A star-studded event packed with joy, tears, and plenty of surprises, the 98th Academy Awards live from the Los Angeles Dolby Theatre back in March certainly did not disappoint. Of all the many winners that came out triumphant, it was Paul Thomas Anderson’s timely masterpiece, One Battle After Another, that secured the most victories, scoring a total of six awards, including the coveted Best Picture prize, Best Supporting Actor for Sean Penn, and the inaugural Best Casting trophy.
The second-biggest winner of the night was Ryan Coogler’s beloved vampire flick Sinners, which fell short of some expectations by only taking home four awards despite breaking the record for the most nominations in Academy history. The Michael B. Jordan-led flick won Best Cinematography, Best Original Score, Best Original Screenplay, and Best Actor for the aforementioned star, who impressed by not playing just one but two (and arguably three) characters. Despite not winning the most awards, Sinners continued to receive the best crowd reaction for each of its wins on the night, and is still considered 2025’s defining movie by many.
For those who loved Sinners, and few didn’t, you might want to keep your eyes on the free streaming site Plex in May. Beginning May 1, you’ll be able to watch Coogler’s directorial debut, Fruitvale Station, which also starred Jordan. The film that put both Coogler on the map and introduced the world to Jordan’s talent as a leading man, Fruitvale Station is one of the most impactful independent movies of the 2010s, delivering powerful performances and a reminder that you needn’t boast a big budget to plant your flag in the cinematic landscape.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
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🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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What Did Critics Say About ‘Fruitvale Station’?
It isn’t just time that has helped Fruitvale Station earn its reputation, with critics in 2013 agreeing that this was a special movie. Scoring an impressive 94% on review aggregator Rotten Tomatoes, the film was an undeniable hit with critics. In Collider’s review at the time, Matt Goldberg awarded a “B+” score, praising the nuance with which Coolger tells the detailed story. In another review, one critic called the film “an emotionally powerful film that puts a spotlight on an unfortunate tragedy.”
Ryan Coogler’s directorial debut Fruitvale Station is streaming on Plex beginning May 1, 2026. Stay tuned to Collider for all the streaming stories.
Fresh legal drama surrounding Rebel Wilson has taken a darker turn as explosive new allegations surface in court.
A rising actor’s claims have reignited scrutiny around the Hollywood star, with accusations ranging from hacking to harassment.
As the case unfolds, disturbing details and emotional testimony are reshaping the narrative and drawing intense public attention once again.
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MEGA
The controversy stems from a lawsuit filed by actor Charlotte MacInnes, who alleges that Rebel Wilson hacked into her Snapchat account and distributed private images without consent.
According to court documents, the alleged incident involved deeply personal material being shared widely.
“Once I regained access to my account, I could see that whoever had hacked into the account had saved a nude photo of me that I had sent to my boyfriend and also uploaded a photo of a vagina (that wasn’t mine),” Ms. MacInnes stated in her affidavit per News.com.au.
She further alleged, “They then sent these two photos to all of my contacts on Snapchat, including my family, as well as many strangers.”
The actor claimed the ordeal was orchestrated by Wilson, adding, “I believe that this was orchestrated by Rebel,” and describing the experience as deeply distressing.
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“It was completely terrifying and caused me a new kind of anxiety. I was not myself for some time after,” she said.
Rebel Wilson Faces Claims Of Bullying And Reputation Damage
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Beyond the alleged leak, MacInnes accused Rebel Wilson of publicly damaging her reputation through social media posts.
The young actor said she once admired the star but was left feeling targeted and humiliated.
“I remember crying every day for weeks (after the social media posts),” she revealed in her affidavit.
She also expressed frustration over what she described as a contradiction in Wilson’s public image, stating, “It was ‘sickening that Rebel presented herself as a whistleblower who spoke out to protect me’ when she ‘has only acted spitefully towards me with constant bullying and harassment.’”
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MacInnes further alleged, “I was also angry that Rebel claims to be someone who stands up for women and young Australian talent but then was so maliciously and unfairly persisting with a narrative that painted me as a liar, prostitute, sell out, and whore.”
“I was confused as to how she had ever been accepted by this industry as a respectful professional, as it felt to me that these actions were somehow comfortable to her,” she added.
Rebel Wilson Case Expands With Claims Involving Her Wife
Xavier Collin/Image Press Agency/MEGA
The legal battle has also pulled in Wilson’s wife, Ramona Agruma, after MacInnes accused her of making social media posts that appeared to mock her testimony. One such post featured a reference to the animated character Dory.
“I suffer from short-term memory loss … or do I? I can’t remember,” the post read.
MacInnes told the court, “I felt as though she was mocking the evidence that I gave,” describing the impact of the post during ongoing proceedings.
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The accusation came after MacInnes faced questioning over travel expenses during cross-examination, which she later clarified under re-examination by her legal team.
