Entertainment
‘Ahsoka’ Star Confirms Season 2 Exit
Star Wars fans have been treated to two new projects so far in 2026, one on Disney Plus and one on the big screen. The first Star Wars project to emerge from hyperspace was Maul — Shadow Lord, the critically acclaimed Disney Plus series starring Sam Witwer as the famous Dark Side Force user. Maul — Shadow Lord was renewed for Season 2, and Witwer has since confirmed that fans won’t have to wait too long before a new batch of episodes is streaming on Disney Plus. Star Wars fans have also been returning to the theater for the first time since 2019 thanks to the release of The Mandalorian and Grogu, which is well on its way to becoming the lowest-grossing Star Wars movie ever. It was thought that Ahsoka would premiere before the end of 2026, but it has since been confirmed that the show will return in early 2027.
In addition to Rosario Dawson in the lead role of Ahsoka Tano, the first season of the hit Disney Plus show also starred the late Ray Stevenson as Baylan Skoll and Ivanna Sakhno as Shin Hati. Sakhno is expected back in Season 2, but Stevenson has been recast with long-time Game of Thrones star Rory McCann, famed for his role as The Hound. However, one Ahsoka Season 1 star who has officially confirmed she will not be back in Season 2 is Claudia Black, who portrayed Mother Klothow. During an interview last year with Bleeding Cool, Black explained her departure from the show, saying that Disney refused to pay her a fair salary as a single mother:
“I’m going to be transparent. They picked up Season 2, they picked me up with it, and then Disney, which is structuring things differently these days, could not pay me what I needed to be paid as a single mother to keep all my responsibilities going at home in Los Angeles, because they were filming in London. It was not something that I could make happen, and therefore, I had to bow out for Season 2. It was very sad for me.”
What Else Do We Know About ‘Ahsoka’ Season 2?
Practically nothing is known about the plot of Ahsoka Season 2 at this time. Hayden Christensen is confirmed to reprise his role as Anakin Skywalker in the series, as well as other members of the Rebels gang, including Mary Elizabeth Winstead as Hera Syndulla and Natasha Liu Bordizzo as Sabine Wren. The show was written and created for TV by Dave Filoni, who has now assumed the role of President at Lucasfilm.
Check out the first season of Ahsoka on Disney Plus and stay tuned to Collider for more updates and coverage of Season 2.
- Release Date
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August 22, 2023
- Network
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Disney+
- Directors
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Steph Green, Jennifer Getzinger, Peter Ramsey, Rick Famuyiwa
Entertainment
Taylor Swift Facing ‘Pressure’ For Her Wedding To Be ‘Perfect’
As Taylor Swift’s wedding day approaches, reports suggest the singer is feeling increasing pressure due to preparations intensifying.
This pressure is said to have stemmed from the many details involved in organizing a private wedding, including deciding who will be on her guest list. Despite the pressure, the singer and her partner have publicly expressed excitement about their upcoming nuptials.
Taylor Swift and Travis Kelce have also let slip some details in recent months, although many other important pieces of information remain under wraps.

For years, Swift has been a massive star in the music world, but the attention she has received has since skyrocketed following her engagement to NFL star Travis Kelce last August.
Preparations for their nuptials are very much underway, although many of the details have remained under wraps due to the couple’s preference for privacy.
Regardless, Swift is now said to be feeling the pressure as the wedding day reportedly approaches next month.
One of her major concerns appears to be who will make the guest list, especially as she intends to keep the ceremony small.
“The last thing Taylor wants is for her wedding to turn into a big showbiz circus,” a source revealed to Star Magazine. “She’s trying not to get bogged down by the guest list and all the details, but it’s difficult with so much global attention and the pressure for everything to be perfect.”
Taylor Swift And Travis Kelce Are ‘Grateful’ That They Can Handle Security Costs For Their Wedding

Given their popularity, Swift and Kelce are prioritizing security as they plan their highly anticipated wedding.
Regarding this, they are deeply grateful to have the financial means to afford the level of protection needed to keep out unwanted individuals on that day.
“It’s a shame security has become such a big deal,” the source. “But it is what it is, and Travis and Taylor are grateful they can cover the expense.”
Swift’s focus on security is also reflected in other aspects of the wedding preparations, as the organization of her dress, décor, and venue is said to be all handled by seasoned professionals who will not let details slip.
Even the guests are allegedly involved in keeping things private and have reportedly signed NDAs preventing them from sharing information.
Taylor Swift Was Excited About Planning Her Wedding

Ahead of the wedding, Swift has expressed excitement over taking the next chapter in their love story.
Last October, the singer told UK talk show host Graham Norton how eager she was to work out the details of the nuptials.
“I know it’s going to be fun to plan,” the multi-Grammy award winner said at the time, noting that “small weddings are the ones that are “stressful” to plan, “where you have to evaluate or assess your relationships with [people] to see if they should be there.”
Travis Kelce Has Also Been Open About His Excitement Ahead Of His Nuptials

Kelce himself showed similar anticipation while speaking during the May 6 episode of his “New Heights” podcast.
“I can’t wait,” the NFL star said at the time, with the joy of excitement reflecting on his face.
During another moment on his podcast, Kelce couldn’t help but grin after Swift was labeled his “wife” by a guest.
Together, the couple is reportedly focused on “enjoying the experience and remembering what the day is really all about — celebrating the rest of their lives together,” a source also noted, per Star.
Taylor Swift And Travis Kelce Prefer A Live Band

Last year, Kelce inadvertently revealed their preferred music choice, despite the couple keeping most wedding details under wraps.
The detail came up when the NFL star was asked about wedding planning by late-night host Jimmy Fallon during a September episode of his “New Heights” podcast.
“Are you gonna do DJ or band? Are you thinking about all this stuff?” Fallon had asked, to which Kelce responded with, “I think we’re live music kind of people, you know?”
Similarly, Swift has also let slip details about one other potential entertainer who might attend the wedding and take to the stage. This individual appears to be one of her close friends and collaborators, Ed Sheeran.
“It’s like, ‘Ed, if there’s a stage, you know that you’ll be on it,” Swift said during an October Hits Radio interview, per Billboard. “He knows what people want, and he wants to give people what they want.”
Entertainment
Drew Barrymore’s Extremely R-Rated 90s Road Thriller Completely Shatters Her Girl-Next Door Image
By Robert Scucci
| Published

In the late 90s and early 2000s, Drew Barrymore was the ultimate girl next door. Films like The Wedding Singer (1998), Home Fries (1998), Never Been Kissed (1999), and 50 First Dates (2004) make you wish she wasn’t so brutally disemboweled during Scream’s traumatic opening sequence. In films like Donnie Darko (2001), she’s one of the cool teachers helping Donnie navigate the tangent universe he’s trapped in, and through her coded messages, she’s still somebody you’d want to approach because she has a warmth about her that’s hard not to gravitate toward.
Now, as a rationally thinking adult human being, I know that most acting talent gets typecast, and once they blow up, it’s hard to go back to their roots. In fact, it’s often discouraged. And while I’m familiar with her earlier roles in experimental films like 1980’s Altered States and the 1984 adaptation of Stephen King’s Firestarter, I’ll shamefully admit that 1992’s Guncrazy was not on my radar until this past weekend.

