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Entertainment

‘The Vampire Diaries’ Stars Have Been Plotting Their Reunion for 10 Years [Exclusive]

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Russell Crowe in The Get Out

For eight seasons, Nina Dobrev and Paul Wesley played one of the hottest couples on television in the 2010s in The Vampire Diaries. The complicated romantic entanglement between the former’s Elena Gilbert and the latter’s good-hearted, over-a-century-old vampire Stefan Salvatore was the beating heart of The CW’s hit teen drama, even though the duo ultimately didn’t end up together. Yet, even after Stefan’s death and the death of TVD itself, the duo recently found their way back to each other when Dobrev and Wesley were cast in another book adaptation, You Deserve to Know, at Hulu. According to Dobrev, this wasn’t just happenstance, either.

The star recently sat down for an interview with Collider’s Maggie Lovitt for her new film, The Get Out, where the topic of her recently announced new role was brought up. She revealed that the mystery series came about for the duo because of the real relationship they built working together on The Vampire Diaries and their desire to collaborate again ever since the finale in 2017. “We have been plotting this behind the scenes for many years now, to be completely honest with you,” she said. “Paul and I have been wanting to… We’re really close, and we spend a lot of time together, and we have since the show ended, and we’ve talked about wanting to find the right thing.”

You Deserve to Know is based on Aggie Blum Thompson‘s 2025 novel of the same name, following three suburban couples whose tight-knit friendship with each other is upended when one of their husbands is murdered. With the idyllic peace of their cul-de-sac shattered, the cracks in the wives’ friendship become visible, and their dirty secrets and long-simmering tensions bubble to the surface. Dobrev plays Gwen, the member of the trio who lost her spouse and now has to weigh whether she can rely on her friends or face the harsh reality that their bond isn’t as airtight as it seemed. She’s bound to collide with Wesley’s character, Scott, another neighbor who’s on the opposite side of the murder investigation.

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The choice to tackle such a story wasn’t made lightly, as Dobrev said her and Wesley’s goal was to find something that genuinely excited them that wasn’t an excuse to hang out, but instead something that honors their growth since TVD.

“Originally, we wanted to do a movie together, but we kept finding material or having things sent to us, because once we put it out there that we wanted to find something to do together again, a lot of things were sent to us, and we kept passing on everything. Nothing felt like the right thing. And we didn’t want to reunite just for the sake of reuniting for nostalgia’s sake. We really wanted it to be something that we both were really excited about that was elevated and different than the show, but also pays tribute in some way to the show as well, but with a fresh take and reflects who we are as people, as artists now 10 years later.”



















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Collider Exclusive · Universe Personality Quiz
Which Iconic Universe Do You Belong in the Most?
Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek

Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.

🚀Star Wars

💍Lord of the Rings

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🧙Harry Potter

👑Game of Thrones

🖖Star Trek

Advertisement

01

What gives your life its deepest sense of meaning?
Every universe is built around a different answer to this question.





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02

Which kind of world do you most want to inhabit?
The environment shapes who you become. Choose carefully.





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03

How do you prefer your conflicts resolved?
The shape of a world’s conflicts tells you everything about its soul.





Advertisement

04

Who do you want beside you when things get difficult?
Your ideal companions reveal the world you were made for.





Advertisement

05

What is your relationship with power?
How you seek, wield, or resist power is the map of who you are.





Advertisement

06

How does your universe treat good and evil?
A world’s moral architecture tells you more about it than any map.





Advertisement

07

What role would you naturally fall into?
Every universe has archetypes. Which one fits you without trying?





Advertisement

08

What do you ultimately believe about the future?
The answer to this is the clearest window into which universe already lives inside you.





Advertisement

Your Universe Has Been Chosen
You Belong In…

Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.

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A Galaxy Far, Far Away

Star Wars
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You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.

  • You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
  • You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
  • Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
  • The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.


Middle-earth

Lord of the Rings
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You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.

  • Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
  • You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
  • Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
  • Those are not burdens to you. They are simply how you move through the world.


The Wizarding World

Harry Potter
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You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.

  • The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
  • You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
  • Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
  • That choice — made quietly, without guarantee — is something you understand completely.


Westeros · The Known World

Game of Thrones
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You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.

  • Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
  • You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
  • Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
  • Winter always comes. You are already prepared.


The United Federation of Planets

Star Trek
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You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.

  • Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
  • You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
  • The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
  • You don’t just hope that’s possible. You think it’s the only thing worth working toward.

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Brian Tanen, who has previously written for Ugly Betty, Devious Maids, and Desperate Housewives, was tapped to adapt Smith’s book into a series, with a pair of production giants in Alex Cooper‘s Unwell and Aaron Kaplan‘s Kapital Entertainment backing the project. Ultimately, what got the pair involved and thinking this was the long-awaited idea they’d been searching for was Wesley actually cracking open the book himself. “I was slower to get to reading,” Dobrev continued. “It was sent to both of us, but he read it first, and he called me, and he was like, ‘You need to read this. I think this is it.’ And he kept on me — it was so annoying, to be honest with you — to read it. And then I was like, ‘Okay, I’ll get to it.’” Once she finally dug in, she instantly understood what her old on-screen boyfriend was so enamored by, and it quickly spurred them both to start gathering the right team to make their on-screen reunion finally happen.

“Then finally, once I did get to it, I finished the book in maybe a day or two, I couldn’t put it down, and I agreed with him that this was our next thing together. And so then started the long process of developing it and getting the team together and then finding the writer and creating the pitch and then pitching the studios. And so it’s been some time in the making. So it was really exciting for us to finally share it with the world that we were reuniting.”

Making the project even more exciting was the fact that they were more than just actors. Both Dobrev and Wesley are executive producing You Deserve to Know as well, getting them in on the ground floor of the adaptation process. “Not just as actors, but also that we’re executive producing it, and we’re bringing the story to life from both sides of the camera is extra exciting and special, especially after such a long journey together over the last however many years,” the actress ended.

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What Is ‘The Get Out’ About?

