Entertainment
10 Heaviest Drama Movies of All Time
There’s going to be at least a little heaviness in just about every drama movie out there, because it’s in the name, really. Dramas deal with difficult things, or personal struggles, and sometimes broader ideas, or, like, groups of people working through something immense. As boring as it might be to be the 500,000,00th person to bring it up, The Shawshank Redemption really is a quintessential drama, and one where there’s a balance of intense moments of hardship and quite a bit by way of moments that are inspiring and hopeful.
With the following films, though, there’s a focus on hardship and sadness. These are the heaviest drama movies of all time, and they’re either devoid of hope, or what little traces by way of silver linings that they might have are incredibly dim. There will also be a focus on dramas over anything else, so even if something notoriously heavy like Come and See might be labeled a drama, it’s primarily – and usually – described as a war movie, or at least a war-drama, so it doesn’t qualify for this particular ranking.
10
‘An Elephant Sitting Still’ (2018)
Even if you think you’ve seen it all, movie-wise, there are still almost guaranteed to be parts of An Elephant Sitting Still that’ll rattle you. Part of that has to do with the film being remarkably long, as in almost four hours, so there’s a lot here that is dark when, like, the whole film is about several people trying to get by while living lives defined by various personal struggles.
It is grounded in that way, and the kind of movie where it’s easy to forget you’re watching one. It’s a cliché to call a movie hypnotic, but An Elephant Sitting Still really is, since there’s a unique rhythm here and all the long takes prove immersive, too. The legacy of the film, and the story behind its production and release (if you want to read up on that… it is really bleak, though, as a warning), does also inevitably add to the heaviness of An Elephant Sitting Still, and its ultimate/undeniable haunting quality.
9
‘Scenes from a Marriage’ (1974)
While not as long as An Elephant Sitting Still, the theatrical version of Scenes from a Marriage is still pretty much epic-length, though the scope of the movie (and its premise) definitely aren’t in line with what you’d expect to see in an epic. Basically, it is a bunch of scenes, many of them long and most of them involving some kind of argument between a married couple who are going through a divorce.
When Marriage Story came out, it was pretty easy to compare it to Scenes from a Marriage, though that’s also got a little more by way of hope. And the same can probably be said for Kramer vs. Kramer. Scenes from a Marriage is more intense, and very subversive/bitter if you want to consider it a romance film of sorts. It is primarily a drama, though, and one all about falling out of love rather than falling in love, so it feels like it qualifies for present purposes.
8
‘Bicycle Thieves’ (1948)
Unlike some of the other dramas here, there isn’t any graphic or shocking content in Bicycle Thieves, and it ultimately finds other ways to be incredibly downbeat. It’s about a man trying to provide for his family in Italy, during the post-war years, and eventually finding a job that requires a bicycle, only for everything to be placed in jeopardy once that, you know, bicycle thief strikes.
Much of it’s about this man and his son going around, trying to find the stolen bicycle, and how the desperation inherent to an already desperate situation intensifies. Bicycle Thieves is simultaneously sad and very simple, and one of those films that shows how you can make something cinematically compelling out of pretty much anything. It’s also hard to imagine many people watching this and somehow not feeling at least the slightest bit moved by what they see.
7
‘Sátántangó’ (1994)
One of the biggest endurance tests in cinema history, Sátántangó (based on an also harrowing novel) goes for about 430 minutes, and it feels some level of soul-crushing, dull, and emotionally empty for almost every single one of those minutes. It’s like a slice-of-life movie where life just sucks, and there’s nothing for anyone, and nothing matters. People live in a tiny village, and living in a tiny village sucks. One guy comes through the town and inspires hope, but he also sucks, since he has his own nefarious scheme he’s trying to execute.
It’s like a slice-of-life movie where life just sucks, and there’s nothing for anyone, and nothing matters.
It’s non-stop misery, and then the pacing feels the opposite of non-stop, since Sátántangó is one of the slowest films ever made. It’s glacially paced by design, sure, but still. There also isn’t really any other genre you can argue this one fits into. It’s a straightforward drama, never threatening to be funny like a comedy, or exciting like a thriller, or (traditionally) scary like a horror movie. This is enough, though, for some to consider it one of the best films of its decade… somehow.
6
‘The Conformist’ (1970)
Compared to Sátántangó, The Conformist almost feels like an action movie, or at least a thriller, but it is still pretty methodical and patiently paced in the overall scheme of things, not to mention more of a political drama than anything else. Well, maybe a psychological drama, too. It’s about a man who attempts to carry out the assassination of someone he used to look up to, mostly due to him becoming politically and morally compromised.
It’s a film about fascism, evil, and human nature. It is also incredibly beautiful, at least to look at, so The Conformist can be considered an arthouse film quite comfortably, if that counts as a genre. Still, if that’s not a genre, then it’s a drama, and an oddly hard-hitting one, albeit in ways that aren’t too easy to describe. It gets under your skin and stays there, itching/bothering you a lot, rather than punching you in your gut the way a bunch of the other movies being mentioned here opt to do. And speaking of movies that go right for the gut…
5
‘Requiem for a Dream’ (2000)
This is probably the most nightmarish a non-horror movie can feel. Requiem for a Dream is… well, the hint at the nightmarish is there in the title. It’s the death of a dream, and the dream’s replaced by a nightmare. It’s hard not to feel this way during and after the film, as Requiem for a Dream might well be one of the least subtle movies in cinema history.
It’s blunt with a purpose, though, in trying to showcase the worst-case scenario for a few people who all get addicted to some kind of substance and have it tear their respective lives apart in a variety of ways. The misery here is pretty consistent, and also works well to feel more intense on a pretty much scene-by-scene basis, all crescendoing to inevitable tragedy (and it’s not the fact that it is a tragedy which is the surprising part… more so just how in-your-face that tragedy is and, ultimately, how tragic things get).
4
‘4 Months, 3 Weeks and 2 Days’ (2007)
4 Months, 3 Weeks and 2 Days is entirely uncompromising, but has to be, to get across the message it wants to. It’s a Romanian film about a young pregnant woman who works with her friend to find a way to get a black-market abortion at a time in Romania’s history when doing so was illegal, and then the various risks (health-related and also what might happen if they’re caught) are unpacked in grueling detail.
Everything here is presented in a way that feels uncomfortably grounded, so if anything, you might well wish 4 Months, 3 Weeks and 2 Days was less immersive than it is. Though, again, that does give the film its power, and sure, it’s about a divisive issue, so you might not agree with what it’s trying to say – and where it does fall on the abortion debate – but it’s hard not to acknowledge or even admire just how impactfully this argument/message is presented.
