Entertainment

10 TV Shows That Can Be Called Masterpieces

Published

2 weeks ago

31 May 2026

Lyudmilla (Jessie Buckley) walks down a hallway in 'Chernobyl.'

Television has evolved into a medium where storytelling, character depth, and artistic vision have reached such soaring heights that some series are able to rival, and even surpass, films. This wasn’t always the case, as television used to be a more constricted medium that took fewer risks, and offered more generic entertainment that was often less creatively expressive than artistic works in other mediums. Today, television series incorporate layered characters, nuanced storytelling, and offer thoughtful commentary.

Experimental series like Atlanta push the boundaries of the medium and take it to new levels, while classics like The Sopranos have redefined the medium altogether while maintaining a consistent level of quality from start to finish. From comedies to dramas, this list includes series that are definitive masterpieces.

‘Chernobyl’ (2019)

Chernobyl is a gripping HBO miniseries that depicts the catastrophic 1986 nuclear disaster in Soviet Ukraine and tells the story of the valiant individuals who risked their lives to contain it. After the sudden explosion of Reactor 4 at the Chernobyl nuclear facility, Soviet chemist Valery Legasov (Jared Harris), Soviet bureaucrat Boris Scherbina (Stellan Skarsgård) and nuclear physicist Ulana Khomyuk (Emily Watson) work together to devise a plan to contain the nuclear fallout before it spreads across the Northern Hemisphere. Their efforts are met with resistance and challenges as they navigate government lies, bureaucracy, and mortal danger.

Chernobyl is a dark and emotionally moving series that depicts the nuclear disaster with searing authenticity. With meticulous cinematography, excellent writing, and heart-wrenching performances, Chernobyl is undoubtedly one of the greatest miniseries of all time. Harris does a phenomenal job of portraying the tortured and frustrated chemist, Valery Legasov, while Skarsgård offers an equally captivating performance as seething bureaucrat Boris Scherbina. But perhaps the greatest performance of the series came from Jessie Buckley, who portrays the tragic Lyudmilla Ignatenko, whose firefighter husband was one of the first victims exposed to the reactors’ radiation. The well-coordinated pacing of the series delivers a constant sense of suspense and tension for viewers, and its commitment to historical accuracy makes it as fascinating a story as it is elucidating.

‘Better Call Saul’ (2015–2022)

Jimmy (Bob Odenkirk) and Kim (Rhea Seehorn) in Better Call Saul looking afraid at a tragedy in their home.

Better Call Saul is a character-driven spin-off series that tells the origin story of Saul Goodman, formerly known as “Jimmy McGill,” (Bob Odenkirk), a struggling but charismatic lawyer who is inevitably drawn to a life of crime despite attempts to lead an honest career. Set before, and slightly after, the events of Breaking Bad, Better Call Saul features Jonathan Banks in the role of bodyguard and fixer, Mike Ehrmantraut, Rhea Seehorn as accomplished lawyer and partner to Jimmy, and Michael McKean as Jimmy’s older brother, Chuck.

Spin-off series seldom live up to the legacy of their predecessors. But in some cases, they not only live up to the legacy of their predecessors but even outshine them. Better Call Saul saw Vince Gilligan and Peter Gould in top form as seasoned showrunners following their incredible work on Breaking Bad. The tragic tale of Slippin’ Jimmy unfolds through remarkable writing, as well as outstanding character work from Odenkirk, who does an excellent job of making Saul’s tragic character profoundly sympathetic. Better Call Saul, like its predecessor, only got better with time as audiences witnessed the shocking transformation of Jimmy McGill into the morally bankrupt lawyer who would play a significant supporting role in Breaking Bad. With a flawless ensemble cast supported by the memorable performances by Seehorn and McKean as well as a compelling story that builds into a brilliant crescendo, Better Call Saul is a masterpiece.

‘Succession’ (2018–2023)

Brian Cox as Logan Roy in 'Succession' — Brian Cox as Logan Roy in ‘Succession’

Succession is a satirical black comedy drama series that follows the lives of the Roy family, wealthy owners of RoyCo, a media and entertainment conglomerate. When the future of the ruthless aging patriarch of the family (Brian Cox) suddenly comes into question following the onset of health issues, his self-centered and inept children battle it out for the coveted position of CEO. Succession is a series that takes inspiration from the Murdoch and Royal families and features an ensemble cast that includes Jeremy Strong, Kieran Culkin and Sarah Snook.

