Shia LaBeouf‘s alleged disorderly behavior continues. Weeks after the “Even Stevens” actor was arrested during a New Orleans Mardi Gras celebration, he’s reportedly found himself in another unfortunate situation with the city’s community members. A new report claims that LaBeouf has been allegedly harassing individuals playing tennis at the club courts across the street from his house.

Shia LaBeouf Is Being Accused Of Harassing Tennis Club Members In His New Orleans Neighborhood

According to TMZ, members at the New Orleans Lawn Tennis Club were recently sent a notice warning them of a “new neighborhood resident whose continued outbursts have affected the club environment.”

An insider familiar with the situation told the outlet that the “Transformers” actor is the reported subject, claiming he normally sits on his porch, which is directly across from one of the club’s exits, and screams at members as they enter and leave the property.

Shia LaBeouf Has Reportedly Had Various Interactions With New Orleans Tennis Club Members

The source alleged that LaBeouf has had various interactions with members of the club, describing them as “hot and cold.” The insider even claimed that LaBeouf has offered to pay some members to play tennis with him and, at other times, has disrupted clinics.

While LaBeouf isn’t a member of the New Orleans Lawn Tennis Club, the notice asked its members to ignore his alleged unruly behavior and report any future incidents to the club’s management.

To curb some of the alleged interactions with LaBeouf, the club has now limited access to the gate facing LaBeouf’s property.

Shia LaBeouf Has Intense Interaction With Police

The report of the tennis club’s notice to members also comes nearly a week after police were spotted outside of LaBeouf’s New Orleans home. In a video obtained by TMZ, LaBeouf is seen having an explosive interaction with the cops; however, it’s unclear what they were discussing.

At one point during the exchange, the “Holes” actor is heard saying, “You gotta understand who I am. I’m a target.”

Things took a sharp turn elsewhere in the clip, as LaBeouf is shown walking back-and-forth while screaming, “I have a f—-ng three-year-old!” before saying he’d been “sitting in jail for f—ing four months for punching a man.”

The video also showed LaBeouf appearing to cry while shouting, “What are you talking about? That’s why I never call you.”

LaBeouf Accused Of Using Homophobic Slurs During February 2026 Arrest

A month before this, LaBeouf had been arrested and charged with battery after allegedly hitting several people during Mardi Gras, according to AP. The actor also reportedly used homophobic language before being taken into custody.

The New Orleans Police Department stated in a report that LaBeouf had grown frustrated and became “aggressive” during Mardi Gras and reportedly punched multiple patrons at the Royal Street Inn & R Bar.

“He hit me, he connected a few times with punches, he pushed me a few times,” LaBeouf’s alleged victim, Jeffrey Damnit, said in the police report.

Damnit explained that he was wearing lipstick and other makeup before the attack and believed that was why LaBeouf allegedly reacted the way he did.

“That’s just somehow something that set him off, angered him and gave him a direction for his anger,” Damnit shared. “This guy wants me to be dead because I wear makeup. It’s a screwed up thing.”

LaBeouf Says He Has a Fear Of ‘Gay People’

LaBeouf addressed his arrest during a wide-ranging interview with YouTuber Andrew Callaghan. During his appearance, the actor said that the reported events of that night stemmed from his fear of gay men.

“When I’m standing by myself and three gays are next to me touching my leg, I get scared,” he said. “I’m sorry. If that’s homophobic, then I’m that. Yeah.”

LaBeouf went on to say that while he’s OK “with gay,” he admitted that “big gay people are scary to me.” He went on to say that’s what influenced his behavior, plus he was “drunk.”

“… it’s Mardi Gras. So everything I’m saying is nonsense,” he added.

Also in that interview, according to The Blast, LaBeouf opened up about his drinking and said that he didn’t believe he had a problem. “I think I have a different problem, and I’m gonna address it … I think I have a small man complex. I think it’s something that has to do with anger and ego more than my drinking,” he said.

Dialogue is the lifeblood of drama. Sure, film is a visual medium, but the script is where character reveals itself, where conflict sharpens, and where ideas take on emotional weight. Some of the all-time best drama movies use their writing to cut, seduce, persuade, and destroy.

The titles below understand that what characters say (and just as importantly, what they choose not to say) can carry more tension, emotion, and meaning than any spectacle. Whether sharp and cutting, poetic and expressive, or quiet and painfully honest, all of them reel the viewer in with phenomenal writing.

‘Who’s Afraid of Virginia Woolf?’ (1966)

Image via Warner Bros. Pictures

“What a dump.” In Who’s Afraid of Virginia Woolf?, a middle-aged couple, George (Richard Burton) and Martha (Elizabeth Taylor), invite a younger couple over for drinks, a decision that spirals into a long, alcohol-fueled night of psychological warfare, emotional games, and brutal honesty. Adapted from Edward Albee’s play, the movie is powered by verbal sparring, with George and Martha using words to wound, manipulate, and expose one another. The conversations are rhythmic and always escalating, growing more intense, more personal, and more destructive as the night progresses.

The dialogue is impressively psychologically complex, too. The insults are vicious, but beneath them lies something deeper, a shared dependency that neither George nor Martha can escape. Indeed, the lines are usually layered with subtext. Characters rarely say exactly what they mean, instead dealing in hidden motivations and emotional undercurrents. It’s all in service to some incisive thematic exploration that was unusually frank for the time, delving deep into issues of marriage, failure, and identity.

‘Glengarry Glen Ross’ (1992)

Image via New Line Cinema

“Always be closing.” Based on David Mamet‘s Pulitzer-winning play, Glengarry Glen Ross follows a group of desperate real estate salesmen competing for leads in a high-pressure office environment. That premise might seem mundane, but it becomes a sharp, dark examination of ambition and moral compromise. It helps that the cast is incredibly stacked, including a murderer’s row of heavy hitters like Al Pacino, Jack Lemmon, Alec Baldwin, Alan Arkin, and Ed Harris, though the sturdy foundation for their performances is the stellar screenplay.

Mamet’s script is built on repetition, rhythm, and profanity (lots of profanity). It’s often poetic, almost musical, but also incredibly aggressive and intense. In this world, language is power. Every character is a salesman, and every interaction becomes a pitch, a bluff, or a negotiation; words are used to persuade, intimidate, and deceive. As a result, the movie is practically overflowing with memorable, quotable lines. The most famous ones come from Baldwin’s big monologue, a perfect encapsulation of the characters’ ruthless worldview.

‘A Streetcar Named Desire’ (1951)

Image via Warner Bros.

