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Actor Adam Driver is hot off the success of “Paper Tiger” at the Cannes Film Festival. Directed by James Gray, the film tells the story of two brothers who become entangled with the Russian mafia while pursuing the American Dream. Since early reviews are praising Driver’s acting ability, it’s no surprise that he’s been tapped to star in Kenneth Lonergan’s latest feature.

Kenneth Lonergan earned an Oscar for best original screenplay for 2016’s “Manchester by the Sea.” The film also gave Casey Affleck a best actor win. Lonergan’s latest film might just give Driver another shot at an Oscar, as he received consecutive Academy Award nominations for Best Supporting Actor for playing a Jewish police officer infiltrating the KKK in 2018’s “BlacKkKlansman” and Best Actor for his role as a theater director going through a divorce in 2019’s “Marriage Story.”
In Kenneth Lonergan’s latest film, “Tomorrow Is A Drag,” Driver will reunite with his “Megalopolis” costar Aubrey Plaza, as reported by Variety. Vanessa Kirby and Matthew Broderick are also attached to the project. Plot details are being kept under wraps for now, although Lonergan previously worked with Driver on the off-Broadway play “Hold On to Me Darling.”
According to Deadline, James Gray’s new film “Paper Tiger” drew in a ten-minute standing ovation at the Grand Theatre Lumiere. Cate Blanchett, Julianne Moore, and director Pawel Pawlikowski were some of the A-list stars leading the applause.
Emotional director James Gray thanked the crowd, saying, “There’s much more gray now in the beard, not just the name, but the beard. And I have learned finally to appreciate. But more I appreciate you, without you, there is no cinema, cinema needs you. And cinema needs you guys more than ever. Really. This is really an important time and Cannes is so important for that reason and you are important for that reason. So, it moves me greatly to see you here in this theater where I have many great memories. And I love you all, what can I say, I’m going to leave soon, so I can hide.”
The film stars Adam Driver and Miles Teller as two brothers. Driver’s character is a divorced ex-cop with ties to the Russian mafia, and Teller plays a more straight-laced father to his two sons, while his wife, played by Scarlett Johansson, hides a secret of her own when her health struggles catch up with her.
NEON has acquired the rights to the film, which was first announced at last year’s Cannes market. The last time Gray was at Cannes was with 2022’s “Armageddon Time.” That coming-of-age film was widely praised upon its release, and it seems that Gray’s latest story about the American Dream will be no different. Reviews that have been coming out of Cannes have been overwhelmingly positive, with Driver’s acting drawing considerable praise.

