An Ohio pastor and his wife have the internet ablaze after introducing their congregation to his second wife during a recent sermon. Prophet Israel T. Ford and his wife, Pastor Lydia Ford, made the announcement on Sunday, October 25, at the LifeWorks Church in Wickliffe, Ohio.

RELATED: Florida Pastor Timothy Chaneyfield Arrested For Alleged Sexual Abuse And Exposing 14-Year-Old Boy To HIV

Ohio Pastor Israel T. Ford And Spouse Introduce Second Wife

Pastor Lydia Ford made the announcement with her husband during a Sunday sermon at LifeWorks Church in Wickliffe. In a clip shared by  Hollywood Unlocked, Ford revealed that she and Prophet Ford were in a polygamous marriage with another woman, Minister Shakayla Ford.

“I want to share that you know Prophet and I, you know, we are living, even right now, um, in what we would call a polygamous marriage,” she said. “My husband, our Prophet, he has a second wife. Y’all know her. Y’all love her. Y’all benefit from her ministry every week. And so, I just want to take this time and just, um, as a pleasure of mine to introduce to y’all Prophet’s wife and my sister in marriage, Minister Shakayla.

Second Wife Claims Marriage Is Will of God

The Prophet’s second wife then claimed the marriage was “the will of God” as she sought to address folks’ concerns about her lifestyle.

“I want to speak to the fact that I know people have questions,” she said. “People have comments and concerns. And one thing that um, you know, I want to address is that, it, it is amazing to know that this is the will of God and to live it. I have not been slight not one bit, and I have gained so much… and I have learned so much from pastor. I mean, he has poured so much into me and into our family… is it the image of what God wants to put in the earth.”

Watch the clip below.

Folks Act OUT On Social Media

People couldn’t wait to leave opinions in Hollywood Unlocked’s comment section, and several folks dragged the church leaders in the process. Others dropped jokes.

User @sha_lettice replied, “Tell me Pastor was cheating without saying it…😂😂.”

@brandyslin added, “Can the wife get a second man too 😂😂😂.”

@iambrianamoenae noted, “she can’t even pronounce it correctly 😂.”

User @_desinee wrote, “We are definitely living in the last days!”

@njsoup153 joked, “Pastor done sampled the whole congregation.”

@_mealsbymel added a prediction. “@druski gon ahead and tap in with this foolery 😂😂.”

RELATED: Say, WHAT?! Florida Woman Arrested & Charged After Allegedly Setting Man On Fire During Argument

Wes Craven’s 1996 horror movie Scream is one of the most celebrated films in the genre. With iconic characters and a fresh, darkly comedic take on the slasher, this movie changed what was possible within the horror genre. The soundtrack for Scream is just as iconic as the movie, full of ‘90s alternative and indie rock music that sets the scene for a classic high school experience plagued by a vicious killer. This soundtrack is nothing short of perfect for both the movie and the Halloween season — and well worth listening to all year around.

Alternative and indie rock often align with the dark themes explored in the horror franchise – but choosing the right songs for a movie, especially one so reliant on the fear and suspense of the audience, is no small feat. These five songs off the Scream soundtrack are all perfect choices for the scenes in which they can be heard. Through taking a closer look at these eerily memorable tracks, we can better understand the interaction between alt-rock and the horror genre.

5

“Whisper” by Catherine

Image via Dimension Films

Starting off on a comparatively lighter note, “Whisper” by Chicago-based alt-rock band Catherine sets the tone for day-to-day life at the fictional Woodsboro High School. Catherine was active from the mid-80s through the ’90s and often compared to The Smashing Pumpkins. They were just underground enough to be cool – surely something the Californian teens in this film may have burned onto their CDs. “Whisper” appeared on their 1996 album Hot Saki & Bedtime Stories, released the same year as Scream. The track is best known for its inclusion in the film.

This song plays towards the beginning of the film. The scene portrays the students lounging around on the school quad, discussing the recent killing of Casey Becker (the tragically short-lived character played by Drew Barrymore). They are talking about the extremely disturbing murder and mutilation of a friend with an alarming level of apathy, indicating the feeling of invincibility and lack of empathy that comes with being a teenager… and perhaps something more nefarious. “Whisper” is a fitting track for this scene – chill, easy background music, but with an edge. Crunchy guitar riffs are balanced with aptly whispery vocals, setting the tone as relaxed, but with a subtle undercurrent of unease.

4

“Red Right Hand” by Nick Cave & The Bad Seeds

This next track is much better known – for a multitude of reasons. Nick Cave & The Bad Seeds are renowned in their field and extremely popular amongst the gothic-rock crowd. They released their most popular album, Murder Ballads, the same year as Scream – they were at the peak of their popularity in the mid-to-late ’90s. “Right Red Hand” was released two years earlier, and quickly became the band’s signature song. Featuring creepy lyrics (sung spoken-word style by Cave) and eerie bell tolls, listening to the song is akin to hearing a ghost story in the dead of night. It is superfluously spooky in a Scooby-Doo kind of way – picture the gang tiptoeing through a haunted mansion on a dark and stormy night. Jinkies!

“Red Right Hand” is frequently featured in movies and television, perhaps most notably as the theme music for the popular BBC show Peaky Blinders. It is also present in all seven movies in the Scream franchise, except for the fourth installment (copyright issues). The song acts as a harbinger throughout the films – when you hear Nick Cave’s melancholic warble, Ghostface is sure to be close behind.

3

“Youth of America” by Birdbrain

Image via Dimension Films

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This high-energy, rebellion-steeped track is the definition of teenage angst. “Youth of America” was the final single released by Birdbrain, a short-lived, post-punk band formed in Boston in the early ’90s. Their biggest accomplishment as a group was this song being used in Scream – the official music video features scenes from the film interspersed with clips of the band performing at the scenes of the fictional murders. They truly capitalized on the exposure they received from the movie. This is not to disparage the group or the song – the inclusion of the somewhat niche group does wonders for the era-specific world-building in Scream.

