A lot of humans are feeling very down on humanity these days. Maybe you’ve met them. Or maybe you’re one of them.
Tech
What’s going to come in the next Apple Watch?
A new report claims that Apple intends to make few changes to the current Apple Watch Series 11, beyond a new Watch face.
Previous reports have said that the Apple Watch Series 12 may get significant software updates, but that the hardware would remain much as it is with the current model. Now Bloomberg is reporting that there won’t be many changes to hardware or software at all.
Specifically, the report says there will definitely be at least one new Watch face, plus performance improvements, but then probably little more than fixes and presumably also security updates. Beyond that, the report goes no further than alluding to the possibility of small hardware updates.
Previously, it’s been expected that the Apple Watch will not directly include any Apple Intelligence features. Reports vary, but it’s believe that the Apple Watch currently has between 1GB and 1.5GB of RAM, and so presumably that limits just how much Apple Intelligence could do on the small device.
However, the Apple Watch may be able to display results from Apple Intelligence prompts.
There’s no indication in the new report that this will happen with watchOS 27, which is due to be announced at WWDC. Other prior reports have agreed that there will be few or no Apple Watch hardware updates in 2026, but some predict an all-glass redesign in 2028.
Tech
How to fall in love with humanity in the age of AI
I’m talking about those who look around and say: Humans are destroying the planet — causing climate change, making other species go extinct. Soon enough we’ll be mucking up the cosmos, too — polluting it with still more space junk, colonizing the moon, even exporting data centers into the heavens. The world would be better off if we ourselves just go extinct!
One reader recently exemplified this rising anti-humanism by writing in to my philosophical advice column, Your Mileage May Vary, and telling me bluntly: “I’m disgusted to be a human.” I responded by reminding them that hating on humanity is neither a new nor an enlightened position. It lets us off the hook too easily, because it expects nothing of us.
But I’m also aware that this distaste for humanity isn’t only motivating old-school misanthropy these days.
It’s also motivating transhumanism, the movement that says we should use tech to proactively evolve our species into Homo sapiens 2.0. Transhumanists — who span the gamut from Silicon Valley tech bros to academic philosophers — do want to keep some version of humanity going, but definitely not running on the current hardware. They imagine us with chips in our brains, or with AI telling us how to make moral decisions more objectively, or with digitally uploaded minds that live forever in the cloud. All of this will someday, they assert, usher us into a utopian future where we transcend suffering and become as perfect and immortal as gods.
To better understand why a distaste for humanity is driving some people into the arms of transhumanism these days, I reached out to Shannon Vallor, a philosopher of technology at the University of Edinburgh and author of The AI Mirror. Vallor is a devoted humanist — but not a naive one. To her, being pro-human doesn’t mean being anti-technology. We talked about how classical humanism has failed to offer a compelling vision for the 21st century and beyond — and how we can still do better. Our conversation, edited for length and clarity, is below.
What’s driving transhumanism to become more popular these days?
We’re living in a world that digital technologies and social media have made more fragmented and alienating. We are busier, more tired, more lonely, more uncertain than ever about the future and what it holds. So we’re at a low point in our ability to place faith in our fellow humans. And instead of looking at the deeper causes of that — the breakdown of the social fabric and of institutions and of local networks of care — there is an attempt to normalize and naturalize anti-humanism.
It’s an attempt to treat it not as a symptom of some disease or malaise in society — which is how I see it — but rather to treat it as a new, more enlightened frame of mind. To say: If you’re a humanist, you’re somehow stuck in the past, you have this overly romantic attachment to humans, you’re committing a fallacy of exceptionalism.
And there is a history of humanism being inappropriately exceptionalist — for example, imagining that other living things can’t have feelings or intelligence or moral standing. So as we’ve surpassed those errors, it’s very easy to think: Oh, you just go one step further and decide that humans don’t really need to be part of the story, or they don’t need to be writing the story. And if you quiver or flinch at the notion of machines writing the story of the future, that’s just your parochial attachment.
Right, this is the accusation of “speciesism” that we hear a lot these days.
Exactly. At a very superficial intellectual level, this is all very plausible and appealing and seems very enlightened, right? But it’s rooted in a deep misconception of what it is to be human.
The reason why it’s mistaken for humans to place themselves at the center of all value and to see other living beings as mere tools has nothing to do with humans somehow being unimportant, or humans somehow being insignificant in the broad story. It’s rather a failure to understand that to be human is to be dependent upon this much bigger living system, and our value is inseparable and intertwined with the value of other living things. It’s not that humans are something to be cast aside.
Have a question you want me to answer in the next Your Mileage May Vary advice column?
Do you think the classical humanism that we’ve inherited from the Renaissance and the Enlightenment era is enough to meet the current moment? Or do we need a new humanism?
No. I do think we need a new humanism. And one of the reasons, of course, is because classical humanism, in addition to suffering from the flaws of speciesism, had a vision of the human that was itself heavily gendered and racialized. It was very much an ideal that is both unattainable and undesirable in its naive form: the idea of the individual, rational agent that is entirely self-determining and surpassing the more basic networks of care and concern that hold communities together. This Enlightenment version of humanism, which carried with it many of the flaws of European Enlightenment thinking more broadly — that’s not the kind of humanism that’s going to carry us into a sustainable future.
The most common pro-human response to AI that I see nowadays is this style of humanism that tries to say there are certain fixed traits that make humans unique, and that tries to locate value only in humans as they currently exist. It says: Let’s use tech to alleviate problems like disease but not try to augment the species.
To me, that feels insufficient as a guide. Because we’re all already transhuman in some sense, right? “Human” has never been a static category. Homo sapiens has always been evolving and augmenting itself, with everything from meditation and fasting to eyeglasses and antidepressants. A humanism that refuses to recognize that feels like it doesn’t offer a compelling vision for the future.
That’s the naive version of humanism. It’s the idea that there’s this blueprint for what a human is and that somehow technology, or any things that change us, take us away from that blueprint, when in fact we’ve been changing ourselves with language, with tools, with architecture, with culture, from the moment we climbed down from the trees.
“We need to ground ourselves in an ethos of sustainability, of care, of solidarity and mutual aid and repair of the systems that we need in order to have a future. That can be its own philosophy.”
I wrote about this in The AI Mirror, where I talked about the existentialist Jose Ortega y Gasset’s notion of “autofabrication” [literally, self-making]. From the beginning, humans have had to invent and reinvent themselves anew again and again. If there is anything unique about the human, it’s that as far as we know there’s no other creature that has to get up in the morning and decide if it’s going to live differently than it did the day before, or if it’s going to maintain the commitments and promises it’s made to itself or others.
This kind of identity construction is something that our cognitive makeup has given us, both as a blessing and a bit of a curse. It’s the responsibility to choose — and to not fall back on this idea that there’s a blueprint for what a human is supposed to be and that we’re just supposed to follow that blueprint.
I think people really crave a positive vision for the future that they can get behind. To you, what is the positive, humanist-but-not-naive-humanist vision?
Sometimes I think about this demand for a positive vision and I think about how unfair and unreasonable that demand is when the mere homeostasis of life on this planet, and of human life, is fragile. For a being whose future is threatened, survival is a positive future! Maintaining the strength and resilience of our form of life is a victory. And in a way, I think there’s a danger in the desire to immediately leap past that.
We have to look at the fundamental structural causes of the scarcity we face, and see the positive, exciting, mobilizing, motivating work as addressing those deficiencies. We should be able to be excited about doing that work.
I have two simultaneous reactions to this. The first is: Yes, we should be able to get excited about that. And I think if we had a cultural narrative that taught us that just the dynamism of being alive is itself the gift, we’d be better placed to think of sustainability as the thing to treasure.
My second reaction is: But people have this persistent hunger for a story about how we can overcome suffering and make things better than ever before — a transcendence narrative!
