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So many K-dramas have shifted to streaming in search of greater immediate success, so the industry is moving quickly these days. But some K-dramas will never go away, even if they are considered classics, out of date, or simply foundational; despite their age, they are still important in understanding the evolution of the industry.
Not every K-drama ever produced feels relevant, but these ten dramas, all at least a decade old, have aged beautifully and remain relevant in the grand scheme of things. Although they lack the polished gloss of modern productions, their emotional depth, groundbreaking plots, and unforgettable characters make them as binge-worthy today as they were when they first aired. These are the ten classic K-dramas still worth binge-watching today.
Winter Sonata, the drama that started the Korean Wave, sparked an explosion of K-drama fandoms in Japan, China, and beyond. It established the “melodrama of fate” template, helping tragic pasts, noble sacrifices, and tearful reunions to define romance for the next decade. The show is slower and more atmospheric than most modern dramas, but its emotional depth remains unmatched. The drama’s male lead, Bae Yong-joon, became a cultural sensation in Japan, where he was once greeted by over 3,000 women at the airport during one of his visits to the country.
Winter Sonata is about a high school romance between the gentle, music-loving Joon-sang (Bae) and the cheerful Yoo-jin (Choi Ji-woo), which is cut short by Joon-sang’s apparent death in a car accident. A decade later, Yoo-jin is engaged to her childhood friend but still haunted by her first love; then she meets a mysterious man who looks exactly like Joon-sang—but he claims not to remember her. With each new episode, viewers discover heartbreaking secrets involving mistaken identities, amnesia, and a long-lost love. Winter Sonata is a must-see for any fan interested in understanding how the Korean Wave actually began.
Full House pioneered the “contract romance” trope, which has since become a staple of Korean dramas. Rain and Song Hye-kyo‘s chemistry is electric, and their bickering is genuinely funny. The show also includes iconic early 2000s fashion (remember the chunky sweaters and weird layering of shirts?) and a soundtrack that is still referred to with nostalgia on variety shows. The drama was a huge success throughout Asia, and Rain and Song won the KBS Drama Popularity Awards, Best Actress and Actor Awards, and the Best Couple Award.
Full House follows a naive young writer, Han Ji-eun (Song), who is tricked into believing she has won a free vacation, only to return home and discover her friends have sold her beloved house. The new owner is Lee Young-jae (Rain), a famous and arrogant actor who values his privacy and dislikes reporters. To reclaim her home, Ji-eun agrees to a contract marriage with Young-jae, which leads to a hilarious battle of wills. However, as they bicker over cleaning and meal duties, genuine feelings develop. Full House is light, silly, and endlessly rewatchable; if you like Rain, you’ll enjoy this show.
My Lovely Sam‑soon, aka My Name is Kim Sam‑soon, defied the “perfect princess” stereotype of romantic comedies. The heroine is not a Cinderella waiting to be rescued but a spirited, messy, and refreshingly authentic character. The show’s candid discussions about body image, aging, and career goals were groundbreaking in 2005, and they still feel relevant today. At the time, it was the highest-rated Korean drama ever (50.5% for the finale) and is still regarded as a classic. At the MBC Drama Awards, My Lovely Sam-soon won the Grand Prize (Daesang) Award, and the majority of the nominated cast received acting and popularity awards.
My Lovely Sam-soon follows Kim Sam-soon (Kim Sun-a), a 29‑year‑old, strong‑willed pastry chef who is outspoken and insecure about her weight; she’s also broke, single, and recently dumped. Hyun Jin-heon (Hyun Bin), the owner of a high-end French restaurant, witnesses Sun-a’s public breakup and offers Sam-soon a job after discovering her baking talent. When he needs a fake girlfriend to appease his controlling mother, Sam-soon agrees; their contract relationship quickly becomes messy, and Sam-soon’s refusal to be a doormat makes her an unforgettable heroine. The show was dubbed the Korean version of Bridget Jones’ Diary, with the only difference being that My Lovely Sam-soon is a tried-and-true K-drama with all the tropes that made the genre an instant fan favorite.
Way ahead of its time, Coffee Prince tackled gender identity and same‑sex attraction with surprising sensitivity for a mainstream K‑drama in 2007. It is still a beloved classic nearly two decades later, celebrated not only for Gong Yoo‘s iconic performance but also for its daring to push boundaries. The show’s central message—that love is about the person, not the label—is just as relevant today as it was then. The chemistry, rainy kisses, and soulful soundtrack make it a timeless favorite among rewatchers. Gong has stated that this role was a defining moment in his career, reigniting his interest in acting after he became discouraged. We’re glad he changed his mind; Coffee Prince earned him the Best Actor award at the MBC Drama Awards.
Coffee Prince follows Go Eun-chan (Yoon Eun-hye), a tomboyish young woman who is often mistaken for a man. To support her family, she accepts a position at Coffee Prince, a sleek new café that only hires handsome male baristas. The eccentric heir Choi Han-gyul (Gong), who runs the café on a dare from his grandmother, hires Eun-chan, believing she is a guy. As they work together, Han-gyul’s growing attraction to Eun-chan causes him to question his own identity, resulting in a heartfelt exploration of love without labels. Coffee Prince is a refreshing classic of the K-drama world that you’ll enjoy binge-watching.
Love it or hate it, Boys Over Flowers is arguably the single most influential drama in the Korean Wave. This is the ultimate guilty pleasure viewing, with iconic over-the-top moments such as an unnecessary kidnapping, intense love triangles, trauma bonding, and a sudden amnesia arc. The series introduced a generation of international fans to Korean dramas, and its tropes—the mean rich boy, the spirited poor girl, and the second lead syndrome—have been endlessly reproduced. Boys Over Flowers inspired South Korean men to adopt the “pretty boy image” in order to look like the drama’s lead actors.
Boys Over Flowers follows Geum Jan-di (Koo Hye-sun), a working-class girl who earns a scholarship to attend the prestigious Shinhwa High School. The school is ruled by a ruthless group of four rich and powerful boys known as F4. Jan-di becomes the target of bullying after standing up to their ringleader, the arrogant heir Gu Jun-pyo (Lee Min-ho). However, as she continues to defy him, Jun-pyo falls for her unbreakable spirit, sparking a messy, dramatic love triangle that captivates the entire school. The simple, addictive nostalgia of watching this classic is a compelling reason to binge-watch Boys Over Flowers (again).
