In 2026, the smart glasses conversation is mostly dominated by a handful of names: Meta, Samsung, and Google. There are other companies that already have products in the market, but they might not have thought about competition from this PC and laptop brand that has suddenly entered the market.

I’m talking about Acer. The company has quietly dropped two pairs of glasses ahead of Computex 2026, and neither of them looks like an experiment.

What can Acer’s wired AR headset do?

Out of the two smart glasses, the AR Vision GR0 is the more immersive one. 

It connects to your phone, laptop, or tablet via a wired connection, and then projects dual micro OLED displays (one per eye) at 1920 x 1080 resolution in 2D or 3840 x 1080 in 3D, simulating a 172-inch screen viewed from roughly 20 feet away.

At just 69 grams, it is quite light for a wired AR device. You can also get it with the optional detachable light shield and myopia magnetic lens support, which make it more practical than most glasses in this category.  

The device is compatible with Android, iOS, and Windows and doesn’t come with a platform lock-in. You can purchase the AR Vision GR0 in North America at $499.99.

The company also has a Meta Ray-Ban competitor 

The Acer GI0 AI Glasses are slightly different. They’re closer to Meta’s Ray-Ban smart glasses than to an AR headset. 

They offer wireless connectivity, connect with your phone via Bluetooth and Wi-Fi, and feature Google Gemini as the AI assistant of choice. 

Features include a 12MP camera for first-person photo and video capture, real-time AI translation, live captions, and voice recording, which, yet again, makes them similar to the Meta Ray-Ban smart glasses.

All the data is stored on the device’s 32GB onboard storage. These glasses are compatible with Android and iOS via the Acer AspireSync companion app. At 46 grams for the frames alone, these are light enough for daily usage. You can get the smart glasses for $299.99 in North America. 

I should probably preface this review by saying that I’ve long been a fan of Logitech‘s mice, having used a G502 Lightspeed Wireless as my daily driver for more than five years. In fact, I love it so much that when mine finally gave up the ghost back in 2024, I literally just bought another identical model.

If you’re familiar with my work, you might suspect a slight degree of bias in this review – and I’m sure that the coveted five-star rating above won’t assuage those suspicions.

Disney Plus is one of the best streaming platforms available today. I’m not being hyperbolic: Just take a look at the programming lineup available on the Disney-owned platform.

You want Star Wars? You got it — all of it. The same can be said for Marvel‘s expansive universe of movies and TV shows. Plus, you can never go wrong with Bluey, which is the animated gift that keeps on giving. I’m just cracking the surface with these examples.

Disney Plus is chock-full of engaging content, including top reality shows and educational documentaries, plus a deep well of Disney classics to keep you entertained.

Scroll on to find the best original programming Disney Plus has to offer. Please check back monthly, as I update this list regularly as new content arrives.

Read more: Cut Your Monthly TV Bill With the Best Streaming Deals Available Right Now

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Marvel takes the meta-comedy route with Wonder Man, which follows a struggling actor named Simon Williams who is looking for his big break in Hollywood. That chance comes in the form of the starring role in a superhero movie. The only issue: He’s got his own superpowers he has been keeping secret. 

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Taylor Swift: The End of an Era

Disney Plus’s six-episode docuseries peels back the curtain to go inside the production of Taylor Swift’s massively successful Eras tour. Whether you’re a fan of her music or not, this series is a riveting look into the organized chaos that comes with putting on a world tour. And if you’re a fan of her music, why have you not watched this yet?

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What makes Hawkeye entertaining is the dynamic between Jeremy Renner and Hailee Steinfeld. Their relationship as Clint Barton and Kate Bishop provides the emotional foundation for the series. There are connective elements from this series to the likes of Echo and Daredevil, but other than those cool details, this street-level program is a fun holiday romp through the streets of New York. And sometimes, that’s all you really need.

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Fire and Water: Making the Avatar Films

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In 2009, James Cameron pushed the special effects envelope with the release of Avatar, a groundbreaking cinematic achievement that remains the highest-grossing movie of all time. The 2022 sequel, Avatar: The Way of Water, is the third-highest-grossing movie of all time, which proves that Cameron is doing something right with these career-defining releases. This new two-part docuseries takes audiences behind-the-scenes of the sci-fi franchise to show how this magical world is brought to life.