3
‘Mysterious Skin’ (2004)
If there’s anything by way of a silver lining or some kind of inspiring thing to be found in Mysterious Skin, you do have to look very hard, but it says something about finding strength in bonds with others. That’s something, and it stands out when everything else here is so crushing. It is, ultimately, about two young men who find they share some kind of upsetting past, and that sense of having someone to relate to… again, it’s something.
It’s the way the film unpacks that past, though, and what Mysterious Skin deals with thematically that makes it so challenging to watch. What it shows isn’t necessarily overly graphic, but the subject matter is a lot to grapple with. Mysterious Skin is incredible, though, and right up there among the very best films being mentioned here. It’s just also one that you could understand most people not really wanting to watch, simply because of what it deals with (yes, that stuff was skirted around here, but go read up on the movie if you want to know; find some commentary that isn’t required to be essentially PG-rated and stuff).
2
‘Harakiri’ (1962)
Since there’s a focus on samurai culture/morality and, eventually, a little by way of bloody action, you could almost say Harakiri is a martial arts movie… just one that really doesn’t emphasize action at all. It’s much more of a drama, and there are only a few minutes of fighting in a movie that runs for more than two hours, and proves gut-wrenching in some very visceral ways for much of that runtime.
Harakiri is about a man who wants to take his own life in the titular ritual, but he also wants to explain why he’s been driven to that point to a samurai clan, all before taking part in this ritual before them. Much of it’s told in a series of flashbacks that start grim, and then keep getting all the more upsetting. Compared to other films about samurai (even those that don’t spend too much time on action/fight sequences and choose instead to focus on drama and/or tragedy), this is particularly heavy-going stuff.
Harakiri
- Release Date
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September 15, 1962
- Runtime
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133 Minutes
- Director
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Masaki Kobayashi
- Writers
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Shinobu Hashimoto
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Tatsuya Nakadai
Hanshiro Tsugumo
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Akira Ishihama
Motome Chijiiwa
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Shima Iwashita
Miho Tsugumo
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Tetsurô Tanba
Hikokuro Omodaka
1
‘The Seventh Continent’ (1989)
Some people might push back against the idea that The Seventh Continent is the most heavy-going Michael Haneke movie, but that could be because it’s not quite as well-known as the likes of The Piano Teacher and Amour. Those are also emotionally intense, of course, but The Seventh Continent has even more by way of dread, building it up for a very long time before, uh, something happens.
That’s the other hard part. If you say what makes this film as devastating as it is, you kind of ruin the whole thing. If you’re in any way familiar with Haneke, you’ll expect something emotionally and psychologically harrowing, yet this really goes the extra mile, when it gets to the point where it’s ready to. The Seventh Continent should be watched the one time, and then probably never again. Good luck finding anyone who’s either seen it twice, or has already seen it and one day wants to watch it for a second time.
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Netflix has evolved from one of the foremost places to stream studio content to a producer of its own excellent original works. Whether it’s dominating the animated landscape with mega-hits like KPop Demon Hunters or taking over the sci-fi genre with shows like Stranger Things, Netflix is a force to be reckoned with in the battle for new and iconic IPs. One area where the channel is slowly making progress is in the action movie genre.
Gripping plotlines, impressive stunts, and nonstop thrills are all par for the course when it comes to action films. Like children’s and family movies, action films are deceptively difficult to execute well. It is not merely a matter of throwing in an explosion here or adding a few more stunts there. A great action movie needs to feel like an odyssey, a rewarding saga that audiences are allowed to participate in. While Netflix makes strides in almost every genre, its foray into action is steadily rising in both quantity and quality. Here are Netflix’s best original action movies so far.
‘Carry-On’ (2024)
Whether or not Carry-On can be called a Christmas movie is up for debate in the same vein as the ongoing Die Hard debate. Taron Egerton stars as Ethan Kopek, a TSA agent working on one of the busiest travel days of the year, Christmas Eve. As if his workday wasn’t stressed enough, Ethan soon has an unknown hijacker talking to him through an earpiece, threatening his coworkers and loved ones if he does not let a suspicious package go through the safety check and onto a plane.
Carry-On is full of suspense. Its realistic and close-to-home setting ramps up the stakes and makes it instantly gripping. Egerton is phenomenal in the movie and carries the focus well. Jason Bateman is brilliant as the cold, calculating, and methodical Traveler. Carry-On makes a good watch any time of the year, but especially for action fans who want a little mayhem in their holiday movies.
‘Gunpowder Milkshake’ (2021)
If you were to combine the maternal feelings and chaotic felicity of Everything Everywhere All at Once with the fast-paced fight scenes of John Wick, you would get Gunpowder Milkshake. Karen Gillan stars as Sam, an assassin who is used to kicking ass and taking names, who gets saddled with an eight-year-old girl named Emily (Chloe Coleman) who was in the wrong place at the wrong time. Gunpowder Milkshake is packed with talent, including Everything Everywhere All at Once‘s Michelle Yeoh. Lena Headey, Carla Gugino, Angela Bassett, and Paul Giamatti are also part of the extremely gifted cast.
Gunpowder Milkshake is refreshingly original and one of the best female-led action movies of the 21st century. There are gorgeous slow-motion sequences that make the visceral visually stunning. Released during the height of the COVID pandemic, Gunpowder Milkshake didn’t receive the attention it deserved. The blend of distinctly feminine elements and gritty action tropes is brilliant, and if you haven’t checked out this absolute triumph yet, this is your sign.
‘Damsel’ (2024)
From facing monsters in titles like Stranger Things and Godzilla: King of the Monsters to solving mysteries in the popular Enola Holmes trilogy, there is nothing Millie Bobby Brown can’t do. One of her most epic action movies yet is the 2024 dark fantasy Damsel. In Damsel, Brown stars as Elodie, a young woman who thinks her dreams are about to come true when she is wedded to the young and eligible Prince Henry (Nick Robinson). However, there are darker circumstances and deeper motives at play, and immediately after saying her vows, Elodie is tossed into a deep cavern where a dangerous dragon lives.
Damsel is a fantastic flip on the fairytale genre. It takes back the ground used as an all-too-often trope of sacrificing the lives of innocent young women as a means to an end. Brown proves in Damsel why she is one of the foremost action stars of the day, and the performances given by Robin Wright, Angela Bassett, and the rest of the cast are equally dedicated and captivating. Shohreh Aghdashloo is irreplaceable as the voice of the dragon. The writing in Damsel lifts the character of the dragon off the page and, much like the damsel herself, she isn’t relegated to merely being a plot device, but is in fact an important part of the story.
‘Day Shift’ (2022)
In a world where vampire hunting is a money-making enterprise, Bud Jablonski (Jamie Foxx) goes on an all-out killing spree trying to make money fast so his ex-wife doesn’t relocate with his daughter. Day Shift is a gory, nonstop horror-meets-action banger. As the movie makes note, this is nowhere near Twilight. In Day Shift, vampires are soulless, blood-sucking villains, and the hunters like Bud are there to “cut necks and cash checks.”
