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YouTube Streams to a Game Boy Color After a Microcontroller Takes Over the Cartridge Slot

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YouTube Game Boy Color Mod Cartridge
The idea of loading a comedy podcast onto the original 160 by 144 pixel screen of a Game Boy Color feels like a stretch even before any hardware enters the picture. The handheld dates back to 1998. It carries no wireless hardware, runs on an 8-bit processor, and originally shipped without a backlight. Still, Throaty Mumbo set out to make live YouTube playback happen on that exact platform and recorded the entire process.



Early tests began with a static image to get a feel for things, then he loaded a full-color Mario graphic onto an EverDrive cartridge to check if the Game Boy Color could handle images more advanced than those included. That tiny victory paved the stage for some movement. So the next step was to replace the screen, which involved removing the old non-backlit display and installing a brand new backlit LCD panel. Disassembling the item required some caution because those ribbon wires and plastic clamps don’t like to be messed with, but once the replacement panel was installed and the system turned up, the improvement was much improved visibility.

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With a reasonable view in front of him, the next step was to get some video up and running. He tested a couple homemade players, and it came out that one of them prioritized frame rate and produced smooth animation at the expense of some color depth. Another person attempted to jam more colors per scanline but suffered a slight decrease in frame rate, approximately five or six frames per second. Both of these DIY players employed specially encoded data sent through the cartridge slot, but getting the audio and video to sync perfectly proved challenging. These experiments verified, however, that the console could decode and display movies when the data arrived in the correct format and at the appropriate speed.

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YouTube Game Boy Color Mod Cartridge
The next challenge would be getting new video data into the machine without needing to recreate complete segments in a cartridge from start. So, first, he tried routing everything through the Game Boy Color’s link cable connector. A PC transmitted frames to the handheld, which attempted to decode them in real time. What happened was that the link cable maxed out at 64 kbps, so throughput remained low, and the handheld’s processor struggled to keep up, resulting in graphics that sometimes took ages to show. Yes, the system worked for short demos, but it was far from capable of streaming video in real time.

YouTube Game Boy Color Mod Cartridge
However, a shift to wireless transformed the game, as he created a modified cartridge based on the GB Interceptor design. Then he added a Raspberry Pi Pico 2 microcontroller based on the RP2350 chip, which is wired directly to the breakout and accurately handles the timing for the cartridge bus, allowing it to respond to all memory reads from the Game Boy Colour in perfect sync with its clock. Then he added an ESP12F Wi-Fi module as a bridge, allowing the handheld to receive data without requiring a physical cable to be attached.

YouTube Game Boy Color Mod Cartridge
The entire pipeline works as follows: a nearby computer captures a copy of a YouTube stream using normal streaming tools, converts the video frames into a format that the Game Boy Color can read, and then sends the packed data via Wi-Fi. The ESP module then captures the stream and sends it to the RP2350 over an extremely fast SPI connection. From there, the microcontroller just sends the data to the Game Boy Color, as if a cartridge ROM were feeding it the pixels, much like a real game cartridge. Then there’s the GBC Tube software, which provides the user with an interface for searching for videos using an on-screen keyboard. Search results appear as low-resolution image thumbnails… and picking a title returns the video ID to the computer, which initiates the encoding and streaming process in the other way.

YouTube Game Boy Color Mod Cartridge
Audio takes a separate path, with the RP2350 spitting the sound from the incoming stream and sending it to a small I2S amp and speaker inside the shell. The video and audio are not precisely synced, however there may be some drift if you watch for an extended period of time. You still have two display options while watching: the high frame rate keeps the action moving smoothly, and the high color mode, which will produce richer colors but may sacrifice some smoothness in the process.

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Okta buys AI security startup Permiso; source says for about $200M

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Okta on Thursday agreed to acquire AI identity security startup Permiso Security, betting that demand for protecting AI agents and other machine identities will grow as enterprises deploy autonomous software across their operations.

The identity management company did not disclose the terms of the transaction. But TechCrunch has learned that the acquisition is valued at just under $200 million and is structured as an almost all-cash deal, according to a source with knowledge of the deal. A spokesperson for Okta did not dispute the figure when asked by TechCrunch, but would not comment on specifics of the deal terms.

