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Entertainment

9 Worst Remakes of Beloved Family Movies

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The ensemble cast of kids sitting on a couch in Yours Mine and Ours 2005

Family-movie remakes fail in a more painful way than most remakes because family movies are built on trust. You are asking an audience to laugh, feel safe, feel moved, feel wonder, and maybe even cry a little, often in the same two hours. That balance is hard. And when the original does it, the world remembers it, and the remake doesn’t, that’s a frame break then.

The good ones understand childhood vulnerability, adult exhaustion, household chaos, tenderness, longing, embarrassment, forgiveness. The bad remakes usually think the original was just the premise. Big family. Magic dog. Orphan girl. Body-swap energy. Haunted house. Wooden boy. Lion cub. They keep the title, the brand recognition, the broad mechanics, and somehow lose the emotional temperature that made people love the first version. That’s why the 10 films below are easily the worst family movie remakes ever.

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9

‘Yours, Mine & Ours’ (2005)

The ensemble cast of kids sitting on a couch in Yours Mine and Ours 2005 Image via Paramount Pictures

This remake is not the most offensively bad one here, though it is a perfect example of a movie mistaking volume for warmth. Yours, Mine, & Ours is a family-comedy setup about two widowed parents combining their massive households. It should be an easy emotional win if the writing understands friction properly. Too many kids, too many habits, grief disguised as bickering, the terror of change, the weirdness of suddenly having to make room for strangers in your own home, that is real material. Instead the movie mostly goes for noise.

And that matters more than people think. Family chaos should feel specific. Each child should slightly shift the emotional balance of the house. Here, the kids mostly blur into a collective racket machine, and the conflict never grows beyond surface sabotage and sitcom escalation. Frank Beardsley (Dennis Quaid) and Helen North (Rene Russo) are both likable enough, but the screenplay keeps flattening the premise into family-friendly pandemonium instead of letting it become about the actual difficulty of blending pain, pride, and domestic identity. A good family remake would let the house feel emotionally overcrowded before it starts feeling like home. This one just keeps dropping bodies into the frame and calling it heart.

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8

‘The Shaggy Dog’ (2006)

Robert Downey Jr. in The Shaggy Dog 2006 Image via Walt Disney Pictures

What always hurts these remakes is when you can see the studio logic so clearly. “Funny dad turns into dog” feels like a safe family pitch. Fine. That can work. It is broad, silly, inherently physical, and built around a child-friendly fantasy of watching adult authority collapse into humiliation. But a story like this only really works if the transformation forces something emotionally useful out of the character. The dog curse should not just create slapstick. It should expose a father who has stopped listening, stopped seeing his family clearly, or gotten trapped in some brittle adult identity that needs to be broken open.

The Shaggy Dog remake sort of knows that and never commits to it. Dave Douglas (Tim Allen) spends the movie lurching through gag after gag while the script keeps half-heartedly gesturing toward workaholic-family-man repair. The result is thin in every direction. The comedy is too processed to feel anarchic, and the emotional arc is too undercooked to give the silliness any weight. Family fantasy is often about children watching grown-ups become more human. Here it is just a man in a collapsing professional life doing dog business until the movie decides it is time to be sincere. That is not enough.

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7

‘Annie’ (2014)

Annie strolls down with her new family in 'Annie' (2014) Image via Sony Pictures Releasing

A new Annie absolutely could have worked. The story is durable. It is not just spunky orphan meets rich adult. It is about hunger for stability, public performance, loneliness hiding behind power, and the emotional danger of turning a child’s life into a solution for an adult’s emptiness. The original versions endure because beneath the songs and optimism there is real ache. Annie (Quvenzhané Wallis) wants a home with the intensity of somebody who has had to build hope as a survival skill.

The remake keeps brushing against that and then running back toward branding. Annie is charming, and there are moments when you feel the movie almost understands the tenderness it needs. But the writing keeps turning the entire thing into image management, campaign mechanics, corporate modernity, and update-for-update’s-sake energy. Will Stacks (Jamie Foxx) is written more as a contemporary type than as a man whose life has become emotionally airless enough for Annie’s presence to matter deeply. That shift weakens the whole center. The film keeps performing uplift rather than earning it.

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6

‘Overboard’ (2018)

Anna Faris as Kate Sullivan and Eugenio Derbez as Leonardo Montenegro in Overboard
Anna Faris as Kate Sullivan and Eugenio Derbez as Leonardo Montenegro in Overboard

 

Image via MGM

Overboard has a built-in problem no remake can fully solve: the original premise is already morally warped in a way that only survives if the movie knows exactly how strange and dangerous its fantasy logic is. A spoiled rich person losing their memory and being manipulated into domestic labor can play as romance-comedy only on a very narrow tonal edge, where class resentment, humiliation, attraction, and fantasy all interact in a knowingly unstable way. The remake changes the gender dynamics, which at least shows some awareness of the original’s baggage, but the writing still cannot really crack the deeper issue.

