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Tom Ellis revealed why he didn’t watch most of FBI before filming his new spinoff CIA.

“To start with, I certainly wanted to keep it separate because it is a very different agency and they run very differently and they operate very differently,” Ellis, 47, exclusively told Us Weekly before the Monday, February 23, premiere. “The fun of the clash actually plays out better the less I know about FBI and what they do.”

Ellis “watched a little bit” before pressing pause.

“Obviously, I’ve been aware of the shows and of the Dick Wolf TV kingdom for years and years and years. But I didn’t want to know too much about that,” he explained. “We do cross-pollinate a little bit. But it’s two shows. I wouldn’t say they’re spinoff shows so much as two shows that really complement each other.”

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While previewing CIA, Ellis broke down the biggest difference compared to FBI, saying, “The FBI deals in crimes that have already happened predominantly and the CIA try to stop the crime from happening in the first place. FBI is a very public present arm of the law enforcement. They’re the poster boy of U.S. law enforcement. And the CIA is very much in the shadows — and doesn’t want to be on any poster. It doesn’t want people to see who they are and they operate in a very sort of voyeuristic manner.”

FBI debuted on CBS in 2019 and follows the agents of the Federal Bureau of Investigation in New York City. The network followed that up with FBI: Most Wanted, which aired from 2020 to 2025, about the work of the Federal Bureau of Investigation’s Fugitive Task Force. There was also the FBI: International spinoff about the International Fly Team that ran for four seasons before concluding in 2025.

In April 2025, CBS gave CIA a straight-to-series order starring Ellis and Nick Gehlfuss. According to the official synopsis, CIA centers on “two unlikely partners — a fast-talking, rule-breaking loose cannon CIA case officer and a by-the-book, seasoned and smart FBI agent who believes in the rule of law.”

The description continued: “When this odd couple are assigned to work out of CIA’s New York Station, they must learn to work together to investigate cases and criminals posing threats on U.S. soil, finding that their differences may actually be their strength.”

After rounding out the cast, CIA initially faced a showrunner change when Warren Leight replaced FBI: Most Wanted‘s David Hudgins as showrunner. The changes kept coming when Michael Michele, who was one of the series’ leads, left in November 2025. Days later, Eriq La Salle left the series as executive producer. He was attached to CIA since its conception and directed the pilot before his exit.

Leight then exited as showrunner as well, which caused production to pause. Mike Weiss, the current showrunner of FBI, took over as CIA continued to find its voice before its series premiere.

“The best things come to those who wait,” Ellis teased. “They decided relatively early on that CIA was going to be midseason. That’s actually been beneficial for us because we didn’t have a pilot on this show. Sometimes it’s difficult to really know what a show is until you’ve actually made it. Then you start looking at it and go, ‘These are the pieces and whatnot.’ So it’s given us that little bit of time to actually kind of organically work out what the show is.”

He continued: “What I can say is now we’ve got to that point the show is really going to be worth the wait. For anyone that loves FBI, they’re going to love it. For anyone who loves the Dick Wolf world, they’re going to love it. And for people that want a new show — that don’t watch either of those things — there’s something for those people as well. It’s got a lot of things and it’s got humor in it as well, which is always a big selling point for me.”

CIA airs on CBS Mondays at 10 p.m. ET.

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Can you guess which sexy star displayed her 57-year-old bod in this eye-popping shot?! This ain’t her first bikini slay, but we’re still staring all day …

She used to feud with Bethenny Frankel … and when she’s not in the Big Apple, catch her down in Palm Beach flashing her lil’ black bikini!

Tracy Morgan‘s mockumentary The Fall and Rise of Reggie Dinkins found a way to poke fun at Jennifer Lopez and Ben Affleck‘s marriage.

During the Monday, February 23, episode of the NBC sitcom, Reggie’s (Tracy Morgan) ex-wife, Monica (Erika Alexander), shared her thoughts on the documentary about her ex, telling documentarian Arthur (Daniel Radcliffe), “We trust you! This could work for all of us.”

Monica did, however, have one concern about the project.