Conflicting Accounts Over Key Incident Raise Questions
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At the center of the dispute is an incident involving a bath shared between MacInnes and producer Amanda Ghost in 2023.
Rebel Wilson has claimed the young actor initially expressed discomfort before allegedly retracting the complaint.
However, MacInnes has strongly denied ever making such a claim, maintaining that she “never” said she felt uncomfortable.
Meanwhile, Ghost offered her own perspective in court, acknowledging tension in the situation. “I wasn’t annoyed at the beginning, I was annoyed after Rebel presented a case against her to me,” she testified.
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According to testimony, Ghost later admitted feeling so upset at one point that she “couldn’t even look at her,” though she also described herself as “shocked” rather than consistently angry.
Legal Battle Intensifies As New Details Emerge
MEGA
Additional claims in the case have added further complexity, including allegations about the working environment during the production of “The Deb.”
MacInnes denied suggestions that she was forced into uncomfortable situations.
“Amanda did not force me to stay with her – she invited me to…Amanda didn’t have ‘sexual conversations’ with me,” she said in her affidavit.
The court also heard about text messages exchanged following the alleged incident.
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“Charlotte says all good. She just meant ‘it was a bizarre situation’ not that she personally felt uncomfortable x,” Wilson reportedly wrote.
“Oh thank f**k for that!!” the producer responded.
Despite these exchanges, the case continues to highlight sharply conflicting accounts from those involved.
As proceedings move forward, the allegations and testimonies are expected to remain under intense scrutiny while the trial continues.
The 2000s might’ve kicked off a new century, but openings are not the right topic for right now. Just the opposite: endings! Every movie needs an ending, and pretty much every good movie also needs a good ending, because it’s fairly rare to find a satisfying film that has a lackluster conclusion.
That’s certainly not a problem for any of the movies below, with some of them being great throughout and then that greatness continues through to the final scene, while others are generally good movies that get elevated thanks to how effectively they end. There is, inevitably, a need to go into spoiler territory when talking about movie endings, so consider that a pretty casual warning (none of these are new releases, after all, since the 2000s ended, like, about 17 years ago, at the time of writing).
Very slowly, and over many years, Daniel Plainview unravels psychologically, even as he keeps gaining wealth, property, and power. What do you know: it’s never enough. And he explodes at the very end of There Will Be Blood, and it’s at that point that you actually see quite a bit of the titular blood. Oh, not because he literally explodes, but because he beats Eli Sunday to death with a bowling pin. Somehow, it’s the only logical way this film could’ve ended, really.
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9
‘Mulholland Drive’ (2001)
Image via Universal Pictures
One of those “It makes sense once you’ve seen the movie a few times” endings, Mulholland Drive does admittedly conclude in a way that runs the risk of feeling nonsensical the first time around. There’s a switch made going into the final act that’s intentionally disorientating, and feels like a nightmare compared to some (not all) of what came before, but it works more once you catch on to the final act being more reality than nightmare.
There are reasons to consider Mulholland Drive David Lynch’s best film beyond the ending being striking, of course, but the ultimate conclusion does help quite a lot.
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There are still surreal sights, including a tiny elderly couple, and still more to unpack beyond “much of the preceding movie was a dream,” but it’s all striking and leaves an impact, more confusing at first, and later deeply troubling and eerie. There are reasons to consider Mulholland DriveDavid Lynch’s best film beyond the ending being striking, of course, but the ultimate conclusion does help quite a lot in that regard.
8
‘Saw’ (2004)
A guy reaching out in terror in the 2004 movie Saw.Image via Lions Gate Films
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Sure, Saw is not a perfect movie, and maybe you could even say the ending is imperfect if you want to argue it’s all a bit wild and implausible, but whatever. The ending is awesome. There’s a dead body in a room two men are trapped in the whole movie, and then it turns out the body is not dead, and it’s actually the guy who’s responsible for them being trapped. And he sits up as his whole scheme is unveiled; it’s great.
And it’s kind of silly. The ending to Saw is over-the-top, but it’s here on the basis of it being the right kind of over-the-top, whereas some of the sequels trying to outdo the twist ending here kind of face-planted, or went genuinely too far. There are still fun Saw movies released following the original, especially if you like your soap opera-esque storytelling accompanied by hyper-violence, for whatever reason, but Saw (2004) is still the best, and it’s also the film in the long-running series with the greatest ending.
7
‘Dancer in the Dark’ (2000)
Image via Fine Line Features
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Dancer in the Dark is easily up there among the heaviest musicals ever made, and the ending is a big reason for that. Not that the movie before the final scene is very cheery, but it’s the sort of miserable film where the predicament the main character’s in just gets worse and worse on a scene-by-scene basis, since she’s slowly losing her eyesight and then ends up committing a murder under circumstances that are not well expressed during her trial.
