s total in the US is now $135m (£101m).” Obsession did even better:
Not only did it have a healthy opening weekend, but it’s also the first film since ET the Extra Terrestrial in 1982 to have its takings go up rather than down in its second and third weekends in cinemas. Its total take is now $152m (£114m) in the US and $225m (£169m) globally.
Those figures are impressive, but what is really noteworthy is the gulf between the respective production costs of the two classes of film. According to the BBC article:
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The budget of The Mandalorian and Grogu is reported to be $165m (£124m), and the budget of Masters of the Universe is reported to be $200m (£150m). Take into account the marketing costs, and those films have to make between $300m and $400m (or £225m and £300m) just to break even.
…
The budget for Backrooms, on the other hand: $10m (£7.5m). And Obsession? $1m (£750,000), tops. Suddenly, spending a fortune to make a fortune no longer seems like a winning formula.
The latter sum in particular is easily something that true fans’ funding could amass.
The dynamics behind the growing success of low-budget films – something the BBC article calls “a Hollywood earthquake” – are precisely the ones discussed in the closing chapter of Walled Culture the book. An article on the Guardian Web site puts it this way:
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“Going to the movies has become a way to connect with friends and share the moviegoing experience in person. Somewhere you can turn your phone off for a few hours and just disconnect from the world,” says 22-year-old film TikToker Florence Rose.
It is about the sense of community, which lies at the heart of the true fans idea, one that extends beyond the cinema experience:
Apps such as Letterboxd – essentially the Goodreads of cinema – allow users to distil their reactions into sharp, ironic one-liners and scroll through the takes of other viewers. “Gen Z are yearning for community, and through apps like Letterboxd, which continues to see an increase in popularity, people can find that community of like-minded individuals and share their thoughts and feelings about films,” says Rose.
The rise of Letterboxd is indicative of the hunger for precisely this kind of community-based experience:
This move from the Hollywood-style blockbusters to low-budget films made by new directors – often emerging from the world of YouTube – and new production houses is great news for audiences eager for new experiences and a sense of community. It not only brings fresh talent to the art form, it also opens up the possibility of fan-funded films that manage the difficult trick of being thoughtful and popular.
Despite their small size, mosquitoes are one of the deadliest creatures on Earth, and keeping them away from you is one of the best ways to stay safe. DEET has been the mainstay of insect repellents for decades, but what if there was a repellent you could grow yourself?
Researchers at Cardiff University found that the essential oil from catnip plants (Nepeta cataria) could be as effective as DEET at repelling mosquitoes when applied as a 6% lotion. The oil has been shown to be effective against many species of mosquitoes, ticks, and mites in previous research. You can look at the paper for details, but the catnip oil was obtained through steam distillation followed by some processing with hexane. The essential oil was then mixed with “water, glycerin, emulsifying wax, cetyl alcohol, cetyl stearyl alcohol, shea butter, glycerol monostearate, olive oil, coconut oil, sunflower oil, methyl paraben, propyl paraben and silicone oil.” We suspect that list will look familiar to anyone who’s read an ingredient label of most any store bought lotion, unless it was paraben free.
The Guardian’s coverage quotes one of the researchers, [Dr. Simon Scofield]: “We did not conduct any experiments to see if it is attractive to cats, but given that the active ingredient [nepetalactone] has well-known cat-attractive properties, I would expect they would quite like it,” he said. Depending on how your cats react, you may want to consider applying the lotion shortly before departing home.
A huge debate is brewing in Silicon Valley over the proliferation of Chinese-made artificial intelligence tools, particularly “open-weight” AI systems that, by some measures, can compete with or even outperform some of the best US models. My WIRED colleague Hugo Lowell has written about the Trump administration’s internal debate on how to handle these Chinese models. Among AI companies in the Valley, the issue is proving even more divisive.