Secret Garden is the drama that made body‑swap comedy a genre staple. It also introduced one of the most iconic fashion items in K‑drama history: the glittering tracksuit that the lead obsessively wears. Beyond the laughs, the show has genuine emotional weight, exploring class differences, trauma, and the nature of love. Hyun Bin‘s portrayal of the snobby but secretly vulnerable CEO is legendary, as is his wild chemistry with Ha Ji-won. Interestingly, the Grand Prize (Daesang) at the Baeksang Arts Awards is usually awarded to a series or film, but in 2011, it was given to Hyun Bin himself, who was the most visible face on TV and, well, literally any screen in South Korea after Secret Garden.
Secret Garden follows Gil Ra-im (Ha), a poor stuntperson who dreams of becoming a film director, and Kim Joo-won (Hyun), a wealthy and arrogant department store CEO who is afraid of anything physical. After a series of chance encounters, Ra-im and Joo-won find themselves magically swapping bodies whenever they come into contact; forced to live each other’s lives, they discover each other’s pain, insecurities, and hidden wounds. This brings them closer together and helps them start a relationship, but the story also includes a number of external complications—as if body swapping weren’t complicated enough. Secret Garden is a guilty pleasure and a very funny classic, ideal for a binge.
The Heirs is another guilty pleasure drama with a star-studded cast, including Lee Min-ho, Park Shin-hye, and Kim Woo-bin. It’s often described as a “time capsule” of early 2010s K-drama excess: lavish sets, dramatic confrontations, and a love triangle that defined the genre, including extra dramatic scenes like crying in the rain, walking away slowly, and making wild assumptions without context. The Heirs does not shy away from melodrama, and its portrayal of class conflict and young love is both flawed and completely addictive.
The Heirs follows a group of spoiled, wealthy high school students as they deal with the pressures of love, jealousy, and the expectations of their powerful families. Kim Tan (Lee), the heir to a massive conglomerate, is sent to study abroad in the US. He meets Cha Eun-sang (Park), a penniless girl looking for her older sister. When he returns to Korea, their worlds collide, forcing him to choose between family duty and a love that society believes is impossible. The Heirs is a must-see for new fans who want to understand the origins of modern Korean drama tropes.
My Love from the Star was a massive hit in Asia and America, sparking a new wave of Hallyu exports. The central plot of a cynical, immortal alien falling for a volatile celebrity paved the way for countless fantasy romances over time. The contrast between Kim Soo-hyun‘s reserved extraterrestrial and Jun Ji-hyun‘s over-the-top actress created an iconic on-screen dynamic, while the high-quality cinematography and sharp celebrity satire remain fresh and enjoyable. Jun’s wardrobe in the drama was so coveted that the outfits, cosmetics, and makeup she wore in the show sold out while it aired. Jun also won the Grand Prize at the Baeksang Arts Awards for her role.
My Love from the Star follows Do Min-joon (Kim), an alien who crash-landed on Earth during the Joseon Dynasty. He has spent 400 years hiding his supernatural abilities and waiting to return home; as he prepares to leave, he meets his new neighbor, Cheon Song-yi (Jun), a beautiful but narcissistic top actress. He saves her life, and the cynical alien and the shameless star soon become entangled in an unexpected and dangerous romance that transcends time. Several outlets named the show the most popular series of 2013 and 2014, popularizing the use of fried chicken and beer as a form of bonding in K-dramas. Another interesting fact is that it was based on true stories of Joseon-era locals who reported seeing UFOs in the sky.
Misaeng: Incomplete Life is a groundbreaking office drama that depicts the struggles of entry-level employees with unwavering realism. The series speaks to anyone who has felt like an outsider in a high-pressure corporate environment, while the authentic depiction of corporate dynamics and their mundane yet soul-crushing challenges set a new standard for realistic storytelling in Korean dramas. The drama was adapted from the same-named webtoon, and its success legitimized webtoon-to-drama adaptations. Many people also stated that they rushed home from work to watch this show, feeling seen by its premise, character arcs, and relatable storytelling.
Misaeng follows Jang Geu-rae (Im Si-wan), a former Go prodigy who gives up his dreams of competing professionally to become an intern at a large trading company. With no college degree or work experience, he is thrust into a world of office politics, long hours, and oppressive hierarchies. With the help of a small group of fellow interns (Kang So-ra, Kang Ha-neul, and Byun Yo-han), he fights to demonstrate that determination and natural intelligence can overcome a lack of credentials and that a person is more than their resume. The subtitle, Incomplete Life, roughly translates the main word, “Misaeng,” perfectly capturing the theme that all the main characters are still in the process of discovering their true selves.
Healer is a unique blend of thrilling action and heartwarming romance, and you’ll be emotionally engaged until the very end thanks to the tightly woven plot, which skillfully connects several generations of backstory. Fans have praised Healer for its fast pace, compelling mystery, and perfect balance of genres, anchored by Ji Chang-wook‘s charismatic performance. The show’s cult following is fiercely loyal, especially to Ji, who rose to international fame and cult celebrity status through his portrayal of the eponymous character, the mysterious and protective Healer.
Healer follows an enigmatic “night courier” who goes by the code name Healer and takes on risky jobs for clients but draws the line at murder and declines jobs that entail it in any way. When he accepts a task, he unexpectedly falls in love with the passionate reporter Chae Young-shin (Park Min-young) and gets involved in a case that reveals a painful secret from his past. Their improbable partnership reveals a web of hidden truths and political corruption that jeopardizes everything they value—but their love is incredible to watch unfold. Healer is entertaining and very simple to binge-watch; it blends romance and action in a way that no K-drama (or many other shows) could at the time.
Celebrity doppelgängers Will Ferrell and Chad Smith reunite on “Saturday Night Live,” continuing a long-running comedic bit built on their striking resemblance.