“I just don’t want us to come off like Jennifer Lopez in her documentary,” she told Arthur, who replied, “Right, no Ben Affleck. Good note!”

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Monica was referencing Lopez’s 2024 music visual film This Is Me… Now: A Love Story, a highly stylized take on Lopez’s life. It accompanied her most recent album and dove deep into her renewed relationship with Affleck, 53, in between self-help parodies and sci-fi interludes.

Lopez, 56, and Affleck originally reconnected in 2021 after breaking off their 2004 engagement. The pair went on to tie the knot in Las Vegas in July 2022 and had a second ceremony the following month. Before their 2024 split, Lopez praised Affleck’s help with This Is Me … Now: A Love Story, which served as a sequel to her 2002 album This Is Me … Then that was dedicated to Affleck

“I was like, ‘I don’t write, I don’t do this,’” she recalled at a February 2024 press conference. “He was like, ‘You do, you write, you direct, you produce, you choreograph, you do all the things. Start stepping into that, start owning a little bit of who you are.’”

The singer was excited to share a glimpse of her and Affleck’s love story, telling Variety at the time, “I’ve been on this journey, and I’ve been trying to figure it out. Now I feel like because Ben and I have rediscovered each other — and now that we’re married — I have something to offer. This is the defining piece of work that’s going to close that chapter so I can move on to the next part of my life.”

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Jennifer Lopez and Ben Affleck‘s relationship inspired her 2002 hit “Dear Ben,” and their romance provided even more inspiration when it was rekindled two decades later. The couple were first linked in the early 2000s, with Lopez confirming their engagement to Diane Sawyer in November 2002. The twosome eventually called off their wedding in early […]

Lopez also previously gushed over Affleck’s commitment to the project.

“We collaborate very well together, and nobody knows my story more than he does,” she told Entertainment Tonight in December 2023. “So we were able to kind of sit down and really dig into it, in a way that I don’t think any other writer could’ve done with me.”

At the time, a source exclusively told Us Weekly that Lopez “wouldn’t have wished for anybody else” to collaborate with her on the Prime Video release, adding, “Nobody knows her better than Ben.” Lopez felt “grateful” to have Affleck on her team, with the source saying, “He helped her feel safe to share parts of her nobody has ever known.”

Us later confirmed in August 2024 that Lopez filed for divorce on the two-year anniversary of her and Affleck’s Georgia wedding ceremony.

The Fall and Rise of Reggie Dinkins airs on NBC Mondays at 8 p.m. ET.

Editor’s Note: The following contains spoilers for ‘The Fall and Rise of Reggie Dinkins’ Episode 2

On the surface, NBC’s newest sitcom, The Fall and Rise of Reggie Dinkins, is about a disgraced football star (Tracy Morgan) trying to rewrite his legacy. But it’s also about the guy holding the camera because, as these first two episodes prove, millennial filmmaker Arthur Tobin (Daniel Radcliffe) is not just there to “document” the former athlete. He’s there to poke around until that scar talks.

It’s why Episode 2’s “Nittany Means Big” hits as hard as it does. In Monday’s latest half-hour, we learn that Arthur isn’t satisfied with the clean version of Dinkins’ “food poisoning game.” Once he notices Reggie has Penn State newspapers dated before the game even happened, it’s all over, and the truth gets dragged into broad daylight, where we learn of a mascot theft plan, a gross trash-water escape, and vomiting that wasn’t a freak accident so much as a natural consequence of trash-water.

As Erika Alexander’s Monica accidentally gives away a crucial tell while Arthur interviews her for the documentary, the award-winning actress frames what that does to Reggie perfectly in an interview with Collider. “That’s the beginning of him showing that he’s an unreliable narrator about his own life,” she says as Reggie’s reaction is pure Reggie — anger, denial, and control-freak panic. But Morgan’s take on Alexander’s note is almost weirdly sincere: “Nah, the blow was to the public… The lie was to the public.”

It’s that denial that series co-creator Robert Carlock also points out that Reggie and Arthur share in common, and more so than their clashing egos. As the former showrunner for 30 Rock puts it, they both have “a scandal, a failure, or something that they feel like they need to get past.”