“I have always depended on the kindness of strangers.” Yet another masterpiece that started as a stage production, A Streetcar Named Desire features Vivien Leigh as Blanche DuBois, who arrives in New Orleans to stay with her sister Stella (Kim Hunter) and her brutish brother-in-law Stanley (Marlon Brando). Their apartment becomes a psychological pressure-cooker as Blanche’s fragile illusions clash with Stanley’s harsh realism. While the movie is most famous now for Brando’s phenomenal performance, a milestone in the development of method acting, the script is also brilliant.

It’s heightened and, at times, lyrical, but also deeply human. Every impulse and subtle detail feels simultaneously precisely crafted and organic. Crucially, Tennessee Williams gives each character a distinct voice, reflecting their desires, fears, and delusions. A lot of the narrative momentum comes from the contrast between Blanche’s poetic, almost theatrical speech and Stanley’s blunt, physical language. All in all, a phenomenal confluence of script, stars, and director.

‘The Social Network’ (2010)

Image via Sony Pictures Releasing

“You don’t get to 500 million friends without making a few enemies.” Aaron Sorkin is one of the leading lights of 21st-century screenwriting, and The Social Network is his magnum opus. He and director David Fincher chronicle the rise of Facebook and the legal battles that followed, focusing on Mark Zuckerberg’s (Jesse Eisenberg) complicated relationships with his co-founders and peers. The dialogue is fast, precise, and intellectually charged, perfectly suited to the hyper-competitive world of tech entrepreneurship.

Exchanges are barbed, witty, and frequently hilarious, but also loaded with emotional baggage. Fundamentally, it is a portrait of a sprawling digital empire and the lone, insecure man at its center. In the process, The Social Network becomes a broader statement on our current era of social media, algorithms, inequality, and tech oligarchs. The film was way ahead of the curve, making it one of the masterpieces of the early social media age. Its themes resonate even more today.

‘Network’ (1976)

Image via Metro-Goldwyn-Mayer

“I’m as mad as hell, and I’m not going to take this anymore!” In Network, a struggling television network exploits the mental breakdown of its news anchor, turning his on-air rants into a ratings phenomenon. Rather than scaring viewers off, Howard Beale’s (Peter Finch) unhinged ravings make the show more popular than ever. As the spectacle grows, the line between news, entertainment, and deception blurs completely. This setup becomes the launching pad for one of the scorching media satires in movie history.

The characters are defined by how they speak, from the cold, calculated language of the executives to the emotional volatility of Beale. Today, given the rise of reality TV, audience capture, rage bait, and politics as entertainment, Network feels more topical than ever. The movie’s admirers include Aaron Sorkin, who said of it: “No predictor of the future, not even Orwell, has ever been as right as [Paddy] Chayefsky was when he wrote Network.”

‘All About Eve’ (1950)

Image via 20th Century Studios

“Fasten your seatbelts. It’s going to be a bumpy night.” In All About Eve, an aging Broadway star, Margo Channing (Bette Davis), befriends a seemingly devoted young fan, Eve Harrington (Anne Baxter), who slowly ingratiates herself into Margo’s life and career. But what first seems like innocent admiration gradually reveals itself to be something far more calculated and dangerous. Soon, the characters are wielding words like weapons; sparing, posturing, flattering, attacking. The writing strikes a fine balance between being stylish and truthful.

It’s polished and memorable, but it never feels empty. Every clever remark tells you something about status, ego, or hidden intent. It also captures the world of theatre and performance beautifully. These are people who live through presentation, image, and drama, so heightened language makes sense in this world. In this regard, writer-director Joseph L. Mankiewicz‘s screenplay is a masterclass in verbal elegance, filled with biting observations about ambition, aging, and performance, both onstage and off.

‘Before Sunset’ (2004)

Image via Warner Independent Pictures

“If there’s any kind of magic in this world… it must be in the attempt of understanding someone.” Most of the movies on this list shine with dialogue that’s witty, intricate, and carefully contrasted. Before Sunset, by contrast, is great because it feels so natural and real, more like a slice-of-life. The second installment in Richard Linklater‘s beloved trilogy reunites Jesse (Ethan Hawke) and Celine (Julie Delpy) nine years after their brief encounter in Vienna. Over a single afternoon in Paris, they walk, talk, and reconnect, revisiting the choices and regrets that have shaped their lives.

Their conversations feel spontaneous, as if we are eavesdropping on real people rather than watching characters perform. This feeling of authenticity and urgency is heightened by the fact that the movie unfolds in real-time. Finally, the dialogue is deeply layered. On the surface, the characters talk about their lives, careers, and experiences. But beneath that, every line carries unspoken feelings: regret, longing, missed opportunities, and unresolved love.

‘The Godfather’ (1972)

“I’m gonna make him an offer he can’t refuse.” Together, Francis Ford Coppola and Mario Puzo turned the latter’s pulpy novel into perhaps the greatest screenplay in gangster movie history. It’s practically Shakespearean, following the shifting power dynamics of the Corleone crime family as patriarch Vito Corleone (Marlon Brando) passes the mantle to his son Michael (Al Pacino). The crux of the story is Michael’s transformation from reluctant outsider to ruthless leader.

The character development is fantastic, and the script is loaded with memorable quotes. One of its greatest strengths is its economy and control. Characters rarely speak more than necessary, and when they do, every line carries weight. For figures like Vito, every conversation is deliberate. Each word has been carefully chosen to maintain authority or conceal intention. Rather than being melodramatic, the dialogue in The Godfather tends to be quiet and restrained, which only increases its impact.

’12 Angry Men’ (1957)

Image via United Artists

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“It’s not easy to stand alone against the ridicule of others.” 12 Angry Men takes place almost entirely in a jury room, where twelve men must decide the fate of a young boy accused of murder. As deliberations begin, one juror (Henry Fonda) challenges the others to reconsider the evidence, sparking intense debate. There’s no action to speak of. Rather, dialogue serves as the engine of both character and plot. The film unfolds entirely through argument, with each juror bringing their own biases, experiences, and perspectives into the discussion.

A big part of what makes the dialogue so compelling is its progression: each exchange shifts the balance, slowly transforming certainty into doubt. The exchanges are psychologically and morally tense. Impressively, these conversations feel realistic while also serving as a microcosm for society as a whole. For instance, certain characters become stand-ins for entire points of view, yet they’re never reduced to archetypes.