Foxx is, as always, brilliant, and his odd couple dynamic with Dave Franco as Seth makes for a highly entertaining movie. Day Shift is a perfect choice for dark fantasy-action fans and puts viewers in the mind of films like Blade and Daybreakers. The comedic elements lift the overall tone of the film and keep it from being a straight horror. There have been whispers about a possible Day Shift sequel in the future, and Franco has said he would be up for it and would love to work with Foxx again.
‘Ultraman: Rising’ (2024)
Ultraman: Rising is an awesome Netflix original action movie that the whole family can enjoy. It is one of the best animated movies of the past five years and packs a whole lot of punch and heart. The story revolves around protagonist Ken Sato (Christopher Sean), a famous baseball player who returns to Japan after having a successful life and career overseas. Ken’s return to Japan carries the emotional weight of taking over the Ultraman mantle from his father, a source of deep contention between them, and his relocation is made even more complicated when he takes in a baby Kaiju that has lost its mother.
Ultraman: Rising is the latest in a solid canon that has included everything from anime to TV shows. It feels like a capsule story within the Ultraman franchise, and you don’t have to be familiar with any of the other projects to enjoy this spectacular standalone film. Ultraman: Rising has action scenes with superhero themes and a touching undercurrent about family and parenting. The baby Kaiju is absolutely adorable, and watching Ken bond with her makes the movie highly rewarding. If you want a fun action-packed movie with a good story that everyone can watch together, Ultraman: Rising is your next watch.
‘Space Sweepers’ (2021)
Set in the future, Space Sweepers follows a misfit crew of scavengers who stumble upon a highly advanced android child. Those onboard The Victory face a crisis of conscience and have to decide whether to turn the robot Dorothy (Park Ye-rin) in for money, or keep her safe. The cast is spot-on, and Space Sweepers delivers one of the more interesting and introspective performances about an android with the identity journey of Bubs (Yoo Hae-jin and Kim Hyang-gi).
Netflix is known for its excellent selection of South Korean TV shows and movies, and Space Sweepers is no exception. It has the ensemble movie format down to an art. Each character is interesting on their own, and the group as a whole is dynamic to watch. Netflix offers an English dub of the movie and subtitles. Space Sweepers is an interesting and enthusiastic fan-favorite that could be poised to reach cult status as time goes on.
‘Enola Holmes 2’ (2022)
Taking after her older brother, the famed detective Sherlock Holmes (Henry Cavill), Enola Holmes (Millie Bobby Brown) has a keen mind for solving mysteries. Instructed by her mother, Eudoria (Helena Bonham Carter), to be cunning and independent, Enola is a leading lady like none other in the Victorian era. Headstrong, fiercely loyal, and abounding with tenacity, Enola tackles cases that get dismissed by other detectives.
The second movie in the trilogy, Enola Holmes 2, is the best of the canon. The romance, action, and intrigue are all dialed up to 11, and the introduction of Moriarty (Sharon Duncan-Brewster) as a villain is excellent. Enola Holmes 2 offers some interesting insights into social and gender issues of the era and is a great watch for fans of period murder mysteries.
‘The Gray Man’ (2022)
Directed by The Russo Brothers, The Gray Man stars Ryan Gosling and Chris Evans as combatants. In the movie, Gosling plays Six, a CIA agent with virtually no identity. Evans plays Lloyd, a psychotic hitman who puts a bounty on Six’s head, ensuring that everyone, not only himself, will be trying to end him. It becomes an all-out brawl as multiple agents and assassins get involved, and The Gray Man is full of excitement.
The Gray Man is a divisive movie. It has an abysmal critics’ score on Rotten Tomatoes, but an audience approval rating of 90%. It seems as though viewers either love or hate this original action movie. While The Gray Man is no Avengers, it has exhilarating action scenes, solid fight sequences, and watching Evans play a villain in an action movie after his long stint as Captain America in the MCU is refreshing. Although there were talks about a possible sequel to The Gray Man, the project has been put on hold for the time being.
‘Vampires vs. the Bronx’ (2020)
Bringing some fresh blood (pun intended) to the vampire genre is the dark comedy Vampires vs. the Bronx. In the movie, three young friends notice a strange influx of people to their neighborhood who act out of the ordinary, right as a bunch of locals go missing. When Miguel (Jaden Michael), Bobby (Gerald Jones), and Luis (Gregory Diaz IV) investigate, they find out that the newcomers are actually vampires.
Vampires vs. the Bronx is a funny and bloody action movie. It has a distinct energy and grit to the mise en scène and the storyline emphasizes the importance of a local community. All of the cast are brilliant, and fans of shows like Stranger Things and Buffy the Vampire Slayer need to add this Netflix original to their watchlist.
Vampires vs. the Bronx has a direct contradiction of Rotten Tomatoes scores compared to The Gray Man. It ranks incredibly high with critics, but very low with audience votes. This makes it another movie you have to see for yourself to decide. Movies like Vampires vs. the Bronx and The Gray Man prove that action fans are a highly discerning crowd, and they can’t be swayed by critics’ votes, one way or the other.
Vampires Vs the Bronx
- Release Date
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October 2, 2020
- Runtime
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85 minutes
- Director
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Osmany Rodriguez
- Writers
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Blaise Hemingway, Osmany Rodriguez
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EW checks in with some of the network’s most memorable faces — from Nina Blackwood to Vanessa Lachey — to see where they landed after signing off from MTV.
Hilaria Baldwin opened up about being misunderstood by the public ever since she got married to husband Alec Baldwin.
“I’ve been trying to clear up misconceptions — it is like I’m the best cleaner in the world — since I met my husband and I entered the public world,” Hilaria, 42, exclusively told Us while promoting Fox’s new show Nation’s Dumbest.
The experience taught Hilaria an important lesson.
“This is what you do. Stop proving things. Just be who you are. The right people are going to see you. And the people who are not going to see you, they didn’t want to anyway,” she noted. “There’s nothing you can do to change that because that’s on them.”
Hilaria continued: “What they’re seeing is actually their own reflection. So at this point, it is what it is. I am who I am. I’m going to forget things. I’m going to know things. I’m not going to know other things. And maybe we’re all surprised — including me — about some of the things that I can somehow pull out of my mind.”
Alec, 68, and Hilaria tied the knot in 2012. They have since welcomed seven children: Carmen Gabriela, 12, Rafael Thomas, 11, Leonardo Ángel Charles, 9, Romeo Alejandro David, 8, Eduardo “Edu” Pao Lucas, 5, María Lucía Victoria, 5, and Ilaria Catalina Irena, 3.
