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Art on Tezos turns Cannes into a live testbed for digital culture

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Art on Tezos turns Cannes into a live testbed for digital culture

Art on Tezos is no longer a niche experiment; at TezDev 2026 in Cannes, it felt like a working model of where digital culture is going next.

TezDev 2026 in Cannes shows how Tezos art has evolved from NFTs into global, politically charged and increasingly institutional grade digital culture and infrastructure.

Hosted at the Hôtel Martinez on March 30, “Art on Tezos: The future of digital creativity” unfolded as an immersive environment rather than a standard panel. Projection‑mapped works wrapped the room in moving images while a conversation between artists, curators, and ecosystem builders traced how on‑chain art has evolved from early NFTs into complex generative systems and responsive installations.

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For curator and art advisor Brian Beccafico, Tezos’ real innovation is who it brings into the conversation. Drawing on his work with marketplaces like Objkt, he stressed that on Tezos “you get to meet a lot of artists coming from places that usually just don’t have access to the broader art markets… artists from Africa… South East Asia, South America,” a sharp contrast with a global art economy where “pretty much 70 percent of global value auctioned… is auctioned in New York.” Lower costs and open tooling translate into economic reality: “even if you’re selling artwork for 100 bucks a piece… in a country where the average income is 300 bucks a month, that’s… sustainable for an artist.”

Aleksandra Art, Head of Arts at Trilitech, placed this shift in a longer media history that runs from early photography to Instagram and now blockchain. She reminded the audience that photography itself was once dismissed—“wait, photography is art? What? Like, no, it’s just a picture”—before fairs, critics, and collectors built a new ecosystem around it. The same dynamic is now playing out in digital art: “we had Instagram launch and all of a sudden there are Instagram artists… that don’t need gallery representation,” and blockchains plus marketplaces extend that logic by “creating these networks that congregate people who are passionate about it.” For her, the crucial break is that digital work “doesn’t have to be a confined gallery space… it can be a vertical screen, horizontal screen, HTML, site specific work,” accessible globally “at any point of time” with “similar experiences for different people.”

Beccafico pushed the political edge of this transformation. He recalled exhibitions where artists from Kurdistan “used crypto to flee terrorism, to flee ISIS during the war in Syria,” arguing that cypherpunk ideals still matter: “being able to free yourself from state‑owned currency, state‑owned control, and censorship is still very much a reality in today’s art world.” The result is a scene in which artists from Iraq, Turkey, South America, and beyond are no longer at the margins but, in his words, “the future of both crypto and the future of the art world.”

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Alongside Aleksandra and Beccafico, the session’s participants—Vinciane Jones (Art Partner Manager, Trilitech), artists Patrick Tresset and Georg Eckmayr, and others—situated Tezos inside a broader genealogy of systems‑driven practices, from algorithmic drawing to AI‑assisted installations, now made verifiable and tradable on‑chain. Their discussion aligned with the wider TezDev 2026 program, which underscored how protocol upgrades like Tezos X and faster Etherlink confirmations are intended to support richer real‑time art and gaming experiences, not just finance.

Trilitech signaled that TezDev’s immersive exhibition is not a one‑off but part of a longer institutional arc. The team previously announced plans for a forthcoming Tezos‑powered show at HEK (Haus der Elektronischen Künste) in Basel, curated by the established duo Dr. Alfredo Cramerotti and Auronda Scalera, known for pioneering projects at Art Dubai Digital and other major venues that connect blockchain, NFTs, and critical media art. Their involvement points to a future in which on‑chain practices move even further into museum contexts, bringing Beccafico’s emerging‑market artists and Aleksandra’s “fluid,” screen‑native works into dialogue with decades of digital and conceptual experimentation.

If photography’s journey from “just a picture” to museum cornerstone took a century, Tezos (TEZ) artists are compressing that curve into a few intense years, using blockchains not only as markets but as infrastructure for new forms of authorship, community, and survival.

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Crypto World

Trump Threatens to Hit Iran Extremely Hard in the Coming Weeks

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Trump Threatens to Hit Iran Extremely Hard in the Coming Weeks

Crude oil rose to over $100 a barrel while Bitcoin fell 2% after a national address by US President Donald Trump on the conflict in Iran, where he vowed to hit Iran “extremely hard” over the next few weeks. 

Speaking at the White House on Wednesday during an address to the nation, Trump said the US military is “very close” to finishing “Operation Epic Fury,” claiming to have wiped out Iran’s nuclear and naval capabilities while also significantly hampering its drones, missiles and weapon factories.

“I can say tonight that we are on track to complete all of America’s military objectives shortly. Very shortly, we are going to hit them extremely hard over the next 2 to 3 weeks.”

Stocks, crude oil, and crypto prices have been impacted by conflict in the Middle East over the last few months. Oil prices eased on Tuesday after Trump said the war would be wrapping up in the next few weeks, though his latest speech has seen it rise again. 

At the time of writing, the price of crude oil has spiked back above $100 per barrel to $103.59. Meanwhile, Bitcoin dipped by around 1% over the course of the speech and has since fallen further to $66,904, down 2% since the start of the speech.

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However, Trump also said discussions are ongoing. Both sides have made key demands for ending the conflict, with the US pushing for Iran to dismantle its nuclear programs, open up commercial shipping channels and stop regional support for proxy groups.

Iran wants a permanent end to the war, compensation for damages and an end to US military presence in the region, among other demands.

“The new group is less radical and much more reasonable. Yet, if during this period of time no deal is made, we have our eyes on key targets.”

Source: The White House

Trump says oil blockade will end soon

Conflict in the Middle East intensified in February after the US and Israel launched strikes against Iran. This ultimately saw Iran respond by leading a blockade of the Strait of Hormuz in a bid to cut oil supply on one of the world’s busiest shipping channels.

Related: Who is Kevin Warsh? Trump’s Fed pick wants ‘regime change’ at central bank

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The president claimed that the stock market will pick back up soon as the conflict begins to wind down, while gas prices will drop as he argued that Iran will remove the blockade “naturally” so that it can start rebuilding the economy.

“And in any event, when this conflict is over, the strait will open up naturally. It’ll just open up naturally. They’re going to want to be able to sell oil because that’s all they have to try and rebuild. It will resume flowing and the gas prices will rapidly come back down. Stock prices will rapidly go back up,” he said.

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