Just like it’s hard to imagine a world where Reese Witherspoon goes back to starring in films like Freeway (1996) or Election (1999) after becoming a household name with Legally Blonde, the same could be said about Barrymore’s career post-Guncrazy, a bona fide road thriller that portrays her as a morally gray teenager who gets mixed up with an ex-convict and embarks on an exponentially escalating crime spree.
A Barebones Road Thriller
Guncrazy is more of a character study in the sense that there’s not a lot to talk about regarding the plot. Drew Barrymore is Anita Minteer, a teenager who lives with her absent mother’s abusive boyfriend, Rooney (Joe Dallesandro), in his trailer home on the outskirts of town. Her class is tasked with finding a pen pal to write to for the semester, and she latches onto a man named Howard Hickock (James LeGros), a violent criminal who’s up for parole because of his recent good behavior.

Anita confides in her friend Joy (Ione Skye), whose cop father (Michael Ironside) just so happens to be Howard’s parole officer and has a thing or two to say about a hardened criminal striking up a relationship with an underage girl. Before picking up Howard, who admits he’s never had sex with a woman and instead prefers intimacy through sharing secrets, Anita shoots Rooney in the back of the head while he’s watching TV and hides his body on the property.
The new couple ties the knot thanks to a quick service from the snake-wielding local pastor, Hank (Billy Drago), and when Anita finally feels comfortable opening up, she confesses her crime to her new husband. The thing you need to know about Howard is that he was well on his way to being reformed. He’s so infatuated with Anita, however, that he’s blinded by the new romance and willing to play along.

Rooney had a huge stash of guns that Anita has been teaching herself to use, and one of the things she and Howard bond over is firearms. One thing eventually leads to another, and Anita’s reputation catches up with her. Namely, she’s garnered a reputation for being promiscuous, so whenever she’s cornered, she’s threatened until she puts out.
With a protective Howard in the mix, things quickly go off the rails and the body count starts to climb. As the couple continues to Bonnie and Clyde their way through life, they seek shelter in a vacant house, waiting for the heat to die down so they can plan their next move, but it’s evident that there’s no turning back at this point.
When The Corruptible Does The Corrupting

While nobody’s truly innocent in Guncrazy, the power dynamic at play deserves praise for flipping the script. Anita was born a victim and dealt a very bad hand. Looking at her life from the outside is horrifying, and it’s no wonder she snaps the way she does. What makes things interesting, though, is how quickly she gains control of the situation. She doesn’t have a good reputation with her peers or authority figures, and the person who’s supposed to be her father figure treats her like a piece of meat rather than somebody he’s supposed to be taking care of.
The magic in Guncrazy happens when Anita takes matters into her own hands and needs somebody from equally morally dubious territory to help her clean up the mess. Howard is the perfect patsy because he’s served his time, seems truly reformed, and allegedly has never been with a woman before, despite the fact that Anita is still technically just a kid. He’s at the age where he’s romantically entangled against his better judgment, and the law in most states, but also old enough to want to be a father figure to her, which was probably the most upsetting sentence I’ve had to write in a while.

Once Howard realizes how deeply he’s sunk back into a life of crime thanks to his infatuation with a 16-year-old, there’s really no turning back for him. Either he’s been played, or he’s entered a co-dependent relationship with somebody who’s just as unstable as he is. Either way, he starts digging his grave the second he starts writing to Anita, and it’s only a matter of time before his last rites are read to him.
Guncrazy is an exceptionally well-made early 90s thriller that deserves more eyes on it. Even if you’re just curious to see how intense Drew Barrymore was before getting typecast in rom-com after rom-com during her peak, it’s worth your time. If you went into this film not knowing who Drew Barrymore was, you’d be hard-pressed to think she’d be working on any other kind of project because she’s just that good at it.


As of this writing, Guncrazy is streaming for free on Tubi.
Entertainment
16 Stylish Wide‑Leg Pants That Women Over 40 Love
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Summer fashion can be hit or miss, especially when you want to stay cool without losing that grown‑woman polish. That’s exactly why stylish women over 40 keep reaching for wide‑leg pants that are breezy, flattering and endlessly elevated. Even better, there’s a flattering pair for every type of fashionista, from denim wide‑leg trousers and cropped cuts to bold pleated styles and washable silks.
As shopping experts, we perused fan-favorite retailers, including Amazon, Quince, Nordstrom and more, and found 16 wide-leg trousers women over 40 can’t get enough of. The best part is you’ll find breezy fabrics, flattering fits, mom‑loved styles and pieces women of all ages adore. Shop our top picks below with prices starting at just $15.
16 Stylish Wide-Leg Pants for Women Over 40
1. Our Favorite: Designed with an elastic high-waist band and a soft, drapey silhouette, these flowy trousers are a true work‑to‑weekend staple. Shoppers 40 and over rave about the pretty pleating and ultra‑comfortable feel.
2. Tailored to You: With lengths featured in short, regular and tall, these high‑waist pleated trousers are tailored to fit you perfectly. Even better: The polished pants come in plenty of bold colors, including a fiery red and peacock blue.
3. Capri Comfort: Don’t worry about going to the tailor. These wide-leg capris feature a roomy barrel leg and elastic waist in the back that can handle even the busiest mom days.
4. Dramatic Flare: These ultra wide‑leg trousers from Quince earn rave reviews from women of all ages for their incredibly stretchy fabric and flattering high‑waist fit. We like that they come in three separate inseams, so you can get that perfect length right out of the box.
5. Stand-Out Style: While we love our cotton and linen bottoms, these wide-leg silk pants offer a softer feel and more sophisticated appeal. The fact that they’re washable makes them an effortless everyday luxury.
6. Modern Prints: Forget boring monochromes and pared-down hues. These tailored wide-leg pants from Abercrombie & Fitch come in mature prints like houndstooth, pinstripe, plaid and other designs women over 40 love.
7. Take It Easy: Airy and elegant, these linen-blend pants are ridiculously easy to dress up or down. Throw on a well-worn tee and sandals to keep it casual or a button-up and sleek flats to easily elevate the look.
8. Resort Ready: Think of these ribbed wide-leg pants as a sophisticated spin on traditional loungewear. They’re comfortable enough for the couch yet polished enough to leave the house. Reviewers attest to their flattering fit and flow.
9. Petite Perfect: For a more relaxed, easy-wear fit, these petite wide-leg pants offer endless comfort without veering into slouchy territory. The 100% linen fabric is the sweet cherry on top.
10. Cropped and Chic: Featured in quiet-luxury colors like black and beige, these expensive-looking wide-leg pants bring a rich mom edge to your wardrobe. The stretchy pants feature a cropped silhouette that flatters every age, especially 40 and beyond.
11. Designer Favorite: Celebs like Sarah Jessica Parker are fans of Donna Karan, and we can see why after spotting these mid-rise wide-leg pants. With an overall relaxed fit, these pants are tailored in a way that flatters women over 40.
12. Denim Pick: Leave it to Good American to design the sleekest-looking wide-leg denim trousers of the summer. The pants deliver a sophisticated spin on a wardrobe classic, and come in sizes 00 through 24, so everybody can get the same polished look.
13. Sporty Stripe: While these athletic wide-leg pants feel a bit more sporty, they’re the kind of athleisure that actually looks put together. They have a sleek side stripe and drawstring waist to deliver the style and comfort women over 40 gravitate toward.
14. Smocked Waist: Designed with a smocked waistband, these beachy wide-leg pants sit comfortably without digging or squeezing into your midsection. Our favorite part is the chic color choices, including sky blue and dusty pink.
15. Plus-Size Pick: Plus-size girlies over 40, pay attention! These drawstring plus-size wide-leg pants offer that forgiving fit that flatters all your curves. Shoppers say they’re breezy enough for even the hottest summer days.
16. Leg-Lengthening: Thanks to the classic pinstripes, these straight wide-leg trousers will make your legs look a mile long. Pair the style with block heels for an even more elongating finish.
Entertainment
Unfairly Overlooked, R-Rated 90s Sci-Fi Thriller Is An Unhinged AI Takeover
By Robert Scucci
| Published

