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6 Best Thriller Movies Released Since 1990

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Kevin Pollack, Stephen Baldwin, and Gabriel Byrne leaning on a lineup wall with Benicio del Toro reading a card and smiling in The Usual Suspects

The 1990s were one of the most transformative decades for cinema in history, and the 21st century has thus far produced several of the greatest masterpieces film has ever seen. As such, it should come as no surprise that from 1990 until the present, there have been many thriller movies which have already gone down in history as some of the best in the genre. What’s more, they only keep getting better with age, so they’ll very likely be talked about a few decades from now with the same kind of reverance and admiration that cinephiles talk about the best thrillers from Hollywood’s Golden Age today.

But even though there have been many exceptional thriller films made over the course of the last 36 years, there are six in particular that stand out above all the others as some of the most perfect in the history of thrillers. Whether it’s a groundbreaking ’90s classic like The Usual Suspects or a modern game-changer like Parasite, the best thrillers the world has seen since 1990 are proof of just how suspenseful, well written, and perfectly directed the genre can get when in the hands of master filmmakers. Anyone who loves thriller movies and hasn’t seen these six films is seriously missing out.

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6

‘The Usual Suspects’ (1995)

Kevin Pollack, Stephen Baldwin, and Gabriel Byrne leaning on a lineup wall with Benicio del Toro reading a card and smiling in The Usual Suspects
Kevin Pollack, Stephen Baldwin, and Gabriel Byrne leaning on a lineup wall with Benicio del Toro reading a card and smiling in The Usual Suspects
Image via Universal Pictures

Directed by Bryan Singer and written by a pre-Mission: Impossible Christopher McQuarrie, The Usual Suspects is nothing short of one of the most legendary indie thrillers of all time. The ’90s were the Golden Age of and breakout decade for Hollywood independent cinema, allowing personal auteurial visions to flourish in ways that they had rarely been allowed to before. From this cultural re-allignment came Usual Suspects, which earned McQuarrie the Academy Award for Best Original Screenplay in 1996.

The whole idea for The Usual Suspects was born out of the simple premise of five men meeting in a police line-up. In a perfect testament to the fact that the most creative and complex thrillers often come from the simplest and most easy-to-summarize set-ups, Singer’s magnum opus is a brilliantly dark thriller full of razor-sharp dialogue and consistently jaw-dropping twists. The biggest one of these turns comes right at the very end of the film, and it’s one of the most iconic final plot twists in movie history, the sort that completely recontextualizes everything that came before. As such, The Usual Suspects is one of those thriller movies that are even better the second time.

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5

‘Parasite’ (2019)

Park So-dam and Choi Woo-shik check their cellphones in a scene from Parasite
Park So-dam and Choi Woo-shik check their cellphones in a scene from Parasite
Image via NEON

Few countries make thrillers quite as gripping as those made by South Korean filmmakers like Bong Joon Ho. Bong has always been one of the greatest South Korean directors not just of his generation, but of all time, having made several of the best Asian movies of the 21st century. However, never before had the world seen anything quite like the historic Parasite. First-ever non-English-language winner of the Best Picture Academy Award, nothing less than the most prestigious award in the entire film industry, this modern masterpiece is one of the best Best Picture Oscar winners since 2000.

But aside from its achievements being historic, Parasite has the quality to show that it deserved to make history in the first place. The way Bong juggles genres in this brilliant social satire is nothing short of genius, and the way it blends with the film’s constantly-escalating sense of tension, mystery, and suspense is also absolutely perfect. Parasite‘s critique of socioeconomic disparities aren’t particularly subtle, but Bong isn’t a director that’s ever been known for being shy with his thematic explorations. Loud, timely, and an awful lot of fun, Parasite is one of the best films of the 21st century so far.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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4

‘Oldboy’ (2003)

Hye-jepng Kang and Min-sik Choi hugging in the snow in Oldboy 2003
Hye-jepng Kang and Min-sik Choi hugging in the snow in Oldboy 2003
Image via Tartan Films
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As if any more proof were needed that South Korean filmmakers are absolute masters of the thriller genre, there’s also Park Chan-wook, who has made several thriller masterpieces over the course of his career. The question of which one’s the best of the bunch, however, isn’t actually much of a question at all. It has to be Oldboy, one of the best action thrillers of the 2000s, as well as one of the most disturbing crime movies ever made.

Oldboy is not for the faint of heart, but the way Park uses shock value here always feels perfectly calculated and artfully deliberate instead of gratuitous or exploitative. Exquisitely character-driven and packed with jaw-dropping twists, including some of the most shocking final twists toward its showstopping third act, Oldboy is a psychological thriller that all those with the stomach for it should check out at least once in their lives. Full of perfectly shot action sequences and emotionally stirring character moments, it’s one of the most well-rounded thrillers of modern times.

3

‘Memento’ (2000)

Before he was Academy Award winner Christopher Nolan, king of Hollywood blockbusters; he was up-and-coming indie filmmaker Christopher Nolan, the man whose sophomore feature, Memento, took the world by storm as soon as it premiered at the Venice Film Festival at the tail end of the 20th century. Today, there are still those who would confidently refer to this as Nolan’s best movie to date, and for good reason. It may lack the epic scale or sense of spectacle of his newer blockbuster fare, but that is precisely where its thematic, narrative, and aesthetic strength comes from.

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There are plenty of reasons why Memento is one of the best films of the 2000s, not least of which is the genius way in which Nolan structures the story in reverse chronological order. This never feels like a cheap gimmick, but rather like a masterfully-constructed framing device that makes the film consistently surprising at every turn. By the time the credits roll, Memento has recontextualized itself as a drama of surprising philosophical depth, exploring the lengths to which people will go in order to give their lives some semblance of meaning.

2

‘Se7en’ (1995)

Se7en - 1995 (1) Image via New Line Cinema

By the time 1995 rolled in, David Fincher was still very far from being the hugely-acclaimed filmmaker that cinephiles celebrate him as today. After all, by that point, the only feature film under his belt was Alien³. That’s when Se7en came along. When Fincher was brought on board the project, he was still better-known for his work directing music videos, and he wasn’t a fan of the script’s police procedural elements. Even still, he was so fascinated by the escalating plot and the incredibly bleak story that he agreed to direct. The result? One of the most fatalistic movies of all time.But as overwhelmingly bleak as it is, Se7en still managed to make over $300 million dollars at the box office worldwide, immediately establishing Fincher as a talent to look out for in the thriller space. Today, he’s one of the greatest thriller filmmakers currently working. That would have probably never happened without Se7en, a psychological thriller so terrifyingly pessimistic and violent that there are those who would argue it qualifies as a horror movie, too.