“Youth of America” has a classic indie rock, post-punk feel, featuring a driving drumbeat and distorted guitar. The lyrics describe the death and waste of the youth of America, assumedly in the metaphorical sense – the powers that be are indoctrinating the children, brainwashing the teens, keeping the people down. Good ol’ angst and anti-establishment awesomeness. However, in this context, the often repeated lyrics “You’re all dead” take on a much more literal meaning. This song plays during the high school party at Stu Macher’s (expertly played by Matthew Lillard) house, right before the violence reaches a bloody crescendo.

2

“School’s Out” by Alice Cooper

Alice Cooper’s “School’s Out” has been a high school anthem since its 1972 release. Cooper, one of the biggest names in hard/glam rock, is known for his over-the-top theatrical performances and costumes, making his work incredibly conducive to the horror genre. Aptly nicknamed the “Godfather of Shock Rock,” Cooper’s career has had an immense influence on a variety of subgenres under the rock and roll umbrella. “School’s Out” is his biggest international hit, capturing the excitement of the final moments before it’s time to leave the classroom behind

The iconic lyrics “School’s out for summer/ School’s out forever/ School’s been blown to pieces” play as the principal of Woodsboro High School announces the suspension of classes due to the recurrent attacks on students. The song is right on the nose – but in an effective way. The inclusion of this track captures the frenzy and paradoxical excitement surrounding the unexplained wave of violence, and subtly alludes to the fact that perhaps the perpetrators of these crimes are closer than the students are being led to believe. No one ever expects the call to come from inside the house.

1

“Don’t Fear the Reaper” by Gus Black

Image via Dimension Films

Gus Black’s stripped-down, acoustic cover of “(Don’t Fear) The Reaper” by Blue Öyster Cult is a quintessential indie singer-songwriter track. Black recorded and produced this song specifically for the Scream soundtrack. Equally romantic and melancholic – with violins and harmonies for added cinematic effect – the use of this cover is perhaps the most clever musical choice in the film.

The original Blue Öyster Cult version is featured in 1978 horror classic Halloween, which heavily inspired the plot and characters of Scream. Halloween is referenced consistently throughout the film, and using a cover of “(Don’t Fear) The Reaper” adds another layer of connection between the two movies. The song plays after Billy Loomis (played by Skeet Ulrich) sneaks through his girlfriend’s window and into her bedroom. Sidney Prescott (Neve Campbell) is initially startled – and rightfully so. There’s a killer on the loose! When she realizes it’s just her boyfriend, she relaxes. There’s no need to be afraid … or is there? Should she fear the reaper? The foreshadowing is expertly executed – one of the many details that makes Scream one of the most iconic slasher movies ever made.

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Scream

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Release Date

December 20, 1996

Runtime

112 minutes

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Writers

Kevin Williamson

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I love how the skincare conversation has shifted from anti-aging to longevity. We can’t stop the aging process, but we can age gracefully with the right ingredients and products. One dermatologist is on a mission to bring that same philosophy to makeup with the brand-new Dose of Derm All-In-One Clinical Foundation.

Celebrity dermatologist Dr. Sheila Farhang is bringing Dose of Derm to life, which features makeup formulas developed with clinical-grade skincare ingredients. Her brand will include a full range of makeup products, but the one we’re most excited about is the newly launched All-In-One Clinical Foundation.

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This unique foundation functions like a tinted moisturizer and contains SPF 45. It’s lightweight yet extremely buildable with a soft-blur, filter-like finish that allows you to layer until you get your desired coverage. The ingredient list reads more like a high-end serum than a complexion product. It contains peptides, plant-derived exosomes, vitamin C, hyaluronic acid and more to not only cover imperfections but also correct them.

The unique, clinically-tested formula is proven to do six things: Protect against the sun’s rays, correct uneven tone and discoloration, deeply hydrate, brighten dullness, smooth pores and texture and support the skin barrier. While there are currently only six shades, they’re tone-shifting and can morph to your complexion for the best possible match.

Although the foundation just launched, it’s already garnered a few fans. “I love that there are actual skincare ingredients in this,” one reviewer writes. “I’m way more conscious about what I put on my skin now, so it’s nice knowing my foundation is doing more and actually treating my skin!”

If you look for makeup that conceals redness and blemishes without compromising your skin’s barrier or texture, try the All-In-One Clinical Foundation at Dose of Derm today!

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Hey, The Young and the Restless fans. We have got hot new spoilers for next week, which sees the start of November sweeps. We’re going to talk about Nick Newman (Joshua Morrow) doing another bad thing, Lily Winters (Christel Khalil) getting fierce about work and family, and Sharon Newman (Sharon Case) being completely shocked.

We’ve got the latest The Young and the Restless spoilers for the week of October 26th. So, we are heading into don’t-miss-an-episode moments, because sweeps kicks off this coming Thursday in a big way.

The Young and the Restless: Kyle and Victoria Push the Envelope

First, let’s talk about Kyle Abbott (Michael Mealor) and Victoria Newman (Amelia Heinle), because they are really pushing the envelope. At the end of this week, Kyle meets with Victoria up at Crimson Lights to discuss their London trip. So, they talked about sneaking into that suite at Billy Abbott (Jason Thompson) and Sally Spectra (Courtney Hope)’s GCAC wedding, which was really risky. But he and Victoria seem to think they’re going to get away with this affair indefinitely, and we know they won’t.

So, Kyle heads out onto the Crimson Lights patio at the end of the week, where he kisses Victoria. She’s stunned and can’t believe Kyle did that in public, but you can also tell Victoria is thrilled. It’s almost like she wants to get caught.

