The JP4x4 is a new take on two of the original Renault 4s: the Plein Air version, built in 1969 for open-air fun, and the JP4 from 1981, which seemed to channel carefree days by the sea. The name JP4 is derived from Journée à la Plage, which translates to “a day at the beach.” The new name JP4x4 incorporates the four-wheel drive feature, which is self-explanatory.

On May 18, visitors to the 2026 Roland-Garros French Open will get their first look at the vehicle, which joins three previous concepts built on the same electric Renault 4 E-Tech platform, each of which explored new ways to use the compact hatchback. The most recent version focuses squarely on leisure and light adventure. The vehicle joins three previous prototypes based on the same electric Renault 4 E-Tech chassis, each exploring new ways to use the compact hatchback. This most recent edition focuses solely on leisure and minor adventure. Emerald green paint covers the bodywork in a somewhat iridescent tint that resembles the colors offered on the classic 4L in the 1970s. Bright orange fills the interior, creating a sharp, cheerful contrast that draws the eye from all sides. Half-doors replace the traditional five-door layout, stopping just short of the B-pillar enabling simple entry and departure. There are no side windows or a canvas roof, so the hut is always open to the breeze.

The openwork roof is made up of a cross-shaped structure that provides enough stiffness while allowing plenty of sky to be visible. The same frame supports a surfboard strapped securely on top. At the back, the tailgate folds flat like the side of a pickup truck, transforming the cargo area into a simple loading platform. Skateboards fit nicely into the free area behind the seats, ready for whatever happens next.

The dashboard and digital screens are carried over from the production car, but Renault added a passenger grab handle for rougher terrain and a floating center console to keep the space airy. Inside, the seats replicate the distinctive bucket style of 1970s Renault models, complete with integrated headrests that resemble wrapped Egyptian mummies. The seats are covered in mixed fabrics, combining a crepe base with diagonal mesh sections for a sporty yet comfortable feel. Orange accents appear. They are covered in a mix of fabrics, including a crepe base and diagonal mesh parts for a sporty yet comfortable feel. The dashboard and digital panels are carried over from the production car, but Renault has added a passenger grasp hold for rougher terrain and a floating center console to keep the area open. Orange accents emerge on the door panels and surrounding the console, bringing everything together.

The JP4x4 is mechanically similar to last year’s Savane 4×4 concept, with a second electric motor driving the rear wheels, giving the vehicle permanent all-wheel drive instead of the front-wheel-drive setup found on the standard Renault 4 E-Tech. The ground clearance rises by 15 millimeters, and each track widens by 10 millimeters for better stability. The 18-inch wheels wear a fresh design inspired by the original JP4, wrapped in Goodyear UltraGrip Performan A second electric motor powers the back wheels, providing the vehicle permanent all-wheel drive rather than the front-wheel-drive system seen on the ordinary Renault 4 E-Tech. The ground clearance increases by 15 millimeters, and each track expands by 10 millimeters to improve stability. The 18-inch wheels feature a new design inspired by the original JP4, as well as Goodyear UltraGrip Performance+ tires in the 225/55 size. The wheelbase remains at 2,624 millimeters, as it was on the production vehicle.

Renault built the entire package for sandy beaches, stony pathways, and unpaved treks where extra traction is critical. The combination of raised height, wider stance, and all-wheel drive gives the car a capable feel without making it a serious off-road vehicle. Nobody expects this particular vehicle to hit showrooms. Instead, it serves as a showcase for the electric Renault 4 platform’s versatility.

A recent Figure AI tech showcase depicts two F.03 humanoid robots walking into a clean but lived-in environment. One robot goes straight to a coat thrown on a bed and hangs it neatly on a wall hook. At the same time, the second robot closes a laptop on the desk and places a pair of headphones back onto their stand. They keep progressing without pausing, each catching up on what the other has previously accomplished. When they approach the unmade bed, they naturally split off, one on each side, and begin manipulating the sheets and comforter together until everything is level and smooth.

People have seen robots doing laundry and stacking boxes before, but this time, not one, but TWO machines went through a whole sequence of everyday jobs in the same room at the same time, not bad for a minute and a half of work. The list of tasks included opening doors, pushing a chair under the desk, closing a book, emptying a small trash can, and generally tidying up the joint so it looked ready for the next day. But this time, not one, but TWO computers performed a whole sequence of daily tasks in the same room at the same time, which is not bad for a minute and a half of effort. The list of activities included opening doors, moving a chair beneath the desk, closing a book, emptying a little trash can, and generally cleaning up the space so it looked ready for the next day.