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1

‘The Silence of the Lambs’ (1991)

Hannibal Lecter (Anthony Hopkins) behind bars in 'The Silence of the Lambs'
Hannibal Lecter (Anthony Hopkins) behind bars in ‘The Silence of the Lambs’
Image via Orion Pictures

There’s really no question about it: Since the arrival of the ’90s, there still hasn’t been a thriller quite as iconic, influential, or legendary than The Silence of the Lambs. It’s the latest movie to have won all Big Five Oscars (Best Picture, Director, Screenplay, Actor, and Actress) for a reason. Anchored by Anthony Hopkins and Jodie Foster delivering some of the strongest work of their careers, this psychological thriller/horror masterpiece is one of the greatest serial killer mystery movies ever made.

This is yet another film that definitely demands that the viewer have a strong stomach in order to get through the whole film, but watching Silence of the Lambs at some point is nevertheless a bona fide requirement for considering oneself a cinephile. It’s one of those horror movies that are perfect throughout, a thematically complex character-driven gem bolstered by Ted Tally‘s timeless script and Jonathan Demme‘s downright flawless direction. Since 1990, The Silence of the Lambs is the best thriller movie that the big screen has received—and it’ll take something very special to take that top spot away from it.

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The Silence of the Lambs


Release Date

February 14, 1991

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Runtime

119 minutes

Director
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Jonathan Demme

Writers

Ted Tally, Thomas Harris

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Bold and the Beautiful: Electra Explodes in Fury – Her Next Move Stuns!

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Bold and the Beautiful: Electra Forrester (Laneya Grace)

Bold and the Beautiful saw Electra Forrester (Laneya Grace) get really nasty with Miss Melissa Dylan (Sydney Bullock) after she confessed that she’s fallen in love with Will Spencer (Crew Morrow) and wants a chance with him.

Bold and the Beautiful: Electra Lashes Out at Dylan

First, Electra snapped and called Dylan the B-word, and that was bad enough. But then Electra said that Dylan cheated with Will, which isn’t true. And then Electra hauled off and slapped Dylan. We’re going to talk about what Electra is going to do next because she’s completely unhinged.

All right, so Dylan just confessed to Electra that she has very strong feelings for Will. And since Electra dumped him multiple times and told him they would never be together, Dylan sees no reason not to pursue the guy that she loves. But Electra was totally outraged when Dylan said she spent the night over at Will’s place, even though she was very clear they slept on the couch and there was no sex.

So, Electra tried to say that Dylan took advantage of Will. Now, I do think Dylan was really putting herself out there with Will and being quite forward, but Dylan didn’t take advantage, and nothing that happened with Will and Dylan was cheating.

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He was single because he had been dumped. And then Electra lost her whole mind and physically attacked Dylan after calling her the B-word. But I don’t think Electra is going to stop there. She’s clearly unhinged. And we’re going to get into what I expect to see next from Will’s enraged ex-girlfriend.

Electra Sabotages Dylan & Will on B&B

So, first of all, I think that Electra is going to do all that she can to make sure that Will will never ever get involved with Dylan. We could see Electra teasing Will and hinting that she might come back to him later once the Forresters chill out about the whole thing, especially over the Eric incident. So Electra may tell Will that she’ll never take a second look at him if he gets close to Dylan.

No doubt, Electra wants Will to ban Dylan from his life, which essentially means Electra wants to leave Will alone and heartbroken and just sitting around hoping for another chance with her. This is typical selfish Electra behavior. So, I could absolutely see it happening. She only cares about what she wants.

Bold and the Beautiful: Electra’s Revenge Campaign Against Dylan

Second, I 100% expect her to fire Dylan, or at least try to, but I wonder if Dylan tells Ridge Forrester (Thorsten Kaye) and Steffy Forrester (Jacqueline MacInnes Wood) that Electra slapped her face in the workplace over personal drama because Will was fired for violence outside of the workplace. So, doing it on Forrester Creations property is much worse, right? The Forresters want to call the Spencers violent and then Electra turns around and gets violent with Dylan.

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So, Ridge might be ready to fire Dylan over the whole being loyal to Will stuff, even though that’s personal and has nothing to do with work. But Steffy owes Dylan and she’s the one who hired her. So, that’s problem one. And if Ridge and Steffy agree to fire Dylan after Electra slapped her at work, that could be dangerous for the company. That’s problem two.

The Forresters are already being accused of having workplace culture issues, and firing Dylan after a workplace assault done to her would reinforce those rumors. Plus, the Forresters have talked so nasty about Will acting like he’s some kind of violent maniac who’s a danger to Electra. But I think she’s the danger.

Electra’s the Violent One on B&B

Not only did she slap Dylan, but Electra has a history of physical violence. The Forresters may have forgotten or may not know, but Electra hit pregnan Luna Nozawa (Lusa Yamada) more than once. And to be fair, Luna was provoking Electra. So, maybe she thought that made it okay to hit a pregnant woman.

But on the flip, R.J. Forrester (Brayan Nicoletti) constantly provokes Will. Yet the Forresters think it’s bad that he hit R.J. Bottom line, Electra’s unhinged. She’s willing to fight with Dylan, but she’s not willing to fight for Will on Bold and the Beautiful.

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Plus, Ridge just hit Bill Spencer (Don Diamont), and Brooke Logan (Katherine Kelly Lang) just hit Katie Logan (Heather Tom), and R.J. just sucker punched Will at Bikini. So, the Forrester hypocrisy on people hitting people is kind of mind-boggling. So, Electra may not be able to fire Dylan because of this, but I think she’s going to wind up leaving Forrester Creations anyway because she’s not going to want to keep working with the Forresters after all of this.

Bold and the Beautiful: Electra Forrester (Laneya Grace)Bold and the Beautiful: Electra Forrester (Laneya Grace)
Bold and the Beautiful: Electra Forrester  

Bold and Beautiful: Electra’s Schemes and Power Games

So, another thing Electra may do is turn to R.J. She did this before when Electra stepped away from Will and Electra expected Will to be miserable and alone and waiting. I suspect that Electra loves hearing Will beg her to reunite. Meanwhile, Electra was kissing R.J. and then lying to Will’s face about it when he was being totally honest with her about anything going on with him.