Over the years, the comedian and the Red Hot Chili Peppers drummer embraced the ongoing joke, leaning into the confusion with humor and raising money for charity while making fans laugh. Their latest appearance highlights their shared commitment to the gag more than a decade after they acknowledged their striking similarities.
“Saturday Night Live” alum Will Ferrell returned to the sketch comedy show that launched his career, taking over hosting duties for the final episode of Season 51. As he was introduced, Red Hot Chili Peppers drummer Chad Smith appeared, decked in a gray suit while impersonating the comedian.
“I’m thrilled to be back here hosting ‘Saturday Night Live.’ I was a cast member here for seven years, and now I’m hosting for the sixth time,” Smith declared. The real Will Ferrell then runs in wearing the exact same attire, accusing Smith of pushing him backstage. “I fell. Hard. Lorne had to give me mouth-to-mouth,” he said, referring to “SNL” creator and showrunner, Lorne Michaels.
Ferrell then shoos Smith off the stage, telling the audience not to clap. “He’s a bad guy,” he told them. The comedian then takes a question from the audience and points at musical guest, Paul McCartney, who said, “Nice try, Chad. Get back behind the drums where you belong.”
Fans noticed Ferrell and Smith’s uncanny resemblance long before the two made it into a bit. In 2010, the drummer even wore a shirt that read, “I AM NOT WILL FERRELL” while performing on “Conan.”
At a conference in 2013, Smith begrudgingly told the story of his first encounter with the comedian. Ferrell and Smith both attended an advanced screening of the 2000 comedy film “The Ladies Man” and ran into each other while getting food at the buffet.
“We’re looking at each other, right? He looks me up and down, and says, ‘You’re very handsome,’ and then just walks away,” Smith said. At that time, Smith thought Ferrell was very funny. “But I don’t think he can play the drums for sh-t, and I certainly can not act as well as he does,” he said.
In a 2014 Reddit AMA, one online user brought up Ferrell’s resemblance to the Red Hot Chili Peppers drummer. In response, the comedian wrote, “A lot of people think that it’s me playing for the Red Hot Chili Peppers. But that would be an insult to Chad Smith. The truth of the matter is there is no Will Ferrell. Only Chad Smith.”
In a post for Funny or Die, Ferrell said it was “great to finally clear up the fact that I am Chad Smith.” In response, Smith told him to stop impersonating him and challenged him to a drum battle. “I’ve seen your skills, you don’t got ’em.”
On Smith’s Reddit AMA, Ferrell accepted the drum challenge, provided they raise funds for charity. “Hey Will, I’ve logged back in JUST to accept your challenge. Bring IT!” Smith said.
In 2014, Ferrell and Smith appeared on “The Tonight Show Starring Jimmy Fallon” to end their “feud.” They appeared wearing the same clothes: a KISS shirt, a leather jacket, jeans, and a backwards cap. While talking to Fallon, they committed to the bit, impersonating each other and appearing disgruntled.
At one point, Farrell told the host that he jammed with the Chili Peppers at their “jam house,” making Smith crack a bit. To end their feud and raise money for charity, they had an epic drum-off to find out who was the better drummer. Before they started, however, Ferrell said, “We were tricking you the whole time. This is Chad Smith, and I’m Will Ferrell.”
The two men took the stage, showing off their capabilities. While Smith delivered an epic performance, Ferrell gave an all-out effort despite lacking skills. Ferrell was declared the victor, and the rest of the Red Hot Chili Peppers joined them on stage for a performance of Blue Öyster Cult’s “(Don’t Fear) The Reaper,” a nod to one of Ferrell’s most famous “SNL” sketches.
Two years later, Ferrell and Smith reunited to co-host the “Red Hot Benefit Comedy + Music Show & Quinceañera” charity event sponsored by Funny or Die.
They took their competition to the next level, recruiting members for the team competition. On Smith’s team were Mötley Crüe’s Tommy Lee, Foo Fighters’ Taylor Hawkins, and The Police’s Stewart Copeland. Ferrell, on the other hand, chose drummer and comedian Fred Armisen, Fleetwood Mac’s Mick Fleetwood, and teen drummer Andy Lee.
Ferrell declared himself the winner, saying, “I win again! Now, who looks stupid, Chad?”
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When it comes to bags, Jennifer Lopez knows what she likes. We’ve often spotted her rocking the same styles on repeat, showcasing her collection of Hermés Birkins, Coach Tabbys and other high-end bags. However, her latest Dior find might be our new obsession. It looks even more luxurious and elevated than Lopez’s other designer bags, but it’s not hard to find a similar purse at a reasonable price point. Just check out this chic alternative that’s under $50 on Amazon!
Embracing that classic athleisure aesthetic, Lopez strolled around Beverly Hills in a T-shirt, leggings and sneakers — and her casual look only made her textured handbag stand out even more. The Yuwumin Woven Top-Handle Crossbody Bag has a similar shape and style, capturing the star’s rich-girl energy and offering a polished, luxurious vibe. Like Lopez’s pick, it signals that you’re headed to Pilates, brunch downtown or both. Plus, it doubles as a crossbody!
Get the Yuwumin Woven Top-Handle Crossbody Bag for $49 (was $52) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.
The Amazon option has a similarly expensive-looking texture to the Dior purse, but with a basket-weave pattern instead of quilting. The effect is the same, though, adding dimension, depth and a handcrafted look. It’s structured enough to hold its shape, which is half the battle when you’re running out the door.
This bag is also incredibly roomy without looking overstuffed. One happy shopper wrote, “It hits that perfect sweet spot between compact and cavernous . . . I can easily fit my full-sized wallet, phone, keys, a small cosmetic pouch, and even a slim notebook without having to play a frustrating game of Tetris.”
They added, “This Yuwumin bag isn’t just a place to hold my things; it’s an accessory that significantly boosts the perceived style and luxury of my entire look. I find myself reaching for it constantly.”
Style aside, the versatility makes this bag a no-brainer. The top handle gives you that ladylike, carry-it-on-your-forearm moment when you want to feel dressed up. Then, you can clip on the strap and wear it as a crossbody for errands and school pickups. It’s basically two bags in one, making it the easiest ‘yes’ for channeling J.Lo’s ultra-luxe style.