So, Kyle agrees to meet Victoria in London, and she jokes about how it’s too risky to invite him to fly over there on the Newman jet with her. And Kyle agrees, but tells Victoria he would love to join the Mile High Club with her. And then Kyle promises he’ll find a reason to fly over to London. And Victoria’s excited. She thinks they can go out and relax in public together.

Yeah, she said in public. It seems like a sketchy idea, but Kyle and Victoria may think they’re safe being all the way across the pond while engaging in their fling.

Phyllis and Victor Show Up on Y&R

So, when they come back in from the patio after smooching and plotting, they run right into Phyllis Summers (Michelle Stafford), who wants to know why Kyle and Victoria are together. They make excuses and tell Phyllis a lot went down at Billy and Sally’s wedding. And of course, that distracts Phyllis, because she’s so excited it all went down at her establishment.

And then she tells Victoria and Kyle that Billy is taking the Abbott jet to London to see Jill Abbott (Jess Walton). And of course, Phyllis has to do some bragging. This time, it’s about the big party she and Lauren Fenmore (Tracey Bregman) are planning for Arabesque.

So Kyle’s like, “Enough.” He leaves the coffee shop, which is good timing, because right after, Victor Newman (Eric Braeden) shows up to discuss the London trip with Victoria. And while they’re chatting, Billy, Lauren, and Michael Baldwin (Christian Leblanc) enter, and Victor tells them he’s so sorry about Jill. And Billy is shocked that Victor isn’t making any snide remarks. So after Billy and the others leave, Victor tells Victoria that she might run into all of them in London. And it turns out Victor is absolutely right. We’re going to get to that in just a second.

So Kyle now needs a reason to leave town. He tells Jack Abbott (Peter Bergman) he is leaving town to go look at an acquisition he’s considering. Jack thinks it’s sudden, but Kyle says he needs to see if it’s worth the hype. And then he texts Victoria and says, “All set. This is going to be fun.”

Young and Restless: Cane Runs Into Kyle in London

All right, now let’s talk about her and Kyle getting busted. In next week’s The Young and the Restless spoilers, things take a turn for him and Victoria in London. We talked about this in our last video, and sure enough, as we expected, Kyle runs into somebody from Genoa City.

It looks like Kyle is waiting for Victoria to meet him when Cane Ashby (Billy Flynn) strolls up, and he sees Kyle at a pub in London. And Cane says, “Fancy seeing you here.” And then Cane asks Kyle, “What are you doing in London?”

So him running into Cane is very problematic, because I’m sure Kyle is waiting on Victoria, since they hope to do some date-type activities in London. Clearly, feelings are involved for them to want to hang out in public. I think this London trip is going to end very badly for Kyle and Victoria.

If Cane’s there when Victoria walks in to meet Kyle, I bet that Cane clocks that Kyle is there with Victoria, even if they deny it and try to pretend it’s a coincidence. But I also don’t think Cane would tell Victor anything. But trouble’s coming.

What Did Nick Do to Matt in Y&R?

Also, to set the stage for this next spoiler, remember that this week, Nick dropped by to tell Sharon and Mariah Copeland (Camryn Grimes) that he confirmed Matt Clark (Roger Howarth) is in the mental hospital, that he dropped him off, and that he won’t be a problem. And then Nick and Mariah were working on Sharon, telling her, “Don’t go see Matt.”

And remember, he asked Sharon to be his therapist. She’s considering it. She thinks Matt being better is peace of mind for everybody. Mind you, it’s hot on the heels of Nick beating Joe (Chris Grant Wenchell), the drug dealer, nearly to death. So Nick may be off pills, but now he seems addicted to violence. It’s like he’s Genoa City‘s Batman or the Punisher.

So in next week’s The Young and the Restless spoilers, while they’re up at Crimson Lights, Sharon asks Nick, “What really happened to Matt?” And then Nick tells Sharon, “It’s best if you don’t know.” So I’m wondering if Matt never made it to the mental health clinic. Maybe Nick was trying to talk Sharon out of going to see Matt there because Nick never took him there. I mean, honestly, we know that he wants Matt dead.

So, I’m excited to see what happened. Nick might have beaten Matt and left him for dead, dumped him in a ditch somewhere, and felt it was the best thing for everybody. Remember when he was at Sharon’s asking for her help? Nick wanted to kill Matt on the spot, and Sharon told him no.

The Young and Restless: Lily Fires Nate

Also next week, The Young and the Restless spoilers have Lily really taking care of business. She’s with Nate Hastings (Sean Dominic) and Devon Hamilton Winters (Bryton James) at Society. And Lily shocks Nate when she tells him that, as CEO of Winters, she is officially firing him.

So I think with Lily’s cancer-free results, she is moving forward. And that could also mean Nate got good medical test results and might have gotten the all-clear to get back into the OR after having successful surgery on his hand. So I suspect that’s why Lily is firing Nate from Winters, so that he can follow his dream and be a surgeon again.

And we should also be seeing Stephanie Simmons (Vivica A. Fox) on screen again fairly soon, so that she and Nate can resume their romance, as well as enjoy time as co-workers at the hospital.

The Young and the Restless: Adam Won’t Go Away

Also, in a recent interview, Billy actor Jason Thompson said that soon Adam Newman (Mark Grossman) goes all out to stay in the picture. And the actor said that’s the exact opposite situation that Billy wants to find himself in. This week, he did sincerely thank Adam for being there to deliver baby Ruby. But with that handshake done, Billy just wants Adam to go away. But he continues to show up. And official The Young and the Restless spoilers say it really starts to affect Billy.

So, I suspect that starts next week while Billy is in London. I think we’ll see Adam dropping by to visit Sally and little Ruby. We might even have Adam offering Sally a helping hand with her baby girl. If so, Billy won’t like it. And I’m guessing Chelsea Lawson Newman (Melissa Claire Egan) will be alarmed if Adam’s suddenly way more present in Sally’s life and focused on little Ruby.