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Marvel Zombies, which is technically a spin-off of Marvel’s What If…? series, takes inspiration from the comics by Robert Kirkman and Sean Phillips, which means there’s some bona fide zombie drama. Heroes like Ms. Marvel, Ironheart and Hawkeye get thrown into the mix. You want a post-apocalyptic zombie-infested MCU? You got it.

Dream Productions takes place between the events of Inside Out and Inside Out 2 and heads back into the mind of young Riley. Instead of focusing on her emotions, this four-episode mockumentary-style series delves into the production company in charge of her dreams. As Riley grows, her emotions require extra processing, and that’s where the folks at Dream Productions come in. Paula Pell and Richard Ayoade star; the voices of Amy Poehler, Maya Rudolph, Tony Hale, Lewis Black and Phyllis Smith are also featured.

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The newest Marvel series to hit Disney Plus takes place following the events of Black Panther: Wakanda Forever and follows Riri Williams (Dominique Thorne) as she creates her own suit of armor inspired by Tony Stark’s. Part coming-of-age story and part journey of self-discovery, the series finds the brilliant young woman grappling the with intersection of magic and technology while striving to find her place in the world.

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You may be used to animal series narrated by the likes of, say, Richard Attenborough or Morgan Freeman to add gravitas to the informative program. Underdogs takes a different route. Ryan Reynolds takes the voice-over helm on this one to explore Mother Nature’s odd creatures. Misfits to some, weirdos to others, the Deadpool star gives these quirky animals their due in this fun series.

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Simply put, I think Andor is the best Star Wars series Disney Plus has made. The program ditches the flashy, and often clichéd, production values of its predecessors and goes all-in on some intense ground-level storytelling. Expanding the story of the characters featured in the one-off film Rogue One, Andor comes through with the emotional stakes thanks to its smart writing and the excellent performances of its cast. Phenomenal stuff, right here.

Daredevil: Born Again finds Matt Murdock once again fighting for justice, both in the courtroom and on the streets. The series acts as a reboot of sorts and reunites Charlie Cox with Vincent D’Onofrio’s (who reprises his role as Wilson Fisk) to once again battle for the soul of Hell’s Kitchen. 

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Check out our bone-crushing review of the series.

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Your Friendly Neighborhood Spider-Man

A new spin on Spider-Man lore unfolds in the streamer’s new animated series, Your Friendly Neighborhood Spider-Man. The show, presented in a nostalgic animation style, explores a different timeline in which Peter Parker (Hudson Thames) is mentored by Norman Osborn (Colman Domingo), who you may know better as the villainous Green Goblin. This’ll be interesting.

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Pixar’s first original animated series follows a middle school softball team and their journey to the championship. The eight-episode season takes place over one week and follows different characters as they explore the same events from different perspectives. SNL alums Will Forte and Melissa Villaseñor lend their voices alongside Better Call Saul’s Rhea Seehorn, Lil Rey Howery, Rosa Salazar, Flula Borg and Jo Firestone.

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Justin Long led the first installment of Disney Plus’ YA series, and David Schwimmer takes up the mantle of creepy adult in the show’s second season. The gateway horror series takes inspiration from R.L. Stine’s iconic book series. Each season follows a group of teens wrapped up in a supernatural mystery. 

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Star Wars: Skeleton Crew dials the tone back to the Amblin days of the 1980s. There’s no trace of Luke Skywalker in this show. Instead, Skeleton Crew takes place in a reality where stories of the Jedi are viewed as fairy tales. That is, until a ragtag group of kids stumble upon an abandoned starship and accidentally shoot themselves into space. The result: a (literally) out-of-this-world adventure.

Agatha All Along isn’t a direct sequel to WandaVision, but the stories are definitely related. Kathryn Hahn reprises her deliciously devilish role in the spooky new series, which follows Agatha and a group of ragtag witches on a journey down the Witches Road to help Ms. Harkness get her powers back. Spoiler: It ain’t gonna be easy.

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Star Wars: Visions is a fun and edgy animated anthology series that adds an exciting new element to Lucasfilm’s long-established franchise. Seven Japanese animation studios were tapped to create nine unique noncanonical episodes for the program. Additional episodes from Spain, Ireland, Chile, the United Kingdom, South Korea, France, India, Japan and South Africa were released in the show’s second installment. 