And that’s okay. What I want to say is, if you meet people’s basic needs, both as individuals and in community, they will naturally generate the instruments of transcendence.
When you give people the ability to be free from fear and free from imminent threat, and you get them out of this feeling that they’re in a lifeboat situation — that’s when people’s creative energy really kicks in.
I’m someone who loves animals — I’m a big birder, I’m obsessed with snorkeling, I just love exploring different kinds of minds. So I could feel excited about a future where we have a multitude of diverse intelligences — animals, conscious AIs, augmented humans, etc. Do you think part of a positive vision for the future could be an expanded space of different kinds of minds? Does that excite you at all?
Yeah! Look, I’m a giant sci-fi nerd. I spent my whole childhood living in imaginary worlds with other kinds of minds: talking animals, various hybrid human-animal creations, robots, artificial intelligences. There is nothing about my humanism that blocks a future where humans share the planet with many more kinds of minds than we have today.
What I resent is the exploitation of that excitement by tech companies to sell and impose harmful, unsafe technologies that pretend to be minds, that are disguised as minds. Claude is not [a mind]. Claude is a language model built to roleplay that.
I have no assurance that it’s possible to create a machine mind. But I also have no principled reason to think it’s impossible. And the vision that you described sounds wonderful. The problem is that it’s very easy for the AI industry to say: Ah, but that’s what we’re already giving you!
You said in a talk last year that you think maybe we should take a break from a certain kind of philosophizing about humanity’s future. But looking around at the political landscape, that feels like a luxury we can’t afford. The tech broligarchs have links to the authoritarian right. Some of them want to escape the control of democratic governments, so they’re trying to create their own sovereign colonies — whether that’s space colonies or “network states.” Given their influence, taking a break from trying to steer the future feels like capitulation at a time when capitulation is very dangerous.
I hear you. It does seem very dangerous to say that there shouldn’t be some kind of counter-philosophical-movement opposing that. But when I was saying that maybe we need to pause, what I was speaking of is the kinds of philosophical preoccupations that jump ahead of the obvious needs of the moment and serve as a perpetual distraction from those needs.
There is a certain kind of philosophy that I think we need to perhaps put on hold: It’s the philosophy of forget the present, forget the problems of the moment, think bigger, think about the universal point of view.
What I’m suggesting is that we need to ground ourselves in an ethos of sustainability, of care, of solidarity and mutual aid and repair of the systems that we need in order to have a future. That can be its own philosophy.
But it’s not a utopian kind of move. Utopia is very often used as an instrument of authoritarianism and it’s used as a way to rip people away from their present commitments and needs, and to distract them with a dream that relieves the pressure to address our current circumstances. I think that’s the opposite of what we need right now.
Yeah, this is the classic point made about Christendom — how it tells us: Just focus on getting to a good afterlife, don’t expect anything good from your life on Earth. Malcolm X called it “pie in the sky and heaven in the hereafter.” It’s one of the ways I often feel like transhumanism is weirdly doing Christendom’s bidding.
Oh absolutely, 100 percent. It’s strangely regressive, right? It’s bringing us back precisely to that worldview: Don’t worry about the feudal circumstances that you are presently in, because that’s going to be a distant memory soon, when the world of infinite abundance is delivered unto you. That story was effective for millennia. But it was one that we ultimately managed to break ourselves free from.
Right, and that was one of the genuinely great innovations of humanism: Let’s not just put all our faith in the beautiful hereafter, but let’s actually care about human lives here on Earth, now.
Tech
Take Control of Your Debt With These Free Tools
Apps for budgeting and personal finance do a good job of tracking your money as you earn and spend it. Some also have excellent debt calculators that help you figure out how to pay off your debts.
Each debt calculator is a little different. Some suggest a specific method for paying down debt, while others are simulators that let you see how your total amount paid will decrease if you increase your monthly payment.
Here are a few useful calculators and some guidance about what makes them different.
A Straightforward Plan: Bankrate
Bankrate’s free debt payoff calculator gives you a timetable for paying off each of your debts. You enter as many debts as you want to include, their interest rates, total loan amounts, and other details. You also enter any new income you expect to receive, such as an annual salary increase or windfall, and the amount that you can put toward your debts. The calculator then generates one payment table for each debt showing how much to pay each month until the debt is cleared.
Bankrate prioritizes paying off the debt with the highest interest rate first. Once your first debt is paid off, the money you would have put toward it is diverted to your other monthly payments. In other words, as you eliminate debts, the monthly payments on your other debts increase until they, too, are paid off.
Who should use it? Bankrate’s calculator works for people who have multiple debts, and the total monthly minimum payments are within their financial reach. If that’s you, then you’ll get a crystal clear plan—with a timeline—for getting rid of all your debts.
Where it comes up short. This calculator assumes that paying off your debts by clearing the one with the highest interest rate first is in your best interest. That’s not true for everyone. You might have other options, such as consolidating credit card debt to a new card with a 0 percent introductory rate or filing for bankruptcy. Bankrate also doesn’t take into account other personal finance concerns, like other uses of monthly funds that free up once you pay off your first debt—Bankrate tells you to put that money toward your next-highest-interest debt. You might be better off putting it toward retirement savings or an emergency fund.
Big-Picture Guidance: NerdWallet
NerdWallet’s free debt load calculator determines your debt load as a percentage of your income. The resulting debt load is classified as smaller (less than 36 percent), larger (37–42), or overwhelming (43 percent or more). Based on the outcome, NerdWallet suggests a method for eliminating your debt, which you read about in an educational article below the results.
Who should use it? This calculator helps you get a big-picture sense of your debt. If you have a lot of debt, it’s useful for ruling out (or ruling in) the option of declaring bankruptcy.
Where it comes up short. It’s not great at analyzing the finer details of your debt. For example, in the setup, there’s no line item for student loans or a mortgage, much less the exact interest rate you pay on loans. The results are a rough guide rather than a personalized strategy.
Automated Inputs: WalletHub
When you sign up for WalletHub (free) and connect your financial accounts, the app pulls real information about how much money you owe and your payment history. Its debt payoff plan is a calculator that lets you play with the numbers to see what would happen if you increased your monthly payment. How much faster can you clear the debt? How much will you save in interest? You can quickly see the difference between increasing your monthly payment by, say, $50 versus $150.
Who should use it? This calculator is for WalletHub users who have connected their financial accounts. It’s most useful for people who can afford to pay more than the monthly minimum on their debts.
Tech
5 Lexus Engines You Should Steer Clear Of
Lexus has spent more than three decades earning the reliability that most luxury brands would love to borrow. From the original LS 400 that humbled German sedans, to early RX and ES models, the brand has conditioned buyers to trust any Lexus engine almost by default, and most of the time that trust is warranted.
But no automaker bats a thousand. Hidden in Lexus’ 35-year engine catalog are a few designs that don’t quite live up to the badge. The five engines ahead span nearly every era of the brand and together power hundreds of thousands of vehicles still on the road. These include a twin-turbo V6 that can stall when stray machining debris wipes out its bearings, another V6 that became known for turning its oil into sludge, the hybrid four-cylinder that powered the company’s first hybrid car and burned oil faster than fuel, a compact direct injection V6 that misfires when carbon clogs its intake valves, and an otherwise reliable Lexus V8 engine with a fire-risk related recall.
Have all of them been fixed by recalls, updated parts, or warranty programs? In most cases, yes. Does that mean every example you’ll find on a used car lot will be bad? Not really. But if you’re shopping for a used LX 600, IS 250, ES 300, RX 300, HS 250h, GX 460, or LS 460, the engine under the hood deserves more attention than the badge on the grille.