Carlos PenaVega had an admittedly heated reaction to wife Alexa PenaVega’s Dancing With the Stars elimination.

“The best moment is, after I get eliminated, Carlos and Shirley Ballas, [who] is Mark [Ballas]’s mother, … get into a fight backstage,” Alexa, 38, recalled on the Thursday, October 22, episode of the couple’s “LexLos” podcast, acknowledging Shirley, 66, is a “legend” in the ballroom community. “She goes, ‘Are you happy? Semifinals?’ And Carlos was like, ‘No, I’m not happy, my wife just got eliminated!’”

Carlos, 37, stressed that he is grateful the pair’s brief verbal altercation was not captured on film.

“She was sweet, but it was actually bad timing,” Carlos admitted. “She wasn’t trying to be mean, it was just bad timing.”

Shirley, the head judge on the U.K.’s Strictly Come Dancing, has not publicly addressed the accusations. Us reached out for comment.

Carlos and Alexa competed against each other on DWTS season 21 in 2015 with respective pro partners Witney Carson and Mark, 40. The Spy Kids star and Mark finished in sixth place, while Carlos and Carson, 33, made it all the way to the finale but came up short behind winners Derek Hough and Bindi Irwin.

Reflecting on her departure from the competition, Alexa claimed that Mark had an inkling their time in the ballroom would be cut short before it was officially announced.

“[Mark] knew we were getting eliminated, however, that day Tamar [Braxton] gets deathly ill. We end up finding out it’s, like, deathly ill and she should have remained in the hospital,” Alexa alleged, claiming Mark was already aware they were booked on The View to discuss their elimination. “The producers, from what Tamar said, went to the hospital and were like, ‘You need to do it.’ … Mark was like, ‘I believe we would have still been in if Tamar had stayed at the hospital.”

Braxton, 49, and pro partner Val Chmerkovskiy ended up withdrawing from the show “the next day” because of the singer’s illness.

“Mark was really hoping that was the moment of, ‘If she stays in the hospital, we won’t go home tonight and get one more week to show what we can do,’” Alexa recalled. “[Carlos and I, our two dance partnerships] would have still been in the bottom, but it’s just such a different story.”

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Alexa and Carlos were the first married celebrities to compete against each other on DWTS, during a time they claim had “a lot of drama behind the scenes.”

“At the time, Witney and Mark were not getting along at all,” Alexa alleged on Thursday. “They refused to be in the same room together. It was really hard because we’re married and the whole point of doing the show was, ‘We’re gonna do this together as much as possible. The second we go in, boom, ‘Mark and Witney refuse to be in a room together.’”

Mark and Carson have not publicly addressed the reported feud. Us reached out for comment.

Chris Pratt has confirmed that Peter Quill, better known as Star-Lord, will return to the Marvel Cinematic Universe.

While promoting Season 2 of The Terminal List, Pratt revealed that he has remained in contact with Marvel Studios president Kevin Feige and executive producer Lou D’Esposito about making good on the promise made at the end of Guardians of the Galaxy Vol. 3.

The 2023 film concluded with Peter Quill stepping away from the Guardians and returning to Earth to reconnect with his grandfather. However, the film’s final title card made one thing clear: “The Legendary Star-Lord Will Return.”

Now, Pratt says Marvel is actively working toward that return.

[credit: marvel studios]

“I have a great relationship with Kevin and Lou, and there have been both ongoing conversations about how we make good on that promise and also hard action taken to make sure that we make good on that promise,” Pratt said during an appearance on The Bingeworthy podcast.

Pratt then offered his clearest confirmation yet that Star-Lord’s time in the MCU is not over.

“So yeah, you’ll see Star-Lord again,”

Pratt said. “He’s not going anywhere.”

The actor did not reveal exactly when or where Star-Lord will return.

That leaves several possibilities open as Marvel Studios continues expanding the cosmic side of the MCU while also preparing major upcoming crossover films.

Pratt has not been officially announced as part of Avengers: Doomsday, so any connection to that film remains speculation. Avengers: Secret Wars could also provide another opportunity for the character to reappear, while future cosmic projects could potentially bring Peter Quill back into space.

Pratt first debuted as Star-Lord in 2014’s Guardians of the Galaxy and went on to play the character throughout the Guardians trilogy as well as Avengers: Infinity War, Avengers: Endgame and Thor: Love and Thunder.

Although Guardians of the Galaxy Vol. 3 marked the end of James Gunn’s version of the team, Marvel deliberately left the door open for Star-Lord.

Pratt’s latest comments now make it clear that the promise was more than just a tease.

Peter Quill will return to the MCU.

The only question left is when.

Let’s Face It, This One Really Stuck With Me

There are comic-book movies that play things safe, and then there are movies like Clayface, which seem determined to reshape what we expect from the genre.

I went into this one hoping for something dark and slightly different, but I honestly didn’t expect to enjoy it quite as much as I did. What surprised me most was how confidently the movie embraces its horror identity. It doesn’t feel as though someone simply took a conventional comic-book movie and added a few scary moments to make it darker. The horror feels like part of its DNA.

At the same time, Clayface never forgets that there needs to be a human story underneath all the strangeness.

The film stars Tom Rhys Harries as Matt Hagen / Clayface, with a supporting cast that includes Naomi Ackie, David Dencik, Max Minghella and Eddie Marsan. It is directed by James Watkins, from a screenplay by Mike Flanagan and Hossein Amini.

Clayface is strange, creepy, uncomfortable, visually interesting and far more emotional than I anticipated. Most importantly, it kept me invested.

I give it 4 out of 5 stars, and I think this is one face from the DC universe that will be difficult to forget.

A Different Kind of Comic-Book Movie

One of the things I enjoyed most about Clayface is that it doesn’t feel trapped by the expectations of what a comic-book movie is supposed to be.

Yes, the character comes from DC. Yes, there are obviously fantastical elements involved. But the film is formally described as a body-horror psychological thriller, and that combination gives it a very different flavour.

