Related: Jill Martin Gets Candid About Battling Cancer and Divorce in Same Year
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Celebrity hair colorist Jack Martin is mourning the death of his wife of more than three decades.
“Last night, my world changed forever. My beloved wife, Dalia, took her last breath, and with her, a part of my heart left this world as well,” Martin wrote via Facebook on Thursday, June 18, announcing Dalia’s death. “How do I put into words what you meant to me? How do I summarize a love that took a lifetime to build? You were not just my wife. You were my safe place, my peace, my comfort, my closest friend, and the greatest love I have ever known.”
Martin was married to Dalia for more than 30 years.
“For more than three decades, you walked beside me through every joy, every struggle, every success and every disappointment,” the hairstylist recalled on Thursday. “When life was kind, you celebrated with me. When life was cruel, you carried me. You stood beside me when others disappeared. You believed in me when I doubted myself. You gave me strength when I felt weak and hope when I felt lost.”
Martin continued, “You were the person I wanted to tell everything to. The first face I looked for when something wonderful happened. The arms I wanted around me when life became unbearable. Home was never a place to me. Home was you. You gave me a kind of love that many people spend their entire lives searching for and never find. A love that was patient, loyal, forgiving, and unconditional. You loved me at my best and at my worst. You saw every flaw I had and chose me every single day anyway.”
Dalia died after battling with an undisclosed form of cancer.
“When you became sick, I prayed endlessly for a miracle. Not because I was afraid to be alone, but because I could not imagine a world without your laughter, your voice, your smile, your touch, and the beautiful presence that filled every corner of my life,” Martin wrote of Dalia’s diagnosis. “Watching cancer take pieces of you was the most painful thing I have ever experienced. Yet even in your suffering, your courage amazed me. Even when your body became weak, your spirit remained beautiful.”
According to Martin, his wife was the source of his “strength” throughout her cancer battle.
“I keep thinking about all the little things that made up our life together. The conversations no one else heard, the meals we shared, the quiet moments [and] the routines that seemed ordinary at the time but now feel priceless,” Martin added. “I would give anything to have one more morning with you, one more conversation, one more laugh, one more chance to hold your hand and tell you how deeply I love you.”
He continued, “You were not simply part of my life, you were my life. You gave meaning to my days, purpose to my work, and warmth to my soul. Every achievement I celebrated felt sweeter because you were beside me. Every hardship felt lighter because we carried it together.”
Martin further stressed that his love for Dalia “did not end” with her death on Wednesday, June 17.
“Death may have taken your hand from mine, but it can never take your place in my heart,” he stated. “It can never erase the life we built, the memories we created, or the love that bound our souls together for so many years. Thank you for every sacrifice you made for me. … You were the greatest blessing God ever gave me. And if there is mercy in this universe, then this goodbye is not forever.”
Superhero television may be a dime a dozen these days, but there was a time when that wasn’t the case. It wasn’t so long ago that shows like the Adam West-led Batman series from the ’60s or the 1977 The Incredible Hulk TV show were considered the most popular comic-to-screen programs, though that started to change come the 21st century. Now, we have everything from Marvel Cinematic Universe tie-ins to DC Comics prequels to comic book deconstructions like The Boys that have flooded the superhero-on-TV market, but that wasn’t always the case.
Before the Arrowverse erupted on The CW in the 2010s and the MCU moved from the big screen to the small with Agents of S.H.I.E.L.D., it was slim-pickings for superhero fans. Smallville ruled (and still does) as the longest running live-action superhero series out there, but even that show wasn’t fully committed to tights and flights until the very end. Along the way, you’ve probably forgotten about some of the more unique superhero shows that aired for a brief time on television, but that doesn’t mean they didn’t have potential on their own.
After he was killed off on Smallville, Eric Johnson bounced around for a few years before landing a superhero role of his own in the short-lived Flash Gordon reboot. Now, admittedly, Flash Gordon has a rough first few episodes. The show struggled to find an audience because the quality of this 21st-century take on the retro space opera failed to live up to the hype. It wasn’t great at first, but as the show progressed, it actually grew into a capable superhero series with genuine potential — it’s almost a shame it was canceled.
Flash Gordon follows its title hero as he’s transported to the world of Mongo and pitted against the tyrannical ruler, Ming the Merciless (John Ralston). As Flash builds alliances with those on Mongo and the series slowly pivots from Earth to the alien homeworld, Flash Gordon eventually finds its voice. However, it was all too little, too late. Audiences stopped watching after a boring batch of initial episodes, and Flash Gordon was put down before it ever had the chance to soar.
If you’ve never heard of Legends of the Superheroes, that’s probably because DC has tried to bury the live-action debut of many of its superhero characters, including Green Lantern (Howard Murphy), The Flash (Rod Haase), Hawkman (Bill Nuckols), Black Canary (Danuta Wesley), and the Huntress (Barbara Joyce). This two-episode television special took place in the same world as Adam West’s Batman, as the Dynamic Duo appeared alongside the rest of this “Justice League.” And boy, is this a time capsule.