So, she ends up being sentenced to death, and the film slowly builds up to her execution, with the only glimmer of hope being that she successfully got her son an operation to prevent him from succumbing to blindness the way she has. Björk’s acting sells the horror and tragedy of the ending eerily well, as does the realistic and somewhat nauseous way the film’s shot. You almost feel like you’re really there, even though you probably don’t want to be.
6
‘Children of Men’ (2006)
Image via Universal Pictures
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There’s very little peace found throughout Children of Men, which is an overall relentless and unapologetically grim sci-fi/dystopian movie about a world where humanity is at risk of dying out because infertility is affecting the whole population. Yet somehow, a woman gets pregnant, and then she needs to be taken to (what’s purportedly) a safe location, so that no one shifty can get hold of her for their own gains.
It’s a film about saving everyone and everything, showcasing countless sacrifices and horrible things that happen along the way to achieving that goal, including almost every named character but the pregnant woman and her newborn baby dying. At the end of Children of Men, it is probably achieved. There’s some ambiguity, but it’s not really as frustrating because the peacefulness that comes alongside that slight uncertainty is just so welcome after a really brutal and high-intensity film. Also, that very last shot is undeniably visually striking (just like most of the film, really).
5
‘Gladiator’ (2000)
Maximus walking toward a vision of the afterlife during the ending of Gladiator (2000)Image via DreamWorks Distribution LLC
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Moving fast for something so long, Gladiator is a real streamlined sort of epic that doesn’t really mess around when it comes to telling a story that’s equal parts straightforward and satisfying. There’s an emperor who’s murdered by his son, and then a general who’s betrayed and becomes a gladiatorial slave, and someone with nothing left but a desire to get revenge.
And so it’s not a surprise when he gets it at the end, and inspires the people of Rome to consider doing away with the Empire and becoming a Republic again (which doesn’t stick, come Gladiator II, but then again, does anyone really care about – or even remember – Gladiator II anymore?). It’s a crowd-pleasing sort of ending to a very crowd-pleasing and easy-to-like epic movie, with even the hero’s death being a moment of catharsis, since he believes in the afterlife and gets to see his murdered family again once arriving there.
4
‘Gangs of New York’ (2002)
In 2002, there was some controversy over the World Trade Center being visible in the final shot of Gangs of New York, but the decision to keep it in feels like the right one now. Martin Scorsese himself explained it well, saying: “The people in the film were part of the creation of that skyline, not the destruction of it. And if the skyline collapses, ultimately, they will build another one.”
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And Gangs of New York is a movie about the history of New York City, mostly in terms of its violent past, with the ending montage showing the skyline growing with skyscrapers and all into what was almost the present-day, at the time of the film’s release. The movie itself is quite good before that point, but it’s a case of the ending being the most powerful moment of the thing, and elevating the overall film from good to great.
3
‘Oldboy’ (2003)
A man hugging someone and smiling in OldboyImage via Show East
Sincerely containing one of the best plot twists in cinema history, Oldboy just ends in the most wildly uncomfortable of ways, but it inevitably makes a twisted sort of sense and feels logical. The main character has been on his own quest for revenge the whole movie, having been imprisoned by someone under mysterious circumstances for 15 years, but then he finds out the truth about why he was kept captive, and it’s a lot, to say the least.
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He himself was a target of revenge for an old classmate, and there are some really twisted ways that classmate got vengeance, with the psychological toll ultimately being even ghastlier than the physical toll of the years of imprisonment. Oldboy is great all the way through, but it is one of those films where the ending more or less makes it legendary (well, that or the famed one-shot hallway fight sequence).
2
‘The Mist’ (2007)
David screams in anguish in the finale of The Mist.Image via Dimension Films
The Mist was a novella that appeared in Skeleton Crew, which was a short story compilation written by Stephen King (The Mist being a good deal longer than most of the other selections there). It’s one of a handful of stories where King tackles Lovecraftian horror, and he does it really well, with the premise involving a group of people trapped inside a small town’s supermarket after the titular mist falls over the town and brings with it countless strange creatures.
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2007’s The Mist came out more than 20 years after the novella, so it was a fair time coming, considering some King adaptations are made not long after publication (see Christine, with the book and movie coming out the same year), but it was worthy of the original story. And, famously, it had a more devastating ending that trades in the unease of the novella’s more ambiguous ending for a full-blown tragic one that feels like it could well be the heaviest final movie scene of the 21st century so far.
1
‘The Lord of the Rings: The Return of the King’ (2003)
‘Return of the King’Image via New Line Cinema
There was an overwhelming number of things to consider for the ending of The Lord of the Rings: The Return of the King. The source material has a series of endings that go on for much longer than the movie trilogy, which can make the stereotypical complaint about The Return of the King having “too many endings” sound more than a little ridiculous. After a novel that spans well over 1000 pages, there are an additional 100-ish pages of appendices, with much of the writing there feeling like a series of epilogues.
