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10 Most Perfect Sci-Fi Movies of the 21st Century, Ranked

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Matt Johnson and Jay McCarrol in Nirvanna the Band the Show the Movie

Over the course of the 21st century, filmmakers around the world have been treating audiences to some of the greatest, most creative, and most original science fiction movies that the Seventh Art has ever seen. From time travel comedies to dramatic thrillers to massive superhero blockbusters, the 21st century’s greatest sci-fi films are about as close as cinema can possibly come to true perfection.

These films—some of them already considered classics, others guaranteed to achieve that status not too far into the future—display why science fiction has remained one of cinema’s most popular genres since the very beginning of the 20th century, even before cinema was considered an art form or even a storytelling medium. They’re exceptional masterpieces, proof that this is a genre that will never get old.

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10

‘Nirvanna the Band the Show the Movie’ (2025)

Matt Johnson and Jay McCarrol in Nirvanna the Band the Show the Movie
Matt Johnson and Jay McCarrol in Nirvanna the Band the Show the Movie
Image via NEON

Canadia’s national filmography is filled to the brim with excellent, often awfully underappreciated masterpieces. One of the country’s most recent international sensations is the brilliant Nirvanna the Band the Show the Movie, a legacy sequel of the web series Nirvana the Band the Show and the mockumentary sitcom Nirvanna the Band the Show.

Armed with only an RV, a bottle of Orbitz, and a flawless understanding of fair use laws, Matt Johnson and Jay McCarrol created a love letter to Toronto and late-2000s pop culture, a genius parody of Back to the Future, and one of the best sci-fi masterpieces of the last 15 years. Full of man-on-the-street-type moments bound to make anyone and everyone go “how the hell did they pull that off?”, Nirvanna the Band the Show the Movie has already joined the ranks of the greatest Canadian films ever made.

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9

‘The Prestige’ (2006)

Cutter (Michael Caine) stands in the wings of a theater, holding a dove perched on one hand in The Prestige.
Cutter (Michael Caine) stands in the wings of a theater, holding a dove perched on one hand in The Prestige.
Image via Warner Bros. Pictures

No list of the best sci-fi anything of the 21st century could possibly be complete without at least mentioning Christopher Nolan, a man who has re-defined the genre and constantly set a new standard for all Hollywood blockbusters. Between Batman Begins and The Dark Knight, he made The Prestige, a sci-fi thriller that’s always been hugely acclaimed yet still somehow underrated.

It’s the perfect film for people who love thrillers packed with plot twists. A rousing tale of rivalry and revenge fueled by strong yet subtle steampunk elements, it’s undoubtedly one of Nolan’s greatest works. Christian Bale and Hugh Jackman‘s fantastic performances are the perfect foundation for this character-driven story, made all the more fascinating by one of the strongest endings in its director’s filmography.

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8

‘Spider-Man: Across the Spider-Verse’ (2023)

Miles Morales shoots his web in Spider-Man: Across the Spider-Verse
Miles Morales shoots his web in Spider-Man: Across the Spider-Verse (2023)
Image via Sony Pictures Releasing

After Spider-Man: Into the Spider-Verse took the world by storm in 2018, expectations for its sequel rose sky-high. Somehow, Across the Spider-Verse managed to surpass those expectations and then some. It’s downright one of the most perfect movies of the last 5 years, simultaneously a love letter to the Spidey mythos and a nuanced study of the superhero genre as a whole.

Of course, it doesn’t hurt that the movie has the most impressive and jaw-dropping visuals of any animated film ever made. The excellent sound design and Daniel Pemberton‘s score definitely don’t hurt, either. In fact, almost everything about Across the Spider-Verse is pretty much perfect, making it a must-see for Marvel fans, Spidey fans, and virtually anyone who enjoys a well-made sci-fi film.

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7

‘Interstellar’ (2014)

Matthew McConaughey as Joseph Cooper flying a spaceship in Interstellar
Matthew McConaughey as Joseph Cooper flying a spaceship in Interstellar
Image via Paramount Pictures

As if he still had anything to prove in regards to being one of the leading voices of Hollywood sci-fi going into 2014, Christopher Nolan decided to further enshrine himself in that title by making Interstellar. It’s one of the most perfectly-directed sci-fi epics ever made, but the main reason why it works as well as it does is that it is, first and foremost, a character-driven story about a girl and her father.

But though Interstellar is certainly most interested in its characters’ internal conflicts, it’s also a technically impressive epic that leaves nothing much to be desired. The visual effects, the performances, the sound design, the delectably long runtime, the best score of Hans Zimmer‘s career… What more could a diehard fan of sci-fi cinema possibly want from a movie?

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6

‘Arrival’ (2016)

Arrival - 2016 - Amy Adams stands thinking in a field, a spacecraft in the distance behind her Image via Paramount Pictures

Denis Villeneuve was already a well-established filmmaker going into 2016, but the movie that established him as one of the most exciting voices in Hollywood sci-fi was Arrival. This is an alien invasion flick unlike any other, dealing with themes of language, communication, and memory with a deeply emotional story. By the time Arrival cuts to the credits, there won’t be a dry eye in the house.

Villeneuve’s direction is pretty much flawless, which makes it unsurprising that Arrival earned him his first Oscar nomination. It’s also one of the most perfectly-written sci-fi movies ever, with some enthralling character writing and a plot that keeps growing increasingly mind-bending as it goes on. It doesn’t feel like any other alien invasion film in history, and that uniqueness is enough to make it obligatory viewing for fans of the genre.

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5

‘Everything Everywhere All At Once’ (2022)

Everything Everywhere All at Once - 2022 (1) Image via A24

There are Oscar winners that feel like frontrunners in the awards race since months before they even come out; but then, there are others which feel like they come out of the blue and end up sweeping. There’s no contemporary example more perfect than Everything Everywhere All At Once, a quirky and ambitious indie sci-fi action dramedy that ended up winning a whopping seven Academy Awards.

A thrilling and beautifully touching tale about parenthood, love, aging, and everything bagels.