After being thrust into the public eye, Hilaria has gotten to show her authentic self in projects such as Dancing With the Stars, The Baldwins and now Nation’s Dumbest.
“I have moments where I’ll have conversations with myself and I’m like, ‘Hilaria, what’s wrong with you? Why do you put yourself in these situations?’ And I think it is curiosity and that I do believe that people are inherently good,” she said about remaining in the spotlight despite online negativity. “And I do believe that even though the negative can feel loud, there’s so much more good.”
Who says true love doesn’t exist on reality TV? While it seems to be a trend that many marriages on reality TV end in divorce, there are still some reality TV couples out there beating the odds. Big Brother‘s Nicole Franzel and Victor Arroyo met while filming season 18 of Big Brother in 2016. The timing […]
Hilaria has prioritized working on herself, adding, “I want to be a better person every day. And when I put myself in these experiences, I grow and I learn and I think I make myself a better person. Can I be dramatic sometimes? 100 percent. Will I do it again? Yes, I will be dramatic again. But at the same time, I am somebody where I wear my heart on my sleeve. You only live once, you might as well make it count.”
While speaking with Us, Hilaria admitted that she has still faced challenges — including with Nation’s Dumbest.
“I was a student that had to work really hard [when I was in school]. So I have ADHD and dyslexia and I was very ashamed of this at different times,” she recalled. “I wasn’t the most social person and I would just have to work much harder than the average person. Doing a show like this was a little scary for me, to be honest, because I think that I’ve grown so much. But I definitely had my moments where I’m like, ‘Oh no, all the trauma’s coming back.’”
Nation’s Dumbest airs on Fox Wednesdays at 9 p.m. ET.
Bailey Zimmerman is addressing fans’ concerns after abruptly canceling his upcoming United Kingdom and European tour dates because of an unspecified family matter. The country music star previously announced that he would step away from touring following his scheduled North American concerts in August, giving him time to focus on himself, his loved ones and new music. The unexpected cancellations came shortly after Zimmerman’s legal ordeal involving an incident at Sandia Resort & Casino reached a resolution. Zimmerman has now shared an update about his family while responding to the supportive messages he received after making the difficult announcement.
The country singer took to Instagram Stories with a reassuring update, confirming that his family is safe while thanking supporters for their concern. “To put everybody at ease… my family is all good! Like I said just gotta take care of some things [red heart emoji],” Zimmerman wrote over a selfie. “Thank y’all for all the messages and the love! It means so much [red heart emoji].”
Zimmerman’s follow-up appears intended to address questions sparked by his original announcement, which did not explain the nature of the family matter. While the musician made it clear that everything is okay, he did not elaborate on what currently requires his attention.
The update comes after The Blast reported that Zimmerman was putting part of his touring schedule on hold to prioritize his family.
Country Star Will Still Perform In North America
In his initial announcement, the country star acknowledged that fans had been waiting for the overseas concerts and admitted that canceling them had been a difficult decision. “This was not an easy decision and it kills me to have to cancel because I know how excited everyone is… but right now I need to take this time to focus on important family matters,” he wrote. “Everything is okay, it’s just my family needs my attention and that’s what I’ve gotta do,” he wrote.
Although Zimmerman has canceled his UK and European dates, his currently scheduled North American performances in August are still expected to proceed. After completing those shows, the singer plans to step away from the road for additional time while focusing on himself, his family and new music.
He closed the original message by acknowledging the fans who have supported him through changes in both his personal and professional life. “Thank you for having my back on this crazy ride we call life,” Zimmerman wrote, adding a red heart emoji.
Tour Pause Follows Zimmerman’s Recent Legal Ordeal
Zimmerman’s decision to scale back his touring schedule follows the recent resolution of a separate legal matter involving Sandia Resort & Casino in New Mexico.
The country singer was charged with felony criminal damage to property exceeding $1,000 and misdemeanor falsely obtaining services. The Bernalillo County District Attorney’s Office later dismissed both counts after he paid the resort the full amount of restitution.
Court documents claim the May incident unfolded before Zimmerman’s scheduled concert, beginning with an allegedly chaotic soundcheck. According to investigators, the singer appeared intoxicated, damaged a guitar, tossed a microphone, kicked cymbals, pushed a member of his band and spat toward a resort security officer.
The performance was subsequently called off, and Zimmerman’s party was reportedly instructed to leave the property. Staff later found damage inside his hotel room that was estimated at roughly $16,000, including broken furniture, damaged electronics, holes in the walls and stained carpeting. Investigators further accused Zimmerman of leaving behind more than $400 in unpaid alcohol expenses.
Zimmerman has said his newly announced break is related to family matters and has given no indication that the decision has any connection to the now-dismissed criminal case.
Bailey Zimmerman Previously Accepted Responsibility
After details of the New Mexico incident became public, Zimmerman apologized to the Pueblo of Sandia, the resort and the fans who had expected to see him perform. “I want to address the events surrounding my canceled show in New Mexico in May and the reports that have followed,” he said.
“First things first, I want to apologize to the Pueblo of Sandia and to everyone at Sandia Resort & Casino,” the country music star added. “I never meant for any of this to come across as disrespectful. I am deeply sorry for my actions that transpired.”
Zimmerman also emphasized that he accepted responsibility for what happened. “I respect your community and the hospitality, and appreciate the opportunity that was given to me to perform on Native Land. I take full accountability for everything that happened, and I am sorry to anyone who feels hurt or disrespected,” he said.
Bailey Zimmerman Prioritizes Loved Ones After Apologizing To Fans
He separately apologized to ticket holders, telling them, “To my fans who bought tickets and showed up expecting a performance, I am so sorry, you deserved better from me.”
For now, Zimmerman is keeping the details of his family situation private, but his latest update makes one point clear: his loved ones are okay, and he is taking the time needed to care for them.
Ariana Grande’s new “Petal” music video has ignited a heated conversation about the singer’s appearance, with Meghan McCain joining social media users expressing concern about her health. The video arrived alongside Grande’s eighth studio album, “Petal,” on July 31. While fans have praised the project’s music and visuals, others have focused on the 33-year-old singer’s slender frame.
Grande has not indicated that she is experiencing a health issue, and a person’s medical condition cannot be determined from their appearance. The pop star has also repeatedly asked the public to stop speculating about people’s bodies.
McCain weighed in on the discussion through X, where she compared the reaction surrounding Grande to the public scrutiny Amy Winehouse faced before her death in 2011.
“This reminds me of the Amy Winehouse era when it was blatantly obvious something was very wrong, but everyone around her just ignored and enabled it. This is very, VERY sad and she clearly needs help immediately,” McCain wrote.
Grande has not publicly responded to McCain’s post.