In our exclusive interviews with actors Morgan and Alexander, alongside showrunners, Carlock and Sam Means, we unpack how Episode 2’s “food poisoning” reveal rewrites Reggie’s myth, why Monica’s been carrying the fallout for years, how Arthur’s own scandal fuels his obsession with the truth — and what all of it sets up as the fallout only gets messier in the remaining eight episodes this season. Including those 30 Rock Easter eggs you might have spotted!

Erika Alexander Says the “Food Poisoning” Truth Proves Reggie’s an Unreliable Narrator

Reggie can’t take the truth behind the “food poisoning game,” and Monica’s buried frustration starts to surface in a way that changes everything.

Image via NBC, Scott Gries

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COLLIDER: Episode 2 sort of reveals the truth behind the food poisoning game, and it reframes Reggie’s legend. Is the bigger blow that he lied to the public, or that he’s been lying to himself about what kind of player or person he was?

MORGAN: Nah, the blow was to the public. I know who I am! I know what I am. The lie was to the public. That was the bigger blow — when you betray the public. I play football! They believed in me! And then I gambled.

ALEXANDER: And you know what? That’s absolutely the truth. That’s the beginning of him showing that he’s an unreliable narrator about his own life. And they both shared the lie. Actually, she accidentally gave it away when Tobin was interviewing Monica. She didn’t mean to, but then suddenly it just pokes holes in a person that’s kind of tired of being a pincushion. Tracy doesn’t want all this stuff. He’s mad at her. He’s like, “Why did you tell him that?” And she’s right because Reggie can’t take it.

MORGAN: She called him a bearded infant.

ALEXANDER: [Laughs] Well, you know, that’s a pretty correct description.

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Yeah, it is. [Laughs] Erika, Episode 2 makes it very clear that Monica has been carrying a lot of the history. What’s the one thing that you say you would say that she refuses to say out loud because she knows it would change everything?

ALEXANDER: I think that maybe as a woman and a protector of her family, she has dreams of her own, and that she’s tired of sort of sacrificing them for the messes that Reggie Dinkins keeps causing in her life, and she wants that freedom. She’s right about the agency, and she wants that. I think she’ll refuse to say it, but maybe that’s her journey is to start to get more for her life and not just work for her ex-husband.

MORGAN: She ain’t going nowhere.

ALEXANDER: You see how it is?

MORGAN: She said that in the pilot. She said she don’t need me. I said, “Good, then go on with your bad behind.”

ALEXANDER: Tania, do you hear this?

MORGAN: And when I was outside with the radio, what happened? She came back to Papa. I had the radio, and she refused to let me put the album on, and she came right back to me.

ALEXANDER: What’s that syndrome called when a person can’t leave their torturer?

Stockholm syndrome.

ALEXANDER: Stockholm syndrome.

MORGAN: Stockholm!

ALEXANDER: That’s exactly what she’s got. [Laughs]

MORGAN: Stockholm in the house!

ALEXANDER: And he’s happy about it, Tania.

MORGAN: Stockholm in the house!

Robert Carlock Explains How Far ‘30 Rock’ Easter Eggs Can Go Without Overdoing It

Carlock explains the Easter eggs, and Sam Means co-signs that while the nods are fun, the show’s goal is still to be its own weird thing.

COLLIDER: I read an interview where Tina Fey, who is the show’s EP, said there are 30 Rock Easter eggs throughout the entire first season. What was the rule for you guys? How far should you go before it stops feeling like the same universe and becomes something new?

ROBERT CARLOCK: That’s a great way of putting it. I hadn’t thought of it. Part of it, to be honest, is like, “Well, we need a name for this wine. Well, we already have the Donaghy Estates label. Legal has already cleared it.” We did try to do one Easter egg that we tried to put in. We needed a name for a fancy store, and in the 30 Rock world, there was a store called Vattené, which means “go away” in Italian. Evidently, since then, someone has started a clothing store called Vattené, so it didn’t clear! Our own stupid name didn’t clear.