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The central relationship never develops the prickly, risky chemistry required to make the premise feel like anything except screenplay contrivance. Kate Sullivan (Anna Faris) can do frazzled warmth in her sleep, and Leonardo “Leo” Montenegro (Eugenio Derbez) brings some comic arrogance, though the movie keeps sanding everything down into a nicer, safer, blander shape. That sounds like an improvement morally, but it is death comedically and romantically. The whole thing becomes less offensive and more forgettable, which is not a great trade when what you needed was sharpness. Family-oriented remakes often get trapped by this exact problem: they soften the wrong edges and end up with no dramatic edges left at all.

5

‘Cheaper by the Dozen’ (2022)

Zach Braff and Gabrielle Union in Cheaper by the Dozen Image via Disney+

What makes this one especially frustrating is that big family under pressure is such a fertile territory. A good version wouldn’t just be about the number of children but about circling the impossible logistics of love at scale, every kid wanting to feel singular in a household that cannot possibly meet every need cleanly, parents trying to hold together marriage, money, order, identity, and attention all at once. There is comedy in that, yes, but also genuine low-grade heartbreak that the remake of Cheaper by the Dozen skipped.

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This remake feels like it confuses relevance with writing. It updates the family structure, updates the social framing, updates the household dynamic, all fine in principle, but it never turns those updates into dramatic life. The characters feel announced rather than discovered. The family rarely gels into a chaotic organism with its own emotional weather. Instead the movie keeps lurching from point to point, eager to signal what it is about without deeply dramatizing how this many people actually strain, wound, and hold one another. A family comedy does not become richer simply because it has more modern signifiers. It becomes richer when each clash in the house feels like it belongs to that house. This one never finds that specificity.

4

‘The Witches’ (2020)

Anne Hathaway in The Witches Image via Warner Bros. Pictures

Roald Dahl adaptations are dangerous because the tone has to be exact. You need nastiness, delight, child fear, grotesque exaggeration, and real storybook menace all moving together. Too soft and you lose Dahl’s bite. Too loud and you lose the child’s-eye terror of being small in a world run by cruel, absurd adults. Nicolas Roeg’s version understood that. It felt uncanny and ugly in the right way. The witches were funny, yes, but they were also socially violating. They made the world unsafe.

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The 2020’s The Witches remake turns so much of that into overstated spectacle. The Grand High Witch (Anne Hathaway) is swinging hard, and there is a version of this performance that could have worked inside a script with more tonal discipline around it. Instead everything feels pushed outward. The grotesque becomes busier rather than more disturbing. The story keeps explaining and elaborating when it should be tightening and poisoning the room. Even the child-transformation material, which should feel horrifying in a very primal way, gets swallowed by the film’s need to keep moving to the next piece of flamboyant business. Dahl should feel wickedly intimate. This feels inflated.

3

‘Pinocchio’ (2022)

Pinocchio 2022 Image via Disney

This one hurts because Pinocchio is not hard to identify conceptually. A naive being enters a world built to exploit naivety. Temptation, performance, laziness, vanity, bad adults, false freedom, moral testing, real sacrifice. It is one of the clearest fables Disney ever made. The original was a hit because every episode pressures Pinocchio’s soul in a different way. It is not merely episodic wandering. It is ethical formation through danger. The remake has the exact plot map and still feels dramatically undernourished, which is almost impressive in the worst way.

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Geppetto (Tom Hanks) never gains the soulful ache he needs. Pinocchio himself looks hyper-rendered and technically there, yet the writing rarely gives him enough interior texture for his journey to matter beyond obligation. Worst of all, the story keeps flattening its own moral imagination. Pleasure Island should be terrifying because it understands that children often experience temptation as liberation before they understand consequence. Here it feels more like another checkpoint in a familiar IP itinerary. That is the recurring problem. The movie knows the stations. It does not know the fear, wonder, or sorrow that used to flow between them.

2

‘Home Sweet Home Alone’ (2021)

A young boy smiles and holds a toy gun in Home Sweet Home Alone
Home Sweet Home Alone
Image via Disney+

The original Home Alone was legendary because it takes one fantasy and one wound and locks them together perfectly. A child wants freedom from the humiliations and chaos of family life, gets it, enjoys it, then slowly discovers that freedom without love becomes eerie, and danger without adults becomes terrifying. Kevin McCallister (Macaulay Culkin)’s traps are funny because they emerge from a child reclaiming agency inside fear. The burglars are dangerous enough to make the comedy pop and silly enough to keep the movie in family terrain. It is a miraculous balance.

