Alexis Bellino returned to Bravo’s “The Real Housewives of Orange County” in 2024 as a friend of the show, several years after her initial exit, but only remained on the series for a season. Now, almost a year after her wedding to John Janssen, the Bravo alum is revealing that she underwent a facelift. This comes after she recently opened up about the backlash she received following her “RHOC” return.

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Bellino opened up to PEOPLE in August 2026, revealing that she underwent a mid-face lift as an early birthday present. Regarding her reasoning for the procedure, the ‘RHOC’ alum stated, “Why I went down this path is [because] a couple of my friends that are a decade older than me both had it done at 49, and they look amazing at 60. I kind of feel like, learn from people that are older and wiser than me.”

During the interview, Bellino revealed that her three kids and husband were “against” the idea of her going under the knife. Regarding the children, she recalled, “They said, ‘Mom, please come on. Jesus Jugs, we’ve had enough of you and your stuff.’ And so I just said, ‘Guys, you’ll get it when you’re 50.”

For context, “Jesus Jugs” is a nickname Bellino gained during her original run on “The Real Housewives of Orange County” when cast member Tamra Judge made mention of her breast implants. In speaking about her husband being against the procedure, she says he changed his mind after attending a consultation with her.

The ‘RHOC’ Alum Also Discussed Her Healing Process

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Later in the interview, Bellino revealed that the recovery process following her facelift was much different than her previous experiences with plastic surgery, which includes getting breast implants when she was in college. Notably, she says the procedure itself lasted for seven hours. She called it a “whole different animal.” 

According to her, “It wasn’t as hard as I thought it would be, but it was not easy.” She also shared that the left side of her face “took a little bit longer to catch up to the healing.” Still, she has faith that the results will soon “fully” settle.

Bellino also stated that she plans to document the process on social media, noting how much she’s changed as she’s gotten more mature. She stated, “I think a decade or two ago I would’ve been affected by comments, and now I just don’t care.”

The “RHOC” alum added, “You’re just like, ‘Okay, take it, or leave it. This is who I am.’ You know who you love; your circle is very small. I want women to feel empowered.” She then spoke about how her life has changed following the facelift.

The 49-year-old explained, “I don’t wear makeup now when I go out. I don’t worry about my laugh lines. If I feel better, then why not? That’s what the doctors are here for.” Regarding future procedures, Bellino plans to have her breast implants removed.

Bellino took to Instagram on August 2 to share more thoughts on her recent facelift, noting the busy year she’s had, including her wedding to Janssen. She shared, “9 months, 2 weddings, 1 facelift….yep, it’s been a happy, busy stinking year. The photo on the left was my wedding to my love @johnwjanssen in October. The photo on the right is my son’s wedding this July.”

She continued, “Only nine months later. No, I didn’t need a facelift; I know that’s what I will hear. But all I can say is thank you @drjlayke and @plastixdocs and @glossyskinlounge for giving me a full smile back!!!!” After that, she discussed the comments she received from her kids and Janssen ahead of the procedure, recalling them saying, “mom/wife you don’t need it, please don’t do it, what can we do to talk you out of it……”

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Bellino added, “But look at the results!!!! And now my husband and kids are all so happy with the results!!!!!! And truth is, it’s MY decision, not theirs.”

The Bravo Alum Had Complications With Her Breast Implants In 2025

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As mentioned, Bellino had her first plastic surgery procedure while in college. However, in 2025, the “Real Housewives of Orange County” star was forced to have a corrective procedure after experiencing leakage related to her breast implants.

She opened up to PEOPLE in May 2025, stating, “I was the first girl at the University of Missouri to ever get implants. It was the biggest deal ever. Everyone was in shock that I did that. And since then I’ve had three more.”

She then discussed her journey over the years, saying, “I had that corrected in 2022. Unfortunately, about six months after that surgery, the contracture started to come back again. Most of the time, when you have it, it does keep recurring.

Unfortunately, after a while, she began to experience a “shooting pain” that she eventually couldn’t avoid. She explained, “My left breast started to raise and swell to the point where not only is it uncomfortable and hard, but now it’s actually noticeable in photos.”

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She went on to have a corrective procedure in April 2025, but her doctor discovered that one of her breasts had ruptured. The implants were then removed, and she now has smaller ones.”

Alexis Recently Opened Up About Her ‘RHOC’ Return

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As mentioned, Bellino returned to “The Real Housewives of Orange County” in 2024 as a friend of the show. However, her return proved controversial, with fans of the series targeting her. During a recent episode of the “Reality With the King” podcast, she opened up about the aftermath, revealing that she sought therapy.

According to her, “I mean, I was in therapy, I was getting death threats, I was crying every night on John’s shoulder like, ‘What did I do? Why did I go back?’” She added, “I went off social media for like four months. I didn’t post anything. My kids were like worried, and they’re like, ‘Mom, we hate what’s happening to you.’”