When does it get to be too much? I’m not sure. I don’t want this to be in the same universe as 30 Rock. I think maybe eventually, in Season 7, Tracy Jordan will play Reggie in the movie or in a sketch on The Girlie Show. But we do want it to share that DNA at the very least. It is a little nod both to hopefully people who liked that show and enjoy finding those little things, but also the promise of this is going to be a weird take on the world we live in and be full of jokes.

In Episode 2, that is the first time the show really punctures Reggie’s mythology with the truth behind the food poisoning game. When you built that reveal, what did you want the audience to realize about the stories that Reggie tells himself versus everyone else?

CARLOCK: There is a level of this. One of the reasons, Tania, that we wanted the characters to include the maker of the documentary, and for everyone to be aware of the documentary, is that idea, which I think is so prevalent today, where people are able to photograph themselves and celebrate themselves and promote themselves so easily and so readily. At its heart, this is a family comedy, but there is a level that you’re getting at, which is that theme of the way we try to present ourselves to the world. Reggie and Arthur, as well, and Monica, you discover, all have really significant reasons in their lives for wanting to maybe change the narrative that’s emerged, and take control. The show is about redemption and second acts, and that plays into it.

SAM MEANS: Yeah, what he said.

How Daniel Radcliffe Helped Fine-Tune Arthur for ‘The Fall and Rise of Reggie Dinkins’

Means says Arthur was built for Radcliffe from day one, but the real magic is the Tracy-Daniel “feedback loop” once they’re in scenes together.

Image via Scott Gries/NBC

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Sam, Daniel [Radcliffe] has such a specific comedic sort of rhythm. Did the Arthur character change when you saw Daniel in the part?

MEANS: That’s interesting, because we have worked with Daniel before. He was on the [Unbreakable Kimmy Schmidt] interactive, and then he was also a voice on our animated show, Mulligan, so we’re very aware of his comedic chops, and we are excited to bring those to broadcast television, because I feel like a lot of people might not be familiar with them.

CARLOCK: And we wrote Arthur for him.

MEANS: Exactly. So from go, when we imagined the character of the director, the sort of self-important director coming in with his own agenda, we had Daniel in mind. So, it is very much written for him, but at the same time…

CARLOCK: You’re always learning.

MEANS: Yeah. Seeing him and Tracy together and how they interact, especially, creates a feedback loop. And we always consider the characters on our show as a collaboration with the actors who played them, and he’s very thoughtful about the character. He, maybe more than anyone, is coming to us having read the script and thought about it, with thoughts about his character and where it should be going, and even about jokes for other characters. He had cut a joke once for Tracy after the table, really just for room, just for time, and he came to us and said, “I really miss that joke.” [Laughs]

CARLOCK: And we put it back.

That pairing is not obvious. That’s what I love so much about ensembles, and this show does it so well. When you put them all together, there are different comedic elements, like when you put Bobby [Moynihan]’s character with Erika [Alexander]. There is something to be said for seeing different layers, so I do appreciate that.

‘The Fall and Rise of Reggie Dinkins’ Will Stay Messy, but Relationships Are Going To Shift

Carlock says the fun is “shuffling the deck,” pairing characters who shouldn’t work together until they suddenly do, starting with a Rusty-Monica twist next.

Image via Scott Gries/NBC

If these first two episodes are proving that it’s never really a neat comeback story, what’s the next big turn that you’re excited for viewers to see that changes how we understand Reggie and Arthur’s partnership?

MEANS: I think one big thing is their relationship with each other. Obviously, they’re very, very different people, but they do have the same thing in their past, a scandal, a failure, or something that they feel like they need to get past, and they need redemption for. So, even though they’ll always be butting heads about what the documentary should be about, and on a very personal level, what a good life is. They also have this commonality and this common ground that, over the course of the season, even if Arthur is trying to push back against it on a professional level, ends up with them becoming friends.

CARLOCK: I think it’s a sort of a lesson, and you touched on it in your previous question, too, and we learned at 30 Rock, which is, how do you create an ensemble where there’s a ton of disagreement about what sandwiches to order and politics, and also all this overlap? And one of the really fun things about 30 Rock was like in Season 5, saying, “What would a Frank-Jack story be like?” and sort of going in immediately and just knowing the skills that these actors had, and saying, “What’s a Rusty-Monica story?” and realizing, “Oh, that can work. He has something to give her.” Surprisingly, it’s a sort of dating story in the third episode. Anyway, just shuffling the deck and seeing what the characters bring out of each other.