The deal is expected to close in the third quarter of its fiscal 2027, Okta said, subject to customary closing conditions.

Okta’s move to buy Permiso comes as identity management companies seek to expand beyond verifying users at login to continuously monitoring what users, applications, and AI agents do once gaining authorized access to a network environment. That shift has intensified competition to secure machine identities as enterprises embed AI deeper into everyday operations.

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Permiso, which emerged from stealth in 2022, develops software that helps security teams spot suspicious activity in cloud environments after users or applications have been granted access. More recently, the startup has expanded its platform to monitor AI agents and other machine identities.

Co-founded by former FireEye executives Paul Nguyen and Jason Martin, Permiso specializes in detecting attacks that use stolen or compromised identities to move through cloud infrastructure. In April, the startup also introduced SandyClaw, a platform designed to analyze AI agent skills in a sandboxed environment to identify malicious behavior before they are deployed.

The deal strengthens Okta’s push into securing AI agents and other non-human identities alongside its core identity management business.

“Permiso will extend Okta’s identity security fabric with proven identity threat detection and response capabilities, and an incredible threat research and security team that will advance Okta’s threat detection and prevention capabilities,” Okta’s chief product officer Ely Kahn said in a prepared statement.

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Permiso has raised about $29 million to date, including an $18.5 million Series A round in April 2024 led by Altimeter Capital. People familiar with the financing said the Series A valued the Palo Alto-based startup at about $80 million on a post-money basis.

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Google’s Pixel 11 teaser hints at a mysterious new light around the camera bar

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Rumor mill: Google’s Pixel 11 is coming into focus thanks to two separate leaks. One is an official teaser video released by Google itself, while the other is a Bluesky post from WinFuture’s Roland Quandt detailing the phone’s storage options, battery capacity, and pricing.

The Google video is the more visual of the two. It offers a close look at the Pixel 11 Pro’s rear camera bar, where the phone retains its three-lens setup while adding a circular light effect beside the cameras. The clip does not name the feature or explain what it does, but the spinning colors suggest Google is building something new around the camera area rather than adding a feature elsewhere on the phone.

Google’s narration only mentions familiar services such as Gmail, Maps, Search, Calendar, and Gemini. The video title teases “the next obvious move,” but Google leaves the meaning deliberately vague. That has fueled speculation that the light could serve as a status indicator, a Gemini-related processing light, or a notification system, but none of those theories have been confirmed.

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The second leak comes from Bluesky, where Quandt posted what appears to be retailer-sourced information about the Pixel 11 lineup. According to the post, 256GB will be the minimum storage option across the entire range, marking a long-awaited shift for Google’s standard models. The leak also claims that the Pixel 11 will cost £879 in the UK, while the Pixel 11 Pro and Pixel 11 Pro XL will be priced at £1,079 and £1,279, respectively.

Those pricing figures are not as straightforward as they initially appear. The Pixel 11 and Pixel 11 Pro are technically cheaper than their 256GB Pixel 10 counterparts, while the Pixel 11 Pro XL costs more than last year’s model. However, the difference stems from Google’s decision to eliminate lower-capacity storage tiers rather than from a broad price cut across the lineup.

Pixel 11 256GB = 879 GBP, 4985mAh Pixel 11 Pro 256 GB = 1079 GBP, 4850mAh Pixel 11 Pro XL 257 GB = 1279 GBP, 5115mAh

– Roland Quandt (@rquandt.bsky.social) July 28, 2026 at 3:06 AM

Quandt’s Bluesky post also includes battery capacity details. The base Pixel 11 is said to feature a 4,985mAh battery, while the Pixel 11 Pro and Pixel 11 Pro XL are listed with 4,850mAh and 5,115mAh batteries, respectively. If accurate, the base model and the larger Pro XL would receive modest battery upgrades, while the regular Pro would see a slight reduction compared with the previous generation.

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Google is set to unveil the Pixel 11 lineup on August 12. Until then, the picture remains incomplete.

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What is the Shared Responsibility Model in cloud security?

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Imagine you’re a company. You’ve got sensitive data you need kept safe, and you’ve got a cloud service provider that’s protecting it. But do you know how far that protection goes, and at what point it’s your turn to take over?