That immediately sets it apart.

The movie isn’t constantly trying to overwhelm you. There is a darker, more uncomfortable atmosphere running through it, and I found myself becoming increasingly absorbed in that mood.

It also feels considerably more personal than I expected.

Rather than focusing entirely on how visually impressive Clayface can look or what the character can physically do, the movie’s greatest strength is the person at its centre. That gives everything else more meaning.

There is spectacle, obviously, but there is also vulnerability.

For me, that balance is what separates Clayface from something that could easily have been dismissed as a gimmick.

Tom Rhys Harries Gives the Movie Its Heart

Tom Rhys Harries plays Matt Hagen / Clayface, and for me, he is the glue holding the entire movie together.

Sorry. I couldn’t resist that one.

This is not an easy character to play because the performance needs to work before you even consider the more fantastical aspects of Clayface. If I don’t care about Matt Hagen as a person, everything surrounding him becomes considerably less interesting.

Thankfully, Harries gives the character real humanity.

There is an emotional vulnerability to his performance that I really liked. He allows Matt to feel like a person rather than simply the necessary human component of a comic-book character.

It is also a performance that has to communicate a lot without constantly spelling everything out.

Harries handles that very effectively.

There are moments where his expressions and physical performance do as much work as the dialogue. His performance needed to convince me that there was something recognisably human underneath a story that becomes increasingly strange, and I think he achieves exactly that.

More importantly, I found myself invested in the character.

That might sound like a rather basic requirement, but it makes an enormous difference in a movie like this. Without that connection, Clayface could have become little more than an impressive collection of horror imagery.

Instead, there’s an emotional centre.

And Harries deserves a lot of credit for it.

Naomi Ackie Makes Her Presence Felt

Naomi Ackie is another important part of the ensemble.

What I particularly enjoyed about her performance is the grounded quality she brings to the movie.

When you’re dealing with a story containing such unusual and exaggerated concepts, the supporting performances become incredibly important. Everyone cannot behave as though they know they’re in a comic-book movie. The world needs to feel real enough for the extraordinary parts to matter.

Ackie gives the film some of that grounding.

She shares the screen comfortably with Harries and has enough presence that I never found myself simply waiting for Clayface to return whenever the focus shifted elsewhere.

That is important.

A strong central performance can only carry a movie so far. The people surrounding that character need to feel as though they belong within the same story, and I think the cast succeeds in doing that.

A Supporting Cast That Understands the Assignment

The film also features David Dencik, Max Minghella and Eddie Marsan among its principal supporting cast.

Collectively, I thought the cast was one of the movie’s strengths.

Nobody feels as though they wandered in from a completely different type of film. That consistency is particularly important here because Clayface is balancing several different tones at once.

There’s drama.

There’s horror.

There’s psychological tension.

And underneath all of that, there’s still a comic-book movie.

Those ingredients could easily clash, but the performances help hold everything together.

I also appreciated that the supporting characters don’t make the film feel overcrowded. There are enough personalities around Matt to give his world texture without making the movie feel desperate to introduce dozens of characters purely for the sake of expanding a universe.

It keeps its attention where it belongs.

The Horror Really Works

This is probably where Clayface surprised me the most.

Its body-horror and psychological-horror classification isn’t simply window dressing.

There is something fundamentally unsettling about Clayface as a concept.

And the movie understands that.

Instead of avoiding the disturbing implications of the character in favour of something more conventional, it embraces them. The result is a movie that can be uncomfortable without feeling as though it is desperately trying to shock you every few minutes.

For me, the best horror is often the stuff that stays in your imagination.

There are ideas here about appearance, identity and our relationship with ourselves that naturally lend themselves to horror. The movie taps into those without needing to explain every theme directly to the audience.

I appreciated that.

It trusts you enough to sit with some of those ideas.

And because the horror is linked so closely to the character, it feels relevant rather than decorative.

There are undoubtedly moments designed to make you uncomfortable, but I never felt the film had forgotten about the person underneath all the horror.

That makes an enormous difference.

The Flow Keeps Everything Moving

Pacing was another area where I thought Clayface worked particularly well.

The film has a reported runtime of approximately 108 minutes, and I think that suits this story.

It doesn’t take forever to get going, but it also doesn’t rush through the quieter material just to reach the next big moment.

There’s a rhythm to the movie that I really enjoyed.

It knows when to slow down.

It knows when to build tension.

And it knows when to let loose.

That balance means the movie rarely feels monotonous.

This becomes particularly important with horror because constantly trying to operate at maximum intensity can actually make a film less effective. If everything is supposed to be shocking, eventually nothing is.

Clayface understands the value of contrast.

Some moments are quieter and more character-focused. Others allow the horror and spectacle to come forward. Moving between those different gears prevents the film from feeling repetitive.

For the most part, I thought the transitions between them felt natural.

There were a few occasions where I thought a moment could have been given slightly more room to breathe, which is one of the reasons I haven’t gone all the way to five stars. But those are relatively minor criticisms.

Overall, this movie moves.

More Than Just Impressive Effects

Obviously, a character called Clayface creates certain expectations visually.

But what I appreciated is that the film never allowed its visual side to become the only reason for watching.

The physicality of the character is important, naturally, but I found the psychological side far more interesting.

The movie keeps returning to questions surrounding identity.

How much of who we are is connected to what we see in the mirror?

How much of ourselves is determined by how other people see us?

And what happens to a person’s sense of identity when those things stop feeling permanent?

Those are fascinating ideas for a character like Clayface.

I wasn’t expecting the movie to make me think about them quite as much as it did.

That doesn’t mean Clayface suddenly becomes a philosophical lecture disguised as a comic-book movie. Far from it. There is plenty here for anyone simply wanting something dark and entertaining.

But there is something underneath the surface.

Quite literally, in this case.