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On paper, Everything Everywhere seems like it shouldn’t work. Its thematic breadth is enormous, its sense of humor is undeniably offbeat, and its elements of campy silliness are potent and abundant. But what soon proved to be one of the most chaotic movies of all time also proved to be one of the greatest sci-fi epics of the 21st century, a thrilling and beautifully touching tale about parenthood, love, aging, and everything bagels.

4

‘Children of Men’ (2006)

Clive Owen holding Clare-Hope Ahitey as they walk through a crowd in Children of Men
Clive Owen holding Clare-Hope Ahitey as they walk through a crowd in Children of Men
Image via Universal Pictures
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Mexican filmmaker Alfonso Cuarón is no stranger to genre cinema, but his strongest genre work happens to be in science fiction. Children of Men is a masterpiece, a dystopian action thriller that unfortunately underperformed at the box office, but has since become a cult classic so huge that it’s arguably more mainstream that it is cult by this point.

It’s one of the most thrilling movie masterpieces of all time, full of impressively shot sequences and permeated by a nail-biting atmosphere of suspense. Bleak though its tone may be, it’s also beautifully hopeful, celebrating faith and humanity’s resilience in the face of a crisis. Excellently performed and strikingly shot by frequent Cuarón collaborator Emmanuel Lubezki, it’s dystopian science fiction at its ver best.

3

‘Mad Max: Fury Road’ (2015)

Max aiming a gun at someone off camera in Mad Max: Fury Road Image via Warner Bros. Pictures
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After three decades away from the action genre and from the Mad Max franchise that he revolutionized low-budget Australian cinema with, George Miller made his triumphant return with Mad Max: Fury Road. This wasn’t just a return to form for the filmmaker, nor was it just the best installment in the franchise thus far: We’re talking about one of the most perfect sci-fi action movies of the 21st century.

The over-the-top world-building is a delight, the non-stop adrenaline shots that are all the action sequences (which comprise the vast majority of the film’s relentless runtime) are a blast, and the visuals prove that the sky’s the limit when Miller is given a proper budget. Exciting, emotionally compelling, and packed with some of the most memorable action scenes of the century, Fury Road is one for the cinematic history books.

2

‘Dune: Part Two’ (2024)

Three figures flying in the Dune: Part Two opening scene Image via Warner Bros. Pictures
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For the longest time, it seemed that it was simply impossible to turn Frank Herbert‘s world of Dune into a film franchise that lived up to the source material’s legacy. Along came Denis Villeneuve and proved that belief embarrassingly wrong. But while the Canadian director’s first Dune is already amazing enough, it’s Dune: Part Two that smashed every expectation any fan might have had going in.

It’s this generation’s The Empire Strikes Back, a stunning sci-fi franchise epic that expands the scope of its world tremendously and has the guts to conclude with an ending that’s nothing if not dark-toned. Just two years after its release, it can already be considered one of the best sci-fi movies of all time, one with virtually no flaws to talk about. Greig Fraser‘s stunning cinematography, Hans Zimmer’s haunting score, all the amazing performances, the flawless way in which Villeneuve and co-writer Jon Spaihts understand the essence of Herbert’s work, and—of course—Villeneuve’s hugely imaginative direction. There’s basically nothing not to love about this masterpiece.

1

‘Eternal Sunshine of the Spotless Mind’ (2004)

Kate Winslet as Clementine and Jim Carrey as Joel lying on the ice in Eternal Sunshine of the Spotless Mind. 
Kate Winslet as Clementine and Jim Carrey as Joel lying on the ice in Eternal Sunshine of the Spotless Mind.
Image via Focus Features
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By the time 2004 rolled in, Charlie Kaufman had already established himself as the greatest, most intelligent, and most talented screenwriter working in Hollywood. But as if any more proof were needed, he wrote what some may call the single greatest sci-fi screenplay ever written, Eternal Sunshine of the Spotless Mind, directed by Michel Gondry. The result? The most perfect science fiction movie of the 21st century thus far.

Rather than focusing on its sci-fi elements, Eternal Sunshine leverages them as tools to elevate its story about a crumbling relationship and the power of memories. It’s a raw, emotionally powerful, thematically hard-hitting exploration of the very concept of romantic love, concluding with one of the best endings of any sci-fi film from the 2000s. Many great sci-fi movies have been released since, but none quite as exceptional as this 21st-century masterpiece.































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

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🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

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01

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What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

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Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

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How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

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What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

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What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

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Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

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What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

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What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

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How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

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What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…
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Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

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You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

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You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

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You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

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You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

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You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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One Star Wars Actor Hated Every Second of His Fan-Favorite Role

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Closeup of Obi-Wan Kenobi (Sir Alec Guinness) with his lightsaber in Star Wars IV: A New Hope.

For millions of Star Wars fans, Obi-Wan Kenobi represents wisdom, calm, and the moral center of the original trilogy. He is the mentor archetype perfected. Part samurai master, part space wizard, part philosophical guide leading Luke Skywalker toward his destiny. Without him, Star Wars simply would not feel the same. Ironically, the man who made the character iconic never fully understood the obsession.

Sir Alec Guinness had a famously complicated relationship with the role that made him recognizable to generations of moviegoers. While Star Wars made him extraordinarily wealthy and introduced him to the largest audience of his career, it also became the role he spent decades trying to separate himself from. But the real story is not just that Guinness disliked Star Wars, it is why his presence in the film was so important in the first place. Because without Guinness, Star Wars might not have worked the way it did.

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Guinness Helped Make Star Wars Feel Legitimate

Closeup of Obi-Wan Kenobi (Sir Alec Guinness) with his lightsaber in Star Wars IV: A New Hope.
Closeup of Obi-Wan Kenobi (Sir Alec Guinness) with his lightsaber in Star Wars IV: A New Hope.
Image via Lucasfilm

When Star Wars released in 1977, it was far from guaranteed to become the cultural phenomenon it is today. Science fiction was not widely considered prestige filmmaking, and the genre often struggled to be taken seriously aside from a few exceptions. George Lucas understood this, which is part of why casting Guinness mattered so much. Guinness was an Academy Award winner for The Bridge on the River Kwai, known for serious dramatic work and classical stage performances. His presence alone signaled that Star Wars was trying to be more than just spectacle. More importantly, he treated the role with complete sincerity.