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Doctor Who celebrated its 60th anniversary, and since then, the sci-fi series has undergone multiple revamps. Actors like David Tennant and Matt Smith helped bring the iconic Time Lord into the present day with the program’s run of modern-era seasons. Ncuti Gatwa is the latest actor to take the reins as the Doctor, marking the first time in the program’s history that a Black actor has stepped into the role. Doctor Who made the move to Disney Plus in 2023, and after two years, the contract between the streamer and the BBC has expired. Still, these newer seasons and a few older episodes are still available to watch on the streamer. 

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Bluey is a phenomenon, plain and simple. The kids’ show, which follows a family of anthropomorphic dogs — Bluey, her sister Bingo, dad Bandit and mom Chilli — was the most streamed series in 2023, and for good reason. Nearly all the episodes run at around 8 minutes in length, making it an easy binge. And while the tone remains light and playful, the series digs into relevant and poignant topics in a way that never talks down to its audience. Who knew a show about an Australian dog family would be so addictive? Disney Plus knew.

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Percy Jackson and the Olympians

This fresh take on Rick Riordan’s cherished books aims to erase the live-action movies from our collective memories. And for the most part, it accomplishes its task. The eight-episode first season follows the events of Lightning Thief, the first book in the series. Thanks to a younger cast and lighter stakes, this Percy Jackson series is positioned to be a YA hit for Disney Plus.

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Dave Filoni and Jon Favreau took their love of Star Wars to new heights with The Mandalorian. It’s the first live-action Star Wars series to hit Disney Plus and it set the standard for everything that came after. Stylistically inspired by things like the Lone Wolf and Cub manga, Akira Kurosawa’s Yojimbo and Sergio Leone’s iconic Dollars trilogy (which starred Clint Eastwood as the Man With No Name), the series follows a lone bounty hunter who gets a second chance at life when he’s hired to protect a little green alien you may know simply as Baby Yoda.

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This three-part documentary series puts us smack-dab in the creative maelstrom of one of the world’s biggest musical groups. Directed by Oscar-winner Peter Jackson, The Beatles: Get Back gives a cinéma vérité-style look at a band at the top of their game and on the precipice of collapse. This previously unseen footage shows John Lennon, Paul McCartney, George Harrison and Ringo Starr in rehearsal for their infamous rooftop concert at their Apple Corps headquarters on London’s Savile Row. It was their last live performance. It’s breathtaking, inspiring and heartbreaking. And definitely worth a watch.

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X-Men: The Animated Series ended its five-season run in 1997. Almost three decades later, X-Men ’97 continues the story of everyone’s favorite mutant superhero crew. The pacing is quick, the writing is tight, and the 2D animation style acts as a nice bow tying together this lovely nostalgic gift for ’90s kids everywhere.

Echo (Alaqua Cox) was first introduced in a three-episode arc in Hawkeye. Marvel’s Echo is centered on the hearing-impaired antihero. She’s also a member of the Choctaw Nation, which leads the series to wonderfully explore these aspects of her identity. Her association with Wilson Fisk (Vincent D’Onofrio) further connects the MCU shows on Disney Plus with those previously on Netflix — and sets up the arrival of Matt Murdock (Charlie Cox) and crew quite nicely.

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The Bad Batch is an intense, action-packed spin-off of the celebrated Star Wars animated series The Clone Wars. Audiences have seen the fallout of Order 66 take shape in various forms throughout the Star Wars franchise, but never like this. The Bad Batch follows a squad of elite clone troopers with genetic defects. They may have special abilities, but that doesn’t make them invisible to the top-secret execution order. In turn, the animated series fills in some blanks in Star Wars lore. It does so in an incredibly entertaining way.

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Ms. Marvel is a breath of fresh air for the Marvel Cinematic Universe. The Disney Plus series flips the script on what we have grown to expect from Marvel shows on the streamer. Iman Vellani is a revelation as the titular hero. It’s a challenge for a show to balance the heavy responsibilities of being a superhero with the trials and tribulations of high school. The story pulls it off, and does so with a welcome helping of Muslim representation.