The sheer number of data breaches due to human error, specifically database misconfiguration, suggests that many don’t know that they, not the provider, are responsible for securing all the data properly (or are unsure how to do it).

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Apple donates to European wildfire relief

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As wildfires continue to devastate southern Europe, Apple is backing relief efforts with a donation announced by CEO Tim Cook.

North America isn’t the only region struggling to combat the growing problem of wildfires; it’s an ongoing problem in Europe as well. According to the Joint Research Centre, more than 434,976 hectares have been burnt in 1,400 fire instances in 2026 alone.

Recent fires in southwestern France have burned so intensely that they created a fire-generated thunderstorm, according to CNN. Other countries, like Spain, Greece, and Italy, remain on high alert as the risk of wildfires grows across the region.

In response, Cook took to X on Thursday to announce that Apple would be donating to first responders and relief efforts in the affected areas.

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Apple routinely donates to relief efforts worldwide. In June, it pledged aid to help Venezuelans affected by a pair of earthquakes that struck Venezuela’s northern coast.

In October 2025, it donated to relief efforts after Hurricane Melissa tore through the Caribbean. The following month, it offered aid in the wake of a deadly fire that devastated a high-rise apartment complex in Hong Kong.

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U.S. Measles Cases Eclipse 2025’s Record Case Count

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from the needlessly-stupid dept

The American healthcare system and the portion of the government in charge of our health have been a failure of record proportions for the second consecutive year. In 2025, America set a record for collecting the most confirmed cases of measles since 1991, with 2,289 confirmed cases. This year, America already blew past last years case total, where we now sit at 2,318 confirmed cases. We’re only about 58% of the way through the year, in case that little fact escaped you, which means we’re very likely to have many, many more total cases this year than last.

That is happening despite healthcare professionals and some media members sounding the alarm bells over all of this going all the way back to February of 2025! If you need the government’s perspective on this embarrassing failure, one in which we’ve allowed a disease officially declared eradicated to roar back into existence all because there are some liars out there who scare people about vaccines, well, RFK Jr. thinks he’s doing a bang up job managing the whole thing.

He hasn’t. He’s a large part of the reason this now 19 month outbreak exists to begin with. He hasn’t mobilized any vaccination efforts, preferring to leave that to the states. His messaging around vaccination and how to handle the measles has been so all over the place that he might as well have no stance on the matter at all. He’s checked out from most of his job, by some reports.

And as all of this failure is staring us in the face, Kennedy is still allowing the anti-vaxxer messaging to spread undisputed and uninterrupted, which is the precise reason the measles has returned in the first place. And it’s very likely to get worse.

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“There were two healthy little girls in West Texas that died from measles,” said Dr. Paul Offit, Director of the Vaccine Education Center at the Children’s Hospital of Philadelphia, in an email to TIME. “Those were the first measles deaths in a child in this country in more than 20 years. I think it is fair to say that measles is epidemic in the United States. And if people are coming from outside this country to the United States, they better make sure they’re up-to-date on their immunizations.”

Adds Dr. Peter Hotez, Dean of the National School of Tropical Medicine at the Baylor College of Medicine: “For all practical purposes measles has returned to the United States, both in terms of cases and hospitalizations, as well as two needless deaths.  We should expect our annual winter-spring surges of measles to get even worse in subsequent years.  And it won’t be just measles—pertussis is also returning, and other childhood infectious diseases might follow.”

Measles has this fun little curve ball it likes to throw at its victims: immune amnesia. One of the more insidious things this virus does is destroy T-cells and B-cells, which are the long-term immunological memory cells. They’re the part of our bodies that recall infections from long ago and build in the longer lasting immunity we get either from infections themselves or from vaccinations. Allowing measles to get worse means not only dealing with that disease, but potentially many others that could come roaring back. Like pertussis. Or polio.

We haven’t developed therapies for measles in decades. We didn’t have to. Vaccination rates meant there was nearly no disease for which therapies were needed. That appears to be changing now, with reports that researchers are starting to develop drug therapies due to the record case counts.

That is valuable time, expertise, and money that is being spent to treat a disease that we were fucking rid of two decades ago. Thanks to liars and charlatans like RFK Jr., combined with a percentage of our populace that is uncaring of its own community.