Rather than leaning into the pulpy nature of the material, Guinness approached Obi-Wan like a classical mentor figure. He delivered exposition about the Force and the Jedi with the quiet confidence of someone discussing philosophy rather than fantasy. His performance gives the impression that this galaxy has a real history instead of just invented lore. That choice helped audiences accept the film’s mythology. It is easy to imagine a version of Star Wars where Obi-Wan feels campy or overly theatrical. In the wrong hands, the character could have felt like a stock fantasy wizard. Guinness instead gave him restraint, sadness, and a sense of lived experience. He made Obi-Wan feel like someone who had already lived through a lost golden age. That emotional grounding helped make the entire story feel more real.

Luke Skywalker, Yoda, and Rey Skywalker from Star Wars


The 20 Most Powerful Jedi in Star Wars, Ranked

“May the Force be with you.”

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Guinness’ Performance Grounded the Film’s Biggest Ideas

One of Guinness’ greatest contributions to Star Wars is how he handles the film’s most difficult material. Much of A New Hope depends on the audience accepting abstract ideas like the Force, the fall of the Jedi, and the moral battle between light and dark. Guinness makes those ideas believable simply through how seriously he takes them. The calm conviction in his delivery gives the idea emotional credibility. It turns what could have been technobabble into something closer to mythology.

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His famous sacrifice on the Death Star works for the same reason. Guinness plays the moment with quiet acceptance rather than dramatic spectacle. Obi-Wan does not die like an action hero, he dies like someone fulfilling a purpose he has already accepted. That performance choice reinforces the idea that Star Wars is operating on mythic storytelling rules rather than simple adventure logic. Without that tone, the moment risks feeling confusing or anticlimactic. Instead, it becomes one of the most important turning points in the trilogy. It also helped establish one of the franchise’s most important storytelling ideas. In Star Wars, victory does not always come from power. Sometimes it comes from belief and sacrifice. Guinness communicates that theme through performance more than dialogue. That may be his most important contribution to the film.

Guinness Never Loved What Obi-Wan Became

The Force Ghosts of Anakin Skywalker (Hayden Christiansen), Yoda (Frank Oz), and Obi-Wan Kenobi (Alec Guinness) stand together looking proud in Star Wars: Episode VI - Return of the Jedi.
The Force Ghosts of Anakin Skywalker (Hayden Christiansen), Yoda (Frank Oz), and Obi-Wan Kenobi (Alec Guinness) stand together looking proud in Star Wars: Episode VI – Return of the Jedi.
Image via Lucasfilm

Despite how essential his performance was, Guinness never fully embraced the role. Unlike many actors who later grow tired of their most famous characters, Guinness had doubts from the beginning. He reportedly struggled with some of the dialogue and was unsure how the film would be received. While he respected Lucas’ ambition, he did not share the same excitement for the genre. His decision to join the film was partly practical. His contract included a percentage of the film’s backend profits, estimated at around 2.25 percent, which ultimately earned him millions as Star Wars became a global success.

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Financially, it was one of the smartest decisions he ever made. Artistically, it was more complicated. Guinness spent decades building a reputation as a transformative actor known for his range. After Star Wars, he increasingly found himself defined by a single role. In his memoir A Positively Final Appearance, he recalled throwing away Obi-Wan fan mail without reading it. One frequently repeated story describes him agreeing to sign an autograph for a young fan only if the boy promised to stop watching Star Wars. These stories may sound harsh, but they reflect a real fear: Guinness worried that his most popular role would overshadow the rest of his career. In some ways, he was right. But there is also a deep irony here. The qualities Guinness valued most as an actor are exactly what made Obi-Wan so beloved. His restraint, discipline, and seriousness helped elevate the film beyond simple genre entertainment. His commitment to treating the story seriously is what helped make it timeless.

Whether he liked it or not, he became part of cinematic mythology through Obi-Wan, and in the end, that may be the clearest measure of his impact. Guinness did not just play Obi-Wan Kenobi: he helped convince audiences that Star Wars was worth believing in, even if he never fully understood why they believed in it so much.

Star Wars A New Hope 1977 Poster
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Star Wars The Clone Wars

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How to Watch Netflix’s Age of Attraction Reunion Special

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Everything to Know About RHOSLC Alum Jen Shah's Legal Drama

Age of Attraction returned for a reunion but Netflix viewers will be surprised to know the special episode isn’t available on the streaming platform.

The new dating show, which premiered in March, followed couples with significant age gaps trying to navigate new romances. Divided into three parts, the first batch of episodes showed the initial connections that were formed before individual couples made promises to each other, explored a long-lasting connection and then made a promise for the future — or broke up.

It was announced that a reunion would be released on Wednesday, April 1, with hosts Nick Viall and wife Natalie Joy hosting on his “Viall Files” podcast. But the episode won’t be available to watch on Netflix — despite the entire first episode being released on the platform.

According to the first trailer, stars Andrew, Chris, John, Logan, Derrick, Libby, Vanessa, Theresa and Leah. Pfeifer, meanwhile, is missing from the reunion while Vanelle and Jorge were featured despite exiting the show early.

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Before the show premiered, the finalists addressed the backlash to the show.

“Initially the response [was so strong] because there wasn’t a lot of information when it was first released. The concept of the show made people go, ‘Oh, my God, here we go. A bunch of old and creepy guys with young girls,’” Andrew exclusively told Us Weekly. “I think Netflix has done a great job with the trailers and what they put out there to clarify that that’s not what this is going to be about.”

Andrew teased how the show is “going to test it both ways,” adding, “There’s older women with younger guys. There’s younger guys with older women. Now, it’s leveling out. There’s still some people hating on it, but you’re always going to have that. But I think some people — the majority — are curious and looking forward to seeing it unfold.”

His partner on the show, Libby, had a similar outlook on the backlash.