Get the Yuwumin Woven Top-Handle Crossbody Bag for $49 (was $52) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.
Not what you’re looking for? Shop other bags on Amazon and don’t forget to check out Amazon’s Daily Deals here!
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If there’s one fabric that is a summer non-negotiable, it’s linen. Not only does the material make every outfit feel luxe-looking and polished, but it’s light and breezy, ensuring hot days feel as cool as you look. Linen can be pricey, but not always. In fact, Walmart shoppers have discovered the Scoop Linen Blend Vest, which delivers that effortlessly elevated look without the steep price tag you might expect. At just $30, the easy wardrobe upgrade is a total no-brainer.
The bestselling vest combines lightweight comfort with a chic, tailored silhouette, making it one you’ll reach for again and again, whether you’re heading to a casual lunch or a summer party. Better still, shoppers say it has a surprisingly high-end appearance, helping outfits look more expensive and put-together with minimal effort.
Get the Scoop Linen Blend Vest for $30 at Walmart! Please note, prices are accurate as of the publishing date but are subject to change.
Clean lines, a structured shape and airy linen-blend fabric make this vest stand out from the pack. The slightly tailored fit makes your whole outfit look refined while still feeling breathable in hot summer weather.
Styling the piece is a breeze because it’s as timeless as it is versatile. Wear it on its own with the matching shorts for a coordinated moment, or pair it with classic denim bottoms or a tiered maxi skirt. The neutral colorways and polished fit make it a piece you can dress up or down, depending on the occasion.
“This top is beautiful!” said one five-star Walmart reviewer, who purchased the piece in Burnt Rosemary. “The color is a dark olive and the fit is perfect. It really can elevate your outfit without depleting your wallet.”
One thing shoppers really can’t seem to stop raving about is the affordability of this luxe-looking vest.
“This set is stunning for the price,” another five-star reviewer stated. “I am planning on wearing it to a grad party. It is very dressy and looks expensive. The linen is thicker, so not see-through or cheap, not itchy like some linen. I feel well put together without breaking the bank.”
Making your summer wardrobe feel more intentional and sophisticated just got a whole lot easier. This bestselling linen vest is an easy add-to-cart. Not only is it priced to perfection, but it’s one piece you’re guaranteed to wear on repeat.
Get the Scoop Linen Blend Vest for $30 at Walmart! Please note, prices are accurate as of the publishing date but are subject to change.
Actor Adam Driver is finally speaking out about the accusations Lena Dunham made about him in her new memoir, “Famesick.” In the tell-all book, she alleges that he screamed in her face, threw a chair, and even once punched a hole in the wall of his trailer. The “Star Wars” actor was asked whether there was any truth to those allegations while promoting his new movie, “Paper Tiger,” at the Cannes Film Festival.
The “Marriage Story” actor was quick to shut down a question about the allegations that Lena Dunham made against him in her “Famesick” memoir while promoting his latest film. At the Cannes press conference, Driver was asked if there was any truth to what she wrote in the book.
“I have no comment on any of that,” he said, as per Deadline. “I’m saving it all for my book.” The comment, which can be heard in the video above, drew laughter from the crowd.
It’s a bit of a tongue-in-cheek response from the notoriously private actor who probably doesn’t actually plan on writing a book. Then again, the reaction to Dunham’s memoir showed that plenty of fans would be interested in hearing his side of the story.

Lena Dunham played the lead character Hannah in the HBO comedy “Girls,” which ran from 2012 to 2017. Adam Driver played her on-again, off-again boyfriend, also named Adam, although their relationship was often portrayed as toxic. In the book, Dunham claimed that Driver was “verbally aggressive” towards her and once “hurled a chair at the wall next to me.”
“I remember doing a fight scene with Adam and how scary it was to meet someone so totally present with such absence,” Dunham wrote in her tell-all book. “Late one night, as we practiced lines in my trailer, I found that mine were suddenly gone. I knew I’d written them. I’d known them only minutes before. But when I opened my mouth, all that came out was a stammer — until finally, Adam screamed, ‘F-CKING SAY SOMETHING’ and hurled a chair at the wall next to me. ‘WAKE THE F-CK UP,’ he told me. ‘I’M SICK OF WATCHING YOU JUST STARE.’”

While filming an intimate scene for the show’s first season, Dunham, who was also the show’s creator, writer, and director, alleged that her “careful blocking went out the window.” She claims that the “House of Gucci” actor “hurled me this way and that.”
In the book, she claimed she was so “stunned” that she “couldn’t speak for a moment,” and went on to write that she was “unsure of what had happened.”
“Had I lost directorial authority, allowed the scene to go off the rails, not given proper instructions? Would I be removed from my command post immediately?” Dunham wondered following the moment.

Lena Dunham isn’t the only one to have a fight scene with Driver. “Avengers” actress Scarlett Johansson “spent two entire days” screaming at the actor while filming Noah Baumbach’s 2019 drama “Marriage Story,” which tells the story of a couple fighting over custody of their son while going through a tumultuous divorce.
“We spent two entire days screaming at each other, brutally screaming and fighting for two full days,” she told As If magazine at the time, as reported by PEOPLE magazine.
“It was exhausting, but if I didn’t have as strong an actor as Adam to take all the stuff I was giving him, I would have been lost,” Johansson said. “For me, working with other actors is a really important part of what I do … it’s everything.”
The scene was so aggressive that the U.S. Department of Agriculture actually blasted audio of their argument scenes to scare away a pack of gray wolves that were reportedly “terrorizing” an Oregon farm’s livestock, as per The Wall Street Journal.

In 2025, the “Jurassic World Rebirth” actress told PEOPLE magazine that she had a “great” experience working with Driver. “I love Adam as a person, and he is an absolutely extraordinary actor,” she said at the time. “If I could make every movie with Adam Driver, I would.”
After filming “Marriage Story,” she reunited with Driver on the set of “Paper Tiger,” although she wasn’t at Cannes due to a scheduling conflict. Although she was married to Miles Teller’s character and had limited scenes with Driver, she had nothing but positive things to say about him.
“I would’ve loved to have had even more scenework with him. I love working with him,” Johansson told The Hollywood Reporter ahead of the “Paper Tiger” premiere.
