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• The Wall Street Journal [gift link] noted that while many people assume natural fabrics like cotton and wool don’t pose health risks and don’t shed, new research shows that may not be the case.
• Allure looked at how some Black women are raving online about results they’re enjoying from haircare brands that haven’t typically been known as the best option for their hair type.
• The Cut‘s Alison Green answered a reader question about an employee whose supervisor thinks he’s being financially abused.
• The Wall Street Journal [gift link] observed that while restructurings and AI are making entry-level work more efficient, it means some employees no longer get enough practice on certain tasks.
• The Washington Post [gift link] answered questions about fallopian tube removal for preventing ovarian cancer.
• The 19th shared that in 19 states, voluntary intoxication laws can make it harder to prosecute a sexual assault when the person who was attacked chose to drink or use drugs.
• USA Today reported that while vaginal estrogen remains underused, research shows it can reduce recurrent UTIs in menopausal women that can cause fatal complications.
• The New York Times [gift link] explored attention infidelity, i.e., “when a partner’s digital life intrudes on an in-person connection.”
• Your Laugh of the Week comes from The Onion, with “Tips For Increasing Your Fiber Intake.”

Noteworthy Threadjacks This Week…

Some of our latest threadjacks include:

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Outfit Details: Libertine Coat, Eterne Tank, Agolde Jeans, Prada Pumps (similar here and here), Saint Laurent Sunglasses, Chanel Bag

If there is one piece to add to your wardrobe that will do the heavy lifting this season, it’s a statement party coat. Think of it as the hero of a fall closet. Throw it over a white tank and jeans for an afternoon out and it already reads as a complete look, one that can carry straight through to dinner, while a slip dress takes on an entirely different character depending on what goes over it. The fun is in choosing the mood. Feather-embellished lean flirty and a little whimsical, crushed velvet brings the drama, and sequins, brocade, or fur-trimmed go full glam.

 

I like letting that first layer set the pace. A statement coat is one of those pieces that makes getting dressed for fall plans all the more fun, because it transforms whatever you already have in your closet. The best party layers earn their place by making the entrance part of the outfit too.

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Each week, I love browsing ASOS to see what new goodies pop up. Recently, I wore this jacket from ASOS—you can see how I styled it here! I’ve also been carrying this bag, so I was excited to see it now comes in this luxe jacquard material.

Speaking of bags, this one is selling fast, so I jumped on it yesterday, and it arrives this weekend! ASOS has an entire section of the site dedicated to highlighting the pieces that are quickly selling out, and you can check it out here. This is actually where I find a lot of my favorite ASOS pieces!

I mentioned this on social but my skirt I got over 150 DMs about is back in stock here. Also if you are a Dries lover I feel like this dress has strong Dries vibes!! I would pair it with a feather brooch and satin mules.

Now you know the drill—my other ASOS favorites are below…

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For the better part of a decade, the “clean girl” aesthetic has ruled the beauty world — dewy skin, barely-there brows, a slick of gloss and not much else. That quiet restraint is officially being shown the door. On the runways previewing Spring/Summer 2027 collections, eyes have become the main event again, and they are anything but subtle.

From neon-smudged lids at Gucci to glittering winged liner at Dior, makeup artists working backstage this season sent a clear message: if you’re only going to do one thing with your face, make it your eyes. The shift marks one of the more dramatic pivots in beauty trends in recent memory, trading minimalism for maximalism in a single season.

At Gucci, makeup artist Sam Visser set the tone with a smoked-out eye rendered in jolts of cobalt, yellow, turquoise and pink — a look industry insiders are already calling the season’s north star. It’s a far cry from the soft bronze smoky eyes that have dominated red carpets and TikTok tutorials alike for years. Instead, it leans into color theory as a statement, treating the eye socket like a canvas rather than something to be camouflaged.

Jonathan Anderson’s debut season at Dior took a different, more restrained route to the same bold conclusion. Makeup artist Peter Philips kept the base minimal and fresh, but punctuated it with glittering winged eyes — proof that drama doesn’t always require color; sometimes texture and shine do the heavy lifting instead.

Back on home turf, London Fashion Week offered its own spin. At Richard Quinn, makeup artist Kim Brown paired matte skin with heavy, lash-clumping mascara for what she described as a “spooky, twinkie doll” effect — equal parts eerie and doe-eyed. Meanwhile, crystals and glitter reappeared at The Attico and Simone Rocha, signaling that embellishment, once relegated to party makeup, is migrating into everyday territory. And for anyone who still associates bold eyes exclusively with the cat-eye, Dolce & Gabbana proved that a classic, dramatic wing hasn’t lost its glamour — it’s simply been recontextualized within a louder, more experimental season.