Russell Crowe in The Get Out
Russell Crowe in The Get Out
Image via Vertical Entertainment

While her new Hulu series gets to work, Dobrev is currently busy enjoying a return to theaters with The Get Out. She plays the unhinged partner in crime of Aaron Paul, coming together to rob nightclub owner Marco Kapak (Russell Crowe), who’s nearing retirement. Directed by Derrick Borte, based on Thomas Perry‘s novel Strip, the film follows Marco’s attempts to leave his dangerous past behind him, though masked robbers are the least of his issues in that process. He’s also at the mercy of ruthless cartels and is trying to sway a mysterious buyer (Luke Evans) for his business, forcing him into a web of deception that makes escaping with his girlfriend, Sunny (Teresa Palmer), nigh impossible.

While the film is a silly crime comedy with Marco and Sunny’s relationship as its beating heart, there’s more depth than initially meets the eye. That’s especially true of its ending, which Dobrev explains is tied to the symbolism of California bears introduced in Marco’s journey for freedom. This idea of characters being driven from their homes and finding new starts applies just as much to her character, though the actress believes that Carrie is more deserving of getting a clean slate and, hopefully, grows from her experiences in a new life on the straight and narrow.

“Yeah, I mean, it symbolizes… Well, bears historically, especially in California, have been driven out of California, and they’ve had to go north and escape, and quite literally the title of the movie, The Get Out, it’s what we’ve done to them, and it’s what almost every character in this film… I think more so for Russell’s character, he’s been driven out of his home to seek asylum elsewhere and safety elsewhere like the bears in bear country, which is the National Bear of California. That was the original title of the film, and it still is the title in some territories, which is a little confusing, but that’s the main symbolism. In my character’s case, I mean, she’s sort of the only one who has a chance to start over, albeit by lying her way out of trouble, hopefully, but we don’t really see exactly what happens to her in the end, if she actually gets away with it or not. But I’d like to hope that she does, and maybe she learns something and grows and tries to start fresh on a more calm path for her future if she wants to have longevity.”

When asked about when the bear idea first resonated with her, Dobrev cited the first scene of Marco explaining the history of the bear, which admittedly baffled her upon first reading. “I remember being so confused,” she added. “Why are you telling this long monologue story about this?’ And then it finally comes together at the end, which I thought was really beautiful. And it’s that reminder for Carrie, she comes face to face with the bear, and it gives her that opportunity that it could destroy her, but it lets her go. And so it gives her the chance for a fresh start, like everyone in the film is looking for that.” She appreciated that The Get Out was willing to go a bit out there with an idea and trust audiences to follow along until it pays off in the end and beautifully ties into the story being told.

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Dobrev’s ‘The Get Out’ Role Is “Unlike Anything” She’s “Ever Done Before”

Carrie is practically from a whole other planet compared to Dobrev’s role as Elena. The trailer alone paints a chaotic portrait of the character, who can be a bit of a literal shoot-first, ask questions later type, down to go along with her partner Jeff’s (Paul) plan. “She really wreaks a lot of havoc in this film, which is exciting and fun for me to play as an actor,” Dobrev told Lovitt. Having so much freedom to explore with this very different part, with some brilliant screen partners like Crowe and Palmer, as well as an old friend in Paul, proved to be a refreshing change of pace. “And that’s what drew me to wanting to play this character because it’s so unlike anything I’ve ever done before, and doing it in that environment with Aaron, who’s a longtime friend, allowed for me to have that comfort and safety to go big and try things and have that freedom and safety to explore in a way that I don’t know if I would have if it was with someone else. So I’m really grateful to him for that.”

Like the ending of the film, there’s a greater depth to Carrie that Dobrev wanted to capture. Her questionable decisions are rooted in a very identifiable feeling of restlessness in a world that has become even harder to get a leg up in. Dobrev approached the role with “a lot of sympathy for somebody, that I’m sure you’ve seen in the news, that millennials nowadays were not afforded what the boomers and what their predecessors had, and the opportunities, and with the inflation and housing going up, it’s not the same golden era that they were promised. And so she’s living not the life that she wants to live, it’s very mundane, and she’s looking for excitement in any way that she can, albeit without a lot of thought or foresight, it’s all very impulsive.”

The most critical part of selling Carrie as a character with a conscience was ensuring that those moments of clarity, where the reality of her actions set in, are played with real gravity. Another boon to The Get Out was that Dobrev was able to give her input on how to best get that point across and make her less of a “caricature.”

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“And I know those people. I know the people that speak before they think, that act before taking some time to really consider what the consequences will be, and you get to see that moment for Carrie where she’s impulsive, impulsive, impulsive, and then reality sets in once she goes one step too far, and she realizes what she’s done and finally has a wake-up call and a conscience. And that scene actually in the car with Aaron when she’s throwing the money out of the car, that wasn’t scripted that way. Initially, they were just celebrating that they got away with it, and I was like, ‘I don’t know, I feel like this should be a wake-up call for her, for her character arc to ground her and make her a real person instead of a caricature.’ I really felt like it was important to make sure that for her arc that she comes to her senses.”

Derrick Borte Made ‘The Get Out’ a Collaborative Experience

Russell Crowe wearing shades in The Get Out
Russell Crowe wearing shades in The Get Out
Image via Vertical

Getting that level of agency within a role comes with “time and experience,” Dobrev says. “When I first started, I was just happy to be there and have a job. As I get older, I’m getting much pickier, and it’s so important to me the material, the character, who I’m working with, personalities. Life’s just too short at this point to not be creatively fulfilled, but also just have fun and be around good people, and enjoy yourself.” Borte, in particular, sold her on The Get Out, as she immediately knew from their first meeting that “he was a collaborator” and not merely a director. “He was very open to letting us bring these characters to life.”