Succession is a masterpiece for its razor-sharp writing, layered characters, and remarkable performances from a perfectly cast ensemble of actors. This impeccable series does an outstanding job of blending biting satire with profoundly human drama to explore wealth, privilege, and the dynamics of corporate business. It does so in Shakespearean fashion, as many viewers will likely note the similarities between the series and King Lear. The show’s usage of documentary-style camera work that features snap zooms, quick-pans, and off-center framing gives the series a realistic and personal feel that draws viewers with stunning efficacy. As one of HBO’s greatest series, Succession is a stylish masterpiece that was impeccable from start to finish.

‘Dark’ (2017–2020)

Jonas standing in the middle of a rural road with a raincoat on in the series Dark.

Dark is an atmospheric German sci-fi thriller that begins with the mysterious disappearance of a child in the town of Winden. As families pursue the truth behind the child’s disappearance, they uncover a time-traveling conspiracy that implicates various town folk going back generations. Dark explores themes of fate, free will, and the nature of time itself, through a complex and thought-provoking narrative.

Dark’s intricately woven narrative is meticulously written in a manner that challenges its viewers to critically engage with the series. The show is filled with intentional symbolic imagery and critical, but subtle details that require audiences to pay close attention as they watch, making it a show that rewards multiple viewings. It’s not a superficial series designed to entertain its audiences, but rather a show that engenders them to think and truly to sit with the story. The moody and atmospheric style of the series is expertly crafted to pull audiences into the setting in a way that few series can. Dark‘s engagement with themes of time, fate, and human nature, as well as its unpredictable story and atmospheric style that lingers long after watching, make it a modern masterpiece.

‘The Sopranos’ (1999–2007)

Tony with his arm around Carmela as they both smile in "Whitecaps" in 'The Sopranos'. — Tony with his arm around Carmela as they both smile in “Whitecaps” in ‘The Sopranos’.

The Sopranos is a crime drama series that follows the life of New Jersey mob boss Tony Soprano (James Gandolfini) as he struggles to strike a balance between his crime family and his personal family. Tony’s life and psyche are examined through his interactions with his therapist, Dr. Jennifer Melfi (Lorraine Braco), as viewers witness Tony commit heinous crimes including theft and murder, while also attempting to be a father, husband, and family man. The Sopranos features an ensemble cast that also includes Edie Falco and Michael Imperioli.

Few series in television history have had an impact remotely close to the one The Sopranos has had on the media as well as popular culture at large. This is due to several factors, including the remarkable writing of the series that’s rife with subtext, and meticulous world building. Viewers who watch The Sopranos are immediately brought into a space that feels authentically lived in, with characters that are profoundly realistic. The depiction of the unique subculture of the Italian mob is portrayed with such careful detail that the FBI allegedly told producers that mob figures would discuss the realism of the series over wiretaps. Performances by Gandolfini, Falco, and Imperioli remain some of the best and most memorable of their careers, spawning a fan base that remains passionately devoted to the series nearly two decades after the final episode aired. The Sopranos also offers a fascinating commentary and critique on American culture that remains relevant today.

‘Breaking Bad’ (2008–2013)

Bryan Cranston as Walter White sitting and thinking in Breaking Bad in 'The Fly' episode. — Bryan Cranston as Walter White sitting and thinking in Breaking Bad in ‘The Fly’ episode.

Originally conceived as the story of a man who transforms from Mr. Chips into Scarface, Breaking Bad depicts the rise and fall of former chemistry teacher turned meth kingpin, Walter White aka Heisenberg (Bryan Cranston). After a lifetime of mediocrity, a brilliant high school chemistry teacher discovers that they’re terminally with lung cancer. Struggling with money, and suddenly animated by the realization that they have little time left in the world, Walter White teams up with former student-turned-meth peddler, Jesse Pinkman (Aaron Paul) and the two men proceed to cook up the most premier meth in Albuquerque.

Cranston delivers a career-defining performance as the menacing Walter White, who undergoes a drastic transformation from a mild-mannered and unremarkable high school teacher into a ruthless, morally bankrupt meth kingpin. What makes this performance especially good is the subtle nuance of Cranston’s expressive acting, which initially captures the threatening, fiery ambition of Walter’s character through an economy of gestures and actions. By mid-series, White’s transformation feels natural and fully earned. Cranston conveys to the audience that this performance is less about Walter transforming into a monster, and more about simply embracing the monster he always was. The impeccable writing of the series propels the narrative forward in a constant progression that ultimately ends with one of the greatest climaxes and finales in the history of television.