“I would say my hope is that people maybe approach the way that they’re thinking about me with an open mind. It would be natural to think that there was a young and naive girl with an older guy,” Libby, who is 16 years younger than Andrew, explained. “That’s the stereotype that you’re used to. But I really don’t feel like Andrew and I had a lot of differences — and I found a lot of similarity between us. I understand your concerns 100 percent but I don’t find our relationship concerning.”

Age of Attraction is now streaming on Netflix.

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“Love on the Spectrum” season 4 cast: See the new singles — and who's still together from last season

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Reality TV’s most wholesome show is finally back.

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Jen Shah Likens First Day Of Prison To ‘BravoCon Meet And Greet’

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Jen Shah's prison, FPC Bryan.

Real Housewives of Salt Lake City” star Jen Shah likened her first day in federal prison to a “BravoCon meet and greet” in her first interview since being released.

Jen Shah was sentenced to nearly eight years in prison in January 2023 after pleading guilty to her role in running a nationwide telemarketing fraud scheme that targeted elderly and vulnerable victims.

Jen Shah Talks About First Day In Prison, Said It Was Like A ‘BravoCon Meet And Greet’

Speaking with PEOPLE, Shah opened up about life as a public figure behind bars.

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“Listen, it was like a BravoCon meet and greet when I got there,” she said. “Literally.”

BravoCon is the network’s massive fan convention featuring more than 100 Bravolebs held every other year.

“I didn’t know that there were so many fans there,” Shah continued. “I had people coming up to me, saying, ‘Hi, I’m the President of the Salt Lake City fan club out of Louisiana.”

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Jen Shah Says Being A Former ‘Real Housewives’ Star Brought A Lot Of Attention To Her In Prison

Jen Shah's prison, FPC Bryan.
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The attention wasn’t always welcomed, though. According to Shah, the staff at FPC Bryan in Texas did things that brought “unnecessary” attention to her.

“I was required to carry a pink card,” she said, describing it as the “scarlet letter.”

Shah explained that wearing the pink card placed a target on her back and said it also came with strict requirements.

“I had to carry it around and check in with officers every two hours,” she said.

Jen Shah Admits She Made The ‘Wrong Decisions’ Before Being Sentenced

“Real Housewives of Salt Lake City” viewers saw a portion of Shah’s legal battles during earlier seasons of the show. However, her lawyers barred her from sharing too much information on camera.

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According to the Department of Justice, Shah pleaded guilty in June 2022 to conspiracy to commit wire fraud in connection with telemarketing.

US Attorney Damiian Williams said Shah was a “key participant” in a nationwide plot that “targeted the elderly, vulnerable victims” by selling “false promises of financial security.”

The press release claimed that Shah, along with others, engaged in a “widespread coordinated effort” to get victims to invest in companies that had little to no value.

In her interview with PEOPLE, Shah admitted she was “wrong” for what she did. “I made wrong decisions. I should have done things differently. I should have been more diligent. And I’m deeply remorseful and sorry for my actions and for my part. I take full responsibility,” she added.

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Shah Details How She Became Involved In The Reported Scheme That Sent Her To Prison

The reported scheme used lead lists containing customer information that had been sold to different telemarketing floors to pressure them into purchasing more services.

The US government alleged that Shah was the mastermind behind the lists, ultimately controlling what was offered and how much to charge.

“It’s a long and a very complex journey that brought me to this point,” Shah said about her role in the ordeal. “And without re-litigating it, I became involved in the case because I made horrible business decisions and I disregarded huge red flags. I allowed the lines to be blurred between personal friendships and ethical business practices. And in essence, I trusted the wrong people at a very vulnerable time in my life.”

Shah went on to say that she believed she was doing the “right thing” at one point. “I was working under people who were running these companies,” she said.

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Down the line, however, the individuals Shah worked with allegedly began working with others, who engaged in unethical behavior. “Once that initial fulfillment was happening, things were happening beyond the point of sale with that customer that I didn’t know about,” she added.

Could Shah Return To The ‘Real Housewives Of Salt Lake City’?

Andy Cohen in a suit
ZUMAPRESS.com / MEGA

Now that Shah is a free woman, could she return to the “Real Housewives” franchise, as some of the network’s other previously arrested stars have, such as Teresa Giudice?

It’s hard to say for certain; however, Shah’s former co-star Meredith Marks seemed open to the idea in 2024.

“Accountability goes a long way in our circle,” she told PEOPLE. “If you say, ‘Look, I screwed up and I made a mistake and I’m sorry’ — that matters. If she’s taking accountability and doing what she needs to do to make it better, that’s the best she can do right now. There’s nothing else she can do beyond that.”

Shah may have a few others to convince, though. According to The Blast, Bravo’s head honcho and “Housewives” godfather Andy Cohen previously said he “never” wants to see Shah again.

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These Comfy One-and-Done Outfit Sets on Amazon Are So Luxe

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Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!

Some mornings, you’re staring into your closet with five minutes to spare and zero inspiration. You’ve got errands to run and dinner plans to make, and the last thing you want is to create an outfit from scratch. Thankfully, these one-and-done outfits do all the work for you.

A matching top and bottom takes the guesswork out of getting dressed, making you look polished in a matter of minutes. Read: You can actually have time to enjoy that morning coffee. These 19 two-piece sets cover everything from lounge days to date nights, so we bet they’ll earn permanent spot in your rotation. See our comfy favorites, which happen to start at just $7 a set. We know, it’s shocking.

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19 Comfy Outfit Sets for Busy Mornings — From $7

1. Our Favorite: Packing for a trip gets easier when one set works double duty. Wear this sleeveless mock-neck outfit solo on warm days and layered on cooler ones.

2. Everyday Outfit: Grocery runs, weekend sports games, kid pick-ups — this casual tee and shorts set handles it all.

3. Date Night: Striped patterns and a relaxed silhouette give this day-to-night set a cool, unhurried vibe. It’s loose around the tummy for an extra-flattering fit.

4. Classy Act: Want a country club aesthetic? This knit outfit set nails it with luxe-looking fabric and contrast hems, which we credit for elevating the whole outfit.

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5. Rich Mom: This cap-sleeve top and pleated pants combo reads ‘designer’ straight off the hanger, thanks to the clean lines and sophisticated drape.