What makes Legends of the Superheroes “great” isn’t that it’s actually good, per se. It’s really not. But in addition to being a Batman reunion special (alongside Adam West and Burt Ward, Frank Gorshin also returns as The Riddler), the second part is actually a celebrity roast. It’s a superhero parody at its most strange, complete with the same flavor of humor that made Batman a national phenomenon — though perhaps not as grand as Batman‘s best TV heists. If that’s your style of superhero television, you probably won’t be disappointed.
Based on not one but two made-for-TV superhero comedy movies by Roger Corman (seriously), Black Scorpion was a single-season superhero series that briefly aired on Syfy (then Sci-Fi Channel) in 2001. As Angel City police detective Darcy Walker realizes that the badge isn’t always enough, she moonlights as the Black Scorpion to fight crime after dark. Though Joan Severance played the character in the previous TV movies, Michelle Lintel took over the role for the 22-episode television series.
Black Scorpion is a bit of a fever dream. It’s like if WB’s likewise short-lived Birds of Prey (a near-perfect DC show few remember) had an older cousin to learn from her poor choices. The titular heroine had a rogues’ gallery that included villains played by none other than Adam West and Frank Gorshin of Batman fame, as well as Cobra Kai antagonist Martin Kove. The bulk of the episodes were written by co-creator Craig J. Nevius, and serve as a largely enjoyable mix between the ’60s Batman series and Tim Burton’s ’80s Batman movie, albeit with a female protagonist.
Perhaps the most beloved entry on this list, My Secret Identity has been all but forgotten by everyone except those who watched the original program back when it aired on syndication (or the later Sci-Fi Channel reruns). Starring Jerry O’Connell as teenage comic book enthusiast Andrew Clements, the show follows his adventures after he suddenly gets superpowers from a beam shot by his friend Dr. Benjamin Jeffcoate (Derek McGrath). Knowing what he must do, Andrew chooses the responsibility of a hero.
As the title suggests, Andrew hides his secret identity from everyone in his life, save Dr. Jeffcoate. A fun blend of adventure, science fiction, and comedy, My Secret Identity ran for three seasons and 72 episodes. With a killer theme song that will stay in your head for hours (trust us), this show is the perfect binge for those looking for some superhero-lite superhero TV. Funny enough, O’Connell would later voice Superman in his career, and it all started back in ’88.
From the mind of Stan Lee, this superhero-centric reality television series is actually a competition show. Who Wants to Be a Superhero? pits several contestants against each other to discover whose idea for an original superhero character would win the heart of Stan “The Man” himself. The winner would not only get their character turned into a Stan Lee-penned Dark Horse comic book, but would also be included in live-action in a Sci-Fi Channel original movie — Mega Snake being the first.
Although Who Wants to Be a Superhero? only ran for two seasons, the concept itself was an ingenious way to capitalize on the growing mainstream superhero craze. Unfortunately, the show aired about a decade too early, with Matthew Atherton‘s Feedback and Jarret Crippen‘s The Defuser being the only superheroes created from this short-lived phenomenon. It may not deliver everything you want from the superhero genre, but it was a unique idea that could only come from the mind of Stan Lee. ‘Nuff said!
From Glen A. Larson, the mind behind the original Battlestar Galactica, came the Tron-inspired Automan. Somehow, this ’80s sci-fi comedy still holds up as it follows an artificial superhero, “the Automatic Man” (Chuck Wagner), created by police programmer Walter Nebicher (Desi Arnaz Jr.) to fight the crime that the cops cannot. Long before AI is what we know it as today, the potential seemed limitless, and the idea of turning a computer program into a superhero just made sense.
If you can get past the basic Tron comparison, Automan was loads of fun. However, the show only lasted a dozen episodes on the air before it was unceremoniously axed by ABC. Evidently, the program was too far ahead of its time — perhaps it would have done better in today’s market. (Call Ronald D. Moore, we have another Larson series he needs to update!)
If you’ve never heard of Electra Woman and Dyna Girl, that’s not exactly a surprise. This superhero series was a part of the larger umbrella program The Krofft Supershow that was aimed specifically for kids. Deidre Hall played Electra Woman opposite Judy Strangis‘ Dyna Girl, as the pair of super-heroines fought crime when not working as newspaper journalists. Their bulky “ElectraComs” could do almost anything, and for 8 episodes (and 16 different 12-minute segments) they tackled some of the strangest villains.
The original Electra Woman and Dyna Girl series is a wholesome gem that has gone down in pop culture infamy. The WB even tried to make an “edgy” updated satirical superhero series in the style of Harvey Birdman, Attorney at Law (albeit, in live-action) in the early 2000s, though the pilot was so terrible that the network ultimately passed. Likewise, a web-series revival made its way to screens starring a pair of YouTubers, but nothing quite beats the earnestness of the original ’70s program.
Before Carl Lumbly would voice Martian Manhunter in the Justice League animated series, he starred in M.A.N.T.I.S. as the first black superhero on television. After Dr. Miles Hawkins (Lumbly) is paralyzed and disheartened by a criminal conspiracy targeting the black community, he utilizes his company’s superhuman M.A.N.T.I.S. exoskeleton to fight crime after dark, which grants him super-strength, speed, and paralytic darts. For a single 22-episode season, M.A.N.T.I.S. brought a new flavor of crime fighter to television screens.