‘Mad Men’ (2007–2015)

Elisabeth Moss as Peggy Olsen in 'Mad Men' — Elisabeth Moss as Peggy Olsen in ‘Mad Men’

Mad Men follows the personal and professional life of Creative Director Don Draper (Jon Hamm) and his colleagues at Sterling Cooper, a highly successful advertising agency in 1960s New York City. Don is smooth, mysterious, and highly skilled at his job, but he harbors a haunting secret: he’s not really who he says he is. Mad Men includes a phenomenal cast of talent that includes Elisabeth Moss in her breakthrough role as Don’s protégé, Peggy Olson, and John Slattery as the quick-witted Roger Sterling.

Matthew Weiner developed the idea for Mad Men while working for David Chase on The Sopranos, so naturally, audiences will notice similarities between the works, especially in terms of the brilliant use of subtext. The application of subtext in Mad Men is one of the primary qualities that gives it a sense of realism. Characters seldom reveal how they truly feel, giving audiences just enough dialogue and action to compel them to critically engage and interpret the narrative. Through this subtle form of storytelling, Mad Men often presents its characters as subjects of their particular historical setting and the culture, norms, and the influential external factors that come with them. This unique approach forms a fascinating and engrossing commentary on a unique time period without reducing itself to platitudes. Mad Men‘s meticulous attention to historical detail also makes it one of the greatest, and most accurately depicted, period pieces in television history. Viewers who enjoy literature will likely appreciate the masterfully executed “show-don’t-tell” approach of Mad Men.

‘Fleabag’ (2016–2019)

Fleabag is a comedy-drama television series created by Phoebe Waller-Bridge based on her one-woman play. This unique show follows the life of a sharp-witted, grief-stricken woman known only as “Fleabag”, as she copes with her tragedy while simultaneously trying to date in London. Fleabag also features Andrew Scott in the role of The Priest and Sian Clifford as Fleabag’s sister, Clair.

Fleabag is a one-of-a-kind series that masterfully blends razor-sharp humor with heart-wrenching emotional honesty in a fashion that’s unlike any other series. What makes this series so unique is Waller-Bridge’s constant breaking of the fourth wall to address the audience with exposition, inner monologues and additional running commentary. This subversive stylistic choice creates a deeply intimate relationship between the character and the audience that’s both jarring and profoundly captivating. As the series progresses, each moment viewers share with Fleabag feels raw and personal. Waller-Bridge gives a remarkable performance as sharp-witted, unapologetically candid Fleabag, who uses humor to hide her emotional pain and depression. This performance, along with the exceptional writing and style of the series, make it a unique masterpiece.

‘Atlanta’ (2016–2022)

Earn, Alfred, and Darius stand outside next to one another in Atlanta.

Atlanta follows the life of Earnest “Earn” Marks (Donald Glover), a Princeton University dropout who returns to his home in Atlanta and becomes manager to his cousin, hip-hop artist Alfred “Paper Boi” Miles (Brian Tyree Henry). Earn and Alfred are joined by their eccentric friend Darius (LaKeith Stanfield) and Vanessa “Van” Kiefer (Zazie Beetz), Earn’s on-again-off-again girlfriend and mother to their child Lottie, as they navigate the bizarre and surreal landscape of the Atlanta hip-hop scene.

Atlanta is a one-of-a-kind series that masterfully blends surrealism, sharp social satire, and dark humor to explore class, race, and identity in modern America. Glover’s subversive, genre-defying approach makes it one of the most unpredictable series in television history. Atlanta uses expressive cinematography and beautiful production to create a dream-like style that often blurs the lines of reality and presents bizarre scenes in a way that is reminiscent of the works of David Lynch, and its rejection of traditional narrative structure and exploration of existential themes hearkens back to the films of the French New Wave. With a slew of memorable performances, especially from Tyree Henry, and a stunning visual style, few series in history have taken such a radically experimental approach to television in as successful a way as Atlanta.