1. 1MZ-FE 3.0L V6
When Toyota introduced the all-aluminum 1MZ-FE in the mid-1990s, it looked like the perfect luxury V6. Aluminum saved weight over the iron 3VZ it replaced, twin overhead cams kept it smooth to 5,800 rpm, and its broad torque curve gave the ES 300 and first-gen RX 300 the effortless feel buyers expected from a Lexus. Later updates even added variable valve timing, helping the engine meet low-emissions targets without giving up power. The problem is that the 1MZ-FE also became one of the main engines tied to Toyota and Lexus’s oil-sludge controversy.
It started with reports of thick, oily sludge building up under the valve covers, and it quickly became one of Toyota’s most notorious reliability issues. Engine oil is supposed to stay thin enough to move quickly through narrow passages, carry heat away from hot spots, and keep bearings and cam surfaces from grinding against each other.
In the 1MZ-FE, however, degraded oil could thicken into sticky deposits instead of flowing cleanly through the engine, and it showed up as warning lights, blue smoke at startup, burning oil, valve knock, sudden stalling, and no-start conditions. In the worst cases, the engine sludge problem led to complete engine failure, with quotes for thousands of dollars in major internal work involving the short block, heads, valve covers, and cams.
The problem was widespread enough to pull in the 1MZ-FE-powered Lexus ES 300 and RX 300, and Toyota addressed it through a Special Policy adjustment rather than a formal recall; a later class-action settlement ultimately covered about 3.5 million 1997-2002 Toyota and Lexus vehicles.
2. 4GR-FSE 2.5L direct-injection V6
Toyota’s GR family makes some of the most respected V6s in modern motoring, but the 4GR-FSE is the odd child. Lexus dropped it into the second-generation IS 250 (2006-2010 sedan, 2010 IS 250C) as a downsized alternative to the 3.5-liter IS 350. Technically, it looked smart: a modern, high-compression GR-family V6 with dual VVT-i and, critically, D-4 direct fuel injection. Lexus claims the direct-injection system helped cool the cylinders, allowing the 4GR-FSE to run at higher compression and extract more efficiency from a small luxury-sedan V6.
The problem is that gasoline direct injection engines also remove one useful side effect of port injection. In a port-injected engine, fuel is sprayed upstream of the intake valve, which helps “wash” the backs of the valves as the engine runs and makes it harder for oily vapors and deposits to stick. In the 4GR-FSE, fuel is injected directly into the cylinder, so the intake valves don’t get that natural cleaning effect. Without it, carbon deposits are more likely to build up on the intake side over time. Once carbon deposits built up, the 4GR-FSE could show check-engine and VSC lights, rough cold starts, shaky idle, random cylinder misfires, sputtering at stops, sudden loss of power, and occasional stalling when rpm dropped. Some cases involved repeat top-engine cleanings, piston/ring work, or complete engine replacement.
Because Lexus treated it as a drivability/emissions issue — not a safety defect — it was handled with service bulletins and a Customer Support Program instead of a recall. That coverage ran for nine years, but it’s expired now, which means today’s used-IS buyers pay out of pocket for cleanings and related repairs or sidestep the 4GR altogether and buy the port-and-direct-injected IS 350 instead.
3. 1UR-FE/1UR-FSE 4.6L V8
When Lexus replaced its long-running 4.3L LS V8 and 4.7L GX V8 engines, the 4.6L 1UR looked like the perfect upgrade. The 1UR-FSE arrived in the LS 460 as a newly developed 4.6-liter V8, while the 1UR-FE followed in the 2010 GX 460 as a stronger, more efficient replacement for the old 4.7-liter V8. Early 1UR-era cars, however, had a number of problems, and the one that drew the most attention was a valve-spring defect.
Toyota found that some valve springs in certain 2007-2008 LS 460/LS 460L and 2008 GS 460 V8 engines could create small cracks and eventually break. Once a valve spring fails, the engine can act like it’s starving for fuel; sluggish throttle response, sudden power loss, heavy shaking/misfires, and in the worst cases, it stalls and won’t restart.
Another issue involved the fuel system. On some 1UR-powered Lexus models, the gasket sealing the fuel-pressure sensor to the fuel delivery pipe could lose its seal over time, causing the fuel to leak into the engine bay, sometimes with little warning beyond a fuel smell, and that obviously raises the risk of a fire. On the SUV side, some GX 460s had a secondary-air injection fault that could trigger the check-engine light and put the truck into reduced-power/limp mode until the pump or valves were replaced.
Toyota addressed the broken springs with a safety recall, replaced the fuel-sensor gasket under a different recall, and later issued a GX 460 Warranty Enhancement for air-injection pump failures and switching valves for 10 years.
4. 2AZ-FXE 2.4L hybrid four-cylinder
The 2AZ-FXE was the mechanical heart of the Lexus HS 250h, which arrived for 2010 as the world’s first hybrid-only luxury vehicle and Lexus’s first four-cylinder gas engine paired with Lexus Hybrid Drive. It came from Toyota’s ubiquitous 2AZ engine family, including the conventional 2AZ-FE and the hybrid 2AZ-FXE, which powered countless Camrys, RAV4s, and Scion tCs before doing duty in the HS 250h’s 2010-2012 run. It was a very different kind of Lexus engine from the brand’s well-known V6s; a 2.4-liter tuned to prioritize fuel economy above everything else. Unfortunately, fuel economy wasn’t the only thing it became known for; oil consumption became the real problem.
In a healthy engine, piston rings are supposed to do two jobs at once: keep combustion pressure above the piston where it belongs and scrape excess oil off the cylinder walls so it doesn’t get pulled into the combustion chamber. When the oil control side of that job starts failing, the engine can begin consuming oil so gradually that a driver may not notice until the level has fallen much farther than it should. Once oil levels drop too far, bearings, cylinder walls, and the valvetrain are all working with less protection than they were designed to have.
There was no recall for the HS 250h; Lexus addressed excessive oil consumption with a Warranty Enhancement Program for certain 2010-2012 HS 250h vehicles, which called for updated piston assemblies. The HS 250h itself was a short-lived Lexus experiment, effectively discontinued in North America after 2012 and credited with only about 67,000 sales globally by 2016. Even Toyota moved on with the 2012 Camry, switching to a new 2.5-liter hybrid engine in place of the 2.4.
5. V35A-FTS 3.4 twin-turbo V6
The V35A-FTS was Lexus’s and Toyota’s clean break from the V8s that powered their old-school trucks and body-on-frame flagship SUVs. Instead of relying on displacement, the 3.4-liter twin turbo V6 uses boost to do the heavy lifting, which is why the LX 600 can make 409 horsepower and 479 lb-ft of torque from two fewer cylinders than the LX 570 before it. The tradeoff is that such boosted engines deliver their strongest shoves early, right in the low-mid rpm range where heavy SUVs and pickups spend most of their time. That also puts repeated stress through the crankshaft, which makes the bottom end especially important.
That starts with the crankshaft main bearings, which are not glamorous parts but keep the rotating assembly alive. Every time combustion pushes a piston down, that force travels through the connecting rod into the crankshaft. And the crank only survives because it rides on main bearings with a thin, pressurized oil layer acting as a lubricant between the metal surfaces.
In the V35A-FTS’s case, machining debris was left inside some engines during manufacturing. Those tiny metal particles can circulate with the oil, reach the crankshaft main bearings, and get trapped right where the crank is supposed to be riding on a clean, pressurized film. If the debris sticks and the engine keeps seeing higher loads over time, the bearings can fail – showing up as knocking, rough running, a no-start, or even a stall. Once it gets far, the result is complete engine failure.
That V35A-FTS engine is used in the 2022-present Toyota Tundra, 2022-present Lexus LX 600, and 2024-present Lexus GX 550. The machining debris was covered by a recall for certain 2022-2024 Tundra/LX and 2024 GX vehicles (126,691 in the US)
How we chose these engines
Lexus is one of the most reliable luxury brands in the world, which is why this list needed a careful filter, as reliability should not be treated like a free pass. We didn’t choose engines just because they had a few angry owner complaints, high repair bills, or one-off horror stories. A Lexus engine only made the cut if the problem had a larger paper trail behind it, such as a recall, service bulletin, warranty extension, or other official action.