A top concern in both DC and the Valley relates to distillation, in which a less capable AI model is trained on the outputs of a more powerful one. In June, Anthropic accused the Chinese tech giant Alibaba of illicitly stealing its IP through distillation attacks. Then, earlier this week, the White House said that it believes the Beijing-based Moonshot AI had developed its Kimi K3 model by distilling Anthropic’s Fable 5 model.
Another big concern is how quickly China’s models are appearing and spreading. An open-weight AI model has its core components made public, so that it can be fine-tuned to suit a user’s needs. But they don’t have the kinds of guardrails on which Anthropic has been building its reputation. Yasir Atalan, deputy director and data fellow at the Center for International and Strategic Studies, points out that the main benefit of open-weight AI models is their speed of diffusion. They can spread especially easily “through Hugging Face, GitHub, cloud providers, local deployments, and third-party inference platforms,” he writes. If you’re Anthropic, and you’ve built a cult around safety and charge for access to your big expensive proprietary models, you have every reason to want to regulate this.
But some Silicon Valley startups—not the trillion-dollar ones like OpenAI and Anthropic—really don’t want the US government to put restrictions on these AI models. On Wednesday a group of over 200 startups called the Little Tech Association sent a letter to Michael Kratsios, science adviser to President Donald Trump, and US Commerce Secretary Howard Lutnick lobbying against an outright ban of open-weight AI models. The group, which includes famed startup incubator YCombinator, has argued in favor of certain safeguards but says that denying Americans access to AI models abroad would weaken US startups and create a monopoly among the AI giants.
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Bill Gurley, the legendary tech investor and longtime partner at Benchmark Capital, has publicly argued in favor of letting “the free market work.” In a lengthy blog that offers a nice little history of open-source software, Gurley writes that open-weight models avoid lock-in, encourage true academic research, and are critical for capital-constrained startups.
“Every AI startup, every solo developer, every two-person team building a product on top of AI infrastructure depends on having access to good models at affordable prices,” Gurley says.
Chamath Palihapitiya, one of the All-In podcast hosts, wrote on X that “tricking the US Government to protect frontier labs’ business model by using a China boogeyman is a mistake…It is protecting the equity of 5,000 people who are investors in OAI and Ant at the sale of everyone else. This would be a terribly stupid decision.” His cohost and fellow VC Jason Calacanis piled on. “Daddy Trump protect us!!!!” he wrote on X, with an alarming number of crying-laughing emoji.
This stance from some of Silicon Valley’s most ruthless capitalists might at first seem counterintuitive. Why let a foreign adversary’s technology flourish in the US? It’s as if the US is up just 1-0 in the AI World Cup, a slightly uncomfortable lead, and the crowd is chanting for the opposing team to get a free kick.
On July 23, President Donald Trump stood in the White House and promised that electricity bills for American families would “actually come down,” even as power-hungry AI data centres spread across the grid. T
he vehicle was an expanded version of the Ratepayer Protection Pledge, a voluntary scheme first unveiled in March. What energy analysts noticed was mostly what it left out.
The pledge asks the companies building data centres, among them Amazon, Google, Meta, Microsoft, OpenAI, Oracle, and xAI, to fund or build the power infrastructure their facilities demand rather than passing the cost to existing ratepayers.
The administration had already signalled it would widen the scheme to the utilities, and the new version reaches, by the White House’s own count, nearly 200 additional signatories, including NextEra Energy, Duke Energy, rural cooperatives, and a group of Republican governors.
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Trump claimed the commitment now covers roughly 80% of the power delivered to US homes and businesses, and that companies given the right to build their own plants could sell surplus energy back to the grid, nudging rates down. He offered no capacity targets, no timelines, and no measurable milestones.
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That silence matters, because the strain on household bills is already well documented. AI data centres have pushed up power bills across parts of the industrial Midwest, and in the PJM Interconnection, the largest US grid operator, data centres accounted for $6.3bn of the $16.4bn in charges from the most recent capacity auction, roughly 38%, according to the grid’s independent market monitor.
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“PJM is continuing to act like it’s business as usual,” Joseph Bowring, the monitor’s president, said of the shift. “You have to open your eyes and recognise that it is really a paradigm shift, and failing to do that imposes costs on other customers.”