It Actually Has Its Own Identity

One of my frustrations with interconnected franchises is that individual movies can sometimes start feeling like trailers for whatever comes next.

Thankfully, that isn’t what I took away from Clayface.

The movie is part of DC’s broader cinematic universe and its Gods and Monsters chapter. But what I liked is how strongly Clayface establishes its own tone.

It feels like its own movie.

That sounds simple, but it matters.

I didn’t need endless reminders of a larger universe to remain interested. I was interested in this character, this atmosphere and this particular story.

More comic-book movies should have that confidence.

Give me different genres.

Give me different tones.

Give me filmmakers willing to make something that doesn’t look and feel exactly like the movie that came before it.

Clayface gave me enough of that individuality to make me excited about where this type of comic-book filmmaking can go.

There is no post-credits surprise, so no need to face all the credits.

Why Four Stars and Not Five?

For all the things I enjoyed, I wouldn’t call Clayface perfect.

There are sections where its different identities fight for attention a little more than I would have liked.

Being a psychological thriller, body-horror movie, character drama and comic-book film all at once is an ambitious balancing act. Most of the time, I think it pulls it off.

Most of the time.

There were moments where I would have preferred the movie to remain with its characters slightly longer rather than moving onwards.

And although I liked the film’s ambition, not every element landed equally strongly for me.

Still, those issues never seriously damaged my enjoyment.

I would rather have a movie take risks and occasionally become slightly messy than have something technically polished but completely forgettable.

Clayface has personality.

It has atmosphere.

And it certainly isn’t forgettable.

A Surprisingly Emotional Experience

Perhaps my biggest compliment is that I cared more about Matt Hagen than I expected to.

A character like Clayface could so easily become defined entirely by appearance and abilities. Instead, the film gave me enough of a human connection that I genuinely cared about the person at the centre of it.

That changed the entire experience for me.

The darker material matters more when you are emotionally invested.

The horror becomes more unsettling.

The quieter scenes become more meaningful.

And the bigger moments feel earned rather than obligatory.

That’s ultimately why Clayface worked for me.

It gave me the strangeness I wanted but also something underneath it.

Conclusion: Consider Me Mouldly Impressed

Let’s face it, Clayface could very easily have gone horribly wrong.

Okay, that’s my final face pun.

Probably.

What I got instead was one of those movies that reminded me why I enjoy seeing comic-book characters pushed into completely different genres.

Tom Rhys Harries gives the film a strong and vulnerable centre, while Naomi Ackie, David Dencik, Max Minghella and Eddie Marsan help create a supporting ensemble that keeps the stranger elements of the movie grounded.

I really enjoyed how the movie flowed. It takes the time to establish its atmosphere, gradually increases the intensity and knows when to allow the character moments to take centre stage.

Most importantly, I enjoyed that Clayface actually feels different.

It’s dark without becoming miserable.

It’s strange without losing sight of its characters.

It’s visually ambitious without relying entirely on spectacle.

And it’s horrific without forgetting the humanity underneath the horror.

Is everything perfectly moulded?

Not quite.

But the imperfections didn’t stop me from thoroughly enjoying the experience. If anything, the willingness to take risks is part of what I liked about it.

I went into Clayface expecting an interesting addition to the DC universe.

I came out having enjoyed something far stranger, darker and more emotionally engaging than I expected.

A solid 4 out of 5 stars from me.

And if this is the shape DC’s more experimental movies are going to take, then consider me mouldly impressed.

Catch Clayface at a movie theatre near you.

Hey, Days of Our Lives fans. EJ DiMera (Dan Feuerriegel) just found out that Rita Lesley (Maggie Carney) has known Dominic Marino since at least his boarding school days. So EJ is on fire, because the woman he thought was blindly loyal to the DiMeras is not blindly loyal to him. Rita has a whole other agenda.

Let’s talk about the coming explosive confrontation between EJ and Rita. And sure, it seems like EJ is about to have a spectacular fall from power. I think Rita is key to his coming downfall. And EJ won’t like that.

Days of Our Lives: Rita’s Long History with the DiMeras

As you know, Rita’s been working for the DiMera family since Stefano DiMera (Joseph Mascolo) was alive and making trouble himself. Rita was his longtime personal assistant, so she knows about Stefano’s family crimes and criminal associates, including Rafe Hernandez (Galen Gering)’s evil lookalike, Arnold Feniger (Galen Gering).

And Rita has also assisted Stefan DiMera (Brandon Barash), Gabi Hernandez (Cherie Jimenez), Chad DiMera (Connor Floyd), Kristen DiMera (Stacy Haiduk), and, of course, EJ, and she is deeply loyal to the DiMera legacy. Although her backstory is decades of loyal service, we actually didn’t meet Rita until May 2024, when Days of Our Lives debuted her as EJ’s sassy henchwoman.

And Rita’s long-standing role as Stefano’s right hand is why she’s not afraid to put EJ in his place. Rita has been a big help, like when EJ had to deal with Arnold’s return. When EJ used him for a scheme and then needed him gone, Rita was integral to getting rid of Arnold.

Rita’s Role in EJ’s Schemes on DOOL

And then in 2025 and 2026, we’ve seen Rita help EJ open the Tom Horton Free Clinic. She oversaw the build of the secret lab. Rita also helped EJ with hospital owner duties and coordinated sneaky lab stuff with Dr. Rolf. She was key to all of this.

Rita also bossed around people at the hospital. Kayla Brady (Mary Beth Evans), Sarah Horton (Linsey Godfrey), and other doctors hated to see Rita walking the halls with her clipboard and her sour expression. More recently, Rita helped EJ kidnap Kristen to ship her off. Unfortunately, Lexie Carver (Nikki Crawford) thwarted that and let Kristen go.