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One feels J.R.R. Tolkien not wanting to bid the world and the characters farewell, and you can’t entirely blame him. So, Peter Jackson giving his adaptation a few scenes that feel like endings seems like showing restraint, in comparison. And what was picked here is pretty much perfect, with the final stretch of The Return of the King being both an incredible ending for the third movie in the trilogy, and a beyond fitting conclusion for that trilogy as a whole.
Fans have been flooding social media with reactions after Megan Thee Stallion dropped a bombshell update that she and Klay Thompson have split. She also shared an official statement with TMZ confirming the news and making it clear that trust and respect are non-negotiable for her. Since Meg’s announcement, fans have been riding hard for her and showing her major love online. Her latest Instagram post has pulled in tons of comments from the Hot Girls, who have been letting her know they stand solid with her though the breakup news.
Hot Girls Ride For Megan Thee Stallion Amid Split With Klay Thompson
The Hotties have been flooding the comment section of Megan Thee Stallion’s latest Instagram post with reactions to her breakup with Klay Thompson. Meg dropped a carousel of photos last week, where she promoted her Cheetos Flamin’ Hot Dill Pickle bag partnership. The images show her posing in a black latex outfit while holding the chips bag. See the post and reactions below.
Fans Stand Ten Toes Down Behind Meg
The Hot Girls immediately united in her comment section. Plenty of girlies said they were ready to ride at dawn for her, while others said they don’t understand how Klay could’ve done her dirty.
Instagram user @mizteefranklin wrote, “WE LOVE YOU MEG!!!!!”
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Instagram user @tatianafitk wrote, “THE AUDACITY OF HIM (yes I’m parasocial)”
While Instagram user @notahoeiswear wrote, “Klay just fumbled all this ? i am out of words 🫠”
Then Instagram user @itsjustkeya__ wrote, “I’m so sorry @theestallion he didn’t deserve you sis!!! On to the NEXT!!!!!”
Another Instagram user @sapphic.la wrote, “WE RIDE AT DAWN FOR U QUEEN.”
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Instagram user @abbyyiiee wrote, “We love you Megan! Sending you good vibes and prayers ❤️”
While another Instagram user @kyndall.xoxo_ wrote, “We love Megan!😍 these 🥷s be jokes! U don’t need no one queen 😩”
Then another Instagram user @sunni_dee wrote, “Run it up Meg!!! 🔥🔥🔥 Hotties trained to drag this n***a to HELLLL 😂😂😜😜”
Instagram user @hijamzzi3 wrote, “He lost the most gorgeous woman in history….A DAMN SHAME.”
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Lastly, Instagram user @that.wahala.libra wrote, “I’m sick behind my sister’s heart being hurt and broken 😭”
Here’s What Meg Said About Her Breakup With Klay
On Saturday, April 25, Megan Thee Stallion shocked fans when she dropped a message on her IG Story about cheating and getting mistreated during basketball season. Folks online immediately clocked hte post and assumed it was aimed at Klay Thompson.
“Cheating, had me around your whole family playing house…got ‘cold feet’ Holding you down through all your HORRIBLE mood swings and treatment towards me during your basketball season now you don’t know if you can be ‘monogamous’???? b*tch I need a REAL break after this one..bye yall.”
After her IG post, TMZ reported that she confirmed their breakup in an exclusive statement. She told the outlet she ended things because “fidelity and respect are non-negotiable for her.”
“I’ve made the decision to end my relationship with Klay. Trust, fidelity, and respect are non-negotiable for me in a relationship, and when those are compromised, there’s no real path forward. I’m taking this time to prioritize myself and move ahead with peace and clarity.”
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Does Pardison Fontaine Want That Old Thang Back?
Amid the breakup news, fans started thinking Megan’s ex Pardison Fontaine had reacted to the situation. He dropped a video on social media singing lyrics from Jagged Edge’s ‘He Can’t Love U.’ After The Shade Room posted the clip of Pardi, plenty of Roommates thought he was trying to get Meg’s attention since the lyrics say: “He can’t love you like I love you / Baby you know it too. And you should never wanna be with a man If he can’t be a man / And do the things to you like I can.” As of right now, Pardison hasn’t confirmed whether his post was directed towards Meg and Klay’s breakup. Meg and Pardi started dating in 2021 and later confirmed their breakup in November 2023.
Tom Cruise Red Carpet Image SmilingImage via Marion Curtis
Now in its sixth week of release in theaters worldwide, Project Hail Mary passed two massive box-office milestones. The movie held its ground this weekend, trailing The Super Mario Galaxy Movie and the week’s big new release, Michael. It added another $12 million to its domestic haul and passed the $300 million mark. The movie probably has the legs to hit the $350 million milestone by the end of its run. This is a terrific result for Amazon MGM Studios, which delayed the movie’s Prime Video release and put it back into select IMAX theaters for a one-week run. This is in contrast to its release strategy for Red One, starring Dwayne Johnson and Chris Evans, which landed on Prime Video only three weeks after debuting in theaters.