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WandaVision started it all on Disney Plus. It’s the first original series in the Marvel Cinematic Universe to hit the streamer. It’s a genre-bending adventure that finds Wanda and Vision living out different realities inspired by TV sitcoms, from I Love Lucy and The Dick Van Dyke Show to The Brady Bunch and Family Ties. How does the emotional fallout of Avengers: Endgame (and Vision’s death, specifically) affect Wanda? Well, let’s just say her grief takes her down one heck of a weird rabbit hole.

Read our full WandaVision review.

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Tom Hiddleston has appeared as Loki, the God of Mischief, throughout the Marvel Cinematic Universe for the past decade. Thanks to Disney Plus, he finally leads his own odd adventure. The quirky sci-fi series puts Loki in the unlikely position of hero. Here, he works with a barrage of interesting characters, including Owen Wilson’s Mobius M. Mobius, to correct the timeline. It’s an offbeat, fun and thoroughly weird series that appeals to die-hard fans and newbs alike.

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The Falcon and the Winter Soldier

What happens when Captain America hangs up his shield? That’s the question going into Marvel’s The Falcon and the Winter Soldier. Here, Sam Wilson (better known as Falcon) and Bucky Barnes (aka the Winter Soldier) buddy up in a surprisingly funny and heartfelt series that deals with trauma, grief and classism as the world picks up the pieces from the earth-shattering events of Avengers: Endgame.

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Moon Knight stars Oscar Isaac as Steven Grant, a troubled man with dissociative identity disorder. These aren’t simple anxiety issues — no, Grant actually shares his body with a mercenary named Marc Spector. The discovery of this alter-ego leads Grant on an adventure that pits him against a sinister cult leader named Arthur Harrow (Ethan Hawke) and a gang of formidable Egyptian gods. It’s a trippy ride that may even scratch that Indiana Jones itch.

Read our full Moon Knight review.

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The United States military has known for years that enemies could use location data to track troops’ phones—and it’s also long been aware of easy fixes for the problem. The Pentagon adopted almost none of these protections, though, in spite of admitting in a letter exposed this week that US adversaries are actually using the data to target soldiers in war. Meanwhile, US law enforcement warned this week about “anti-tech extremism” as AI backlash grows around the country.

After a nearly 90-day internet shutdown, connectivity started to trickle back into Iran this week amid internal political power struggles and ongoing negotiations with the US to end its war with Tehran. Researchers cautioned that it is unclear how extensive the restoration will be and whether connectivity will only return temporarily.

As cybercriminals and offensive hackers ramp up their use of AI to exploit vulnerabilities and develop hacking tools, the technology is also radically changing the dynamics of how security researchers hunt for vulnerabilities. And scammers are using real hotel reservation data and other travel details to conduct effective spear-phishing campaigns, potentially accessing customer data from 350 hotels and vacation rentals around the world.

And there’s more. Each week, we round up the security and privacy news we didn’t cover in depth ourselves. Click the headlines to read the full stories. And stay safe out there.

Play, a Russian-language ransomware operation that has affected more than 900 organizations since 2022, posted to its dark-web leak site on Monday claiming it had pulled “private and personal confidential data, clients’ documents, budget, payroll, IDs, taxes,” and other financial records from MyPillow. The Minnesota-based home goods company is run by Mike Lindell, who is among at least 10 Republicans seeking the party’s nomination for governor of Minnesota in August’s primary. Lindell is also one of the most prolific backers of Donald Trump’s false claims of victory in the 2020 election.

Play reportedly set a Friday deadline for MyPillow to make contact before publishing the data online. Lindell told Straight Arrow News, which broke the story of the ransomware claims on Tuesday, that his company was not hacked and that allegations that it was are a political hit job.

“This is another hit job by outside sources because I’m running for governor,” Lindell said. “I guarantee it. We do not have any breaches in our data at all.”

Lindell has been on the losing end of two recent defamation rulings over his 2020 election claims: A federal jury in Colorado last year found that he had defamed Eric Coomer, a former Dominion Voting Systems director, and ordered Lindell and his media platform, FrankSpeech, to pay $2.3 million in damages; a federal judge in Minnesota separately ruled in September that Lindell had defamed Smartmatic through 51 false statements about its voting machines, with damages still to be set at trial.