‘Veep’ (2012–2019)

Selina Meyer (Julia Louis-Dreyfus) stands outside the White House in 'Veep' — Selina Meyer (Julia Louis-Dreyfus) stands outside the White House in ‘Veep’

After losing the presidential election, U.S. Senator Selina Meyer (Julia Louis-Dreyfus) lands the job of Vice President, making her the second in command to the most powerful individual in the world. But Selina soon finds out that being Vice President is not all it’s cracked up to be. Veep is a political satire comedy series that follows the life of narcissistic Vice President Selina Meyer and her staff of bumbling employees as they navigate the complex terrain of Washington D.C. politics.

Veep is easily the greatest political satire ever produced for television, and for that alone it’s rightfully a masterpiece. This sharply written series features rapid-fire dialogue and a seemingly endless run of hilarious jokes from start to finish. Veep’s cynical depiction of American politics has been lauded for its striking authenticity. Louis-Dreyfus delivers a career-defining performance (which is already impressive given her legendary run as Elaine Benes) as the self-centered, hot-tempered Selina Meyer. While Louis-Dreyfus dominates every scene she’s in, the supporting cast, which includes Tony Hale as Meyer’s servile personal aid, and Anna Chlumsky as Selina’s neurotic Chief of Staff, Amy Brookeheimer, also offer hysterical performances. Over the impressive course of its seven-season run, Veep never faltered in quality, delivering what’s one of the most masterfully executed comedy series of all time.

Veep

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2012 – 2019-00-00
Network: HBO Max
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Wanda Sykes says Bill Maher confronted her over Golden Globes joke that he 'didn't care' for

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31 seconds ago

13 June 2026

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Sykes said Maher told her that people were sending him “a lot of texts” saying her joke about him was “stupid.”

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One of the Funniest 5-Minute Scenes on TV This Year Completely Proved Fans Wrong

Published

11 minutes ago

13 June 2026

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Matthew Rhys gripping a bag and staring dully ahead in Widow's Bay

Editor’s note: The below contains spoilers for Widow’s Bay Episode 9.

One of the best parts about watching TV is coming up with your own theories about what will happen next, but what can make a series even more impressive is when the writers create truly original twists that flip those theories on their head. Apple TV’s new hit series, Widow’s Bay, has now proven one popular fan theory completely wrong, but the way the information is revealed just so happens to play out in one of the funniest scenes on television this year.

Widow’s Bay’ Episode 9 Features One of the Show’s Funniest Scenes

Episode 9 of Widow’s Bay starts with a fierce storm descending upon the island. Mayor Tom Loftis (Matthew Rhys) reluctantly agrees to sound the emergency siren and alert people to gather in a storm shelter underneath Town Hall for everyone’s safety. It’s clear by this point that the curse hasn’t truly been broken, and Patricia Moyer (Kate O’Flynn) discovers the reason why: Richard Warren (Hamish Linklater) actually still has one living descendant. Wyck Crawford (Stephen Root) informs Tom that he has asked Rosemary (Dale Dickey) to look at the Warren family genealogy to discover who this person might be. What transpires after that is a hilarious five-minute monologue in which Rosemary reveals the results of her research. In all the chaos of the storm, she’s somehow found the time to make transparencies so she can conduct an entire presentation on an overhead projector instead of merely telling them who the descendant is.

Rosemary’s gruff voice starts rattling off the entire Warren family tree, which starts way, way back in the 1600s. From there, she goes through every single member of the family, hilariously riffing on the reasons why various descendants didn’t continue the line (“dead baby, dead baby, lesbian…”). This rundown of several centuries of Widow’s Bay history is complete with side comments about two siblings marrying each other and an apparent murder mystery (“The husband did it”). Tom, Patricia, and Wyck exchange frustrated glances, increasingly dismayed by how long the story is taking but not brave enough to interrupt Rosemary during her spiel.

Matthew Rhys’ Horror Series ‘Widow’s Bay’ Is Apple TV’s Weirdest, Boldest Show Yet | Review

‘Widow’s Bay’ premieres April 29 on Apple TV.

The entire scene is incredibly funny and offers plenty of background on an important family in the lineage of Widow’s Bay, but it also serves as a masterclass in comedic timing from Dickey, who turns something as small as a smoke break into a hilarious bit. Rosemary has clearly spent time on this presentation, and her colleagues are going to sit and listen to every bit of research she’s uncovered. Yet this hysterically funny scene in the penultimate episode of Widow’s Bay‘s first season does hold significance to the story, while offering the actors involved another chance to showcase their comedic skills.