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I very much do not look forward to writing about breaking this record again in 2027, but I fear I will be.

Filed Under: anti-vaxxers, epidemic, health & human services, measles, rfk jr., vaccinations

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BRABUS ULTIMA 55 Luxury Catamaran Boasts 1,450 Horsepower, Foils, and a Deck That Swallows a Party

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BRABUS ULTIMA 55 Luxury Catamaran
Sunreef Yachts and BRABUS just put their names on the same boat for the first time. The result is the ULTIMA 55, a 55.8-foot carbon-heavy catamaran that treats open water the way BRABUS treats asphalt. Two 10.8-liter six-cylinder engines sit in the hulls, each making 533 kW or 725 horsepower. Combined output hits 1,450 horsepower and the boat clears 40 knots. An advanced hydrofoil system lifts the hulls higher as speed builds, cutting drag and almost erasing heel so the ride stays level and surprisingly quiet even when the throttles are pinned.



The length comes in at 55.8 feet, the beam is 18.4 feet, but when the lateral folding platforms are dropped, that increases to 24.9 feet, and you have an open-ended terrace at the back, similar to a private beach club rather than a normal yacht’s cockpit. Then there’s the Esthec decking, which provides a sturdy footing whether wet or dry. The transformer sunpads change from comfortable loungers to upright seating options. They have an extensible carbon fiber dining table, an electric BBQ, and a wet bar that are ready for anything from a quiet afternoon to a big party. Up ahead, there is a separate central sunpad where you may spend some peaceful time away from the action.


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Carbon fiber is now popping up in all the right places. So you’ve got exposed front and back wings, pillars with illuminated BRABUS emblems, side ventilation elements, and you know what truly caps it off? The unique roof rack features carbon-fiber LED lights, which serve as both functional lighting and a signature design element. Owners can choose between Graphite Black and Phantom Grey for the hull, as well as BRABUS Graphite, Red, or Pearl exterior upholstery.


Stepping inside the cabin, you’ll feel as if you’re in a car, since the BRABUS automotive interiors have been directly adapted into the yacht. Moonstone Masterpiece leather covers the seating, with the signature Triangle stitching pattern. The area is finished with Alcantara headlining, exposed carbon fiber, aluminum accents, and unique ambient lighting. You’ve fully outfitted the kitchen, with a 43-inch TV that pops up from the counter when needed and, of course, Bowers & Wilkins Marine Series speakers to handle the music. The nicest feature are the height-adjustable tables, which change the saloon into a dining or lounge area in an instant.

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BRABUS ULTIMA 55 Luxury Catamaran
BRABUS ULTIMA 55 Luxury Catamaran
The helm area follows the same principle, with a single widescreen BRABUS interface that brings all navigation and system management together in one spot. The engine controls are right there for when you need them, and the joystick operation allows the boat to spin on a sixpence for snug docking.

BRABUS ULTIMA 55 Luxury Catamaran Interior
BRABUS ULTIMA 55 Luxury Catamaran Interior
BRABUS ULTIMA 55 Luxury Catamaran Interior
You can select between two cabin configurations, with the regular one featuring a master suite, a VIP stateroom for four guests, and a crew cabin. The other option includes a third cabin for six guests and one crew member to remain overnight. It’s all the same down there, with wood veneers and more carbon fiber. So the lower decks remain consistent with the rest of the boat. The specifications include 1,500 liters of fuel, which is ample given that you have 330 litres of freshwater on tap, as well as a 10.5 kW generator to meet your electrical demands. The maximum draft is 4.6 feet, and the boat is CE Category B approved for 12 passengers or C certified for 20.

BRABUS ULTIMA 55 Luxury Catamaran
BRABUS ULTIMA 55 Luxury Catamaran
Sunreef handled the most of the naval design, then turned it over to BRABUS to give it a visual identity, add some high performance with their materials, and put their visual stamp on the project. The ULTIMA 55 is the first product of that relationship, as well as the first to be delivered to Sunreef’s Ras Al Khaimah factory in this configuration. In terms of price, the basic non-BRABUS Ultima 55 has been advertised (before any additional fees) at around the mid-two million mark, and the BRABUS version is almost certainly more expensive.