There’s a whole complex history to Fleetwood Mac, to the point where it’s hard to know how to even classify the band in terms of where they’re from. They were initially an English band, with the five founding members – Peter Green, Jeremy Spencer, Danny Kirwan, John McVie, and Mick Fleetwood – all hailing from that part of the world. There was some success during the band’s early years, but even after just a few albums, things were shifting rapidly. By 1973, only McVie and Fleetwood (the bass guitarist and drummer, respectively) remained as members of the band, though Christine McVie (at the time married to John) joined as a vocalist and keyboardist, and then by the mid-1970s, the band had added a pair of American musicians: Lindsey Buckingham, who became the lead guitarist and vocalist, and Stevie Nicks, who was another vocalist for the band.

The lineup of the two McVies, Fleetwood, Buckingham, and Nicks is the classic one, and it did remain stable for quite some time, at least by Fleetwood Mac’s standards. There was instability, quite infamously, within the band in other regards, as John and Christine McVie separated in 1976, and Buckingham and Nicks – who weren’t married, but had been partners for several years – also separated that same year. The professional stability, so to speak, lasted until near the end of the 1980s, and then there were some reformations and people coming and going, which is further complicated, but also not super relevant if you just want to talk about the best of the best Fleetwood Mac albums. The band’s four outright masterful albums all came out between 1975 and 1987, and they’re perfect pop/rock releases that have helped cement Fleetwood Mac (or maybe that particularly classic lineup of Fleetwood Mac) as one of the undeniably best bands of their era.

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‘Fleetwood Mac’ (1975)

All that history in the intro was a bit arduous to get through, even with it being simplified, but it goes some way toward explaining why Fleetwood Mac (1975) was a self-titled album, and deserved to be one, too, even if it was technically the tenth Fleetwood Mac album overall. It was also the second self-titled album, after the band’s 1968 debut, which is sometimes called Peter Green’s Fleetwood Mac to differentiate it from 1975’s Fleetwood Mac. The latter’s self-titled because this is a formal introduction to the new Fleetwood Mac; the lineup that would become legendary, and one that clicks in such a way that it’s quite surprising to think about how new Buckingham and Nicks were to the band, at this point. The former has lead vocals on four out of 11 songs, and a fifth where he shares lead vocals with Christine McVie, who then also has solo lead vocals on four songs. This leaves Nicks with “only” two, but those two songs are definite highlights, since they’re “Rhiannon” and “Landslide.”

Fleetwood Mac does feel like a bit of a warm-up for the even more legendary Fleetwood Mac album that was only a couple of years away, even down to the fact that the album covers for both are kind of similar (the same photographer, Herbert W. Worthington, was behind both). It is still a great album, though, and if it had marked Fleetwood Mac’s peak, as a band, then that’d remain a pretty great creative peak. Things just got even better artistically over the next decade or so, and the band’s 1977 album is a definite refinement of everything that already worked well (the gentle/soft rock sound, the catchy melodies paired with bittersweet lyrics, the variety of three talented/distinct-sounding vocalists being cycled between, etc.) on this self-titled album.

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‘Tango in the Night’ (1987)

It is an incredibly 1980s album, and that can be a bit of a shock if you listen to Tango in the Night after being more acquainted with Fleetwood Mac’s efforts from the back half of the 1980s. The pop sound and that reliably immediate songwriting are retained, but then come the synthesizers, and therein lies the 80s-ness. And it wasn’t the band’s first 1980s album, but it was the first that had that real synth-heavy/1980s sound, since 1982’s Mirage stuck to the pop/soft rock. Mirage is good, but not a classic. It has “Gypsy,” which is a beloved Fleetwood Mac song, and then a bunch of other pretty good songs, but not enough to make the whole album go from “pretty good” to “pretty great.” Tango in the Night fares a lot better as far as highlights are concerned. Also, it might well be the Christine McVie show, since she has lead vocals on a fair few of those highlights, and then was credited with doing the keyboards and synthesizers (again, the album’s heavy on the latter, though Buckingham was also credited with doing keyboard and synthesizer work on the album).

Sticking with McVie, though, she did the lead vocals on “Everywhere” and “Little Lies,” which are the two biggest songs on the album, and also on “Isn’t It Midnight,” which is probably the most underrated song on Tango in the Night, or at least the best comparative deep cut. Stevie Nicks shines on “Seven Wonders,” which is probably the third-best song here, and then when it comes to everything else, it’s all good. A handful of amazing songs, and then a slightly bigger handful of very good songs. But it’s enough to keep Tango in the Night easy to listen to, from front to back, and the consistency is such that no songs leap out as being weak or like they should’ve been cut. If the production with its distinctly 1980s sound turns you off, then that’s a shame… but also a little understandable, because the 80s is strong with this one.

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‘Tusk’ (1979)

Tusk is a wild album, and the sort that is honestly kind of surprising to see within Fleetwood Mac’s discography, in a good way. Hell, maybe even in a great way. It’s a go-for-broke sort of album that doesn’t feel restrained, with it being 20 songs long and almost 75 minutes all up. Yes, a double album, without a doubt, and one of the better double albums of that pre-CD era when a double album meant something. It might not quite be London Calling, Blonde on Blonde, or Electric Ladyland, but Tusk also isn’t far off. It keeps things consistent, and there aren’t any outright bad songs here. The more forgettable tracks are only a couple of minutes long, and they’re only forgettable if you want to compare them to the highlights from Tusk… namely, “Sara.” And “Sara” is not a short song, by any means, at 6:26, but it doesn’t feel much longer than three or four minutes.