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Related: Look Instantly Polished in These Loose, Billowy Button-Ups — From $8

Choosing between trousers and jeans is easy, but selecting the right spring-ready top can be a challenge — especially on a Monday morning when you’re rushing out the door. Instead of hoping for the perfect button-up shirt to would magically appear, we suggest checking out these polished spring blouses that will solve the getting-ready dilemma fast. […]

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6. Skirt Set: If you’re tied of winter neutrals, this colorful tee-and-skirt duo adds some personality back into your rotation.

7. Coffee Run: This wide-leg pants set splits the difference between loungewear and real clothes, ensuring you look pulled together without overthinking it. It’ll be your Starbucks run go-to.

8. Flattering Find: Ribbed materials are secretly slimming, elongating your torso and creating a longer, leaner silhouette. This two-piece wonder does so without effortlessly.

9. Yacht Wife: Stripes give this tee and shorts outfit a nautical, high-end flair. It should be much pricier than $27.

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10. Sporty-Chic: When you want athleisure that doesn’t look like gym clothes, this stretchy top and jogger set is the answer. The drapey fabric and colorful options give the set a polished appearance, which we love.

11. Transitional Weather: Spring mornings call for long sleeves. This top and sweatpants set keeps you comfortable through transitional seasons and unpredictable shifts.

12. Vacation Mode: This tank and shorts set costs just $18, which is a total bargain in our book. Add sandals and a tote, and you’ve got a complete vacation look.

13. Effortless Elegance: The delicate floral tank gives this stylish number a dressy appeal. The print does the heavy lifting, so you can skip accessories completely.

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14. Simple Stunner: Sometimes, a comfy tee and shorts are all you want. This matching set proves that simple style can still be sharp, especially with its dainty ruffle hems.

15. Boho Babe: Conceal the tummy with this boho-style lantern-sleeve set that features an oversized sweatshirt and shorts that keep it from looking frumpy.

16. Packing MVP: Sweat-wicking fabric sets this tank and flowy pants outfit apart from basic cotton options. It deserves a spot in any carry-on.

17. Under $35: Wear this refined knit set to a casual work meeting or weekend brunch — and nobody will guess it cost under $100, let alone under $35. The stripes keep it sleek.

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18. Trendy Texture: Self-conscious about cellulite? This smoothing two-piece outfit is made with textured fabric that minimizes insecurities, making you feel like your confident self.

19. Flower Girl: A floral tee and sweatpants sounds casual, but this springy lounge set is actually so elevated. It bridges the gap between cozy and cute.

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Related: These Sophisticated Gemstone Hues Are Much More Flattering Than Pastels

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There’s a time and place for pastels, but if we’re being honest, these lighter shades have a way of washing out your skin tone. If that’s also your issue, you’re in good company. This spring, we’re reaching for clothes featuring gemstone-like hues instead — think deep topaz, rich amethyst and earthy green — the kind […]

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Rebecca Ferguson Officially Becomes First Star of 2026 With Two #1 Streaming Hits

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Rebecca Ferguson on the red carpet

Plenty of movie stars have plans to feature in multiple projects this year, but few actors are as busy as Rebecca Ferguson. She began 2026 by starring opposite Chris Pratt in the Amazon MGM-backed sci-fi thriller, Mercy. The film was met with a poor critical reception, and it also underwhelmed at the box office. She’s already followed this with a role in The Immortal Man, the Peaky Blinders sequel movie co-starring Cillian Murphy and Barry Keoghan. The film will act as a connecting point between the original Peaky Blinders series and the sequel series, which is now in production. Ferguson can also be seen in international theaters starring opposite Andrew Garfield in The Magic Faraway Tree, which is officially her first perfect movie of the year — it debuted to a flawless 100% from critics on the aggregate site Rotten Tomatoes.

Ferguson isn’t anywhere near done after The Magic Faraway Tree leaves theaters, though. She’ll also make her long-awaited return as Juliette Nichols in the third season of Silo, which she’s confirmed will premiere sometime this summer. She’ll close out the year by reprising her role as Lady Jessica one final time in Dune: Part Three, though she’s revealed she’ll have only one scene in the film. Still, Ferguson couldn’t have asked for a better start to the year. Both Mercy and The Immortal Man, her first two projects of 2026, are sitting comfortably at the top of streaming charts on Prime Video and Netflix, respectively. This makes her the first star of 2026 to have two hits charting in the #1 spot on different streamers at the same time — the year of Rebecca Ferguson is officially upon us.

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A Collider Movie Quiz Designed to Boost Your Ego!

Everyone deserves a perfect score now and then, so today’s challenge is designed to be easy-peasy. You’ll go 8-for-8 and feel great about it!

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Rebecca Ferguson Could Yet Return to ‘Peaky Blinders’

Around the same time Peaky Blinders: The Immortal Man came out, Rebecca Ferguson was asked if she could see herself returning to the franchise in the future. She admitted that she hasn’t heard any concrete plans for a return, but that she’s absolutely open to it. Regardless, a Peaky Blinders sequel series has been confirmed and is already filming. Ferguson is one of the biggest talents in Hollywood, and if she’s willing, Steven Knight will likely have no trouble finding something for her to do in the new Peaky Blinders sequel series, especially considering she has an established connection with Duke Shelby.

Check out Mercy on Prime Video and The Immortal Man on Netflix, and stay tuned to Collider for more streaming updates and coverage of Ferguson’s future projects.


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Release Date

March 6, 2026

Runtime

112 minutes

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Director

Tom Harper

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Steven Knight

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“Summer House” alum Paige DeSorbo shows support for Ciara amid West and Amanda romance drama

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DeSorbo is the latest reality star to show support for the ICU nurse amid the fallout from her ex, West Wilson, announcing his new romance.

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10 Movie Adaptations the Author Hated

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Tales from Earthsea - 2006

Taking a book and turning it into a motion picture is a practice almost as old as cinema itself. Since the days of Georges Méliès, who offered his cinematic takes on literary classics like Cinderella and From the Earth to the Moon, filmmakers have been taking stories from the page to the big screen, experimenting with how the differences between the written word and the cinematic language can be most effectively combined.