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EXCLUSIVE: X-Men ’97 star Jennifer Hale talks season 2 and returning as Jean Grey

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As X-Men ’97 continues the epic saga of Marvel’s mutant heroes, voice actor Jennifer Hale returns as one of the team’s most iconic members, Jean Grey. After the events of season 1, the show follows the X-Men, who have been scattered across history, as they try to return to their original era and prevent the rise of their most powerful enemy: Apocalypse.

In an interview with Digital Trends, Hale discussed returning to voice Jean Grey after doing so in many of Marvel’s animated projects. She also broke down the evolution of Jean’s character and what fans can expect from season 2 of X-Men ’97.

This transcript has been edited for length and clarity.

Digital Trends: How does it feel to be voicing such an iconic character in such a popular show right now? 

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Hale: Man, I feel like I… I won the golden ticket. It is incredible. I love it. This show, [when] I first booked this, I was thrilled.

I love the director. I have to shout out our voice director, Meredith Layne. She’s incredible. Voice directors are these sort of unsung heroes that make us all sound incredible. And she really, especially with the role, what the team has done with Jean in this incarnation of the show. 

There’s Jean, there’s Goblin Queen, there’s Madelyne Pryor. There’s all these iterations, and to have Meredith there as a guide is incredible. And to be part of this cast and to follow in Catherine [Disher]’s footsteps is just such a, such a huge honor. And I love this show. 

I love this team. This team is insane. The writing is incredible. And what I love is that so many of the production crew grew up watching the show. You can see it, right?

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Digital Trends: Yeah, the passion is there, and I’m a huge fan of the show as well, and you did a fantastic job playing Jean Grey. This isn’t actually the first time you voiced her. You portrayed her in previous Marvel animated shows. Why do you keep returning to the character after all this time?

Hale: You can’t stop me…the thing about the voiceover world, the actors, my peers in the voiceover industry are ridiculously talented. And a few of us get to be Jean, and I am so grateful that I get to be her in the places that I am. I absolutely love it. I could go on about it, obviously.

Digital Trends: Oh, well, please do. 

Hale: Yeah, it’s amazing. It’s just absolutely amazing. It’s so funny.  This whole thing around sharing roles…I’ve been Rogue before, and Lenore [Zann] is just incredible as Rogue. She’s the OG, right? 

Yeah. And she’s amazing, and she’s just such an incredible human being, too. Yeah, this whole cast, I mean, I don’t even want to start, ’cause I’m gonna leave people out, and then I’m gonna feel terrible, but every single member of this cast, like, ‘Hello, what a great job.’ And our newer people. Oh, my gosh, the new additions this season. Look out!

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Digital Trends: Yeah. I know you got the younger Cable in season 2 from Obsession actor Michael Johnston. He did a really good job in that role. Honestly, I couldn’t believe it was him. And speaking of which, like a big part of the show’s season was Jean and Scott’s relationship with their son, Nathan. It expands on what happened in season one. Can you tell us what makes it so special in season two?

Hale: Oh, the fact that we actually have to see him again…we gave him up in season 1. We didn’t know…we just had to trust, and it didn’t go the way we planned. That’s all I’m gonna say for those who don’t watch. But to get to see him again, to get to be in his life again, is just, ‘Wow, what a great, great moment!’ Right? 

Digital Trends: Right. And so what has been your favorite moment in the series so far?

Hale: All of it? I don’t know. I love…Oh, man. That’s really hard to say. Don’t make me pick. That’s what I always say. Yeah.  I think I just, I have to say, what you just touched on, the reconnecting with Cable. That whole arc. I just love that so much. And I’m not gonna say anything else, ’cause I don’t want to accidentally hit spoilers.

Digital Trends: Right. And without giving away any spoilers, what else can fans expect from this season of X-Men ’97

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Hale: Mm, that is the tightrope. Don’t know that I can walk [it]. So all I’m gonna say is buckle up. All right. 

Digital Trends: I’m buckled up. And now, tell us, what is your approach to bringing these iconic characters to life as a voice actor? You’ve done so many different roles, and I bet it’s just a different thing each time. How do you do it? 

Hale: It’s all about the writing. Writers make the world go round. It all starts with the writers…and these are incredible scripts. Everything’s there. So it really begins and ends with the writing.