The pledge is not binding, and that is the central objection. It carries no penalties and no compliance oversight, and a quirk of federal rules may stop signatories honouring it even where they want to.
Current interconnection tariffs socialise grid-upgrade costs across all customers, and as FirstEnergy argued in a 2026 filing to regulators, existing rules can prevent a company from covering its own infrastructure costs even if it chooses to.
Consumer advocates were blunt. Jesse Lee of the campaign group Climate Power called the pledge a “pinky promise,” and a Consumer Reports survey found that 75% of American adults lacked confidence that large developers would truly cover all their costs.
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Researchers at the Brookings Institution added that federal statutes “cannot readily override” the state public utility commissions that actually set residential rates.
There is a further wrinkle. Some of the same companies signing the pledge have fought state-level rules that would force them to deliver on it, consumer groups say, which makes the voluntary version look less like generosity than like the softer of two options.
The White House has cast the plan as proof that the AI build-out can proceed without punishing households.
The forecasts are not reassuring either. The consultancy ICF has estimated that data centres could lift US electricity demand by 25% by 2030 and add as much as 40% to monthly bills over five years, and utilities are planning some $1.4 trillion in capital spending by the end of the decade to keep up.
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Louisiana, for its part, projects $2.6bn in ratepayer savings over 15 years from its deal with Meta, a reminder that the local arithmetic can cut both ways.
Congress has taken its own run at the problem, with the House advancing a bill on data centre energy costs, though nothing on the books yet compels the hyperscalers to pay.
The one body that could give the pledge teeth is the Federal Energy Regulatory Commission, which has already begun to fast-track grid connections for large loads. In June, it ordered six regional grid operators to justify or reform how they charge those users, with a deadline in August.
Until those rules change, the pledge remains what its critics say it is: a promise made in a room, with no one obliged to keep it.
GitHub to launch two-tier (public and private) bug bounty schemes form July 27 2026
Change comes in response to rise in lower-quality, AI-generated reports
VIP researchers will earn around 3-4x more per report
GitHub has confirmed plans to evolve its bug bounty program into a two-tier system, which will come into force for reports submitted on or after July 27, 2026.
Under the new scheme, the Microsoft-owned coding platform will add a lower-paying public program that’s available to the wider research community, under a higher-paying invitation-only program.
Product Security Engineer Catherine Cassell explained that the change comes in response to a growing backlog of low-effort, low-quality and AI-generated reports.
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GitHub complains about AI-generated bug reports
For the new public program, GitHub will replace payout ranges with a single payment for each severity, spanning $250, $2,000, $5,000 and $10,000 for low, medium, high and critical. Cassell said this would help researchers know in advance what a valid finding could be worth, and it would also give insiders less of a headache having to decide where a report sits within a range.
Notably, the payouts are much lower than before, with the previous ranges paying out $500-$1,000, $2,000-$5,000, $5,000-$20,000 and $10,000-$30,000.
Invited VIP researchers under the second plan will earn around 3-4x more than researchers under the other scheme, depending on bug severity.
GitHub is also adding a HackerOne signal requirement for new researchers, giving them four opportunities to “establish a track record” – likely another response to rising AI-generated reports, which are typically of lower value.
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“We want to build a program that attracts the research we value, creates an experience that reflects how seriously we take this work, and upholds the trust researchers place in us every time they submit a report,” Cassell concluded.
A lawsuit over Apple’s failure to deliver Apple Intelligence and Siri features is moving closer to a conclusion as a judge has provisionally approved the company’s settlement offer.
The class action suit filed in 2025 alleged that people had bought new iPhones expressly because of Apple’s promoting of Apple Intelligence features that it then did not deliver. Apple admitted in March 2025 that the new Siri features were delayed, but then in May 2025 offered a settlement.
Apple and the parties to the class action suit agreed to a $250 million settlement, but it had to be approved. Now in a filing in the US District Court, Northern District of California, judge Noel Wise has provisionally given approval.