‘Casablanca’ (1942)

Image via Warner Bros. Pictures

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“Here’s looking at you, kid.” In Casablanca, Humphrey Bogart turns in one of his most iconic performances as Rick Blaine, a cynical nightclub owner in wartime Morocco, forced to confront his past when his former lover Ilsa (Ingrid Bergman) re-enters his life, accompanied by her resistance leader husband. The story boasts one of the most quotable scripts ever written, a fantastic fusion of romance, humor, and political tension.

Characters speak with a kind of controlled charm, especially the dry, understated Rick. Thematically, their conversations move seamlessly between personal emotion and the larger wartime context. In addition, their exchanges are simply striking and memorable. So many lines from this film are now famous the world over: “We’ll always have Paris”, “Of all the gin joints, in all the towns, in all the world, she walks into mine”, and, of course, “Louis, I think this is the beginning of a beautiful friendship.”

Rihanna is likely still shaken following the terrifying incident earlier this month when a woman fired multiple rounds into her home. 

The suspect, who continues to remain in custody, formally entered her plea in the case during a recent court appearance.

Ivanna Ortiz Formally Enters Not Guilty Plea In Rihanna’s Home Shooting

According to PEOPLE, on Wednesday, March 25, during an appearance at Los Angeles Superior Court, Ivanna Ortiz pled not guilty to a host of charges connected to her allegedly shooting at Rihanna’s home on March 8 while the superstar and her three children were inside.

Among the charges against her, the most serious is attempted murder, as Ortiz is accused of brandishing an AR-15 rifle and firing off 10 rounds at Rihanna’s home.

In addition to attempted murder, Ortiz is facing 13 other felony counts, including 10 of assault with a semiautomatic firearm and three of shooting at an inhabited dwelling or camper.

After initially being held on $10 million bail, that amount was reduced to the current sum of $1.875 million. If convicted, Ortiz could receive a sentence of life in prison. 

Ortiz Told Estranged Husband To ‘Renounce’ Rihanna Weeks Before Shooting

Per TMZ, in court documents in Ortiz’s case, her estranged husband, Jed Valdez Sangalang, shared an email he received from Ortiz on January 26, in which she told him to “renounce” the Fenty Beauty founder.

“I need you to renounce Rihanna and confess that I’m better than her,” Ortiz’s email read. “Let it be done. You gotta let me know so that door can be closed.”

Following the news of the shooting and Ortiz’s arrest, Sangalang has now asked the court for full custody of the former couple’s child and also the designated rights for sole decision-making. 

The Suspect Has A Lengthy And Bizarre Online History Of Attacking Rihanna

According to the New York Post, Ortiz’s social media posts targeting Rihanna have been uncovered after she fired multiple shots at the singer’s home, including the most recent post on February 23.

“@badgalriri — Are you there? Cause I was waiting for your AIDS 5-head self to say something to me directly instead of sneaking around like you’re talking to me where I’m not at,” Ortiz wrote on Facebook.

A post on February 17 from Ortiz also mentioned the false claims of Rihanna having AIDS and included Drake in the rant. 

Additionally, on January 5 via her YouTube channel, Ortiz held a Praying Woman’s Journal and used it to rebuke Rihanna’s influence. In the video, Ortiz repeatedly described Rihanna as “corny” and “stupid,” implying that there was spiritual warfare and that people needed to avoid the singer’s negative influence. 

Ortiz also bizarrely accused Rihanna of trying to kill her. 

“Listen, Rihanna, when you die, God is taking me to my future,” she said. “You want to kill me? Shut the f-ck up. Okay, shut the f-ck up. Yeah, she’s a witch. She’s a witch. I’m a watchman. She’s a witch.”

Ivanna Ortiz Has Documented History Of Mental Illness

Hal Roen, the attorney of Ortiz’s estranged husband, shared that she was previously placed on an involuntary psychiatric hold, according to TMZ. Roen also revealed that Ortiz was “Baker Acted” in Florida, meaning she was held against her will under state law.

Roen told the outlet that Ortiz is “articulate” and “very believable” despite her mental health issues. “If you sit down with her, she’s very convincing. But she does bizarre things,” he said.

A Florida judge also cited Ortiz’s mental state in April 2024 during a custody battle with ex Sangalang. The court documents obtained by the outlet stated that the legal umpire awarded Sangalang full physical custody of his child with Ortiz.

Despite her attempts in court to deny the allegations, the judge highlighted the “concerning testimony” about Ortiz’s mental health and stripped her of all contact with her child.

Ortiz was barred from having any in-person, phone, video, text, email, or third-party communication with her child until further order from the court. 

She was also previously arrested for domestic violence, resulting in probation.

Rihanna Left Her Los Angeles Home After The Shooting And Has Not Returned

A day after the shooting at her home, Rihanna was photographed traveling in a line of black SUVs to the private aviation terminal at Van Nuys Airport on Monday, March 10, according to Daily Mail.

The Fenty Beauty founder and Grammy winner was then said to board a small twin-engine jet to fly out of Los Angeles.

Comedy legends Cheech Marin and Tommy Chong have been through just about everything together on-screen. They’ve commandeered a van made of weed across the border in Up in Smoke, accidentally sparked The French Revolution in The Corsican Brothers, and, of course, did a lot of joking and toking along the way. However, it’s now time for the stoners’ final road trip to head home. Collider can exclusively reveal that Paramount+ is adding Cheech & Chong’s Last Movie to its catalog on a very fitting day — April 20. It’ll also be exactly one year since their retrospective feature first rolled into theaters to celebrate their favorite holiday.

Part buddy road trip movie and part documentary, Cheech & Chong’s Last Movie follows two of comedy’s best buds on a long, laugh-filled drive to a place called “The Joint.” Along the way, they reflect on their lifelong friendship, from childhood to the heights of their careers in the 1960s through the 80s and beyond their break-up, also exploring how their counterculture stoner humor evolved into a brand that stands strong over 50 years later with a catalog of movies, packed concerts, platinum-selling records, and even a mobile game. Interspersed are plenty of archival footage, iconic moments from the duo on-screen and on-stage, animations, interviews, and more that add further context to their rise in a landscape that didn’t respect comedians and their impact as blockbuster rock stars of stand-up. Beneath all the laughter is a portrait of a tender bond that’s survived plenty of bumps in the road and is now as strong as ever.