So, Electra, I think, is going to slam single Will over kissing Dylan. And then I expect Electra to go and do what she did before. I think she will let R.J. flatter her, feed her ego, and kiss her while mandating that Will has to stay single while Electra decides who Will can and cannot date. It’s absolutely ridiculous that he would tolerate this from her, but he probably will. Electra’s done it before. I expect she does it again.

B&B: Electra Tries to Run Dylan Out of LA

Another thing is Electra may try and ruin Dylan’s life in LA so she has to leave town. Electra may try and get Dylan fired from both Bikini and Forrester Creations so she can’t afford to stay in California. Electra already tried to put Dylan back out on the streets before when she was living above Will’s garage. And we saw that Electra already accused Dylan of being a gold digger and that’s just not true.

And Electra knows Dylan doesn’t have the budget to stay in LA without both of her jobs. Not unless she’s going to be living in her car again. So yeah, Electra absolutely might try to attack Dylan economically. That would be a really horrible and underhanded thing for Electra to do, but it would be a way to ensure that Dylan can’t afford to stay in Will’s orbit.

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And I’m sure that R.J. would join in on this and help Electra. He already tried to get both Dylan and Will fired and R.J. finally succeeded with Will. So, I could see R.J. pressuring Ridge and Steffy to fire Dylan again. However, I don’t think if Electra plots to leave Dylan broke so she leaves town, I don’t think it’ll work out that way. I’m betting that the Spencers would give Dylan a job over at Logan.

Bold and the Beautiful: Electra Drops the Remy Bomb

All right, last but not least, I think Electra might tell everybody at Forrester Creations that Dylan cheated with Will when we know it wasn’t cheating, but I don’t think that will be enough because again, that’s personal stuff. I also suspect Electra will tell the Forresters that Remy Pryce (Christian Weissmann) is Dylan’s cousin to completely tarnish her reputation.

I’m sure the Forresters will be shocked to hear that from Electra. And I bet that they will think that Dylan owed them information that she didn’t. She told Electra, who did need to know, but the other Forresters were owed nothing. But I’m sure they will see that as a betrayal because everything is a betrayal to them.

But that reveal could be what breaks Steffy’s loyalty to Dylan. And Steffy may agree that they can go ahead and fire Dylan. I could absolutely see it going down that way. So, we’ll have to watch and see how it plays out, but I don’t think Electra’s madness is over. Not by a long shot. She is going to come after Dylan really hard.

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Big Brother 28: Yash Learns Intimate Lessons from Devens Amid Feed Chaos

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Big Brother 28: Rick Devens

Big Brother delivers a live feeds jaw-dropper from Yash Patel where he revealed something incredibly intimate about himself to Rick Devens. We’ve also got some fandom comments on Yash’s shocking reveal, plus more Angela Murray insanity from the feeds.

Big Brother 28: Three Ring Circus?

Let’s talk about some fun stuff from the live feeds. First, Dee Valladares is itching to win that HoH because she wants to nominate Drew Campbell. And Kamu Kirk is ready to cannibalize the Red Corner and target Chuk Anyanwu.

Kamu’s upset because Chuk’s a floater and plans to stay floating with no interest in winning anything. He definitely needs to grab a life vest. Angela is also continuing with her fantastical made-up paranoia.

At this point, I feel like there’s just a circus of madness in Angela’s head. The voices must be so loud in there. She is making things up about Taylor Brown. She is coming down hard on Drew for doing what he was asked to do.

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It was just nuts. Barrett Pfeiffer and Drew both sense that things are off with them and the Crossovers in Toolshed, but they have no idea how close they are to hitting the block. And Angela’s been pitching to Devens that they should out Crossovers to Kamu and Red Corner.

And Devens tried to talk her out of it and said with Kamu’s HoH done, it’s no biggie and he doesn’t need to know about their other alliance. But I doubt that Angela is going to listen to Devens because when Angela latches on to something, it’s not a matter of if, but when.

Big Brother 28: Angela’s Delusional Drama

Also, we had Angela telling Haley Thogmartin that Drew is drama all the time. This from the egg detective that blew up the nomination ceremony. And of course, Angela was fine with Kamu blowing up Mallory Aurichio’s Tea Party.

So, to me, it’s just the height of lack of self-awareness for Angela to talk about anybody else bringing drama. Also, Dee talked and said, “It’s effing crazy.” She said, “I don’t know how they’re letting us get away with this, but I’m happy about it.”

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And she talked about playing on heartstrings. Yes, it is crazy that the houseguests are lining up to hand the BB28 season to Devens, Dee and Angela. Also, they gave the houseguests a cell phone to play the password game. And for me, that was Taylor for the win.

If you don’t know this trend, you say, “I’m passing the phone to…” and then you roast the person with an insult. So, Taylor said she’s passing it to a standup comedian who’s not funny. And then Taylor handed the phone to Melody Morris.

Big Brother 28: Rick DevensBig Brother 28: Rick Devens
Big Brother 28: Rick Devens

BB28: Birds and the Bees Bombshell

Now, let’s talk about Yash and the bombshell he dropped. So, he was sitting in the yard talking to Devens and Yash asked, “What even is oral sex?” And Devens started to explain, and the feeds switched away so abruptly fast.

That’s kind of a jaw-dropping question. And by even answering it, Devens is proving he is the dad of Big Brother 28 by having a birds and the bees talk with Yash, who is 24 years old and presumably a whole grown man.

Some comments from the fandom on the Yash bombshell. One explained or*l s*x by saying, “It’s when you and the group gather around the fire and the elder tells you tales of old but spicy ones. It’s traditional.”

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Another commenter said, “I don’t think somebody with that haircut is getting much action.” And here’s a funny non-Yash comment: “I think Haley looks good for a 45-year-old woman.” That one killed me.

And one last comment. This one is less funny and more factual. They said, “It’s not that the icons ruined the season. It’s that they were guaranteed HoH week one, thus setting up the foundation of the house structure with everyone else in line to appease them. That is what ruined the season.” And I agree, those are straight up facts.

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Donna Mills’ Fans’ Wish Is Her Command On OF Journey

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Donna Mills at TYPTI Launch Hosted by Steve Bellamy

Donna Mills‘ OF fans are about to go on a fun ride if she decides to stick to the plan!

The American actress has kick-started her journey on the adult content-creating platform, and she is glad to share what her subscribers may be getting exclusively for her eyes only.

Donna Mills began her career on television in 1966 with a recurring role on “The Secret Storm” and subsequently made her film debut the following year in “The Incident.”