Created by the combined efforts of Batman scribe Sam Hamm and future Spider-Man director Sam Raimi, it’s kind of odd that this series didn’t last more than a season on Fox. After a relatively grounded TV pilot film, M.A.N.T.I.S. goes a bit off the rails, but isn’t that the case for really all superheroes when you think about it? The show is an odd duck, but it’s a fun watch even now when looking back on it.
Despite the fact that it shares the same name with a ’90s Marvel comic series, and it was made with Marvel’s cooperation in mind, the Avi Arad-created Mutant X is only loosely connected to the X-Men franchise. Well, technically, it’s not connected at all, as this team of “mutants” received their powers not because of an evolutionary mutant gene, but due to genetic experimentation conducted by a mysterious government entity. With an ensemble cast, this X-Men-lite series ran an impressive three seasons in syndication.
“Protecting a world that doesn’t know they exist” was the Mutant X tagline, and under the leadership of Adam Kane (John Shea from Lois & Clark: The New Adventures of Superman), that’s exactly what this group of rag-tag not-quite-mutants did. Clearly inspired by a combination of the Fox-made X-Men movies and The Matrix, Mutant X is the second-longest-running series on this list after My Secret Identity with an impressive 66 episodes. If only it were an actual Mutant X adaptation…
Probably the most infamous show on this list, The Cape was set up by NBC to be the next big “comic book/superhero”-inspired show after the end of Heroes, but it never quite lived up to the hype. For one thing, the show was canceled before its first season even finished airing (with the finale being released online instead), with the failure of The Cape eventually becoming a recurring joke on Community. But there was something about the premise that was actually quite interesting and, as strange as it was, may deserve another look.
The Cape took the superhero concept back to its roots when “good cop” Vince Faraday (David Lyons) is framed and supposedly murdered by a supervillain, only to be taken in by a traveling circus who teach him the theatrical skills necessary to fight crime as “The Cape” (still considered by many to be among the worst TV superheroes) and win back his family. Superheroes themselves were often inspired by circus acts, and so tying the concept back to The Carnival of Crime was a unique way to update the idea. It may not have been able to carry “six seasons and a movie,” but The Cape could have lasted at least a full network TV season.
2011 – 2011-00-00
Deran Sarafian, David Jackson, David Straiton, Dennie Gordon, Ernest R. Dickerson, Karen Gaviola, Michael Nankin, Roxann Dawson
Tom Wheeler, William Wheeler, Craig Titley, Toni Graphia
Fernando Chien
ARK Trooper
While the horror genre has had a marquee year with breakout hits such as Obsession and Backrooms, a previously dependable genre — action — has had a difficult time at the box office. Action movies aimed at older male audiences have struggled, despite the presence of proven stars. One of the year’s first action underperformers was Jason Statham’s Shelter, which grossed $53 million worldwide against a reported budget of $50 million. More recently, Statham’s longtime partner-in-crime, Guy Ritchie, directed In the Grey, which made just $17 million worldwide against a reported budget of $70 million. In the Grey was headlined by Henry Cavill and Jake Gyllenhaal, both of whom have worked with Ritchie previously. However, an even more expensive action film delivered a worse performance at the box office in January.
The movie in question appears to have bounced back after its release on HBO Max, according to the latest Nielsen report. The industry tracker typically posts streaming viewership data a few weeks later, so the latest report covers May 11–17. The action movie in question was headlined by Gerard Butler and released theatrically on January 9, kicking off a rather unfortunate streak for the genre. It ended up grossing $44 million worldwide against a reported budget of $90 million. Coincidentally, the movie was directed by the same filmmaker who made Shelter: Ric Roman Waugh.
We’re talking, of course, about Greenland 2: Migration. Also featuring Morena Baccarin, the film serves as a sequel to the sci-fi sleeper hit Greenland, which was released in 2020 to moderate box-office success but was incredibly popular on home video platforms. Greenland 2 received mixed reviews and is now sitting at a 48% score on Rotten Tomatoes. The aggregator website’s consensus reads, “The world ends more with a whimper in Greenland 2: Migration compared to its predecessor’s big bang thrills, but Gerard Butler’s sturdy star power keeps this continuation reasonably compelling.” According to the latest Nielsen report, Greenland 2 was among the most-watched movies during the week of May 11 to May 17, and the only HBO Max title in the top 10 with 207 million minutes watched. Stay tuned to Collider for more updates.
January 9, 2026
98 Minutes
Ric Roman Waugh
Chris Sparling, Mitchell LaFortune
Basil Iwanyk, Gerard Butler, Alan Siegel, John Zois, Sebastien Raybaud, Brendon Boyea
Although Melissa Joan Hart said goodbye to Sabrina Spellman of “Sabrina the Teenage Witch” in 2003, she’s still connected to the fictional character in more ways than one. In a new interview, the esteemed actress opened up about what she believes the witch would be doing today if the show were still on the air.
Recently, the cast of “Sabrina” gathered in Chicago for a reunion show celebrating the program’s 30th anniversary. Speaking with PEOPLE, Hart talked about the character that made her a household name, revealing what she thinks she’d be up to if the show were airing in 2026.