Sometimes, the books adapted belong to authors that have since passed away. Other times, the authors are still alive and kicking and commend these cinematic adaptations of their work, no matter how involved they were in their making. On a few noteworthy occasions, however, authors have been quite vocal about their intense dislike for a certain movie adaptation of a book of theirs. From novelists like Stephen King to comic writers like Alan Moore, these are authors who clearly didn’t think the cinematic medium did their work justice. For fairness’ sake, entries will be limited to only one per author. Otherwise, a list of this nature would end up being composed purely of King and Moore adaptations.

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10

‘Tales from Earthsea’ (2006)

Tales from Earthsea - 2006 Image via Toho

Ursula K. Le Guin was one of the greatest and most important American writers of her generation, known mainly for her work in speculative fiction. The collection of fantasy stories and essays known as Tales from Earthsea is perhaps her best-known work, and for good reason. Fans couldn’t have possibly been more excited when a Studio Ghibli adaptation of the first four books in the series was announced, which would be Gōro Miyazaki‘s (son of Hayao Miyazaki) directing debut. The rest is history, just not particularly pleasant history.

[Le Guin] felt like the film told a completely different story from the source material.

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There are those who would go so far as to call Ghibli’s Tales from Earthsea one of the worst anime movies of all time. Le Guin herself probably would never have gone that far, but she did state that Miyazaki misunderstood the spirit of her books so terribly that she felt like the film told a completely different story from the source material. You’d be hard-pressed to find an Earthsea book fan who would disagree.

9

‘Charlotte’s Web’ (1973)

charlotte's web animated Image via Paramount Pictures
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E. B. White, perhaps best-known as the creator of Stuart Little, was one of the greatest American children’s literature authors in modern history. He also wrote Charlotte’s Web, an illustrated book that, before being turned into a live-action film starring Dakota Fanning in 2006, was turned into a Hanna-Barbera musical cartoon in 1973.

Audiences today mostly remember it fondly as one of the movies that proved 1970s animation was by no means bad, but White wasn’t fond of the film at all. On the contrary, though the author was slightly involved in the movie’s story, he was generally displeased with the final product, calling it “a travesty.” He hated the fact that the movie was a musical, which he felt didn’t gel well with what he had written.

8

‘Rawhead Rex’ (1986)

The monstrous Rawhead Rex monster snarls in Rawhead Rex.
The monstrous Rawhead Rex monster snarls in Rawhead Rex.
Image via Empire Pictures
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Legendary British horror author Clive Barker is perhaps best known as the man who wrote the Hellraiser series. When it came time to turn the book into a film, he decided to write and direct it himself. The reason? Rawhead Rex, an adaptation of Barker’s short story of the same name directed by George Pavlou, from a screenplay by Barker himself.

The movie was a colossal failure, and is still remembered as one of the worst horror movies of the ’80s. Barker, obviously, felt that the elements were all there on the page for Rawhead Rex to have been quite a thrilling film. He felt, however, that Pavlou’s direction fell short, failing to provide the stylish oomph that would have made the movie as strong as the source material.

7

‘I Know What You Did Last Summer’ (1997)

Jennifer Love Hewitt, Sarah Michelle Gellar, Ryan Phillipe, and Freddie Prinze Jr sitting in a car in I Know What You Did Last Summer Image via Columbia Pictures
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Following the success of Wes Craven‘s 1996 slasher classic Scream, many terrible rip-offs followed. Jim Gillespie‘s I Know What You Did Last Summer may be iconic, but there’s no way of denying that it’s just that: a terrible Scream rip-off. It didn’t have to be that way, though. The movie wasn’t based on a horror novel, but rather a well-regarded 1973 YA thriller by Lois Duncan.

Duncan’s daughter, Kaitlyn Arquette, was shot to dead in 1989. In a 2002 interview, the author revealed that as the mother of a murdered young woman, she was absolutely appalled by the fact that her novel had been turned into a silly, cheap slasher. It’s difficult to blame her, made even more difficult by the fact that the film isn’t even a good slasher to begin with.

6

‘Willy Wonka & the Chocolate Factory’ (1971)

Gene Wilder in Willy Wonka and the Chocolate Factory Image via Paramount Pictures
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As one of the most important voices in the modern history of children’s literature, Roald Dahl is someone who needs no introduction. Another person who needs no introduction is Willy Wonka, and fittingly, Willy Wonka & the Chocolate Factory, one of the best fantasy movie masterpieces of all time, has a reputation that precedes it. A lesser-known part of that reputation, however, is that Dahl hated the film.

In fairness, Dahl hated the vast majority of the movies based on his work, thinking that Hollywood had a tendency to twist his stories into things he had never intended. His dislike for Willy Wonka, however, was particularly strong. He disowned the movie and declared himself “infuriated” by its plot deviations, its being a musical, and its shifting the narrative’s focus from Charlie to Wonka. The original book purist, Dahl would have vastly preferred it if director Mel Stuart had stuck far more closely to what was already on the page, even if this has proven to age as one of the best family movies of all time.

5

‘The NeverEnding Story’ (1984)

Wolfgang Petersen‘s first English-language film, The NeverEnding Story is one of the most iconic family films of the ’80s, even if some find it to traumatizingly dark that its “family film” status is not uncontested. It was based on German writer Michael Ende‘s 1979 book of the same title, and it was a hit both with critics and at the box office.

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Someone it wasn’t a hit with, however, was Ende himself. The author only got to see the script days before the movie’s premiere, and claimed to have been “horrified” by what he saw. He felt that Petersen completely changed the essence and spirit of the book, and later called the film a “gigantic melodrama of kitsch, commerce, plush and plastic.”

4

‘Percy Jackson & the Olympians: The Lightning Thief’ (2010) and ‘Percy Jackson: Sea of Monsters’ (2013)

A teenage boy stands in a museum with a shield with two of his friends behind him looking up at something.
A teenage boy stands in a museum with a shield with two of his friends behind him looking up at something.
Image via 20th Century Studios

Of the many book series that tried to be the next Harry Potter, few came as remarkably close with something as original, fun, and genuinely high-quality as Rick Riordan‘s Percy Jackson & the Olympians book series. But out of every book-to-film adaptation that’s nothing like the books, few cases are as egregious as The Lightning Thief and Sea of Monsters, the movies based on the first two installments in the saga.