Here’s the advice that I’ll keep screaming from the mountaintops until I’m blue in the face: any sci-fi thriller from the ’90s that has a punishing critical score on Rotten Tomatoes is probably way better than its reputation suggests because critics back then didn’t know how to have fun. 1995’s Virtuosity caught my eye on Tubi, and it gets by on star power alone, with Denzel Washington pitted against a comically menacing Russell Crowe. That’s enough to make any movie lover want to watch it. But then I saw its 30 percent critical score on Rotten Tomatoes, followed by its not-much-better audience score of 32 percent.
This is one of those “hate to say I told you so” moments, but here it comes anyway: Virtuosity is needlessly over the top, makes no scientific sense whatsoever, and, as the kids would say, is absolutely dripping with rizz. So much so, in fact, that calling it over the top and completely nonsensical isn’t a criticism. This whole thing plays like a satire, and if you don’t go into it respecting its campiness, you’ll probably agree with critics and audiences alike.

If you go into this film with an open mind, and primed to be fully entertained by Washington’s dead seriousness coupled with Crowe chewing every scene he’s in like a beaver who just recovered from jaw surgery, then you’re going to have one hell of a time watching Virtuosity.
The Ole Sexbot Switcheroo
I don’t even really want to get into the nitty-gritty of Virtuosity’s science because the less you know about it, the better. The rules are beyond silly, and to the film’s credit, it just lets them not make sense, trading hard science for pure entertainment value.

The plot centers on Parker Barnes (Denzel Washington), an LAPD officer turned prison inmate after revenge-killing terrorist Matthew Grimes (Christopher Murray), who murdered his wife and daughter. In the ensuing shootout, he also killed two innocent bystanders. He now spends his days testing an experimental police technology known as SID (Sadistic, Intelligent, Dangerous), which trains officers to hunt artificial intelligence antagonists whose personalities are sourced from a laundry list of infamous serial killers. I know, it’s insane, but it gets even crazier in a minute.
After a botched training exercise involving a virtual killer named SID 6.7 (Russell Crowe) results in the death of a fellow inmate, the SID program is set to be terminated. The project’s head programmer, Dr. Darrel Lindenmeyer (Stephen Spinella), worries that he’ll never complete his work, so he tricks his employee Clyde (Kevin J. O’Connor) into activating one of the female personalities, Sheila 3.2, inside a fully operational android body. What Clyde doesn’t know is that he’s not about to get freaky with a psychologically unhinged robot. Instead, he’s being manipulated into bringing the 6.7 model to life, who promptly trashes the lab and embarks on a real-world rampage.

SID 6.7, when fully suited up, has healing powers not unlike the T-1000 from Terminator 2: Judgment Day, but he can only heal when he rubs up against glass. SID 6.7’s mind also channels data from Matthew Grimes and uses that knowledge to taunt Parker into playing dirty with him.
Parker is told by LAPD Chief William Cochran (William Forsythe) that if he successfully apprehends SID 6.7, he’ll receive a full pardon. However, he first needs to undergo a psychological evaluation with the partner being forced upon him as part of the arrangement: Dr. Madison Carter (Kelly Lynch), an expert in criminal psychology.
Pure Popcorn Insanity

Once Virtuosity establishes its major players, it becomes an all-out free-for-all in the most unhinged way possible. Russell Crowe wasn’t yet a household name, and you can tell he was hungry, using every opportunity to dial his charisma to 11. His delivery reminds me of Butters from South Park when he’s transitioning into Professor Chaos, except there’s no cute sense of naivety here. The cackling, over-annunciating, and body language are all so extra, but they work shockingly well in this context. He’s the perfect “movie psycho,” if that makes sense. No real person acts like this, but I don’t want to watch real people here.
Denzel Washington’s willingness to play everything straight only amplifies Crowe’s exuberance, making every exchange they share feel bigger and more animated. You’ll have so much fun watching Virtuosity that you won’t even mind that our villain’s interactions with broken glass are wildly inconsistent, or that this entire mess started because a scientist tricked another scientist into thinking he was activating a sex bot for research purposes.

Fortunately, Virtuosity doesn’t undermine itself with its own junk science because it quickly lays out the rules and gets the hell out of the way so we can watch stuff blow up in retro-futuristic fashion. Criminal psychology is bogus in that “let’s rattle off a bunch of serial killer names and use jargon to sound smart” way that movies like this love, but it’s never enough to take you out of the picture.
Virtuosity succeeds as a fun action thriller because it sticks to the one golden rule that actually matters: don’t overexplain things. Things just happen in Virtuosity, and you just have to roll with them. Sometimes that’s all you need. This isn’t, wasn’t, and never will be award-winning material, but it doesn’t have to be. It’s meant to be fun, quotable, and visually enthralling entertainment, and I wish they still made more movies like this.