“Star Wars” actress Daisy Ridley also had positive things to say about working with the actor, despite Dunham’s accusations.
Ronda Rousey and her husband, former UFC star Travis Browne, have been each other’s No. 1 supporters through the years and amid their various career milestones.
The couple tied the knot in 2017 and have since welcomed daughters La’akea Makalapuaokalanipō Browne and Liko’ula Pā’ūomahinakaipiha in 2021 and 2025, respectively.
“Man, I have infinite energy for my kids and not as much for myself,” Rousey told Us Weekly in April 2026 of her life as a mom following her 2016 retirement from MMA. “It’s so much easier to dig deep for your kids and your family than it is for yourself. I have an extra reserve of something that is infinite for them.”
Scroll down to learn more about Browne:
Browne won Breakthrough Fighter of the Year and Comeback of the Year at the World MMA Awards in 2013. Four years later, the heavyweight retired from the sport.
Rousey, for her part, made her debut in 2011 and won 11 of her first 12 fights in the first round. In 2016, Rousey lost a fight to Amanda Nunes by knockout and did not return to the ring until 2026. She was inducted into the UFC Hall of Fame in 2018.
Travis initially tied the knot with Erin Browne in 2001. The pair, who share two children, split in 2009. Six years later, Travis wed fitness model Jenna Renee Webb. The twosome went their separate ways in 2016.
In 2015, Travis was temporarily suspended when Webb made allegations of domestic violence. The UFC conducted an investigation, which “found inconclusive evidence” and Travis did not receive criminal charges.
He and Rousey exchanged vows in 2017.
The couple welcomed their first child together, La’akea Makalapuaokalanipō, in 2021. Travis and Rousey added their second daughter, Liko’ula Pā’ūomahinakaipiha, to their family in 2025.
“Our little girl came into this world during a windstorm into a city on fire, so grateful she made it safe and sound,” Rousey captioned her Instagram post at the time.
Travis also has two sons, Keawe and Kaleo, from a previous relationship. In April 2026, Rousey shared that the couple’s daughter Pō has become a regular fixture in the gym.
“She’s gonna be so sad when we take the cage out, because it’s like a gigantic playpen for them, and she loves to watch me train,” Rousey told Us at the time. “She definitely wants to fight and has been asking me to. She saw some kids doing jujitsu and said, ‘I want to do that.’ I was like, ‘You will.’”
While speaking with Us in April 2026, Rousey revealed that she and Travis are hoping to expand their family.
“Me and my husband want to try for two more kids. I just want to make more little people,” Rousey told Us. “Professionally, I feel like there’s nothing else I could really do that is worth taking time away from my family ever again.”
One month later, Rousey reflected on her parenthood when asked whether she might have another comeback following her matchup against Gina Carano.
“There’s no way I could have ended it better than this,” Rousey told a reporter in May 2026. “I want to have some more babies and I gotta get cooking.”
The couple own a ranch, Browsey Acres, in Oregon. At the ranch, Rousey and Travis raise cows, chickens and more.
“Once Ronda Rousey and Travis Browne settled into Browsey Acres and made the choice to start a farm, they set out to live the sustainable lifestyle that they had always wanted for themselves. That involved getting a collection of animals to care for and harvest on the farm,” the website reads. “Which meant that, eventually, they needed a cow.”
If you or someone you know is experiencing domestic violence, please call the National Domestic Violence Hotline at 1-800-799-7233 for confidential support.
Prime Video has poured everything it could into the ambitious fantasy series The Lord of the Rings: The Rings of Power, making it the streamer’s most expensive show, but it isn’t without risk. As beloved as J. R. R. Tolkien’s stories are, The Rings of Power has not been embraced by the fandom at large and has not maintained viewership between the first and second seasons. So, as Season 3 prepares for its release, fans are watching closely to see if The Rings of Power will defy the odds or fall victim to the string of premature cancellations that haunt the fantasy genre. This attention makes Prime Video’s recent announcement about The Rings of Power all the more interesting.
While Season 2 ended in October 2024, Season 3 wasn’t expected until 2027. But in a shocking update, The Rings of Power Season 3 will be premiering much sooner. Now expected in 2026 (specifically this November, as of this week’s announcement), the show’s wait between seasons will remain more consistent, which can only be a good thing. Although longer gaps between seasons are slowly becoming standard, especially in the fantasy genre, they often come with a drop in momentum, and The Rings of Power Season 3’s new release date could serve as a test for the series’ long-term future.
With a sprawling narrative and extensive special effects, it’s no wonder that The Rings of Power needs more time to create each new season. Like any show, The Rings of Power requires a dedicated audience, and the more time that passes between seasons, the higher the risk of losing viewers. The epic fantasy started strong, but Season 2’s viewership reportedly decreased by half. Of course, there are many factors involved, but Season 2 premiered almost exactly two years after Season 1’s release, which is part of the problem.
The Rings of Power isn’t the only show to encounter this problem. As the wait for new episodes has grown, some streaming shows have lost momentum in attracting or even keeping viewers. However, The Rings of Power can’t afford another major dip, especially given the show’s production cost. When the wait for Season 3 was originally reported to be longer than two years, this was especially concerning because it would dilute audience interest even further. Now, the series seems to be following a similar release pattern to previous seasons, which is a move in the right direction, but that doesn’t guarantee success.
As a Lord of the Rings Fan, These Are the 10 Best ‘Rings of Power’ Episodes
“Sometimes to find the light, we must first touch the darkness.”
Prime Video has already expressed its commitment to The Rings of Power, putting it in a better position than most shows, but that only lasts as long as people tune in. As such, the series’ change in release represents a test for the future. As much as Prime Video wants The Rings of Power to become an undeniable sensation, it hasn’t reached those heights, and the fantasy genre is a risky one on streaming. Recently, many fantasy shows have ended early, with Prime Video itself canceling The Wheel of Time, Carnival Row, and My Lady Jane within the last few years. With fantasy series failing around it, Season 3 will determine if The Rings of Power can really last.