Ariana Grande’s Appearance Draws Alarming Reactions
McCain’s remarks added to a conversation already unfolding beneath clips and photographs from the “Petal” video. However, her claim that Grande needs help is based solely on the singer’s appearance and has not been supported by any disclosed medical information.
Several X users made similarly extreme observations about Grande’s body, with some comparing her to late singer Karen Carpenter, who died in 1983 at age 32 following complications connected to anorexia nervosa. One user shared a photograph reportedly taken shortly before her death and wrote, “This is singer Karen Carpenter, a month before she DIED of anorexia at only 32 years old,” they wrote alongside a photo of Carpenter and Grande.
They added, “Ariana looks even thinner. She needs help ASAP. Her team and friends need to organize and act, even if it means postponing tour dates or going on a hiatus.”
There is no publicly disclosed evidence supporting such a conclusion about Grande’s health.
Ariana Grande Previously Addressed Comments About Her Body
This is not the first time Grande’s weight has become the subject of widespread online discussion. During a 2024 interview, the singer became emotional after she was asked how she handles the “overwhelming” pressure women face to maintain a supposedly perfect appearance. “I think that it’s something that is uncomfortable no matter what scale you’re experiencing it on,” Grande said in part at the time.
She described unsolicited remarks about another person’s weight as “uncomfortable” and “horrible,” explaining that such comments can be damaging regardless of whether they are presented as criticism, concern or praise. “Even if you go to Thanksgiving dinner, and someone’s granny says, ‘Oh my God, you look skinnier! What happened?’ or ‘You look heavier! What happened?’” Grande said.
Singer Warned That Appearance Speculation Is ‘Dangerous’
Grande also argued that commenting on people’s bodies has become far too normalized, particularly on social media. “I think in today’s society, there is a comfortability that we shouldn’t have at all, commenting on others’ looks, appearance, what they think is going on behind the scenes or health or how they present themselves,” she said.
“From what you’re wearing to your body to your face to your everything, there’s a comfortability that people have commenting on that that I think is really dangerous,” Grande shared.
Grande resurfaced the interview in November after body scrutiny surrounding her continued online. “Resharing this from last year, as a loving reminder to all,” she wrote over the clip on Instagram Stories.
In the footage, she acknowledged that “it’s hard to protect yourself from that noise.“
‘Petal’ Video Puts Ariana Grande Back In Control
The discussion surrounding Grande’s appearance risks overshadowing the message of her new video. The audition-themed “Petal” visual reportedly features the singer wielding a garden chainsaw against entertainment executives.
According to Billboard, the imagery serves as a metaphor for Grande reclaiming her narrative and pushing back against those attempting to control her career. That defiant tone reportedly continues throughout the album, which Rolling Stone praised for channeling raw anger into Grande’s latest musical era.
The project has also experienced an immediate commercial response. Songs including “hate that i made you love me” and “stay” entered the top five on Apple Music’s global chart following the album’s release.
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“With great power comes great responsibility.”
Spoiler Alert: This list contains spoilers for House of the Dragon Season 3, Episode 6.The fight for the Iron Throne continues in House of the Dragon Season 3. Set about 200 years before Game of Thrones—specifically 172 years before the birth of Daenerys Targaryen (Emilia Clarke)—the series chronicles the events that led to the decline of House Targaryen, culminating in the infamous war of succession known as the Dance of the Dragons. What begins as a dispute over the line of succession eventually spirals into one of the bloodiest conflicts in Westerosi history.
Over the course of the series, House of the Dragon begins as an internal conflict over who should inherit the Iron Throne after the death of King Viserys I Targaryen (Paddy Considine). Although Viserys names Rhaenyra Targaryen (Milly Alcock and Emma D’Arcy) his heir, her claim is challenged after he marries her closest confidante, Alicent Hightower (Emily Carey and Olivia Cooke), and fathers sons of his own. As each side continues to take the lives of the other’s family members, this family feud erupts into a realm-shattering civil war — pinnacling in the greatest battles of House of the Dragon, ranked.
7
Shipbreaker Bay
Season 1, Episode 10 “The Black Queen”
Shipbreaker Bay proves that bloodshed and family grudges are generational—especially when young royals are involved. Sent as Rhaenyra’s envoy, Prince Lucerys Velaryon (Elliot Grihault) arrives at Storm’s End to secure Lord Borros Baratheon’s (Roger Evans) allegiance, only to find Prince Aemond Targaryen (Ewan Mitchell) already there. Still consumed by the childhood incident that cost him his left eye, Aemond pursues Lucerys through a violent storm atop the colossal Vhagar, while Lucerys flees on his much smaller dragon, Arrax.
The chase is hopelessly one-sided, but Lucerys uses the storm and narrow cliffs to evade the massive Vhagar. Everything unravels when the terrified Arrax disobeys Lucerys and breathes fire at the ancient dragon. Enraged, Vhagar ignores Aemond’s commands and tears Arrax apart with Lucerys still aboard. Horrified by what he has unleashed, Aemond realizes he never intended to kill his nephew. Lucerys’ death becomes the spark that ignites the Targaryen civil war and the infamous vow of vengeance: “An eye for an eye, a son for a son.”
6
Cargyll vs. Cargyll
Season 2, Episode 2 “Rhaenyra the Cruel”
Cargyll vs. Cargyll is one of the most tragic duels in House of the Dragon because it never should have happened. Twin brothers Ser Erryk Cargyll (Elliott Tittensor) serves Queen Rhaenyra, while Ser Arryk Cargyll (Luke Tittensor) remains loyal to King Aegon II (Tom Glynn-Carney). In retaliation for Prince Jaehaerys’ murder, orchestrated by Daemon (Matt Smith), Ser Criston Cole (Fabien Frankel) orders Arryk on a near-suicidal mission: infiltrate Dragonstone by impersonating his twin, enter Rhaenyra’s chambers, and assassinate her. Arryk initially refuses, but Criston exploits his sense of duty and shames him into accepting.
By the time Arryk reaches Rhaenyra’s chambers, Erryk arrives to stop him, forcing the brothers into a brutal sword fight. Erryk ultimately kills Arryk, but the grief proves too much. Devastated by the fact that he has slain his own brother, he takes his own life not a second later. The mission ends with no victors, only two needless deaths that accomplish nothing beyond further fueling the war. It also just goes to show Criston’s recklessness, poor strategic vision, and his tendency to act based on past grudges.
5
Fall of King’s Landing
Season 3, Episode 2 “Queen’s Landing”
Although there is not much bloodshed, the Fall of King’s Landing in House of the Dragon proves that strategy can triumph over brute force. When Aemond and Ser Criston Cole leave King’s Landing for Harrenhal with Vhagar, the capital is left heavily unprotected. Meanwhile, Alicent stays behind, already determined to surrender the city to Rhaenyra, even ordering the guards to put down their weapons before Rhaenyra and Daemon arrive on their dragons.