Red One failed to recoup its reported $250 million budget theatrically. Amazon’s other sci-fi release of 2026, the Chris Pratt and Rebecca Ferguson-led Mercy, also fell short of its reported $60 million budget. Both movies, however, proved to be quite successful on streaming. Produced on a budget of more than $200 million, Project Hail Mary will likely deliver huge numbers on Prime Video as well, but its box-office performance has been nothing short of extraordinary. It has greatly benefited from enthusiastic audience support, an event-movie status, and excellent reviews. It now stands at a “Certified Fresh” 94% critics’ score and a “Verified Hot” 96% audience score on the aggregator website Rotten Tomatoes.
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Collider Exclusive · Action Hero Quiz Which Action Hero Would Be Your Perfect Partner? Rambo · James Bond · Indiana Jones · John McClane · Ethan Hunt
Five legends. Five completely different ways of getting out alive — with style, with muscle, with charm, with luck, or with a plan so intricate it probably shouldn’t work. Ten questions will reveal which action hero was built to have your back.
🎖️Rambo
🍸James Bond
🏺Indiana Jones
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🔧John McClane
🎭Ethan Hunt
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01
You’re dropped into a dangerous situation with no warning. What do you need most from a partner? The first few seconds tell you everything about who belongs beside you.
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02
You have to get somewhere dangerous, fast. How do you travel? How you get there is half the mission.
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03
You’re pinned down and outnumbered. What does your ideal partner do? This is when you find out what someone is really made of.
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04
The mission is paused. You have one evening to decompress. What does your partner suggest? Who someone is when the pressure drops is who they actually are.
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05
How do you prefer your partner to communicate mid-mission? Good communication is the difference between partners and a liability.
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06
Your enemy is powerful, well-resourced, and has the upper hand. How should your partner approach them? The approach to the enemy defines the partnership.
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07
Things go badly wrong and you’re captured. What do you trust your partner to do? Who someone is when you need them most is the only thing that matters.
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08
What does your ideal partner bring to the table that you couldn’t replace? A great partner fills the gap you didn’t know you had.
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Every partnership has a cost. Which of these can you live with? No one comes without baggage. The question is whether you can carry it together.
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It’s the final moment. Everything is on the line. What do you need from your partner right now? The last question is the most honest one.
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Your Partner Has Been Assigned Your Perfect Partner Is…
Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.
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Rambo
Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.
James Bond
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Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.
Indiana Jones
Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.
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John McClane
Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.
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Ethan Hunt
Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.
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Here’s How Much ‘Project Hail Mary’ Has Grossed at the Box Office
Directed by Phil Lord and Christopher Miller and starring Ryan Gosling, Project Hail Mary is based on a bestseller by Andy Weir, who also wrote the novel that inspired The Martian. With this weekend’s performance, Project Hail Mary has shrunk the gap between itself and Ridley Scott‘s film. With more than $300 million domestically and $600 million worldwide, the film has also overtaken the $598 million lifetime global haul of the sci-fi-adjacent Tom Cruise-led tentpole Mission: Impossible — The Final Reckoning. Directed by Christopher McQuarrie, the eighth Mission: Impossible movie was released to mostly positive reviews in 2025, but even with nearly $600 million at the worldwide box office, it was considered an underperformer because of a massive $400 million reported budget. It was marketed as the long-running action franchise’s last installment, and for once, it seems like they weren’t bluffing. Both Cruise and McQuarrie have found new projects, and the fate of the Mission: Impossible franchise remains undecided. Stay tuned to Collider for more updates.
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Release Date
March 15, 2026
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Runtime
157 minutes
Director
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Christopher Miller, Phil Lord
Writers
Drew Goddard, Andy Weir
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Producers
Aditya Sood, Amy Pascal, Andy Weir, Christopher Miller, Phil Lord, Rachel O’Connor, Ryan Gosling
Jaafar Jackson as Michael Jackson in a poster image for Michael (2026)Image via Lionsgate Films
After an infamously uneven run over the last couple of years, Lionsgate is ready to rebound. This weekend, the studio released its controversial Michael Jackson biopic, which exceeded already-bullish projections to deliver a record-breaking debut at the box office. Later this year, Lionsgate will also release The Hunger Games: Sunrise on the Reaping, the second prequel in the dystopian action franchise. Michael delivered the studio’s biggest debut since The Hunger Games: The Ballad of Songbirds & Snakes, which was released three years ago. Directed by Antoine Fuqua, Michael survived a highly dramatic production that reportedly saw a major creative overhaul to the third act and conflicts between the filmmakers and Jackson’s estate. The film’s release has also attracted renewed attention to the longstanding abuse allegations against the King of Pop. The movie has been criticized for omitting this aspect of Jackson’s life entirely.