Although she was married – and divorcing – Driver’s character in “Marriage Story,” Johansson is married to Miles Teller’s character in “Paper Tiger.” Even though she shared a few scenes with Driver, she told The Hollywood Reporter that she would have loved to work with him more on the project.
“I would’ve loved to have had even more scenework with him, I love working with him,” she told the publication. However, that’s not to say she didn’t enjoy working with Teller.
“He’s so unexpectedly tender. I went away for a couple of weeks to do the press for Jurassic — I felt crazy to leave, but I had to go — and when I was gone, I’d get photographs of my makeup station from Miles and he’d be like, ‘Where’s Hester?’” she said of working with the “Top Gun: Maverick” alum.
The “Avengers” actress also told PEOPLE magazine that she had a “great” experience working with the actor back in 2025. “I love Adam as a person and he is an absolutely extraordinary actor,” she said at the time. “If I could make every movie with Adam Driver, I would.”
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The “Weekend Update” tradition was back with another torturous twist.
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Summer is quickly approaching, and with the warm weather comes tropical travel. But knowing what to pack for a resort escape is tricky work. Overpack, and you’re stuck lugging a weighty suitcase. Pack too light, and you’ll be left with nothing to wear. Thankfully, Nordstrom’s Vacation Edit includes 14,000 holiday-ready styles designed to make prepping feel effortless. Still, it can be overwhelming to know which pieces truly stand out.
To make things simpler, I narrowed it down to the 17 pieces worth adding to your cart. My editor-approved lineup includes linen pants, floral dresses, flowing maxi skirts and more. I even added a few elevated accessories to make sure every look feels complete.
Keep reading to shop the 17 best resort-ready pieces, including brands like Madewell, Free People and Birkenstock.
1. Sunshine Yellow: This vibrant Petal & Pup jumpsuit is easy, chic and lively. The dainty floral embroidery adds a sweet touch, while the 100% cotton construction feels airy against the skin.
2. Closet Staple: Everyone needs a pair of kitten heel sandals in their closet, and this option from Open Edit strikes the perfect chord. Shop the thong footwear in six colors.
3. Beachfront Style: Whether you’re enjoying a seaside dinner or taking photos on the boardwalk, this SNDYS plunging mini wrap dress deserves a spot in your cart. Even better? The purple and red finish resembles a dreamy sunset.
4. Everyday Must-Have: Few things are more versatile than a white tank top. Free People’s version adds a flirty twist with scalloped straps and a floral knit design.
5. Designer Find: This Tory Burch top-handle bag is the perfect addition to any look. The compact, square shape is functional and spacious, while the straw material keeps things elegant.
6. Breezy Linen: Beat the heat in flowy linen pants featuring a comfortable drawstring waist. The wide-leg design is loose and relaxed, though it still offers a polished silhouette.
7. Sheer Ruffles: From rooftop happy hours to yacht days, Princess Polly’s halter top is the answer. Sheer layers, ruffle details and a plunging V-neck make for a sultry blouse.
8. Editor-Owned: I bought these exact Birkenstock slide sandals last year — and I’ve never looked back. The oversized buckle earns me tons of compliments, while the neutral hue easily pairs with the trickiest outfits.
9. It Girl Favorite: Fashion people everywhere are reaching for white maxi skirts, charmed by their ethereal yet simple look. This Petal & Pup find features a hidden side zipper, crochet panels and an inner lining.
10. Pool Ready: You can’t head to a resort without a chic swimsuit. Mango’s chocolate-colored one-piece boasts a strappy back and one-shoulder design.
11. Genius for Travel: A packable sun hat that bounces right back to its original shape? Say less. This floppy Nordstrom headpiece comes in three versatile hues.
12. Easy Flips Flops: Slip into these unfussy Havaianas thong sandals, whether you’re tanning by the pool or running to snag a quick coffee. Details include a square toe, textured footbed and quick-drying rubber.
13. Wedding Perfect: If your travel plans include a resort wedding, then look no further than this FARM Rio maxi dress. Featuring oversized flowers and a butter yellow hue, you’re sure to turn heads.
14. Retro Nostalgia: If the early 2000s are calling your name, reach for this Edikted fringe poncho that’s full of maximalist elements, like sequins and a scalloped trim.
15. Stylish Eyewear: Don’t step outside without some oversized Ray-Ban sunglasses. The square shape adds polish, while gradient lenses exude elegance.
16. Flattering Denim: Madewell knows a thing or two about well-tailored denim — and the brand’s mid-length shorts serve as proof. Enjoy a vintage-inspired look, complemented by a high waist and frayed hem.
17. A Formal Affair: One of the easiest ways to dress up a simple tank top and sandals is with a silk midi skirt. This pale-pink version from Reformation boasts a delicate lace trim and low-slung waistband.
Having debuted at the number one spot domestically last week, the action sequel Mortal Kombat II slipped down the chart in its sophomore frame at the box office. The movie did, however, manage to pass a massive global milestone as it makes way for The Mandalorian and Grogu next week. Mortal Kombat II serves as a sequel to the franchise reboot Mortal Kombat, which was released simultaneously in theaters and on HBO Max in 2021. Warner Bros. was hoping for Mortal Kombat II to replicate the bump that Dune: Part Two and Godzilla x Kong: The New Empire saw at the box office, after their respective predecessors were also released day-and-date in 2021.
As of this weekend, Mortal Kombat II has overtaken its predecessor, but is still a long way away from passing its projected break-even point. The movie introduced Karl Urban as Johnny Cage, and brought back the first film’s director, Simon McQuoid. Stars Mehcad Brooks, Jessica McNamee, Ludi Lin, Josh Lawson, Lewis Tan, and Shōgun duo Tadanobu Asano and Hiroyuki Sanada also returned for the sequel. The first film grossed a little more than $80 million worldwide against a reported budget of $55 million. The 2021 Mortal Kombat movie received mixed reviews, but was crucially well-liked by fans of the source video game series. It now holds a 55% score on the aggregator website Rotten Tomatoes.
By comparison, Mortal Kombat II has a 65% score on Rotten Tomatoes, where the consensus reads, “A self-aware slugfest that plays directly to those who know the difference between Fatalities and Babalities, Mortal Kombat II may not be a flawless victory, but it’s likely the most roundly enjoyable entry in the franchise yet.” In his review, Collider’s Aidan Kelley praised the movie, but noted that the 1995 adaptation directed by Paul W.S. Anderson was superior. Mortal Kombat II dropped by a massive 66% domestically this weekend. It added $13 million domestically and $10 million internationally in its sophomore frame, and is now sitting at a cumulative global haul of $101 million. With a reported budget of $80 million, it needs to gross at least $150 million to start turning a profit. Stay tuned to Collider for more updates.
May 8, 2026
116 Minutes
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Paul McCartney joins as musical guest.
Seth Rogen is speaking out against the growing wave of AI-generated content, saying that writers who make use of the technology shouldn’t be writers at all. The actor and filmmaker shared his thoughts while talking about his animated film, “Tangles,” highlighting how it was created with “human touch” and zero artificial intelligence.