Dobrev wasn’t the only one whose role evolved thanks to Borte’s openness to suggestions. Crowe was also critical in shaping who Marco was and, in turn, how his journey unfolded to best portray him as a layered character. “I don’t know if I mentioned this already, but Russell Crowe, for example, it wasn’t scripted that he was Albanian,” she continued. “He decided he wanted to bring that layer to the role. And a lot of those decisions and little things elevated the script, and we all added our little things to each of our characters to help strengthen

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it and make it what it ultimately became. And so I’m so grateful to Derrick for giving us that creative freedom and being open to collaboration and letting us improv on set.”

The Get Out‘s atmosphere of collaboration came to a head at the very end of the movie in a sequence involving Carrie that came largely off the top of Dobrev’s head. “I mean, the end credit scene where I’m sitting at the police station, that was almost entirely improv. So he just kept the camera rolling, and he was like, ‘Go for it.’” By all indications, Borte intimately understood who his cast was and what their level of comfort was when asked to take the reins of a scene. Thus, the final product that came to screens is a monument to the confidence he had in everyone to play their parts to perfection, from the Oscar-winning Crowe to Dobrev, and the rest of the cast of crooks inhabiting his world.

“And a lot of the scenes had an element of that, which was really great. And like I said before, I think it takes a lot of time and experience to be comfortable enough when you’re given that opportunity to improv and to play, and when a director asks you what you think about something to have not just the integrity, but the confidence to express your opinion and know that it will be received positively.”

The Get Out is now in theaters and available through video on demand. Stay tuned here at Collider for more on Dobrev’s new series, You Deserve to Know, as it continues development at Hulu.


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Release Date

June 26, 2026

Runtime
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96 minutes

Director

Derrick Borte

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Entertainment

Tom Hiddleston’s Apple TV Epic Officially Scores Rare Theatrical Release

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genden-phuntsok-tenzing

Like most streaming services, Apple TV is not known for being pro-theater. However, the streaming service is one of the kinder ones for this medium, with some of its movies having a limited theatrical release before becoming available to stream. Blockbusters like F1 and Killers of the Flower Moon had a short theatrical window before they hit Apple TV. This release strategy is on a case-by-case basis, as streaming services weigh which movies have the potential to draw people to theaters and possibly secure award nominations. The streamer has several movies set for a theatrical release, with one of them hitting all the notes for a potential award run.

This film is based on a true story and chronicles the feat of one little-known pioneer. Many people might be unaware of Tenzing Norgay, the first recorded mountain climber to reach the summit of the tallest mountain in the world. Genden Phuntsok plays the Himalayan climber who collaborated with New Zealand mountaineer Edmund Hillary, played by Tom Hiddleston, for the historic climb. Tenzing has attracted some top-tier talent, including Willem Dafoe as Colonel Hunt and Caitríona Balfe as Jill Henderson.

Tenzing had to overcome a lot because, before he was allowed to climb, he served the British climbing team. With Henderson, they convince Colonel Hunt to add him to the team as a climber. He was able to climb the mountain by using a different philosophy from his Western counterparts, who viewed it as a conquest, whereas Tenzing viewed it as an entity. The climb becomes not only a challenge to push human limits but also a clash of ideas and backgrounds. Still, a mountain like Everest, or Chomolungma as it is traditionally called, has the unique ability to strip people down to the bare minimum and reveal what they’re made of.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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What Happened to Tenzing Norgay?

genden-phuntsok-tenzing
Genden Phuntsok in Tenzing for Apple TV
Image: Kristy Griffin/Apple TV

After making history as the first recorded person to climb Mount Everest, Tenzing became a global celebrity and was named as Time’s 100 Most Influential People of the 21st Century. He went on to write a book that detailed his life. Tenzing was married three times and had seven children. His first wife, Dawa (Thienly Lhamo), was one of his greatest supporters, but she died. He had numerous grandchildren, including Tenzing Trainor (Liv and Maddie, Freeridge), an American actor and son of Norgay’s daughter Deki Tenzing. Norgay died in 1986 of a cerebral hemorrhage at the age of 71.

Tenzing, directed by Jennifer Peedom, will be available in select theaters on October 9 before streaming on Apple TV on October 16. Stay tuned to Collider for more updates.


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Director

Jennifer Peedom

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Writers

Luke Davies

Producers
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Emile Sherman, Liz Watts, Iain Canning


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‘The Bear’s Final Twist Is the Perfect Ending Fans Have Been Waiting For

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Jeremy Allen White in The Bear Season 5

Editor’s Note: The following contains spoilers for The Bear Season 5.The Bear finally closes its doors with Season 5, and its finale does not disappoint. Since premiering in 2022, culinary prodigy Carmy Berzatto (Jeremy Allen White) has been at the epicenter of every chef’s kitchen nightmare. From failing a health inspection to nearly setting the place on fire, it often seemed like Carmy’s efforts to save the restaurant his late brother left behind were all for nothing. Even when he transformed the Original Beef of Chicagoland into the high-end fine dining restaurant The Bear, what seemed like a fresh start only brought a whole new set of problems.

Running a restaurant is no walk in the park, and even someone as talented as Carmy isn’t immune to the threat of closure. Yet no matter how many setbacks come their way, the team at The Bear refused to give up, pushing through until the very end. The result is a finale that not only catches viewers off guard, but also delivers a satisfying full-circle moment that proves Carmy’s journey was never just about saving a restaurant.

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Season 5 of ‘The Bear’ Is Carmy’s Last Chance To Save the Restaurant

Saving a failing restaurant from near closure by earning a Michelin Star in a single service sounds like a pipe dream, but that’s apparently the case in The Bear Season 5. The final season takes place over the course of one fateful service — in a The Pitt-style format. With the original 1,440 hours from Season 4 finally up, this last service determines the fate of the restaurant, as its primary investor, Uncle Jimmy (Oliver Platt), plans to sell the building to make up for his losses. There is one solution, though: earn a Michelin Star.



















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Collider Exclusive · Universe Personality Quiz
Which Iconic Universe Do You Belong in the Most?
Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek

Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.