As of this writing, you can stream Virtuosity for free on Tubi.
Entertainment
10 Video Games That Will Keep You Hooked From Start to Finish
One of the most challenging things about video games is keeping the players’ attention for the entire span. Games such as Red Dead Redemption 2 and The Legend of Zelda: Breath of the Wild are masterpieces, but they have some pacing issues that can make it hard to find entertainment in every second of gameplay. This is a common issue, but some games manage to balance their pacing with breathtaking gameplay and visuals.
In a time when attention spans are at an all-time low, player retention is harder than ever, but this list will provide viewers with 10 video games that will have players hooked from start to finish. Based on aspects such as gameplay, narrative, visuals, pacing, originality, design, popularity, fan opinion, critical acclaim, and overall quality, these ten titles are must-play games that don’t have a second of dull gameplay.
‘Mafia’ (2002)
Most of the games on this list are newer titles, but the oldest one featured is Mafia, a true classic that was flawless from start to finish. Set in the 1930s in a fictional city named Lost Heaven, a cab driver named Tommy Angelo saves two men who happen to be mafia members, thus starting his rise within the crime family.
Players fully immerse themselves as a mafia member in the 1930s, with the game having an incredible sense of realism that grounds the players with laws. Mafia is much different than other open-world sandbox video games, using its intriguing world as a backdrop for the fascinating and cinematic narrative, which takes center stage.
‘Subnautica’ (2018)
With the second game releasing not too long ago, fans might have forgotten how perfect the first Subnautica was. When players crash-land onto a planet almost entirely covered by water, they must build their base and survive the harsh conditions. By finding other broken vessels, the aim is to find a way off this planet, but many more mysteries lie deep beneath the sea.
Subnautica doesn’t do any hand-holding, throwing the players right into the abyss to figure out what they need to do and how to do it. This approach made the beginning immediately engaging, with gamers slowly realizing what they need or want to do, from exploring the ocean to collecting materials to building a base and other tools. Subnautica is a fantastic open-world game that lets players freely roam, even into the jaws of a Leviathan.
‘Hollow Knight’ (2017)
A lot of indie games are becoming the best titles of the year, with one such example being Hollow Knight. The Kingdom of Hallownest is a bug-filled world with wonders and mysteries at every corner, but when a plague turns every creature hostile, it is up to the protagonist to travel around and defeat the source of the mayhem.
Hollow Knight is a definitive modern Metroidvania game, using its fluid and satisfying platforming and traversal alongside seamless exploration to deliver a fascinating and rewarding experience. Whether it be the lore that players learn or the precise combat and platforming that hooks players, Hollow Knight is jam-packed with entertainment value from start to finish.
‘God of War’ (2018)
There are big games on this list, but the most popular is arguably God of War, which revived the franchise, bringing it to new heights. After the passing of his wife, Kratos sets off on an adventure through the Nordic realms to scatter her ashes at the highest point in the world alongside his son, Atreus. However, the gods have an interest in his son, making the journey much more dangerous.
Right from the introduction, where players learn controls through various challenges, including a fight against a troll and one of the greatest boss fights in video game history, God of War boasts an unrelenting pace of pure exhilaration with moments of genuine heartfelt storytelling and emotion. The next God of War game is highly anticipated, but it is going to be difficult to top this adventure, which had some of the best combat and narrative design.
‘NieR: Automata’ (2017)
NieR: Automata is set in the distant future, with all of humanity now living on the moon after aliens took over the Earth. However, humanity still fights in the form of a handful of androids sent down to Earth to battle against machines made by the alien invaders, starting a proxy war for their homeland.
This video game can’t just be put down after beating it, because NieR: Automata has multiple endings that paint a full picture, but the replay is just as good as the first time. It constantly switches genres from 3D action to twin-stick shooter to 2D platformer, offering a variety of mechanics that always make gameplay fresh and enjoyable.
‘Disco Elysium’ (2019)
Indie games feature some of the best narratives of all time, and one of them is Disco Elysium, where players play as a drunk, amnesiac detective. After waking up with no memories, players must solve a politically charged murder of great importance while trying to remember their own struggles. By using the many personalities in their head, players slowly unravel the mystery.
Disco Elysium rejuvenates the RPG genre by taking the focus away from combat and looting and instead using dialogue as combat. The voices in the player’s head are the skills, upgraded and utilized, each to look at things in a new light, revealing new secrets and lore. With some of the greatest dialogue in video games and a politically important narrative, Disco Elysium is an indie game masterpiece.
‘Batman: Arkham Asylum’ (2009)
Comic books and movies are mainly where the superhero genre lives, but video games are an underrated medium in that regard. Batman: Arkham Asylum follows the titular Caped Crusader navigating the prison with the rest of his rogues’ gallery after the Joker locked him inside. From stopping Joker’s takeover of the prison to defeating many other villains, this adventure is one nightmare Batman wants to wake up from.
Batman: Arkham Asylum is the best superhero video game other than its sequel, but it has a better pace that makes the entire game perfect. From side objectives like collecting Riddler trophies or finding videotapes to the engaging main storyline, this game has much to offer. Plus, Batman: Arkham Asylum invented a new combat system that is cathartic and riveting, enhancing the vibe and gameplay in every mission.
‘Luigi’s Mansion 3’ (2019)
Nintendo is one of the biggest gaming companies in the world, and they prioritize creativity and accessibility; Luigi’s Mansion 3 is one of the best examples. When the titular character and his friends go on a vacation, Mario, Peach, and Daisy are captured by ghosts, leaving Luigi alone to navigate the haunted mansion, defeat the spooky residents, and save his friends.
Luigi’s Mansion 3 is a surprisingly beautiful game, boasting charming visuals that are polished and stylized. However, the gameplay kicks off right away, delivering the simple yet engaging vacuum mechanic. Each area introduces a new gimmick, fresh scenery, and different enemies to spice things up, always making it fun. As one of the greatest games on the Nintendo Switch, Luigi’s Mansion 3 is perfect from start to finish.
‘Control’ (2019)
Control has a sequel on the way that looks absolutely phenomenal, but until it comes out, the original is more fitting for this list. The Federal Bureau of Control is a top-secret government facility, but when Jesse Faden enters it looking for her brother, she accidentally becomes the director, now needing to fight off a supernatural entity known as the Hiss.
Remedy Entertainment is known for its new-era weird concepts, and Control embodies that innovation perfectly, creating a worldbuilding masterpiece that is bizarre yet captivating. The telekinetic powers offer a fun gameplay loop with engaging combat that has fluid control and creative solutions. Control has logic-defying levels that up the imaginative scale and offer some of the best moments a gamer could have.
‘Resident Evil 4’ (2005)
The Resident Evil franchise is celebrating its 30th anniversary in 2026, and it already has one of the best games of the year and has a movie on the way. However, the pinnacle of the franchise is still Resident Evil 4. Leon S. Kennedy travels to Spain to rescue the daughter of the president from a cult that has been mind-controlled by an evil parasite, making everyone mindless and hostile.
Known for its revolutionary over-the-shoulder camera angle that redefined action-horror games, this pioneering survival horror also had a groundbreaking inventory management system that made everything more immersive. Resident Evil 4 isn’t just a compelling game; it has a distinct style that is scary and exhilarating, establishing itself as one of the greatest video games of all time.
Resident Evil 4
- Released
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January 11, 2005
- ESRB
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M for Mature: Blood and Gore, Intense Violence, Language
Entertainment
Doctor Who Fans Have Less to Worry About After Russell T. Davies’ Exit
Doctor Who fans were hit with the shocking news that the BBC is putting the long-running science fiction series into competitive tender, effectively ending the current era of Who. The writing had been on the wall for a while, as the BBC severed ties with Disney following the conclusion of the second season of Ncuti Gatwa‘s tenure as the 15th Doctor. On top of that, showrunner Russell T. Davies and his Bad Wolf production banner also departed Doctor Who, fueling rumors that the show was canceled. However, Davies offered some rather pointed words concerning these rumors.
Speaking to Gaydio, Davies clarified that Doctor Who wasn’t canceled. He also explained what a competitive tender means, as someone who actually has knowledge of the inner workings of the television business:
“It’s extraordinary to see newspapers who should know better saying the show has been cancelled…It’s the opposite. It’s been put out to tender, and I understand that’s an industry phrase and people might not understand what a show being put out to tender means. Being put out to tender means – and this will happen to every BBC show, it’s happened to Casualty, it’s happened to the weather – it means the programme is pitched to be made by an independent company, as opposed to the BBC.”
This means that, in a similar vein to the previous Disney/BBC deal, the BBC is looking for someone to help co-produce a new era of Doctor Who. On the one hand, this means that Doctor Who will return to the screen at some point. On the other hand, the competitive tender has revealed that revitalizing an iconic science fiction franchise isn’t as easy as it seems.
The BBC Is Facing Major Hurdles When It Comes to ‘Doctor Who’
While the BBC has already reached out to potential co-producers, there’s an air of uncertainty around taking on such a high-profile project. A report from Deadline Hollywood reveals that most producers have reservations about investing money and creative energy in Doctor Who, especially as the shadow of the Disney breakup looms large. One of these producers even bluntly said, “You’d have to be mad” to tackle such an enterprise. It’s not hard to see their point: Doctor Who has more than 60 years of history behind it, and certain expectations when it comes to telling stories within its universe. Any new producer will be hard-pressed by longtime fans to keep those standards, which is the kind of pressure that would make anyone nervous.
The report also says that producers feel Davies’ tenure was less of a boon and more of an anchor around Doctor Who‘s neck, as ratings started to tank and episodes lacked the perfect mix of sci-fi trappings and social commentary that defined some of the series’ best eras. His departure paves the way for a new creative voice to not only steer Doctor Who back on track, but also bring something new to the table. In fact, one writer has thrown his hat in the ring to take over showrunning duties, and it’s none other than J. Michael Straczynski. Given Straczynski’s tenure scripting character-defining runs on Amazing Spider-Man and Thor, not to mention creating a truly excellent sci-fi series in Babylon 5, he definitely has the chops to bring new life to Doctor Who.
A Brief Hiatus Led To The Resurgence of ‘Doctor Who’ in 2005
Doctor Who is no stranger to being off the air, as it went off the air in 1989 due to declining ratings. Though a television movie was made in 1996 to revive the series, it received extremely poor ratings. It wasn’t until 2005 that Doctor Who returned, and under Russell T. Davies no less, who not only shook up the series by making the Doctor the last of the Time Lords but also launched another series, Torchwood, in the process. With Deadline reporting that Doctor Who might be off the air until 2028, this is another chance for the series to get a new lease on life. A lot could change in two years, and a producer might come up with a take that the BBC loves.