One of ‘Widow’s Bay’s Biggest Fan Theories Is Hilariously Subverted in Episode 9

Many fans previously theorized that Tom’s wife, Lauren (Meredith Casey), and his son, Evan (Kingston Rumi Southwick), were Warren’s true descendants. This would’ve explained the mysterious turn of events when Tom and Lauren tried to leave the island for her to give birth to Evan. Instead, Rosemary reveals that Warren’s last living descendant is none other than their sweet, doddering, and very old co-worker, Ruth Livingston (K Callan). With this surprise twist, Widow’s Bay sticks to what it does best — zig when most shows would zag. The spirit of the show (and of the town of Widow’s Bay itself) is that you never know where danger is going to lurk, or what insane lengths a person will have to go through to save themselves. By choosing Ruth as the descendant, the show’s writers have set up an exciting and intriguing plot point. Will Tom and Wyck actually go through with killing Ruth in order to end the curse? Will viewers get more answers about the circumstances surrounding Tom’s wife? Will anything bad happen to the residents of Widow’s Bay if Ruth is out of the picture?

While it’s unclear whether any other fan theories about the show will end up panning out, one thing is for certain: Widow’s Bay never relies on traditional opportunities for humor. What other show could take a genealogy presentation and turn it into one of the best scenes on television? With inventive writing and spot-on performances, the horror-comedy is a must-watch, especially with the finale looming. Thanks to the confirmation that Widow’s Bay has been picked up for a Season 2, this means that there’ll be even more episodes to explore this cursed island, and even more chances for laughs.

Widow’s Bay

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April 28, 2026
Network: Apple TV
Showrunner: Katie Dippold
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Sam Donovan, Andrew DeYoung, Hiro Murai, Ti West

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Why you won’t see Sepideh Moafi in “The Pitt'”s season 3 premiere

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23 minutes ago

13 June 2026

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Sepideh Moafi played Dr. Baran Al-Hashimi in season 2 of HBO’s highly popular medical drama.

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4 Warm Weather Skirt Trends to Add to Your Closet Summer 2026

Published

37 minutes ago

13 June 2026

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PARIS, FRANCE - APRIL 24: Angela Gonzalez wears long wavy black hair, a red windbreaker jacket by Zara, a black lace-trim mini dress by Zara, a black leather bag by Chanel, black ankle-strap pumps crystal embellished shoes by Jimmy Choo, during a street style fashion photo session, on April 24, 2026 in Paris, France. (Photo by Edward Berthelot/Getty Images)

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In my eyes, pants are strictly a winter style necessity. As for summer? Well, this time of year is meant for skirts. Skirts will always be a part of my warm-weather wardrobe, and this year they are the it-girl fashion item.

There are four specific skirt styles defining summer: drop-waist silhouettes, textured picks, ruffles and slip skirts. My recommendation is to add one of each to your closet for endless flirty outfit options that will have you looking and feeling your best all season long. I found plenty of options from retailers like Amazon, Nordstom and Macy’s. Keep reading to find the best summer skirts to add to your closet STAT.

4 Warm Weather Skirt Trends To Add to Your Closet

Drop Waist Skirts

1. Breezy and Fun: Ease into the drop waist skirt trend with this lightweight and breathable maxi that comes in two neutral hues. Honestly, you’ll want to swap all your jean shorts for this once you slip into the flowy silhouette.

2. Preppy Chic: Classic tweed fabric gets a 21st-century revamp with this bright drop waist silhouette. The style is especially great for those with larger behinds because it offers extra room.

3. Boho Dreams: If you aren’t a fan of long denim skirts, this tiered style will definitely change your mind. The loose, flouncy silhouette is ideal for hot days, especially when spent at music festivals or parks.

4. So Romantic: A drop waist skirt — specifically, this sophisticated cotton twill pick — is the ideal date night bottom because of its A-line cut that elongates and slims.

Textured Skirts

5. Mover and Shaker: Few things are more fun than this tiered fringed skirt. It sways with every step you take — just imagine how it’ll shimmy when you’re on the dance floor.

6. Sparkle All Night: You’ll twinkle like the North Star when the sun (or disco ball!) catches the chunky flower sequins on this playful sheer maxi.

7. A Lotta Lace: Forget itty bitty lace detailing. We’re seeing maximalist-inspired full lace skirts this summer. This boho-esque lace maxi is by far our fave, and it comes in four pretty colors.