However, it has clearly struck a chord with fans. Michael delivered the biggest-ever box-office debut for a biopic, overtaking not only Bohemian Rhapsody but also Christopher Nolan‘s Oppenheimer. Starring Jaafar Jackson as his iconic pop star uncle, the movie holds a 38% critics’ score and a “Verified Hot” 97% audience score on the aggregator website Rotten Tomatoes. The site’s consensus reads, “While Jaafar Jackson’s smooth moves bring the King of Pop to uncanny life, this musical biopic mostly plays like a ‘greatest hits’ album that could’ve benefited from including liner notes to give actual insight into the icon.”
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
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🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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Here’s How Much ‘Michael’ Grossed at the Box Office This Weekend
Produced on a massive reported budget of $200 million, Michael grossed just under $100 million domestically and more than $215 million worldwide in its opening weekend. A path to the $1 billion mark lies ahead, and, given near-unanimous audience praise, it seems highly achievable. Were the movie to hit this milestone, it would have overtaken both Bohemian Rhapsody and Oppenheimer to become the highest-grossing biopic of all time. Also starring Colman Domingo, Miles Teller, and Nia Long, the movie could also spawn a sequel that tackles the second half of Jackson’s life and career. A significant portion of footage that was edited out of the first film could reportedly be used in a second installment. Stay tuned to Collider for more updates.
“I’ve made the decision to end my relationship with Klay,” Megan, 31, tells Us Weekly in a Saturday, April 25, statement. “Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward.”
She continued, “I’m taking this time to prioritize myself and move ahead with peace and clarity.”
Several hours earlier, Megan appeared to publicly claim that Klay, 36, had been unfaithful during their relationship.
Megan Thee Stallion and Klay Thompson are heating up! After posting a few subtle hints online, Megan and Thompson confirmed their romance in mid-July 2025 when the pair each shared photos and videos featuring one another via Instagram. On July 12, Thompson shared a series of photos on the platform that featured a woman bearing […]
“Cheating, had me around your whole family playing house … got ‘cold feet,’” Megan wrote via her Instagram Stories earlier on Saturday without mentioning Klay by name. “Holding you down through all your HORRIBLE mood swings and treatment towards me during your basketball season.”
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She added, “Now you don’t know if you can be ‘monogamous???’ Bitch, I need a real break after this one. Bye y’all.”
Klay has not publicly addressed his relationship status or the cheating accusations. Us Weekly has reached out to the athlete’s rep for comment.
Courtesy of Megan Thee Stallion/ Instagram
Megan and Klay were first romantically linked in July 2025, making their red carpet debut later that month at her Pete & Thomas Foundation Gala. (Megan started the nonprofit in 2022 to support women, children, seniors and underserved communities in Houston, Texas.)
“Well, it feels incredible because Megan is such a special person and she inspires so many around the world. I’ve seen it firsthand,” Klay exclusively told Us on the red carpet. “This is just another incredible feat of hers to be able to give back, create [a] foundation and raise a ton of money for those in need. I’m honored to be here by her side.”
Klay Thompson won’t sit by and let two former NBA players drag his girlfriend. Thompson, 35, jumped into the comments of the “Hoopin’ N Hollerin’” podcast’s Instagram account on Wednesday, November 12, to defend Megan Thee Stallion after Jason Williams used a derogatory term to describe her to his cohost, Patrick Beverly. “Referring to my […]
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The gala was held in honor of Megan’s late parents, whom Klay told Us that he “would have loved to meet.”
“I know both of them would be so proud of their only daughter because of what — not only what she’s been able to accomplish, what she’s also going to continue to do,” Klay said at the time. “She has never been put in a box, or allowed herself to be in a box, and she just continues to inspire so many people around the world. And, on top of that, raise a ton of money this evening and just do so much for so many in need.”
Megan previously datedPardison Fontaine and Torrey Craig, respectively.
Reflecting on the sitcom that made her a global star, the actress said the show now feels more meaningful than ever. She also revealed how revisiting the sitcom has become difficult in the wake of Perry’s death, as it reminds her she’ll never again experience Perry’s presence and talent off-screen.
MEGA
More than two decades after “Friends” first aired, the sitcom remains a cultural staple, still pulling in new generations of fans.
Kudrow was at the center of that success, starring alongside Jennifer Aniston, Courteney Cox, David Schwimmer, Matt LeBlanc, and the late Perry.
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Now, Kudrow says her view of the show has shifted, especially after revisiting it following Perry’s death.
“After Matthew died, I watched the show again,” she told The Times. “Before, I only saw what I did wrong or could have done better. But for the first time, I truly appreciated just how great it was. I felt I did OK, but Jennifer and Courteney? Amazing. David and Matt? They had me laughing so hard. And then Matthew, he was just beyond us all.”
Kudrow Says Matthew Perry’s Death Made ‘Friends’ Hard To Rewatch
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While their characters often clashed on “Friends,” Kudrow and Perry shared a much closer bond off-screen.