I bring in what my creativity says, and then there’s the voice director, and the voice director’s taking everything that the whole production team is saying, and funneling it through her to me, or to us actors. And so, that is incredibly important. And staying open with this show is very interesting. 

When we did season one…the first time we recorded it, we recorded it in this total OG style, with the ’90s acting and the whole thing. So it was very different….and so we went back and tinkered with it, and we went away from that, and then back to it, and then we kind of found this middle ground where we get to honor it.

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And most of the time, the way we’re set up, we’re recording solo, but there are times when Ray [Chase] and I get to record together, and Ray is so incredible. There have been moments when we…we actually got to be in the actual booth together at the same time, and that was amazing. But we can also do remote together, and just playing off each other is so valuable, so incredible.

Digital Trends: Absolutely. And… you’re already working on seasons 3 and 4 of the show. How’s that going so far? 

Hale: Oh my gosh. It’s incredible. I can’t wait for you guys to see it. I just can’t wait. I’m backing up to your earlier question about the moments that I love. I was just thinking about some of this stuff with Morph and Polaris and Emma Frost…everybody’s getting a moment, and I love that. Absolutely love that.

Digital Trends: Me, too. I mean, considering you’re already working on the fourth season of the show, how long do you think it could go on?

Hale: Well, we’re at 30 years now, so who knows?

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Digital Trends: On that note, like what other projects do you have in store for fans?

Hale: I can always talk about Unicorn Academy, ’cause that’s going on right now, and I know it’s safe to talk about. We just wrapped the game called The Long Dark, which just wrapped our last chapter, and it’s incredibly beautiful. I’m working on some game stuff that is insane and some very cool animated stuff coming out. But again, NDA. Can’t talk about any of it…and then, I’m working on SkillsHub all the time, my site for actors.

Digital Trends: Fantastic. Is there anything else you’d like to say to the fans?

Hale: I want to say a huge thank you to the fans. Thank you, Anthony, for this time. And thank you, Digital Trends, for having me on. The fans, oh my gosh. You guys are our community, because you’re there, we get to do this, and we do this for you. So we are totally in symbiosis, I think it’s called. We are totally a circle. So just, thank you so much.

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X-Men ’97 is now available to stream on Disney+.

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Forward-deployed engineers are the AI industry’s latest talent obsession

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Executive search firm Christian & Timbers estimates that there are only about 2,000 engineers in the U.S. with the special cocktail of sector know-how, gravitas, and hands-on applied AI experience needed to consistently help enterprises see a return on their AI expenditures. 

“Not 2,000 available,” reads the study, shared exclusively with TechCrunch. “2,000 total.”

As enterprises move from trying to access the best models to figuring out how to implement them into workflows that meaningfully improves their bottom line, it appears the forward-deployed engineer (FDE) — engineers who work within client organizations to build, implement and deploy software or AI models — is about to become among the most sought-after specialist in the AI industry. 

Demand for FDEs is already rising rapidly, according to the C&T study, which projects demand for these specialists to surge by 2,100% by the end of the year. 

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The research draws on interviews with more than 250 C-suite hiring executives across 180 companies, a focused survey of 80 Fortune 500 executives, and interviews with more than 300 FDEs and applied AI engineers between January and June 2026. 

At the start of the year, only 5% to 10% of companies were planning to hire FDEs, and mostly only for small pilots. By the end of the second quarter, however, that number jumped to 70%, with the largest consulting and services firms reporting a need to increase their FDE headcount by 10 times, building full teams of 20 to 100 employees. 

“This is all happening at a speed I’ve never seen. Enterprises are hiring in the middle of summer,” Jeff Christian, founder of C&T told TechCrunch.

That kind of demand will outstrip supply, if C&T’s study is accurate. The report found that there are roughly 17,000 U.S. FDEs on the market today, a good chunk of whom are already employed by Palantir, which invented the concept of the FDE years ago. (Christian said some of his clients are even buying Palantir’s technology just so they can access the firm’s FDEs.) 

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Only a fraction of the FDEs out in the wild are apparently elite enough to deliver true ROI, which these days is measured as “multiple tens of millions of dollars of ROI impact,” according to Christian. That could manifest as revenue acceleration on the go-to-market side (lead generation) or “replacing FP&A or replacing 2,300 document processors in India,” Christian says. 