Unitree G1 Humanoid Robot（No Secondary Development）

• Sleek & Durable Design: Standing at 132cm tall and weighing only approx. 35kg, the G1 is constructed with aerospace-grade aluminum alloy and carbon…
• High Flexibility & Safe Movement: Boasting 23 joint degrees of freedom (6 per leg, 5 per arm), it offers an extensive range of motion. For safety, it…
• Smart Interaction & Connectivity: Powered by an 8-core high-performance CPU and equipped with a depth camera and 3D LiDAR. It supports Wi-Fi 6 and…

Each F.03 stands about five feet eight inches tall, walks around on two legs with arms that have hands made up of five individual fingers, and their heads have stereo cameras that feed live video straight into their central brain, with no need for any external sensors or additional computers to help them out. The trick is in a special bit of software called Helix-02, which Figure built in as a single rule that takes images from the cameras and then The trick is in a special piece of software called Helix-02, which Figure included as a single rule that takes images from the cameras and a simple aim and translates them into an infinite succession of joint movements, with no further planners or coding required.

Engineers basically gave the system thousands of hours of practice time through simulated runs, then threw in some real-world examples from their earlier tests of the robots doing grocery shopping and kitchen cleaning, and then they simply added some new data showing the robots working together in a room, and the model just learned the new pattern, no need for new code.

When the comforter becomes all bunched up and begins to slide out from under the robots, the one on the left will tilt its head slightly, and the one on the right will notice and adjust its grip just in time to catch it; because they don’t send any messages to each other, everything happens on the fly, with each watching the other’s body language and adjusting their own plan as it goes.

Engineers will tell you that the problem is that objects that can change shape, such as a blanket, provide a significant challenge. The policy predicts when the shape will change and adjusts accordingly, all in a fraction of a second! It also makes the robots steady when they reach, stride, and turn, as it was interesting to see one of them stand on one leg to press the pedal while the other just kept walking.
[Source]

MUFG, Mizuho, and SMFG would be the first Japanese institutions added to Anthropic’s restricted Project Glasswing rollout, a source familiar with the matter told Reuters

Japan’s three megabanks are set to gain access to Claude Mythos, Anthropic’s vulnerability-hunting AI model, within roughly two weeks, a source familiar with the matter told Reuters on Tuesday.

It would be the first time a Japanese company has been granted entry to the restricted preview, which has so far been confined to Anthropic’s American and a handful of European partners.

Mitsubishi UFJ Financial Group, Mizuho Financial Group, and Sumitomo Mitsui Financial Group were informed of the move during meetings in Tokyo this week with US Treasury Secretary Scott Bessent. The three lenders are expected to be onboarded by the end of May.

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Mythos has been treated by regulators and chief executives as a category-shifting event since Anthropic disclosed its existence earlier this month.

The model has discovered thousands of previously unknown zero-day vulnerabilities across every major operating system and every major web browser, and in internal testing it wrote working exploits, including chains that escape both renderer and operating-system sandboxes in a browser.

Mozilla last week shipped Firefox 150 with fixes for 271 vulnerabilities found by Mythos in a single evaluation pass.

Anthropic has not released the model publicly. Instead, it has run a controlled rollout under what it calls Project Glasswing, with 12 named launch partners, including AWS, Apple, Cisco, Google, JPMorganChase, Microsoft, Nvidia, and Palo Alto Networks, and around 40 further institutions granted access on a case-by-case basis.

Japan’s inclusion comes weeks after the Fed and US Treasury convened American bank chief executives on the same cyber-risk briefing, and after UK regulators committed to briefing major British banks within days.

Tokyo is moving in parallel. Finance Minister Satsuki Katayama announced the formation of a 36-entity public-private working group on Mythos-class risks, comprising the country’s major banks, the Bank of Japan, and the Japanese units of Anthropic and OpenAI.

The group is chaired by Mizuho’s chief information security officer and is charged with identifying exposures, implementing defensive measures, and drafting contingency plans for what would amount to a co-ordinated patching push across the Japanese financial system.

For the three banks involved, the immediate question is operational. Mythos under Glasswing terms is delivered with restrictions on output disclosure, with the model used to find vulnerabilities in a partner’s own systems and to draft remediation, not to publish exploits.

The Mozilla case offers a template: 271 vulnerabilities patched in a single Firefox release after a Mythos sweep, with the model’s findings handed back to Mozilla engineers under non-disclosure rather than published.