That doesn’t mean every vehicle with one of these engines is doomed. In fact, the opposite is true. Plenty of owners continue to report long, uneventful runs with some of the powertrains on this list, and many affected examples have run perfectly fine for years after being repaired.
Tech
AirPods Max 2 vs Heavys H1H: Heavy metal headphones compared
You’ve probably seen an ad for the rock-tuned Heavys H1H on the internet, and true to their word, they are in fact tuned for guitar-heavy rock. Here’s how they compare to Apple’s AirPods Max.

AirPods Max 2 [left], Heavys H1H [right]
As a major mainstream tech company, Apple has an incentive to design to accommodate as many people as possible.
Its products may not necessarily have everything a particular person wants in an item. But even so, it will still be close enough to be acceptable for the majority of customers.
Continue Reading on AppleInsider | Discuss on our Forums
Tech
JLab JBuds Open Wireless review: a genius concept, but I didn’t love them
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JLab JBuds Open Wireless: Two-minute review
JLab is well-known for its affordable headphones and earbuds, but this time the brand is branching out into something more unusual.
The JBuds Open Wireless are over-ear headphones designed to allow you to hear the world around you. Yes, everyone is doing that right now, just take a look at our best open earbuds guide — but while most open-ear options are earbuds, JLab has made an over-ear version. It promises to deliver the same open benefits but from a bigger — and for some people, more comfortable — form factor.
Now, open-back headphones are nothing new. They’re actually a firm favorite among audiophiles. That’s because venting the back of the driver housing stops sound from bouncing back onto the driver itself, which gives you a cleaner and more accurate sound with a wider, more natural soundstage.
However, the JBuds Open Wireless aren’t that. Sure, they look similar, but the “open” part here means something different. The earcups don’t create a strong seal against your head, and the cups can have grilles over them or the option to be completely open, so ambient sound outside flows freely in alongside your music.
So it’s not open-back as an audio engineering choice, but more open-ear as a lifestyle one, where the goal isn’t better sound quality but a mix of sound and awareness of what’s happening around you.
Interestingly, this design might seem new but it’s been done before several times. One of my favorite examples is back in the late ’90s when Sony released the MDR-F1 — not identical, but similar open or open-air headphones, and people referred to them as “earspeakers” at the time. This is a similar thing, and a few other brands have done it, such as the ONE Wireless Open-Ear Headphones from nwm.
But they’re still unusual right now, and I can’t work out if they’re uncommon because they’re about to appeal to everyone and we’ll see more soon, or because the use case is so specific that plenty of people will love the idea but find it falls apart in practice. Unfortunately, I’m in the second camp.
Don’t get me wrong, there’s a lot to like here. The design is genuinely cool, with removable grilles and a comfortable all-day fit thanks to some memory foam padding in the cups and band. The sound also delivers more bass than I’d expect from an open design. And the ambient awareness really works. In quiet environments, it’s really nice to listen with them.
But add just a bit of background chatter or noise and the openness becomes the problem. There are just too many competing sounds and the experience collapses. I know what you’re thinking. Isn’t that the whole point of open-ear designs? Sure, but if the music you’ve bought them to listen to becomes unlistenable, then we’ve got a problem.
At under $100/£100, the risk still feels low. But I think the use case is narrow, and most people will know within a day whether these are for them.
JLab JBuds Open Wireless review: Price and release date
- Released in late 2025
- Priced at $99.99 / £99.99 / AU$199.99
After being unveiled at IFA 2025 in September of 2025, the JLab JBuds Open Wireless headphones were launched in some markets in late 2025, and then the rest in early 2026.
You can buy the JBuds Open for $99.99 / £99.99 / AU$199.99. That price means they sit somewhere between the higher end of budget and mid-range.
Now this is where I’d usually give you context of how they compare to similar products, but it’s tricky to compare these headphones directly to anything else right now. They give you the benefits of open-ear styles, but those are mostly buds, and these still look and feel like over-ears.
In that case, let’s look at the open-ear buds you can get right now. Like the Shokz OpenFit 2+, our current top pick, which are $179.95 / £169. Though you can get much more affordable open buds that still sound good, like the Earfun Clip 2 with a clip-on design that’ll cost you $79.99 / £69.99 (about AU$120).
In terms of over-ears, one of our favorite budget picks is the OneOdio Focus A6 over-ears at $55 / £55 / AU$112, which we think sound fantastic for the price. Though at that higher end of the budget range you’ve got plenty of choice, like the very highly rated 1More Sonoflow Pro HQ51 at $89 / £99 / AU$130.
Although there’s nothing to strictly compare them to, the price reflects what you’re getting. Which is over-ear comfort and build with open-ear awareness in a form factor that doesn’t really exist elsewhere. For under $100 / £100, that does seem like a fair ask. But whether it’s worth it comes down entirely to your preferences, which we’ll get into.
JLab JBuds Open Wireless review: Specs
|
Drivers |
35mm and 12mm Coaxial Dynamic Drivers |
|
Active noise cancellation |
No |
|
Battery life (ANC off) |
Up to 24 hours |
|
Weight |
245g |
|
Connectivity |
Bluetooth 6.0, USB-C |
|
Frequency response |
20-20 kHz |
|
Waterproofing |
None |
JLab JBuds Open Wireless review: Features
- Simple app with essentials
- Multipoint connectivity
- 24 hours battery life (well, nearly)
The JLab JBuds Open aren’t overflowing with features, but you have everything you need for the price here.
The app is basic, but that’s not a criticism. I found it easy to use and it covers the essentials well. You can customize the manual buttons on the right earcup, check battery life, set an interval timer, toggle spatial audio on/off, and switch between music and movie modes.
There’s also a 10-band custom EQ alongside three presets, which I enjoyed playing with to try and address some of the issues with the sound, more on that later.
The headphones have dual coaxial drivers onboard, a 35mm and a 12mm unit, and Bluetooth 6.0 connectivity with support for SBC and AAC codecs. There’s no wireless hi-res audio options, but a USB-C cable is included if you want a wired connection.
Multipoint connectivity to two devices worked seamlessly during my testing, switching cleanly between my laptop and phone while I was working.
Battery life is rated at 24 hours, though in some of JLab’s specs it says to expect 18 hours. In my testing I got around 20 hours, with a full recharge taking roughly 2.5 to 3 hours.
That’s not bad, but it does lag behind other over-ear headphones. The Sony WH-1000XM6 manages 30 hours, and the cheaper 1More Sonoflow Pro HQ51 headphones deliver an extraordinary 65 hours with ANC on. But, to be fair, it’s much harder to fit batteries in when you’ve removed all the physical space from your headphones…
Measured against open-ear buds, this amount is impressive as the Shokz OpenFit 2+ only manages 11 hours, but that’s expected given the size difference.
JLab JBuds Open Wireless review: Sound quality
- Better bass than most open options but sub-bass is lacking
- Wide soundstage suits big, orchestral tracks
- Sound leakage is an issue
With the JLab JBuds Open headphones, you can obviously hear your surroundings — that’s the whole point. But you’re going to want to bear that in mind, because these sound really open. Like, really open.
On a long quiet walk along the canal, it was lovely. I had music playing, I could hear bike bells and birds and I felt very happy. But walking through the city was a different experience entirely.
What I was hearing from the headphones was competing for my attention with a fire alarm, other music, and general chatter. There’s open-ear, which I’ve tried many times now from different brands, and then there’s this.
And some people might genuinely want this. If ambient awareness always trumps music for you, and competing sounds don’t overwhelm you, these could be ideal. That’s subjective and worth acknowledging, but it wasn’t my experience.