A key element of Doctor Who is the concept of “regeneration”, where the Doctor shifts into a new form and a new actor. With Russell T. Davies’ departure and the dissolution of the Disney deal, the time has come for Doctor Who to undergo a creative regeneration of its own.
- Release Date
-
May 11, 2024
- Network
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BBC One
- Directors
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Alex Pillai, Peter Hoar, Ben Chessell, Julie Anne Robinson, Jamie Donoughue, Amanda Brotchie, Dylan Holmes Williams
- Writers
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Steven Moffat, Pete McTighe, Kate Herron, Inua Ellams, Juno Dawson
- Franchise(s)
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Doctor Who / Whoniverse
Entertainment
10 Greatest Survival Horror Video Games of All Time
The first game officially marketed with the term “survival horror” was Capcom’s Resident Evil. Back then, the genre was defined by fixed camera angles and tank controls, but it has since evolved into fully immersive experiences that genuinely make you feel like you’re trapped inside a horror movie. The graphics have become hyper-realistic, the scares have become more creative, but the core appeal remains exactly the same.
It’s about the eerie atmosphere, about the grotesque monsters, about that specific kind of dread you feel when you’re low on resources, something is coming, and you have no idea if you’re going to make it out of the next room. When it works, no other genre comes close to what it makes you feel. So, with that in mind, here are the 10 greatest survival horror games ever made, the titles that set the gold standard for the genre.
10
‘The Evil Within’ (2014)
The Evil Within comes from Shinji Mikami, the man who created Resident Evil, and it shows. You play as Sebastian Castellanos, a detective investigating a gruesome mass murder at a psychiatric hospital. The case quickly spirals into something far darker when Sebastian finds himself trapped inside the twisted mind of the game’s antagonist, Ruvik.
Because the story takes place inside the subconscious mind, reality is constantly breaking apart. Hallways can stretch infinitely, rooms will flip upside down, and entire structures will crash together. If you turn around, an exit you just used may no longer exist, essentially locking you into a room with an entity you can’t escape. It’s an unpredictable, nightmarish world that feels like a fever dream you can’t wake up from.
9
‘Until Dawn’ (2015)
Until Dawn is a different kind of survival horror experience in that it plays more like an interactive slasher film. Eight friends reunite at a mountain lodge a year after a tragedy and, in classic horror movie fashion, things go terribly wrong. The game begins like a classic whodunit, where the group is stalked and terrorized by a masked assailant who sets up lethal, Jigsaw-style traps. But midway through, it switches genres entirely and turns into something far scarier.
You control all eight of the friends at various points through the night, making choices that decide who lives, who dies, and how the whole thing ends. The genius of Until Dawn is that everyone is survivable and everyone is killable, depending entirely on your decisions. The butterfly effect system tracks your choices across the game, and the consequences of the smallest choices can show up hours later in ways you genuinely did not see coming. Moreover, the game asks players to identify their biggest fears, whether that’s clowns, needles, snakes, or dogs. It then uses those answers against them. The environment. The jump scares. Background props. Even the masks worn by enemies. All of it changes based on what the player finds most frightening.
8
‘Silent Hill 2’ (2024)
The original Silent Hill 2 is widely considered one of the greatest horror games ever made, and James Sunderland’s descent into the fog-choked streets of Silent Hill in search of his dead wife still remains one of gaming’s most psychologically complex stories. So, remaking it was always going to be a tightrope act, but Bloober Team pulled it off. The remake preserves everything that made the original iconic while bringing the visuals, combat, and exploration up to a modern standard.
The town isn’t a conventional spooky setting; it is a purgatorial, hallucinatory realm. It draws people in and manifests their innermost anxieties. Pyramid Head, the Nurses, the Lying Figures, they are all expressions of James’ guilt and his subconscious repressions. And then, of course, there are the Mannequins… pure nightmare fuel. They’ll force you to hit pause, accept that this is where your playthrough ends, and you are perfectly fine with never hitting play ever again.
7
‘Resident Evil Requiem’ (2026)
Resident Evil Requiem does something no game in the franchise has attempted before. It combines the claustrophobic first-person dread that made Resident Evil 7 and 8 so effective with the third-person action of Resident Evil 4. When you play as Grace, you’re in first person, and it feels like a literal horror movie. Weapons are weaker, and resources are painfully scarce. Then the game switches to Leon, and it almost feels like an entirely different genre. Leon is more experienced, better equipped, and capable of tearing through infected hordes with relative ease.
The story ties up decades-long loose ends regarding the fall of Umbrella, while rewarding longtime fans with callbacks to multiple entries across the series. At one point, you even get to revisit the iconic Raccoon City Police Department from Resident Evil 2. The real star of the game, however, is Victor Gideon. Easily one of the franchise’s strongest villains in years, Gideon feels like a Buffalo Bill (Ted Levine) or Joker-type character combined with the physicality of a classic Resident Evil Bio-Organic Weapon.
6
‘Outlast 2’ (2017)
Outlast 2 is one of the most terrifying games ever made, and it earns that distinction through one very deliberate design choice: you cannot fight back. At all. All you can do is hide or run away. You play as Blake Langermann, a journalist who crashes in the Arizona Desert while investigating the murder of a pregnant woman and ends up trapped in a religious cult that has completely lost its grip on reality. Your only tools are a camcorder, a microphone, and your legs.
The night vision on the camcorder is your lifeline in the dark, but it runs on batteries, and once those run out, you will truly experience fear in its rawest form. The game forces you to explore because you desperately need batteries, knowing full well that if anyone happens to be inside, you are going to spend the next 15 minutes trying to get away. Outlast 2 is not a game for everyone, but if you want to know what genuine helplessness feels like, this is it.
5
‘MADiSON’ (2022)
To understand why MADiSON matters, you have to understand what P.T. was. In 2014, Konami released a free playable teaser on the PlayStation Store called P.T., which turned out to be a demo for a new Silent Hill game directed by Hideo Kojima. It was set in a single looping corridor of a house, and it was so frightening, so atmospherically perfect, that it became a landmark moment in horror gaming overnight. It is also the reason Resident Evil 7 went first-person. Then, Kojima fell out with Konami, the Silent Hill game was cancelled, and P.T. was permanently removed from the PlayStation Store. After P.T.‘s removal, a bunch of clones came out, and MADiSON is widely regarded as the best and most polished one out of them all.
You play as Luca, a teenager who wakes up with his hands covered in blood and a cursed vintage camera. You have no weapons and cannot fight back. All you can do is use the camera. The flash acts as a limited light source, and developing the photos can reveal hidden pathways or trigger environmental changes. The game was even scientifically ranked as the scariest horror game ever in the Science of Scare Project, where it provoked the highest average heart rates in players compared to any other game.
4
‘Alan Wake 2’ (2023)
In Alan Wake 2, you play through two connected storylines. One follows Alan Wake, an author trapped in a nightmare dimension called the Dark Place, and the tone feels straight out of Twin Peaks or The Twilight Zone. The other follows FBI agent Saga Anderson, who is investigating a series of ritualistic murders in a town called Bright Falls, and her story feels very much in the vein of something like True Detective. But as you keep playing, the two stories slowly start to overlap, and you find yourself questioning what is real and what is not.
One of its coolest mechanics lets Alan rewrite parts of the story. And as you make changes to the plot, the world literally changes around you in real time. For example, you can apply a “Murder Cult” plot in a subway tunnel, which turns it into a bloody ritual site, opens new pathways, and introduces chanting cult members into your surroundings. Or you can apply a plot thread about a detective being shot, which creates a trail of blood for Alan to follow deeper into the chapter. Visually, as well, the game is on another level. Every level is created with immaculate attention to detail. And the game even incorporates live-action cutscenes and elements. The actors look identical to their in-game versions. And these real-world elements are not just for cutscenes; they actually interact with the playable world as well.
3
‘Resident Evil 2’ (2019)
Resident Evil 2 remake does what the original game did best, then expands on it in all the right ways. It follows Leon S. Kennedy and Claire Redfield as they try to survive the zombie outbreak in Raccoon City, with most of the game taking place inside the Raccoon City Police Department. The RPD itself is still one of the most iconic survival horror locations ever made, and the remake adds new rooms, new puzzles, and even some entirely new sections to the story while staying true to the horror roots that made the original a classic.
The thing that elevates this remake above almost everything else in the genre is Mr. X. This massive Tyrant is introduced partway through the game, and from that point on, he is an ever-present threat. He constantly stalks you through the police station with no fixed patrol pattern, no way to permanently stop him, and a footstep sound that will haunt you for weeks.
2
‘Alien: Isolation’ (2014)
Alien: Isolation takes place exactly 15 years after the events of the original 1979 Alien film. You play as Amanda Ripley, daughter of Ellen Ripley (Sigourney Weaver), as she investigates the disappearance of her mother. That search leads her to the Sevastopol space station, a remote facility that has become overrun by a single Xenomorph.
The Xenomorph in here is powered by a groundbreaking two-tier AI system. One layer, known as the Director AI, is always aware of the player’s general location and keeps nudging the Xenomorph in that direction. The second layer is the on-screen hunter. It is fundamentally blind to your true location unless it sees, hears, or smells you. In a lot of ways, it’s like if Mr. X from Resident Evil 2 was always aware of your location and kept coming closer, instead of just roaming around randomly.
1
‘Resident Evil 7: Biohazard’ (2017)
By 2017, the Resident Evil franchise had drifted so far from its survival horror roots that many fans had written it off entirely. Then Capcom switched to first-person, stripped away much of the action, and delivered what is arguably the scariest game in the entire franchise. Resident Evil 7 genuinely feels like being trapped inside a horror movie, something halfway between The Evil Dead and The Texas Chain Saw Massacre. You play as Ethan Winters, searching for his missing wife Mia in a Louisiana plantation owned by the Baker family, and things get very bad very quickly.
If you’ve played it, you know the moment. You’ve worked your way through the house, found some clues, and started to get your bearings. Then you open the basement door, and you see Mia crawling up the stairs toward you. That image. The way she moves. Her blackened eyes and demonic voice. It’s probably burned into your brain. And that’s just the beginning. The Baker family is among the greatest horror antagonists in gaming history, and each of them gets a sequence that is distinctly grotesque in its own way. Nearly a decade later, Resident Evil 7 still remains the gold standard for modern survival horror.
Entertainment
“Gilmore Girls ”is leaving Netflix after 12 years
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Raise your cozy coffee mugs in tribute.
Entertainment
10 Greatest Crime Sci-Fi Movies of All Time
The broad umbrella that is science fiction has allowed filmmakers to take their audiences to galaxies far, far away or terrify them about the potential threats of artificial intelligence. Whether on Earth or in space, the sci-fi films we adore have pushed our imaginations to the brink as we ponder the what-ifs. With such a vast ability to tell stories, sci-fi subgenres have provided some unique narratives, especially in the crime department.