MEANS: Right off the bat, we wanted to get Monica and Brina together to hopefully subvert that ex-wife and new wife story that you might expect from the two of them, and also let their characters exist in a world that’s not defined necessarily by Reggie.

This interview has been edited and abridged for clarity and length.

The Fall and Rise of Reggie Dinkins airs Mondays at 8:30 p.m. EST on NBC and streams the next day on Peacock.

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The Fall and Rise of Reggie Dinkins

Release Date

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January 18, 2026

Directors

Rhys Thomas

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The Voice: Battle of Champions is poised to be one of the most legendary seasons yet.

Us Weekly can exclusively reveal that season 29 of NBC’s singing competition series will feature commentary from social media star and comedian Druski, in addition to multiple NBA legends including former Los Angeles Lakers star Derek Fisher.

“We’re your new coaches,” Druski, 31, shares in the must-see announcement. “Whoa, whoa. We’re actually not your new coaches. We’re just doing color commentary. My bad, bro. I get mixed up with the words. That’s my fault.”

All jokes aside, Druski will be joined by a string of NBA All Stars throughout the season, to align with Legendary February at NBC.

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In the past month alone, NBC has aired Super Bowl LX, the NBA All-Star Game and the 2026 Winter Olympics. Meanwhile, NBA on NBC brings prime time NBA games to NBC and Peacock every Sunday night from February 1 through April 5.

“This ultra competitive season needs some expert analysts,” Druski shares in the clip. “And with me? NBA legend, the one and only Derek Fisher. We’re breaking down the competition from a whole new angle. We’ll be here throughout the blinds tracking every triple turn. This is going to be fun.”

Starting Monday night, coaches John Legend, Kelly Clarkson and Adam Levine will turn their red chairs if they like what they hear during the legendary Blind Auditions.

If multiple coaches turn, the singing contestant gets to pick which team they want to be on.

As an added twist to season 29, Battle of Champions will feature an all-new Triple Turn Competition and Super Steal.

“This season, triple turns matter,” Fisher, 51, says when describing the moment when all three coaches turn their red chairs and fight for a contestant. “The coach who wins the most gets a big advantage in the battles.”

Fisher knows a thing or two about being competitive. As Druski pointed out, the NBA player is the proud owner of five NBA championship rings thanks to his career primarily as a Los Angeles Laker.

He now serves as an advisor of The Play Equity Fund, an organization committed to providing the transformational power of sport and play to all children, in addition to his roles as an analyst on NBA on NBC. 

Last December, millions of viewers cast their vote for the winner of The Voice season 28.

College student Aiden Ross, a member of Team Niall Horan, earned the top prize after an electrifying vocal performance of JVKE’s “Golden Hour,” followed by a heartfelt rendition of “The Winner Takes It All” by ABBA in the finale.

“Since the minute [my] chair turned around [in Aiden’s blind audition], I just felt like I was looking at myself up there,” Horan, 32, exclusively told Us Weekly in December 2025. “Like, there’s so many comparisons to be made. … That youthful energy that he’s got, you know, the excitement to want to make records and write songs and stuff like that, is something that I see a lot of myself in. But I’m definitely not as talented as that dude.”

Find out who will win over America’s heart next when The Voice airs on NBC Mondays at 9 p.m. ET. Stream new episodes the next day on Peacock.

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There’s a new TV show topping Prime Video’s viewership charts this week: the mystery thriller series 56 Days, starring Dove Cameron and Avan Jogia. Adapted from Catherine Ryan Howard‘s novel, the show was developed by Karyn Usher (Prison Break) and Lisa Zwerling (ER) and executive produced by James Wan. It follows an intense story involving a highly charged whirlwind romance and a gruesome murder. But in case that’s not quite what you’re in the mood for right now, there are still a lot of other options to explore on the streaming service. Here’s a look at three great shows we think you should binge on Prime Video this week, ranging from witty comedies to fascinating dramas.