The Rings of Power has a lot of story left to tell, already setting up the fall of Númenor and an epic battle against Sauron (Charlie Vickers), but to get that far, the series must cement its audience. Season 3 will prove its longevity, with the show either reinforcing or defying recent trends in viewership. If those numbers stabilize, the show can secure its safety, especially with Prime Video’s previous confirmation of a five-season plan. The Rings of Power returning sooner, rather than later, is a good sign for the series, but Prime Video may have to do more to hold on to its audience. Fortunately, the epic story that lies ahead for The Rings of Power gives it a good chance of defying the odds.
September 1, 2022
Amazon Prime Video
John D. Payne, Patrick McKay, Louise Hooper, Charlotte Brändström, Wayne Yip
Patrick McKay, John D. Payne, J.R.R. Tolkien, Justin Doble, Jason Cahill, Gennifer Hutchison, Stephany Folsom, Nicholas Adams
Olympian Ilona Maher says she’s not ruling out a potential run on ABC’s popular reality show, “The Bachelorette,” just yet. During a new interview, the elite rugby player, 29, said she’s seen the messages from people advocating for her to be the show’s next leading lady. While there’s nothing set in stone yet, Maher said she’d consider joining the show for one reason.

Speaking with OK, Maher said she’s been in communication with the producers of the long-running reality show about what a potential stint on the series could look like for her.
“I’ve consulted with the team. I’ve consulted with Joey Graziadei,” she said, adding that there would need to be some changes in her current situation for her to fully commit to the program.
“Joey would have to executive produce. All my friends would have to be involved,” she said.

Elsewhere during the interview, Maher, a Bronze medalist at the 2024 Paris Olympics, said that she enjoys the series, calling it “really cool.”
And while she’s gone to become friends with people from the series, such as Joey and Kelsey Anderson from season 28 of “The Bachelor,” Maher said she’d join the show for another reason.
“But maybe it would also be cool because I feel like I see one type of beauty standard on that show sometimes,” she said. “It could be cool for girls to see me being courted by men and viewed as desirable without having to change who I am.”
According to Maher, exposing the audience to something different “would be the reason I’d do it.” She added, “So girls can watch and think, ‘Okay, she’s desired, she’s beautiful, and I don’t have to change either.’ I don’t know if it’s in the cards for me, though.”

“Bachelorette” fans have been pushing several celebrities to throw their hats in the ring after ABC announced it was pulling Taylor Frankie Paul’s season from the air.
Maher said that she’s been inundated with messages about it since being on “Dancing with the Stars.”
“I love my girls. They want to see me find love so bad,” she said. “I would do it for you guys to watch — that’s the only reason. I don’t even know if I’d find love, but it would be funny to watch me. I am not fully ruling it out.”
Season 22 of “The Bachelorette” would’ve been airing right now; however, ABC and Disney axed the season after its star, Paul, was involved in an alleged domestic dispute with her ex-boyfriend, Dakota Mortensen.
“In light of the newly released video just surfaced today, we have made the decision to not move forward with the new season of The Bachelorette at this time, and our focus is on supporting the family,” a Disney representative said.
Amid the news, a video of Paul appearing to assault Mortensen by hitting him and throwing chairs at him went viral, prompting her team to release a statement on her behalf.
“After years of silently suffering extensive mental and physical abuse as well as threats of retaliation, Taylor is finally gaining the strength to face her accuser and taking steps to ensure that she and her children are protected from any further harm,” her team said, per PEOPLE.
They added, “There are too many women who are suffering in silence as they survive aggressive, jealous ex-partners who refuse to let them move on with their lives. Taylor has remained silent out of fear of further abuse, retaliation and public shaming. She is currently exploring all of her options, seeking support, and preparing to own and share her story.”

According to a previous report from The Blast, several “Bachelor” alums spoke out after learning ABC had canned Paul’s season, including Rachel Lindsay and Ashley Iaconetti.
Iaconetti questioned why producers chose her to begin with, stating that they were aware of her previous domestic violence charges, one of which led to her arrest in 2023.
Continuing, the “Real Housewives of Rhode Island” star said that charges alone should’ve been enough reason to rule her out.
“That wasn’t an appropriate role for her to fill,” she said, before adding, “and probably was not something that she was mentally, emotionally ready to take on for many reasons—the fact that she was so intertwined with Dakota going into it being one of them.”
Superhero stories usually lose their bite when every world-ending battle starts to feel interchangeable. This one clearly continues to work, is currently trending on Prime Video in the Top 10, and it’s probably because the violence has consequences that linger after the blood clears. The show — starring Steven Yeun, Sandra Oh, and J.K. Simmons — began like a familiar coming-of-age fantasy with a teenager inheriting powers from the most powerful hero on Earth, then twisting that dream into family betrayal, imperial conquest, body horror, guilt, and the terrifying realization that saving people can still leave a person morally wrecked. That is why the conversation around its Season 4, which concluded on April 22, has lasted beyond finale week.
Fans are still arguing about the emotional damage, the expanding galactic war, the father-son fallout, and the way the show keeps pushing its hero into choices that feel impossible rather than cool. The appeal is hyper-violent action, yes, but the staying power comes from watching a young hero slowly understand that strength does not protect him from grief, manipulation, political pressure, or becoming someone he hates.
The series is Invincible, and Prime Video’s chart shows it still refusing to fade more than three weeks after the Season 4 finale. According to FlixPatrol, as of May 15, the show still sits at No. 5 in the U.S. TV chart, and this comes after it stayed at the #3 spot from May 9 through May 13. Globally, it remains visible across major Prime markets, including Germany at No. 2 earlier in the week, Greece, Hungary, Nigeria, Thailand, Australia, Brazil, Canada, and the UK. Season 4 also carried a fantastic critical reputation, with Rotten Tomatoes coverage noting its perfect early-season score.
Invincible is still cutting through Prime Video’s full library, yes, but the TV-only chart gives a better read on audience commitment. When movies are removed from the equation, Invincible is competing directly against Prime Video’s current TV heavyweights: The Boys, Off Campus, Citadel, and Good Omens are above it on the U.S. TV chart as of May 15, while it still stayed ahead of The House of the Spirits, Scarpetta, Fallout, The Summer I Turned Pretty, and House of David. The show is surrounded by fresh launches, major Prime originals, returning fan favorites, and long-running library draws, and it is still holding strong.