The actress later honored that friendship by writing the foreword to her co-star’s 2022 memoir, “Friends, Lovers and the Big Terrible Thing,” where she admitted she hadn’t fully grasped the depth of his struggles with addiction.
Now, that realization has made revisiting “Friends” more emotional than ever.
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“Because there was a genius at work,” Kudrow said of Perry’s performance as Chandler. “And whatever any of us do in the future, we will never experience something like that again.”
Lisa Kudrow Once Gave Herself A Deadline To Make It In Hollywood
River / MEGA
After “Friends” wrapped in May 2004, the cast branched out in different directions, with varying levels of success.
For Kudrow, the transition led to a steady run in comedy, with roles in films like “Happy Endings,” “Hotel for Dogs,” “Easy A,” and “Neighbors.” She also moved behind the scenes, producing projects including “Web Therapy” and the TLC/NBC series “Who Do You Think You Are?”
However, Kudrow says her career wasn’t always something she took for granted. Early on, she gave herself a limited window to make acting work, with a backup plan already in mind.
“I said to myself, ‘You’re young… Have fun and try it.’ But always in the knowledge that life gets harder. You take on family and responsibilities,” she told The Times.
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The Actress Hesitates On AI Bringing Back ‘Friends’
As AI continues to make inroads in Hollywood, Kudrow isn’t convinced it should be used to revive “Friends.”
When asked whether she’d sign off on a deal allowing her likeness to be used in AI-generated episodes of the hit sitcom, Kudrow made it clear the choice wouldn’t be hers alone.
“Well, it wouldn’t be my decision,” she said. “All the cast would have to agree. Bright, Kauffman, Crane [the show’s creators and producers] would have to agree too.”
Even then, she suggested the idea may not get far. Kudrow noted that not everyone involved would necessarily be interested, regardless of how lucrative the offer might be.
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Lisa Kudrow Reflected On Being Married Before ‘Friends’ success
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Away from Hollywood, Kudrow built a stable personal life long before “Friends” turned her into a household name. She has been married for decades to French-born advertising executive Michel Stern, per PEOPLE.
That timing, she says, helped her sidestep the level of public scrutiny that followed co-stars like Jennifer Aniston and Courteney Cox at the height of the show’s fame.
Reflecting on it now, Kudrow acknowledged the role that decision played, while also stressing the importance of keeping her career separate from her home life.
“For sure, and all because I married early and outside the business,” she said. “No one was interested. There was no story. And very early on, I was pretty clear: actors on a big show are well paid and really looked after. But you cannot take that attitude home with you. At home, it’s family, life, kids.”
“I know that you guys see a lot of headlines and videos and photos about my life, and something that I have learned from being on reality TV is that everyone has an opinion,” Jessi, 33, said in a “get ready with me” video shared via Instagram on Saturday, April 25. “But healing after divorce is so interesting because everyone’s process is different.”
Jessi and her estranged husband Jordan Ngatikaura — who share kids Jager, 5, and Jovi, 3 — called it quits after making their reality TV debut on the hit Hulu show in September 2024. Their marriage issues were documented on The Secret Lives of Mormon Wives, including Jessi’s emotional affair with Marciano Brunette.
Following the news of their split, Jessi broke her silence on their divorce during a March episode of the “Call Her Daddy” podcast, claiming she experienced “emotional abuse” from Jordan.
“So for me, I did a lot of mourning in my relationship,” Jessi continued on Saturday. “I don’t know if anyone can relate to that. I know a lot of people don’t understand that I’m dating and hanging out and just having fun and when you’re in a relationship where you don’t feel valued and you don’t feel like you were treated well, it feels so nice to just talk to people who make you feel valued and treat you well.”
She added, “And I think one of the biggest comments I see is, ‘Go heal and focus on your children.’ And what I want to say to that is: two things can be true. I have my kids 50 percent of the time now, so I am focusing on healing and spending time with them but when I don’t have them I’m also focusing on myself and reprioritizing being happy, honestly. And it’s been really fun to just be happy and to be giddy and to just let loose and kind of see that men don’t have to be what I have experienced for so long.”
Jessi went on to say that while she does believe that “being alone,” going to therapy and “journaling” are all “ a big part of healing,” she also believes that “another part of healing is dating.”
“Because I am definitely jaded when it comes to relationships now and I am really scared,” she explained. “So it’s been kind of nice just to, like, be happy again and experience other things. I do plan on being single for a long time and just hanging out with different people and having fun and finding connections while also focusing on myself.”
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Jessi — who admitted she hasn’t been “single since I was 19 or 20 years old” — also addressed comments she has made about her previous relationship, saying that she doesn’t want to “talk badly” about her failed marriage.
“I already said my piece on that,” she added, claiming that she lived in “fight or flight” mode for years. “But there is an element of, like, when you do get divorced you kind of unwind what you’ve been through.”