“I think married, kids maybe, still juggling around the witchcraft thing, not able to quite get a handle on it,” she said.
And Hart’s character wouldn’t be married to any average Joe. She’d likely be with her on-again-off-again love interest, Harvey, who was portrayed by Nate Richert. “I think she’s still with Harvey. I mean, look, the way they rode off on a motorcycle, there’s no coming back from that. You have to make that stick,” she joked.
A majority of the “Sabrina the Teenage Witch” cast gathered together at the Vic Theatre in Illinois to reflect on the show and its impact on pop culture. Present was Beth Broderick, Caroline Rhea, Soleil Moon Frye, Michelle Beaudoin, Jenna Leigh Green, Elisa Donovan, David Lascher, Richert, and, of course, Hart.
When Hart was asked how she felt about the show reaching the 30-year milestone, the actress joked, “I can’t believe it’s been [that long] because I’m only 30.” She added, “So, that’s impossible. I was 0 when we started this show.”
Hart went on to say how special the 30-year anniversary was and how much the show still means to her three decades later.
“It’s still so loved. It’s so international. So many people come to me and say it got them through a hard time or they learned English from the show,” she said. “All these amazing things that you hear that over time you hear it so much that you have to start to believe that it meant a lot to people.”
While she’s grateful for the show’s reach, Hart revealed in a previous interview that she never felt as connected to the character as some probably believed. Hart was 20 at the time, playing a teenager, and, according to her, the challenges Sabrina faced were very different from what she was experiencing.
“She wanted to be the wallflower. She didn’t know what to do with these magical abilities. She felt very lost, and other people were trying to help her solve it,” she said.
There were a few things, though, that helped her connect with Sabrina, such as her costumes and magical mishaps.
“If she wasn’t always in different costumes and kind of getting put in these weird situations where I got to be Cinderella or Alice Wonderland or a trapeze artist or in Cirque du Soleil or whatever I don’t know if I would’ve enjoyed the experience as much as I did because I just didn’t identify with her very well,” she added.

Before she originated the role of Spellman in “Sabrina,” Hart played Clarissa in the sitcom “Clarissa Explains It All.” She played the role from 14 to 18—her prime teenage years. But despite growing up in front of the camera, Hart said that didn’t change her.
In fact, working as a child star instilled in her a “good work ethic” and helped her learn new things about herself. “I pretty much had a normal childhood, even though I was acting since I was 4,” she said, praising the role her family played in helping keep her grounded, per The Blast.
“I think my family did a really good job…I was in Girl Scouts, and we would go on family ski trips and things like that. So there was a lot of normal mixed up with this weird, crazy world,” she said.

Even though she did it herself, Hart wasn’t necessarily eager to turn her children into child stars. She previously revealed that her three sons once showed some interest in the entertainment industry, but for the wrong reasons—a mindset she quickly helped them move beyond. “It was for money and fame. It wasn’t because they love the craft,” Hart said.
Prime Video‘s The Boys quickly became one of the most talked-about superhero action shows ever created. The series follows a group of vigilantes led by Billy Butcher (Karl Urban) as they take on powerful superheroes whose public image hides corruption, corporate manipulation, and abuse. Rather than doing what most in the genre do, the series doesn’t treat heroes as purely symbols of hope. It actually offers audiences a captivating tale of what can happen when power, fame, and money matter more than doing the right thing. With a compelling premise like that, it can be hard to find another series as captivatingly good as The Boys, especially now that it’s over, but it isn’t impossible.
Shows like the miniseries Watchmen, which offers audiences a political look at masked heroes, historical power, and justice, and the animated wild ride that is The Boys Presents: Diabolical, which gives fans of The Boys more of the show’s universe, are just two solid substitutes for the gory action series. On this list are eight shows that are absolutely perfect to stream as a replacement for an icon even as great as The Boys.
Lucifer is a captivating crime drama that is a fantastic streaming replacement for The Boys, as the series plays with temptation, morality, and larger-than-life characters behaving badly. The series follows the Devil, Lucifer Morningstar (Tom Ellis), who grows bored of ruling Hell and abandons his throne to run his Los Angeles nightclub. With a dedication to indulge in human experiences, Lucifer finds himself partnered with detective Chloe Decker (Lauren German) on LAPD cases.
Lucifer may not be the bloody delight that is The Boys, but the show does make for an ideal substitute, as it delivers a mesh of dark humor, supernatural chaos, emotional messiness, and crime-solving, giving audiences a parallel view of powerful beings with very human flaws. Lucifer is no doubt a much lighter and more comedic good time, but it features some pretty heavy themes, ones that challenge the notion of good vs. evil as seen in The Boys. Lucifer definitely works as a fantastic replacement for the superhero action series, perfect for those who desire similar anti-hero energy but without the heart-stopping brutality.
This clever spin-off is the college, teen drama approach to The Boys. Gen V, set in the super-powered college of Godolkin University, centers on Marie Moreau (Jaz Sinclair) and her new friends as their college life is disrupted by shady experiments and sinister plots.