8. Flirty All Around: There are so many eye-catching elements of this skirt. Between the silky fabric, lace trim and asymmetrical hem, you’d think it’d be too much, but it blends for a gorgeous statement-making wardrobe must-have.

Ruffle Skirts

9. Ruffles Galore: You know how the saying goes — go big or go home! This extra feminine skirt is made with seemingly endless ruffles for an elegant ballerina vibe.

10. Special Secret: Never worry about a wardrobe malfunction thanks to the under-shorts expertly hidden in this pretty lace-trim ruffle skort.

11. Florals for All: Flower prints and ruffles are a match made in heaven. We’ve already bought three colors of this flouncy, floral maxi because the price is tough to beat.

12. Yee Haw: The 1800s called, and they’re jealous of this super chic western skirt, with its high-low silhouette, lacey details and charming ruffles.

Slip Skirts

13. The Real Deal: You’ll get one to two wears out of polyester slip skirts, but this 100% silk design? With proper care, it will last in your closet for decades.

14. Easy Care: Silk isn’t always tough to care for. Just take this washable silk skirt from Quince — it can be thrown in the machine and hung to dry.

15. Just Like Leggings: Contrary to popular belief, slip skirts don’t have to be shiny or silky. This curve-hugging design feels comparable to leggings. In fact, it might be comfier.

16. Matchy Matchy: Cue the easiest summer outfit. When you have this lace-lined maxi and the matching babydoll shirt, you’ll be ready for anything in minutes.

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L.A. Native Alana Haim Reacts to Criticism of Knicks Fandom

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50 minutes ago

13 June 2026

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Actor Hank Azaria Bashes Taylor Swift Attending NBA Finals Game 4

Alana Haim is a proud Valley girl — but that didn’t stop her from creating custom gear to support the New York Knicks while sitting courtside at the 2026 NBA Finals.

The musician and actress — who was born and raised in Los Angeles along with her sisters and bandmates, Danielle and Este Haim — partied with friend Taylor Swift at Game 4 of the finals on Wednesday, June 10, which didn’t sit well with some critics who called them out for jumping on the Knicks bandwagon.

“I’m from L.A., and I love the Lakers, but I also love the Knicks,” Alana, 34, told Vogue in a story published on Thursday, June 11. “It’s just such an incredible season for them, and it was such an honor to root for them. That was, I think, maybe the greatest basketball game ever played, and I’m hoping they bring home the championship, because they’re such an incredible team.”

The Knicks erased a 29-point deficit, the largest in NBA Finals history, and defeated the San Antonio Spurs 107-106 in Game 4, putting the franchise one win away from their first NBA title since 1973.

While most sports fans view the cities of New York and Los Angeles as fierce, storied adversaries, Alana doesn’t see it that way.

“I think we can all be friends,” she argued. “There’s no animosity there.”

At Game 4, Alana, her sisters and Swift, 36, were decked out in custom, pop culture-inspired Knicks shirts that Alana made by hand.

Alana’s read “Knickelback,” while sisters Este and Danielle rocked “Knickole Kidman” and “Knickolas Cage,” respectively, and Swift’s said “Stevie Knicks.”

“If I’m getting anything out of this experience, it’s that I really just want people to go out and make shirts,” she told Vogue. “It’s such a fun hobby, and it’s so easy to do. I’m a Sagittarius, so there’s a graveyard of arts and crafts that I’ve done, from needlepoint to bedazzling. I really just want people to do more arts and crafts!”

Alana peeled back the layers of her creative process, revealing that the shirts were all the brainchild of Swift.

“I got a text from Taylor that was really the text that you want to get as an amateur screen printer. She said, ‘I want to wear this shirt to the game, can you make it for me?’” Alana said. “And I was like, ‘I thought you would never ask, this is my dream.’ Whenever I start out a session with a friend, I go, ‘Let’s talk about fonts, let’s talk about sizing,’ and [Swift] came up with Stevie Knicks.”

Alana continued, “We were kind of going back and forth with these puns; we really just wanted to have fun, because we were so excited that we were going to the game, and I thought it would make people laugh, so we put them on shirts and all decided to wear them.”

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Jennifer Williams Goes Viral With Spicy Dance For Christian Gold

Published

1 hour ago

13 June 2026

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Roommates, Jennifer Williams is seemingly setting the tone for the married couples who plan to be outside this summer. A viral video shows the ‘Basketball Wives’ star turning up with her husband, Christian Gold, and of course, the internet has thoughts.

