Connect with us

Business

Is Ticketmaster Down Today? Users Report Login and Blank-Page Errors as Outage Trackers Flag an Issue

Published

on

Hacking group ShinyHunters has claimed to have accessed the accounts of 560 million Ticketmaster customers

Ticketmaster users encountered blank pages and errors while trying to access tickets and log into their accounts Friday, according to outage-tracking service StatusGator, which detected the disruption beginning at 5:31 p.m. Eastern time.

The incident, described by StatusGator as involving “blank page and errors when accessing tickets or logging in,” had not been officially acknowledged by Ticketmaster as of the most recent available information. That pattern of unacknowledged disruptions has become a recurring feature of the platform’s recent history, with StatusGator’s tracking data showing a series of similar incidents over the past month alone, including a brief outage on July 25 involving events and the main site failing to load, a blocked ticket queue on July 9 tied to detection errors, and a longer, roughly two-hour disruption on July 3 in which the website failed to load properly or became stuck on the login page.

Not every monitoring service detected an issue at the same moment. A separate automated check performed by UptimeRobot around the same general timeframe reported no unusual response times or error codes from Ticketmaster’s main website, illustrating how outage reports for the platform can vary depending on which specific monitoring tool or methodology is used, and underscoring that a disruption affecting some users or specific site functions, such as login or account access, does not always register as a full site-wide outage on every tracking service simultaneously.

Ticketmaster does not maintain a publicly accessible status page that outside outage trackers can directly monitor, according to reporting from Tom’s Guide on a previous incident involving the platform, a gap that has repeatedly left users and journalists relying on aggregated, self-reported complaints from services like Downdetector, StatusGator and UptimeRobot rather than official confirmation directly from the company when access problems arise.

Advertisement

Friday’s reported issues add to a long and well-documented history of technical disruptions affecting Ticketmaster, a platform that serves as the primary ticket sales and distribution company for concerts, sporting events and other live entertainment across much of the United States. The company has faced particularly severe and high-profile outages during periods of extremely high demand tied to individual on-sale events. During the presale for Taylor Swift’s Eras Tour in 2022, outage reports on Downdetector surged to nearly 4,000 as the platform buckled under demand, with both the website and app displaying error messages acknowledging technical difficulties. A message on the app at the time read, “We apologize for the interruption. We are currently experiencing technical difficulties and our team is working to resolve this as soon as possible,” while the website separately displayed a message stating, “Something went wrong on our end and we need to start over.”

Unlike some of those past high-demand incidents, there was no indication that Friday’s reported disruption was tied to a specific major on-sale event driving an unusual surge in simultaneous traffic to the site. Users submitting reports through various tracking platforms described a range of specific problems, including difficulty logging in, blank or unresponsive pages, and errors when attempting to access previously purchased tickets, complaints broadly consistent with the pattern StatusGator flagged for Friday’s incident specifically.

Longstanding user complaints submitted to outage-tracking platforms have also pointed to more persistent, lower-grade technical issues affecting the platform outside of acute outage events, including delays receiving password reset codes via email and website sessions timing out before users can complete a ticket purchase. One user complaint cited by UpDownRadar described password reset codes arriving 10 to 20 hours after being requested, well past their expiration window, while another described the site allowing only 38 seconds to complete a purchase before timing out.

For users experiencing access problems with Ticketmaster, common troubleshooting steps recommended by outage-monitoring services include attempting to access the site from a different browser, device or network, such as a mobile hotspot, disabling any active virtual private network connection, clearing the device’s DNS cache, and restarting the home router. If the platform loads successfully through an alternate connection or device, the underlying issue is more likely tied to a local network problem rather than a broader Ticketmaster outage. If problems persist across multiple devices and networks, however, that pattern is generally considered stronger evidence of a genuine service-side disruption affecting the platform more broadly.

Advertisement

Ticketmaster, owned by parent company Live Nation Entertainment, remains the dominant ticket sales platform for major concert tours, professional sports events and other large-scale live entertainment in the United States, a market position that has drawn regulatory scrutiny in recent years alongside the recurring technical complaints from consumers. The scale of the company’s market share means that even relatively brief or localized technical disruptions can affect a large number of prospective ticket buyers simultaneously, particularly for popular events where demand for available tickets already exceeds supply.

As of the most recent available information, Ticketmaster had not issued a public statement addressing Friday’s reported access issues, and no official timeline had been provided for resolving the problems described by affected users. Anyone continuing to experience login or access problems is encouraged to monitor Ticketmaster’s official social media channels for updates, given the absence of a dedicated public status page, while recognizing that third-party outage trackers, though useful for gauging the general scale of user complaints in near real time, cannot independently confirm the underlying cause or expected resolution timeline for a suspected disruption.

Continue Reading
Click to comment

You must be logged in to post a comment Login

Leave a Reply

Business

‘Spider-Man: Brand New Day’ box office: Record $72M preview sales

Published

on

'Spider-Man: Brand New Day' box office: Record $72M preview sales

Tom Holland stars as Peter Parker, aka Spider-Man in Sony and Marvel’s “Spider-Man: Brand New Day.”