“Sara” might well be the best Fleetwood Mac song. A hot/bold take? Maybe. There are lots of great Fleetwood Mac songs. It has some serious competition. But it’s one hell of an emotional slower song, perhaps standing out to a particularly great extent on Tusk because this album’s a little more upbeat and energetic than most other classic Fleetwood Mac albums. It’s an anxious sort of energy, with Tusk indeed feeling like it was written and recorded during a tumultuous time in the band’s history. As they did with their best album, two years before Tusk, all that angst was channeled into something great, albeit in a more (intentionally) unstable-sounding way on Tusk. It’s the kind of album a band can only make once they’ve established themselves and proved immensely successful, being like the music equivalent of a blank-check movie. Here, Fleetwood Mac did indeed seize the opportunity and then some.

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‘Rumours’ (1977)

Already alluded to as a refinement of 1975’s Fleetwood Mac, and the sort of album successful enough to ensure the band could cut loose in 1979, with Tusk, here’s Rumours. It is inevitable that this gets highlighted as Fleetwood Mac’s best album. It might be boring to say that, but it is just true. Another reason to go through Fleetwood Mac’s history, and the romantic relationships between certain members, is because Rumours came out in 1977, and that was one year on from two break-ups within the band. Further emotional and romantic turmoil ensued beyond that, but those two break-ups combine to make for the main catalyst of Rumours being the album that it is. It’s one of the ultimate break-up albums, and maybe even the ultimate one if you’re looking for break-up albums that aren’t exclusively made up of ballads.

There are ballads here, sure, but then highlights like “Go Your Own Way” and “The Chain” deal with intense emotional turmoil while also sounding energetic. Those two tracks, and some others that at least sound upbeat, are spread out well throughout Rumours, consistently contrasting well with the slower songs. This is easily one of the best pop albums of all time, and there is enough by way of a rock sound to also make it definitive as far as all-time great classic rock albums are concerned, too. Rumours is just that good (as good as everyone says it is), and so what more is there to say? It’s Rumours.

Yahya Abdul-Mateen II is looking on the bright side after news broke that Marvel Studios will no longer move forward with a second season of “Wonder Man.”

Reacting to the surprising update, the actor admitted that setbacks are simply part of the business before thanking fans who embraced the series and ending his message with a confident promise: “See you at the Emmys.”

Yahya Abdul-Mateen II has broken his silence after Marvel Studios decided not to move forward with a second season of “Wonder Man” on Disney+.

In a recent Instagram post, the Emmy-winning actor reflected on the uncertainty that comes with working in Hollywood but made it clear he wasn’t dwelling on the disappointment.

“Word just dropped that Wonder Man won’t be coming back for Season 2. (And if you don’t knowww, now ya knoww!),” he wrote. “That’s life, right? Everything will shake out.”

Abdul-Mateen Thanks Fans For Embracing ‘Wonder Man’

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The actor went on to thank viewers who supported the series, saying the show’s impact mattered far more than its short run.

Reflecting on the response from audiences, Abdul-Mateen wrote, “The show worked,” adding that seeing YouTube reaction videos, reading fan messages, and meeting viewers in person reminded him why the project meant so much.

“I could see it on the faces of the YouTube Reactors (because I watched along with y’all this time. Shoutout to y’all) … and I feel it in the genuine love shared when I bump into some of you all during the day. So, thinking of you all today.”

He concluded, “I’m glad we got to be a part of something cool. Thank you for watching… And uhh… See you at the Emmys.”

Fans Mourn Marvel’s Surprise Decision

Fans quickly flooded the comments section with messages of disappointment, saying they weren’t ready to say goodbye to the series.

“I’m crushed, show was sooo good!” one Instagram user wrote, while another added, “This is some BS man. I hope this isn’t the last we see of Wonder Man!”

A third fan commented, “You were sooo good on this. Killing me, I can’t see the continuation. Your work is just amazing.” Another wrote, “Nah, this is unreal, man. I didn’t know what to expect from this show, and it turned out to be one of Marvel TV’s top shows.”

‘Wonder Man’ Seemed Destined To Continue

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The cancellation came as a surprise because “Wonder Man” performed well with critics, earning a 91% approval rating on Rotten Tomatoes.

Disney had also announced in March that the series would return for a second season, roughly two months after its debut. However, Variety later reported that a writers’ room was never opened and the creative team was ultimately released to pursue other projects.

The series starred Abdul-Mateen as Simon Williams, a stuntman and actor who develops superpowers while trying to keep his new identity hidden. Ben Kingsley reprised his role as Trevor Slattery, with X Mayo, Demetrius Grosse, Zlatko Burić, Arian Moayed, and Olivia Thirlby rounding out the cast. The series was created by Destin Daniel Cretton and Andrew Guest.

Reviewing the show, Alison Herman praised its leads, writing, “Abdul-Mateen and Kingsley make their characters equally ridiculous and romantic.”

Although Marvel has not explained the cancellation, reports indicate the cast could still return in future Marvel projects.