Seeing as this is an actual spin-off of The Boys, it makes for a great alternative that doesn’t feel watered down. With just as much chaos, drama, and epic violence, Gen V is the perfect outrageous watch for viewers who are yearning for more superhero chaos. Satire is practically written into the show’s DNA, and being a part of The Boys universe allows for it to expand on many of the themes featured in its predecessor, while also carving out its own unique identity through its young characters, outlandish frat parties, and plenty of shocking twists. Gen V is a masterful, unapologetic, R-rated teen drama that earns its place on this list of The Boys substitutes.
The Boys Presents: Diabolical is an animated approach to The Boys universe and stands as one of the easiest, most bingeable replacements on this list. The animated anthology consists of eight short episodes that expand The Boys with R-rated, irreverent stories.
For anyone who misses The Boys, Diabolical is the perfect, outrageous, and wholly unpredictable watch to get into. Each episode stands on its own, often jumping from cartoonish mayhem to plain old gross-out comedy. Diabolical doesn’t need a consistent plot throughout its season; instead, it’s a mesh of chaos that stands as perfect from its very first episode, right on up to the rolling credits on its last. It’s the ideal candidate for anyone hoping to fill the gaping wound of TV boredom that The Boys’ end may have left them with.
This underrated good time is just as darkly humorous and hilariously raunchy as The Boys. Misfits is a teen superhero drama that follows a group of teenage offenders sentenced to community service as they are unexpectedly caught up in an electrical storm that somehow gifts them superpowers.
Misfits may be on the older side, but it remains a quality watch. It’s well-known for its binge-watch factor and opening seasons of teenage chaos that feature themes of sex, powers, and emotional drama that can be surprisingly emotional. The British series delivers a genuine story that rejects the clean, heroic versions of superpowers, offering audiences characters that are far from polished icons and chosen ones. Misfits wields a scrappy charm and a reckless energy that would definitely appeal to any The Boys fans. The series is a true cult classic, with an anarchic ensemble, a mixture of genres, and crude humor.
Peacemaker is a hilarious DC series that makes for one of the best replacements for The Boys, simply because it understands how violent, funny, and oddly emotional superhero stories can be when they don’t pretend their characters are actually normal. The James Gunn series centers on the morally twisted, “peace-at-any-cost” killer, Christopher Smith/Peacemaker (John Cena), as he navigates life and a new mission fresh off of saving the world with Task Force X and killing a teammate.
For viewers in need of The Boys‘ mixture of superhero satire, graphic violence, and a damaged individual steadily hiding behind their bravado, Peacemaker makes for one of the greatest recommendations. The DC action is brutally violent, a true mirror of The Boys‘ peak brutality, with iconic DC lore. Peacemaker features quite a few parallels to The Boys series: a smashing satirical edge, twisted supes, and an outsized sense of charm. The show is remarkably brilliant, with a distinct DC vibe and The Boys-like sensibility.
This series is based on the Vertigo comics and stands as a pretty natural replacement for The Boys, as it shares that exact taste for deeply damaged characters, blasphemous humor, and comic-book violence. Preacher focuses on the disillusioned Texas Preacher, Jesse Custer (Dominic Cooper), who becomes the host to a mysterious entity — the “Word of God” — that grants him the power to command anyone to do his bidding.
Season after season, Preacher escalates its story, ranging from biker cult storylines to features of hell and beyond. The show is absolutely wild and makes for an ideal alternative to The Boys because of its twisted tone and irreverence. Preacher wields The Boys’ excess, delivering over-the-top violence and profanity. Its mixture of humor, gore, and bizarre drama makes it a captivating watch, but even beyond that, Preacher’s Southern Gothic flair and supernatural/superhero elements make it a boundary-pushing good time.
Watchmen is one of the finest yet most underrated miniseries to ever exist. The DC universe expansion is set in an alternate 2019 Tulsa, where masked vigilante life is outlawed after a white supremacist group of costumed terrorists known as the Seventh Kavalry launches a campaign of racially-motivated violence. The series focuses on Angela Abar (Regina King), a police detective who is secretly operating as the costumed hero “Sister Night.”
Watchmen is simply far too great to be as underrated as it is. It’s relentlessly dark, ultra-violent, and steeped in political themes of power and corruption, all the while sustaining a darkly humorous tone. The show mirrors The Boys’ blend of the familiar and the subversive quite nicely, as it builds on its source with rather complex characters. Both series actually use morally gray leads to further their tale in a uniquely captivating way. Watchmen is twisty and well-paced, with brave storytelling and tone, making it a perfect The Boys-style recommendation for fans.
This Prime Video animated series is easily one of the greatest replacements for The Boys. Invincible follows a young teen, Mark Grayson (Steven Yeun), the son of the most powerful superhero on Earth, Omni-Man (J.K. Simmons), as he awaits powers of his own. When Mark’s superpowers finally emerge, he sets out to be an even better hero than his heroic father, only to discover that his dad isn’t actually the man he thinks he is.
Invincible is genuinely one of the most perfect shows to stream after binge-watching The Boys. The show knows just how to be extremely shocking, epically brutal, and wield emotional stakes with masterful precision. For audiences in need of an earnest alternative to the live-action bout of fun, Invincible truly works, as it delivers a clean image of superheroes who are naturally flawed humans beneath their costumes. From extreme gore, massive battles, and devastating betrayal to a young protagonist just trying to be a hero, a good friend, and a loving son, the series stands as one of the most relentlessly entertaining and emotionally compelling watches that can perfectly replace The Boys.