What’s striking about this trend cycle is how democratized it’s becoming before it’s even hit stores. TikTok creators have been dissecting the look in real time, breaking down not just how to apply bold color or glitter, but how to tailor it to individual eye shapes — almond, round, hooded, monolid, upturned, downturned, wide-set, close-set, protruding and deep-set. It’s a level of personalization that beauty trends rarely get before they trickle down from the runway.

Industry experts say that’s actually the right way to approach the trend. Karl Díaz-Hellín Hodson, international education and events manager at Laura Mercier, suggests a simple self-assessment: look in a mirror with a relaxed face, eyes open, brows unraised. No visible crease suggests a monolid; a crease that disappears beneath the skin points to hooded eyes. From there, symmetry and tapering reveal the rest — whether eyes read as almond, round, upturned or downturned, and whether they sit prominent or deep-set relative to the brow bone.

Why does shape matter so much this season? Because, as makeup artist Claudia Neacsu explains, placement of shadow, liner and mascara can be used to create optical illusions — essentially reshaping the eye without surgery or filler. Round eyes can be elongated by concentrating product at the outer corners and leaving the center bare; conversely, that same round shape can be exaggerated into a “doll eye” by running mascara all the way to the inner corner. It’s a reminder that bold doesn’t mean one-size-fits-all — the most striking looks this season are being customized, not copy-pasted.

There are a few universal rules cutting across the chaos, though. Neacsu’s signature technique starts with cream contour swept from the outer eye corners into the temples, connecting with facial contouring, followed by a touch of light on the lid and a heavy dose of mascara. Díaz-Hellín Hodson, meanwhile, preaches patience and precision: build color in light layers, and — perhaps the most practical tip of the bunch — apply with your eyes open whenever possible, to avoid lopsided liner or mascara transfer the moment you blink.

Shimmer, too, is having a renaissance, but not necessarily as an all-over wash. A single pop of shimmer in the inner corner or tucked beneath the lash line is being positioned as more flattering — and more wearable for daily life — than a fully frosted lid.

Taken together, the SS27 shows suggest beauty is entering a more expressive, maximalist chapter after years of muted “your skin but better” minimalism. Whether it’s Gucci’s neon smoke, Dior’s glitter-tipped wing, or Richard Quinn’s gothic doll eyes, the throughline is the same: makeup is being treated less like concealment and more like costume — a tool for transformation rather than enhancement. For anyone intimidated by the idea of neon lids or crystal-studded lashes, the good news is that the trend’s biggest advocates insist it isn’t about going bigger for its own sake. It’s about understanding your own eye shape well enough to know exactly where the boldness should go.

by
Jacqueline O`Neill

·

Published September 30, 2026
· Updated September 30, 2026

COS Refined Textures puts rich, tactile fabrics at the heart of the cold-weather wardrobe, bringing a sophisticated feel to the season’s key pieces. Luxurious shearling, cashmere and leather introduce warmth, depth and texture to clean, contemporary silhouettes. Designed with layering in mind, these pieces combine sensory appeal with the understated aesthetic that defines COS. Soft cashmere offers an elegant foundation for everyday dressing, while shearling and leather bring structure and character to seasonal looks. The refined mix of materials makes it easy to build polished outfits as temperatures fall. Explore the latest COS collection and discover elevated textures designed for modern cold-weather dressing.

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COS Refined Textures

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Exquisite textures set the season’s key pieces apart, spotlighting the rich tactility of shearling, cashmere and leather.

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CASHMERE ACCESSORIES

Layering pieces with sensory appeal: an extension of the cold-weather wardrobe.

For any questions/feedback regarding the above mentioned products/brands,
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Tags: Autumn Winter FashionCashmere ClothingCOS CashmereCOS LeatherCOS New CollectionCOS Refined TexturesCOS WomenswearLeather Fashionluxury texturesShearling Fashion

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Refresh your cold-weather wardrobe with the latest Louche coats for women, featuring a stylish mix of rich textures, statement prints and distinctive seasonal colours. The Mischa Boucle Coat in Biscuit offers an effortlessly versatile layer, while the Merlot version stands out with statement sleeves and a warm autumnal tone. Classic pattern gets a contemporary update with the Dryden Herringbone Red and White Collar Coat, while the Donalda range introduces bold funnel-neck silhouettes in Power Bloom and animal prints. Available in eye-catching Taupe and Green options, these designs make it easy to add personality to everyday outfits. From tactile boucle to striking patterns, the new Louche collection offers plenty of inspiration for stylish layering throughout the season.