All four seasons of Invincible are available to stream on Prime Video, where it is currently trending. Stay tuned to Collider for more updates.
March 26, 2021
Amazon Prime Video
Invincible
The thriller genre is a landscape of extremes, producing some of cinema’s most embarrassing failures alongside its most devastating achievements. At its worst, a suspense movie is just a jump scare and a twist you saw coming; at its best, it’s two hours of a director methodically dismantling your reality. This list of must-watch thriller movies leans toward the latter.
We’ve curated a mix of stone-cold classics and underrated psychological thrillers that deserve more credit. Whether you’re looking for movies with the best plot twists or a slow-burning crime drama that lingers long after the credits, these are the top-rated thrillers worth your time.
Long before he’d give us a Dune trilogy worthy of Frank Herbert’s novels, Denis Villeneuve delivered this breakout, his first American feature that just happens to be two and a half hours of sustained, suffocating dread. This dark mystery movie follows the search for two young girls who go missing from a suburban Pennsylvania neighborhood on Thanksgiving. Their fathers, desperate to get them home safely, go down starkly different paths. Keller Dover (Hugh Jackman, absolutely feral in a way he rarely gets to be) takes matters into his own hands, while Franklin Birch (Terrence Howard) recedes into helplessness beside him. Detective Loki (Jake Gyllenhaal, filled with nervous tics and suppressed fury) works the case, fighting against procedure and parental obstruction to find the girls before the clock runs out.
Roger Deakins shot this film in a grey, waterlogged palette that makes Pennsylvania look like the end of the world and turns Prisoners into one of the best suspense thrillers of the 2010s. The two performances from Jackman and Gyllenhaal that serve as its center are some of their respective best work, with Jackman in particular refusing to let you look away as his character does monstrous things for understandable reasons. The mystery’s resolution is more subtle than you’d expect. Still awful, just in a way you won’t see coming.
Gillian Flynn wrote one of the nastiest novels about matrimony in recent memory, and David Fincher gave it the ice-cold on-screen treatment it deserved with this mid-aughts psychological thriller. When Amy Dunne (Rosamund Pike) goes missing on her fifth wedding anniversary, suspicion immediately turns to her husband Nick (Ben Affleck, doing his best “man who is spiritually one large Dunkin’ iced coffee away from a complete breakdown” work). The media circus that follows is a merciless dissection of the true crime phenomenon, staged with a keen eye by a director who’s clearly having a blast reflecting some of humanity’s worst impulses back at us.
Pike’s performance — calculating and darkly resentful — redefined the on-screen femme fatale, and her “Cool Girl” monologue remains one of the most iconic readings in modern cinema history. With a haunting score by Trent Reznor and Atticus Ross, the final act is a must-watch descent into a couple’s total implosion.
This probably isn’t the Edward Norton thriller you’d expect to be on a list like this, but hear us out, because his work as Aaron Stampler in Primal Fear nearly broke film audiences’ collective brain years before Fincher took a swing at him. The setup is conventional enough: a hotshot Chicago defense attorney named Martin Vail (Richard Gere) takes on the case of a shy, stuttering altar boy accused of brutally murdering an archbishop. Then Norton opens his mouth, and the movie stops pretending to be anything straightforward.
Norton earned an Academy Award nomination for his film debut (his literal debut, like first performance ever on screen). Gregory Hoblit directs with enough confidence to keep the courtroom thriller mechanics engaging without letting the procedural elements overshadow things. If you’re looking for movies with the best plot twists, this ’90s gem is mandatory viewing.
Sean Durkin’s debut feature is one of the most unsettling portraits of cult psychology ever put to screen, and most of that is thanks to Elizabeth Olsen, who is magnetic and terrifying in equal measure here. Her Martha has just escaped a rural cult led by the charismatic Patrick (John Hawkes, at maximum menace) and is attempting to rebuild a recognizable life with her sister and brother-in-law. The film refuses a linear timeline, cutting between Martha’s present and her past with the cult in a way that blurs both.
The horror here is all in the psyche, and it accumulates slowly. The way Patrick operates, stripping names and replacing them with invented ones, erasing selfhood incrementally, is so specific that it sometimes feels like you’re watching fact, not a work of fiction. The film’s ending will probably prove controversial, but then again, the best thrillers often do.
Bong Joon-ho’s Palme d’Or and Best Picture winner has been written about so extensively at this point that it’s easy to forget how flat-out shocking it was to sit in a theater in 2019 with zero context and watch it detonate. This social thriller follows the Kim family, subsisting in a flooding semi-basement, insinuating themselves one by one into the employ of the wealthy Parks through an escalating series of cons that are equal parts hilarious and deeply uncomfortable. Then the second act happens, and everything you thought the movie was doing turns out to be wrong.
The cast is phenomenal across the board, with Song Kang-ho’s patriarch Ki-taek and Choi Woo-shik’s son Ki-woo functioning as the story’s moral anchors in a film that systematically destroys any clean notion of moral clarity. Bong uses class as his weapon and wields it like a scalpel. Don’t let the subtitles scare you off. You’ll only be cheating yourself of one of the best thrillers of the century.
A mind-bending psychological thriller set in a crumbling asylum off the coast of Massachusetts is not the kind of dramatic fare Martin Scorsese and Leonardo DiCaprio usually teamed up for before Shutter Island came along to surprise both critics and diehard fans. DiCaprio plays U.S. Marshal Teddy Daniels, sent to Ashecliffe Hospital to investigate a patient’s disappearance, who quickly discovers that nothing on the island, not even his own memories, is what it appears to be.
It’s one of those thriller movies that rewards rewatches, with Scorsese planting so many clues in plain sight that your second viewing feels like a different movie entirely. Ben Kingsley does his best unsettling-authority-figure work, and Mark Ruffalo as Teddy’s partner is almost too likable to ever fully trust. Some critics initially dismissed the film as a pulpy genre exercise, but even if it was that at the time, it’s since aged…spectacularly. The ending, in particular, is an emotional gut punch that puts a period on the question of whether Scorsese can master any genre. Yes. Yes, he can.