Paramount+ landing this heartfelt and hilarious project is fitting considering it’s where Marin and Chong began their cinematic journey. “We’re coming home,” director David Bushell said about Last Movie‘s upcoming home release. “Cheech & Chong’s first movie, Up In Smoke, was released by Paramount back in 1978. We cannot think of a better partner to premiere Cheech & Chong’s Last Movie on streaming. They Keep Smokin’!” It was Paramount’s release of Up in Smoke that helped cement the duo as forever icons, earning $104 million worldwide on a budget of just $4 million. Bushnell also helped produce the documentary alongside Chong’s daughter, Robbi Chong, with John Paul DeJoria, Gary Haseley, Cleo Segura Sherrel, and Christian Selleron set as executive producers.

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Today, we’re plunging into the deep ocean that is SJP’s filmography. You’ll need to be a real shark to hunt down the correct answers.

‘Cheech & Chong’s Last Movie’ Is Riding High With Critics and Audiences

Last Movie was about as heroic a send-off as Cheech & Chong could hope for when it debuted at SXSW in 2024. Bushell’s directorial debut was met with widespread praise and an 87% score on Rotten Tomatoes, thanks in part to the pair’s enduring chemistry when they’re together and the film’s surprisingly touching look back on a lifetime of friendship. Collider’s Jeff Ewing was also high on the feature in his 8/10 review, calling it “a fantastic and revealing celebration of two comedy legends” and praising the light and breezy road trip format that lets the two be vulnerable to each other. Now, at long last, fans will get to see this duo hash it out one last time from the comfort of their homes.

Cheech & Chong’s Last Movie arrives on Paramount+ on April 20. Check out the official trailer in the player above.

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Release Date

April 25, 2025

Runtime

123 minutes

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Director

David L. Bushell

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Justin Timberlake and Jessica Biel’s relationship is once again under intense scrutiny, with mounting reports suggesting years of strain may finally be catching up to them. 

What once appeared to be a solid Hollywood marriage has been tested by public controversies, legal trouble, career setbacks, and personal challenges. 

While the couple continues to show a united front in public, insiders say the reality has been far more complicated, with Biel now reportedly reaching a breaking point after enduring a series of difficult moments.

Justin Timberlake Marriage Rumors Intensify As Insiders Speak Out

Justin Timberlake’s relationship with Biel has reportedly been under pressure for years, with insiders now laying bare just how serious things have become.

“Rumors have been swirling for ages that Justin and Jessica’s marriage could be headed for trouble,” a source told the Daily Mail, pointing to the imbalance in their careers and ongoing personal challenges. 

They cited Timberlake’s last tour, describing it as a “near disaster” and his career as “waned,” as opposed to Biel who has been working on various projects lately. 

The insider didn’t hold back, adding, “There’s only so much she can put up with,” and claiming that “Justin’s almost pushed her to the edge.”

Another source echoed similar concerns, explaining, “Justin and Jessica have had a bumpy marriage, and spending time together hasn’t always been at the forefront for them – which obviously puts a strain on a relationship.” 

They added bluntly, “His DUI and Lyme Disease issues haven’t helped either.”

Timberlake’s Arrest Forces The Couple Back Into The Spotlight

Justin Timberlake’s June 2024 DWI arrest in Sag Harbor became a defining moment in the couple’s recent struggles.

During the incident, the singer was seen struggling through field sobriety tests, telling officers they were “really hard tests.” 

He also claimed he had “one martini and I followed my f-cking friends home,” while pushing back on being treated like a criminal and explaining that he was on a world tour.

His legal team initially tried to block the release of the footage, arguing it would expose “intimate, highly personal, and sensitive details” and lead to “public ridicule and harassment,” but a settlement ultimately allowed it to be made public.

He later pleaded guilty to impaired driving, accepting a $500 fine, 25 hours of community service, and a 90-day license suspension. 

At the time, insiders said Biel was “embarrassed” and hoped the incident would serve as a wake-up call, especially as the couple was forced to relive the moment following the release of the footage.

Justin Timberlake’s Past Controversies Continue To Follow Him

Long before the arrest, Timberlake had already faced moments that placed strain on his marriage.

In 2019, photos of him holding hands with co-star Alisha Wainwright in New Orleans sparked widespread backlash. 

The singer later issued a public apology, admitting to a “strong lapse in judgment” after drinking way too much, while insisting that nothing happened.

The following year, he was criticized for speaking about the realities of 24-hour parenting during the COVID-19 pandemic, comments that were widely mocked online.

Then came renewed scrutiny from Britney Spears’ memoir, which included claims that he cheated and that she had an abortion because he “wasn’t ready” to become a father. 

While Timberlake did not directly respond to those allegations, he told fans during a performance that he was “apologizing to absolutely nobody.” 

Each controversy added another layer of pressure to an already complicated relationship.

Timberlake’s Career Setbacks And Health Battle Add Strain

Beyond personal controversies, Justin Timberlake has also faced professional setbacks that insiders say have added to the strain.

His Forget Tomorrow World Tour faced significant criticism and setbacks, including multiple cancellations reportedly tied to illness and complaints about lackluster performances. 

Fans took to social media to express disappointment, describing the shows as “an absolute disappointment” and saying everyone hated his mid-performance and overall stage performance. 

Others bluntly stated that “he sucked” and looked like he couldn’t wait to get off the stage!”

Amid the backlash, Timberlake revealed he had been diagnosed with Lyme disease, describing it as “relentlessly debilitating, both mentally and physically.” 

He admitted he had considered canceling the tour while trying to shed some light on what he had been up against behind the scenes.

While he dealt with these challenges, Biel remained focused on her own career, filming projects in Morocco, Slovakia, and Hungary.

Justin Timberlake’s Future Plans Could Create Even More Tension

Looking ahead, Timberlake may face new challenges tied to his next moves. Insiders claim a potential NSYNC reunion could become another sticking point. 

“One of the reasons there hasn’t been an NSYNC reunion is because Justin would have to devote so much time to it which would take him away from Jessica and their family, and she doesn’t like that,” a source explained.

“She feels that he doesn’t have to do a reunion. She doesn’t want him to and would rather he focus on the future,” they added.

Despite everything, another insider insisted there is still hope, saying “there is still enough love there” and that Timberlake “wants it to work, so that’s why it is right now.”

They added that if the duo were ever to break up and get divorced, it would not be on Timberlake’s watch, but because Biel wants it. 

“He never wants to lose her,” the insider stated, noting that the “Mirrors” singer would rather stay in a miserable relationship with the chance of making it great again than choose divorce.