The reason it’s so pronounced is physical, because the drivers sit further from your ear than other open options. They’re outside the ear rather than in the concha, where other open buds sit. Sealed over-ears obviously don’t have the problem at all.
Here it’s essentially like holding a speaker close to your ear. I recommending testing adding the grilles in and out, because they do reduce the sound leakage in, and they’re very easy to remove.
With dual coaxial 35mm and 12mm drivers, they’re working with bigger hardware than most open-ear buds, and you can really tell when you listen. There’s genuine presence in the low end, with far more bass and substance than you’d typically expect from a pair of open-ear buds.
Vocals come through clearly, and the wide soundstage is a real strength here. I spent a lot of time listening to Jóhann Jóhannsson’s Arrival score and instrument separation was impressive. Big, cinematic or orchestral tracks have a sense of space that genuinely suits the open design.
Moving onto Rolling Stones’ Sympathy for the Devil and the track’s swagger and drive translated well. It felt wide, punchy and instruments were given plenty of room.
But there are weaknesses. Sub-bass is mostly absent. Hi-hats and cymbals also had a tendency to tip into shrill territory, and kick drums have a sharp, thin quality rather than a satisfying thud.
The overall character skews mid-heavy, and you’ll find yourself pushing the volume higher than expected to get a sense of immersion.
At times it felt a bit like hearing your phone playing in front of you; it’s present and clear enough, but thin and lacking warmth. The bass boost EQ setting helps on the right tracks and is worth trialling, but it can’t resolve the main limitation here which is that there’s no seal to trap and focus the sound.
Calls were fine. With open ears, conversations feel more natural to me, and the noise-cancelling mic picked up my voice well. It lacked some clarity at times, but was fine for most purposes.
Sound leakage from the headphones is also worth flagging. I recorded audio on my phone while wearing them and could make out the track even at a moderate volume with the grilles on. If you remove them, it gets noticeably worse.
Push the volume up, which you will find yourself doing, and it gets worse still. So there’s a sort of irony here, which is that the open design means you need more volume to feel the music, but more volume means more leakage.
Ambient noise outside will mask the leakage, so you’ll get away with it way more in public than you might expect. But a quiet office or commute is going to be a different story.
JLab JBuds Open Wireless review: Design
- A bold design that may divide people
- Genuinely comfortable for long wear
- Removable grilles change the look and the sound
The JLab JBuds Open headphones have a very unusual design and I think they’ll divide people. Some will find them incredibly cool and a bit sci-fi looking, whereas others just won’t get on with them.
They’re over-ear headphones with a build that feels substantial, though they do feel a little more cheap and plasticky than something like the Bose QuietComfort Headphones, my all-time favorite over-ears, but that’s to be expected at this lower price.
Both the earcups and headband are padded with memory foam and I found it genuinely comfortable for long sessions. The clamping force was occasionally a little much when I was working indoors, but on runs outside it actually helped and kept them feeling secure.
At 245g, they’re light, and you can shave a couple of grams off by removing the metal grilles. The earcups have a sort of wheel-spoke pattern with a grille sitting over under it. And if you twist the cup, the grille pops out cleanly, opening things up even more both in how these headphones look and sound.
I noticed it really changes the look of them, and noticeably affects how much ambient sound comes through. It’s a small but genuinely fun customization option.
That said, they’re bulky. They stick out from your head considerably more than most modern over-ears nowadays, and while the cups pivot flat, they don’t fold inward either, which makes them less practical to carry and store than many rivals.
The included carry case is a nice touch. It’s a similar concept to the AirPods Max case but it’s more practical with more coverage of the headphones. The matte, brushed finish picks up marks easily though.
You control the JBuds Open with physical buttons on the side of the right earcup. I personally prefer physical buttons over touch controls, and found these easy to locate and use on the move, and they’re also customizable via the app.
The headphones come in black, which is the pair I tested here, or Cloud, which is a light gray with gold accents that’s a nice option if you’re sick of all black tech.
There’s no IP rating here, which on paper suggests avoiding sweaty workouts when you’re wearing them. But given their open design means far more airflow than a sealed pair, I’d argue they’re pretty workout-friendly as long as you’re mindful about sweat and splashes.
I tested them on several runs without any problems and actually really enjoyed the ambient awareness and added airflow as I got warmer and more tired. But I maybe wouldn’t risk them in the rain.
JLab JBuds Open Wireless review: Value
- Good value compared to open-ear buds
- But whether it’s worth it depends on your feelings about ambient sound
These are good value compared to other over-ear headphones and even some open-ear options. You can pick up open-ear buds for well under $100 / £100 these days, but top performers like the Shokz OpenFit 2+ cost nearly double at $179 / £169. So if you specifically want open-ear audio on a budget, they’re worth considering.
But really, whether these are worth it has less to do with price and more to do with your lifestyle. Under $100 / £100 feels fair for what’s here. But if you’re going to struggle to hear your music in most environments or find the bulk doesn’t suit you, the price won’t save them.
For the right person though, which I think will be someone who prioritizes awareness, loves the over-ear form factor, and isn’t chasing audiophile sound, then these were essentially made for you.
Should I buy the JLab JBuds Open Wireless?
|
Attributes |
Notes |
Rating |
|---|---|---|
|
Features |
The app is easy-to-use, and it’s nice to get multipoint connectivity and a USB-C option. |
3.5 / 5 |
|
Sound quality |
Good for an open design, especially for bass. But it’s hard to hear your music in anything other than a quiet environment, and sound leaks out, too. |
3.5 / 5 |
|
Design |
They’re comfortable enough for all-day listening thanks to their memory foam. The design is chunky and divisive but I like that you can switch the grilles in and out. |
4 / 5 |
|
Value |
Good sound, features and design for the money, but whether it’s good value for you or not is an entirely different story. It’ll be a really subjective thing for these. |
3.5 / 5 |
Buy them if…
Don’t buy them if…
JLab JBuds Open Wireless review: Also consider
| Header Cell – Column 0 |
Jlab Jbuds Open Headphones |
1More Sonoflow Pro HQ51 |
Earfun Clip 2 |
|---|---|---|---|
|
Drivers |
35mm and 12mm coaxial dynamic drivers |
40mm dynamic |
12mm dual-magnetic titanium composite driver |
|
Active noise cancellation |
No |
Yes |
No |
|
Battery life (ANC on) |
Up to 24 hours |
60 hours (ANC on), 100 hours (ANC off) |
11 hours |
|
Weight |
245g |
246g |
5.5g |
|
Connectivity |
Bluetooth 6.0, USB-C |
Bluetooth 5.4, 3.5mm |
Bluetooth 6.0 |
|
Waterproofing |
None |
None |
IP55 |
How I tested the JLab JBuds Open Wireless
- Tested over 10 days
- Used with my iPhone 16 Pro
- Listened to music, podcasts and some movies
I tested the JLab JBuds Open Ear Headphones for 10 days, which gave me plenty of time to trial them in different environments, wear them in a few different weather conditions and run a battery test.
I took them with me on daily long walks and two runs along the canalside, as well as one bigger hike in the countryside. They also came with me often when I was walking through a big city, in a busy market, to plenty of coffee shops while I was working remotely, on several bus rides and just out and about getting on with my day more generally.
I used my iPhone 16 Pro to test them and mostly listened to music and podcasts. I also used them when watching a couple of movies to test the movie preset and the spatial audio. I tested the different modes and EQ settings and used them with and without their grilles.
I actually became really fascinated by the subtle sound differences when it came to the grilles, so know my experience in this review comes from a lot of careful listening.
I’ve been writing about and testing tech for more than 15 years now. I’ve focused mainly on wearables, smart home devices and a lot of audio tech. Over the past few years I’ve been testing a lot of open ear buds, so I know what I’m looking (and listening out) for.
I’m always keen to think about the real world use cases and everyday practicality of tech so you get your money’s worth and pick the best device for you.