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Though it’s technically a sequel, Home Sweet Home Alone follows a formula so closely it’s essential a requel. It completely misses the emotional architecture. The kid is not written with the same clean mixture of irritation, vulnerability, innocence, and ingenuity, and the adults on both sides are rearranged in a way that fatally muddies the story’s energy. Once the supposed intruders are given sympathetic desperation in the wrong proportions, the whole defensive-comedy mechanism starts collapsing. The audience is left watching a child brutalize people the movie does not fully want to frame as real threats. That is disastrous writing for Home Alone. The original knew exactly who we were supposed to fear, root for, laugh at, and ache for, often all in the same sequence. This version seems confused about all of it at once.

1

‘The Lion King’ (2019)

Simba and Nala in the 2019 live-action The Lion King Image via Walt Disney Studios Motion Pictures

The Lion King’s remake has to be number one because it is the purest example of a remake preserving the text while draining the life. On paper, the writing is the same, or close enough that people sometimes pretend the problem is only visual. It is not only visual. The realism approach exposes how much writing depends on expression, stylization, performance energy, musical lift, and the elasticity of animated feeling. The original is not just a sequence of plot beats about a lion cub losing his father and reclaiming his home. It is a myth written in emotional calligraphy. Every line, every song cue, every comic detour, every spiritual turn is shaped to make Simba’s shame, exile, avoidance, and return feel huge.

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The remake keeps the skeleton and loses the blood. Characters say the same or similar words with less charge. Scenes arrive on schedule and land flatter. Scar’s manipulation feels smaller. Simba’s guilt feels less searing. “Hakuna Matata” becomes less a seductive philosophy of escape and more a required stop on the brand tour. Even the grandeur of return is weakened because the movie is so busy proving its realism that it cannot embrace the expressive exaggeration the story actually needs. This is why it belongs at the bottom. It proves, in the most expensive way possible, that family movies are not loved because of plot summary but because writing lives inside tone, movement, performance, rhythm, and feeling. Strip those away and you are left with a majestic-looking shell.































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

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☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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The Lion King


Release Date
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July 19, 2019

Runtime

118 minutes

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Writers

Jeff Nathanson

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The ‘Money Heist’ Universe Officially Expands on Netflix Ahead of New Spin-Off

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The ‘Money Heist’ Universe Officially Expands on Netflix Ahead of New Spin-Off

Netflix has finally decided to treat its Spanish heist franchise Money Heist (La Casa de Papel) like a living universe for good, it seems, and the latest teaser says that the show still has more to offer. The original series previously ended with Season 5, Part 2, with the surviving crew successfully stealing the gold from the Bank of Spain, faking their deaths, and escaping to new lives with new identities and passports in Portugal.

That original premise still has three seasons sitting inside Netflix’s all-time Top 10 for Non-English TV, with the platform’s engagement data from 2023 through 2025 reportedly showing 1.3 billion hours watched and around 160 million views for the main show alone. The spin-off side has already proven impressive, too. Berlin Season 1, built around Pedro Alonso’s jewel thief, opened as Netflix’s most-watched series globally in its premiere week, reached the Top 10 in 91 countries, and stayed in the Non-English Global Top 10 for seven consecutive weeks, earning 348 million hours viewed and 53 million total views. Its next installment, Berlin and the Lady with an Ermine, arrives globally on May 15, 2026, shifting the franchise into a Seville-set art-theft story involving Leonardo da Vinci’s Lady with an Ermine, blackmail, revenge, romance, and another high-style job.

Now, Netflix has officially confirmed the Money Heist universe will continue beyond Berlin Season 2. The announcement came during a huge public stunt in Seville on May 9, with red jumpsuits, Dalí masks, a boat on the Guadalquivir River, and “Bella Ciao” blasting for the crowd. Netflix has not confirmed whether the next project is Berlin Season 3, another character spin-off, an international expansion, or a direct continuation of Money Heist, but the teaser’s gold-bar imagery clearly signals that the Professor’s world is still in play.

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Collider Exclusive · Universe Personality Quiz
Which Iconic Universe Do You Belong in the Most?
Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek

Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.

🚀Star Wars

💍Lord of the Rings

🧙Harry Potter

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👑Game of Thrones

🖖Star Trek

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01

What gives your life its deepest sense of meaning?
Every universe is built around a different answer to this question.





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02

Which kind of world do you most want to inhabit?
The environment shapes who you become. Choose carefully.





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03

How do you prefer your conflicts resolved?
The shape of a world’s conflicts tells you everything about its soul.





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04

Who do you want beside you when things get difficult?
Your ideal companions reveal the world you were made for.





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05

What is your relationship with power?
How you seek, wield, or resist power is the map of who you are.





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06

How does your universe treat good and evil?
A world’s moral architecture tells you more about it than any map.





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07

What role would you naturally fall into?
Every universe has archetypes. Which one fits you without trying?





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08

What do you ultimately believe about the future?
The answer to this is the clearest window into which universe already lives inside you.