🚀Star Wars

💍Lord of the Rings

Advertisement

🧙Harry Potter

👑Game of Thrones

🖖Star Trek

Advertisement

01

What gives your life its deepest sense of meaning?
Every universe is built around a different answer to this question.





Advertisement

02

Which kind of world do you most want to inhabit?
The environment shapes who you become. Choose carefully.





Advertisement

03

How do you prefer your conflicts resolved?
The shape of a world’s conflicts tells you everything about its soul.





Advertisement

04

Who do you want beside you when things get difficult?
Your ideal companions reveal the world you were made for.





Advertisement

05

What is your relationship with power?
How you seek, wield, or resist power is the map of who you are.





Advertisement

06

How does your universe treat good and evil?
A world’s moral architecture tells you more about it than any map.





Advertisement

07

What role would you naturally fall into?
Every universe has archetypes. Which one fits you without trying?





Advertisement

08

What do you ultimately believe about the future?
The answer to this is the clearest window into which universe already lives inside you.





Advertisement

Your Universe Has Been Chosen
You Belong In…

Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.

Advertisement


A Galaxy Far, Far Away

Star Wars
Advertisement

You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.

  • You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
  • You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
  • Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
  • The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.


Middle-earth

Lord of the Rings
Advertisement

You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.

  • Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
  • You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
  • Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
  • Those are not burdens to you. They are simply how you move through the world.


The Wizarding World

Harry Potter
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You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.

  • The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
  • You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
  • Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
  • That choice — made quietly, without guarantee — is something you understand completely.


Westeros · The Known World

Game of Thrones
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You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.

  • Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
  • You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
  • Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
  • Winter always comes. You are already prepared.


The United Federation of Planets

Star Trek
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You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.

  • Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
  • You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
  • The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
  • You don’t just hope that’s possible. You think it’s the only thing worth working toward.

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Much of Season 5 revolves around the team trying to impress the mysterious “Star Man,” whom the staff believes to be the guest named Dearborn. As seen in Episode 7, “Caramel,” everyone pulls out all the stops to impress their presumed Michelin inspector. From Neil Fak (Matty Matheson) enthusiastically entertaining him with the history behind his tattoos to Sydney (Ayo Edebiri) stepping in with her Coke short ribs after the last lamb chop is lost for the tonnato, every member of the team goes the extra mile to leave a lasting impression. By the end of the service, “Star Man,” along with his dining companion — none other than real-life Chicago meteorologist Tom Skilling — has nothing but praise for The Bear.

The Bear Receives Not One, but Two Michelin Stars Instead

Episode 7 ends on a satisfying note, but the real verdict doesn’t come until Episode 8, “The Original Beef of Chicagoland.” Throughout Season 5, Carmy keeps receiving calls from an unknown number, all of which he declines. It’s only in the finale, after finally getting a breather, that he decides to answer. Longtime fans might assume the caller is someone he knows, like Claire (Molly Gordon), especially since audiences barely see her in the final episode. Instead, much to Carmy’s surprise, the caller turns out to be none other than Peter Clark (Gary Janetti).

That’s when The Bear delivers its final twist. The restaurant hasn’t just earned one Michelin Star — it has earned two. Even more surprising is the revelation that the real “Star Man” was Mr. Clark all along, the same guest from Season 4, Episode 3, “Scallop.” Back then, the staff treated him like any other customer, completely unaware that he was a Michelin inspector. Apart from Richie being his usual friendly self and the food being cooked to perfection, The Bear never goes out of its way to give Peter any special treatment. Instead, what leaves the biggest impression is seeing the team go above and beyond for another diner celebrating their recovery from cancer by serving one of the restaurant’s original beef sandwiches and creating makeshift snow outside as part of their dessert course.

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Jeremy Allen White in The Bear Season 5


10 Lingering Questions I Still Have After ‘The Bear’ Series Finale

Every second counts… until you run out of time.

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Carmy Achieved More Than Just Michelin Stars

Carmy (Jeremy Allen White) sitting in an office in 'The Bear' series finale.
Carmy (Jeremy Allen White) sitting in an office in ‘The Bear’ series finale.
Image via FX

In the end, The Bear wasn’t awarded for its last service at all, but for one ordinary night when the staff was simply doing what they do best instead of worrying about impressing the “Star Man.” As Peter quietly watches the makeshift snow moment unfold from afar with a smile on his face, it becomes clear that it was the restaurant’s genuine hospitality — not a standout, one-night performance for an inspector — that left the biggest impression. That revelation makes the restaurant’s two Michelin stars feel even more rewarding.

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But for Carmy, he gained more than just two Michelin stars. It all comes back to a flashback conversation with Mikey (Jon Bernthal) in the opening of Season 4, where Carmy explains to a skeptical Mikey why he wants to build a restaurant in the first place. He knows it’s hard, gnarly, and brutal, but he never set out to build a Michelin-starred restaurant. All he wanted was to create a place where they could take care of people, serve delicious food, and play good music—a place people would want to visit after a great day, and one they’d need even more after a bad one. Carmy may have walked away from the fine dining industry, but the moment he leaves The Bear, he can do so with pride. In the end, he fulfilled the promise he made to Mikey, and the restaurant’s two Michelin stars simply became proof that staying true to that vision was enough.


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Release Date
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2022 – 2026-00-00

Network

Hulu

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Showrunner

Christopher Storer

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Directors

Ramy Youssef

Writers
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Catherine Schetina, Alex Russell, Karen Joseph Adcock, Sofya Levitsky-Weitz, Stacy Osei-Kuffour

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The Greatest Japanese Fantasy Epic of All Time Officially Returns to Theaters This Month

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One of the most iconic Studio Ghibli films is returning to theaters this month. Lately, a handful of Ghibli films have been given theatrical re-releases years after their original releases. Now, another one is making its way to the big screen for a limited time only.