Louche coats for women

Mischa Boucle Coat – Biscuit – Shop Now

 

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Mischa Boucle Statement Sleeve Coat – Merlot – Shop Now

 

Dryden Herringbone Red And White Collar Coat – Shop Now

 

Donalda Power Bloom Funnel Neck Coat – Shop Now

 

Donalda Animal Funnel Neck Coat – Taupe – Shop Now

 

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Donalda Animal Funnel Neck Coat – Green – Shop Now

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While the runways inside Paris Fashion Week venues get most of the headlines, it’s often the sidewalks outside them that offer the clearest preview of how real people will actually dress come autumn. This season’s crowd of editors, buyers, and influencers delivered exactly that kind of preview, and the overall message for fall 2026 is clear: comfort and structure are no longer at odds, menswear tailoring is being reclaimed by everyone, and a little maximalism goes a long way.

The breakout silhouette of the week wasn’t a dress or a coat in the traditional sense, but a jacket shape that splits the difference between two wardrobe staples. The blouson — cinched at the waist, slightly oversized through the body, lighter than a bomber but sportier than a barn coat — showed up again and again, layered over chunky knits and paired with utilitarian cargo pants. The pairing captures something larger happening in street style right now: a willingness to mix hard and soft, polished and rugged, within a single outfit. A blouson and cargos might read as too casual on their own, but add a sleek pair of heels and the combination suddenly feels considered rather than thrown together.

That instinct to subvert expectations showed up elsewhere, too. Balloon pants, which have been building momentum for several seasons, aren’t going anywhere. Attendees styled the rounded, voluminous shape with the most basic pieces imaginable — a plain white T-shirt, an oversized leather jacket, simple ballet flats — proving that a dramatic trouser silhouette doesn’t require an equally dramatic top to go with it. It’s a formula built for people who want to look fashion-forward without spending twenty minutes deliberating over an outfit: one statement piece, everything else kept quiet.

Color told its own story this season. Red emerged as one of the most repeated hues on the street, often worn unexpectedly alongside pastel blue button-downs, oversized sunglasses, and coin-detail belts — a combination that read as part preppy, part bohemian. Dark, inky indigo denim anchored many of these looks, suggesting that fall’s jeans will skew darker and sleeker than the faded washes that dominated in recent years.

Menswear-inspired dressing remained a throughline, too, led by the barn jacket, which has quietly become a modern wardrobe fixture rather than a passing trend — J.Crew even marked the style’s 40th anniversary this past September with a dedicated celebration. On the street, the jacket appeared updated with leather collar trims and was deliberately paired with pieces that broke from expectation, like pinstriped trousers instead of basic black pants, underscoring a broader street-style rule this season: take one classic, borrowed-from-the-boys piece, and build the rest of the outfit around an element of surprise.

For those drawn to a louder aesthetic, animal print offered the week’s most maximalist statement, most often in the form of full-length coats worn over nothing more elaborate than a long-sleeved top and flared leggings. The approach is telling — rather than incorporating print in small accents, the trend is being embraced in its most unapologetic form, with one bold outerwear piece doing all the work while everything underneath stays deliberately understated.

Accessories, meanwhile, pulled in the opposite direction. Despite the boldness in outerwear and color, jewelry stayed notably restrained: slim silver chain bracelets, simple gold studs, and small pendant necklaces were the near-universal choices among the street-style set. It’s a pairing worth noting for anyone building a fall wardrobe — the loudest looks of the season are being finished, not with statement jewelry, but with the quietest possible accents.

Taken together, the trends spotted outside Paris’s shows suggest a fall defined less by a single dominant look than by a set of flexible principles: structured-but-roomy outerwear, trousers with real character, darker denim, a splash of red, and jewelry that knows when to step back. It’s a wardrobe philosophy that rewards one confident choice per outfit rather than an accumulation of trends — which may be exactly why, this season, Paris’s sidewalks felt just as instructive as its catwalks.

Adriana Lima fronts The VS Icon Shoppe, a new Victoria’s Secret campaign that gets fans ready for the Victoria’s Secret …

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When Olivia Colman stepped onto the red carpet at the Zurich Film Festival this week with a cascading silver mane in place of her signature dark pixie cut, the internet swooned. Vogue crowned her a “silver hair muse.” Social media filled with admiration for her apparent fearlessness. It was, by any measure, a style triumph.

But the reaction also exposed an uncomfortable truth hiding beneath the compliments: for most women, deciding to let their hair go grey is not simply a style choice. It is a financial, professional and deeply personal calculation — one that carries far higher stakes outside the gates of Hollywood.