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Your Universe Has Been Chosen
You Belong In…

Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.

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A Galaxy Far, Far Away

Star Wars

You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.

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  • You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
  • You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
  • Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
  • The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.


Middle-earth

Lord of the Rings

You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.

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  • Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
  • You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
  • Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
  • Those are not burdens to you. They are simply how you move through the world.


The Wizarding World

Harry Potter

You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.

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  • The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
  • You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
  • Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
  • That choice — made quietly, without guarantee — is something you understand completely.


Westeros · The Known World

Game of Thrones

You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.

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  • Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
  • You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
  • Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
  • Winter always comes. You are already prepared.


The United Federation of Planets

Star Trek

You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.

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  • Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
  • You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
  • The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
  • You don’t just hope that’s possible. You think it’s the only thing worth working toward.

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The Professor’s Character Is Too Big to Die Off With ‘Money Heist’

The Professor (Álvaro Morte) feels almost impossible to exclude because he is the franchise’s brain, not just one member of the gang. Not to mention, the show’s massive fanbase loves him. He also survived the original finale, so Netflix does not need a resurrection trick to bring him back in a sequel-era story. There is room behind him as well: Berlin brought a lot of backstory to Berlin himself, while Sergio’s past, training, relationships, and full evolution into the Professor were left with far more open space. That leaves Netflix two obvious routes: a prequel about how he became the architect of the heists, or a continuation where his methods, enemies, and unfinished business pull him back in. His return is unconfirmed, but the show’s continuity and his importance in the universe make these questions unavoidable.

Berlin Season 2 is all set to stream on Netflix globally on May 15, 2026. Stay tuned to Collider for more updates.

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Next Gen NYC’s Brooks Teases the Bravo Show’s 2nd Season

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Brooks Marks Exclusive

Brooks Marks is gearing up for the second season of Next Gen NYC — and fans will be getting an inside look at his relationship with boyfriend Kade Thomas.

“I think you’ll see more about my relationship life in season 2,” Brooks, 26, told Us Weekly exclusively at the Vulture Reality Masterminds Celebration in New York City on Thursday, May 7.

Brooks has been dating Kade since 2024, but kept their relationship largely out of the public eye. Several of Brooks’ Next Gen NYC castmates are in relationships, but he hopes to be the first one with an engagement ring on his finger.

“My boyfriend isn’t really in the public, so it’s definitely a new world for him,” he shared “I love keeping that sacred but, at the end of the day, I signed up for reality TV.”

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Brooks Marks Exclusive
Dimitrios Kambouris/Getty Images for Vulture

Brooks told Us on Thursday that there was some apprehension when it came to showing that side of his life on Bravo.

“It’s all about showing every aspect of our lives,” he added. “I hope that it shows other people what a great relationship can look like.”

Bravo announced on Monday, May 11, that Next Gen NYC season 2 will premiere next month with Brooke Shields’ daughter Rowan Henchy, Liam Obergfoll and Kendall White joining the cast.

When asked which newcomer makes the biggest splash, Brooks played coy telling Us that viewers will have to “tune in to find out.”

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Ariana Biermann Reflects on Decision to Bring Boyfriend Hudson Onto Next Gen NYC Before Split


Related: Ariana Biermann Reflected on Bringing Hudson Onto ‘Next Gen NYC’ Before Split

Ariana Biermann admitted she had “hesitation” over bringing now-ex boyfriend Hudson McLeroy onto Next Gen NYC — especially because of a possible breakup. “It’s a little nerve-wracking bringing somebody onto a TV show with you and putting your whole relationship out for the world to see,” Biermann, 24, exclusively told Us Weekly earlier this month […]

Along with Brooks, Next Gen NYC stars Ariana Biermann, Riley Burruss, Emira D’Spain, Ava Dash, Gia Giudice, Georgia McCann, Charlie Zakkour, Shai Fruchter and Hudson McLeroy are set to return.

“I’m so overwhelmed by all the support from the first [season]. I’m so grateful that we got a second season,” Brooks told Us. “The second season is absolutely insane.”

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From the trailer released on Monday, it appears the second season will showcase the aftermath of Ariana and Hudson’s October 2025 split.

“I think viewers are going to be very shocked by all the twists and turns,” Brooks told Us. “I did not see them coming, and I was blindsided by a couple things. I’m excited to see the whole pan out.”

On a personal level, Brooks told Us that he didn’t really change anything about himself before filming season 2.

“I am still in my 20s, I’m evolving,” he explained. “I think viewers will get to see another side to me that, maybe, they didn’t see last year.”

Next Gen NYC Season 2 premieres on Bravo on Wednesday, June 24, at 9 p.m. ET/PT

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When does “Sweet Magnolias ”season 5 come out? All about Netflix's next trip to Serenity

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It’s going to be a cozy summer.