For more recommendations, check out our list of the best shows and movies on Prime Video.

3

‘The IT Crowd’ (2006–2013)

Created, written, and directed by Graham Linehan, The IT Crowd is a British sitcom that revolves around the IT department of a fictional London company. The story kicks off when Jen Barber (Katherine Parkinson) is appointed as the new head of IT, even though she has no experience with the field, and the show largely follows her various attempts to manage her new socially inept subordinates, Maurice Moss (Richard Ayoade) and Roy Trenneman (Chris O’Dowd). Besides the three leads, the series also stars Chris Morris, Matt Berry, Noel Fielding, and more in supporting roles.

Originally broadcast on Channel 4 beginning in 2006, The IT Crowd was a critically acclaimed series in the UK but suffered from poor ratings initially. Viewership picked up by the end of the show, however, and the series is now regarded as a cult classic, with its streaming release bringing it new fans from around the world. A witty workplace sitcom with intelligent humor and delightfully weird characters, The IT Crowd also earned a number of accolades during its original run, including three BAFTAs out of seven nominations and an International Emmy.

2

‘The Capture’ (2019–Present)

Created, written, and directed by Ben Chanan, The Capture is a British mystery thriller show that explores cases involving far-reaching conspiracies and cutting-edge technology. Holliday Grainger stars as Rachel Carey, who starts the show as a newly-appointed Detective Inspector tasked with investigating the case of a British soldier charged with the murder of his lawyer. The show also stars Ginny Holder, Ben Miles, Lia Williams, and Ron Perlman in other main cast roles.

The Capture was quite well-received by critics when it first premiered on BBC One in 2019, earning praise for its thrilling narrative and timely story. With its impeccable performances and tense storytelling, the show is easily one of the best surveillance thrillers on television, and it provides some keen insights into how modern technologies like deepfakes and AI video manipulation can have a disastrous effect on society. A second, even better-reviewed season followed in 2022, and the show is all set to premiere its third season in 2026, making this the perfect time to binge the series so far.

1

‘Outer Range’ (2022–2024)

Created by Brian Watkins, Outer Range is a sci-fi neo-Western series starring Josh Brolin as Royal Abbott, the patriarch of a Wyoming rancher family. The show explores the strange events that ensue when Royal discovers a mysterious void on his land, following the family’s struggles to defend their property from rivals while dealing with the disappearance of their daughter-in-law, the puzzle of the void, and the arrival of an enigmatic stranger. Besides Brolin, the series’ ensemble cast also features Imogen Poots, Lili Taylor, Tom Pelphrey, Tamara Podemski, Lewis Pullman, and more.

Outer Range was widely acclaimed by critics and viewers alike when it first premiered on Prime Video in 2022, and it continued to enjoy great reviews throughout its two-season run. A gripping sci-fi drama that combines a Yellowstone-style Western narrative with a fascinating sci-fi mystery, the series is easily one of the streamer’s best shows in recent years, anchored by the intense performances of its star-studded cast, particularly Brolin, Poots, and Pelphrey. However, Outer Range was prematurely canceled after its second season, cutting the story short on a frustrating cliffhanger, though it’s still an enjoyable show despite its short life.

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Outer Range

Release Date

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2022 – 2024-00-00

Network

Amazon Prime Video

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General Hospital 2-week spoilers for February 23-March 06, 2026 suggest Alexis Davis (Nancy Lee Grahn) is going to be furious about something and Drew Cain Quartermaine (Cameron Mathison) is increasingly desperate.

General Hospital Spoilers: Willow Shocked & Spinelli Terrified

On Monday, February 23rd, we’ve got Wiley Quartermaine Corinthos (Viron Weaver) telling his mom, Willow Tait (Katelyn MacMullen), he does not like staying at Drew Cain Quartermaine’s house. Boy, those kids have gotten used to the Quartermaine mansion. And I think they don’t like knowing that catatonic Drew is in the house. Can’t blame them.