Days of Our Lives: The First Sign of Disloyalty

However, Rita’s loyalty to EJ wavered when Salem‘s chief water inspector, Devlin St. John (John Oliver), came sniffing around about the Coriseal thing. EJ wanted him dead, but Rita had the hots for John Oliver’s character and injected him with CRS17 serum and then shipped him off in a pod. That was in defiance of EJ’s orders, because he wanted Devlin killed, not living on a private island.

And then, when EJ caught Rita doing it, she told EJ she had flu medicine for him and tricked him into taking CRS72. So, he’s forgotten he ever even met Devlin St. John. That was the first sign of disloyalty. And we always say that Rita was blindly doing EJ’s bidding up until that point.

And since then, Rita has gotten way more devious. She stole EJ’s prized possession, Stefano’s black Phoenix ring. She shipped it to his secret brother, Dominic Marino. I think all this is on Stefano’s pre-death orders. So, we know Rita hopes she’s making Stefano proud and claims loyalty to the DiMeras, but not to EJ personally, and that’s where he’s shocked.

I suspect that Rita’s been around most of EJ’s life, and Stefano taught EJ to trust Rita implicitly, and EJ has, and now it’s a problem. Later, we found out Rita was dropping clues to Belle Black (Martha Madison) and Chad after Marlena Evans (Deidre Hall) got the chess set from Stefano’s bequest.

Rita Disappears on DOOL

This past week, Marlena confronted Rita about Dominic’s parentage, but Rita denied knowing anything. And Rita issued the same denials to EJ when he was asking her about Dominic. And after that, Rita disappeared. I’m quite confident she left town, took off for Venice, and is working directly with Dominic as he prepares for his big Salem debut. Rita clearly knew Dominic was the real heir apparent.

EJ recently asked Cat Greene (AnnaLynne McCord) to use her ISA skills to help him uncover the truth about Dominic, because EJ is desperate to know if Dominic is indeed his secret brother.

Days of Our Lives: EJ’s Twofold Confrontation with Dante

And this week, EJ confronted Dante Vitali (Franco LoPresti), and it was a twofold confrontation. First, EJ warned Dante, “Don’t hurt Sami.” And of course, Dante acted like EJ was a possessive, jealous ex-husband who couldn’t stand the thought of another man being with Sami Brady (Alison Sweeney). Then EJ wanted info about Dante’s boarding school buddy, Dominic. And we had EJ asking if Dante had ever met Dominic’s parents.

Dante claimed all he knew was that Dominic’s parents lived in Salem, and that a woman whose name started with R, which he couldn’t remember, looked after young Dominic and would drop him off and pick him up from the fancy boarding school for his family. And when EJ said, “Was her name Rita?” and then described her, Dante confirmed, “Yeah, that’s her.”

So now EJ wants to know why Stefano never mentioned this long-lost son he supposedly had with Marlena, because he wasn’t long lost. Obviously, Stefano knew. So EJ feels deeply betrayed by Rita. He’s trusted her forever. And now EJ doesn’t know who he can trust. His own son, Johnny DiMera (Carson Boatman), just ratted him out.

EJ’s Mounting Problems on DOOL

And this is the worst time for EJ to lose Rita. He’s got the George O’Halloran (Michael Rose) crisis. But since Xander Cook Kiriakis (Paul Telfer) shot him on Friday after George shot Xander, that may be a problem EJ can cross off his list. Xander’s a good shot. So maybe George is dead, which would be a gift to EJ, because then he can claim the whole Coriseal thing was cooked up by George, who was clearly bad, since he shot Xander while trying to steal a laptop that contained evidence of all of his crimes.

So we also just found out EJ and Rita are behind the Gabi Chic counterfeit bag ring. That’s a criminal matter surrounding EJ that Rita is not helping with anymore. That might be a problem.

Dominic’s Arrival and Rita’s Loyalty on Days

The good news is all the mystery isn’t going to last much longer, because we know that Dominic Marino arrives in Salem on November 2nd, which is a Monday. But I actually expect a glimpse of him on the Friday, October 30th episode, in a black mask.

And when Dominic comes to town, I’m certain that Rita will be at his side, and then EJ is going to corner Rita and rip her a new one. But since Dominic’s her priority, I don’t expect EJ to get too far with Rita. I’m sure she’ll tell EJ this is Stefano’s agenda. That’s where her loyalty is.

Days of Our Lives: Is Rita Dominic’s Surrogate Mother?

And some viewers wonder if, in a real twist, Rita might be Dominic’s surrogate mother. And rather than Marlena having been pregnant with Stefano’s child, he might have had Dr. Rolf harvest her eggs while Marlena was in a coma, and then made an embryo, and Rita carried it. That would explain the loyalty, sort of like how Vivian Alamain (Louise Sorel) always has a special place in her heart for Philip Kiriakis (John-Paul Lavoisier) after she stole Kate Roberts‘s (Lauren Koslow) embryo.

So, we assume Dominic’s on the way to take over the DiMera family and push EJ aside. I expect him to take over DiMera Enterprises and the DiMera mansion as well. And I expect Rita will have paved the way for Dominic, and that means EJ is going down. And he can’t do much to stop them, since Rita’s got all the receipts on decades and decades of EJ’s shady and criminal deeds, because she aided and abetted him the whole way. Rita is the key to EJ’s downfall that is coming soon.

Stay true to you! Dr. Tess Mauricio wants you to be your own inspiration. The celebrity dermatologist, who counts Cardi B, Priyanka Chopra, and Kim and Khloé Kardashian as patients, sat down with ET to share her tips for looking like you, only better.

“The idea is to help patients look like the best version of themselves, not someone else,” she shares.

To help get you there, Mauricio offers a lineup of options at her M Beauty Clinic locations in Beverly Hills and San Diego, California, including lasers, ultrasound, radiofrequency microneedling, injectables, and regenerative treatments to address everything from texture, tone, and firmness to wrinkles, pigmentation, and skin laxity.