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Chace Crawford recalls meeting Jennifer Lawrence during “Footloose” remake screen test

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“The Boys” actor also read with Julianne Hough for the 2011 remake of the 1984 classic.

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These Easy SPF Drops Give a ‘Perfect Tan’ That Looks ‘So Natural’

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Coco & Eve Tan Boosting Anti-Aging Body Oil

Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!

If your skin is still looking a little dull after winter, there’s an easy way to fake a sun-kissed glow without booking a beach vacation. I first discovered the Isle of Paradise Self-Tanning Face & Body Drops when I was getting married back in 2018. I was looking for something that delivered a natural-looking tan without having to use a thick tanning mousse that I’d have to wash off hours after applying. With these tanning drops, all you have to do is mix them into your favorite moisturizer!

Unlike messy mousses or streaky sprays, these lightweight tanning drops blend seamlessly into your skincare routine. The formula is designed to create a gradual glow, meaning you can control the depth of your tan depending on how many drops you use. Plus, the dermatologist-approved formula is fragrance-free, cruelty-free and easy enough for even self-tanning beginners to master.

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Get the Isle of Paradise Self-Tanning Face & Body Drops for $30 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

One of the biggest reasons shoppers love the drops is their customization. Mix one to 12 drops into moisturizer, serum or foundation, depending on your desired level of bronze. The result is a believable glow that develops gradually instead of leaving skin orange or uneven. According to the brand, the tan can last for days while helping create a smoother-looking makeup base.

The drops have become especially popular among people who want a low-maintenance alternative to traditional self-tanners. Amazon reviewers love these drops just as much as I do — “and beyond,” according to one shopper. “It looks so natural and feels so good on your skin. You don’t even know you have anything on your face. You mix it right with your moisturizer and voilà, instant tan within an hour or so.”

Another shopper shared that this is their “favorite tanning product” they’ve been using for years, while another wrote that the tan doesn’t “streak or smell or transfer.” Because there’s no heavy guide color, the drops won’t transfer onto clothing or bedding the way some self-tanners can.

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If you want glowing skin before summer officially arrives, these viral tanning drops might be the easiest beauty upgrade you make all season. Just add a few drops to your moisturizer and wake up looking like you just got back from vacation!

Get the Isle of Paradise Self-Tanning Face & Body Drops for $30 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Looking for something else? Explore more self-tanning products and bronzing essentials, and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

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Related: Get a Sun-Kissed Glow Without Damage With This Tanning SPF Oil

There’s nothing like that first warm-weather day when you want your skin to look glowy, even and effortlessly sun-kissed. But between UV damage, dryness and uneven texture, getting that radiant finish isn’t always as simple as stepping into the sun. Instead, you’re often left choosing between protecting your skin and actually loving how it looks. […]

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Hayden Panettiere Recalls Sad Situation With Famous Man

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Hayden Panettiere posing on the red carpet.

Actress Hayden Panettiere is opening up about a frightening experience she had as a teenager. During an appearance on Jay Shetty’s popular podcast, “On Purpose,” the “Bring It On” performer got candid about the time she was placed in a bed with a very famous “undressed” man on a boat. Panettiere, 36, touched on the moment in her upcoming memoir, “This Is Me: A Reckoning,” and now she’s revealing how it impacted her.

Shetty opens the conversation on his podcast by asking Panettiere about the moment her friend took her on a boat and was later led to a room with a much older man and told to perform sex acts.

Paneittere said that, looking back on the moment, she finds it appalling given how young she was. “The fact that I was 18, even though I’d lived such a huge life and I thought I was oh so mature at 18 … scientifically, your frontal lobes don’t develop until we’re what, 25, 26?” she said.

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The actress explained that while she believed she was mature enough to make challenging decisions, she said, “I wasn’t capable of being fully aware of what was going on around me.”

Hayden Panettiere Says She Was Put In This Situation By Someone She Trusted

Hayden Panettiere posing on the red carpet.
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Panettiere said her mindset shifted once she realized that she was “in danger.” Before that, the mother of one called the moment “shocking,” stating that she believed she and her friends were spending the night together to celebrate.

She went on to say how badly the moment affected her, especially because she was put in the compromising position by someone close to her. “It was led by somebody that I had grown to trust and see as a protector and somebody who had my back,” she said. “When you really find somebody that you trust, you hold on to them for dear life, and you feel so lucky.

While Paneittere doesn’t reveal who the man was, the author described him as “very famous,” adding that the situation seemed like “an average day for him.”

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Thankfully, Panettiere said she was able to flee the room and hide elsewhere on the vessel. “That lion in me, that fire in me … my hair stood on end and I became ferocious,” she said. “I was like, ‘This is not happening.’”