Before Fincher was destroying the institution of marriage, he was doing the same to the human capacity for cruelty in this relentlessly grimy ’90s cult classic. The logline: Two detectives investigate a series of murders staged around the seven deadly sins in an unnamed city that exists in a perpetual state of rain and moral rot. William Somerset (Morgan Freeman) is world-weary, counting down his days to retirement; David Mills (Brad Pitt) is young and hotheaded, exactly the kind of person this case will break. The villain, John Doe (Kevin Spacey), doesn’t appear until deep in the third act, but his presence saturates every frame before that.
The ending of Se7en has been picked apart more than almost any other in the genre, and for good reason: it’s a stomach drop that strips any promise of justice or relief. If you don’t already know the meaning behind those Gwyneth Paltrow box memes, for the love of God, don’t Google it. Just experience one of the greatest serial killer movies ever made in its pure, intended form.
Darren Aronofsky’s psychological horror-thriller about the cost of perfectionism is wrapped in ballet tulle, but at its heart, it’s a horror movie that uses the female body as its primary site of terror. Nina Sayers (Natalie Portman, who won a fully deserved Oscar) is a technically immaculate but emotionally rigid dancer cast as the lead in Swan Lake, slowly fracturing under the pressure of embodying both the White Swan and the Black Swan’s opposing natures. Mila Kunis’s Lily, loose-limbed and effortlessly sensual, functions as both competition and dark mirror.
Aronofsky is deeply interested in what happens to a person when the thing they’ve sacrificed everything for starts eating them alive. He keeps the camera so close to Nina for so long that when things start going wrong, you’re too deep inside her perspective to trust your own eyes either. Portman’s performance in the film’s final sequence is the kind of thing you immediately try to dissect once the credits roll. Good luck with that.
The odd one out on this list, and arguably the most fun. Yorgos Lanthimos — yes, the Poor Things guy — directs this remake of a beloved 2003 Korean cult film, with a screenplay by Will Tracy, who spent years in the Succession writers’ room and clearly never recovered. Jesse Plemons plays Teddy, a beekeeper who works at a pharmaceutical company whose pesticides are, with exquisite irony, killing all the bees. After falling down an internet rabbit hole of the most spectacular kind, he becomes convinced the company’s CEO is an alien planning to destroy Earth. His solution is to kidnap her. His cousin Don (Aidan Delbis) comes along.
The CEO is Michelle Fuller, played by Emma Stone, who is now four films deep into her working relationship with Lanthimos and has clearly decided this is where she gets to do whatever she wants. Watching her maintain Michelle’s icy corporate composure while two increasingly unhinged men hold her hostage in a basement is the film’s primary pleasure. Plemons, for his part, makes Teddy’s wounded conspiratorial logic almost make sense, which is its own kind of unsettling. It’s more dark comedy than thriller, but the paranoia is genuine, and Tracy’s satirical take on corporate power has real teeth. Strange, funny, and sneakily sad in ways no other film on this list is, it’s a palate refresher as far as thrillers go.
By Dragon Tattoo, it’s almost perversely impressive how many thrillers Fincher managed to claim as his own. His Scandi-noir adaptation of Stieg Larsson’s best-selling Swedish crime novel is long and brutally cold, and it is also, undeniably, ideal for curling up under a blanket during a miserable winter. Journalist Mikael Blomkvist (Daniel Craig) is hired to investigate a decades-old disappearance within a deeply dysfunctional Swedish industrialist family, eventually joined by Lisbeth Salander (Rooney Mara), a state-ward hacker who catalogues everything with a blank, unforgiving stare.
Mara’s Lisbeth ranks among the best genre protagonists, a character who operates entirely outside the social norm and makes you root for her absolute refusal to apologize for it. The film’s most harrowing scene is hard to sit through and serves a specific narrative purpose; it is not gratuitous, even when it feels like it might be. Reznor and Ross deliver their best Fincher collaboration here, which makes it all the more baffling how thoroughly the film underperformed at the box office.
A revenge movie is always a risky one, because if you get the heart of the story wrong, you’re in danger of alienating the audience by making the protagonists unlikable. However, get it right, and you’ll hook the audience and have them hanging on every word. It’s a creative tightrope filmmakers walk, and this movie is one of the ones that got it right.
Four Brothers will stream for free next month on Kanopy, which will give viewers the chance to see one of the most intriguing crime thrillers of the mid-2000s. The film follows four adopted brothers who reunite after their mother is killed during what appears to be a convenience-store robbery. However, when they begin digging into what happened, they discover the murder might have been part of a greater conspiracy. We reckon we know where this one’s going. Predictability does not make a bad film, though; as long as the film delivers on its premise in a competent and engaging way. A movie like this is a perfect Saturday night watch.
The cast includes Mark Wahlberg (The Departed, Boogie Nights) as Bobby Mercer, Tyrese Gibson (Fast Five, Transformers) as Angel Mercer, André Benjamin (Idlewild, Be Cool) as Jeremiah Mercer, Garrett Hedlund (Tron: Legacy, Mudbound) as Jack Mercer, Terrence Howard (Hustle & Flow, Iron Man) as Lt. Green, Josh Charles (The Good Wife, Dead Poets Society) as Detective Fowler, Sofía Vergara (Modern Family, Chef) as Sofi, Chiwetel Ejiofor (12 Years a Slave, The Martian) as Victor Sweet, and Fionnula Flanagan (The Others, Lost) as Evelyn Mercer.
Financially, the movie was a fairly big success. At the box office, the movie — which reportedly cost around $30 million to make — went on to gross around $92.5 million worldwide, so about three times its production budget. And in addition to that, it also opened at No. 1 domestically with around $21.2 million in its first weekend. Critically, though, it wasn’t held in quite the highest regard. It would be fair to describe the response as “mixed” and the Rotten Tomatoes score reflects this, as Four Brothers holds a 53% critics’ score, while audiences were much warmer, giving it an 80% audience score.
Four Brothers will stream for free on Kanopy in June.
August 11, 2005
109 minutes
John Singleton
David Elliot, Paul Lovett
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