The final approval and so the start of any pay out to buyers, though, is dependent on a final hearing which has now been announced for September 29, 2027. While Judge Wise has given overall approval, he ruled that the court will not decide on any amounts until that hearing.
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It may be a quick final hearing, though, as the parties have already agreed to a payment of at least $25 per eligible device. It is possible, however, that this amount could rise to $95 per device if the number of claims filed is low.
There will be a way for users to formally apply to be part of the claim. But as MacRumors said on Friday yet the details of this have not been announced.
Earlier this year FCC boss Brendan Carr launched a series of fake investigations into ABC because the network (1) hosted Democratic Texas Senate hopeful James Talarico on The View, (2) aired comedians who made fun of the president and his wife, and (3) occasionally engaged in journalism critical of Trump corruption.
ABC and NBC wisely refused to air the speech live, knowing that helping to spread distrust in election integrity in real time would be the opposite of useful journalism. That made Trump mad, so he’s clearly urged Brendan Carr to levy some additional empty threats against ABC:
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“I think when you have the President of the United States standing inside the White House delivering an important speech, I think that’s something that broadcasters should be carrying. And so, obviously, this is an issue,” Carr told reporters Wednesday. “There have been lots of concerns raised, including by members of Congress, about whether broadcasters and their decisions there comply with the public interest.”
Carr is somewhat vague here because he knows this is a bunch of bullshit.
Obviously it’s ABC’s First Amendment right to determine what it broadcasts and when. Carr has absolutely zero legal role in determining the scheduling lineup of a private company. Carr’s once again pretending that networks that refuse to pander to our mad idiot king will be subjected to FCC review of their public interest obligations affixed to ownership of public airwaves.
As we’ve mentioned countless times already, Carr doesn’t want any of this to actually head to court because he knows it’s an absolute loser on First Amendment grounds. The real goal remains to threaten U.S. media companies with costly and annoying legal headaches if they challenge Republicans or the unpopular president. It’s typical lazy autocrat stuff by weak men who are afraid of words.
Brendan Carr has openly stated in interviews he fancies himself a tough, pit bull enforcer; but as Trump’s health and political power wane, the threats will hold less and less weight. As a result you’ve already seen ABC execs start to show a backbone in their fight with Carr, openly pointing out how he colluded with local right wing broadcast affiliates to manufacture evidence suggesting ABC broke FCC rules (something I’m sure will play great in court).
Carr’s threats will become weaker and weaker until he’s ultimately booted from office by subsequent administrations, at which point he’ll fail upward to some mid-six figure job at a telecom or media think tank, where he’ll spend the rest of his life helping corporate America dismantle whatever’s left of competition, labor, and consumer protection standards.
One of the ironic things, for Carr, is that his authoritarian censorship and saber rattling often draws press and public attention away from all the other terrible things he’s doing, whether it’s destroying media consolidation limits, making life easier on robocallers, dismantling broadband consumer protection standards, or making it easier for giant shitty companies to run amok.
You’d like to think Carr ultimately faces some sort of meaningful accountability for being one of the most censorial, petty, captured, and authoritarian regulators in U.S. history, but I wouldn’t hold your breath.
American fast food restaurant chain Chick-fil-A has confirmed that over 13,000 customers had their data stolen in a recent wave of credential stuffing attacks.
As BleepingComputer first reported, the company revealed in data breach notification letters filed with multiple attorney general’s offices that it detected attacks targeting its website and mobile app between June 17 and June 19 after identifying suspicious login activity to certain Chick-fil-A One accounts.
Chick-fil-A says the attackers used automated tools and credentials “obtained from a third-party source” to hack into Chick-fil-A One accounts and steal customer data.
“We recently identified a security incident that may have affected a limited number of Chick-fil-A One Loyalty accounts. Upon discovering the issue, we took steps to immediately address, secure and restore accounts, and we are communicating directly with all customers who may have been impacted,” the company told BleepingComputer.