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Donna Mills at TYPTI Launch Hosted by Steve Bellamy
Starbuck/AFF/SB / MEGA

Talk about getting her younger groove back! The actress is proving that age is nothing but a number as she begins creating content on OF with promises to keep it spicy and fun for her subscribers. She added that if her fans want her to strip down and give the camera some sexy time, she might be down for it.

Mills, who is an octogenarian, replied to the question about what type of content she intends to share with her subscribers, and it will be a thorough look at the unseen bits of her life.

As reported by TMZ, she will also share behind-the-scenes of her life and spreads that are just enough to pique the curiosity of her subscribers in the sexy department.

Beyond that, she also stated that joining the platform will allow her to connect with her fans more personally than on traditional social media.

The 85-Year-Old Is Redefining What An OF Debut Can Look Like

Donna Mills at PaleyCenter Presents Bob Mackie: Naked Illusion Premiere
Janet Gough / AFF-USA.COM / MEGA

Mills expressed that she is putting a twist on what it means for a celebrity her age to venture into the adult content industry by focusing on authenticity and offering fans a closer look at her everyday life. As noted by The Blast, the actress now wants long-time supporters to experience the version of her they have always admired.

According to Andy Bachman, who is a talent manager and co-founder of Creators INC, the actress’ decision came as no surprise because Mills has always been way ahead of the curve and believes in seizing the day as it comes.

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The actress is reportedly doing it all on her own terms, and would rather create a space that reflects her person rather than conforming to expectations on the platform.

She spoke candidly about her OF debut, saying that the page will feature slices of her daily routine, exclusive behind-the-scenes content, and more direct interaction with supporters.

Donna Mills’ Biggest Reinvention Happened Away From The Entertainment Industry

Donna Mills at Los Angeles Private Screening Of 'A Murder Between Friends'
ZUMAPRESS.com / MEGA

The actress’ biggest role quietly happened away from the rolling cameras and flashing lights of Hollywood when she took time off to focus on being a first-time mom at age 54. Long before adopting her daughter, Chloe, she had thrown herself almost entirely into building a successful acting career. 

Upon realizing there was a vacuum in her life, she decided to pursue motherhood, adopting Chloe when she was just four days old. The star revealed that the timing was perfect for her and she has never felt older than women who became mothers in their 20s.

Mills then encouraged women focused on building their careers to build the lives they want before deciding if they want to give motherhood a chance. Once Chloe reached school age, the actress walked away from Hollywood for nearly two decades so she could raise her daughter herself.

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That decision laid the foundation for the close bond they still share today. Mills has stated that she talks to Chloe every single day and sees her weekly. She eventually got back into acting, but the break had not taken the luster off her talent. 

In 2014, Mills won a Daytime Emmy for her guest appearance on “General Hospital” and has since taken on roles that honor older women. Now in her 80s, she continues balancing her comeback with the life she built away from the cameras, proving that her greatest reinvention happened not in Hollywood, but at home.

The ‘Knots Landing’ Actress Noted That Marriage Is Not The Yardstick For Lasting Love

Donna Mills at Variety Power of Women 2023
Lisa OConnor/AFF-USA.com / MEGA

Mills and her partner Larry Gilman have been together for more than two decades, although they are yet to tie the knot, and the actress has entertained different conversations about not making it official. 

The actress confessed in a Daily Mail interview that marriage has never been a part of the life she envisioned for herself, no thanks to her experience watching her mother depend on her father for financial well-being all through her childhood.

Mills, in the interview as shared by NickiSwift, added that she grew up convinced that financial and personal independence were non-negotiable when it came to experiencing happiness.

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She has carried that philosophy into her relationship with Gilman, which began in 2001, stating that her independence has always come first and she loves knowing that she does not need a partner to take care of herself.

Most importantly, Gilman has embraced this point of view too, respecting her need for space and does not compete for control of her life. She credited their longevity to companionship and not a marriage certificate, although it feels like they really are. Mills noted that there is also intentionality behind keeping their finances separate while sharing their lives.

Donna Mills Endured A Troubled 20-Year-Long Romance Before Larry Gilman

Donna Mills attends the 31st Movieguide Awards Gala
ZUMAPRESS.com / MEGA

The screen icon has indeed been around for a long time when it comes to romances. Before her journey with Gilman began, Mills had spent two decades in an on-and-off relationship with advertising executive Richard Holland. 

Hollywood Life stated that Holland was previously married to Chaka Khan, and his episode with Mills was reportedly far from smooth as they dealt with incompatibility when it came to their personalities. While Mills thrived on ambition and constant activity, Holland was reportedly content with doing very little for months at a time.

Mills has defended this stance from Holland in the past, insisting that despite his speculated inaction, he was never a gold digger who planned to reap where he did not sow. Before they parted ways in the late 1990s, Mills welcomed Chloe.

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Mills has also been linked to several personalities in Hollywood, including actor Vic Vallaro, film executive Allen Adler, and, very briefly, to her “Intimate Encounters” co-star Clayton Norcross during one of her breakup episodes from dating Holland.

Donna Mills is not slowing down!

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Dejounte Murray Sparks Buzz Amid Jania Meshell’s Pregnancy

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The Internet Side-Eyes Dejounte Murray After He Drops Message Amid Jania Meshell's Pregnancy

Roomies, folks online are side-eyeing Dejounte Murray after he dropped a message amid Jania Meshell’s pregnancy announcement. Fans are now trying to piece everything together, especially after Jania previously claimed Dejounte allegedly blocked her on social media.

RELATED: Jania Meshell Breaks Down After Dejounte Murray Allegedly Blocks Her Following Pregnancy Announcement (VIDEO)

Dejounte Murray’s Message Has Fans Revisiting His History With Jania Meshell

Recently, Dejounte Murray came through with a life update on Instagram, sharing a carousel packed with moments from basketball practice, quality time with his kids, and some fresh fits. But what really caught everyone’s attention was Jania Meshell popping up in not one, but two photos. One photo in particular raised eyebrows as Dejounte placed his hand on Jania’s baby bump while their daughter Icelynn and Jania’s son Kacey, whom she shares with NBA YoungBoy, also held onto her belly. In his caption, Dejounte shared that he feels grateful to enter this new chapter of his life, writing, “THANK GOD THIS MY LIFE. I Was Putting It All On The Line!!! 🙏🏽🖤” Folks online were waiting for Jania to enter the chat, and she did just that! She slid into his comment section and called his set of flicks, “picture perfect 🖤🖤”

Social Media Weighs In On Dejounte’s Viral Post

Once The Shade Room shared Dejounte’s photo dump, the comment section lit UP! Plenty of folks said they were confused, while others joked that Dejounte switches up his energy too often for them.