Damian Spinelli (Bradford Anderson) tells Lulu Spencer (Alexa Havins Bruening) he is not going to fight Nathan West (Ryan Paevey) to win Maxie Jones (Kirsten Storms). Spinelli tells Lulu also that he assumes Maxie is going to pick Nathan over him.

But he cannot in good conscience, you know, put Maxie into this position. So, at the cemetery standing near his grave, Nathan is talking to Maxie about how weird this all is. She is feeling in over her head and overwhelmed. Waking from a coma to an undead husband is quite the shocker.

GH Spoilers: Michael Corinthos Punches Harrison Chase Over Planted Evidence

Ric Lansing (Rick Hearst) tells Alexis he’s got news about Drew’s case. I think Ric is going to tell her that Harrison Chase (Josh Swickard) planted Drew’s key on Michael Corinthos’ (Rory Gibson) keyring. Alexis is skeptical, and she may not believe Chase would plant evidence—and he didn’t. As we all know, he only called attention to it, but I don’t think the PCPD is going to believe him.

Gio Palmieri (Giovanni Mazza) and Josslyn Jacks (Eden McCoy) talk about Emma Scorpio-Drake (Brayden Bruner). Of course, Gio is quite afraid that Emma is not going to come back from her San Francisco trip, where she went to tell her parents that Anna Devane (Finola Hughes) has gone off the deep end and is stuck in a psychiatric institute in France.

Josslyn tells somebody that she’ll drop it, and it might be in this conversation with Gio or talking with somebody else. Michael is enraged and he punches Chase in the face because Michael is quite certain that Chase planted that key on his ring. Dante Falconeri (Dominic Zamprogna) makes a promise, maybe to the DA, that if Chase did this, he’ll fire him. We’ll see who he’s promising.

DA Justine Turner (Nazneen Contractor) tells Dante if they mess up with this again, heads are going to roll. Chase may have to go; he may have to be fired. Brook Lynn Quartermaine (Amanda Setton) and Chase have a tense private talk on Monday, likely after the brawl with Michael, and Brook Lynn has had enough of the whole Willow thing.

General Hospital Spoilers: Jason Morgan Faces WSB Grilling and Sonny Corinthos Confides in Ric Lansing

On Tuesday, February 24th, we’ve got Ross Cullum (Andrew Hawkes) grilling Jason Morgan (Steve Burton). The WSB director circles around to “Stone Cold.” I’m betting that Cullum wants to make sure Britt Westbourne (Kelly Thiebaud) cut Jason out of her life like she said she did.

She and Jason have only been sneaking around on the sly seeing each other. Something has Lulu hesitant, and it might be Nathan. He may still want to date her after this conversation with Maxie. Plus, Lucas Jones (Van Hansis) gets some critical info. This may be about Britt’s medications and where they’re stashed, or more on Marco Rios (Adrian Anchondo) and Jenz Sidwell (Carlo Rota).

Sonny Corinthos (Maurice Benard) confides in his brother, Ric, and it might be about the angle he’s working with Sidwell or Justine, or his concern over what’s going on with Michael. Jordan Ashford (Tanisha Harper) issues someone a warning; it could be Laura Spencer (Genie Francis) about something Jenz Sidwell’s doing, or it could be to Portia Robinson (Brook Kerr) about Curtis Ashford (Donnell Turner) and the baby.

GH Sweeps Climax: Harrison Chase’s Hard Decision and Emma Drake’s Return

Wednesday, February 25th is the last day of sweeps, by the way. So, look for a hopefully big finish. Dante needs to talk to Elizabeth Webber (Rebecca Herbst) and he may have questions about Willow since Justine remains certain that she’s guilty. Molly Lansing-Davis (Kristen Vaganos) is encouraged by Cody Bell (Josh Kelly), and I think he’s going to tell Molly to go ahead and publish her romance novel. Looks like Cody has read it all and he’s going to be a big fan.

Britt and Jason ponder their options. This may be about getting their hands on her medications to reverse engineer them, which has been tougher now that they’re being doled out one at a time. Chase faces a hard decision. He may quit before the PCPD fire him, or this could be something about Brook Lynn and her being sick and tired of all the Willow nonsense. Gio gets the best news on Wednesday. I bet that it is Emma coming back to Port Charles.