Talking to Brut America at the Cannes Film Festival, filmmaker Seth Rogen didn’t mince words when speaking about AI. He said he doesn’t really understand what AI is supposed to be about, adding that he sees plenty of videos on Instagram saying “Hollywood is cooked” due to the rise of computer-generated content. “What follows is the most stupid dog sh-t I’ve ever seen in my life,” he said, referring to AI videos.
Rogen’s comments came amid the controversies of using AI in Hollywood, opening discussions about job security, intellectual property, and artistic authenticity, with some major film studios experimenting with AI for cost-cutting and post-production.
In May, the Academy of Motion Picture Arts and Sciences, the organization that oversees the Oscars, banned purely AI-generated acting and AI-authored writing from winning awards in order to protect artistic integrity, as reported by the BBC.

Rogen continued with his AI takedown, tearing specifically into writers who rely on AI. “If you’re instinct is to use AI and not go through that process, you shouldn’t be a writer,” Rogen said, adding that using AI isn’t writing. For the filmmaker, writing is a process, and the idea of using the technology fails to resonate with him.
The actor has written plenty for films and television, and he enjoys the process. “The idea of a toll that makes me write less is not appealing to me, because I like writing,” he explained. Sarah Leavitt, the author of the graphic novel on which Rogen’s movie is based, also shared her opinion. As a creative writing professor, Leavitt said she tells her students, “One of the things AI can’t do is go through the creative process.”

This isn’t the first time Rogen spoke out against AI. In 2023, the actor spoke out against the technology amid the Writers Guild of America strike. “I think the prospect of artificial intelligence writing things is horrifying, and the fact that they seem to be digging in on [it] is more horrifying,” Rogen stated.
One of the key issues of the 2023 strike was writers seeking protection to ensure that generative AI tools would not be used to write materials. “You’d have to shove a lot of weed in that thing [for it to write good TV],” Rogen noted, referring to AI tools.
Rogen talked about his animated film “Tangles,” which tells the story of Sarah, an activist who leaves her life in San Francisco to return to her hometown and care for her mother, who has Alzheimer’s. Rogen and his wife, Lauren Miller Rogen, serve as producers, and the movie has an ensemble cast, including Bryan Cranston, Julia Louis-Dreyfus, Pamela Adlon, Sarah Silverman, Samira Wiley, Wanda Sykes, and Bowen Yang, among others.
According to Rogen, no AI was used in the film. “It’s hand-drawn animation. Every frame has a human touch to it,” he shared. Lauren added, “When the line was drawn by a hand, that hand was moved through someone who felt feelings, instead of just, like, a program.”