Tech
JBL Tune 730BT Review – Trusted Reviews
Verdict
The JBL Tune 730BT is a no-frills wireless over-ear that nails the budget brief. There’s no noise cancelling and no spatial trickery, but you do get JBL Pure Bass Sound, Bluetooth 6.0 with Multipoint, crazy good 76-hour battery life, a foldable design and reliable two-mic call quality. At £39.99, the 730BT is one of the easiest budget recommendations going, provided you’re happy to live without ANC. For students, second-pair buyers and anyone who just wants to plug in and listen, there’s considerable value for money
-
76-hour battery life is exceptional
-
Solid Pure Bass Sound
-
Custom EQ plus six presets
-
Foldable, lightweight build
-
Relax mode with ambient sounds
-
No active noise cancelling
-
Plastic build is unmistakably budget
-
No charging cable in the box
-
No 3.5mm wired option
Key Features
-
Audio
JBL Pure Bass Sound with 40mm dynamic drivers
-
Wireless
Bluetooth 6.0 with Multipoint, Fast Pair and Swift Pair
-
Calls
Two beamforming mics for hands-free calls
Introduction
There are two ways to do budget wireless headphones. You can build a glossy facsimile of a flagship and hope nobody notices the missing features, or you can pick three or four things to do well, leave the rest off the spec sheet and price the result accordingly. The JBL Tune 730BT belongs to the second school.
At £39.99, the Tune 730BT is an entry point into JBL’s revamped Tune line-up. There’s no noise cancelling, no Spatial Sound, no Hi-Res, no cable in the box. What you get instead is headline JBL Pure Bass tuning, Bluetooth 6.0, the same generous 76-hour battery life as the 780NC, Multipoint and a foldable design.
It’s a familiar JBL formula, refined for the post-Bluetooth LE Audio era. The question is whether the 730BT does enough to justify a place in the increasingly crowded budget wireless category, and whether anyone should still bother with ANC-free headphones in 2026.
Design
- Familiar JBL silhouette
- Lightweight and foldable
- Four colourways
Pull the Tune 730BT out of the box, and the family resemblance is immediate. JBL has applied the same design language as the rest of the new Tune range: smooth polycarbonate cups with the JBL logo embossed on each side, a slim padded headband, soft polyurethane leatherette earpads and minimal external branding.
Build is plastic, as you’d expect at the price, but it doesn’t feel cheap in hand. There’s no creak from the headband, the hinges fold cleanly without protesting, and the 218g weight is well-judged for a £39.99 over-ear. Compared to a Sony WH-CH520 or Sennheiser Accentum Wireless, the 730BT feels comparable.
Without ANC, you’re relying on passive isolation; fortunately, it’s impressive even if the screech of the London Underground inevitably finds its way through. For office use or home work when you need to focus, the 730BT is up to the task, even with the washing machine at full tilt and within earshot.


Controls are physical buttons on the right earcup – power, Bluetooth pairing and volume – plus a USB-C charging port on the same side. There’s no 3.5mm jack, which is the most obvious omission for wired revivalists. There’s no charging cable or carry case, but you do get a rudimentary fabric pouch to keep the dust off.
Comfort is a no-grumbles good. The earpads are deep enough that the drivers sit clear of the ears, the clamping force is light without losing the seal, and a long working day passes without the temple-ache that some glasses-wearers get from heavier rivals.


The headband padding could be a touch more substantial, but it’s a minor gripe as the 730BT are one of the more comfortable budget over-ears I’ve tested, with only moderate heat build-up
Four colours are offered: Black, Blue, Beige and White. None shouts ‘budget headphone’.
Battery Life
- 76-hour quoted playback
- Speed-charge support
- USB-C charging in two hours
JBL quotes up to 76 hours of playtime on Bluetooth, and that figure holds up well in real-world use at moderate volumes. Across a week of mixed commuting, video calls and music listening, the headphones registered a charge cycle every 9 to 11 days.
Standby drain is minimal, which is the difference between a 76-hour spec and a 76-hour reality.
A 5-minute speed charge delivers five hours of playback. A full charge from flat takes about two hours over USB-C.


Talk time is quoted at up to 45 hours, which is fairly generous. There’s no power-bank function, no wireless charging and no quick-charge LED indicator; you charge it from flat, you forget about it, you charge it again.
Remember, JBL hasn’t shipped a USB-C cable in the box. A mild annoyance for anyone migrating from older Lightning or Micro-USB hardware.
Features
- Bluetooth 6.0 with Multipoint
- Three EQ presets in the JBL Headphones app
- Two beamforming mics
Bluetooth 6.0 is a notable upgrade over the Tune 720BT, and it brings two practical benefits: lower power consumption and reduced latency for video. In testing, the 730BT held a stable connection across a flat with the bedroom door shut, and audio stayed in sync during back-to-back YouTube clips and Netflix episodes.
Multipoint is the more useful addition. The 730BT can stay paired with two devices simultaneously and switches automatically between them when audio is requested.


Pause an Apple Music playlist on your phone, accept a Teams call on the laptop, and the headphones follow without intervention, something that shouldn’t be sniffed at on £39.99 headphones. Google Fast Pair and Microsoft Swift Pair handle initial pairing on Android and Windows, respectively.
The JBL Headphones app offers some interesting features, including smart audio and video modes to support your content. This becomes disabled when LE Audio mode is enabled. EQ presets are equally imaginative. Choose from Studio, Bass, Club, Extreme Bass, Vocal, or Jazz, with Studio set to default. Alternatively, there’s custom EQ functionality.


Relax mode is a small but thoughtful extra where you can build up to five custom mixes from a library of ambient sounds (rain, waves, white noise and the like), with a sliding bar that sets a timer for how long the mix plays. You can overlay sounds, too, although the result is more tsunami than Serengeti.
Two beamforming mics handle calls. Each earcup carries one mic, and the array is tuned to focus on the wearer’s voice while suppressing background noise. The performance is clear in quiet environments, decent on a windless street and patchy in busier ones.
Sound Quality
- Warm, bass-led JBL Pure Bass tuning
- Vocals sit forward in the mix
- Treble too bright at high volumes
JBL Pure Bass is exactly what it sounds like: a low-end-led tuning that wants you to feel a kick drum more than count the cymbals. It suits modern pop, hip-hop, electronic and rock, and the 730BT delivers it competently. Run anything off Apple Music’s infectious Loops electronic playlist with the Studio preset, and the bass has weight without going boomy.
The Club preset provides an able alternative if the weekend really has landed, while Bass and Extreme Bass feel unnecessary and are best avoided unless you’re a complete heathen. Dip into Vocal or Jazz for more sedate listening habits, from the Sades et al of this world.


What surprises is the midrange. Bass is ever-present, but the 730BT keeps vocals forward enough that podcasts and audiobooks come through clearly, and even the intricacies of a fingerpicked guitar get time in the limelight.
Treble is the area most exposed to the budget. At low and moderate volumes, it’s clean and crisp; push past 80 per cent, and things become prickly. The Vocal EQ preset partly tames it; the Studio preset tolerates moderate volumes best. The overall soundstage is small, as it is with most closed-back budget headphones. Don’t expect spatial scale; do expect a focused, energetic presentation that flatters most modern production.
Should you buy it?
I like a bassy bang for my buck
If you want long battery life, easy multipoint and competent JBL bass for £40, the Tune 730BT is an obvious pick
I’ve booked a Jet2 holiday
A pair of JBL noise cancellers doesn’t cost that much more, and if you’re set on travelling, you’ll want the extra isolation.
Final Thoughts
JBL has resisted the temptation to plaster the Tune 730BT spec sheet with features that wouldn’t survive the price, and instead focused on the basics that matter: comfort, battery life, connectivity, and tuning that suits the music most people listen to.