The Scary Movie franchise was originally developed by Keenan Ivory Wayans alongside Shawn and Marlon Wayans, with Keenan directing the first two films. The out-of-the-box franchise isn’t exactly what anyone would refer to as “peak comedy,” but it has still managed to withstand time for several decades and reliably keep general audiences entertained for 90 minutes. The movies, most of which star the irreplaceable Anna Faris, Shawn Wayans, Marlon Wayans, and Regina Hall, are silly and absurd, with notable jokes so dumb, lewd, crass, and occasionally corny that many might often feel a tad embarrassed when they find themselves giggling along. These spoof movies mock contemporary horror films such as The Ring, Signs, and What Lies Beneath, as well as other popular films from over the years, like 8 Mile, Thelma & Louise, and Boogie Nights.

They inspired multiple copycats, each worse than the previous one, with none of them coming close to being capable of recreating the original’s unexpected but deserving success. Like so many franchises, the Scary Movie series is inconsistent, chaotic, and irresistible; it ranges from cult comedy classics to noteworthy films that have become a staple in pop culture. However, there is something to be said about its sheer commitment to absurdity and stupidity. When looking at all five films together, it’s not exactly difficult to declare which of the Scary Movies is the best and which is the worst. The series’ early entries are not only the best-received but the most beloved among modern audiences, but is Scary Movie 3 better than Scary Movie or Scary Movie 2? The answer might be more shocking than you think (and timely to discover now that Scary Movie 6 is just around the corner).

5

‘Scary Movie 5’ (2013)

Image via Dimension Films

It’s not an overstatement to say that Scary Movie 5 is among the worst movies ever made and the worst in the franchise; it makes its predecessors look like masterpieces, and that’s saying quite a lot. This movie has so much contempt for the intelligence level of its viewers, it’s shocking and quite baffling. There’s no sugar-coating it; it’s bad in every possible way. Even dreadful films are usually somewhat aware of the fundamentals of movie-making, like spatial awareness and basic film editing — not Scary Movie 5, which is a movie that fails miserably at even those simplest tasks. Some would think they just didn’t even bother trying in this film and were just doing it based on some contract agreement.

The film attempts to spoof the Paranormal Activity film franchise and other popular films like Guillermo Del Toro‘s psychological thriller Mama and the Oscar-nominated Black Swan starring Natalie Portman, but there isn’t a single laugh to be found or heard among audiences (not even a little giggle). It’s hard to reconcile that people were actually paid pretty good money to make this half-attempt travesty, especially with so many talented artists working their butts off on it to get by. While watching this cinematic train wreck, the average viewer will most likely feel incredibly embarrassed for everybody involved, especially Ashley Tisdale and Simon Rex, two actors who are way too good to be involved in this unacceptable trash. In other words, some movies really shouldn’t exist, and Scary Movie 5 is by far one of them.

4

‘Scary Movie 2’ (2001)

Image via Dimension Films

While no great feat, Scary Movie 2 alleviates some of the issues that plagued the original Scary Movie, resulting in a fairly decent sequel with some new and familiar talent on board. The film takes place in a spooky mansion where a social experiment is being conducted with Cindy and her friends selected as the lucky few participants due to their previous involvement with the mass murders and paranormal events from the first film. For one, Scary Movie 2 parodies some of the all-time best horror movies, including The Exorcist, The Haunting, Poltergeist, and The Amityville Horror (and randomly a spoof on a Nike commercial, which is pretty entertaining). There is also a very foul-mouthed parrot that adds a bit of derogatory shock value to the film’s overall comedy. It also has the added strength of great comedic actors like the legendary Tim Curry, Chris Elliot, and David Cross, elevating average material. The film also adds in some non-horror films, like the Oscar-winning film, Titanic, and Charlie’s Angels, which mix things up a bit plot-wise compared to the first film.

While not a complete comedy revelation, Scary Movie 2 has a fair number of jokes that are surprisingly decent and occasionally laugh-out-loud funny (“that’s my strong hand!”) The cinematography, sound design, overall acting by a colorful cast, and solid visual effects are a big improvement from its predecessor, mainly because of the large increase in the film’s budget. However, its music and gross-out gags are more overdone in this sequel, often threatening to take the film in uncomfortable and unfunny directions. Like other uneven and overly vulgar comedies, Scary Movie 2‘s quality depends on the mood of whoever is watching it. With that said, viewers should watch it only if they’re already in a good mood or willing to let some over-the-top moments pass.

3

‘Scary Movie’ (2000)

Image via Dimension Films

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Let’s be honest, Scary Movie is a weird but one-of-a-kind movie that spawned a different kind of comedy franchise by spoofing some of the most popular horror films, such as Wes Craven‘s Scream, I Know What You Did Last Summer, and The Sixth Sense. There are plenty of jokes that haven’t aged well and are politically incorrect — maybe even cruel by today’s standards — but it still has some moments that have become iconic among original fans. Whatever you may think, it rises, if not necessarily soars, on the strength of a perfectly chosen cast that vastly improves what’s on paper. Faris and Hall are comedic geniuses, and the heart and soul of the film, and their abilities are on full display in this first installment. However, the supporting cast is equally impressive, with Marlon and Shawn Wayans, Shannon Elizabeth, and Jon Abrahams embracing the film’s unhinged humor.

Still, not everything is great in this first installment. While the film takes from several films, it is primarily a parody of the Scream films. Scary Movie’s biggest failure is that Scream is already a meta-satire of the traditional slasher horror film and a far more clever, funny, and highly memorable one, for that matter. It might seem easy to just discard Scary Movie as the film equivalent of a basic photocopy of a photocopy, but it does have a variety of other films it parodies that help the movie’s overall plot (no matter how ridiculous it may get) stand out a bit. However, there is a level of genuine genius in what it did: launching a profitable franchise, initiating a cinematic movement that marked the nineties’ era, and propelling the careers of many of its stars to new heights. Scary Movie is stupidly brilliant, surprisingly quotable, and annoyingly entertaining. It offers nothing more than what it advertises, and honestly, how many films can truly say that?

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‘Scary Movie 4’ (2006)

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Scary Movie 4 is the second film in the humorous franchise directed by legendary spoof filmmaker and director David Zucker, who co-directed some of the best American comedies of all time, including Ruthless People, Airplane!, and The Naked Gun. Scary Movie 4 is so lightweight and breezy that when it ends, it feels like no time has passed at all. It’s a welcome mockery of the J-horror craze of the early nineties, insanely intense and graphic torture porn like the Saw series, and several alien invasion blockbusters, primarily Steven Spielberg’s War of the Worlds starring Tom Cruise. The movie also features several cameos by celebrities, most notably NBA star, Shaquille O’Neal and famed talk show host Dr. Phil, who both find themselves in one of Jigsaw’s vile games.