The only major confrontation occurs when Rhaenyra and Daemon encounter Green loyalists, whom Daemon swiftly kills. Even when more troops arrive to challenge them, they are surprised when Daemon’s former City Watch, now known as the Gold Cloaks, turns up to support Rhaenyra’s claim. As for Aemond, although he successfully burns Harrenhal, his victory is short-lived when one of Ser Simon’s sons strikes him through a gap in his armor, leaving him bleeding heavily and injured.
4
Butcher’s Ball
Season 3, Episode 6 “Faceless Men”
The Butcher’s Ball uses such a deceptively simple trap that it’s baffling Criston and the remnants of the Green army fall for it. Stranded in the Riverlands, Criston and his men stumble upon a camp where everyone appears to be dead. As they investigate, the corpses suddenly spring back to life, revealing they had been playing dead as part of a carefully planned ambush. Just when the Greens think they have regained control, they find themselves surrounded by forces led by the young Ser Oscar Tully (Archie Barnes) and Ser Garibald Grey (Mark Oldridge).
Realizing death is only moments away, Criston still tries to argue that continuing the battle will only claim more lives. Garibald refuses, reminding him that House Tully has already vowed to build a sept from traitors’ bones. Roddy the Ruin (Tommy Flanagan) declares he would rather die with a sword in hand than surrender. Criston offers single combat, but his request is denied. Instead, Alysanne Blackwood (Annie Shapero) kills him with three arrows, triggering the massacre that follows immediately.
3
The Battle of Rook’s Rest
Season 2, Episode 4 “The Red Queen and the Gold”
The Battle of Rook’s Rest is Season 2’s biggest heartbreak of a battle. With Criston Cole leading 1,400–1,500 troops to surround Rook’s Rest and intimidate Lord Staunton (Michael Elwyn), Rhaenys Targaryen (Eve Best) takes Meleys into battle to defend one of the Blacks’ strongest allies. Even when Aegon joins the fight on Sunfyre, he struggles against Meleys, with Rhaenys steadily gaining the upper hand against the inexperienced king and his younger dragon.
The course of the battle changes instantly when Aemond arrives on Vhagar, blindsiding everyone by unleashing dragonfire on Meleys and Rhaenys—but also on Aegon and Sunfyre, severely burning the king and crashing to the ground. From there, the fight becomes hopelessly one-sided, as Vhagar’s sheer size gives him a decisive advantage over Meleys after a long, hard-fought, yet clearly mismatched battle. Rhaenys, the Queen Who Never Was, dies alongside her dragon, while Aegon’s catastrophic injuries leave him unfit to continue ruling, allowing Aemond to assume power as Prince Regent instead.
2
War for the Stepstones
Season 1, Episode 3 “Second of His Name”
The War for the Stepstones was a conflict over control of the Stepstones, waged by Prince Daemon and Corlys Velaryon (Steve Toussaint) against the Triarchy, a confederation of the Free Cities led by the vicious Craghas Drahar (Daniel Scott-Smith). Lasting nine years, the war dragged on largely because of King Viserys’ complacency. Fearful of “ruining the peace,” he refused to intervene and instead focused his attention on his new son from his marriage to Alicent.
Fed up with the Triarchy hiding in the caves and frustrated by his brother’s inaction, Prince Daemon marched into the Stepstones alone carrying a white flag, seemingly signaling his surrender. The ruse lures Crabfeeder and his troops out into the open, only for Caraxes to rain fire down on them while Corlys’ forces charge in to wipe out the remaining soldiers. Amid the chaos, Daemon pursues Crabfeeder into the caves before emerging with his body split in half, bringing the brutal war to an end.
1
The Battle of the Gullet
Season 3, Episode 1 “Salt and Sea, Fire and Blood”
The Battle of the Gullet is arguably House of the Dragon‘s most unforgiving battle to date. First, there’s the factor of it being a naval war, meaning the Blacks and the Triarchy must also contend with Mother Nature as they steer their ships through danger. There’s also the Triarchy’s massive 90-warship fleet, which is divided into two pincers to blind the Velaryon ships by taking advantage of the morning sun’s glare.
But most dangerously, because of the Triarchy’s history with Daemon in Season 1, they now know exactly how to counter dragons. By fashioning heavy scorpion crossbows equipped with grappling hooks, they can bring down even the largest dragons. This weapon ultimately takes down Prince Jacaerys (Harry Collett) and Vermax, with the dragon dying from blood loss while Jacaerys is struck by arrows while struggling in the water. The battle only brings more losses than victories, destroying two wealthy port towns and, more importantly, taking Queen Rhaenyra’s son—a loss that shapes her rule afterward.
House of the Dragon
- Release Date
-
August 21, 2022
- Network
-
HBO
- Showrunner
-
George R.R. Martin
- Directors
-
Clare Kilner, Geeta Patel
-
-
Fabien Frankel
Ser Criston Cole
Two weeks after finishing as runners-up on ‘Love Island USA’ season 8, Carl Schmidt and Aniya Harvey have shared an update on where their relationship stands. During a recent appearance on ‘Watch What Happens Live with Andy Cohen,’ the pair revealed they are not officially boyfriend and girlfriend, despite saying their connection has continued to grow since leaving the villa. Carl also weighed in on the criticism surrounding KC’s comments about Aniya during Casa Amor.
Related: Issa Wrap! ‘Love Island USA’ Star Clarke Carraway Announces Decision To End Relationship With Taylor Williams
Carl & Aniya Share Relationship Update After The Villa
‘Love Island USA’ Season 8 runner-ups, Carl and Aniya, joined winners Trinity and Bruce on a recent episode of ‘Watch What Happens Live with Andy Cohen,’ where the couples reflected on life after the villa. While Trinity and Bruce confirmed they are officially dating, viewers were still curious about where Carl and Aniya stand.
When Andy Cohen asked about their relationship status, Carl said the two are intentionally taking things slow after only knowing each other for a short time.
“No, so we are not officially boyfriend-girlfriend yet,” he said.
Carl explained that because he entered the villa during Casa Amor, the pair only had about two weeks together before the finale.
“I honestly feel after two weeks, the connection has just been really strong, and we just feel really, really happy. We just kind of want to keep rolling that as long as we can,” he added.
Carl Weighs In On KC’s Comments About Aniya
Before finding a connection with Carl, Aniya was originally coupled up with KC. Their relationship unraveled during Casa Amor after KC explored a connection with Tierra, whom he ultimately chose to recouple with. Aniya was left single until Carl returned to the villa following Casa Amor. The two quickly built a connection that carried them to the finale. Tensions between KC and Aniya escalated during the show’s Movie Night episode. Islanders watched clips revealing what their partners had been saying and doing during Casa Amor.