Hayden Panettiere Is Revealing Even More In Her New Memoir, Out May 19

Hayden Panettiere posing on the red carpet.
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Also in her book, Paneittere breaks her silence on her sexuality. According to a previous report from The Blast, the “Nashville” alum said that while she wishes she had spoken about it earlier, she’s fully embracing this side of herself.

“It’s sad that I had to wait till I was 36 years old to share that part of me, but better late than never, right?” she said. “I’ve chosen to share it with the world. I’m comfortable saying I’m bisexual. I’m comfortable to confidently say that, yes, I am bisexual. I said it!”

The actress admitted that living life in the spotlight influenced what information she shared with the public about herself. However, she said she had always been attracted to women.

“[I was] much more into women,” she said before revealing why she didn’t date them publicly. “I didn’t really have the courage to throw myself fully, emotionally into it,” she said. “Because then if I did fall in love, that wasn’t something that I wanted to ever have to hide.”

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Panettiere Lost Her Younger Brother

Hayden Panettiere and Jansen Panettiere
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Another report from The Blast details the struggles Paneittere went through after losing her brother, Jansen, at 28.

The actress said that she will always be “heartbroken” over the loss, and even shared that it triggered previous disorders to reemerge.

“He was my only sibling, and it was my job to protect him,” she said. “When I lost him, I felt like I lost half of my soul.”

The 28-year-old died from cardiomegaly, which is an enlarged heart, along with aortic valve complications.

According to Panettiere, her brother’s death prompted her agoraphobia (severe anxiety disorder) to resurface after she was followed by paparazzi.

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“I had to see horrific paparazzi pictures of myself coming out of Jansen’s funeral, which happened in a very private place, and it was shocking,” she said. “It became a destructive hamster wheel of, do I feel good enough to go out?”

Panettiere Struggled With Addiction

Hayden Panettiere posing on the red carpet.
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Prior to that, Panettiere broke her silence after struggling with addiction. “I was on the top of the world, and I ruined it,” she said, adding, “I’d think I hit rock bottom, but then there’s that trap door that opens.”

Paneittere revealed that she sought help for her addiction and attended both trauma therapy and inpatient treatment between 2021 and 2022.

“I put a lot of work into myself, and I had to be willing to be incredibly honest,” she said, revealing that her recovery journey was far from easy.

“But I don’t regret even the ugliest things that have happened to me. I feel incredibly accomplished. And I feel like I have a second chance.”

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Sandra Bullock Reunites With Matthew McConaughey Online

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Sandra Bullock at 'The Lost City' Los Angeles Premiere

Sandra Bullock and Matthew McConaughey just gave fans another reason to love their longtime friendship. Following Mother’s Day weekend, Bullock made a surprise appearance in McConaughey’s Instagram comments after he shared a tribute post celebrating his mom, Kay “MaMac” McConaughey.

Sandra Bullock at 'The Lost City' Los Angeles Premiere
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The Oscar winner kept things short and hilarious, writing, “all hail The Beast,” referencing one of the now-viral moments from MaMac’s latest campaign video. Fans immediately flooded the comments section reacting to Bullock’s appearance, with many loving the unexpected reunion between the former co-stars.

The viral moment comes as Kay “MaMac” McConaughey is officially stepping into the spotlight herself, thanks to a new campaign for Pantalones Organic Tequila, founded by Matthew McConaughey and his wife Camila Alves McConaughey.

In the campaign, MaMac stars as “The Most Interesting Mom In The World,” delivering wildly unfiltered stories and one-liners that instantly caught attention online. One especially talked-about moment featured MaMac casually recalling her late husband’s bedroom nickname. “He was good in bed, we called it ‘The Beast,’” she joked in the now-viral clip.

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The campaign quickly exploded across social media, with fans praising the 94-year-old for her unapologetic humor and scene-stealing personality.

Pantalones Continues Its Pantless Marketing Campaign

Matthew McConaughey and Camila McConaughey with drinks
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The new ads are part of Pantalones Organic Tequila’s ongoing “Official Tequila Of” campaign, which has become known for its playful, chaotic, and intentionally ridiculous tone. Matthew and Camila have previously appeared pantsless in several campaign videos while grilling, riding horses, and even playing bongos to promote the brand. Now, MaMac appears to be carrying that same energy into the next chapter of the campaign.

The ads also highlight MaMac’s signature cocktail, appropriately named “MaMac’s Manhattan.” The drink features Pantalones Organic Extra Añejo Tequila mixed with Averna Amaro and orange bitters before being finished with an orange twist. The drink helps spotlight the brand’s recently released Extra Añejo tequila, a limited-edition expression finished in Texas bourbon barrels.

Sandra Bullock And Matthew McConaughey Have Stayed Close For Years

Matthew McConaughey at HBO 'True Detective' Season 3 Premiere
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While Sandra Bullock and Matthew McConaughey have remained close friends for years, their relationship reportedly once extended beyond friendship. The pair first connected while filming “A Time to Kill” in the 1990s, where fans immediately noticed their chemistry both on and off screen.