While we might think of sci-fi as space adventures, the truth is, there’s also a hell of a lot of crime! For this list, we are going to examine the greatest crime sci-fi movies of all time. From dream heists to cyber cops patrolling the streets, these sci-fi crime thrillers have given us extraordinary cinematic moments we continue to celebrate. Even in advanced, futuristic civilizations, crimes are aplenty!
10
‘Gattaca’ (1997)
Directed by Andrew Niccol, Gattaca tells the story of a society strictly divided by genetic engineering where parents can choose their children’s traits, creating an elite class of “Valids.” Vincent (Ethan Hawke), a naturally conceived “In-valid” born with a weak heart, assumes the identity —including blood and hair samples— of genetically superior but paralyzed athlete Jerome Morrow (Jude Law), to travel to space. Just before Vincent’s scheduled launch, a mission director is murdered at the facility, and an eyelash Vincent drops at the crime scene brings the police sniffing around, forcing him to evade genetic background checks.
A retrofuturistic thriller that questions humanity’s spirit in the face of ambition and perseverance, Gattaca brings an all-star cast to a genuinely fascinating premise. Between identity theft and murder, crime is more than abundant. By slipping into a neo-noir-style murder mystery, Gattaca remains gripping from start to finish, and through the exploration of genetic engineering and biometrics, it forces a conversation about a future where DNA dictates your destination. The atmosphere built for the film is a key factor in its brilliance, pairing sleek retro-futurism with stark, cold architecture. Even with crime front and center, the film is a genuine underdog story.
9
‘Predestination’ (2014)
Shall we continue praising Ethan Hawke by discussing another of his exceptional films? This time, it’s 2014’s Predestination. Directed by Michael and Peter Spierig, the thriller follows Temporal Agent (Ethan Hawke) as he travels through history to stop major crimes before they happen, including the mass-casualty terrorist known as the “Fizzle Bomber.” As he investigates future crimes, he meets a mysterious confession-story author (Sarah Snook) who shares a story that leads to a major clue about mind-bending time travel and the bootstrap paradox.
An airtight thriller that flawlessly honors madcap science in order to keep you guessing what the big twist might be, the Spierigs’ film elevates typical time-travel tropes into a tragic, character-driven study of identity and fate. Predestination leaves no loose ends while ensuring the story never veers into uncontrollable territory. It’s a carefully plotted story that works as a slow-burning crime caper. Once again, Hawke does extraordinary work, providing a melancholic, grounded presence as the story’s emotional anchor. If you’re coming to the film fresh, you’d expect Snook to dominate, and she does in a breakout performance that’s almost chameleon-like, finding great nuance to a part that easily could have veered into cheesy territory.
8
‘Dark City’ (1998)
Being accused of murder is quite horrible when you can’t remember a single thing; that’s the premise of Dark City. Directed by Alex Proyas, Dark City follows John Murdoch (Rufus Sewell), an amnesiac man who awakens in a perpetually dark, noir-style metropolis. Accused of a string of murders, he soon ventures into the city, a dangerous setting that seems to change all the time.
Dark City is all about establishing a mood, and Proyas does so impeccably. Drawing inspiration from German expressionism in classical cinema, the oppressive atmosphere plays an essential role in the storytelling. For a story that could easily be overwhelming and confusing, the lore and worldbuilding are excruciatingly clear, quite fascinating, and it keeps the narrative gripping. The film uses a classic noir setup to establish the story; you’re hooked on a grounded crusade for the truth. A breathtaking film, we’d likely be championing Dark City today had it not been for the Wachowskis’ masterpiece a year later.
7
‘Upgrade’ (2018)
Another entry in the underrated masterpiece department comes the gripping Leigh Whannell cyberpunk action thriller Upgrade. Set in a hyper-connected near future, the story follows mechanic Grey Trace (Logan Marshall-Green), an analog purist living with his wife, Asha (Melanie Vallejo). When a corrupted self-driving car crash leaves Asha dead and Grey a quadriplegic, a rogue billionaire offers him a controversial cure: SYNAPSE, a clandestine evolution of the original STEM (Simon Maiden) implant that merges directly with the spinal cord.
Mixing a steadfast revenge thriller with a terrifying AI crime story, Upgrade is a brutal, full-throttle story with a killer twist. Through a grimy cyberpunk atmosphere with a technophobic lead character, Whannell expertly makes the setting quite claustrophobic. In turn, Marshall-Green delivers a career-best performance. A clever twist on the body-snatcher story, Grey’s journey is mesmerizing, as he slowly figures out who’s in control. While there are quite a few films that watch a lead character embark on a daring quest alongside a crime-finding artificial intelligence cohort, Upgrade’s iteration is refreshing.
6
‘Minority Report’ (2002)
Steven Spielberg has made extraordinary science fiction films in nearly every decade of his storied career. At the turn of the century, his entry was the exceptional Minority Report. Set in Washington, D.C., in the year 2054, the story follows a specialized police unit called “Precrime” that uses three psychic humans—the “precogs”—to predict and prevent murders before they happen. The plot shifts into overdrive when the head of the Precrime unit, Captain John Anderton (Tom Cruise), is unexpectedly identified by the precogs as the perpetrator of a future murder, forcing him to go on the run to prove his innocence.
A high-octane philosophical thriller, Minority Report forces a rich conversation about fate and free will, the ethical boundaries of preventative law enforcement, and the consequences of government surveillance. The high-profile combination of Cruise and Spielberg proved worthy. Looking back today with a new lens, Minority Report was ahead of the curve in its exploration of personalized targeted advertising, biometric surveillance, and gestural computer interfaces. Perhaps we should be worried if the concept of precogs arrives next!
5
‘Blade Runner 2049’ (2017)
Rarely are sequels better than the original, especially when it helps to reboot a franchise, but Blade Runner 2049 sure came close! Directed by Denis Villeneuve, Blade Runner 2049 serves as a sequel to the 1982 classic. Fret not, we’ll get to Blade Runner soon. The sci-fi noir crime drama follows Officer K (Ryan Gosling), an LAPD “blade runner” who hunts and decommissions rogue synthetic humans known as replicants. After uncovering a buried secret that proves replicants can reproduce biologically, K embarks on a quest to find Rick Deckard (Harrison Ford), a former blade runner who has been missing for 30 years.
At its heart, Blade Runner 2049 works as a smart dissertation on humanity and personhood, marrying a hard-boiled detective story with a philosophical exploration of the nature of the soul. Villeneuve takes the gritty confines of the original and deliberately forces his audience to absorb the world, from the radioactive, blood-red ruins of Las Vegas to the rising sea walls of Los Angeles. Though Ford is more than present, it is Gosling’s story; together, they work profoundly well, alongside a dynamite ensemble. Every frame, every sound, every image of this film is worth watching. Some may call it better than the original, but that’s a tough sell.
4
‘Looper’ (2012)
Science fiction writers love time travel, but not every screenwriter can tackle the loop well. Fortunately for writer-director Rian Johnson, his skill set is on full display in Looper. Johnson’s masterpiece tells the story of Joe (Joseph Gordon-Levitt), a 2044 “looper” who kills targets sent back in time by future syndicates. When his older self (Bruce Willis) is sent back to be killed, he escapes, causing young Joe to hunt his future self, who is trying to kill a child destined to become a crime boss.
Johnson treats time travel not as a magical plot device but as a dirty, illegal method used by future mobsters, thus subverting common tropes for a whip-smart crime thriller. Looper is a satisfying story that lets the themes of aging, regret, and the cyclical nature of violence mirror the science-fiction element that drives it. The film navigates the potential paradoxes by focusing first on the characters’ emotional arcs. Like many time-travel-based stories, the script tackles the morality and ethics of attempting to change timelines and the potential consequences that accompany them. Gordon-Levitt and Willis have stellar chemistry, and Emily Blunt provides the necessary groundedness and emotion, truly anchoring the latter part of the film.
3
‘A Scanner Darkly’ (2006)
One of the more distinctive films of the early aughts was A Scanner Darkly. The adult animated sci-fi thriller from Richard Linklater is based on the 1977 novel by Philip K. Dick and is set in a future America that lost its war on drugs. Undercover narcotics cop Bob Arctor (Keanu Reeves) becomes addicted to a mind-altering substance known as Substance D, causing him to suffer a fractured psyche and lose grip on his own reality. As he investigates the source, his brain deteriorates, causing him to spy on himself unknowingly.
A brilliant take on surveillance, paranoia, the loss of identity, and the devastating consequences of addiction, A Scanner Darkly is an introspective philosophical work with groundbreaking rotoscope animation that feels off and slightly dreamlike. This unique technique is not just stylistic; it is integral to the plot, enabling the representation of the scramble suit. It might feel disorienting, even psychedelic, but it’s instrumental. A Scanner Darkly forces you into questioning personal identity crises through the war on drugs and the dangers of surveillance, resulting in a scathing satire directed to perfection.
2
‘Blade Runner’ (1982)
An adaptation of Philip K. Dick’s novel Do Androids Dream of Electric Sheep? Blade Runner tells the story of Rick Deckard (Ford), a burnt-out blade runner tasked with hunting down and retiring rogue androids—known as replicants— engineered for slave labor but escaped to Earth. Set in the year 2019, the revolt is led by Roy Batty (Rutger Hauer), who seeks their creator, the bioengineers at the powerful Tyrell Corporation, to demand an extension of their lifespans. Throw in a sci-fi love story between Deckard and Rachael (Sean Young), a Replicant girl, and you have a tremendous neo-noir science fiction film.
Directed by Ridley Scott, Blade Runner is all about its atmosphere, as Scott crafts a breathtaking, moody, gritty cyberpunk future set against crime-thriller tropes. Deckard works well as a hard-boiled detective within the world’s specificity. The neon-lit metropolis may look stunning, but how the urban decay is infused gives the world its unique identity. All these years later, there is still a timelessness to Blade Runner— and not just because the franchise continues to expand. Perhaps it’s Barry’s final iconic monologue that the film resonates still today.
1
‘Inception’ (2010)
No one has played with a dream heist quite like Christopher Nolan. Inception follows Dom Cobb (Leonardo DiCaprio), a professional thief who steals corporate secrets by infiltrating his targets’ subconscious. A chance to have his criminal history erased as payment for the implantation of another person’s idea into a target’s subconscious sends him back into action. Blurring the lines between dream and reality, this multi-layered film uses corporate espionage and a dream heist as the backdrop against a twisted, complex dreamscape.
Tackling themes of memory, grief, and the perception of reality, Inception is one of the most fascinating films ever made. The meticulous heist planning is profound, setting up the mind as the “scene of the crime.” Nolan’s ability to engross audiences while blowing their minds is unmatched. Toss in a masterclass in editing and sound design, and Inception stands out as a unique beast. With a brilliant cast, Inception is an action-packed adventure that goes to places other films never dreamed of (pun intended). The legendary ending is still debated to this day, an expert combination of sci-fi and crime that makes it the pinnacle of the category.
Entertainment
Fans Happy West Wilson Was Fired From Bravo
“Summer House” fans are excited they can finally say goodbye to West Wilson. According to a new report, the Missouri native, who initially charmed the Bravo fandom as a new cast member in February 2024, has been axed from the long-running television program following his dating scandal with Amanda Batula.