Sony

Spider-Man is already webbing up a massive box-office haul.

Advertisement

Sony and Marvel’s “Spider-Man: Brand New Day” secured $72 million in preview ticket sales, the highest collection for any domestic film in Hollywood history. The previous record holder was 2019’s “Avengers: Endgame,” which tallied $60 million ahead of its opening weekend.

“The demand for ‘Spider-Man: Brand New Day’ is nothing short of astonishing,” said Paul Dergarabedian, head of marketplace trends at Rentrak. “For a film to earn more than $70 million in pre-shows is unprecedented, and it reflects massive enthusiasm among moviegoers to head to the multiplex for the latest Marvel epic.”

The newest solo Spider-Man film benefited from Wednesday early access screenings as well as Thursday night previews. It is expected to haul in around $270 million domestically over its debut weekend, although some box-office analysts foresee an even bigger bounty.

The previous Spidey flick, “Spider-Man: No Way Home” currently stands as the second-highest domestic opening of all time with $260 million across its debut weekend in 2021. “Endgame” tallied $357 million during its first three days in theaters in 2019. “Brand New Day” is expected to surpass “No Way Home,” but remain behind “Endgame.”

Advertisement

“While pre-shows are a very strong indicator of potential opening-weekend success, several factors can come into play, including a heavily front-loaded preview and opening day driven by fans motivated by the shared urgency of opening-weekend FOMO [fear of missing out],” Dergarabedian said.

“Endgame” managed its historic opening weekend with the help of 24-hour showings and extra screenings. There are late-night and early morning screenings of “Brand New Day” to meet demand for tickets, but it’s unclear if the programming is on the same scale as it was for “Endgame.”

And, “Brand New Day” does not have the added benefit of an Imax release, as those screens have been reserved for Christopher Nolan’s and Universal’s “The Odyssey.”

The Spider-Man installment will still benefit from premium large format screenings, however. The film has been programmed for ScreenX, 4DX, Dolby Cinema and HDR by Barco as well as premium offerings that are proprietary to the likes of AMC, Regal, Cinemark and regional players.

Advertisement

ScreenX represented $1.8 million in Thursday ticket sales domestically and is expected to reach $4 million by the end of the weekend. Meanwhile, 4DX has tallied around $1.3 million domestically and is set to hit $4.5 million over the three-day debut.

“Brand New Day” arrives at the tail end of July, and the bulk of its box office will be reflected during the month of August. That’s good news for the domestic box office. Typically, August is the softest month on the summer movie calendar. With “Brand New Day,” the theatrical industry gets a momentum boost heading into the fall movie season.

The domestic box office has collected $5.6 billion in ticket sales this year through Sunday. That’s 16% behind 2019 levels, the last benchmark before the Covid pandemic shuttered movie theaters and paused productions.

However, the 2026 summer corridor is down just 9% from the 2019 comparison, standing at $3.05 billion versus $3.36 billion seven years ago.

Advertisement

That gap could narrow even further with Imax extending coveted screenings of “The Odyssey” into September and as “Brand New Day” plays through the rest of summer.

Still to come is the November release of Lionsgate’s “The Hunger Games: Sunrise on the Reaping” and the hotly expected double feature of Warner Bros.’ “Dune: Part Three” and Disney’s “Avengers: Doomsday” due in theaters Dec. 18.

Choose CNBC as your preferred source on Google and never miss a moment from the most trusted name in business news.
Continue Reading

Business

Twitter’s India policy head, Mahima Kaul, to step down; will transition in March

Published

on

The Economic Times
NEW DELHI: Twitter‘s Public Policy Director for India and South Asia has resigned to pursue other interests, the micro-blogging site confirmed in a statement. The company has also advertised a position for public policy director – India last week.

This comes as the San-Francisco based firm is at the receiving end of the Indian government over an issue of blocking and unblocking certain handles tweeting about farmer protests.

Sources said that the executive — who continues to lead the conversations with the government — Mahima Kaul’s stepping down is not related to the recent controversy.

Monique Meche, VP, Public Policy, Twitter said in a statement “At the start of this year, Mahima Kaul decided to step down from her role as Twitter Public Policy Director for India and South Asia to take a well-deserved break. It’s a loss for all of us at Twitter, but after more than five years in the role we respect her desire to focus on the most important people and relationships in her personal life.” Kaul will continue in her role till the end of March and will support the transition, Meche added.

Advertisement

“The Public Policy team acts as Twitter’s ambassadors to government policymakers, regulators, and civil society groups on public policy issues. We focus on addressing issues such as advocating for an Open Internet, freedom of expression, privacy, online safety, net neutrality, and data protection to advance the interests of Twitter and our customers. In addition, we serve as the #TwitterForGood team and provide guidance, resources, and support for Twitter’s Corporate Social Responsibility mission,” the company said in its job description on LinkedIn.

“As Twitter’s public policy lead based in India, this you’ll drive and assist development and advocacy of public policy solutions to pressing high technology issues. Specifically, you will manage and build a team of public policy and philanthropy specialists to protect and advance Twitter’s interests in India, it added among other key performing areas.