In a 2003 interview with Cosmopolitan, Bullock admitted, “I have a hard time being just friends,” and notably never corrected the interviewer when McConaughey was referred to as her ex-boyfriend multiple times throughout the conversation. McConaughey later seemingly confirmed the romance himself during a 2017 interview with Playboy.

Despite eventually going their separate ways romantically, the two stars appear to have maintained a strong friendship over the decades. McConaughey has previously reflected on dating several famous women before meeting his wife, Camila Alves McConaughey, including Bullock, Penélope Cruz, and Renée Zellweger.

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“I had met, spent time with, and seriously dated some wonderful women in my life, many of whom I am still friends with today, but ultimately they were all stops, no stays,” he wrote in his memoir.

Matthew McConaughey And Camila Alves McConaughey Built A Business Together With Pantalones

MaMac's Manhattan cocktail
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These days, McConaughey is happily married to Camila Alves McConaughey, whom he wed in 2012 after several years of dating. Over the years, the couple has become known not only for their family life but also for their growing list of business ventures together, including Pantalones Organic Tequila.

“The world doesn’t need another celebrity tequila, but tequila sure could use a kick in the pants. Pantalones Organic Tequila is the best thing we’ve made with our pants on,” Matthew and Camila McConaughey previously said in a statement about the brand. “We said, ‘let’s do it together and be face-forward.”

Matthew And Camila McConaughey’s Tequila Brand Has Gone Global

Matthew and Camila McConaughey at 2024 Vanity Fair Oscar Party
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Plus, last year, Matthew and Camila added another unexpected milestone to their tequila journey when they were named the ceremonial “godparents” of Princess Cruises’ newest ship. The couple helped christen the vessel using Pantalones Organic Tequila during the celebratory event, putting a playful twist on the traditional champagne bottle ceremony.

What started as a passion project for Matthew and Camila has quickly evolved into an internationally available tequila brand, expanding far beyond the U.S. into markets including Canada, Australia, the UK, and parts of Asia.

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Blake Lively Seen Looking Tense Without Ryan Reynolds

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Blake Lively at the 2026 Met Gala Costume Art

Blake Lively appeared noticeably tense during a recent outing in New York as the fallout from her bitter legal battle with Justin Baldoni continues to dominate headlines.

Just days after the shocking settlement ended months of courtroom chaos, the actress was photographed looking somber while spending time with friends, fueling fresh speculation about the emotional toll the controversy has taken on her personal life.

The “It Ends With Us” actress stepped out in North Salem, New York over the weekend for an equestrian event, but her mood quickly became a talking point online.

According to The Daily Mail, Blake Lively was photographed frowning and appearing deep in thought while spending time with friends following the end of her highly publicized lawsuit against Justin Baldoni.

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The outing came shortly after the actress finalized a surprise settlement tied to the legal battle that had originally been expected to head to trial on May 18.

Observers immediately noticed the contrast between Lively’s tense appearance and husband Ryan Reynolds’ much more relaxed demeanor during his separate trip to Bermuda.

While Lively remained in New York, Reynolds traveled roughly 800 miles away to participate in the Apex Group Bermuda Sail Grand Prix with his BONDS Flying Roos SailGP team.

The actor appeared cheerful and calm while competing on the water, a striking difference from the emotional expressions captured during Lively’s latest appearance.

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Blake Lively Returned To The Spotlight Alone

Blake Lively at the 2026 Met Gala Costume Art
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The New York outing followed another headline-making moment earlier in the week when Lively made a solo appearance at the Met Gala.

Fans were stunned after the actress arrived at fashion’s biggest night only hours after news broke that the legal battle had officially ended.

Despite the glamorous setting, Ryan Reynolds did not attend the event alongside his wife.

The actress later admitted during an interview that she was feeling “shy” and wished her children had accompanied her to the annual fashion celebration.

The settlement itself reportedly left many observers shocked because Lively received no payout from Justin Baldoni, though she is still seeking payment for legal fees.

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The agreement also came after a judge reportedly “gutted” major portions of her 2024 sexual harassment and retaliation lawsuit weeks earlier by dismissing several of her allegations.

Meanwhile, Baldoni’s attorney Bryan Freedman publicly criticized Lively’s decision to attend the Met Gala during the middle of such intense public scrutiny.

“I don’t know that it was the wisest choice. If that’s what she needs to heal, then more power to her,” Freedman told Entertainment Tonight.

Blake Lively at the Met Gala
Nancy Rivera/MEGA

While critics questioned her public appearances, Blake Lively’s legal team strongly defended the actress and insisted she is refusing to hide from public life.

Attorney Sigrid McCawley told Entertainment Tonight that the actress is focused on “moving on with her life.”