During the attacks, the threat actors accessed a combination of customers’ names, email addresses, Chick-fil-A One membership numbers, the amount of Chick-fil-A credit, the mobile pay numbers, and the last four digits of the credit/debit card number. Additionally, they may have also gained access to birth dates, phone numbers, and addresses if stored in the compromised accounts.
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While the company didn’t say how many individuals had their data exposed, Chick-fil-A notes in a filing shared by the Office of the Maine Attorney General with BleepingComputer on Wednesday that the resulting data breach affected 13,322 people in total.
In separate filings, it also told the Texas attorney general’s office the data breach impacts 2182 Texans and the Massachusetts AG that it affects 39 residents. Chick-fil-A has also sent data breach notification letters to residents of the District of Columbia, Iowa, Maryland, New Mexico, New York, North Carolina, Oregon, Vermont, and Rhode Island.
In response to the incident, Chick-fil-A says it logged out all impacted accounts, removed payment methods, restored all affected Chick-fil-A One account balances, and has also added rewards to affected accounts as a way of apologizing. Since the accounts were compromised because they were using credentials stolen from third-party services, Chick-fil-A also advised impacted customers to change their passwords as soon as possible.
Chick-fil-A also disclosed in March 2023 that hackers stole the personal information of over 71,000 customers after hacking their accounts in another series of credential stuffing attacks between December 2022 and February 2023.
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As one of the largest fast food companies in the United States, Chick-fil-A operates a network of over 3,000 restaurants across the U.S., Canada, Puerto Rico, the United Kingdom, and Singapore.
Security teams log 54% of successful attacks and alert on just 14%. The rest move through your environment unseen.
The Picus whitepaper shows how breach and attack simulation tests your SIEM and EDR rules so threats stop slipping by detection.
Erling Haaland is not the only Norwegian built around power, precision and making life difficult for the opposition.
Sigberg Audio is making its U.S. audio show debut at Southwest Audio Fest 2026 with the Manta active loudspeaker system, Saranna active floorstander and 10D dual opposed subwoofer.
The Norwegian manufacturer takes a rather different approach from the growing number of wireless speakers promising an entire audio system inside two attractive cabinets. Sigberg focuses on Hypex nCore amplification, DSP crossovers, manual parametric EQ and controlled directivity designed to reduce unwanted interaction with the room.
There is no Wi-Fi streaming, Bluetooth or HDMI eARC. These are active high-end loudspeakers for listeners who want the amplifiers, crossovers and drivers engineered as one system, not another lifestyle product whose future depends upon an app remaining alive.
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Sigberg Audio Manta
Sigberg Manta Speakers with 10D subwoofers at AXPONA 2026
The Manta is a four way active system comprising two powered monitors and a pair of dedicated Sigberg bass modules.
Each monitor uses a 12-inch midbass driver and a 5.5-inch coaxial driver containing a 1-inch silk dome tweeter. Three channel Hypex nCore amplification provides 600 watts per speaker, while DSP handles crossover and equalization duties.
Sigberg describes the Manta as a dual cardioid design. Its vented enclosure is intended to reduce sound radiating toward the sides and rear of the cabinet, potentially limiting early reflections from nearby walls.
The company claims rearward and lateral attenuation of approximately 10dB to 25dB across portions of the 100Hz to 5kHz range. That will not magically remove the room, but it could make the Manta considerably easier to integrate than a conventional loudspeaker with broad rearward radiation.
Sigberg recommends positioning the Manta between 10 and 50cm (4-20 inches) from the front wall and at least 40cm (15 inches) from the side walls. The included stands tilt the speakers upward by four degrees.