Iconic comedy actor Leslie Nielsen returns with his legendary spoof credentials to the floor, portraying the incompetent and bizarre President of the United States of America. His scene parodying President George W. Bush’s infamous “My Pet Goat” fiasco is a wild stand-out moment, but it does cross a slight line, which is excusable considering the tone of the film. Faris reliably delivers a stellar performance and remains the funniest attribute of the entire film series. Her wistful inclinations and earnest naivety provide even the silliest jokes with an unusual layer of truthfulness and honesty. Hall’s character, Brenda, also makes a miraculous return after her apparent death in the previous entry, mainly because this series is nothing without her and Cindy, and anything is possible in this franchise. Scary Movie 4 is a relentlessly humorous and entertaining, turn-your-brain-off experience and a more than satisfying end to the Scary Movie saga as fans knew and loved it.

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‘Scary Movie 3’ (2003)

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The first film of the series to be directed by David Zucker, Scary Movie 3 is the most consistently funny entry of the entire film franchise. It features ridiculous spoofs of massive pop-cultural hits like The Ring, the Matrix films, 8 Mile, and M. Night Shyamalan’s Signs, and features many welcome additions to the series. Faris’ character, Cindy Campbell, is now a TV journalist investigating a series of cryptic alien crop circles and a mysterious tape that supposedly kills its victims seven days after they view it (sounds awfully familiar).

With the exit of the Wayans Brothers, the entire success of the movie is thrust onto Anna Faris and Regina Hall’s capable shoulders; suffice it to say, they more than delivered, but were helped by some newcomers such as Leslie Nelson, Anthony Anderson, Kevin Hart, and Queen Latifah. Faris has amazing comedic and even romantic chemistry with Simon Rex and spoof veteran Charlie Sheen, who nail their roles as brothers who own a farm, parodying the Mel Gibson and Joaquin Phoenix characters from Signs. The most well-written, tightly paced, and clever of the five Scary Movie films, Scary Movie 3 excels not only as a spoof movie but also as a genuine comedy, thanks to its memorable gags, overall top-notch performances, and its willingness to be something more than just a cheap mockery of horror movies.

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Scary Movie 3

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Release Date

October 24, 2003

Runtime

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84 minutes

Director

David Zucker

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Writers

Craig Mazin, Pat Proft

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Disturbing new details have emerged in the case against Joseph Duggar, with a minor’s account now forming the center of a growing legal storm. 

According to newly surfaced documents, the allegations date back years and involve incidents that reportedly occurred during a family vacation.

As authorities piece together what happened, statements from family members and insiders are adding layers to an already complex and deeply troubling situation surrounding Joseph.

Joseph Duggar Accused Of Repeated Incidents During Family Vacation

Joseph Duggar was arrested last week in Tontitown, Arkansas, following allegations tied to incidents that allegedly occurred in Florida. 

According to an affidavit obtained by PEOPLE, the accuser, now 14, claimed she experienced various incidents of sexual abuse when she was nine years old during a trip to Panama City Beach.

At the time, Joseph and his wife, Kendra, had two children, and she was pregnant with their third.

The young girl told investigators she would often sit on Duggar’s lap, where he would “cradle [her] with his arms.”

As the trip continued, she alleged that his behavior escalated. The former reality TV star allegedly later asked her to sit beside him on a couch, where he covered them with a blanket and began touching her thighs.

The affidavit states that during these interactions, his hand allegedly grazed her vagina while remaining outside her underwear. 

“Once the parties were covered, the defendant would pull the victim’s dress up and touch the victim’s thighs,” it revealed. 

The incidents reportedly happened multiple times, leaving the child feeling “confused” and “uncomfortable.”

Joseph Allegedly Admitted Actions During Phone Call

After the minor gave a forensic interview to a detective in Arkansas, investigators moved to gather additional evidence. 

According to the affidavit, Deputy Sheriff Darrell Norris requested that the detective and the victim’s father contact Joseph in an effort to obtain a confession.

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During that call, authorities claim the 31-year-old acknowledged what had happened. The affidavit states he “admitted his actions, stating he touched the victim over her clothing” and also “admitted his intentions were not pure.”

That alleged admission became a key component in securing an arrest warrant, which was later executed in Arkansas. 

Officials said the investigation began after a report of past sexual abuse was shared with law enforcement, leading to coordination between agencies in Arkansas and Florida. 

Joseph is now being held as he awaits extradition to face charges tied to lewd and lascivious behavior involving a minor under the age of 12.

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Joseph Duggar Faces Additional Charges Alongside Wife Kendra

As the case unfolds, Joseph is also facing additional legal trouble in Arkansas. 

The Blast reported that both he and his wife, Kendra, have been charged with four counts of second-degree endangering the welfare of a minor, as well as four counts of second-degree false imprisonment.

Kendra was taken into custody and released on bond shortly after her arrest, while her husband remains detained. 

Police noted that these Arkansas charges are reportedly not connected to the Florida case, adding another layer of complexity to the situation.

Meanwhile, Joseph’s mugshot, showing him with a thick beard and a serious expression, was released, drawing comparisons to earlier legal issues involving his brother Josh Duggar.

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Joseph’s Family Reacts As Case Sparks Shock And Outrage

Joseph Duggar’s arrest has prompted reactions from multiple family members, many expressing shock while emphasizing support for the alleged victim. 

His brother Josh, who is currently serving a prison sentence, released a statement through his attorney, saying, per the Daily Mail, “Josh understands the stigma of being accused.” 

The statement continued, “He lives with the painful reality of how false accusations can destroy a life. He understands how the targeting of a person for publicity can twist the truth into sensationalized fiction.”

His sister Jill also addressed the situation publicly on her family blog with a post, writing, “We were shocked yesterday evening to learn of Jill’s brother’s [Joseph Duggar’s] arrest.” 

She added, “We strongly condemn abuse. We support the rule of law and hope that justice will be achieved.” 

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The statement continued with support for the alleged victim, noting, “Our hearts go out to the innocent juvenile victim of this unspeakable crime and her family.”

Joseph Duggar Case Draws Strong Words From Cousin Amy Duggar

Joseph’s cousin Amy Duggar also spoke out, offering one of the most direct responses from within the family. 

As The Blast reported, she described her reaction as deeply emotional, saying she felt “sickened, heartbroken and deeply angry” after learning about the allegations.