As Chris Taylor, CEO of Ode with Anthropic (a new FDE-focused services firm), put it: “Many FDEs are well equipped to help you roll Claude Code out to your workforce. Very few are capable of building your flagship AI product feature.”

Now that token-maxxing has morphed into value-maxxing, and enterprises taking a harder look at their balance sheets, accounting for AI spending is becoming more important than ever.

“This fall, [Wall Street] is about to say, ‘Hey, we’ve given you two years to figure this out…and you haven’t. There’s no ROI. So we’re going to start punishing those that have spent hundreds of millions, maybe even billions on this, and aren’t generating ROI, and rewarding those that have’,” Christian said.

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AI companies are under pressure, too, as they’ve already spent tens of billions to train and deploy their models. For frontier AI firms, reaching profitability will depend on whether they can inject their technology into as many enterprises as possible, though that task is now being threatened by cheaper, increasingly capable open-weight models from China.

That’s why firms like OpenAI and Anthropic have set up their own ventures — Ode with Anthropic and OpenAI’s Deployment Company — and staffed them with FDEs whose sole purpose is to go forth and spread their tech around the enterprise. 

It’s not only top AI firms and large consultancies clamoring for FDEs, however. Enterprises from insurance and fintech to healthcare and gaming, are seeking out these specialists, Christian said.  

Companies are hiring teams of FDEs instead of bringing them in from firms like Ode, or Deployment Co, seeking to keep knowledge of proprietary processes in-house and protect them from the likes of OpenAI and Anthropic.

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“Everybody’s concerned that if they give up their proprietary business processes, [the AI firms] can compete with them, which is true in many different areas,” Christian said. “So having this muscle internally is so important.”

Taylor said he’s starting to hear the phrase “internal forward-deployed engineers” more often, but his clients aren’t yet asking Ode to put together internal FDE teams for them.

While many an enterprising young engineer might think they have the industry expertise and AI chops to take advantage of what may turn out to be a talent war, Christian warns that the FDE may not always be in demand. 

“Maybe in two years, everything’s automated, and agents are automating agents as opposed to humans automating agents,” Christian said. “That is something that could occur. Hopefully, it doesn’t, and we continue to need these people within companies.”

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In the medium-term, he thinks the need for FDEs will shift from enterprise AI to physical AI as companies try to implement things like humanoid robots into their workflows. But within five or 10 years, he says it’s entirely possible that the role of FDE will “go away.”

That may be true for all knowledge work, if AI leaders and CEOs’ vehement predictions come true. While C&T focuses on recruiting for fast-growing industries and hasn’t seen a pullback yet, Christian says more general search firms have definitely experienced a slowdown in recruitment requests. 

Everything to do with AI is growing and in demand, he says. For now.

“I think that there’s absolutely a time soon where we’re going to see an impact in our business,” Christian said.

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Wrangling Datacenter GPUs Into A Desktop

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As we’ve seen many times before, there’s usually some way wrangle a bit more life out of what would otherwise be considered old and obsolete technology. Perhaps one thing that has been passed over by the masses a bit to early is older datacenter GPUs, which is understandable in one sense because of the rate NVIDIA is pumping out new ones, but these cards have plenty of useful life left in them for the average person, as [Andrew] demonstrates.

The cards [Andrew] is using are Tesla V100s of 2017 vintage. Despite being older hardware they have high-speed memory which allows them to run modern LLMs locally, competitively with online models. In this test, Gemma 4 26B and Qwen3 35B are run, with Gemma being a bit faster because it fits entirely in GPU memory and Qwen3 being a bit more capable but more hungry for resources. [Andrew] built a PCI card that can host two V100s, allowing these larger models to fit completely in memory.

Even though these don’t perform at the same level as the latest top-tier online models, they’re surprisingly capable and also have the benefit of running completely locally. This might be concerning for those looking at the global economy being propped up by companies that essentially have no moat for motivated users, especially as more and more datacenter hardware becomes available on the secondhand market. While this build by [Andrew] goes into detail on getting the software stack up and running, we recently featured another build using the same GPUs that focuses a bit more on hardware for those looking to get started with local hosting.