Instagram user @abovebrasialove wrote, At least he there 🥰” 

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instagram user @gypsy.issy wrote, Horrible caption lol.” 

While Instagram user @yesimasiaa wrote, after blocking her.” 

Then Instagram user @thuggernese wrote,but wasn’t she just- never mind.” 

Another Instagram user @_sheisjordann wrote,he got my girl pregnant to keep her inside! 🤣🤣 he was just crashing out about the outside activities.” 

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Instagram user @thatsss.jayyy_ wrote, this man energy change like the damn weather😂😂😂🤦🏽‍♀️ like I’m over it!!!” 

Then another Instagram user @lilzackglo wrote,Stop getting on the internet crying bout her if you gone be right back with her dude 🫩” 

Lastly, Instagram user @quality_thriftstoreee wrote, 😍😍😍”

Fans Recall Jania Meshell’s Emotional Reaction To Being Blocked Online

Dejounte’s latest post had some fans scratching their heads because it came right after Jania Meshell previously claimed he blocked her online. During a recent livestream, Jania shared that the situation hurt her feelings, and while she never mentioned Dejounte by name, fans quickly connected the dots. Although she didn’t name-drop Dejounte, fans believe she was referring to him when she said, “I can’t help who I love. I love him,” Jania later admitted that she never asked Dejounte to follow her on social media, however she admitted that getting blocked still bothered her. “Did it hurt my feelings? Yes, a little bit, it did. But I can’t do nothing about it.

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RELATED: Congrats! Jania Meshell She & Dejounte Murray Are Expecting Another Child & They Reveal The Gender! (PHOTOS) 

What Do You Think Roomies?

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Days of our Lives: Stephanie Plots to Unmask Joy as Alex Wins Full Custody!

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Days of Our Lives: Stephanie Johnson (Abigail Klein) - Joy Wesley (AlexAnn Hopkins) - Alex Kiriakis (Robert Scott Wilson)

Days of Our Lives presents Stephanie Johnson (Abigail Klein) really ticked off at Joy Wesley (AlexAnn Hopkins) and may soon start plotting to help Alex Kiriakis (Robert Scott Wilson) get full custody, maybe even sole custody of little Kelsey rather than having to deal with Joy’s increasing demands about the child that they share.

Days of our Lives: Alex’s Emotions Run Amok

So, this week, Alex was so excited when his dad called and said that baby Kelsey’s birth certificate had been amended and was ready. So, now it has her new name, and Alex is officially listed as the dad, and she is now Kelsey Kiriakis. But when Joy and Alex discuss the custody arrangement with Justin, we saw Joy put her foot down about Stephanie because Joy doesn’t want Alex’s wife around Kelsey ever. And Alex was angry.

Then he stormed out and he went home to vent his frustration to Stephanie. And Alex had to explain why there’s no custody deal yet. So, Stephanie told Alex this is all her fault because if she hadn’t shot at Joy, there wouldn’t even be this topic of discussion and this leverage. Stephanie was double dosing medication with a loaded gun not locked up properly, and she knew that Joy had a key to their apartment. But then Stephanie woke up groggy and panicked and shot at Joy.

It was extremely irresponsible. But on the flip, Stephanie had PTSD because of a past trauma. She’s not just going around taking pot shots at people across town. So, it is understandable that Stephanie made a bad choice that day and Joy is understandably shaken. And this didn’t happen that long ago.

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Stephanie Makes Things Worse for Herself on DOOL

But then after a conversation with Belle Black (Martha Madison), it looked like Joy was legit ready to cave on the custody thing and let Stephanie around her baby. But after Alex left for work, then Stephanie decided to go confront Joy about what she sees as her latest stunt.

Things were looking better until Stephanie got upset and intervened. And then she outright accused Joy of wanting her husband all to herself and accusing her of outrageous plots. And to be clear, Joy definitely wants Alex. But to be fair, I don’t think Joy has been inappropriate with him. Alex didn’t wait to hear what Joy’s issue was when she called about the insurance card.

He assumed the worst and he ran out. And now Stephanie assumes the worst of Joy in that situation. I actually think it was fine for her to call Alex for help since she and his baby daughter were on the side of the freeway. But despite that, Stephanie is not wrong about Joy having ulterior motives. And Stephanie likely does not believe Joy when she said she was about to change her mind on the custody until Stephanie ruined it.

Days of Our Lives: Stephanie’s Custody Plot Against Joy

So what’s going to happen now? Well, I think Alex might be a little annoyed that Stephanie confronted Joy, which Alex had to know wasn’t going to make anything better. But I also think Stephanie will convince Alex that Joy’s up to no good where he’s concerned. And from there, I don’t think Alex is going to be on board to plot against Joy no matter what Stephanie’s saying because I’m sure that Alex knows that will make things worse. However, I don’t expect Stephanie to back down. I think she’s going to start plotting on her own. I think she might do all she can to make sure Alex doesn’t just get 50/50 custody, but gets sole custody.

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Because at this point, I expect that Stephanie wants Joy out of their lives and wouldn’t mind taking her baby away from her to make it happen. Because that’s how ticked off she is. And if Stephanie’s plotting against Joy, there’s a chance that she could find out that Kelsey’s mom is a gold digger. And maybe that’s not even Alex’s baby. Because think about it. When Joy was talking to Belle at the pub after Alex left the signing, Belle tried to convince Joy Stephanie would never hurt Kelsey.

Days of our Lives: Alex Not the Daddy?

And then something interesting happened that could foreshadow what’s coming. Rachel Black (Lorelei Olivia Mote) and Tate Black (Leo Howard) came over to look at little Kelsey and Rachel said Tate thought he had a baby too, but it turned out the kid wasn’t his after all. It was awkward and Belle called her out, but honestly that’s just Rachel being Rachel. And then Tate was listening in on Joy and Belle and we saw that Tate got snippy with Joy saying it’s bad to use a child for leverage to get what you want and Tate said it never works out in the end.

So, the Days of our Lives writers could be hinting at what’s next for Joy, Alex, and Stephanie. Stephanie could try and expose Joy as a liar while investigating for this custody case. You know, Stephanie could find irrefutable proof from maybe a secretly run DNA test that Joy somehow falsified the results. It would be easy enough for Stephanie to do a test like that. And it would be wild to come down to a moment of Alex learning he is not the biological father. And of course, that would break his heart because he adores Kelsey. Of course, Joy was very proud that her daughter would have the Kiriakis name because of its prestige.