Amy emphasized her concern for the alleged victim, stating that the child “deserved to be safe, protected and surrounded by people she could trust.” 

She also highlighted the courage it took for the accuser to come forward, noting that “that bravery deserves to be honored above all else.”

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While she admitted to being “utterly shocked,” Amy added that she was “not surprised that another alleged predator has emerged from this toxic system.” 

She also shared that she has worked to break harmful patterns within her own family.

In addition to her support for the alleged victim, Amy said she is praying for Joseph’s wife and children as they navigate the situation. 

She concluded by expressing hope that “justice will be served to the fullest,” as the case continues to develop.

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Arguably one of the most iconic and popular musical acts of all time, The Beatles changed pop and rock music forever the moment they hit the scene. Maintaining the top spot as the best-selling music act ever, the boys from Liverpool made their mark thanks to their incredible songbook. Documenting the evolution of music through their own changing style over time, The Beatles‘ ability to shape music with their artistry and songwriting.

Each of their 12 official studio albums is stacked with incredible songs from top to bottom. But with hundreds of songs, which are their very best? It’s time to name the most perfect songs. Every fan of the band will likely have a different lineup, but for the purposes of this list, “perfect” will be defined by songwriting, musical construction, overall influence, and the song’s impact on the band’s musical evolution. This list is a celebration of four great artists and their very best work.

10

“I Want to Hold Your Hand” (1963)

The song that put The Beatles on the map in America was none other than “I Want to Hold Your Hand.” First dropping on Meet the Beatles! in the U.S. after not appearing on the UK version, With the Beatles, the John Lennon and Paul McCartney track exemplified the power of a bright and breezy two-minute pop song. Light and fluffy, and to the point, “I Want to Hold Your Hand” thrives through its catchy hook and universal lyrics of blossoming romance. With a two-bridge model and both Lennon and McCarthy taking the lead and singing in unison and harmony, “I Want to Hold Your Hand” resonated, knocking off their previous hit, “She Loves You” off the top of the podium. The song has been covered countless times and has infiltrated pop culture. Even when the song was reworked into a ballad for the jukebox movie musical Across the Universe, it highlighted the brilliance of the lyrics. At the end of the day, it’s about longing.

The track was met with an extremely warm welcome in the States. The song spread like wildfire with its infectious beat. Specifically crafted to appeal to an American market, “I Want to Hold Your Hand” succeeded at its mission, becoming the first number-one hit in America. Thanks to “I Want to Hold Your Hand,” the British Invasion officially began. Though, compared to the more complex songs that emerged during their musical evolution, the timing of “I Want to Hold Your Hand” was crucial, as it scratched the itch of music fans.

9

“Yesterday” (1965)

Beatlemania took over the world. So much so that the quartet was dropped into other media to maximize their presence. Between 1964 and 1970, they appeared in five major motion pictures, the second of which was Help! To tie into the film, the album included 14 tracks, seven of which appeared in the film. The other side of the album featured new songs, one of which included the most-covered song in music history, “Yesterday.” A song that came to McCarthy in his sleep, “Yesterday” was the first song to only feature a single member of the band, as McCarthy was joined by a string quartet as he sang and played acoustic guitar.

A melancholic song, “Yesterday,” shines through its simplicity, allowing McCarthy’s lyrics to be the star. Always tinkering with the song until it was included on the album, McCartney perfected it to the point that it became one of the greatest pop songs in history. Quite a sad breakup song, yet there is still a sense of hope in the lyrics and in McCartney’s vocals. That said, part of the song’s meaning may have been misinterpreted. During an episode of the A Life in Lyrics podcast that dissected this particular song, McCartney revealed that the lyric “I said something wrong, now I long for yesterday” may have been inspired by her mother.

8

“While My Guitar Gently Weeps” (1968)

Ah, the infamous White Album. Though it’s officially called The Beatles, it’s the album cover that helped it earn its name. The ninth studio album, and the only double album, is notorious for its diverse range of genres that produced wall-to-wall hits. The White Album is also known for some behind-the-scenes controversy, including Yoko Ono subverting the band’s policy of excluding wives and girlfriends. Nevertheless, leave it to George Harrison to use his talent to serve as a comment on the band’s disarray and lack of harmony. Harrison’s pain gave rise to the hauntingly beautiful “While My Guitar Gently Weeps.”

Having written the song following the band’s trip to India, the journey’s influence was present. With Harrison with double-tracked vocals and acoustic guitar, he credited Eric Clapton, who played lead guitar on the track, for helping him create the Beatles’ monumental track. Perhaps Harrison’s greatest composition, which served as his coming-of-age as a songwriter, the song was a staple on US rock radio. Why? It contains one of the greatest guitar solos. A strong showing from all four members of the band, even with the groundbreaking collaboration, “While My Guitar Gently Weeps” remains a shining gem.

7

“All You Need Is Love” (1967)

The moment you hear the first few bars of the French national anthem, “La Marseillaise,” you are easily transported into a mindset of joy and love. One of the most beloved tracks in the Beatles’ songbook, “All You Need Is Love,” has become a universal anthem through its song and message. Deliberately simple, the song garnered universal appeal. Written as Britain’s contribution to Our World, the first live global television production, the song reflected the utopian ideals mirroring the Summer of Love. An anthem for the counterculture’s embrace of the flower-power philosophy, “All You Need is Love” was a celebration that linked back to the aura of the last album, Sgt. Pepper’s Lonely Hearts Club Band.

A mostly Lennon contribution, the song utilized simple chord and line progression; the only experimental aspect of the track is found in the change in metre. The final reversal of “All you need is love” into “Love is all you need” became the perfect vocal button before the glorious cacophony of spontaneous ad-libs, which ranged from Glenn Miller‘s “In the Mood” and the band’s own, “She Loves You.” Because of the song’s musical accessibility, it became an anthem dedicated to universal love. Favoring idealism through its positive, uplifting atmosphere, the song continues to serve as the enduring motto for peace. Written for a moment, “All You Need Is Love” remains timeless.

6

“In My Life” (1965)

Music is meant to have purpose and significance. If there is one song that epitomizes this, it’s “In My Life.” With Lennon taking on the lyrics, the introspective song reflects a poetic look into his own past and relationships. Emotionally deep and artistically precise, the Rubber Soul track’s meditation on adolescent relationships diverged from the simplicity of the pre-Rubber Soul love tracks. “In My Life” marked a major and important shift for the band, reflecting their artistic maturity. Lennon referred to the song as his “first real major piece of work” because it was the first time he wrote about himself. And yet, the universal messaging resonated, making it feel personal to us all.