In recent years, ransomware groups have become more aggressive and ruthless in their efforts to obtain money from victims. Most of these criminal hackers now focus on stealing data and extorting companies rather than using malware to lock computer systems. But in rare occasions, ransomware groups have been seen directly threatening executives, or contacting people named in stolen data, to try to obtain payment. The FBI said this week that one ransomware group is going even further: sending people to steal data directly from companies IRL.

Among more traditional social engineering techniques, the FBI says the Silent Ransom Group (SRG), which is targeting law firms, has sent people to company offices to directly get access to computers. “By sending someone in person to the victim’s location to facilitate the intrusion, SRG actors exfiltrate data to an external hard drive or USB drive inserted by the threat actor into the victim’s computer,” the FBI said in an alert. Security researchers say the tactic has not been seen before. The FBI did not provide any information about who the Russian-speaking ransomware group was sending to conduct its attacks, but researchers believe they could be paying freelancers who do not necessarily know who they are working for.

The AI surveillance company BusPatrol, which has installed its cameras in tens of thousands of US school buses, says that it will now turn those cameras into automatic license plate readers that will record the location of every vehicle a BusPatrol school bus passes and make the data available to law enforcement without a warrant. The initiative would turn the familiar yellow buses into what 404 Media aptly described as “roaming surveillance vehicles.” BusPatrol technology, and school bus surveillance tech more broadly, was originally intended to be used for ticketing vehicles that illegally pass stopped buses—a critical safety issue for children.

University of Chicago sociology professor Rob Vargas found this month that the Chicago Police Department was four minutes faster in responding to the most urgent non-gunshot 911 calls in the six-month period after Mayor Brandon Johnson shut down ShotSpotter gunshot detection tech in 12 neighborhoods in September 2024. Analyzing Chicago city data as well as data obtained through public records requests, Vargas compared the time period with the preceding six months during which ShotSpotter was still active. The data couldn’t be used to assess response times for calls specifically related to gunshots, but it indicated that ShotSpotter alerts may have been occupying officers with false positives and delaying them in responding to other types of critical 911 calls. “It is clear that ShotSpotter wasted officers’ time by sending them on wild-goose chases,” Vargas told WTTW News.

Software

Foundation sparks revolt after disbanding team responsible for many community-requested fixes and moderation tools

The Wikimedia Foundation (WMF) has sparked a revolt among Wikipedia editors after disbanding the engineering team responsible for many community-requested fixes and moderation tools.

The Register was tipped off this week to growing unrest inside the Wikipedia editing community following the WMF’s decision to disband its Community Tech team, the group responsible for triaging and developing editor-requested bug fixes, moderation tools, and workflow improvements through the long-running Community Wishlist process.

Wikimedia’s internal forums have turned into a running argument over how editors should respond. Some are calling for editing strikes, while others want volunteers to stop handling vandalism cleanup for a period of time. There have also been discussions about replacing fundraising banners with messages criticizing the layoffs.

The foundation confirmed to The Register that the restructuring affected six staff roles connected to the Community Wishlist program, including engineers and a manager. 

It said the decision came after months of internal reviews that started last year. According to the foundation, leadership concluded that relying on a single dedicated team to process editor requests was no longer working well.

“We learned from these assessments that it is rarely possible to fulfill community wishes through a single team due to the vast breadth of the software we support and the number of channels through which we receive wishes,” a spokesperson for the foundation said.

Under the new structure, responsibility for Community Wishlist requests will be spread across the wider Product and Technology department rather than handled by a dedicated team.

The foundation said affected employees remain employed for now while being considered for other internal roles. Staff who are not placed elsewhere inside the organization will leave next month with severance packages.

That explanation has gone down badly with parts of the editor community, where some contributors accuse Wikimedia leadership of becoming increasingly disconnected from the unpaid volunteers who maintain Wikipedia itself. Several editors have also questioned why an organization reporting nearly $300 million in assets in its latest annual report is restructuring an engineering team dedicated specifically to editor support.

The situation has become even messier because several affected employees were reportedly involved in early unionization efforts linked to a newly created labor group called Wiki Workers United. One of the laid-off engineers created the union page on Wikimedia Meta earlier this month, fueling accusations from some editors that the restructuring amounted to union busting.