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Manta Key Specifications
Design: 4-way active dual cardioid system
Drivers: 12-inch midbass and 5.5-inch coaxial driver with 1-inch silk dome tweeter
Amplification: Three channel Hypex nCore Class D with DSP
Power: 600 watts per speaker
Frequency Response (with subwoofers): 25Hz to 20kHz, ±2.5dB (anechoic)
Recommended listening distance: 1.5 to 8 meters (5-26 feet)
Max SPL: 122 dB per speaker
EQ: Nine band manual parametric EQ
Analog Inputs: RCA and balanced XLR
Digital Inputs: Optical, coaxial S/PDIF and AES
Dimensions (WxHxD): 360 x 600 x 350 mm (14 x 23.5 x 14 inches)
Total height on included stands: 107 cm (42 inches)
Weight: 25 kg (55 lbs) per speaker
Sigberg Audio 10D
The Manta system being demonstrated in Dallas uses two Sigberg 10D subwoofers.
Each sealed cabinet contains two opposing 10 inch aluminum cone drivers powered by a DSP enabled Hypex nCore amplifier. The opposing drivers are designed to cancel mechanical forces and reduce cabinet vibration.
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Sigberg specifies a frequency response of 23Hz to 250Hz, with typical in room extension to approximately 18Hz. Claimed average output is approximately 117dB from 30Hz to 80Hz at one meter under CEA 2010 measurement conditions.
Each 10D weighs 27kg, or 59 pounds, and includes RCA, balanced XLR and speaker level inputs. It also offers nine band parametric EQ and connection presets for use with an A/V receiver, conventional preamplifier or Sigberg active speaker system.
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Sigberg Subwoofer Key Specifications
Sigberg Inkognito
Sigberg 10D
MSRP
$4,000 each
$5,000 each
Driver Type
12″ Scan-Speak Aluminium cone
Dual 10″ Aluminium cone
Enclosure Type
Sealed
Sealed
Frequency Response
23- 250Hz (±3dB); ~18Hz in-room
23- 250Hz (±3dB); ~18Hz in-room
Max SPL
113 dB
117 dB
Amplification
Hypex nCore, DSP enabled
Hypex nCore, DSP enabled
Crossover/EQ
9-band parametric
9-band parametric
Inputs
RCA, XLR balanced, High-level
RCA, XLR balanced, High-level
Dimensions (WxHxD)
650 x 540 x 163 mm (25.6 x 21 x 6.4 in)
360 x 370 x 410 mm (14 x 14.5 x 16 in)
Weight
22 kg (48 lbs)
27 kg (59 lbs)
Sigberg Audio Saranna
The Saranna packages much of the same technology inside a narrower full range floorstander.
A front mounted 8 inch coaxial driver combines the midbass and midrange unit with a horn loaded compression driver. Two rear mounted 8 inch woofers handle the lower frequencies inside a ported enclosure.
Each Saranna contains 600 watts of three channel Hypex nCore amplification, DSP crossovers and nine band parametric EQ.
Sigberg claims a frequency response of 28Hz to 20kHz, with typical in room extension down to 20Hz. Claimed maximum output is 116dB per speaker.
The rear woofers might suggest that the Saranna needs considerable breathing room, but Sigberg designed the system to benefit from boundary reinforcement. The company recommends placement relatively close to the front wall, generally between 15 and 50cm.
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Saranna Key Specifications
Design: 3-way directivity controlled floorstanding speaker with ported bass enclosure
Front Driver: 8-inch coaxial midbass and midrange driver with compression driver
Bass Drivers: Two rear mounted 8-inch woofers
Amplification: Three channel Hypex nCore Class D with DSP
Dimensions (WxHxD): 284 x 1100 x 340 mm (11.2 x 43.3 x 13.4 inches)
Total height on included base with feet: 114 cm (~45 inches). Both feet and base are optional to install.
Weight: 44 kg (97 lbs) per speaker
Finishes: Fade to Black or Shady White
Active Does Not Mean Wireless
The Manta and Saranna include their own amplification, DSP and active crossovers. Owners do not need separate power amplifiers, but they will still need a source component or preamplifier with volume control.
Both systems support RCA, balanced XLR, optical, coaxial S/PDIF and AES connections.
Their published specifications do not include Bluetooth, network streaming, HDMI eARC, automatic room correction or an internal phono stage.