The reality TV star acknowledged that there are “going to be plenty of judgments” about the decisions she makes moving forward, but despite the online hate and criticism she is “so happy just to be in this new phase in life.”
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“Divorce is so freaking scary and so hard and so heartbreaking,” she continued. “I am so excited to film again and show that process for me.”
The former Bachelorette is said to be focused on her mental health after her split and legal issues with Dakota, and will reportedly “not be involved” in the show moving forward.
Megan Thee Stallion’s whirlwind romance with Klay Thompson has come to an abrupt and messy end, leaving fans stunned by how quickly things unraveled.
What started as a highly publicized, affectionate relationship filled with gifts, trips, and red carpet moments has now turned into a breakup fueled by serious accusations.
With Megan speaking out directly and hinting at deeper issues, the split is already sparking intense reactions online as fans try to piece together what really went wrong.
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Megan Thee Stallion didn’t hold back when confirming the breakup, making it clear that her decision was rooted in values she refuses to compromise.
In a statement to PEOPLE on April 25, the rapper shared, “I’ve made the decision to end my relationship with Klay.”
Megan then shared a hint about the possible cause of the breakup, revealing, “Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path forward.”
In her final words, the Grammy Award winner shared that she would be stepping away and focusing on herself.
According to her, “I’m taking this time to prioritize myself and move ahead with peace and clarity.”
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Fans Erupt With Mixed Reactions Amid Megan’s Announcement
Megan Thee Stallion issues statement regarding breakup with Klay Thompson to TMZ:
“I’ve made the decision to end my relationship with Klay. Trust, fidelity and respect are non-negotiable for me in a relationship, and when those values are compromised, there’s no real path… pic.twitter.com/AkSP8NKM1d
In no time, Megan Thee Stallion’s statement spread across social media, sparking a wave of reactions from fans.
On X, some users showed the 31-year-old some support, noting that it was Thompson’s loss.
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“Trust and fidelity are the bare minimum, no matter who the man is. Seeing her stand on her values so publicly is incredibly empowering,” one person wrote.
Another commented, “She settled for less and the less still cheated on her and made her do wifey duties with no ring. This Arab boy fumbled a hottie damn.”
A third fan also noted, “The fact she led with values instead of vibes is the real story. Most people stay silent or spiral. She set a standard and moved, that’s grown woman behavior.”
On the other hand, some users revealed that Megan deserved what she got, considering her complicated history with Tory Lanez.
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“What goes around comes around. Karma is what again?” a fan wrote over a screenshot of a tweet Lanez made about God fighting his enemies.
Another fan also shared the same screenshot and added, “god is working for Tory Lanez,” alongside a laughing emoji.
Megan Thee Stallion Sparks Cheating Claims In Emotional Post
Instagram Stories | Megan Thee Stallion
Before the official confirmation, Megan Thee Stallion had already set social media on fire with a raw and emotional Instagram Stories post that appeared to call out her partner.
Although she didn’t mention the NBA star by name, the context made the situation clear.
“Cheating, had me around your whole family playing house… got ‘cold feet,’” she wrote.
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Megan also claimed she held Thompson down during all “your HORRIBLE mood swings and treatment towards me during your basketball season.”
According to her, she did all these only for Thompson to reveal he wasn’t sure he could be “monogamous.” “B*tch I need a REAL break after this one .. bye yall,” she continued.
As expected, the post wasted no time going viral and fans had a lot to say.
Fans React To Megan’s Instagram Outburst
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On X, many users revealed it was disappointing to see Thompson choosing infidelity, considering how much effort Megan Thee Stallion put into the relationship.
One fan wrote, “Klay Thompson really fumbled on this one, I really don’t know the basis of this whole issue but he supposed to learn from then curry and do better next time. No offense.”
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Another user commented, “Klay really had Meghan Thee Stallion holding him down through the whole season just to fumble her like that. Some dudes don’t deserve a real one.”
A third fan added, “Megan said she’d done playing games and walked. Queens don’t stay for mood swings and side pieces. Klay just lost the best thing he ever deserved.”
Megan Thee Stallion And Klay Thompson’s Romance Once Seemed Strong
Image Press Agency/MEGA
The breakup has shocked many because the relationship once appeared solid and full of excitement. Megan and Thompson had shared several moments that painted a picture of happiness and stability, especially after going public.
In February, Thompson surprised Megan with a powder-blue Bentley for her birthday, and the two celebrated with a tropical getaway.
She later reflected on the trip, writing, “Aw man I was not ready for this birthday trip to be over. A time was definitely had. THANK YOU BABY.”
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In late March, she posted a mirror selfie of her and her Thompson together, with the latter standing behind her and holding her waist, further fueling fan excitement about their bond.
Their relationship had first sparked headlines last summer before becoming official at her Pete & Thomas Foundation Gala in New York City.
At the time, Megan openly praised him, calling him the “nicest person I’ve ever met in my life,” which made the sudden breakup even more surprising.
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