Rumors had been swirling for some time that Wilson would not be asked back to the Bravo reality series; however, TMZ confirmed the news today, June 15, 2026.
According to the publication, a source close to the show said that the sports journalist-turned-TV personality was not asked back for the next season, which will begin shooting during the July 4th weekend.
While Wilson, 31, won’t be part of the main cast, the insider said the “Show Me Something” podcast host could make a cameo at some point during the upcoming season.
Wilson’s firing comes as no surprise, considering he was on an island by himself after confirming his romance with co-star Batula following months of intense speculation, per The Blast.
West Wilson In A Bad Place With His ‘Summer House’ Co-Stars

Wilson’s romance with Batula left a sour taste in the mouths of his “Summer House” co-stars, including his former bestie, KJ Dillard. According to The Blast, Dillard told Carl Radke that he and Wilson were no longer communicating.
“I know people make mistakes. I’m someone that gives grace, trust me,” Dillard said. “I’ve made plenty of mistakes, and people have given me grace, but it just seems like he’s not learning from his mistakes.”
Dillard went on, likening Wilson to his father, with whom he has said he has had a strained relationship. “My dad has apologized to me and said, ‘I’m gonna do this. I’m gonna be better.’ Then, it just continues to repeat these cycles. It’s just like, ‘What is going?’”
Radke Blasted West Wilson During Previous Interview Over Lack Of ‘Accountability’