Gwen Stefani and Blake Shelton might seem as different as can be — but they make a perfect match.
Stefani and Shelton met while working on The Voice in 2015 and quickly fell for each other in the wake of their divorces from Gavin Rossdale and Miranda Lambert, respectively. After five years together, Shelton finally popped the question in October 2020.
While the “Hollaback Girl” singer and Shelton hunkered down together amid the coronavirus pandemic, an insider exclusively told Us Weekly that Stefani’s kids have a soft spot for Shelton. (Stefani shares three sons, Kingston, Zuma and Apollo, with Rossdale.)
“Those boys look up to Blake in a big way,” the source said in August 2020. “He’s earned their respect as a father figure. He’s gone from being their friend to being a serious parental influence.”
Scroll down to take a look back at all of Stefani and Shelton’s sweetest moments together.
Fresh off the success of Ocean’s Eleven in 2001 — the movie grossed $450 million worldwide against a reported budget of $85 million — Hollywood decided to focus on the heist genre like never before. Interestingly, the big-budget underperformers Swordfish and The Score were released a few months before Ocean’s Eleven. But their so-so box-office didn’t deter the industry from chasing success in the heist genre. Only two years later, Paramount got an A-list cast together for a big-budget heist movie that did solid business at the box office, received moderately positive reviews, and is now witnessing a viewership spike on streaming. The movie wasn’t exactly a remake, but was heavily inspired by a cult classic British film from 1969 starring Michael Caine.
The 2003 version was directed by F. Gary Gray, who’d return to the heist genre several years later with The Fate of the Furious and the Netflix hit Lift. Neither film received particularly positive reviews, although Gray’s 2003 film holds the highest score of the lot on the aggregator website Rotten Tomatoes. It was headlined by Mark Wahlberg, with Charlize Theron, Jason Statham, Edward Norton, Yasiin Bey (credited as Mos Def), Donald Sutherland, and Seth Green in supporting roles.
By now, you’ve probably guessed that we’re talking about The Italian Job. The film is sitting at a 72% score on Rotten Tomatoes, where the consensus reads, “Despite some iffy plot elements, The Italian Job succeeds in delivering an entertaining modern take on the original 1969 heist film, thanks to a charismatic cast.” The movie was reasonably successful, grossing $176 million worldwide against a reported budget of $60 million. A sequel, tentatively titled The Brazilian Job, was stuck in development hell for several years before its writer, David Twohy, stated that no progress had been made on it. The Italian Job, however, remains a fan favorite. According to FlixPatrol, it was among the most-watched movies on Netflix worldwide this week, when the leaderboard was topped by the recently released romantic comedy Office Romance. Stay tuned to Collider for more updates.
May 30, 2003
111 minutes
Jason Momoa is one of the most adaptable actors in Hollywood. With his imposing size and long hair, he can easily pull off action characters like he did in Aquaman, Dune, and Fast X. With his comedic chops, funnier roles, such as A Minecraft Movie, come easily to him, too. Momoa has also found success in television, most notably in Game of Thrones. But for his most underappreciated series, look no further than Apple TV‘s See. While it lasted only three seasons, it continued to show just how great Momoa is.
Season 1 of See debuted on Apple TV+ in November 2019, created by Steven Knight, the mastermind behind Peaky Blinders. Although See didn’t find the same amount of attention as that series, it doesn’t make it any less bingeworthy. See has a compelling way due to its premise. The post-apocalyptic series is set in a futuristic world where a virus has killed most humans. For those who live, they discover that their children are born blind. The new world has learned to keep going with people who have adapted around the senses of touch, smell, and hearing.
At the center of the action is Jason Momoa’s Baba Voss, the badass warrior who heads the Alkenny Tribe. When it’s discovered that his adopted children are born with the long-lost gift of sight, See becomes all about Voss’ journey to protect them and the rest of his people from the Witchfinders, the antagonists who hunt down those who can see.
See is, ironically, a sight for the eyes, a visual spectacle that comes off more like a big-budget Hollywood film than a series airing on a streamer. Beautiful cinematography and phenomenal fight scenes highlight See, but something was missing from the series early on. Enter Dave Bautista in Season 2 as the ideal villain to oppose Momoa’s Baba Voss. Bautista plays Baba’s brother, Edo Voss, a man who is no hero. Baba’s younger sibling is the Trivantian army’s Commander General, and deeper family drama has Edo seeking revenge against his own blood.
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As thrilling as they are, See is much more than fight scenes between Momoa and Bautista. The series depends heavily on its supporting cast. Hera Hilmar plays Maghra, the wife of Baba Voss. She has a deep love for her husband, but emotion has not made her weak. Maghra is a born leader loyal to her family. She brings out the best in Momoa, whose acting abilities shine, as Baba Voss transcends the tropes of a muscle-bound hero in an action-heavy series. It’s Baba’s children who give him a reason to fight. See isn’t interested in making brother and sister Kofun (Archie Madewke) and Haniwa (Nesta Cooper) too similar. They are their own people, well-layered with strengths and weaknesses, not simple tropes for someone else’s journey.