Studio Ghibli is an award-winning animation studio founded in 1985 by Hayao Miyazaki, Toshio Suzuki, Isao Takahata, and Yasuyoshi Tokuma. Its first feature film was Castle in the Sky, released in 1986. Since then, it has released over 20 feature films, including award-winning hits like Spirited Away and The Boy and the Heron, both of which won “Best Animated Feature” at the Academy Awards. Recently, films like Princess Mononoke and Kiki’s Delivery Service have returned to theaters for a limited release, and now another notable feature directed by Miyazaki is making its theatrical return.

My Neighbor Totoro is a 1988 animated feature that has grossed over $41 million worldwide. Directed by Miyazaki, it follows two sisters, Satsuki and Mei, who discover mysterious spirits called susuwatari in their new home before befriending a large, gentle spirit they name “Totoro.” CBR reported that GKIDS and Fathom Entertainment announced a theatrical re-release of My Neighbor Totoro this July, in both English and Japanese dubs. Additionally, the theatrical re-release will feature a post-film bonus featurette titled “Creating My Neighbor Totoro.” The English dub of My Neighbor Totoro stars Dakota and Elle Fanning as Satsuki and Mei Kusakabe, Tim Daly (Superman: The Animated Series) as their father, Tatsuo Kusakabe, Lea Salonga (KPop Demon Hunters) as their mother, Yasuko Kusakabe, and Frank Welker (2019’s Aladdin) as Totoro and Catbus.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

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🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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Is ‘My Neighbor Totoro’ Worth Watching?

Since its release, My Neighbor Totoro has become somewhat synonymous with the Studio Ghibli brand, with Totoro featured in the studio’s logo. Additionally, the film was praised, earning a 94% critic and audience score on Rotten Tomatoes and a 4.2-star rating on Letterboxd. According to critics, ScreenRant claimed My Neighbor Totoro is “a heartwarming and melancholy Ghibli masterpiece,” and many other outlets share the same sentiment. Others claimed that My Neighbor Totoro could “cross generations and cultural barriers” and that watching it would make viewers feel like a kid again. Meanwhile, audiences felt “enamored” after watching the movie and called My Neighbor Totoro a “timeless anime classic.” Some also note that the movie’s charm and innocent vibe make up for its lack of story.

My Neighbor Totoro enters theaters on July 11. You can stream the film on HBO Max and Prime Video. Follow Collider for more updates.


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Release Date

April 16, 1988

Runtime

86 minutes

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Producers

Tooru Hara, Toshio Suzuki

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  • Cast Placeholder Image

    Noriko Hidaka

    Satsuki Kusakabe (voice)

  • Cast Placeholder Image

    Chika Sakamoto

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    Mei Kusakabe (voice)

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Exes Lena Dunham and Jack Antonoff attend Taylor Swift and Travis Kelce's wedding festivities after bombshell book

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No amount of bad blood could stop them from seeing this love story play out.

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American Idol’s Taylor Hicks on Flirty Kelly Clarkson Remark

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American Idol Winners Where Are They Now

Taylor Hicks is clarifying the seemingly flirty message he had for Kelly Clarkson.

“I think that’s manifested, not by Page Six or by us, but by somebody else,” the American Idol season 5 winner said in a Wednesday, July 1, interview with SiriusXM’s Page Six Radio.

Earlier this year, Hicks, 49, raised eyebrows when he flirtatiously responded to Clarkson’s revelation that she did not receive a car after winning the inaugural season of American Idol.

“I am a big fan of Kelly Clarkson and consider her one of the most incredible voices to emerge from American Idol,” Hicks told Page Six in March. “I would be more than happy to help her find a new Mustang.”

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American Idol Winners Where Are They Now


Related: ‘American Idol’ Winners: Where Are Fantasia Barrino and More Now?

American Idol paved the way for reality competition shows to help everyday people achieve their dreams of music stardom. The series premiered in 2002 on Fox with a star-studded judging panel consisting of Simon Cowell, Paula Abdul and Randy Jackson. American Idol‘s freshman season introduced Kelly Clarkson, who would become the show’s first breakout star. […]

Hicks explained on Wednesday that he genuinely meant he wanted to pay it forward to Clarkson, 44, as she helped catapult the success of American Idol, paving the way for Hicks and other winners.

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“As the show got bigger, Kelly, she was the first [winner]. She was the pioneer. So there [weren’t] that many sponsors. But when they got to my season, Carrie [Underwood]’s season … It was huge. It was such a big juggernaut. So there were a lot of sponsors,” the singer said. “We got a car, we got a Ford Mustang and Kelly didn’t. So I was like, ‘Let’s take Kelly shopping’ and they took it from there. But she’s a doll.”

During a March episode of Clarkson’s eponymous talk show, the “Since U Been Gone” singer revealed that the prize she got for winning American Idol was different from what she expected.

“I literally was on the show, and they were like, ‘Oh, you win a million dollars’ or whatever. No, you didn’t. It was, like, a million dollars worth of investment in you,” she said. “And then they said you get a car, and I needed it cause my car was bashed in, and I couldn’t afford the deductible. I did not get a car. And then Clay Aiken, who didn’t win the second season, got a car and his mom [also got a car]!”

While Clarkson did not get the American Idol prize she envisioned, her career has since flourished. Clarkson has earned three Grammys and 12 Daytime Emmys for her talk show, which will be coming to an end this fall.

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TCDAMID_FE473 How American Idol Prizes Have Changed.jpg


Related: How ‘American Idol’ Prizes Have Changed Through the Years

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Winning American Idol has been a dream come true for many singers, but the prizes have changed a lot over the years. Kelly Clarkson was crowned the singing competition’s inaugural winner in 2002. She reportedly walked away with a $1 million prize and a record deal with RCA Records, per Parade. In addition to the […]

As Clarkson has balanced a successful career, she is also the loving mother to daughter River Rose, 12, and son Remington, 10, whom she welcomed with late ex-husband Brandon Blackstock. (Blackstock died in August 2025 following a private battle with cancer. He was 48.)

Hicks applauded Clarkson for her “really great work ethic” as she has balanced everything that has been thrown at her.

“It’s not easy filming television, having two kids and then being able to mother without her ex-husband. Which is tough,” he said on Wednesday. “It’s a tough gig all around. But what a great run she had.”