RELATED: So We Know It’s Real? Jennifer Williams’ Husband Christian Gold Tattoos Her Portrait On His Head (VIDEOS)

Whew! Jennifer Williams Brings The Energy In Viral Video

Jennifer Williams has folks online cutting UP with reactions after a clip showed her turning up with her hubby Christian Gold. The footage shows the duo in what looks like a club setting. While the DJ spins the music and the strobe lights flash, fans lock in on ONE thing — Jennifer dropping it extra low on her man. The reality star clearly has a time as she smiles while scrubbing the ground, if you catch our drift! Meanwhile, Christian looks like he’s loving every second, standing right behind her and hyping her up while the music plays. Even though the couple was having a time, folks online were quick to share their reactions, with some even telling Jen she was hitting the moves all wrong.

The Internet Weighs In On Jennifer’s Dance Moves

Of course, reactions flooded The Shade Room’s comment section. Plenty of folks said this is what being outside with your man should look like, while others joked that Jennifer must have some auntie knees.

Instagram user @wowreallyraven wrote, “That’s the dance I do when I get down and can’t get up. 😂😂😂”

Instagram user @shawneymarie wrote, “She’s having fun with her HUSBAND as she should! 👏🏽

While Instagram user @_adoreraee_ wrote, “Why you on the ground girl ??? GET UP.”

Then Instagram user @preeconsuelaa wrote, “She can’t get back up but go Jenn😂😂😂😂😂😂”

Another Instagram user @kgood1218 wrote, “Yes Jen, you got the auntie get low moves going on😂❤️ now get on up sis…them knees on fire ain’t it?!😂”

Instagram user @jameliaa__x wrote, “She probably still in that same spot 😂😂😂”

Then another Instagram user @popculturefigurines wrote, “She is signaling for him to pull her up… He is missing it. They are not in sync. 😂😂😂”

While another Instagram user @igobyp.harris wrote, “She knew to be close to that chair lol I know them knees was burning lol.”

Instagram user @adifferent_qingkie wrote, “Why is Jen backing it up for his feet?? Girl, that’s not the position 😂😂😂”

Finally, Instagram user @quisha__rn wrote, “Her knees better than mine, ain’t mad 😂😂😍😍”

Christian Gold Previously Showed Off His Bold Tattoo Dedicated To Jennifer

Jennifer Williams and Christian Gold’s love goes beyond the club. In 2025, he shocked social media after he debuted a fresh tattoo portrait of Jennifer’s face on his head. At the time, a Los Angeles tattoo artist BK Kim shared a clip of his work on Christian. The video shows him inking Jennifer’s face on the back of Christian’s head. Christian later posted the video on his own Instagram account along a heartfelt message for Jennifer.

“worth the pain.
the love I have for my wife is unexplainable.
being your partner in this cruel world is an honor.
thank you BK for capturing every detail, my brother.
can’t wait for the next project,” Gold wrote.

RELATED: Receipts Pulled! Evelyn Lozada & Jennifer Williams’ Feud Heats Up With Mentions Of Family & Felons

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Ridley Scott’s Brutal 144-Minute War Masterpiece Officially Arrives on Streaming

Published

1 hour ago

13 June 2026

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Ridley Scott’s career is usually discussed through the giants first: Alien for sci-fi horror, Blade Runner for cyberpunk, Gladiator for the modern historical epic, The Martian for survival cinema, and now The Dog Stars, his upcoming return to science fiction after nearly a decade away from the genre. But somewhere between his mythic worlds and futuristic nightmares sits one of his most punishingly grounded films, which is now streaming on Peacock.

It’s a war movie that strips away the grandeur people often associate with his name and drops the audience straight into panic, smoke, rotor blades, radio chatter, and bodies moving through streets where every corner feels like a trap. The film came out in 2001, runs for 144 minutes, and is adapted from Mark Bowden’s 1999 nonfiction book about the 1993 U.S. military operation in Mogadishu, Somalia.

The film is Black Hawk Down, and it is now streaming on Peacock after joining the platform’s June lineup. Josh Hartnett, Ewan McGregor, Eric Bana, Tom Sizemore, William Fichtner, Jason Isaacs, Jeremy Piven, Orlando Bloom, and Tom Hardy help fill out one of the most stacked war-movie ensembles. The movie earned $173 million worldwide against a $92 million budget, landed four Oscar nominations, and won for Best Film Editing and Best Sound. And it’s obvious that more than two decades later, it still remains one of the clearest bridges between old-school war epics and the hyper-immersive military storytelling that shaped later films, television, and even games like Call of Duty 4: Modern Warfare.