Colman, 52, now joins a growing circle of famous women who have publicly ditched the dye bottle, including Andie MacDowell, who has long made her silver waves a signature look, and Lisa Bonet, whose natural grey has become part of her effortlessly cool image. Together, they represent a cultural shift — a sense that grey hair, once treated as a mark of decline, can now be reframed as elegant, even enviable.

Yet for every actor celebrated for going silver on a red carpet, there are countless women quietly calculating whether the same choice might cost them a job interview, a promotion, or a chance to re-enter a workforce that has already begun writing them off.

“Being able to embrace your grey hair proudly is a privilege,” says Stacey Duguid, a former fashion editor who began speaking publicly this year about her struggle to find work at 52 despite decades of industry experience. Duguid has downsized her home and now relies on universal credit. After sharing her story, she was flooded with messages from other middle-aged women facing the same wall.

“There is a reluctance for women who are trying to get back into the workplace to go grey,” she says. “To do it, you are most likely already in a senior position. As an unemployed, broke, single parent, it wasn’t an option for me.”

That distinction matters. Colman’s new look, created by London hair specialist Inanch Emir using four shades of grey extensions to mirror her natural colour while adding volume and length, is a polished, styled version of ageing — one achieved with professional resources most women simply don’t have. Duguid calls it “a sort of fetishised version of grey hair.” It photographs beautifully. It does not reflect the uneven, patchy, often awkward process most women actually go through.

Grey hair itself doesn’t arrive on a universal timeline. On average, white and Asian people begin to see grey strands emerge in their mid-30s, while Black people typically don’t start greying until their mid-40s — a biological difference that adds another layer to how ageism plays out across different communities.

For those who do decide to stop colouring, the road isn’t quick. Sarah Bower, a grey-blending specialist at Larry King salon in London, says the chief worry she hears from clients is the fear of looking older. The transition itself is technically demanding — much of her work involves softening the “demarcation line” where natural grey meets years of dyed colour, so the regrowth looks intentional rather than neglected. Fully growing out a dyed colour, she says, can take up to three years.

Three years is a long time to look, in the eyes of some employers, like you’re in transition — at a moment when the data suggests employers are already losing patience with ageing applicants. According to the UK’s Office for National Statistics, about 3% of people aged 50 to 64 are unemployed. More tellingly, a recent study from the Centre for Ageing Better found that job candidates are, on average, perceived by recruiters as becoming “undesirable” at just 55 — despite the state pension age climbing to 67. Age discrimination data also shows the bias kicks in earlier for women than for men.

Louise Chunn, a former magazine editor who now runs the therapist-finding platform Welldoing, offers a telling counterpoint. She first stopped dyeing her hair while editing InStyle UK — a decision made easier, she says, because the job offer came from New York. “I didn’t fear how bosses would view my grey hair… It was more important that you were well groomed, somewhat sophisticated.” Chunn later resumed dyeing in her 50s, worried it aged her, before finally stopping for good in her 60s — an arc that itself illustrates how fluid, and how fraught, the decision can be even for women with seniority and security.

Therein lies the real story behind this autumn’s parade of silver-haired celebrities. Their visibility is genuinely valuable — it chips away, slowly, at the idea that grey hair signals a woman is finished, invisible, past her prime. But celebration on a red carpet doesn’t automatically translate into protection in a job interview or a performance review.

Until workplace attitudes catch up with the aesthetic ones, going grey will remain what it has long been for women without a stylist on call and a magazine cover to look forward to: not a statement of confidence, but a risk only the secure can afford to take.

This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.

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We talk a lot about the Nordstrom Anniversary Sale and the Nordstrom Half-Yearly Sales because they tend to have a wide range of sizes available for clothes on sale… but if you want real deals, the rare clearance sales like this one are the ones to shop.

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The cons: There are a LOT of lucky sizes… many items are down to only one or two items, period. But the big pro: the deals! Lots of prices are about a quarter of what they once were. A good example: these jeans from Veronica Beard look great.

I like the patch pockets and the wide leg, as well as the tailored details on the back of the jeans. Would I have paid $348 for the jeans… probably not. (Even though readers have said good things about VB denim over the years!) But at $167, it’s a muuuuch easier sell. (That’s the extra 20% off price; they were marked down to $208 earlier.)

Some sizes for the pictured jeans are sold out, but most are still in stock. I’ve only run a few searches so far, but there are good deals and lucky sizes on Veronica Beard, Frank & Eileen, Marine Layer, Boss, Stuart Weitzman, Vince, and more… I’ll try to update here if I see any more great brands worth noting. Some of the specific deals:

(Pro tip: if you’ve been building your wishlist on Nordstrom, that’s a great place to start… sort by “percentage off.”)

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Sales of note for 10/2:

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