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Ashley Tisdale To Star In ‘Toxic’ Mom Sitcom

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Ashley Tisdale posing on the red carpet.

Ashley Tisdale is reportedly hoping to turn her experience with a toxic mom group into a smash hit. The Disney Channel star is said to be partnering with Netflix to develop and executive produce a new half-hour comedy, “Toxic Moms,” loosely inspired by her real-life friendship breakup with a group of celebrity mothers, including Hilary Duff and Mandy Moore. Tisdale, known for her roles in “High School Musical” and “The Suite Life of Zack & Cody,” made headlines earlier this year when she opened up about leaving her group of moms after feeling excluded from their outings.

Ashley Tisdale posing on the red carpet.
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According to Deadline, Tisdale, in partnership with Sabrina Jalees and Ali Wong, will help create a new dark comedy series called “Toxic Moms” for Netflix.

It’s said to follow a “sleep-deprived” mother who’s recruited by a group of “cool, wealthy mothers.” Throughout the series, the lead character is said to discover her new clique’s “darker side,” prompting her to ask, “How far would you go to taste community?”

While the series hasn’t been greenlit just yet, if Netflix does pick it up, it would become the next production in the streamer’s lineup of series featuring female leads, including “Running Point,” “Nobody Wants This,” “The Survival of the Thickest,” and “North of North.”

This Could Be Ashley Tisdale’s Newest Project

Ashley Tisdale posing on the red carpet.
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Tisdale has been in the spotlight since the early 2000s after starring in several Disney productions. In addition to the aforementioned works, Tisdale also snagged a role as Candace in “Phineas & Ferb.”

Over the years, Tisdale starred in “Hellcats,” “Merry Happy Whatever,” and “Carol’s Second Act.” The mother of two also appeared in ABC Family’s “Young & Hungry” and, as of February 2026, secured a role in CBS’ new sitcom “You’re Only Young Twice.”

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The latter is in early development and focuses on Emily (Tisdale) and Alex, a young couple who got pregnant and married in high school, and, at 35, have a child starting college.

“That means they can get divorced and start life all over again while they’re still young enough to enjoy it. Newly divorced empty-nesters, they stumble through dating, co-parenting, and maybe a second chance at love,” the show’s description reads, per Deadline.

More About Ashley Tisdale’s ‘Toxic’ Mom Group

Ashley Tisdale at ''Phineas And Ferb'' World Premiere
ZUMAPRESS.com / MEGA

Tisdale’s latest collaboration with Netflix comes after the actress and singer penned a personal essay for “The Cut,” detailing her decision to leave her “toxic” group of mom friends in the dust.

According to a previous report from The Blast, Tisdale wrote about being excited to initially connect with a group of high-profile moms. However, her joy quickly faded as she said she felt they began acting differently toward her over time.

She claimed that she noticed they were hanging out together on social media without her, adding, “Another time, at one of the mom’s dinner parties, I realized where I sat with her — which was at the end of the table, far from the rest of the women. I was starting to feel frozen out of the group, noticing every way that they seemed to exclude me.”

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Ashley Tisdale Wrote Her Personal Essay To Offer Support

Ashley Tisdale
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Tisdale said that she tried not to take the alleged snubs to heart, but revealed it was challenging not to. Eventually, the 41-year-old sent a text message to her group of friends, revealing she was leaving them behind.

Regarding her essay, Tisdale said she wrote it to offer support to other mothers facing similar drama.

“Motherhood has enough challenges without having to wonder if the people around you are on your side,” she wrote. “You deserve to go through motherhood with people who actually, you know, like you. And if you have to wonder if they do, here’s the hard-earned lesson I hope you’ll take to heart: It’s not the right group for you. Even if it looks like they’re having the best time on Instagram.”

Who Was Reportedly Part Of Tisdale’s Toxic Mom Group?

While she didn’t mention names, the internet deduced that Tisdale was speaking about celebs Mandy Moore and Hilary Duff.

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While speaking with Andy Cohen, Moore responded to Tisdale’s essay, expressing disappointment that the Disney star made their issues public.

“It’s wild to have anybody talk about your life, and I know Hilary [Duff] has sort of mentioned this too,” Moore said. “It’s like we both have grown up in this business and had people dissect who we are and the choices we make and all of that, but this was something altogether different and decidedly way more upsetting.”

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Hugh Jackman Isn’t Ready to Pass the Wolverine Claws Just Yet : Coastal House Media

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Hugh Jackman Isn't Ready to Pass the Wolverine Claws Just Yet : Coastal House Media

As excitement continues to build for Spider-Man: Brand New Day, Sadie Sink has opened up about joining the Marvel Cinematic Universe and what it was like stepping onto the set alongside Tom Holland.

Speaking in a recent interview, Sink admitted that entering one of Hollywood’s biggest franchises was both exciting and intimidating. While she understood the massive popularity of Spider-Man before signing on, she quickly realized just how enormous the production truly was.

“I knew that Marvel was a big deal and had a big brand, especially Spider-Man,” she said. “I know there’s a huge fan base, but it feels really big. I think these blockbuster movies are a whole different beast.”

Joining a cast that had already spent years working together also left Sink feeling like an outsider at first, but she said Holland and the rest of the production made the transition incredibly easy.

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“It was interesting stepping into that space and being a little bit of an outsider in that way, but he could not have been more welcoming, and just the whole crew in general.”

She went on to praise Holland’s personality, saying:

“He was just so relaxed and open, and I felt very at ease.”

While Marvel Studios continues to keep Sink’s role under wraps, the actress admitted that watching fans speculate about her mystery character has been an interesting experience. Many fans continue to believe she could be portraying Jean Grey, though neither Marvel nor Sink has confirmed those rumors.

Tom Holland [credit: Sony Pictures]

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The actress also revealed that Marvel handled her casting with its trademark secrecy. Rather than auditioning for the role, Sink was reportedly offered the part directly following her previous collaboration with director Destin Daniel Cretton. She also wasn’t given the full script until she arrived in London to begin filming.