Yahya Abdul-Mateen Still Has Emmy Glory In Sight

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Despite the cancellation, Abdul-Mateen still has plenty to celebrate after earning a Primetime Emmy nomination for Outstanding Lead Actor in a Comedy Series for “Wonder Man.”

He previously won an Emmy for HBO’s “Watchmen,” making him the first live-action actor to receive Emmy nominations for performances in both Marvel and DC projects.

Following the nomination on July 9, Abdul-Mateen shared that he “woke up feeling so blessed” before crediting the cast and crew for helping make the recognition possible.

“It’s only right that this nomination also stands as an acknowledgement of the passion of everyone who helped put this show together,” he wrote. “To Marvel, Destin Cretton, Andrew Guest, Brian Gray, our cast and crew, the city of Los Angeles, the voters who saw my performance worthy of an Emmy nomination, and especially every single person who tuned in and dreamed, laughed, and cried alongside us… CHEERS and THANK YOU!!”

Hailey Bieber is living her best life while vacationing under the European sun.

The Rhode founder, 29, shared two swimwear snaps in an Instagram carousel on Sunday, August 2, capturing the itty-bitty pink strong bikini she’d opted for while out on a luxury boat amid shimmering water.

“Different blues and lots of Nutella,” she captioned the post, which showed her seated on the ground of the boat while snapping herself in a mirror. Other photos in the carousel showed a turquoise ocean lapping against a gray rocky cave, an azure boat bobbing atop waves, more water shots and a creamy dessert topped with a thick layer of gooey Nutella.

One day prior, Hailey, who is currently vacationing with her husband, Justin Bieber, in Europe, was spotted visiting a bottle shop on Italy’s Panarea Island with Justin, 32, before the pair jumped aboard a golf cart to continue their exploration. Social media footage of the couple showed them swarmed by fans prior to escaping the crowd.

Related: Hailey Bieber Gets Cheeky in a Thong Bikini and Justin Bieber Approves

Hailey Bieber is a baddie. Bieber, 28, took to Instagram on Thursday, November 6, to show off her bikini body while celebrating Kendall Jenner’s 30th birthday during a tropical getaway. While relaxing, the Rhode founder showed off a green bikini featuring a thong back with string straps that tied in bows at her hips. Bieber […]

Justin also shared glimpses of the couple’s vacation via his own Instagram account. In a Sunday carousel, he was seen enjoying dinner alongside Hailey as the pair indulged in a bottle of red wine. Additional snaps in Justin’s post showed him puffing on a cigar while enjoying time on a boat, holding Hailey’s hand during another sunlit meal and riding in a golf cart with her.

Hailey recently showed off her enviable figure via Instagram. In her June 23 mirror selfie, Hailey flexed her abs while wearing a sports bra and spandex, completing her look with a navy zip-up hoodie that she wore undone. The post followed Hailey’s Instagram unveiling as an ambassador for Kim Kardashian’s Skims label, with Hailey serving as the face of its lingerie campaign.

Campaign imagery showed Hailey rocking a black Skims bralette and matching thong underwear, a beige bra and boyshort underwear, a white bralette and high-cut thong, and a caramel-hued bra and thong set.

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Related: Hailey Bieber Flaunts Her Figure in an Itty-Bitty Black Bikini

Hailey Bieber is ready for summer. Bieber, 28, took to Instagram on Sunday, June 8, to show off her figure in a black bikini while posing on a beach. In the snap, she rocked a triangle halter top, which she teamed with cropped long sleeves. The model added a touch of the cowgirl-core aesthetic with […]

Kim, 45, showed her public approval for Hailey’s part in her brand campaign, taking to Hailey’s post’s comments section to share praise. “Sooooo beautiful and hot and sexy and cutesie ❤️‍🔥😍❤️,” she wrote, while Kim’s younger sister, Kylie Jenner, also commented with a bitten lip emoji. Kendall Jenner joined in on the fun, writing “really hot ndb” in the comments section, too.

Hailey opened up about her style inspiration, and the enviable couples’ ensembles she shares with Justin, during an interview with Interview magazine in April. “We both just really like expressing ourselves through our style and supporting each other’s individualism,” she said of their sometimes-coordinating, sometimes-clashing wardrobes at the time.

“When we go on a carpet together or something, nobody wants to clash or look crazy, and it’s not very often that we do that,” she added. “Obviously, we’ll talk about what the other person’s wearing, but on a day-to-day basis, I’m like, ‘I don’t give a s*** what you want to wear. Are you comfortable? Do you feel good?’ That’s all that matters to me.”

Winning a Grammy is one of music’s highest honors, but the Recording Academy is also famous for its history of controversial snubs. And classic rock hits are no exception. Unlike when The Beatles took home the coveted award at the 9th Annual Grammy Awards in 1967 for their hit song “Michelle” that was featured on their 1965 album Rubber Soul. However, over the years, so many legendary songs have lost Record of the Year to songs that have long since faded from the conversation while the “snubs” went on to give us some of the biggest and influential hit records of all time. Looking back, it’s hard to see how the Grammys made their choices.