That makes them less convenient than something from KEF, Dynaudio or Buchardt, but it also means the loudspeakers are not tied to a specific streaming platform. Owners can select or replace the front end without throwing away the amplification and loudspeaker system.
The manual nine band parametric EQ also provides considerable flexibility, although using it properly will require acoustic measurements, dealer assistance or some idea of what those frequency and Q controls actually do. Randomly moving sliders until everything looks exciting is not room correction.
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Pricing & Availability
Sigberg says its direct pricing includes worldwide shipping, applicable taxes, import fees and customs handling. The company also offers a 60-day home trial and 5-year warranty.
Manta with two 10D subwoofers: $30,000/pair
Manta with two Inkognito subwoofers: $28,000/pair
Saranna: $27,000/pair
10D: $5,000 each
Inkognito: $4,000 each
U.S. customers can purchase directly from Sigberg or contact DreamScapes A/V in Syracuse, New York.
Where Can You Hear Them?
The Sigberg Audio systems are being demonstrated inside the DreamScapes A/V Presidential Suite on the 10th floor of the Sheraton Dallas Hotel.
The Manta and 10D are confirmed for the room. The Saranna was announced for the show but was initially listed as pending customs clearance, so attendees should confirm its arrival before heading upstairs specifically to hear it.
Sigberg Audio is not trying to build another attractive wireless speaker that promises convenience above everything else.
The Manta and Saranna combine purpose matched amplification, DSP crossovers, substantial output and controlled directivity in systems designed to work relatively close to the front wall. That could make them especially interesting for listeners who want full range performance but do not have an acoustically perfect listening room the size of a Norwegian football pitch.
The Manta is the more ambitious system, combining large active monitors with two dedicated bass modules. The Saranna delivers much of the same philosophy in a narrower floorstanding design without requiring external subwoofers.
Neither system is inexpensive. There is also no onboard streaming, HDMI eARC or automatic room correction, and anyone who changes amplifiers more often than Erling Haaland scores goals will probably struggle with the concept.
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For listeners who care more about engineering, room integration and consistent system matching than collecting amplifiers, Sigberg Audio could be one of the most interesting manufacturers making its Dallas debut.
Outside gatherings seldom feature an ideal climate. A quiet morning may rapidly shift to heavy wind, abrupt gusts, or an unanticipated downpour. If you’re displaying goods at a commercial exhibition, organizing a public function, visiting a produce vendor site, or executing an advertising drive, erratic atmospheric conditions might ruin a whole arrangement unless the canopy was designed specifically for such elements.
A tent offers more than just shade protection. It shields individuals, gear, merchandise, and brand identity while allowing events to proceed securely against shifting weather patterns. Yet, no single canopy functions identically once winds begin to rise significantly. Your custom event tents are built with wind performance in mind, helping you select structures that avoid injuries, limit property destruction, and provide attendees with increased assurance during the whole exhibition period.
Knowing what traits boost stability aids firms in buying gear that works well every single year.
Attributes Causing Tents to Remain Steadier During Blustery Conditions
1.Choose a Strong Frame
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Everything starts with the frame.
A high-quality frame gives the structural support required to endure shifting weather patterns. Commercial aluminum grades offer a good mix of strength and ease of carrying, whereas heavy steel frames give extra steadiness for tough settings. Stronger joints and lasting connectors likewise cut down on motion when winds blow hard.
A strong frame creates a stronger foundation.
2.Secure Anchoring Matters
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Even the most robust tent will fail to stay steady if it lacks correct securing.
Stakes function nicely on grass plus soft ground areas, yet heavy plates, sandbags, or water containers give extra stability on concrete plus pavement surfaces. Each leg needs securing prior to the start of events, specifically whenever wind conditions are anticipated.
Proper anchoring greatly improves safety.
3.Select Wind-Resistant Canopy Fabric
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Fabric quality affects more than appearance.