Spider-Man: Brand New Day picks up after the events of Spider-Man: No Way Home, with Peter Parker navigating a world where no one remembers his identity. The film stars Tom Holland, Zendaya, Jacob Batalon, Jon Bernthal, Mark Ruffalo, and Sadie Sink, with the next chapter of Spider-Man’s story set to arrive in theaters on July 31.

With Sink praising Holland’s welcoming attitude and offering a glimpse into the scale and secrecy surrounding Marvel productions, anticipation for Spider-Man: Brand New Day continues to build as fans eagerly await the reveal of her mysterious role.

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‘Spend Dat’ Producer Mixes India Arie’s Song With Yung Miami’s

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'Spend Dat' Producer Blends India Arie's Record With Yung Miami's Track As Celebs Join The "Influence" Convo (VIDEO)

India Arie shared her opinion about Yung Miami‘s song ‘Spend Dat,’ and now the song’s producer is weighing in on the viral comments with a new video.

Controversy about the song erupted due to the track’s lyrics about scamming folks. It also advocates for spending money in abundance. After a fan called for a boycott of the song, ‘The Truth’ artist shared her opinion, and it sparked a debate after going viral.

RELATED: India Arie Clarifies Her Stance On Yung Miami’s ‘Spend Dat’ After Going Viral For Speaking On The Song’s Influence (UPDATE)

‘Spend Dat’ Producer J. White Did It Mixes Track With India Arie Record

India Arie responded to a fan on Threads saying the song should be boycotted. The artist advised folks to make wise choices while choosing what music to listen to.

“Everything you listen to see or eat is going to influence you,” replied Arie. “So make wise choices y’all. The mass acceptance of this song itself is a CRYSTAL CLEAR sign of the bigger problem.”

The singer sparked an online debate about the track’s influence on the culture, and she later clarified that she was not calling for a boycott. The song’s producer also weighed in on the drama. 

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On the evening of July 1, ‘Spend Dat’ producer J. White Did It shared a video on his Instagram page. The footage featured him dancing in a music studio to a blend of two of the artists’ songs.

White mixed Yung Miami’s ‘Spend Dat’ with Arie’s jam ‘Video,’ the it captures him singing along as he exclaimed, “Hey, heeeeey.”

 

 

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Fans Spoke Out About The Video As Celebs Spoke Out About ‘Spend Dat’

Fans responded to White’s video, and the reactions were mixed.User @kmlstyling wrote, “Provoking and trolling ppl over an opinion is actually weird, to me.”@rahjawilliamss replied, “I’m still just intrigued at how ‘Spend Dat’ is where y’all draw the line…. But do yall thing I guess.”

user @tushay_ wrote, “This kinda proves her point .. idk though.”

@dijouncruz replied, “this was kinda corny, especially at his old age.. not the response J white was looking for 👎🏼.”

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Over on Threads, @dreamstreamtelevision noted, We so behind as a group of ppl it’s not even funny anymore… I call this genre of music bubblegum rap carry on.”

@carl_edouard_  replied, Trash 🗑️.”

‘Lovin’ me’ singer Nicci Gilbert also spoke out about the song’s affect on the culture and noted that “fame is vapor.” She also shared a video explaining her stance.

Singer Keri Hilson shared her opinion on the matter as well, allegedly. The ‘Knock You Down’ artist wrote a message on X on July 1, but she didn’t name names.

“If music can heal, music can harm too…”

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White Was Unbothered While Responding To Folks After Catching Heat Online

“Y’all taking this way too serious 😂,” he wrote. “I love both songs. India is a legend, and she’s entitled to her opinion. It’s all love over here. Two things can be true at the same time. There are way more important things in life to be serious about. Peace, love, and happiness. ❤️✌🏾SPEND DAT.”

Yung Miami also reacted to the the producer’s video on Instagram and wrote, “J white turn me up 😤😤😤.”
RELATED: Whew! Social Media Users Are Goin IN On Yung Miami’s Look At 2026 BET Awards (PHOTOS)

What Do You Think Roomies?

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Lil Wayne Finally Issues Apology After Ghosting Fans

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Lil' Wayne in Concert

Lil Wayne has finally addressed the controversy surrounding his missed performance after leaving thousands of concertgoers waiting without an explanation.

Fans were disappointed when the rapper didn’t appear at a much-anticipated performance, prompting many questions after the show. In his absence, rumors started to circulate regarding the incident.

Lil Wayne is now attempting to clear the air after publicly apologizing to disappointed fans. At the same time, fresh reports continue to shed light on what happened before and after the canceled appearance.

Lil' Wayne in Concert
WENN.com/ MEGA

Lil Wayne broke his silence by apologizing directly to fans in Maine after failing to appear at his scheduled concert. In a message shared on his Instagram Story, the rapper told fans he was “so sorry” and confirmed that the performance had been rescheduled for July 28.

He advised ticket holders not to lose their tickets, as they will be valid for the new date. Lil Wayne also stated that more info would be sent directly to attendees via email as organizers ironed out the new plans.

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The rapper concluded by expressing gratitude to the fans for their patience and assuring them that they would receive the justice they deserved. “I ain’t sh-t without you,” he wrote, adding that he looks forward to coming back to give Maine fans “the show you deserve.”

Fans Lashed Out After The No-Show 

Lil Wayne Apologizes And Promises A New Show
Instagram Stories | Lil Wayne

Lil Wayne was supposed to do the headliner act at the Bangor Waterfront, but fans were surprised at the rapper’s absence. The rapper was supposed to follow 2 Chainz on the night, but instead the fans were told the show had been canceled after waiting much longer than the start time, as reported by The Blast.

Some of the attendees resorted to social media to vent their frustration over the organizers’ failure to let them know that the performance would not take place.

While some said the DJ was still hyping up Wayne’s arrival at the venue, others said the rapper didn’t make it to Maine and had even skipped rehearsals before the event.