From Beatles classic hits to arena-filled Queen anthems, these songs topped the Billboard Hot 100 and defined entire generations. They may have been overlooked on music’s biggest night, but their legacy has only grown bolder with time. Here are the 10 biggest classic rock hits that never won Record of the Year.

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“The Boys Are Back in Town” by Thin Lizzy

Not many classic rock songs have the same melodic vibe as Thin Lizzy‘s “The Boys Are Back in Town.” The song was built around Brian Robertson and Scott Gorham’s unforgettable guitar skills, but the song was equally cinematic in its storytelling. The song does a perfect job of painting vivid pictures of old friends, past hometown bars and those magical nights you’ll always remember. Phil Lynott’s cool vocals give the song a personality unlike any other that makes it anything but a simple song.

The song peaked on the Billboard Hot 100 charts at No. 12 when the song was released in 1976. It was the lead single from Jailbreak. This became the Irish rock band’s signature hit song that introduced them to audiences around the world. But, despite its cultural impact, the song lost at the 1977 Grammy Awards to George Benson’s “This Masquerade.” However, almost 50 years later, “The Boys Are Back in Town” still blasts through stadium speakers, movie soundtracks and classic rock radio playlists with the same electrifying energy.

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“Carry On Wayward Son” by Kansas

Progressive rock music has produced many songs but very few have crossed into the mainstream, like Kansas‘ “Carry On Wayward Son.” From the track’s instantly recognizable intro to its blaring guitar solos, the song packs an incredible amount of complexity into a song that makes it feel like it was meant to be a sing-along. Kerry Livgren’s lyrics about searching for meaning give the record an emotional weight that separates it from so many other classic rock songs from that era.

The song peaked on the Billboard Hot 100 at No. 11 in 1977. The song became Kansas’ breakout hit from Leftoverture, which helped establish the band as one of the most pivotal acts of 1970s rock. The song would go on to earn a nomination for the 1978 Grammy Awards but lost to Debby Boone‘s “You Light Up My Life.” Decades later, “Carry On Wayward Son” is still one of the most beloved songs in classic rock. For a band that never reached No.1 on the Billboard Hot 100, this song became a timeless classic that’s never gone out of style.

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“Go Your Own Way” by Fleetwood Mac

The collapse of the relationship between Lindsey Buckingham and Stevie Nicks was not going to wallow in heartbreak when it was left up to Buckingham. Fleetwood Mac’s “Go Your Own Way” turned heartbreak into a bold rock anthem that was fueled by raw emotion and one of the most unforgettable choruses of the 1970s. Mick Fleetwood’s drumming pushes the song into this ultimate sense of controlled chaos that took personal turmoil and turned it into a grand performance.

“Go Your Own Way” peaked at No. 10 on the Billboard Hot 100 in 1977. It was released as the lead single from their iconic album Rumours, which helped turn the album into one of the biggest commercial successes in rock history. Just like Kansas’ “Carry on Wayward Son”, Fleetwood Mac lost to Debby Boone’s “You Light Up My Life” that year. However, you can’t listen to classic rock radio and not hear Fleetwood Mac’s iconic song. The song continues to live on in streaming playlists and live performances almost 50 years later after its release.

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“Sweet Home Alabama” by Lynyrd Skynyrd

Some songs become hits and others become part of a place’s identity. “Sweet Home Alabama” by Lynyrd Skynyrd is clearly cemented in both. The hit song began as a response to Neil Young’s criticism of the American South, but it evolved into one of the most recognizable rock songs ever recorded. The opening guitar riff makes the song feel instantly familiar and there is a sense of warmth that washes over when the beginning chords, infused with blues, begin. The song feels infectious and that has made it impossible to ignore all of these years later.

The hit song peaked on the Billboard Hot 100 at No. 8 in 1974. The song gave Lynyrd Skynyrd their biggest hit, and it helped establish Southern rock as a force to reckon with. In 1975, the song earned the Record of the Year nomination but ultimately lost to Olivia Newton-John’s “I Honestly Love You.” While the Recording Academy chose a softer ballad as the winner, history has largely sided with Lynyrd Skynyrd. “Sweet Home Alabama” has become a cultural phenomenon of a song that even if you don’t listen to the genre as a preference, you definitely know this song.

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“More Than a Feeling” by Boston

Boston’s “More Than a Feeling” is one of the most instantly captivating songs to ever be recorded. Tom Scholz spent years crafting the layered guitars, harmonies and spotless production that created a song that didn’t sound like anything else on rock radio in the mid 1970s. But at the core of the song, is the wistful reflection on memory and lost love the song provides. It’s as if the song transports you back into time.

In 1976, Boston’s “More Than a Feeling” peaked on the Billboard Hot 100 at No. 5. As the lead single from Boston’s self-titled album, “More Than a feeling” pushed the band into stardom and became one of the defining songs of the classic rock era. In 1977, the song received a nomination but lost to George Benson’s “This Masquerade.” Despite losing, Boston’s hit song has cast a longer shadow between the two. The influence of this song can be heard in generations of artists who followed. And nearly 50 years later, the song still stands as a how some songs have just become timeless.