During ‘Watch What Happens Live,’ a fan asked Carl about KC’s comments regarding Aniya. Carl said he would not defend everything KC said, but suggested some of the remarks were likely “boy locker room talk.” He also noted that spending weeks constantly wearing microphones can make Islanders forget they’re being recorded at all times.
Social Media Reacts
Fans quickly flooded social media with reactions after Carl and Aniya’s relationship update.
Instagram user @thereall.lakey wrote, “They only knew each for 2 weeks, that very right to take it slow. Yall don’t know how to date. You have to be in the talking stage getting to know each other first before you get in a relationship. Ain’t nobody finna keep riding into relationships to keep falling out of it!”
Another Instagram user @heavenleighdes wrote, “they be wanting these people to hop in a relationship soon as they meet 😂😂😂😂”
While Instagram user @shadyladytree wrote, “Last night was Carl and Anita’s first time seeing each other since the show ended. They don’t have a relationship 🥴”
Instagram user @luvvaskye wrote, “more like lust island 🙄🙄”
Another Instagram user @asutoras wrote, “no chemistry”
While Instagram user @thehannahmwale wrote, “if they end up like Nic and Olandria imma be disappointed ngl”
Instagram user @tifftiffrk wrote, “Carl Is real ad for everything he said!!! They are taking things slow and also speaking for KC because that’s how men talk when women aren’t around but a lot of ppl don’t realize or think it won’t happen. KC and Anita were not exclusive and both had doubts whether anyone wants to admit it or not! 🤷🏽♀️ kudos to Carl!”
Another Instagram user @acireluv wrote, “Yes 👏🏽 thank you Carl because it wasn’t that deep for a hate train on KC 😭”
While Instagram user @ajaneetimore wrote, “Now this is a PR relationship”
Related: ‘Love Island USA’ Star Nic Vansteenberghe Claps Back As He Breaks His Silence Following Split From Olandria Carthen
What Do You Think Roomies?
Claressa Shields is throwing her support behind ‘Baddies’ star Big Lex ahead of her highly anticipated boxing match against fellow cast member Tesehki. After the undisputed boxing champion shared footage of the pair training together, fans quickly flooded social media with reactions, debating whether Shields’ coaching will be enough to help Big Lex compete with Tesehki.
Related: Not The One! Claressa Shields Sends Heated Message After Interview Had Fans Side-Eyeing (PHOTO)
Claressa Shields Says She’s Riding With The Underdog
The upcoming boxing match between ‘Baddies’ stars Big Lex and Tesehki has become one of the most talked-about storylines among fans, with many eager to see the two settle the long-running debate over who packs the harder punch.
On Friday, July 31, Shields shared a video on Instagram showing Big Lex working through drills, combinations, and footwork inside the boxing ring. Alongside the video, Shields explained why she decided to work with Big Lex despite many fans favoring Tesehki.
“I saw the polls. Majority picked Tesehki to beat Big Lex, so I went with the underdog,” Shields wrote. “I put Big Lex through some hard training and showed her some of my best GWOAT moves. She is ready.”
Shields’ endorsement immediately sparked debate online, with fans weighing in on whether the extra training could change the outcome of the fight.
Social Media Reacts
Fans wasted no time sharing their opinions in The Shade Room Teens’ comment section after Shields revealed she was Team Big Lex.
Instagram user @jakylaaa wrote, “honestly can’t say who gon win this one but I’m here for it !! 🍿🥤☺️”
Another Instagram user @myasiaasimone wrote, “she still can’t fw Tesehki 😂😂😂😂😂”
While Instagram user @gmac4life wrote, “Tesehki Tesehki… the sister of Chrisean Rock ?! She’s teaming for no reason 😂😂😂”
Instagram user @s.sneakyyy wrote, “Claressa just don’t like Tesehki a*** that’s the only reason why 😂😂😂😂”
Another Instagram user @tsx2__ wrote, “The only thing that lex got over Tesehki is reach and height.”
While Instagram user @xoziya.__ wrote, “Lex gone get more hits in and Tesehki is doing more damage idc argue with ya mama”
Instagram user @2valid_.Dora wrote, “Tesehki might as well ask Laila Ali to train her 🤷♀️”
Another Instagram user @nyahhh_j wrote, “Why does Claressa think she’s the Baddies Connoisseur”
While Instagram user @allhailteezus wrote, “she not gonna use none of these moves in the ring trust me 😂😂😂”
Tesehki Has Support From Chrisean Rock Ahead Of The Fight
While Shields has stepped into Big Lex’s corner, Tesehki has received encouragement from her younger sister, Chrisean Rock. In a viral video shared online, Chrisean invited Tesehki to train with her in Baltimore ahead of the fight, saying she would love to help her prepare for the matchup. “I’m glad she’s doing this lane,” Chrisean said, adding that her sister “could really fight.” The support comes after Chrisean also entered the boxing world, making her amateur boxing debut earlier this year.
@clips_ofdrama
Related: Oop! Blueface Alleges Chrisean Rock Posted Message Calling Chrisean Jr. His Son As Nevaeh Akira Reacts To Their Cozy Link-Up
What Do You Think Roomies?
Video games can deliver a whole range of intended experiences, from relaxing and wholesome content in Animal Crossing: New Horizons to terrifying frights in Resident Evil 7: Biohazard. However, one of the most timeless aspects of the medium is boss fights, which pit players against an extra-powerful enemy where they must showcase what they have learned while adapting to the moveset of the opponent.
A boss fight can make or break a game. That is why this list will rank the ten greatest video game boss fights of all time based on aspects such as memorability, originality, difficulty, thematic relevance, moveset, unique mechanics, skill testing, narrative stakes, fan opinion, critical acclaim, and overall quality. From the ones with a massive build-up to the boss fights that happen out of nowhere, each one brings a glorious and tense feeling, which is why gamers love the medium so much.
10
Sans – ‘Undertale’ (2015)
Almost every single boss fight on this list comes from a AAA blockbuster title, except for one indie game that proves this underrated genre is home to some thrilling boss fights. Undertale is one of the most recognized indie titles of all time, and while it has many bosses, none are better than the final fight in the Genocide storyline against Sans.
After the player decides to kill every character in the game, their final opponent is Sans, who is undoubtedly the hardest boss in the game. His battle is intentionally unfair, from attacking the player while in their inventory to dodging attacks, which no other enemy does, to removing invincibility frames; Sans is the ultimate punishment for the player in Undertale if they select the Genocide route.
9
Volo – ‘Pokémon Legends: Arceus’ (2022)
Pokémon unexpectedly has some incredible boss fights, such as Whitney, Cynthia, and Red, but the one that makes this list is probably pretty unexpected. Volo is presumably an ancestor of Pokémon Legends: Arceus, who spends most of his time helping the player until the finale of the game, where he challenges the player in what is easily the franchise’s most challenging fight.