Bautista doesn’t do all the heavy lifting as See’s antagonist. In fact, he’s not the main one. Maghra is the exact opposite of her sister, the evil Queen Sibeth Kane (Sylvia Hoeks). She is easy to hate, and Hoek’s talents make her someone to fear even more than Bautista’s character. Standing by her side is the man tasked with so much death, Tamacti Jun (Christian Camargo). However, what could have been a basic character arguably becomes the most fascinating of the series in an arc filled with twists.
Season 1 of See is a series finding its way. It’s a premise with too much going on and not enough emphasis on character. Stay with it though, because in Season 2, See breaks out in more ways than one. The Rotten Tomatoes Tomatometer nearly doubled, with the number of critics enjoying it moving up from 44% to a staggering 83%. The second season kept the high-octane fight scenes and gore intact, while also remembering to build up its characters and give audiences a reason to care beyond the action.
Critics weren’t the only ones who noticed the significant change to See. Viewers did as well. See‘s first season, in November 2019, helped get Apple TV off the ground a year before Ted Lasso came on the scene. When the second season debuted in September 2021, it set a then-viewership record for the streamer, with viewership up 30% from what it had been in 2019. While the show is not what Jason Momoa is most known for, See proves how multifaceted the actor is. He puts his all into it, creating an equal parts compelling physical and emotional performance. See is a complex world built on an original premise, with magnificent, feature film-worthy camerawork, and characters you’ll grow to love and hate. If you skipped it the first time around, check out what you’ve been missing.
Euphoria creator Sam Levinson is addressing the intense online backlash surrounding Sydney Sweeney’s character, Cassie Howard, and her season 3 OnlyFans character arc.
“If you look at OnlyFans, it is making as much money as Hollywood. I mean, essentially it’s on par,” Levinson, 41, said on the Friday, June 19, episode of Real Time With Bill Maher about the storyline and the swift condemnation it received from fans of the hit HBO Max series and real-life sex workers alike.
“It’s not a niche business, it is a massive enterprise,” he continued. “And so if you’re young, you’re going … ‘I don’t want to go work in a nine to five at this place or that thing. Well, maybe I can just start taking photos of myself?’”
In the third and final season of Euphoria, Sweeney’s Cassie films herself in a slew of naked or near-naked scenes in which she cosplays various sexual fantasies for her online clients and admirers, including adult baby play, foot fetishes, dominatrix work and more. For many of the scenes, Sweeney was topless or near-naked, sparking online backlash about how both her and her character were portrayed on screen.
“She has a need to be validated by other people,” Sweeney, 38, told Vanity Fair in a June interview. “She doesn’t know how to love herself unless someone else loves her. So I understand how Sam got her to where she was in season 3. I think she was more excited by the idea of these people loving her and knowing who she is and feeling like her world isn’t small.”

Sydney Sweeney and Sam Levinson Getty Images
She continued at the time, “He actually, as we were finishing up season 2, started hinting at different ideas that he was putting together for season 3. And it was very similar to season 1 and season 2, he would call me, usually a few weeks after we wrapped, and he pitched me the entire idea. So I knew years before we started filming season 2 that I would be married to Nate, we’d be living in a suburban neighborhood and Cassie would be crazier than ever.”
On Friday, Levinson said that as a creator he was interested in exploring the “long-term consequences” of online sex work, like OnlyFans.
“What happens when you know, as a young person, you’re on Instagram … and you’re told that you’re the product, you’re the brand, and now you’re 18 years old, and you’re going, well, ‘How do I make money?’” he said. “And I just thought chasing that desire, that kind of fast cash, was an interesting thing to kind of explore.”
He added of the backlash, “You know, we take a fairly critical look at it. It hollows out the individual. You know, you’re constantly just depending on the likes and external validation.”
Levinson also discussed what he said is an added layer to Sweeney’s character’s arch — social media and how pervasive the online influencer culture can be for young people.
“I mean, if you’re constantly taking photos of yourself and selling yourself online,” he explained, “it’s the natural evolution of it.”
Holly Ramsay and Olympic swimmer Adam Peaty are preparing to become parents. The couple announced on Saturday, June 20, that they are expecting their first child together, sharing the exciting news on Instagram alongside a series of photos. Holly revealed the pair are expecting a baby girl, writing, “Baby Ramsay-Peaty coming December 2026. We can’t wait to meet our baby girl.” The pregnancy news comes less than a year after the couple tied the knot in a romantic ceremony at England’s historic Bath Abbey.

While this will be Holly’s first child, Peaty has spoken candidly in the past about how becoming a father changed his life. Back in 2020, the Olympic gold medalist described parenthood as one of the most meaningful experiences he had ever experienced.
“I knew everything was going to change from there, but it’s been amazing,” Peaty told the BBC. “Everyone’s thinking it was an accident, but that’s not the case. It’s one of the most beautiful things you can do together, and we’ve already sorted the nursery.”
The following year, he doubled down on those sentiments while reflecting on how fatherhood shifted his priorities. “The most rewarding and brilliant thing” he’s experienced, Peaty told The Independent in 2021. “I make decisions now based on how he’s going to perceive it [and] what matters in the long-term for him. It’s less self and more him.”