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“Bohemian Rhapsody” by Queen

It’s impossible to think of rock music without thinking of Queen’s legendary hit “Bohemian Rhapsody.” A six-minute epic song that doesn’t have a traditional chorus, with an opera-style middle section with one of Freddie Mercury’s greatest vocal performances of all time. The song broke almost every rule when it comes to the traditional layout of a song. On paper, there is no way this song should have worked. However, Queen decided to make one of the boldest statements in music, proving that audiences would like this type of record when backed by perfect songwriting and production.

“Bohemian Rhapsody” peaked on the Billboard Hot 100 at No.9 and spent a total of 19 weeks on the charts. What makes the Grammy’s treatment of this song so surprising isn’t that it lost Record of the Year. Because it never got the chance. Despite this iconic song becoming an international sensation and single-handedly redefining what a rock single could accomplish, the song wasn’t nominated for the award at all. It feels criminal and, looking back, the omission of the song makes it as shocking as the other losses on this list. “Bohemian Rhapsody” has since become one of the most celebrated songs ever. However, in 2004, the song was inducted into the Grammy Hall of Fame and has continuously topped “the greatest songs of all time lists.”

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“Sweet Child O’ Mine” by Guns N’ Roses

If you ever find yourself thinking of iconic guitar riffs, Guns N’ Roses “Sweet Child O’ Mine” has to be at the top of that list. Not every rock song announces itself with a roaring power chord and ultimately gifts us one of the most famous guitar riffs ever written. The song unfolds into a love song that is unlike anything Guns N’ Roses had released before. The song was inspired by Axl Rose’s relationship with Erin Everly and displayed the band’s gritty attitude to love without sacrificing an ounce of their edge.

Luckily, the gamble paid off in a major way. “Sweet Child O’ Mine” peaked at No.1 on the Billboard Hot 100 in 1988. The song would go on to become the band’s only No.1 hit, but this introduced them to an even bigger audience and officially cemented the band as one of rock’s biggest acts. However, despite the massive success and lasting influence, the song lost the 1989 Grammy Award to Bobby McFerrin’s “Don’t Worry Be Happy.” Although McFerrin’s song is truly beloved as a moment in pop culture, “Sweet Child O’ Mine” has stretched far beyond that. Nearly four decades later, it’s still the song that defined Guns N’ Roses and one of the most recognizable tracks out there.

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“American Pie” by Don McLean

From the beginning, this song had a lot of things working against it. Don McLean’s “American Pie” is more than eight minutes long, radio stations rarely embraced playing songs of that length, and its poetic and packed lyrics left audiences trying to interpret their meaning. However, this is exactly what made Don McLean’s song a masterpiece. Instead of just stating things plainly, McLean wanted to take listeners on a musical mystery ride when talking about nostalgia and cultural change with the loss of innocence. The track’s lyrics are still being dissected almost 50 years later, which proves how timeless the storytelling remains.

The risk paid off for this iconic song, released in 1971. “American Pie” climbed all the way to No.1 on the Billboard Hot 100 and stayed there for four weeks. It was nominated for the 1973 Grammy Award for Record of the Year but lost to Roberta Flack’s “The First Time Ever I Saw Your Face.” Flack’s classic earned its acclaim, but McLean’s song grew into one of those rare songs that feels less like a hit single and more like a shared piece of American culture. The song has been sung by generations that have disagreed on the actual meaning of the song, but that is part of what makes this song a masterpiece. This is many decades later and the song still holds such power and fascination, making the Grammy snub one of the most memorable.

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“Hotel California” by Eagles

Ever had a song that left you with questions, and it kept pulling you back to find them? That’s the true magic of “Hotel California.” Since its release, fans have spent decades debating the song’s true meaning, which has varied between interpretations about fame, the music industry, the American dream and excess. Don Henley and Glenn Frey left much of the symbolism behind the lyrics open-ended, which allowed for listeners to find something different with those haunting lyrics. Bring in Don Felder’s unforgettable guitar work, and you have a song that becomes more fascinating after each listen.

“Hotel California” was released on the Eagles‘ legendary album of the same name in 1976. The song peaked at No. 1 on the Billboard Hot 100 for one week, while the album spent eight non-consecutive weeks at number one on the Billboard 200. The song earned a nomination for the 1978 Grammy Award but ultimately lost to Debby Boone’s “You Light Up My Life”, suffering the same fate as Fleetwood Mac and Kansas on this list. Despite only one song being able to take home the coveted award, no one can deny the impact “Hotel California” has had, especially with its closing solo, which is often called the greatest recording ever. “Hotel California” has only become more legendary with time.

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“Hey Jude” by The Beatles

Some songs are instant hits that you know will become a classic. While others slowly earn that title over time, “Hey Jude” by The Beatles somehow managed to do both. The song was written by Paul McCartney for John Lennon’s son Julian, during his parents’ divorce and what started as a deeply personal message evolved into one of the most uplifting songs in rock history. The gentle encouragement, the skyrocketing melody and the unforgettable “na-na-na” finale took this simple ballad to new heights. This song is a great example of how joy brings people together by having them sing along, whether it’s in a stadium, around a campfire or through their own headphones.