A number of fans called the incident “unprofessional and disrespectful” and said the concert should have been canceled earlier on. This quickly made the rounds on the internet, and many asked, “Has the rapper let his fans down yet again?”

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Lil Wayne Has A History Of Missed Shows

LIL WAYNE at BottleRock Music Festival 2026
ZUMAPRESS.com / MEGA

The latest cancellation also reignited discussion about Lil Wayne’s past concert no-shows. It was also noted that the rapper previously postponed a Toronto performance in 2025 due to illness and walked off stage during a Los Angeles show after becoming frustrated with the crowd.

Wayne had a history of missing events longer than that. Over the years, fans had been reminded of several canceled shows in Minneapolis, including one in the past due to security fears, and another that was said to have been axed because of mechanical problems with his plane.

While Wayne has apologized after a few earlier cancellations, many concert-going fans have expressed that the repeated interruptions have undermined respect for the rapper, making the Maine incident even more difficult to swallow.

White Party Sighting Deepens The Rapper’s Backlash 

Lil Wayne at 'Jimmy Kimmel Live'
RB/Bauergriffin.com / MEGA

Fans were further outraged after TMZ reported that the rapper went to Michael Rubin’s annual White Party in the Hamptons just hours after they learned he hadn’t made it to his planned appearance in Maine. Wayne was part of the cast of celebrities that graced the lineup, which included DJ Khaled, Kevin Durant, Jake Paul, and Alicia Keys.

Although it was noted there is no confirmation that the exclusive gathering was the reason behind the canceled concert, the timing sparked fresh criticism online. Many fans questioned how Wayne could skip a scheduled show without explanation, only to be seen celebrating at one of the summer’s biggest celebrity parties.

The report also pointed out that the missed Maine concert was not an isolated incident. With previous no-shows in Toronto, California, and Los Angeles still fresh in fans’ minds, many are now hoping Wayne follows through on his remaining tour dates after rescheduling the Maine performance for July 28.

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Lil Wayne And Denise Bidot’s Relationship Ended In Public Allegations

Rapper Lil Wayne sports yellow dreadlocks as he arrives to the wedding of rapper 2 Chainz
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Wayne’s personal life also made the news much longer than his current concert controversy. In May 2025, model Denise Bidot publicly accused the rapper of breaking up with her via a text message on Mother’s Day while she was still recovering from surgery.

According to The Blast, Bidot alleged that Wayne forced her and her daughter out of the home they shared and claimed he had been physically and emotionally abusive during their relationship. She also suggested other women had experienced similar treatment, though those allegations have not been publicly substantiated.

The couple’s relationship since going public in 2020 had been tumultuous, with some heartbreaks and reconciliations. The rapper didn’t publicly respond to Bidot’s accusations, but they brought a new level of controversy to his public persona.

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Why Did Scripted JonBenet Ramsey Show Move to Netflix?

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Most Anticipated Scripted True Crime TV Shows Coming Out Soon

Netflix just announced a scripted show about the murder of JonBenét Ramsey that might sound familiar after the series was originally meant to premiere at Paramount.

In July 2026, Netflix announced the new limited series The Murder of JonBenét Ramsey would be released later that year.

“The series centers on one of the most infamous unsolved murder cases in American history, and the devastating personal and public reckoning that followed the death of JonBenet Ramsey on Christmas night in 1996,” read the official synopsis.

True crime fans, however, remember that the series was previously referred to as Unspeakable: The Murder of JonBenét Ramsey when it was set for a release at Paramount+. According to Deadline, David C. Glasser’s 101 Studios had been in turnaround with the show since its original platform opted not to proceed with it late last year.

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Most Anticipated Scripted True Crime TV Shows Coming Out Soon


Related: Most Anticipated Scripted True Crime TV Shows Coming Out Soon

Getty Images (3); MEGA From the murder of JonBenét Ramsey to convicted killer Ed Gein, there’s several scripted true crime shows coming our way soon. Paramount+ recently announced a limited series that will cover the Ramsey family before and after JonBenet’s murder in 1996. The unnamed JonBenét Ramsey series specifically centers around parents John and […]

The show was commissioned by Paramount and got greenlit in March 2024. After casting commenced, the series was officially picked up by Paramount+ in September 2024 as production kicked off.

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Filming wrapped in January 2025 — months before Paramount Global was acquired by Skydance Global. As a result, new leadership reviewed The Murder of JonBenét Ramsey and there were concerns after a version of the show was screened.

Deadline reported that a defamation lawsuit previously filed against CBS by Ramsey’s brother, Burke, could have played a role. (The lawsuit was previously settled.)

Amid the evaluation, 101 Studios closed a deal in late October 2025 to move from Paramount to NBCUniversal at the start of 2026. The production company then took their limited series and started shopping it, which is how it was acquired by Netflix.

Feature Where Is JonBenet Ramsey Brother Burke


Related: Where Is JonBenet Ramsey‘s Brother Burke? Inside His Life After Her Murder

Burke Ramsey was thrown into the public eye after his sister, JonBenét Ramsey, was murdered in 1996 — but where is he now? Ahead of Netflix’s Cold Case: Who Killed JonBenét Ramsey, which premieres on Monday, November 25, a Ramsey family member exclusively told Us Weekly about Burke’s whereabouts these days. “Burke had a very […]

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Unspeakable: The Murder of JonBenét Ramsey was previously teased to be centered around parents John and Patsy dealing with the loss of their child as an investigation questions their involvement in her death.

“At the heart of the series, it is the story of Patsy and John Ramsey,” read a September 2024 press release. “Exploring the unbreakable partnership of these two complex people — as husband and wife, as mother and father — who had committed themselves and their children to building the narrative of a perfect, privileged life only to have it destroyed one Christmas night in 1996.”

Patsy and John are set to be played by Melissa McCarthy and Clive Owen, respectively. The series also stars Garrett Hedlund, Alison Pill, Owen Teague, Shea Whigham and Will Patton. The role of Burke has yet to be announced.

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