The Race for Congress on General Hospital: Willow Tait Challenges Alexis Davis for Drew’s Seat

Thursday, February 26th, Dr. Isaiah Gannon (Sawandi Wilson) wants to chat with Trina Robinson (Tabyana Ali). I’m sure it’s about him dating her mom, Portia. I wonder if Trina will be hostile or if she will be okay. Now, everybody’s tried to make it clear that he wasn’t getting with her mom while she was with her dad, but we’ll see. Trina can be stubborn like that.

Laura holds a press conference, and I believe it’s to endorse Alexis to step in to take Drew’s place for the rest of his term, although it will require a special election. Jason and Sonny debrief each other, and I’m sure it’s about so many things—Sidwell, Jack Brennan, Britt, and Michael—there’s a lot on the list.

Jenz Sidwell gets tough. He’s playing hardball with somebody and it may be Britt or Marco. It could be about Deception because Tracy Quartermaine (Jane Elliot) was pushing his buttons on that.

Or his double trouble love life with Ava Jerome (Maura West) and Lucy Coe (Lynn Herring). Alexis is stunned by something. Willow may also announce to the press she’s running to replace Drew with his blessing. Nina Reeves (Cynthia Watros) may set up a big media splash because she’s all about getting Willow into Congress on General Hospital.

GH Spoilers: Lucy Coe in Danger and Willow Tait’s Vow of Revenge

Now, Friday, February 27th, Lucy is in trouble. She’s going to have to explain herself, and it may be to Sidwell. She is caught doing something that she shouldn’t be doing. Either sabotaging Ava is likely, or trying to get some dirt on Sidwell because, remember, she was telling Sonny that she wants to dig into everything he’s doing at Deception. Lucy may be poking around at Wyndemere.

Lucas demands answers, and I bet it’s from Marco, maybe on the topic of criminality and his father and Britt. Plus, Willow makes a vow to herself. Maybe it’s about taking Michael down to get Drew’s congressional seat to get all the revenge she wants.

Liesl Obrecht (Kathleen Gati) wants Britt to help her by the end of the week. I bet it’s on matchmaking Maxie and Nathan, but I don’t think that Britt is going to play those reindeer games with her mom. Plus, Laura has to find some chill. I think she’s a little annoyed about the way the press conference turns out.

General Hospital March Spoilers: Nathan West’s Seven-Year Mystery and Spoon Island Peril

The week of March 2nd through the 6th, we’ve got Maxie struggling to figure out what is next. Nathan being back is a lot to process. So are Spinelli’s proactively hurt feelings and defeatist attitude, as he thinks it’s already done. I think that’s going to bother Maxie. I think she may yank a knot in him.

Lulu and Nathan can’t shake their feelings for each other. Maxie and Nathan may agree the past is past, but I don’t think it’s going to be that easy for Lulu. Plus, there’s a chance Nathan and Maxie’s feelings may evolve. Nathan still has a twist ahead when we find out more about his missing seven years.

Dark Willow Determined on General Hospital

Willow doubles down on her plan to get everything she wants—a double dose of revenge against her ex-husband, Michael, and her current husband, Drew. Alexis prepares for battle. She wants to beat Willow. She’s furious that that would-be husband killer is trying to take Drew’s seat in Congress, and Michael is desperate to prove his innocence.

The walls are closing in on Chase. Meanwhile, Drew is desperate to communicate and be saved. If somebody could help him, he’d be back on his feet as soon as that medication wore off, probably in a day or two. Portia and Isaiah move forward as do Curtis and Jordan, but Jordan may be anxious that baby bonding could reunite Curtis and Portia. Lucas may find himself in danger and in over his head out at Spoon Island.

Obrecht is determined to get Nathan and Maxie back together. Spinelli braces for the worst despite reassurances. Emma is coming home soon. There is more cousin love and antics from Charlotte Cassadine (Bluesy Burke) and Danny Morgan (Asher Jared Antonyzyn), and Cody and Molly enjoy their reunion.