“Hey Jude” became The Beatles’ biggest hit single when released in 1968. The song peaked at No.1 on the Billboard Hot 100 and broke records by spending 9 weeks at No. 1. The song would go on to sell 8 million copies worldwide and become The Beatles’ longest-running chart-topper in the United States. But despite this massive success, the song lost the 1969 Grammy Award for Record of the Year to Simon & Garfunkel’s “Mrs. Robinson.” This “snub” is often considered one of the biggest in Grammy history. The song remains one of the Beatles’ defining achievements, regularly appearing on lists of the greatest songs ever written. If there is a single song that proves Grammy victories don’t determine greatness, it’s “Hey Jude.”

Influencer Jen Hamilton has responded to fans hoping to see her star in a new season of The Bachelorette.

“They do not want me and this is why,” Jen, 35, began in a hilarious Instagram video shared on Sunday, August 2, that responded to a fan advocating for her to be featured in the reality TV dating series.

The social media star, who announced her split from her husband, Brian Hamilton, in June, continued with various vignettes that poked fun at her potential place in the show. “Don’t miss the most dramatic season of The Bachelorette ever. Featuring Jen Hamilton who we did not vet but got lots of comments about,” she said in a sarcastic voice-over before staging would-be meetings with suitors.

“Hi, my name is Jen, what do you like to do? Run? That’s what you can do, that way, thank you for coming,” she said. “A beach date? Did ya’ll … research me first? I’m built different than my predecessors. There’s no drawers that cover it alls.”

Related: Influencer Jen Hamilton Breaks Silence on Split From Husband

Influencer Jen Hamilton shared another emotional video after sparking speculation that her marriage to husband Brian is over. “OK, no crying,” she began in a TikTok posted on Monday, June 15, which she captioned, “The ‘statement.’” Hamilton continued in her video: “I’m feeling embarrassed and feeling exposed and feeling sad, feeling every single thing you […]

Fans took to the clip’s comments section to share praise for Jen’s tongue-on-cheek content, including former Bachelorette Katie Thurston who threw support behind what she saw. “Just say the word, and I’ll give you a direct number,” Thurston, 35, wrote, attracting more than 400 “likes.”

Another fan wrote, “I mean, I’d watch this season,” while another added, “Divorced Mom edition 😂the only season I want to watch.”

Four days prior, Jen shared a similarly hysterical Facebook video that attracted another call for her Bachelorette debut. “Something tells me when you’re ready to get back on the market, you will have a plethora of eligible suitors. Maybe Jen should be the next Bachelorette?” the fan wrote, attracting almost 7,000 thumbs up and heart responses.

Related: Influencer Jen Hamilton Shares ‘Nitty-Gritty Details’ of Split From Husband

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Influencer Jen Hamilton shared details of her split from estranged husband Brian Hamilton. “While I was at the hospital, taking care of people, he found the time to have a whole other life. As someone who’s never even passionately kissed anyone else in my entire life, this has broken me beyond comprehension,” Jen, 37, said […]

Jen’s new Instagram video comes days after she seemingly shared a text exchange with her estranged husband. After telling Brian that she will “always love” him, he appeared to write, “Thank you for being you. Losing you is the dumbest thing I’ve ever done.”

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Brian then appeared to continue, “I don’t want to leave you in rubble. I want all of you guys to be in my life.” (Jen and Brian share two sons, Ellis and Luke, though it is unclear who Brian was allegedly referring to in the text.)

Jen appeared to respond, “You already have.”

After the former couple confirmed their split via a joint Instagram statement, Jen has since accused her ex of leading a “double life” with a 56-year-old woman behind her back.

Michael Mann’s Heat 2 is among the highly anticipated movies that were announced in the last few years. The director follows up his 1995 crime thriller of the same name based on the best-selling novel he co-wrote with Meg Gardiner, which serves as both a prequel and sequel. The feature has changed many studios, going from Warner Bros. to Paramount, Sony, and finally Amazon MGM.

Heat 2 has roped in a stellar cast including Leonardo DiCaprio and Christian Bale. Their roles were revealed previously, with Bale set to fill Al Pacino‘s shoes and take the lead as detective Vincent Hanna, while DiCaprio will step into the shoes of the late great Val Kilmer‘s character, Chris Shiherlis, the lone survivor of Neil McCauley’s (Robert De Niro) crew. Further, Stephen Graham is set to take on Robert De Niro’s role, while long-rumored Adam Driver was reportedly in talks to embody Otis Wardell, the serial killer who has haunted Vincent since the 1980s.

However, with most top-line talents set in place, the feature has been in development hell for a while, given Mann wanted a bigger budget than Warner Bros.’ desired $125 million, per a new report. That became one of the main reasons for Heat 2 to change studios. Eventually, the project landed at Amazon Prime, which also took creative control of the James Bond franchise recently.

‘Heat 2’ Will Begin Production This Year

Now Heat 2 is ready to go on the floor, as the report confirms, “with production scheduled to begin in November and Bale and DiCaprio fully onboard, ‘Heat 2’ has reached its final form.” The feature will be backed by F1 producer Jerry Bruckheimer alongside Mann, United Artists’ Scott Stuber, and Nick Nesbitt. As for the scope of the movie, it hasn’t shrunk at all and “features action sequences that dwarf the first film.” And that’s saying something because Heat has a legendary heist/gunfight that was so realistic that law enforcement agencies use it in training exercises.