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How To Use Screen Mirroring On Roku With Your Android Phone

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You can even use your Roku like a PC, if you have the right phone.

One of the best things about owning a Roku TV or streaming box is the ability to easily integrate it with the rest of your tech setup. While having streaming apps a remote-click away is handy, so is being able to control the TV from a smart speaker or smartphone. Best of all, you can quickly mirror your phone’s screen to the TV.  Screen mirroring your Android phone to a Roku device can be a convenient way to enjoy your local media or show friends your vacation photos on the big screen. It can also help you give slide presentations or even take part in a video conference.

Roku makes the process of connecting your Android phone an easy one, assuming both devices support the Miracast protocol. Along with the ability to use your own headphones, it’s one of the features that makes Roku compelling for those who haven’t dumped it yet on account of a pending acquisition by Fox. While very few Roku devices appear to lack support for screen mirroring, certain Android devices may not support Miracast natively. The most notable exceptions are Google Pixels, which use the Google Cast and DIAL protocols but do not support Miracast. You may still be able to cast individual apps, such as YouTube or Netflix, which support DIAL.

Below, we’ll cover how to mirror your screen to a Roku from the most popular Android devices that support casting  — namely, Samsung Galaxy phones and tablets. But if you have a different brand, you’ll find similar capabilities under different names if you poke around in your settings. For example, LG phones have Screen Share, and on OnePlus devices, you’ll find Screen Projection. If you have a Pixel, however, you’re out of luck. Google’s phones do not support the Miracast protocol needed to mirror to Roku.

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We’ll also discuss how to solve minor issues that can occur when establishing a casting connection, and how to expand functionality even further for devices that support a full desktop mode with an external display on Android.

Mirror your screen or cast individual apps from Android to Roku

Head to the settings menu on your Roku, which can be accessed from the text menu on the left side of the home screen. Scroll down and select System > Screen mirroring > Screen mirroring mode. Choose either Always Allow or Prompt, but only choose the former if your Wi-Fi network is private and secure. Finally, make sure that your phone is on the same network as the Roku you’re mirroring to.

If you’re using a Samsung Galaxy device, you can now mirror your screen with just a couple of swipes (for other brands, consult your device’s documentation). Swipe down from the top right of your phone’s screen to open the quick settings panel, then select Smart View. Alternatively, tap Settings > Connected Devices > Smart View. Once you’re in the Smart View interface, it will begin to scan for nearby wireless displays. Select your Roku device when its name shows up onscreen, then tap Start Now if prompted for confirmation. Other brands should have a similar mirroring option in their pull-down menus.

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While mirroring, a Smart View pill will hover on the screen of your phone, and tapping it will surface a context menu. If you’re just mirroring media from a single app, say, Netflix, and don’t want other apps or notifications to show up on the big screen, tap Cast Netflix Only. This lets you browse your phone and receive notifications as usual while only mirroring your app of choice. If the video is letterboxed on your TV screen, tap the Smart View pill again, and tap Change Aspect Ratio.

If you don’t hear audio from a video or other source and have made sure the volume is up on both devices, swipe into quick settings and tap Media Output inside of the now-playing media pill, then ensure your Roku is selected.

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Roku allows Samsung Galaxy owners to use wireless DeX for a full desktop experience

Samsung Galaxy smartphones have access to a user-favorite feature called DeX, which turns Android into a Windows-like desktop experience. The phone becomes a touchpad and keyboard for the interface (look for a corner square icon to show up when DeX is active), or you can connect a Bluetooth mouse and keyboard. (Something similar may be coming to Google’s Android skins in the nebulous future.) Normally, DeX activates when you plug the phone into an external display, but it can also be triggered by connecting to a wireless display, including a Roku.

To cast your screen to a Roku in DeX mode, open quick settings by swiping down from the top right of your screen and tapping the Wireless DeX toggle. Alternatively, go to Settings > Connected Devices > Samsung DeX > Connect Wirelessly. The phone will scan for nearby displays, which can take a few moments. Once your Roku device shows up, tap on it, then tap Start Now, and DeX will launch wirelessly on the TV.

In our testing, we’ve found that there can be considerable lag while using DeX wirelessly. If you’re experiencing sluggishness, setting your TV’s picture mode to gaming can sometimes make things a bit more responsive.

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