The 76 hours of playtime alone are enough to make this one worth the £39.99. Throw in Bluetooth 6.0 with Multipoint, foldable build, a custom EQ and six presets, Relax mode and Fast Pair on Android, and the 730BT comfortably outpaces what budget over-ears looked like even two years ago.
Compromises are clearly signposted. There’s no ANC, no 3.5mm jack and no cable in the box. If any of those matter, the JBL Tune 780NC offers Adaptive ANC, Spatial Sound and a Hi-Res cable for £120, even if it’s going to eat into your Benidorm cocktail budget.
If you want a clean, comfortable, capable wireless headphone at a properly affordable price, you’re on safe ground here. Nevertheless, check out our best cheap headphones round-up for further choice.
How We Test
I tested the JBL Tune 730BT using them as a daily commuter pair, a home-office headphone for video calls, and a casual everyday-listening option around the house.
Music testing covered electronic, hip-hop, classical and acoustic singer-songwriter material, streamed primarily over Bluetooth from an iPhone 16e via Apple Music, with additional testing on a MacBook Air for Multipoint behaviour.
Battery life was assessed across a full discharge cycle from a full charge, with mixed Bluetooth and call use throughout.
- On commutes
- At a desk
- Over a full charge cycle
FAQs
The 730BT upgrades to Bluetooth 6.0 with LC3 codec support, adds Google Fast Pair and improves the dual-mic call array. Battery life remains class-leading at 76 hours.
No. The 730BT is wireless-only. There is no 3.5mm jack, and the included USB-C port is for charging only — there is no wired Hi-Res audio mode.
Full Specs
| JBL Tune 730BT Review | |
|---|---|
| UK RRP | £39.99 |
| EU RRP | €79.99 |
| Manufacturer | JBL |
| IP rating | No |
| Battery Hours | 76 |
| Fast Charging | Yes |
| Weight | 218 G |
| ASIN | B0FSH42VZW |
| Release Date | 2025 |
| Audio Resolution | SBC, AAC, LC3 |
| Driver (s) | 40mm dynamic |
| Connectivity | Bluetooth 6, Auracast |
| Colours | Black, Blue, Beige, White |
| Frequency Range | 20 2000 – Hz |
| Headphone Type | Over-ear |
Tech
Faye Walsh Drouillard on building an impact fund from Ireland
American-born, Ireland-based fund manager Faye Walsh Drouillard talks conviction, climate tech and what it takes to build an impact VC fund from scratch.
When Faye Walsh Drouillard sought out an impact-focused venture capital fund in Ireland, she looked at the market and could not find a structure that matched her vision. So she built one herself.
That instinct – to identify the gap and move – speaks to someone who has spent two decades operating at the intersection of purpose and capital. Born in Washington DC and raised in DC and California, Walsh Drouillard has lived in Europe for 20 years, 12 of them in Ireland, where she arrived initially due to her husband’s work in aircraft leasing. What began as a relocation for family reasons has, over time, become a genuine commitment to the Irish ecosystem and the founders building within it.
Her background is that of a social entrepreneur with deep roots in the nonprofit world and a long-standing preoccupation with two of the defining challenges of our time: climate change and inequality. Long before WakeUp Capital existed, she was active in angel investing, serving on non-profit boards and, increasingly, asking a question she found difficult to answer: where was the fund for founders building solutions to these problems?
“I didn’t see anything here in the Irish market that was focused on those themes,” says Walsh Drouillard. “And I also felt like those themes, particularly the climate side, were going to become more and more important to the global economy, and certainly within Ireland.”
“I like to build. I like to create, and I brought an entrepreneurial approach to building the fund. Joining an existing fund to try to do that work probably wasn’t the right fit – it would probably not have worked out for anyone. I wasn’t going to wait for someone to tap me on the shoulder.”
A winding path
The seed of WakeUp Capital was planted in 2019, when Walsh Drouillard – then working in the angel investing world – made clear to a syndicate her interest in climate-tech opportunities. It was there she met Mark Peters, who at the time was at Google, and who would become her co-founder. Together, they spent the years that followed conducting market research, making four early investments across Ireland, the Netherlands and the UK, and laying the foundations of what would become a dedicated VC fund.
It was not, she acknowledges, a straightforward path. Building a first-time fund is challenging for anyone and especially for an outsider. Building one as a female general partner in venture capital adds a layer of difficulty that Walsh Drouillard is candid about. What got her through, she says, was a combination of conviction in the thesis, resilience and – she is quick to add – timing.
“Across Europe right now, female GPs stand at about 15pc,” she says. “When I pitch to LPs, investors are looking for track record. There are not a ton of GPs in the world who are women focused on what I’m focused on, where they can say, ‘Oh yeah, I saw how that worked with that fund’. You need to continue to sell a promise of performance. You can’t really go back and say, ‘Have you seen how many fund managers just like me excelled over the last three years?’ So that can be hard.”
WakeUp Capital achieved its first close in 2024 and is currently working towards a final close in Q2 of this year. The fund now has eight companies in its portfolio, two of them Irish, with three additional Irish deals expected to close in the near term. The ambition is to invest with Irish companies as a primary market, though Walsh Drouillard is careful to frame that as a quality-driven target rather than a geographic obligation.
Measured impact
The fund occupies what Walsh Drouillard describes as a distinct position on the impact spectrum; it marries the commercial discipline and portfolio accountability of traditional venture capital with a mission-first focus on climate, health and inclusive tech. The fund seeks to deliver competitive market returns by backing scalable technologies where financial growth and measurable positive impact for the planet and society are closely linked.
“I’m not looking at sweet little metrics they can put in some ESG report that no one reads,” says Walsh Drouillard. “We cannot approve a deal without a recommendation from our Impact Advisory Committee. And part of our carry is linked to the impact success of the companies.”
That rigour extends to every deal the fund considers. The impact advisory committee reviews each potential investment to ensure portfolio companies are addressing genuine market problems rather than simply wearing the impact label. It makes the work harder, Walsh Drouillard says. It also makes it more meaningful.
“When people go through the process, I think they’re quite impressed, but I think they also feel like it’s really a value-add as opposed to what I would call a sweet, ‘feel-goodery’ exercise,” she says.
On the fundraising side, the experience has been instructive. Institutions such as the Irish Strategic Investment Fund, the European Investment Fund and Enterprise Ireland have invested in the fund alongside private capital, though Walsh Drouillard is candid about the harder task of convincing larger private institutional LPs, whose focus on track record and proven returns can make a first-time fund a difficult sell.
The more receptive audience has been family offices, high net worth individuals and exited entrepreneurs – and, she tells me, an increasingly engaged cohort of US-based investors actively seeking European opportunities.
Quality over geography
The question of geography is one Walsh Drouillard navigates carefully. Positioning Ireland as the fund’s primary market, she notes, can actually be counterproductive when talking to international LPs, which is why WakeUp Capital presents itself as Ireland-based but pan-European in scope. The Irish commitment is real, but it is the quality of deals that drives allocation, not the passport of the founder, she says.
Ireland’s start-up ecosystem, she tells me, is genuinely strong at the early stage. Enterprise Ireland and the broader support infrastructure provide a solid foundation, and there is real energy around entrepreneurship. But scaling remains a challenge, and in sectors like climate resilience, Walsh Drouillard identifies a gap in the kind of deep scientific and commercial expertise needed to evaluate technically complex opportunities. Ireland excels in software and medtech, she suggests, but the scientific and commercial knowledge required for some of the harder climate problems is not always easy to find.
It is a challenge she acknowledges close to home. Her own team brings very strong commercial and technical experience, she says, but evaluating the technical feasibility of certain climate and health-tech propositions requires additional scientific expertise, which the team is actively looking to engage.