The makers are expecting Heat 2 to be a global hit: “’Heat 2’ could do for men of different ages what ‘Barbie’ did for women,” a source revealed. “It won’t reach the same box office, but it could easily approach more than $500 million which would make the film profitable theatrically and then a huge hit for Amazon on their platform.”

No release date has been confirmed for Heat 2. Stay tuned to Collider for more such updates.

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Director

Michael Mann

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Writers

Meg Gardiner, Michael Mann

Producers

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Jerry Bruckheimer, Art Linson, Michael Mann, Nick Nesbitt, Jan Pance, Scott Stuber

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A clip from a 2017 interview with Jon Bernthal is making the rounds online, bringing renewed attention to the actor’s passionate defense of pit bulls. In the resurfaced footage, the “Punisher” star argues that fear of the breed is rooted in unfair stereotypes, even going so far as to describe it as “dog racism.” His past comments have reignited online discussion about the stigma surrounding the dog breed.

On August 1, “The Howard Stern Show” reuploaded a 2017 interview featuring actor Jon Bernthal, in which he defended pit bulls. The resurfaced clip quickly gained traction, with numerous media outlets and social media accounts highlighting his remarks, turning them into a trending topic online.

The conversation turned to pit bulls when Howard Stern asked the actor about a 2009 incident in Venice Beach. Bernthal was arrested following an altercation with a drunk individual who attempted to grab his pit bull. The actor punched the man, who ended up unconscious after hitting his head on the ground.

Stern asked why his pit bull didn’t attack, to which Bernthal answered, “My dogs are the greatest, and they’re unbelievably well trained.” He further added that the stereotype against pit bulls being aggressive is just “dog racism.”

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“To be afraid of a breed of dog is completely ridiculous. It’s like being afraid of somebody for their race or their sexual orientation,” Bernthal told Stern.

The Actor Placed The Responsibility On Dog Owners

Bernthal admitted that it would “suck” to be bitten by a pit bull. However, he claimed that “they’re no more likely to bite you than a chihuahua or any other breed of dog.”

Moreover, the actor believes that a dog’s behavior depends largely on its owner and how it is raised and trained, regardless of the breed. “I think that a lot of knuckleheads, unfortunately, are attached to that breed of dog,” he added.

The resurfaced clip sparked an online debate. While many agreed with his view, others argued that genetics also play a role. One said mixed breeds are responsible for many attacks, but when it comes to specific breeds, “pit bulls are by far the most dangerous.” One person commented, “If you meet a pit bull who’s an a-shole it’s because an a-shole human taught them to be an a-shole.”

Jon Bernthal Is An Advocate For Pit Bulls

Bernthal has long been vocal about his love of pit bulls. In 2014, he shared that he often traveled by car to work instead of taking a plane, as he wanted to bring his pit bulls, Boss and Venice, with him.

“They’re beautiful. They’re sweethearts,” the actor said, adding that apart from them being his best friends, he wanted to change the public’s perception about the breed. “It’s pretty sick and twisted how people feel about them a lot of the time, and my dogs are total sweethearts,” he told Live Science.

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In 2015, Bernthal, who starred in “The Walking Dead” for two seasons in 2010 to 2012, said there wasn’t a day when his dogs were not on set with him, and they were also his companions to meetings and auditions. “Our dogs are part of our family,” he said, per CBS News.

The Actor’s Father Served As Chair For The Humane Society

Bernthal isn’t the only one in his family advocating for pit bulls. His father, Eric, served as chair of the board of directors for the Humane Society of the United States (HSUS) until 2019.

In 2012, the Maryland Court of Appeals declared pit bulls and pit bull mixes “inherently dangerous” breeds. Through his leadership, Eric and the HSUS fought the decision and called out Maryland lawmakers for issuing a “death warrant” for thousands of dogs in shelters. The court ruling was overturned, and a new breed-neutral bill was enacted.

Bernthal credited his father for inspiring his passion for dogs, especially pit bulls, saying Eric “loved dogs to an insane level.”

Fatal Dog Attack Statistics

Pitbulls was specifically bred for hostility , strength, and bite power for illegal dog fighting

Some are good , some are bad, but numbers show they’re the most hostile danger. Many dogs as they age become confuse and sometimes attack an owner, this is a breed I wouldn’t risk. https://t.co/QDEwuJp0Ng pic.twitter.com/bNEYwa8xt9

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— Ellen the Shark (@ApertureBlazeRB) August 1, 2026

The role of breed in dog attacks remains a divisive issue, with pit bulls and Rottweilers at the center of discussion.

In 2025, there were 84 reported fatal dog attacks in the U.S. and Canada, with 64 involving dogs identified as pit bulls. Despite the statistics, several studies have shown that a dog’s breed does not correlate to its aggression.

Both the Centers for Disease Control and Prevention (CDC) and the American Veterinary Medical Association (AVMA) have previously warned against breed-specific fatality statistics, as they often rely on visual identification, which may be inaccurate.

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