Heavy-duty fabrics stretch less, tear less, fade less, and hold up against water better than lightweight options. Waterproof layers, UV protection, strong seams, and tough corner pads help make things work well at outside parties.
Quality materials increase long-term durability.
4.Look for Aerodynamic Designs
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Tent shape influences wind performance.
Certain roof shapes let wind pass over the frame rather than hitting big flat areas hard. Open vents cut down on pressure too since they give air a way out via special holes, which lowers the upward push made by fast winds. The same aerodynamic thinking applies to your custom inflatable arches, which are engineered to channel airflow smoothly rather than resist it, making them a reliable choice for outdoor events where wind is a concern.
Smart design improves overall stability.
5.Match Tent Size to the Event
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Larger tents catch more wind.
Selecting a cover fitting true space needs cuts unneeded wind drag. Small gatherings might need just small shelters, yet big shows ought to employ properly strengthened frames plus extra anchoring support.
The right size improves both safety and efficiency.
6.Inspect Your Equipment Regularly
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Even durable tents require routine maintenance.
Prior to each event, check the frame, connectors, fabric, anchors, and fasteners for indications of wear or harm. Secure loose hardware and swap out broken parts prior to them turning into bigger issues under windy circumstances.
Regular inspections help prevent unexpected failures.
7. Use Sidewalls Wisely
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In terms of wind resistance, fully enclosed sidewalls could create wind traps, which may increase the load onto the frame. If you’re expecting heavy winds, consider partially opening your sidewall (or using some vented panels), as this will allow for good airflow while keeping you protected against weather elements. Balanced airflow improves the stability of your tent.
8.Monitor Weather Conditions Throughout the Event
Check weather forecasts again right before you start setting up for an event. You might be able to avoid problems by watching wind conditions all day long.
If you see that the winds have exceeded those recommended by the manufacturers of your tent, consider lowering or dismantling the tent to reduce the risk of damage or danger to yourself and others. Staying alert protects more than just your interests.
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Final Thoughts
Windy conditions ought not to stop a successful outdoor gathering from happening. Firms putting money into tough frames, dependable anchor setups, nice cloth materials, airflow shapes, correct sizes, and routine care get better steadiness and less worry during all events.
Top tents are not merely made for looks; they are designed for function. When weather turns uncertain, reliable gear shields your crew, clients, goods, and reputation so events proceed with assurance.
AI has made it stupidly easy to fake being a real person online, so Facebook is rolling out a new badge to prove you’re not one of them. It’s called Facebook Verified, and the best part is that it won’t cost you a thing.
How do you get verified on Facebook?
I love that Facebook has made it easy to get verified. You record a short video selfie, and Facebook checks it against your existing profile photos to confirm it’s really you. The whole thing takes just a few minutes, and unlike some other social media platforms, Facebook isn’t charging you a subscription fee for this checkmark.
Meta
That said, not everyone gets to join the club. You need to be 18 or older, and your account has to be in good standing with Facebook’s rules around fraud, scams, and deceptive behavior. Show any signs of inauthentic activity, and you can forget about getting that badge. Also, Pages and ProMode accounts are not eligible right now.
Meta
Facebook has said that the feature is rolling out in phases, starting with select markets before it goes global, so don’t panic if you don’t see it on your account just yet.
Where will you see this badge?
Once you’re verified, the badge follows you to the spots where trust actually matters, like Marketplace, Facebook Dating, Groups, and your profile. Facebook says Feed posts will get the badge too, eventually.
You only have to verify once, and that badge travels with you everywhere. So next time you’re negotiating over a secondhand couch or matching with someone on Dating, you’ll know there’s an actual human on the other side.
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Meta
Facebook also says that verification isn’t an endorsement. The company is upfront that the badge doesn’t mean it’s vouching for anyone’s trustworthiness. Verified users still have to play by the same Community Standards and Commerce Policies as everyone else.
As much as I abhor some of the Meta policies, this is a step in the right direction. As AI-generated profiles get harder to spot, a free badge that says “yes, I’m a real person” feels like a pretty useful thing to have around.
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