Days of Our Lives: Stephanie Johnson (Abigail Klein) - Joy Wesley (AlexAnn Hopkins) - Alex Kiriakis (Robert Scott Wilson)Days of Our Lives: Stephanie Johnson (Abigail Klein) - Joy Wesley (AlexAnn Hopkins) - Alex Kiriakis (Robert Scott Wilson)
Days of Our Lives: Stephanie Johnson – Joy Wesley – Alex Kiriakis 

Digging Up the Truth on Days

And since Jeremy Horton (Michael Roark) brought Joy to town, he might have made some contacts in the lab that could help her. Every soap paternity test can potentially be faked. Hospital staff have done that before and might be open to taking a bribe to swap the test results. So yeah, that test might have been faked.

But if Stephanie’s scheming ends up with Alex losing the daughter that he’s come to love, that could actually be problematic for him and Stephanie. But then again, Alex deserves to know if he’s really the dad or not. And we could also see Stephanie talking Alex into plotting with her. Some kind of honeypot thing where they pretend to break up so that they can find out Joy’s real motives.

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Because I’m sure if she thought Alex was single, then Joy might admit to all kinds of things to Alex. They could turn around and use those against her in custody court. And finally, Stephanie could convince Papa Steve Johnson (Stephen Nichols) to use his investigative skills to help her dig up some dirt on Joy. We don’t know a lot about her. Her origin story, of course, is that she’s a savior sibling.

Her parents basically made Joy so that she could donate to save her sister’s life. And she’s been offscreen most of her life until her mother brought her to Salem to audition for a TV show. At the time, her mother made comments to Joy about her loose habits of sleeping around. And that’s enough right there to make you wonder if Alex really is Kelsey’s dad.

Joy’s Bad Choices on DOOL

Plus, Joy doesn’t even have a job. She lives above a bar with the baby. Those are not exactly positive parenting choices. And all of that could be used as ammunition to help Alex in the courtroom. And Stephanie could testify that she’s been in counseling, got rid of the gun, she’s stable, she’s safe. But in the end, unless Stephanie gets some major dirt on Joy, what Stephanie did by shooting at her makes her a huge liability in any custody case. And Alex has to know that. I’m sure his father does, too.

So, Stephanie scheming to expose Joy and getting some leverage against her is a good idea. But if it ends up costing Alex access to his daughter, then Stephanie might live to regret it. Already, Joy may tell Alex she was going to relent on the custody until Stephanie went psycho on her.

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And Alex might believe Joy, at least for a minute, and she can always simply threaten to take Kelsey and go back to New York. I do think Stephanie can be over the top at times, but also what woman is going to sit by and let Joy get away with all of this? Certainly not Stephanie Johnson. We’ll see what scheme she starts soon to deal with Joy.

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Elden Ring Movie Officially Wraps Filming as Alex Garland’s Fantasy Epic Enters Post Production : Coastal House Media

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Elden Ring Movie Officially Wraps Filming as Alex Garland's Fantasy Epic Enters Post Production : Coastal House Media

The journey through the Lands Between has reached a major milestone.

According to a crew member who worked on the production, A24’s highly anticipated live action Elden Ring movie has officially wrapped filming after approximately six months of production. While fans still have a long wait before the film arrives in theaters on March 3, 2028, the completion of principal photography means the ambitious adaptation now moves into post production.

The news came from a now-deleted Instagram post by crew member Sean Schofield, who shared what appeared to be a thank you package from director Alex Garland and several of the film’s producers. Alongside the image, Schofield reflected on his experience working on the project.

“Dream job to end all dream jobs.”

He continued by praising everyone involved with the production.

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“6 solid months of blood, sweat and tears making the coolest stuff ever, working alongside the best of the best. Can’t share anything else for a very long time, but I couldn’t be more proud of what we did.”

Although plot details remain tightly guarded, the adaptation is shaping up to be one of the biggest projects in A24’s history. The film stars Kit Connor, Cailee Spaeny, Ben Whishaw, Nick Offerman, Tom Burke, Havana Rose Liu, Sonoya Mizuno, Emma Laird, Peter Serafinowicz, and Jonathan Pryce, bringing together an impressive ensemble to explore the dark fantasy world created by Hidetaka Miyazaki and George R. R. Martin.

Elden Ring

One reason fans have remained optimistic about the adaptation is Garland himself. Long before production began, the filmmaker made it clear that he wasn’t simply taking on another blockbuster. He’s an actual Elden Ring player who has spent hundreds of hours in the Lands Between.

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During an AMA, Garland admitted:

“I’m on ng+6 currently. Don’t even want to think about the hours I’ve clocked up. Can’t seem to stop playing.”

He later doubled down on his love for the game during an appearance on IGN Unfiltered, revealing that he was already on his seventh playthrough and joking that he always gravitates toward a dexterity, magic, and parry build.

That level of familiarity has given many fans confidence that Garland understands what makes Elden Ring so special. Rather than simply recreating the game’s monsters and action sequences, many are hoping he’ll capture its haunting atmosphere, mysterious storytelling, and sense of discovery.

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Let me solo her [elden Ring]

Even George R. R. Martin, who helped create the mythology behind the game, has expressed confidence in the adaptation. Speaking about the project after it was announced, Martin praised both the studio and its director.

“A24 is a kickass studio, and Alex Garland is a first rate director.”

With filming now complete, the movie enters what will likely be an extensive post production process as visual effects artists begin bringing the Lands Between to life. A24 has yet to release any official images or footage from the film, but with cameras no longer rolling, fans may finally be getting closer to their first look.

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Video game adaptations have enjoyed a remarkable resurgence over the past few years thanks to projects like The Last of Us, Fallout, and The Super Mario Bros. Movie. Elden Ring presents a different challenge entirely, asking filmmakers to translate one of gaming’s most mysterious and lore-rich worlds into a cinematic experience.

If Garland can successfully capture the atmosphere and scale that made the original game a masterpiece, Elden Ring has every opportunity to become one of the defining fantasy films of the decade.

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Spider-Man: Brand New Day Breaks All Time Box Office Preview Record, Surpassing Avengers: Endgame

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Spider-Man: Brand New Day Breaks All Time Box Office Preview Record, Surpassing Avengers: Endgame

Marvel has done it again.

Spider-Man: Brand New Day has officially swung into the record books, earning an astonishing $74.5 million in domestic preview screenings, making it the largest preview night in box office history. The film surpasses the previous record held by Avengers: Endgame, which earned approximately $60 million during its Thursday previews in 2019.