The geopolitical layer is unusually visible. Bessent’s role in conveying the access decision in Tokyo aligns Mythos rollout with US Treasury statecraft rather than with Anthropic’s commercial channel, an arrangement that has drawn complaints from European capitals.

Eurozone finance ministers raised the issue at an Ecofin meeting last week, where no EU government had access to the model while the White House was reported to be blocking further expansion of the partner list.

Industry views on Mythos remain split. Some cybersecurity researchers have argued that the vulnerabilities Mythos surfaced are reachable through clever orchestration of public models, and that the bigger story is the rate of improvement of frontier AI in offensive cyber, not Mythos itself.

Others, including Anthropic chief executive Dario Amodei, have described the moment as a “cyber moment of danger” that justifies the access controls.

Anthropic and the three Japanese banks did not immediately respond to requests for comment, according to the Reuters source’s account.

Lady Gaga’s “Mayhem Requiem” filmed live performance will stream on Thursday, May 14, via Apple Music Live and at select AMC theaters across the United States.

At 11:00 p.m. Eastern / 8:00 p.m. Pacific, Lady Gaga fans can head to the Apple Music app on their iPhone, iPad, Mac, Apple TV, or in-browser at music.apple.com to tune into an exclusive stream of the Mayhem Requiem filmed live performance. In addition to streaming on the app, 15 select AMC theaters across the U.S. will show the performance at the same time.

The premiere is free for anyone to watch; no Apple Music subscription is required. However, Apple Music subscribers will be able to watch the performance on demand after the event is over.

Apple Music describes the event:

“The opera house from Lady Gaga’s MAYHEM Ball has been reduced to rubble— and now it’s time for MAYHEM Requiem, a celebration and musical reimagining of her sixth album.”

It’s worth noting that the filmed live performance isn’t actually live, either. It was recorded on January 14 at Los Angeles’ Walter Theater.

A live album of all songs mastered in spatial audio will be available on Apple Music. Fans can unlock bonus content, like wallpapers and Apple Watch faces, through the Shazam app by identifying any Lady Gaga song.

The organisation plans to use the investment as a means of accelerating the application of its AI model, at scale.

AI-powered drug design and development company Isomorphic Labs has announced the raising of $2.1bn in Series B funding. The round was led by Thrive Capital and includes participation from existing backers Alphabet and GV alongside new investors MGX, Temasek, CapitalG and the UK Sovereign AI Fund.

Founded in 2021 and led by CEO Demis Hassabis and its president Max Jaderberg, Isomorphic Labs is headquartered in London and has additional premises in Cambridge, Massachusetts and Lausanne, Switzerland. The company, which is a spin-off from Google DeepMind, an AI research lab acquired by Alphabet in 2014, aims to address the challenges of drug discovery using AI technology. 

Isomorphic labs intends to put the recently raised funds towards the continued development and deployment of its AI drug design engine (IsoDDE) and the acceleration and expansion of its pipeline of therapeutic programmes. Additionally, the funding will support current hiring targets.

Commenting on the announcement Ruth Porat, the president and chief investment officer at Alphabet and Google said, “The application of AI in healthcare offers a profound opportunity. 

“Isomorphic Labs has already made extraordinary progress in harnessing AI to accelerate drug discovery, and we are excited by this momentum and the early promise of the technology platform.This trajectory is encouraging, and this funding will be used to accelerate the work and bring important interventions to market with greater speed.”

Jaderberg added, “This milestone is built on the strength of our AI drug design engine, which has already proven its worth across our internal programmes by hitting key milestones and identifying viable candidates with unprecedented speed.

“Our drug design engine works, and it’s giving us a repeatable way to design new medicines for a wide range of diseases, building a future of medicine that was previously out of reach.”

Reportedly, Isomorphic expects to run its first clinical trials by the end of 2026, a delay from the CEO’s earlier target of having AI-designed drugs in trials by the end of 2025.

In late April, Alphabet was among some of the large scale organisations posting positive quarterly reports. Alphabet beat revenue expectations for the past quarter, led by its growing cloud business, which rose 63pc to hit $20bn. Consolidated revenue grew 22pc to nearly $110bn.

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Artificial intelligence didn’t roll out slowly. In fact, at times it feels like it landed all at once.

In just a few years, systems that began as internal experiments are now embedded in customer support, fraud detection, software development, and even IT infrastructure operations.