The pregnancy announcement comes nearly six months after Holly and Peaty exchanged vows during a lavish ceremony at England’s historic Bath Abbey on December 27, 2025.
For the special occasion, Holly wore a custom-designed Elie Saab wedding gown featuring long sleeves, a dramatic full skirt, and an elegant circular train. Ahead of the wedding, she told British Vogue that she envisioned a timeless, feminine look inspired by iconic royal and Hollywood brides, citing both Grace Kelly and Princess Kate as influences in her search for the perfect dress.
“I’m truly so lucky being able to walk this beautiful bride down the aisle and gaining an incredible son-in-law @adamramsaypeaty!” the celebrity chef wrote on Instagram at the time. “I love you so much @hollyramsaypeaty and couldn’t be a prouder dad.”

Before saying “I do,” Holly publicly gushed over Peaty following their September 2024 engagement. “I am marrying my best friend. I truly cannot put into words how I am feeling right now,” she wrote on Instagram at the time. “Thank you for letting the little girl inside of me feel loved, seen and happier than ever.”
She added, “I love you, and I cannot wait to be your wife. I promise to always be there with you and George, I’m so grateful to be in his life and I cannot wait for more. Everything is better with you. Everything has been better since you. Here’s to forever.”

The baby news will mark Gordon Ramsay‘s first grandchild, adding a new role to the celebrity chef’s already busy family life.
Gordon and his wife, Tana Ramsay, share six children together: Megan, twins Holly and Jack, Tilly, Oscar, and Jesse. While he may soon officially become a grandfather, Gordon previously joked that he wasn’t exactly thrilled when strangers assumed he already held the title.
In a 2020 interview with Men’s Health UK, the chef recalled being mistaken for Oscar’s grandfather while out with his family.
“The worst thing is when I’m walking with Tana and Jack, and everyone is looking at Jack as if Oscar is his son,” Gordon said. “‘You must be so proud to be a grandad.’ ‘F-ck off, he’s ours.’ If I get called ‘grandad’ one more f-cking time, I’m going to hit the roof.”

Despite his famously fiery television persona, Gordon has often insisted he’s much softer at home than viewers might expect.
“The kids have brought the most emotion out of me,” he told PEOPLE in 2023. “It’s funny, isn’t it? Because everyone thinks, ‘God, you must be an absolute a-s to be at home with.’ [But] Tana’s super fierce, an ex-Montessori school teacher. So I’m the softie.”
Now, with Holly expecting her first child, Gordon is preparing to embrace grandfatherhood for real.
Daveigh Chase’s mother, Cathy Chase, has broken her silence after The Ring child star’s shocking and tragic death at 35.
“I was devastated. It felt like something inside of me squeezing all of the air out of me, and at the same time, It felt like I was exploding outwardly,” Cathy, who last saw Daveigh in 2019, told Daily Mail in an interview published Friday, June 19. “I let out this guttural scream and I just was running, and these weird sounds were coming out of me, like, primeval sounds. I went out into the backyard, and I was screaming, “No, no, no, no!” I am in so much pain but I hope her soul heard me.”
Daveigh’s boyfriend, Roy Hernandez, announced on Wednesday, June 17, that the actress had died one day prior. He claimed that Daviegh had meningitis and an infection in her blood that causes sepsis, a life-threatening illness that can cause organ failure.
Days earlier, Hernandez launched a GoFundMe campaign to cover Daveigh’s medical expenses.
“Daveigh was diagnosed with meningitis and several serious blood infections. Her condition has become critical, and the doctors have told me she may not have much time left,” he wrote in the fundraiser description. “All she ever wanted was a place where we could live together, feel safe, and be happy. Now, more than ever, I want to give her that sense of home and peace in her final days.”
Cathy, for her part, claimed to the Daily Mail that she found out about Daveigh’s death through the media after years questioning her daughter’s health.
“I would just put her name in the coroner’s [search system] and see if her name came up and if somebody had her somewhere,” Cathy recalled to the outlet. “I would look at their list of unidentified bodies. It was very difficult, but you do everything you can as a mother.”
According to Cathy, Daveigh allegedly struggled with substance abuse issues after injuring her back in a 2016 motorcycle accident.
“She was seeking drugs and was partying with the wrong people,” Cathy claimed. “I never kicked my daughter out. She wanted freedom and these people got her hooked on some drugs. That was the beginning.”
Cathy further claimed that she last saw Daveigh in October 2019.
“She was completely gone, like, out of her mind. I honestly thought there was something wrong with her,” Cathy said. “My daughter was never diagnosed with mental health other than PTSD, but the drugs took hold of her.”
Daveigh is survived by her parents, her brother and her boyfriend. Cathy also helped identify the Donnie Darko actress’ body earlier this week.
“[The hospital chaplain and I] were able to lay hands and pray,” Cathy told the Daily Mail. “Technically, we were touching the glass, but it’s as close as we could get, so we were able to lay hands and pray for her. It was a beautiful experience, and, and I feel very blessed, too, have been able to share that with my daughter.”
If you or someone you know is struggling with substance abuse, contact the Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline at 1-800-662-HELP (4357).
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