Ridley Scott’s Next Sci-Fi Movie Makes This Streaming Arrival Even Better Timed

The Peacock arrival also lands at a useful moment for Scott’s larger career conversation. His next film, The Dog Stars, is set to hit theaters starting August 28, 2026, with Jacob Elordi and Josh Brolin leading a post-apocalyptic sci-fi story about a former pilot and an ex-Marine searching for hope after a devastating flu pandemic. Scott has not directed a sci-fi film since Alien: Covenant in 2017, so his return to the genre naturally pulls attention back to the range of his filmography. Black Hawk Down, however, is the reminder that his best work has never depended on one lane.

Black Hawk Down is now streaming on Peacock. Stay tuned to Collider for more updates.

Release Date: Advertisement

December 28, 2001
Runtime: 145 minutes
Writers: Ken Nolan, Mark Bowden

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Entertainment

Disclosure Day Is Emily Blunt’s Best Performance: Movie Review

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2 hours ago

13 June 2026

NewsAdmin

Do you believe in aliens? Or, a better question might be: Do you believe in movies about aliens?

The sci-fi genre is littered with them and some of the very best are from maestro Steven Spielberg (E.T., Close Encounters of the Third Kind). His Disclosure Day (in theaters starting Friday, June 12) is a throwback in the best way. While it isn’t a direct sequel to any of his films, viewers won’t have to squint too hard to find an obvious thematic through line to much of his previous work.

The acclaimed director, working off his own original story (with a script by David Koepp), has a jubilant winner here that despite a few weaker plot details will make even the biggest skeptic a believer. The movie is a bighearted, emotional chase that’s action-packed from the jump.

Daniel (Josh O’Connor) is a whistleblower on the run from some shady characters (including a menacing Colin Firth). They’re holding his girlfriend, Jane (Eve Hewson), hostage as the duo work to expose shocking information about extraterrestrial life.

Meanwhile, Margaret (an outstanding Emily Blunt) is a Kansas City weather reporter experiencing odd things: She’s suddenly fluent in multiple languages, and can telepathically connect with people, much to the dismay of her hapless boyfriend (a very funny Wyatt Russell).

When she collapses on set after making a series of clicking sounds, it’s clear that something is going on. To reveal much more about Daniel and Margaret’s strange connection would spoil things, but let’s just say that Spielberg asks viewers to imagine what it would mean to discover that we’re not alone. Could the world be trusted with such information? Would it bring people together or further divide them? Moviegoers can probably guess where Spielberg is likely to land on that question, but just because you know a destination doesn’t mean it’s not worth taking the journey.

Racing against the clock, the intense Disclosure Day is full of giant set pieces (including a thrilling train scene reminiscent of Indiana Jones) that will delight viewers of all ages.

Aliens may or may not be real. But Disclosure Day will make you want to believe.

Below, what other critics are saying about Spielberg’s Disclosure Day, which currently has an 83% on Rotten Tomatoes.

NPR: “I wish Disclosure Day itself were a more complex movie. Spielberg’s storytelling is often described as overly sentimental, which isn’t always fair; his previous work, the semi-autobiographical The Fabelmans, was one of the most genuinely moving films of his career. But sentimentality does ultimately overwhelm Disclosure Day, especially in the big finale, when the movie strains to bring its characters and indeed all of humanity together.”

Slate: “Forty-four years after he imagined the friendship between a suburban grade-schooler and a stranded alien, here was the now-79-year-old filmmaker again taking a crack at a story in which humanity learns for the first time that we are not alone.”

Variety: “Spielberg, as part of the film’s publicity, has suggested that he believes in alien visitations, and that he’s an advocate for disclosure. But where Close Encounters tapped into the mystery of all this with an innocence that was both starry-eyed and spectacular, Disclosure Day feels like a thriller docudrama that’s too cut-and-dried about what it believes. The actors are quite good (especially Blunt, who makes you feel she’s seeing the uncanny), but for all the film’s slow build it doesn’t take us anywhere overly surprising. It just confirms the “truth” that’s been out there for so long it’s starting to feel like a fairy tale for the dispossessed.”

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