Radke, meanwhile, blasted Wilson during a previous interview, per The Blast, accusing him of failing to take ownership of his behavior and how his actions impacted the rest of the cast.
“I think a lot of us were hoping to feel the feeling you get when someone actually apologizes and takes accountability,” he said. “Especially watching it now, I didn’t feel it, and that’s what’s hard.”
According to Radke, Wilson’s secretive relationship with Batula not only hurt her estranged husband and their “Summer House” co-star, Kyle Cooke, but it also hurt Ciara Miller, whom he dated in 2023.
“People are really hurt. Ciara, Kyle. I mean, I’m looking at him right now. He’s my best friend, and watching that s–t, the footage of West at his family house with Kyle. Like, he not only brought Ciara home, he brought Kyle home. And then does that. It’s just diabolical,” Radke said.
Wilson’s Firing Comes After He Appeared To Steer Viewers Away From A New ‘Summer House’ Episode Scheduled To Air
Wilson’s firing also comes after he told his podcast listeners that he hoped the 2026 NBA Finals would spill over into Tuesday, June 16, so people would watch the contest instead of a new “Summer House” episode that’s scheduled to air.
“If the Spurs win Saturday and they go back to MSG and they play Game 6, it will be Tuesday night [at] the same time they air this f-cking, g-d-mn bonus episode,” he said. “Give me f-cking Knicks in 6 at the same time this sh-t is on TV. I will be the happiest person in the motherf-cking world.”
Bravo mainstay Lindsay Hubbard took issue with his words, calling him “trash” in a social media post and blasting him for appearing to sabotage their show.
Viewers Are Feeling Good About Wilson’s Firing
Online, viewers seem happy about Wilson’s firing, as one user said, “F boys having consequences for their sh-tty behavior is so satisfying to see.”
Another user referenced a popular scene from “The Real Housewives of Atlanta,” during which NeNe Leakes tells Phaedra Parks, “You can never win when you’re dirty.”
“Fine with me,” a third person wrote about Wilson’s firing. “I think he was a completely different person than who he portrayed himself to be on TV.”
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