While many know Rogen best for his acting, he has been writing since his teen years. In the early 2000s, he was a writer and actor for Judd Apatow’s TV show “Undeclared,” followed by writing for the final season of Sacha Baron Cohen’s sketch series, “Da Ali G Show.”
In 2007, his film “Superbad” was released, a script that he started developing with Evan Goldberg while he was still a teenager. In the years that followed, Rogen co-wrote “Drillbit Taylor,” “Pineapple Express,” “The Green Hornet,” and “The Watch,” “Sausage Party,” “The Interview,” plus an episode of “The Simpsons.”
In 2025, Rogen won a Primetime Emmy Award for Outstanding Writing for a Comedy Series for his Apple TV+ series, “The Studio.”
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Tap into nostalgia with these titles that are still great all these years later.
Long before Cowboys & Aliens mashed the Western tradition with science fiction flare, there were various low-budget takes on the genre mashup that whet audience appetite for more. But perhaps the most interesting of them all comes from an often overlooked and mostly forgotten fantasy Western that pits cowboy heroes against the giant reptiles who once roamed the Earth. If you’ve never heard of The Valley of Gwangi before, let that be rectified as you watch this 96-minute 1969 classic that monster movie fans cannot get enough of.
This wild ride begins in the early 20th century as the “Wild West” era has become something of a novelty. The days of notorious outlaws and famous lawmen have passed away as civilization has largely pacified and tamed the American West. It’s this fading that sparks a wave of traveling shows like “Buffalo Bill’s Wild West Show,” as well as rodeo-circus crossovers like the one hosted by T.J. Breckenridge (Gila Golan). These shows keep the myth of the West alive, but even they have become stale, with audiences preferring something more sensational and fantastic. This is where T.J. aims to introduce the world to “El Diablo,” a mini-horse-like creature that is identified as an Eohippus. Of course, this pint-sized horse is only the tip of the iceberg, because it isn’t long before T.J., her lover Tuck Kirby (James Franciscus), paleontologist Horace Bromley (Laurence Naismith), and a host of others stumble upon a “Lost World” in a supposedly “cursed” Forbidden Valley. It’s there that they discover a habitat full of real-life, living, breathing dinosaurs.
The Valley of Gwangi is something of an odd duck in Western film history. Despite the genre’s general A-list material that had ridden to the forefront of Hollywood between the 1940s and ’60s, it’s unashamedly a B-picture that leans more into the typical “monster movie” fare than it does the standard horse opera — even if it’s perhaps just as melodramatic at times as the cowboy stories of old. In this sense, the flick is somewhat comparable to other low-budget, genre-bending “Weird Westerns” of the era like Jesse James Meets Frankenstein’s Daughter or Billy the Kid Versus Dracula for its campy dialogue, flat characters, and emphasis on novelty special effects to get audiences to the theater. (Though, to clarify, this picture far outshines even those.) This isn’t to say that Gwangi isn’t great for what it is. It’s become a B-movie classic for a reason, but when compared to the plethora of great Westerns also released in 1969, including The Wild Bunch, Butch Cassidy and the Sundance Kid, and True Grit, there’s a clear dip in quality.
But where The Valley of Gwangi really thrives is in its special effects. The full, raw talents of animator and special effects guru Ray Harryhausen are on full display here through the inspired use of miniatures, stop-motion techniques, in-camera perspective, and compositing. Harryhausen, of course, was mentored by original King Kong legend Willis H. O’Brien himself, and The Valley of Gwangi (among his other works) is a testament to that signature style. In fact, O’Brien was the initial creative force behind this dinosaur Western, and is credited as a co-writer on the production due to his efforts. Harryhausen only took up the project after his mentor died before it could be realized, and the visual results alone speak quite highly of their work. The 1969 picture has amassed a cult following over the years for its strange plot and lovable stop-motion monsters, which are certainly the main draw. The trailer alone will be more than enough to convince anyone to give it a chance!
Billed on the poster as “cowboys battle monsters in the lost world of Forbidden Valley,” The Valley of Gwangi is a spectacle to behold. The dinosaur puppets look exquisite, and are composited almost seamlessly with the cowboys and horses who appear on the screen. The battles between our human heroes and these enormous reptiles are still impressive even by today’s standards, serving as almost a precursor to the larger-than-life practical effects that Steven Spielberg would perfect with his first two Jurassic Park films. Of course, the only challenge with The Valley of Gwangi is with your patience.
Tragically, the first half features no dinosaurs at all. Though the mini-horse composite is great, the giant creatures are what you’re here to see. Once you get to the dinosaurs, however, you’ll find yourself on the edge of your seat with Gwangi. A cult classic on every level, The Valley of Gwangi is a lovable sci-fi/fantasy Western that breaks genre barriers and thoroughly entertains. That back half of the picture will gladden the heart of any dino-lover, and you’ll wonder why it’s taken you so long to see it in the first place.
Ryan Seacrest doesn’t care about what people are saying about his new look. The TV host has undergone what many have described as a dramatic transformation and now appears noticeably slimmer.
Despite some criticism of his appearance, Seacrest reportedly “thinks he looks great” and is “proud” of his new body.
Ryan Seacrest is also said to be “extremely focused” on maintaining his new look, which reports claim that he worked hard for.

Amid ongoing commentary surrounding Ryan Seacrest’s body transformation and “new face,” sources have revealed why the TV host became so committed to changing his appearance.
“Ryan grew up as a chubby kid, and those insecurities never fully left him,” one insider revealed to Rob Shuter’s “Naughty But Nice “Substack. “He was teased when he was younger, and even now, he still sees that overweight kid in the mirror.”
The revelation comes as no shock, as Seacrest has previously spoken about struggling with his weight as a child and, in recent years, making a conscious effort to turn that part of his life around.
While the transformation may have caught some people off guard, an insider claims it “didn’t just happen overnight.”
Instead, the change is reportedly the result of Seacrest improving his diet and becoming more committed to his workout routine without slacking off.
“Ryan has worked incredibly hard to look like this. The workouts, the diet, the fasting — he is extremely focused,” added the insider.