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Riordan was extremely vocal about how he felt about these movies. He said the writing was terrible, and not just because it deviated tremendously from the source material. He shared email recommendations for script changes that he sent to the people behind the movies—recommendations that clearly went unheard. Most of all, the author was bothered because he knew that these adaptations would anger and disappoint fans. It’s no wonder why Riordan became far more directly involved with the new Disney+ TV series adaptation of Percy Jackson.

3

‘Mary Poppins’ (1964)

Bert (Dick Van Dyke) and Mary Poppins (Julie Andrews) covered in soot look into the distance in Mary Poppins
Bert (Dick Van Dyke) and Mary Poppins (Julie Andrews) covered in soot look into the distance in Mary Poppins
Image via Walt Disney Studios Motion Pictures

Mary Poppins is widely recognized as one of the most perfect live-action Disney movies of all time, a marvelously magical and beautifully nostalgic musical bolstered by Julie Andrews and Dick Van Dyke‘s lead performances. It’s based on Autralian-British writer P. L. TraversMary Poppins book series, and Walt Disney‘s repeated decades-spanning attempts to buy the film rights to her books made for such an arduous production process that it became the subject of the Tom Hanks and Emma Thompson-starring Saving Mr. Banks.

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Contrary to what the ending of Saving Mr. Banks depicts, however, Travers did not, in fact, like what Disney did with her books. Travers famously cried at the movie’s premiere due to how distorted and saccharine her story and characters had become as a result of their Disney-ification. She hated the animated segments, she objected to the musical numbers, and she disliked the casting of Julie Andrews in the titular role. Audiences, of course, have disagreed with Travers over the course of the film’s existence; but one can only sympathize with her sadness.

Allan Quartmain aims a revolver as he stands by the bar in a messy library room.
Allan Quartmain aims a revolver as he stands by the bar in a messy library room.
Image via 20th Century Studios

Another author who famously hates pretty much any and every film that’s ever been made about their work is Alan Moore. The writer is of the vehement opinion that it’s impossible to turn a comic book into a film that properly captures its essence, and as a result, adaptations of his work—from Zack Snyder‘s Watchmen to James McTeigue‘s V for Vendetta—rub him the wrong way. But out of every movie adaptation of his oeuvre, Moore had the most contempt for Stephen Norrington‘s The League of Extraordinary Gentlemen.

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In all fairness to Moore, this is far and away one of the most abysmal superhero movies ever made, so it’s difficult to blame him for disliking it. What really added salt to the wound, however, was the lawsuit brought forward against 20th Century Studios by Larry Cohen and Martin Poll, who claimed that the studio had plagiarized their script. Moore got tangled up in the whole ordeal, and that only made League all the more of an unpleasant experience.

1

‘The Shining’ (1980)

Jack holds a frightened Danny in his lap in The Shining
Jack holds a frightened Danny in his lap in The Shining
Image via Warner Bros. Pictures

As one of the authors whose work is most often adapted by Hollywood, and not often with good results, Stephen King is someone with a long track record of being critical of big-screen adaptations of his work. But the most notorious King adaptation that he despised, and perhaps the most notorious case of an author hating a movie based on their work, is Stanley Kubrick‘s The Shining. Based on the third novel King ever wrote, many think of this ’80s classic as one of the greatest horror movies ever made, complete with one of the scariest movie villains of all time—but the author himself disagreed.

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King’s dislike for Kubrick’s movie has become a subject of study itself, with fans having spent the last 46 years diving deep into why King might have felt such an aversion to this version of The Shining. He once said that it was the only adaptation of his novels that he could truly remember hating, calling it “maddening, perverse, and disappointing.” He admitted to Kubrick’s brilliance as a director, but felt that the film twisted the message and essence of what he had written as an allegory for alcoholism (with many autobiographical elements) into something he couldn’t recognize. Knowing King’s deeply personal connection to the story, it becomes impossible to blame him for hating what even the film’s biggest fans must admit is vastly different from the source material.


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The Shining


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Release Date

June 13, 1980

Runtime

144 minutes

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Director

Stanley Kubrick

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Kristen Doute Shares Sex Life Update With Luke Broderick

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The Valley’s Kristen Doute is opening up about sex with Luke Broderick after baby.

“I mean, we’re trying. It’s just hard,” Kristen, 43, exclusively shared with Us Weekly while celebrating season 3 of Bravo’s hit reality show. “It’s not like I don’t find him to be the most attractive person in the world, which I do, or that I don’t want that for us. But I’m just tired all the time, and I’m in survival mode. I’m just hyperfocused on [our baby] Kaia.”

During the season 3 premiere of The Valley on Wednesday, April 1, viewers watched Kristen’s fiancé open up to costar Jesse Lally about life after becoming a dad.

“Our relationship is completely lacking intimacy, which is tough,” Luke shared in the episode. “She shuts down every advance. At what point do you stop trying?”

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While some things never change, the cast of Vanderpump Rules is used to a shake-up … and a touch-up. Vanderpump Rules was introduced to Bravo viewers during a special episode of The Real Housewives of Beverly Hills in January 2013. Season 1 starred Lisa Vanderpump, Stassi Schroeder, Scheana Shay, Jax Taylor, Katie Maloney, Tom Sandoval […]

During a lunch date with Nia Sanchez, Kristen also admitted that she hasn’t had a date night with her man in nearly three months and acknowledged that she isn’t in love with her body after giving birth.

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“We’ve always had a healthy sex life,” she explained in a confessional interview. “But sex made a baby, and sex doesn’t exist.”

In a separate interview with Us, Luke acknowledged that things have improved since filming wrapped.

“You know, it’s a roller-coaster becoming new parents,” he shared. “I hope all new parents can identify with that. It’s still an up-and-down thing. We do improve. We move past things and something else comes up. So, overall, yes, things have improved.”