The foundation denied that outright, telling The Register: “The decision to disband the Community Tech team is not in any way connected to discussions about unionizing, nor have we terminated any staff for their participation in those discussions.”

The WMF also stressed that no formal request for union recognition has been submitted and said it would respect the legal process if staff eventually vote to unionize.

Meanwhile, editors continue to discuss protest options that could create highly visible problems for the world’s largest online encyclopedia. Since much of Wikipedia’s moderation infrastructure is maintained by volunteers rather than foundation employees, even a temporary pullback in anti-vandalism work could turn parts of the site into an open sewer of spam, hoaxes, and defacement. ®

• There’s evidence for a new free tier for Apple Music
• It will no doubt come with certain limitations
• Users are worried that there will be adverts involved

The streaming, unlimited listening component of Apple Music differs from Spotify in that you can’t use it for free — you have to pay a monthly subscription. According to code spotted in the latest Apple Music app for Android, that might be about to change.

Discovered by tipster Aaron Perris (via 9to5Mac), the code snippets mention limits on track skipping, and a “Premium access required” message, which are both consistent with some kind of subscription-free tier for the Apple Music streaming catalog.

But Tello’s latency was significantly higher in general—not enough to affect a game of Royal Match, but maybe you have higher demands. The download speeds were also lower for Tello in any given location, but not by a whole lot.

At home, my cellular 5G data speeds tend to run at about 800 to 900 megabits a second on T-Mobile. With the Tello phone, it was around 30 percent slower. But both these speeds are well into 5G territory. They’re also a full order of magnitude faster than you’d ever need for 4K video. I had no problem streaming my usual dose of Josh Johnson comedy, if that’s what you’re wondering.

Curiously, upload speed was actually faster with the Motorola Razr using Tello than with the old iPhone using T-Mobile. After consulting with my colleague Julian Chokkattu, who has covered phone advances for years, I’m likely to chalk this up to improved modem performance by the newer Motorola, not a secret backdoor to faster uploads by Tello.

It’s only in areas with degraded or 4G reception that I started to see real lapses in Tello’s performance. In the outskirts of Portland near its forested northwestern ridge, Tello got fewer bars than T-Mobile—and the data arrived at speeds slow enough to bother me. A couple of speed tests timed out. Uploads also began to crawl in low reception areas as compared to my T-Mobile phones, sometimes dipping down into only a quarter of the speed of T-Mobile’s network.

Which is to say: Most of the time, Tello worked just as well as T-Mobile. Except for the stray moments when it didn’t. The moments when Tello’s performance is noticeably worse are usually the moments at which you’re demanding the most from your phone: clinging to a stray bar of reception, or streaming a video while riding a train.

When Would I Want Tello Instead of T-Mobile?

Whether the trade-off is worth it will depend on what type of phone user you are. Family discounts are better with the big providers. Frequent international travelers should also probably stick with the big boys. International roaming will cost you with Tello, as will texts to and from most countries outside Latin America and Europe. Travel is also when you’re most likely to use up lots of data outside Wi-Fi networks.

The other big financial differentiator is how often you upgrade your phone. With Tello, you’re on your own when it comes to procuring a device, while T-Mobile and other postpaid plans keep you hooked to their high-priced plans by offering you the latest and greatest gee-whiz phones at steep discounts.

The stabilizers are PCB-mounted, which is preferable to the typical plate-mounted units that many keyboards use, and are lubricated from the factory. The lube on these stabilizers, while a bit excessive (there were small clumps of lube visible on the outside housings, which is not typical), feels great. The stabilized keys are smooth and consistent, with no audible rattling or sticking when typing.

But as it turns out, the greatest downside of this keyboard is, also, the material choice. As much as unsealed, raw concrete is quirky and fun, it is ultimately a utilitarian material: It’s heavy, has an inconsistent texture, and stains easily. During my time with this keyboard, it gathered quite a few smudges and stains, nearly all of which had unknown-to-me origins. Maybe they came from cleaning sprays, or from something on my hands, but I honestly have no clue. Depending on your perspective, this can be a flaw or a bonus. What some consider dirty, others will see as “patina.” But as someone who likes keeping their electronics squeaky-clean for as long as possible, it’s definitely a bit of a bummer to me.