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McCawley also said the Met Gala appearance was meant to prove Lively was “standing up and not being silenced.”

“That’s exactly what Blake is intent on doing. We wouldn’t want any woman in that position to be silenced. They should be out living their life,” the lawyer explained.

Following the settlement, McCawley revealed that Lively is now concentrating on “exposing the digital retaliation campaign here that was weaponized against her.”

The attorney also praised the actress for continuing to fight publicly despite the backlash surrounding the case.

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According to McCawley, Lively “was incredibly brave to stand up for herself in that moment and for others in the workplace and she’s going to continue to pave that path of being really bold and brave in this moment.”

The legal fight became one of Hollywood’s most closely watched celebrity disputes after allegations, countersuits, and leaked text messages pulled several major names into the drama.

Justin Baldoni’s Team Fires Back Again

Justin Baldoni at Paley Festival presents: Jane the Virgin
Jaxon / MEGA

Baldoni’s legal team, however, continued taking direct aim at Lively even after the settlement became official.

Freedman claimed during an interview with TMZ that the actress chose to settle because she feared testifying under oath during trial proceedings.

The attorney argued that a courtroom battle would have “exposed her lies” and emphasized that Lively “ended up with nothing” after the agreement was finalized.

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“Part of the reason Blake settled is because she was scared to take the witness stand at trial. She did not want to face cross examination by anyone because that would require her to tell the truth,” Freedman alleged.

Blake Lively And Justin Baldoni Move Forward Separately

Blake Lively Attends Chanel Artists Dinner At Tribeca Festival
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As Lively attempted to return to public life, Baldoni also made his first public appearance since the settlement.

The filmmaker was photographed in Nashville while spending time with his wife Emily.

Unlike the tense expressions captured on Lively’s face, Baldoni appeared relaxed and smiling throughout the outing while holding hands with his wife.

Reports claimed the director is now focused on “moving forward” alongside Emily and their two children following the exhausting court battle.

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For now, both stars appear determined to leave the legal chaos behind, though public fascination surrounding the fallout shows little sign of fading anytime soon.

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Matthew Perry allegedly suffered adverse effects from ketamine but kept getting supply from doctors, new documentary claims

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The beloved “Friends” actor died in October 2023 from the acute effects of ketamine.

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Kyle Cooke Claims West Had a ‘Full-Blown’ GF in Reunion Clip

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Kyle Cooke Claims West Wilson Had a Full Blown GF in Summer House Reunion Clip

The first look at the Summer House season 10 reunion is here — and, as expected, West Wilson is the cast’s biggest target.

“The thing that I’m most focused on is West’s ease of lying,” Kyle Cooke told costars Ciara Miller, Carl Radke, Mia Calabrese and Ben Waddell in a clip from the reunion which debuted at the NBC upfronts on Monday, May 11.

The clip, which has since been shared via social media, also showed Ciara, 30, claiming that West “had a girlfriend this entire time.” Kyle, 43, seemingly corroborated her claim.

“We know that he had a full-blown, exclusive relationship since February of 2025,” he continued. “We actually have receipts.”

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As the clip faded to black, Mia could be heard saying, “Can’t wait.”

This is the first official look at the upcoming reunion after several audio clips were leaked in April. (Bravo launched an investigation into the leak and has since identified the source.)

Kyle Cooke Claims West Wilson Had a Full Blown GF in Summer House Reunion Clip

Kyle Cooke and West Wilson
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Bravo fans are gearing up for the Summer House cast to take on West, 31, when the highly anticipated reunion airs later this month. It appears he’ll have more to answer for than just his relationship with Amanda Batula.

Amanda, 34, and West confirmed in late March that they are dating after weeks of rumors (which they initially denied). Amanda was previously married to Kyle, while West dated Ciara — who was one of Amanda’s best friends — for several months in 2023.

“We’ve seen the growing online speculation, so while this is still very new, we wanted to provide some clarity,” they wrote, in part. “It was never our intention to purposely hide anything.”

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West shared his take on filming the reunion during a recent episode of his “Show Me Something” podcast.

“These are my friends, and I’ve caused a lot of damage, which f***ing sucks,” West explained on May 5. “It’s gonna take time, for sure. Doing the reunion was one step. Got through [it] and we’re on the other side of it. Reunions aren’t fun.”

He added, “It’s the darkest form of therapy. You don’t normally get that much feedback on how your actions impact other people.”

West told cohost Sophie Cunningham that his goal was to “be better” about his friendships going forward.

“I’m not trying to be cliché, but the only thing I can do from this is learn and try and be better,” the Bravo star continued. “The only way you can make experiences like this worth it, as dark as it gets, is to be better from it later.”

He added, “Obviously, I have a lot to learn from and be better for, but it’s absolutely the only way you can turn it positive.”

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