As for wedding planning, Luke said there haven’t been any major updates since welcoming a baby. That doesn’t mean a special ceremony isn’t going to happen in the future.

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“Ball’s in her court. I have also put a line in the sand that I am a hard no on a wedding that’s going to cost six figures before we have a house that we own,” he explained. “So that’s my line.”

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Related: Tom Schwartz Weighs In on Amanda Batula and West Wilson Relationship Drama

Getty Images (3) The Valley star Tom Schwartz is weighing in on the drama between the Summer House cast amid Amanda Batula and West Wilson’s controversial — and confirmed — romance. “I hope it’s not crashing down, because they have such a beautiful dynamic in that house,” Tom, 43, exclusively told Us Weekly of his […]

Through all the ups and downs of life, both Luke and Kristen are happy to have the support of their close friends Nia and Danny Booko.

“Nia and Danny, all my friends that have had babies, women online are super supportive,” Kristen shared with Us. “Our relationship took a back seat, but we know that that’s something we have to put more energy into.”

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The Valley airs on Bravo Wednesdays at 8 p.m. Stream new episodes the next day on Peacock.

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Jen Shah Reveals Ghislaine Maxwell Showed ‘No Remorse’

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GettyImages-181355199 Jen Shah Reveals Ghislaine Maxwell Showed No Remorse

Jen Shah has opened up about serving time at a Texas prison with convicted sex trafficker Ghislaine Maxwell, revealing that Maxwell showed “no remorse” for her late boyfriend Jeffrey Epstein’s victims.

“I had limited interactions with her,” the Real Housewives of Salt Lake City alum, 52, told People in an interview published on Wednesday, April 1. “I chose that. I chose to keep my distance.”

After pleading guilty to conspiracy to commit wire fraud in connection with a telemarketing scheme, Shah served time at the same Bryan, Texas, federal prison camp where Maxwell, 64, and convicted fraudster Elizabeth Holmes were also incarcerated.

Shax described Maxwell’s “experience” in prison as “very different” than anything she or Holmes, 42, endured.

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“[Maxwell] is treated very differently there,” Shah said. “I didn’t have a lot of interaction with her … She would come over and talk to us or I would see her … She made it very publicly known, at least to Elizabeth and I, that there’s no remorse there.”

The Bravo star went on, “Again, I obviously don’t know all the details of the case or whatever but we know enough. It was a lot when the [Epstein] victims would be on TV and talking, she [showed] just complete disregard for them. This was when they were pouring their hearts out in front of Congress for the [Epstein Files] to be released.”

“To see that kind of behavior when there are real victims that you’re seeing and what they’ve gone through, and to be so dismissive of that, that just didn’t sit right with me,” Shah added.

Maxwell was sentenced to 20 years behind bars following her 2022 conviction on charges of conspiracy to entice minors to travel to engage in illegal sex acts, conspiracy to transport minors to participate in illegal sex acts, transporting a minor to participate in illegal sex acts, sex trafficking conspiracy, and sex trafficking of a minor. (Maxwell maintains her innocence and has publicly appealed to President Donald Trump for a pardon.)

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Shah insisted that both she and Holmes “definitely” chose to keep their distance from Maxwell once they noticed her alleged ambivalence toward Epstein’s victims. (Epstein died by suicide at age 66 in August 2019 after being arrested on federal sex crimes charges.)

GettyImages-181355199 Jen Shah Reveals Ghislaine Maxwell Showed No Remorse

Ghislaine Maxwell in 2013.
Laura Cavanaugh/Getty Images

“I just feel like there should be a level of remorse for the victims,” Shah argued. “And she made it very publicly known — at least to Elizabeth and I — that there’s no remorse there. She outrightly said it.”

Shah raised concern over Maxwell’s alleged favorable treatment in prison, claiming that the former socialite received privileges that other inmates had no access to.

“[Maxwell] was treated very well there. She was afforded things that nobody else was afforded, like private workout sessions, special meals, bottled water,” Shah told People. “Everybody witnessed it, and I know that firsthand because I worked in [recreation] so I would have to clean things up. I was also asked for certain equipment because she was going to go work out late at night.”

Shah went on to say, “There’s a process you have to go through to schedule your legal calls. She would not have to go through the same process.”

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In response to Shah’s allegations, a spokesperson for the Bureau of Prisons told People that its staff is “committed to maintaining the highest standards of integrity, impartiality, and professionalism in the operation of its facilities.”

“Staff are required to treat all inmates equitably, in accordance with law, policy, and institutional security and safety protocols. Any deviation from this standard undermines public trust and the fair administration of justice,” a BOP statement read. “Violations of this policy are subject to a full range of disciplinary actions, up to and including removal from federal service and potential criminal prosecution.”

Us Weekly has reached out to the Bureau of Prisons for comment.

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Inside Jen Shahs Life After Being Released From Prison


Related: Inside ‘RHOSLC’ Alum Jen Shah’s Life After Being Released From Prison

The Real Housewives of Salt Lake City alum Jen Shah is a free woman. After serving less than three years of her six-and-a-half-year sentence for her role in a long-running nationwide telemarketing fraud scheme, the Bravo star was released from the Federal Prison Camp in Bryan, Texas, on December 10, 2025. “Jen Shah has demonstrated […]

Shah seemingly had a much friendlier rapport with former Theranos CEO Holmes, who was found guilty on four counts of fraud and conspiracy to commit fraud against investors in 2022.

“Lizzie and I are good friends,” Shah told the publication. “As another high-profile prisoner, there are just certain things you’re both dealing with, so you naturally come together in those instances.”

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For her part, Shah insisted that she is working to repay the $6.6 million she owes in restitution for allegedly defrauding elderly clients as part of a telemarketing scheme.

“I’d like to say that I’m sorry and I’m here and accepting responsibility and have made it my mission as part of my consequences to make sure that people are paid back through the restitution,” she said. “These people deserve to be made whole.”

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If you or someone you know is a human trafficking victim, contact the National Human Trafficking Hotline at 1-888-373-7888.

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