Pokémon is a series, and the game can be hand-holdy, but this boss fight subverts those expectations through the most difficult fight in the franchise. Volo’s first team is essentially the same as Cynthia’s, and after winning that, the players fight against Giratina’s two forms, all without healing or changing teams. It is a gruelling and unfair challenge that can only be passed using potions and more than a few revives, proving Pokémon Legends: Arceus was a step in the right direction for Pokémon.
8
Phalanx – ‘Shadow of the Colossus’ (2005)
Some games have good boss fights, and then other video games are only boss fights, with the main purpose being to defeat the challenging enemies. Shadow of the Colossus has the player killing 16 Colossi to revive their loved one, and one of these gargantuan beings they must kill is Phalanx, a massive serpent flying around the dunes of the desert.
There are so many boss fights in this game that are deserving of making this list, but Phalanx is arguably the best because of how it subverts expectations. It never once attacks the player, with gamers needing to chase it down on horseback, leap onto the massive creature and scale the beast while slowly chipping away at its health bar. This grand, sweeping cinematic boss fight is a spectacle to behold, but its end is a bleak and depressing note when players learn they killed a peaceful, majestic being.
Hideo Kojima is a legendary game designer, and his Metal Gear Solid franchise is known for having some of the best boss fights, with two of them being on this list. Let’s start with Psycho Mantis from the first game. This psychic enemy pushes the character and player to the limits by levitating furniture, controlling allies, and breaking the fourth wall.
The boss fight in the game itself isn’t anything special, but it becomes such a memorable experience because of the way it breaks the fourth wall. Psycho Mantis can read Solid Snake’s mind, which is achieved by reading the memory card on the console, highlighting what the player has previously done. Metal Gear Solid goes one step further with the player needing to switch controller ports, so Psycho Mantis can no longer read your movements. It’s an ingenious and creative way to blend gameplay with real life that results in an unforgettable gaming moment.
6
Malenia, Blade of Miquella – ‘Elden Ring’ (2022)
FromSoftware and soulslike games in general are known for their challenging combat and infamous boss battles, earning two spots on this list. The first is Malenia, Blade of Miquella from Elden Ring. With so many boss fights, it was hard to choose one, but the honor had to go to the most popular boss, Malenia, a demigod rotting from within who made so many players rage-quit the game.
Elden Ring is all about dodging, parrying, blocking, and learning the enemy’s movements, and that is tested to the extreme with the Malenia boss fight. She demands frame-perfect timing that is nearly impossible to do repeatedly, not to mention she can heal after landing an attack even if it is blocked. Malenia is a definitive Elden Ring boss that is the reason why so many players love the soulslike genre.
5
Ganondorf – ‘The Legend of Zelda: Ocarina of Time’ (1998)
The Legend of Zelda franchise has some fun boss fights like Koloktos, and while that is more mechanically fun, it doesn’t have the same weight as the final fight against Ganondorf/Ganon in The Legend of Zelda: Ocarina of Time. This three-tiered boss fight starts with an energy-deflecting round that evolves into a dramatic escape from the castle into a final battle against his pig demon form in Hyrule Field.
The first section is the successful first encounter, but the escape from Hyrule Castle is just as gripping. But the epic scale and dramatic weight of the fight in Hyrule Field is the culmination of one of the greatest video games of the century. Ocarina of Time is perfect in many ways, and the final fight against Ganondorf is a thematic conclusion with an operatic finale that feels like a symphony of triumph.
4
Vergil – ‘Devil May Cry 3: Dante’s Awakening’ (2005)
One of the best things about the Devil May Cry franchise is that there are plenty of recurring boss fights with everyone’s favorite villain, Vergil, especially in Devil May Cry 3: Dante’s Awakening. Vergil isn’t just an enemy, but the brother of Dante, the protagonist, making every encounter a narrative duel of two familiar characters wondering if this will be the last time they face off.
While Vergil’s fights in the fifth game are also incredible, the final fight against him in Devil May Cry 3 is simply outstanding. Vergil is the quintessential rival boss, who reappears to match Dante’s chaotic style with calculated moves. By mirroring the player’s moveset, Vergil becomes a familiar boss fight that forces the player to understand the gameplay and controls more thoroughly.
3
Mr. Freeze – ‘Batman: Arkham City’ (2011)
Batman is a character with many iconic villains in his rogue’s gallery, and they are brought to vivid life in Batman: Arkham City, specifically Mr. Freeze. After wandering into a frozen GCPD laboratory, Batman must face off against Mr. Freeze in a lethal game of cat and mouse where the player must use their wits, gadgets, and surroundings to defeat the ominous presence.
Most boss fights have a specific pattern and dedicated puzzle or combat solution to take them down, but not Mr. Freeze. Direct confrontation leads to instant death, meaning the player must use everything they have learned in a mini sandbox room to defeat him. This approach makes every playthrough unique, and with endless possibilities, it makes the audience feel like Batman solving a problem through detective work. Batman: Arkham City has many other great fights, but Mr. Freeze is the top of the list for a reason, proving why this is the best Batman video game.
2
Isshin, The Sword Saint – ‘Sekiro: Shadows Die Twice’ (2019)
This list mentioned that there would be two FromSoftware soulslike games, and Sekiro: Shadows Die Twice earned the second spot with Isshin, The Sword Saint. The sword combat in this game is remarkable, and this boss fight shows that off firsthand, but also boasts a couple of other tiers where he wields a spear and a pistol.
A lot of video game bosses have some sort of gimmick to make them fresh and distinct from others, but Isshin is simply a final exam where players need to use everything they learned. Deflecting, counters, reversals — players need to be in top shape, with nothing but mastery to take down Isshin. This final boss is the best way to end Sekiro: Shadows Die Twice, making the last battle feel like an earned win.
Psycho Mantis from the first Metal Gear Solid was fun and unique, but there is one better boss in the series, and that is The Boss from Metal Gear Solid 3: Snake Eater. Once Snake’s mentor, The Boss supposedly defected; the twist is that she did so as part of her mission. When a nuclear warhead was fired, she takes the blame, trading her legacy and pride for the safety of her nation. It is fitting that the greatest boss fight in video game history is named The Boss, but there is more poetic and thematic relevance to this character.
This fight was the climax of Metal Gear Solid 3: Snake Eater, and the buildup was immaculate, making players dread the moment they have to kill Snake’s mentor. Outside the narrative perfection, it is also technically impressive and engaging, promoting the hand-to-hand combat the two created and stealth mechanics that are so important. It ends in a poetic climax where the burden of killing The Boss is taken from Snake and given directly to the player, concluding in a tragically beautiful final moment that highlights why Metal Gear Solid 3 is a fantastic action video game.
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