Toward a transatlantic fund
On the broader European picture, Walsh Drouillard draws on her US background to offer a perspective that is both optimistic and clear-eyed. She is enthusiastic about the concept of EU Inc – the idea of Europe moving towards more unified, cross-border business structures – and draws a comparison to the successful introduction of the euro as evidence that the continent can embrace bold, unified approaches when the political will is there. What Europe sometimes needs, she suggests, is a more of the American bias towards possibility.
“I love the 27-member-state European Union – I am a Europhile,” she says. “But I don’t understand the value of maintaining your own administrative processes when it comes to building businesses. The euro currency is the best analogy. We’ve done so many other things. I have yet to hear a compelling reason why we should do it 27 different ways.”
The long-term vision for WakeUp Capital is to become a globally respected climate impact investment fund. Fund 1 is the foundation. Fund 2, she envisages, could be transatlantic – a structure that would connect the European and US markets, reflecting both her own background and the inherently borderless nature of the problems she is working to help solve.
“For the second fund, which we hope to launch in the coming years, I still believe in the potential of a great relationship between Europe and the US,” she says, adding that the relationship is not exactly at its strongest now. “But as a citizen of both, I still think there is incredible opportunity for collaboration. It’s just a question of understanding where Europe has the right to win right now and optimising for that.”
“Being culturally fluent in both countries gives us a bit of an edge,” she adds. “I’m a believer in ‘let’s see where each place has the right to win’. We will find the edges and the opportunities within that.”
As for her chosen path in the impact investment space, Walsh Drouillard is characteristically clear. “It’s not always easy. But it’s a privilege.”
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Tech
Acasis FlowCore Series promises per-bay Thunderbolt 5 speed while challenging traditional multi-drive storage bottlenecks in modern workflows
- Acasis FlowCore Series introduces an independent bandwidth design for each NVMe bay system
- Each drive reportedly maintains full Thunderbolt 5 speed simultaneously
- Four-bay and ten-bay models target different storage capacity needs
Acasis has announced the FlowCore Series, a new line of Thunderbolt storage systems.
This device claims to solve the shared bandwidth problem of conventional multi-bay storage devices — where multiple drives operating simultaneously cause significant slowdowns — by offering an independent full-speed bandwidth architecture for each M.2 NVMe bay
Each bay can access nearly the full 80 Gbps of Thunderbolt 5 bandwidth without the usual speed reductions.
Per-bay bandwidth architecture
Acasis says the system achieved sustained read and write speeds exceeding 6,000 MB per second per drive.
This lineup includes three distinct models tailored to various user requirements and budgets.
The TB504 is a 4-bay Standard Edition designed for mainstream professional workloads, while the Pro model offers 10 bays in a Professional Edition for large-scale storage demands.
The TB504 Air offers a 40 Gbps Entry-Level Edition for users who do not require maximum Thunderbolt 5 speeds.
While the TB504 supports up to 32 TB of total storage capacity for growing datasets, the TB504 Pro can hold up to 80 TB for production archives and high-resolution media libraries.
All models support M.2 NVMe SSDs in 2230, 2242, 2260, and 2280 form factors for broad compatibility.
The FlowCore Series uses a CNC-machined full aluminium alloy chassis with large passive cooling fins.
This fanless design enables completely silent operation for noise-sensitive professional spaces.
Studios, editing suites, offices, and AI workstations can benefit from this quiet thermal management approach.
The system includes downstream 80 Gbps Thunderbolt 5 expansion ports for building integrated workstation setups.
Users can connect high-resolution dual 8K at 60 Hz monitors directly through the storage device.
This device supports RAID configurations, including RAID 0 for maximum performance and RAID 1 for data protection.
It also supports RAID 10 and large-volume storage configurations for additional flexibility for specific workflow requirements.
AI and high-load workload support
The system supports demanding applications like local LLM deployment for 70B and 405B parameter models.
Multi-stream 8K RAW video editing and dataset preprocessing are also within the claimed capabilities of this hardware.
Whether the independent bandwidth architecture performs as advertised under sustained professional workloads remains to be verified by independent reviewers.
The company will launch this product through a Kickstarter crowdfunding campaign beginning on May 15, 2026.
The gap between crowdfunding promises and shipping products has historically been quite wide for complex hardware like this.
Disclaimer: We do not recommend or endorse any crowdfunding project. All crowdfunding campaigns carry inherent risks, including the possibility of delays, changes, or non-delivery of products. Potential backers should carefully evaluate the details and proceed at their own discretion.
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Tech
Which Ford Truck Depreciates Faster?
The Ford F-150 is the best-selling pickup truck in the United States — and the best-selling vehicle overall until the RAV4 dethroned it in 2025 – and for good reason. The F-150 has become immensely popular due to its straightforward nature. It’s simple and capable, with an excellent max towing capacity of 13,500 pounds and impressive off-roading, especially the F-150 Raptor R and Tremor trims. However, another truck in Ford’s stable, the Ranger, has it beat in one category: depreciation.
CarEdge’s analysis shows that the Ford F-150 has an estimated 50% depreciation over a five-year span, which is actually quite high compared to other pickup trucks like the Toyota Tacoma and Tundra. The first year is the worst, with the F-150 plummeting to 70% of its value in just one year. Based on a starting price of $62,008, an F-150 would be worth just $31,302 five years in.
Meanwhile, the Ford Ranger loses just 28% of its value over the same period, according to CarEdge. It does better in its first year, too, only losing 20% (versus the F-150’s 30%). By the fifth year, a $46,897-when-new Ranger would be worth $33,592.
Why does the Ford Ranger hold its value?
The Ford Ranger is generally considered a truck that holds its value quite well. In 2026, iSeeCars named the Ranger on its list of the 25 vehicles with the lowest five-year depreciation. The pickup placed 22nd in a list of vehicles from every segment. The Ranger placed third in the pickup category, with only the Toyota Tacoma and Toyota Tundra holding value better.
Part of the reason the Ranger holds its value better is likely its size. Mid-size trucks like the Ranger generally hold their value better than full-size trucks. For one, these trucks are smaller and easier to fit in a garage or driveway. Smaller trucks are also more affordable, which could make them more appealing to the average American who might be struggling to afford a new car. Interest in used mid-size trucks has climbed in the 2020s, and their value has also risen alongside this demand — keeping prices high in turn.
Tech
Jenny Zhang Gets Hair Clip Vision, Develops Innovative Hairclip Camera

Jenny Zhang left New York for Shenzhen last year with a clear plan. She wanted to build a camera that fit right into daily routines without forcing anyone to hold a device or wear something on their face. The result sits in her hair like an ordinary barrette, chunky and white, ready to record whatever passes in front of it.
Zhang is the founder of Computer Angel, a small startup company where she spent months hammering away in workshops to develop her idea into a fully functional prototype. The clip easily snaps into place and keeps securely in place even when you move around; you wouldn’t want to take it off once it’s attached. With the camera positioned directly over the top of your head, the moment you hit the button or even tap it, it begins snapping away.
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The resulting footage appears to be fairly low-resolution, with a quality comparable to those old-school flip phones. The colors are all warm and fuzzy on the edges, giving each clip a unique personality that is far more appealing than the super-sharp, clinical stuff. You receive a hands-free view of your daily life from an angle that your phone simply cannot reach, as if you had a personal cameraman following you around at all times.

Zhang made a point of keeping things lighthearted with design, such as making the clip look like a piece of jewelry first and then a piece of technology, which turns out to be quite significant because people are far more inclined to go for something that looks beautiful on them. Now, the smart glasses that larger businesses are producing are all about packing in mics, speakers, and other aids that can identify things in real time or answer your queries on the fly. Computer Angel’s camera? No way, because there is only one task to do: save what you see, exactly as you see it.

Zhang has yet to announce exact pricing or release dates. She’s keeping the details under wraps while she refines the build, but she’s always glad to share progress on social media, posting test videos and behind-the-scenes looks at the process of transitioning from a sketch to actual hardware.
[Source]
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