The record is even more impressive considering Endgame was the culmination of more than a decade of Marvel storytelling. Brand New Day is the fourth solo Spider-Man film starring Tom Holland, yet fan demand has reached levels few expected.

The enormous preview total has dramatically raised expectations for the film’s opening weekend. While Sony has publicly projected a debut closer to $195 million, several independent box office analysts believe the film could finish between $280 million and $300 million domestically if audience turnout continues at its current pace.

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Hulk, Spider-Man: Brand New Day [marvel studios]

Daniel Loria of Box office Pro recently pointed to extraordinary advance ticket sales and the sheer number of theaters dedicating screens to the film as major reasons for the bullish projections.

“The movie has nearly half of all available screenings this weekend.”

That level of theatrical dominance is almost unheard of and reflects just how much confidence exhibitors have in Marvel and Sony’s latest blockbuster.

The film arrives at a pivotal moment for the Marvel Cinematic Universe. Following several years of inconsistent box office results, Brand New Day has been viewed as one of the studio’s most important releases heading into Avengers: Doomsday. Early audience reactions have praised the film’s emotional story, grounded approach to Peter Parker, and action sequences, fueling strong word of mouth before its nationwide release.

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Sadie Sink, Spider-Man: Brand New Day [marvel studios]

Tom Holland returns as Peter Parker alongside Zendaya, Jacob Batalon, Jon Bernthal, Mark Ruffalo, and Sadie Sinkin a film that sees Spider-Man rebuilding his life after the events of Spider-Man: No Way Home. With audiences already turning out in record numbers, the latest chapter appears poised to become one of the biggest superhero releases ever.

Whether Brand New Day ultimately surpasses Avengers: Endgame’s opening weekend remains to be seen. Endgame still holds the all time domestic opening weekend record at $357.1 million, a mark many believed would stand for years. However, after already rewriting the record books with its preview performance, Spider-Man: Brand New Day has proven that betting against Marvel’s most popular hero is rarely a good idea.

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The post Spider-Man: Brand New Day Breaks All Time Box Office Preview Record, Surpassing Avengers: Endgame appeared first on Coastal House Media.

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BB28 Week 4: New HOH Crowned – Eviction Targets & Tears!

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Big Brother 28: Haley Thogmartin

Big Brother week 4 Head of Household results are sizzling fresh off Kamuela “Kamu” Kirk getting his target Jason De Puy out of the BB28 house. As expected, that Blockbuster comp was made for Mallory Aurichio which paved the way for LaTrice “Lala” Verrett to stay.

Big Brother 28: Mismanaged Strategy

I will say I’m disappointed that the houseguests on the non-Toolshed side of the house rolled over and voted with the house again. With Rome gone, the weaker players are backing down and accepting it. Jason messed up his own game but I did feel bad for him.

I also noted the number of people who didn’t bother to say “I sadly vote to evict.” And I also totally applaud him for not taking any physical contact from Kamu after the Blockbuster. My favorite exit from Big Brother was when Cody the Marine walked out over the table.

Cody ignored everyone, grabbed his bag and walked out, shutting the door behind him. That was a tight exit. Jason hugged only his actual friends. I get why Barrett Pfeiffer and Drew Campbell backed off the plan to save Jason.

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But if they knew they were under the microscope and the rest of the Toolshed was coming for them, they might’ve found the courage to rally the other side of the house and vote out Lala.

Big Brother 28: Victorian Tasks

So, waiting for the feeds to come back up, what I was really hoping to see was that Mallory or Lyric Medeiros won Head of Household, preferably Mallory since she’s holding a grudge against the icons and Kamu for nominating her.

But what I hoped after Jason’s eviction is to see the power players at the house at a disadvantage and scrambling with someone else in power for a change. To make the season more watchable and dynamic. But that didn’t happen.

Instead, when the feeds came back up after about four hours, it was with the houseguests wearing old-timey outfits like Victorian-era looking stuff and the comp was something to do with searching for items in a room. I’m sure we’ll have more details later.

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Big Brother 28: Haley ThogmartinBig Brother 28: Haley Thogmartin
Big Brother 28: Haley Thogmartin

Big Brother 28: Haley Wins HOH Amid Power Imbalances

So, Lyric, Haley Thogmartin and Yash Patel were the top 3 in the comp. But it was Haley wearing the key to the HOH room. So yeah, the imbalance of power in the house continues and she’s already planning to be problematic during her HOH reign.

She said she was going to kick anyone out of her room that has been talking negatively about her. Haley blathered to Devens about how she’s had a rough 3 weeks in the house and acted like she’s been bullied.

Haley made a dramatic speech and said you don’t need to come in her room, steal her snacks, use her shower, if you’ve been talking bad about her. No one left and she got polite applause. Girl has been safe for 3 weeks and now a fourth and is whining.

Haley’s been after Taylor Brown since week 1 and plans to put her on the block. Her excuse will be that Lala and Taylor were talking about Haley. And Taylor said she’d nominate her if she won. But let’s be real, Haley hates that Kamu likes Taylor.

And Haley’s had Taylor and Lala’s name in her mouth since week 1. She plans to nominate Melody Morris, Taylor and Drew with Taylor as her intended target. Haley’s going to tell Drew he’s a pawn but Devens is trying to get Haley to keep him as a backdoor option.

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Angela, LaTrice, Devens and Kamu are the Have Nots for the week. More on nominations and the Time Capsule winner soon.

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Claressa Shields Sends Heated Message After Interview

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Rihanna Seemingly Addresses Baby Rumors, Talks "Little Pouch"

It looks like somebody had Claressa Shields ready to clear the air without saying any names. The undisputed boxing champion hopped online with a series of fiery posts that quickly got social media talking, leaving fans wondering exactly what—or who—sparked the energy.

RELATED: Claressa Shields Corrects Interviewer After Question About Being In A Relationship With “Somebody’s Husband” (VIDEO)

Claressa Shields Seemingly Sends A Warning

On Thursday, Claressa Shields took to X and wrote, “Imma be honest with you, I ain’t letting nobody else off the hook. Next b!tch come playing I’m going all out 😌.” Then on Friday, she doubled down with another warning, tweeting, “I stg these girls that be talking sh!t bet not let me catch them outside 😌🗣️.”

Claressa Is Standing On Her Resume

Shields later shifted the conversation to her accomplishments, writing, “You can say you the best all you want, but with no accolades to show it, it’s just talk. When I say I’m the GWOAT, THE BEST, The P4P #1, it’s facts. The accolades prove that, the people I’ve beat, the biopic about my life and now the multi million dollar pay days and Sold out arenas.”