Renewed attention on Seacrest comes after his appearance at the UCLA Jonsson Cancer Center Foundation’s Taste For A Cure event, and many quickly took to social media to criticize the slimmer look they saw in photos that made their way to the internet.
But according to the source, Seacrest isn’t going to let the criticism from outsiders change how he feels about his new look, regardless of whatever they say.
“Ryan thinks he looks great,” said the source. “He feels healthier, more confident, and more in control than ever before. He truly could not be happier.”
Even more, Seacrest feels he has worked extremely hard to reach this point and intends to continue showing off the results as much as he can.
“For Ryan, this is personal,” another source says. “He worked hard for this body and this look — and he’s proud of it.”

Proof that Ryan Seacrest is not letting criticism about his appearance affect him can seemingly be seen in how openly he continues to share workout content online.
One such video dates back to November 2025, when he took to Instagram to post a clip of himself doing seated bicep curls.
In the video, his bulging biceps were on full display beneath a navy blue T-shirt, while his dark-colored gym shorts also highlighted what appeared to be noticeably toned legs.
In the caption, the media personality appeared to joke about the attention surrounding his sculpted physique, writing, “The trick is to wear a T-shirt two sizes too small.”

As for Seacrest’s workout routine, the TV show host had previously hinted at it during an interview with Entertainment Tonight in 2024.
“I’m doing everything I can to feel like I’m not 50,” he told his host, adding, “lots of muscle recovery, cold plunging, and steaming.”
Seacrest went further to admit that he was doing his best to feel young again, especially with his workout, seemingly stressing that he was going the natural route to stay youthful and healthy.
“Anything I can do to make myself feel 29 again,” he joked at the time.

Seacrest’s love for fitness even extends to how he goes about picking a partner.
“I take everybody out for a little exercise. It’s a test,” Seacrest said last month during an episode of his “On Air With Ryan Seacrest,” per Page Six.
At the time, he also listed other dating red flags, including having a loud alarm that just “ruins your day from the beginning.”
“It’s got to be a chimey thing. Like a pleasant, not a hardcore alarm. Chimes. Green flag,” Seacrest added.
He also would only prefer a partner who “can get ready in less than 27 minutes” whenever they have outing plans.
“Cause not 30. It’s not 25. 27. Green flag. If you’re over an hour, and I have been there over an hour. What are you doing?” he said.
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You’re a winner no matter which one you decide to watch.
True crime is no longer just a niche on Netflix. The streamer has cornered the market for the genre, much like Apple TV with sci-fi series and Prime Video with male-centric action. This year alone, Netflix has had success with true crime titles such as The Investigation of Lucy Letby, Kidnapped: Elizabeth Smart, Trust Me: The False Prophet, The TikTok Killer, The Predator of Seville, A Friend, a Murderer, and more recently, Should I Marry a Murderer? Now you can add a new movie into the mix. Like its precursors, the new film found instant success on the Netflix viewership charts, handily outpacing holdover hits and nearly taking the number one spot in its debut.
According to FlixPatrol, the movie in question debuted at the number four spot worldwide and at the number two spot domestically following its release on May 15. In the United States, the film outperformed Remarkably Bright Creatures and Swapped, and globally, it paced ahead of M. Night Shyamalan‘s Trap and Ridley Scott‘s Gladiator II. The new film follows a relatively recent case that gripped online observers for its perceived ruthlessness. In 2022, a 17-year-old named Mackenzie Shirilla drove her car into the side of a building in Ohio at nearly 100 mph, leaving her boyfriend and his friend dead. Certain details about the crash raised the suspicions of investigators, and Shirilla was eventually charged with murder.
The movie in question is titled The Crash. It’s directed by Gareth Johnson, a veteran of the true crime genre who previously collaborated with Netflix on the miniseries The Puppet Master: Hunting the Ultimate Conman. The 2022 series follows the victims of a career scam artist who dupes countless people into believing that he’s an MI5 agent, and robs them of their life savings. The Crash doesn’t have an official Rotten Tomatoes score yet, although every review currently listed on the aggregator website is positive. The film’s success has already reawakened interest in the real-life tragedy, and in Shirilla’s current status. You can watch The Crash on Netflix, and stay tuned to Collider for more updates.
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