(Being concrete, I would assume there are dozens of ways to get nearly any stain out of this keyboard, such as a power washer or a can of brake cleaner. However, I didn’t have the gumption to try it out for myself, and as such, I can’t guarantee that it’s possible.)

Gaming on Granite

Despite my multiple complaints about Keychron’s all-ceramic keyboard, I was still fond of the Tunneling Magnetoresistance (TMR) switches inside. They were innovative, functional, and novel, with notable advantages over standard Hall Effect (HE) switches. Because of that, I was surprised to see this keyboard going back to standard HE switches. They’re still great switches, of course, but going back to an inferior option for a similarly unique keyboard doesn’t quite make sense to me.

Regardless, these switches are still impressive by any other standard of comparison. They feel smooth, have a reasonable weight, snap back quickly when pressed. This keyboard both feels good to type on, and is responsive enough for gaming, especially with the 1,000 Hz polling rate.

Photograph: Henri Robbins

When my daughter was diagnosed with juvenile myoclonic epilepsy (JME), it meant a lot of changes for us to help manage her condition. While epilepsy is different for each person, and it can change over time and with medication, we knew that we’d have to help manage it.

My daughter’s epilepsy started suddenly one morning when, out of nowhere, she had a seizure while we were on holiday in August 2025. We hoped it would be a one-off, but every six or seven days, she’d have another seizure, always in the morning after waking.

After a full diagnosis of JME, the medication has worked, although we did have a period of breakthrough seizures at the start of January 2026, which meant that we had to reapproach her routine. Here’s what we did.

A wireless doorbell

When she had first had seizures, my daughter would know she was about to have one. Not everyone gets a sense, but she did. It was important that she didn’t have to move, and that we could come to her. The easiest way to alert us was with a wireless doorbell, which we picked up from Argos.

This came with the wireless press, a plug-in chime that we put downstairs, and a wireless chime that we put in our bedroom. Any morning that she woke up and felt funny she could press the button, and we’d come to her, reducing the dangers of her falling over and hitting her head.

The benefit of this system is that it’s cheap, and all of the bits are portable. So, my daughter can move the wireless press around with her, and the entire system can go with her. When she stayed at her grandparents’, for example, she took the system with her, and we’ve taken it to a hotel, too.

Since going on medication, she no longer gets any indication that a seizure is about to come, so we’ve had to change how we manage things, but we leave the doorbell with her as a precaution.

Gentle wake-up

A trigger for my daughter is being woken up with a start. When she can wake naturally and easily with as little stimulation as possible, she doesn’t have seizures. We get her to stay in bed for 30 minutes after waking, as that’s the danger period for having a seizure based on previous patterns.

To wake her up, we use a Philips Hue smart light in her bedroom and the wake-up automation. This slowly brightens the light, gently waking her naturally without the harsh buzzing of an alarm. 

This really seems to work for us and for her, and it’s easy to adjust if she needs to wake up at a different time. At the weekend, she can sleep in longer, for example, before she has to wake to take her medication.

Eero to control screen time

We have an Eero Wi-Fi system at home, and it has some of the best parental controls. It’s particularly useful, as we don’t let our daughter use screens 30 minutes before she has to go to sleep. With Eero, I have a profile set for her, and her internet time automatically shuts down 30 minutes before bedtime. That stops her from streaming anything to the TV and avoids us forgetting to tell her to turn the TV off.

For her phone, we have Apple Screen Time, which puts her phone into downtime when it’s time to shut down for the evening.

Homey for monitoring

Outside of a school day, we let her wake up a bit later, but it’s useful to know what time she did wake up, so we can judge when we’re past that initial period when she’s more likely to have a seizure. 

Thanks to the smart light, which she turns on when she wakes up, I can use Homey to record when the light turns on and, therefore, roughly when my daughter wakes up. It’s a handy extra check.

Things change, but we’re ready

Having spoken to other people, epilepsy is individual, and patterns of seizures and triggers change person-to-person, and through life, and through medication. Routine seems to be important, and the tech we’ve got helps to gently manage that, while giving flexibility to adapt.