Though the song has been disputed over full musical authorship, it makes sense that Lennon and McCartney would want full credit, as the song is sensational. The instrumental bridge was one sticking point for Lennon, so George Martin composed something on piano that had shades of Baroque sounds, which ultimately, through playback at double speed, was reminiscent of a harpsichord. A song that has been used to mark milestones, “In My Life” is one of the band’s most sentimental songs that’s bound to elicit melancholy.

5

“A Hard Day’s Night” (1964)

As previously discussed, The Beatles appeared in films during their heyday, with the first being A Hard Day’s Night, which inspired the title track. The title, which originated with a passing statement from drummer Ringo Starr, launched an era for the band. A Ringo-ism became a hit for the band, topping the charts in both the United Kingdom and the United States upon release. Written on a night by Lennon during a long-running competition for the A-side song, “A Hard Day’s Night” begins with the iconic chord played by Harrison. Strong and effective, it opens both the film and the soundtrack and has become one of the most recognizable openings in pop music.

The song is about the narrator’s devotion to his lover, working hard in order to buy the things she wants. He may be tired, but his lover perks him up through love. Following a verse-verse-bridge-verse structure and adopting a major-minor feel within that bridge, “A Hard Day’s Night” was revered for its energy. A triumph of the band’s early era, “A Hard Day’s Night” represented the perfect marriage of commercial appeal and musical innovation.

4

“Blackbird” (1968)

The White Album truly produced some of the greatest songs in music history. Inspired by the call of a blackbird in Rishikesh as well as the civil rights movement, “Blackbird” is a top-tier song that many consider their very best. Written by McCartney, serving as his solo number, “Blackbird” served as a voice for the discriminated. A wonderfully poetic dissertation open to interpretation, the song serves as a metaphor for an awakening. Beautifully pleasant and strikingly tranquil, McCartney ensures that the lyrics are the defining element of the track. All you need is McCartney’s sweet vocals, the strum on the acoustic guitar, and the foot-tapping to be instantly hooked into the resilient message.

An empowering anthem with profound lyrics, “Blackbird” is one of McCarthy’s shining moments prior to his solo career. A pure moment of maturity, “Blackbird” is a call for unity, even despite the fracture within the band at the time. The song continues to transcend time. The song has been covered by many artists, ensuring the legacy of the song continues today. Understanding the significance of its meaning, when Beyoncé covers the song for Cowboy Carter, you know it’s a remarkable piece of music.

3

“Let It Be” (1970)

Let It Be marked the end of an era, as it was the final studio album from the quartet, coming a month following the group’s public breakup. Some of the most resonant tracks were on this album, but the title track left an everlasting impression. A simple song of acceptance despite a moment of contention within the band, “Let It Be” resonated on a variety of levels. A straightforward composition with a 4/4 rhythm and a simple four chords, “Let It Be” brought peace in a time of trouble. A mantra that became a coda for the band’s storied career, “Let It Be” was grounded in humanity.

There is a profound essence of hope and resilience in McCartney’s lyrics. Sung solely by McCartney, when you hear “Let It Be,” you stop and listen. One of the strongest ballads in their repertoire, “Let It Be,” seemed like the song that the band needed to go out on. Looking back, it’s almost a prophetic song, knowing there would never be reconciliation. Even with a remarkable songbook like very few other bands, “Let It Be” was a fitting way to remember the band fondly.

2

“Come Together” (1969)

There are many songs by the band whose opening bars transport you into a specific memory or space. The opening riffs are instantly recognizable. One such case was “Come Together.” The opening track on Abbey Road, “Come Together,” put the rock in rock and roll. A reactionary track that became a protest anthem against the Vietnam War, “Come Together” was a sonic sensation of musical complexity. With a tinge of blues and funk seeping through the laid-back vocals, precision on guitar, hypnotic bass, and swampy drums, “Come Together” showcased an expanse of the band’s musical vocabulary. Each member of The Beatles contributed something so distinct to the orchestration that, as cheesy as it sounds, when they came together, it became perfect.

Lyrically, the song is abstract. Still in the hazy drug era, it didn’t matter what was said before the chorus because the chorus was the statement. The feel was more important than anything. The nonsensical lyrics only contributed to the mood “Come Together” evoked. Of course, there was much controversy over the use of Chuck Berry‘s “You Can’t Catch Me,” with the copyright infringement case settled out of court. Yet, it didn’t deter the song’s success and lasting legacy. Many have tried to cover it, but no one can sing it quite like John Lennon.

1

“Hey Jude” (1968)

There are so many songs that I wish I could include on this list—“Something,” “Across the Universe,” “Oh! Darling,” “Get Back,” just to name a few—but the ten that made the cut are significant. But no Beatles song is more synonymous with the band than “Hey Jude.” Released in 1968 as a non-album single, the story goes that the ballad evolved from a song McCartney wrote to comfort Lennon’s young son, Julian Lennon, after his father left his wife, Cynthia Lennon, for Yoko Ono. As the lyrics suggest, it was meant to help foster a positive outlook on a sad situation. A song of hope, its beautiful message is one that is bound to get a reaction. Whether it’s tears of triumph or pain, “Hey Jude” is a song meant to make you feel something. It’s what music is all about, after all.

From a music perspective, the song starts out simply stated—McCarthy and a piano. But as the song builds, so does the instrumentation. The second verse adds an acoustic guitar and tambourine. Then it’s the electric guitar and the restrained drum kit. The piano becomes more pronounced. The subtle harmonies float through. McCartney showcases the full scope of his vocal range. And then the coda hits, the 40-piece orchestra wails, and a musical moment is born. Four minutes of “Na-na-na na.” Only The Beatles could get away with it! Whatever emotion you began with, you can’t help but find the triumph and na-na along, banging your head.

Though the song had connotations of Ono entering John and Julian’s life, it could also be taken as a cry from McCarthy to his bandmate. The lyrics hold so much weight. This was not a nonsensical song. It wasn’t a sappy love song. “Hey Jude” served as McCarthy’s blessing for John’s new relationship, while also acknowledging the loss of a friend and creative partner in the process. “Hey Jude” is an absolute sensation and forever one of the greatest songs ever written. It’s a musical work of art and an important contribution to the world. Reaching number one in several countries, “Hey Jude” proved that music will forever be universal.

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A Hard Day’s Night

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Release Date

July 7, 1964

Runtime

88 minutes

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Director

Richard Lester

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Writers

Alun Owen

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