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While Claressa didn’t reveal who, if anyone, the posts were directed at, the timing had plenty of people trying to connect the dots. Whether she was responding to behind-the-scenes chatter or simply reminding folks of her résumé, one thing was clear from her message: Shields wanted everyone to know she’s standing firmly on her accomplishments—and she’s not backing down from anyone.

Fans Believe Claressa Was Standing On Business

Some fans are wondering if Claressa Shields’ latest posts came after reflecting on a recent radio interview that had social media talking. While promoting her upcoming August 15 fight against Kaye Scott, Shields appeared on Streetz 94.5 FM, where the conversation shifted from boxing to her relationship with Papoose. After the interviewer referred to him as “somebody’s husband,” Shields quickly shut that down, pointing out that Papoose has filed for divorce and saying people should keep the same energy when discussing his estranged wife.

@theshaderoom

During a recent interview, #ClaressaShields was asked how much longer is she willing to be in a relationship with someone’s husband. She made it clear that she isn’t with anyone’s husband, and that #Papoose has filed for divorce because he is serious about her. (🎥: @Streetz945ATL) #fyp #viral ✍🏾: #TSRStaffJW

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♬ original sound – The Shade Room

Now, after her latest series of tweets about not letting anyone “off the hook” and reminding folks of her accomplishments, some social media users are speculating she wanted to make it clear she’s done entertaining the chatter—even though she never directly connected the posts to the interview.

RELATED: Claressa Shields Appears To Advise Chrisean Rock To Stay Away From Blueface After They Link Up For Boxing Training (VIDEO)

What Do You Think Roomies?

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3 Best New Prime Video Movies to Watch This Weekend (July 31-August 1)

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Brad Pitt, Abigail Hargrove, Mireille Enos in World War Z

Zombies, deadly chimps and fame-hungry showgirls – what more can you want in a weekend movie lineup?

Prime Video just dropped some pretty fantastic movies in July, and Watch With Us is here to recommend which films you should stream this July 31-August 2 weekend.

At the top of our list is World War Z, an epic zombie action film starring Brad Pitt and millions of undead aggressors.

The streamer just debuted Primate, a creature feature starring Oscar-winner Troy Kotsur as the owner of a lovable chimp who turns deadly.

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If the horror genre isn’t your thing, try watching Showgirls, the camp classic that is guaranteed to make you laugh – both intentionally and unintentionally.

‘World War Z’ (2013)

Brad Pitt, Abigail Hargrove, Mireille Enos in World War Z

Brad Pitt, Abigail Hargrove, Mireille Enos in World War Z
Jaap Buitendijk/©Paramount Pictures/courtesy Everett Collection

Philadelphia everyman Gerry Lane (Brad Pitt) and his family are stuck in the traffic jam from hell. No one is moving, and the people around him are getting angrier by the minute. Gerry doesn’t think things could get any worse, but they do when a zombie outbreak suddenly occurs, plunging the city into chaos. Gerry’s no superhero, but he’s determined to save his family from being consumed by the growing hordes of the undead that are quickly taking over the world. Even if he gets his family to safety, he has to face a sobering reality – no one knows how the outbreak started, and that’s the only way the survivors can develop a cure to stop it.

Loosely based on the bestselling novel by Max Brooks, World War Z is a zombie movie on steroids. Unlike George Romero’s flesh-eating monsters in Night of the Living Dead, these zombies are smarter, faster and deadlier than other versions that have come before them. Because its zombies are such an intimidating, unyielding threat, World War Z maintains a constant sense of urgency and dread. They seem unstoppable, especially when they use their massive numbers to make a mountain of the undead to overtake concrete walls and even helicopters. The film is breathless in the best and worst sense – it keeps you engaged throughout its 116-minute runtime, but you feel exhausted after you finish it.

World War Z is streaming on Prime Video.

‘Primate’ (2026)

Miguel Torres Umba as Ben and Johnny Sequoyah in Primate

Miguel Torres Umba as Ben and Johnny Sequoyah in Primate.
Des Willie / © Paramount Pictures / courtesy Everett Collection

You’d think having a pet chimpanzee would be great. For college student Lucy (Johnny Sequoyah), it’s been heaven growing up with super-smart chimpanzee Ben (Miguel Torres Umba). But when Lucy returns home with some friends for an impromptu party, Ben behaves erratically. The chimp has rabies, causing him to change from a lovable pet to a deadly killer. Trapped in her home, Lucy has to figure out a way out while keeping herself and her friends alive.

Primate is nothing less or more than a deadly creature horror film, like Cujo and Crawl. It earns its hard-R rating, so expect gruesome scenes with faces being ripped off and heads being crushed with rocks. The movie is crude but effective, especially in its portrayal of Ben as a cute but increasingly unhinged murderer. It’s not a classic, but Primate gets the job done – you’ll scream at the well-timed jump scares and gag at all the blood and gore that’s on full display.

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Primate is streaming on Prime Video.

‘Showgirls’ (1995)

Gina Gershon, Elizabeth Berkley in Showgirls

Gina Gershon, Elizabeth Berkley in Showgirls.
United Artists/ Courtesy: Everett Collection.

Nomi Malone (Elizabeth Berkley) wants to be a star. She hitchhikes to Las Vegas, where she gets her start at a sleazy strip club – and catches the eye of Cristal Connors (Gina Gershon), the lead performer of a showgirl revue called Goddess at the Stardust Hotel. Sensing a kindred spirit as well as a potential new lover, Cristal gets her an audition, which Nomi aces. Soon, Nomi’s star is rising thanks to her talents as a dancer and her convenient affair with Zack (Kyle MacLachlan), the money behind Goddess and Cristal’s boyfriend. But Nomi quickly finds out fame has a price, and she might not be willing to pay it.

Is Showgirls one of the worst movies ever made? Or is it a secretly smart and cutting satire about American capitalism and the selling of sex as a commodity? The reason why Showgirls has been a cult classic for over 30 years is that the answer to both questions is “yes.” The film has laughably bad dialogue – there’s an exchange between Nomi and Crystal about eating doggy chow that still gets chuckles today – but the film is well-directed and, yes, well-acted. Berkeley gives an outsized performance – everything Nomi does is BIG and LOUD. There’s a reason for that – Nomi is hungry for fame and money, and she wants people to know who she is. Love it or hate it, Showgirls is unique – there’s never been a movie made that’s like it.

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Showgirls is streaming on Prime Video.

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