Think of it as more of a refresh than a makeover, with her most popular treatment, The Time Machine Procedure™.

“It is our signature nonsurgical regenerative aesthetics protocol designed to help patients achieve natural-looking rejuvenation by combining advanced technologies with regenerative approaches in a single treatment plan. … Rather than relying on one treatment to do everything, we thoughtfully combine different tools to address skin quality, collagen production, and visible signs of aging,” she says.

Still, the perfect beauty blend looks a little different for everyone.

“We incorporate the UltraClear® Cold Fiber Laser, which offers multiple treatment modules that allow us to tailor the level and depth of resurfacing to each patient’s needs, and can combine it with PRP or PRFM, and where clinically appropriate, other specialized treatments, alongside topical peptides and targeted skincare,” she explains.

“I’m a believer in treatments that improve the quality of the skin itself. … Every protocol is customized. It’s about finding what works for each person rather than following every new trend. … The key is choosing the right combination.”

And the upkeep continues long after your appointment ends. 

“Consistent, appropriate maintenance can keep your skin glowing through the years without surgery. … We create a personalized home care plan and talk with patients about optimizing sleep, managing stress, nutrition, hormones, and overall health, which is especially important for regenerative aesthetics since we’re asking our bodies and immune systems to help repair the skin naturally. … In-office treatments can do a lot, but daily habits between visits and our overall health and lifestyle matter too,” Mauricio notes.

But hitting pause on aging also means putting a stop to certain habits.

“Too much sun too soon after a treatment can be a problem, and tanning or skipping sunscreen can undo progress and contribute to future damage. People can also irritate their skin by piling on too many strong products or by restarting active ingredients too soon after a procedure. … More isn’t always better,” the doctor warns.

A light touch can go a long way with injectables, too.

“People can go overboard with filler when you try to add more volume instead of restoring facial harmony and balance. Filler can be useful for the right patient, and when performed artistically, it can be powerful, but it isn’t the answer to every concern.”

After all, Mauricio’s favorite kind of before-and-after is one you can’t quite put your finger on.

“The key is healthy-looking skin at every age, not to look like someone else. … People want to age in reverse without looking like they have had work done. … My patients know they can look natural while achieving their goals.”

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Director Will Gluck is speaking out about Amanda Bynes and her last on-screen role. The child actress stepped away from the spotlight following her role in the 2010 movie “Easy A,” in which she starred opposite Emma Stone, Penn Badgley, Lisa Kudrow, and Stanley Tucci. The film, which first premiered at the Toronto International Film Festival, was a major financial success, grossing $75 million against a budget of only $8 million. The film earned Stone a Golden Globe nomination for Best Actress in a Comedy or Musical, and it won the Critics’ Choice Award for Best Comedy.

‘Easy A’ Director Addresses Amanda Bynes’ Last On-Screen Role

In 2010, Amanda Bynes played mean girl Marianne Bryant in “Easy A,” opposite Emma Stone’s Olive Penderghast. When Olive’s little white lie spirals out of control, she leans into her new provocative persona and sews a red “A” onto her clothes, echoing Hester Prynne’s punishment in “The Scarlet Letter.”

Director Will Gluck recently admitted that the role was “kind of tough for” Bynes while speaking to Jess Lucero on the Plus One podcast on Wednesday, October 21. “She was a huge star, and then she had to play, like, a second banana to Emma,” he admitted. “But she was great.”

Will Gluck Said He Was ‘Shocked’ By Amanda Bynes’ Struggles

Although Bynes found success as a child star, she quit acting following her role in “Easy A” and famously struggled with mental health and substance abuse issues beginning in 2012.

Her parents were granted a conservatorship for her from 2013 to 2022. During that time, she was subject to psychiatric holds and inpatient treatments amid several run-ins with the police.

Looking back, Gluck said that he was “shocked” to see what became of her career, telling Lucero that she was “100 percent a pro.”

“Her parents were on set, too,” he continued. “I was shocked after all this happened, and everyone said to me during the time, ‘Did you see anything?’ I said, ‘Literally, not at all.’”

Amanda Bynes Never Auditioned For Her Role In ‘Easy A’

He also revealed that the actress didn’t actually audition for her role in “Easy A.”

“She didn’t audition for Easy A, but we met, though, beforehand,” the director added. “She was one of the few people who didn’t audition on that movie. We met for a long time. And she was great on that set.”

Lucero praised Bynes, saying that she was “obsessed” with her performances. She went on to reveal that the “She’s the Man” star was actually one of the actresses who got her interested in pursuing a career in the entertainment industry.

“She was so good, too,” Gluck agreed, noting that it was “strange” what happened to her career.

Amanda Bynes Revealed That She ‘Literally Couldn’t Stand’ Her ‘Easy A’ Role

Although Gluck had nothing but praise for the actress, Bynes told Paper magazine in 2018 that she absolutely hated her role when she watched the film.

“I literally couldn’t stand my appearance in that movie, and I didn’t like my performance. I was absolutely convinced I needed to stop acting after seeing it,” she said, although she admitted that her drug use might have altered her perception of the film.  

“I was high on marijuana when I saw that, but for some reason it really started to affect me. I don’t know if it was a drug-induced psychosis or what, but it affected my brain in a different way than it affects other people. It absolutely changed my perception of things.”

Amanda Bynes Released A New Song In 2026

Bynes is now sober and working to turn her life around. In 2022, she told PEOPLE magazine that she has been “working hard” to improve her health so that she can live and work independently.

“I would like to thank my fans for their love and well wishes during this time. I would also like to thank my lawyer and my parents for their support over the last nine years,” she said at the time.

“In the last several years, I have been working hard to improve my health so that I can live and work independently, and I will continue to prioritize my well-being in this next chapter,” she added.

She attempted to make a comeback in April 2026 with a new song, “Girlfriend,” along with Zabba and Fenix Flexin. Juan McLean wrote and composed the single.