A late-night situation inside a Tennessee home quickly turned into a deadly investigation. Kendra Scott is now facing serious charges after authorities say a confrontation at a Memphis residence ended with a 20-year-old man being shot and killed. Investigators are working to piece together what happened before the gunfire.
Authorities Reveal What Led Up To The Fatal Encounter
According to the Memphis Police Department, the incident happened on Wednesday, July 15, around 1:45 a.m. at a home on Travis Road in the Walker Homes neighborhood. Officers arrived and found 20-year-old Rodderius Morton lying in the front yard near the porch with a gunshot wound to the back of his head.
Authorities say Kendra Scott allegedly told police she discovered a man hiding under her daughter’s bed and claimed she “saw a dude under my kids’ bed, and I did what I had to do.” Investigators later identified Scott as the woman involved and say a neighbor reported hearing banging before finding Morton injured near the porch.
Witnesses Share More Details About The Night’s Events
The neighbor also allegedly told police he saw Scott standing outside with a firearm, saying, “I shot him, I shot him.” A girl inside the home told investigators Morton had been invited over and entered through the back door before Scott arrived. According to the charging documents, Scott returned home around 1:30 a.m. and was allegedly knocking loudly while asking, “Who’s at my house?” The girl reportedly told investigators she was afraid because Scott appeared angry and was carrying a gun, and she claimed Scott had previously made comments about what she would do if she found a boy inside the home.
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Scott Faces Serious Charges As Investigation Continues
Police say the girl eventually let Scott inside, where Morton was allegedly hiding under the bed. The girl told investigators that when Morton attempted to leave, Scott confronted him, and the two began arguing before he made his way toward the front porch. Authorities allege Scott followed him, and the girl heard a single gunshot.
Scott, 36, faces charges of first-degree murder and employment of a firearm during the commission of a dangerous felony. Authorities are holding her without bond at the Shelby County Jail, and she will appear in court as the case moves forward.
The heist movie genre is one of cinema’s most undeniable pleasures. There’s something deeply satisfying about watching a crew of professionals (or lovable amateurs) execute an elaborate, impossible plan against equally impossible odds. The genre offers a unique medley: the tension of the setup, the precision of the execution, the inevitability of the double-cross, and the catharsis of the escape. Some of the best heist movies out there have that inevitable and beloved “gathering the crew” montage—arguably the best part of any heist movie.
For every Ocean’s Elevenor Heat that becomes a cultural touchstone, there’s a plethora of heist films that slipped through the cracks and remained in the “forgotten gems” category; although they likely didn’t get the blockbuster marketing push, time has been kind to them, and they remain underrated. From the first frame to the last, the forgotten heist movies that are perfect from start to finish deliver the tension, the twists, and the catharsis that they promise.
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‘The Bank Job’ (2008)
Jason Statham in The Bank JobImage via Lionsgate
Jason Statham built a career on being the most reliably entertaining action star working today, but The Bank Job is a reminder that he can do more than throw punches; he can carry a real thriller. Directed by Roger Donaldson and loosely based on the real 1971 Baker Street robbery, the film is set in London and follows Terry Leather, a small-time used-car dealer and petty crook who’s offered what sounds like a simple job: tunnel into a bank vault and empty out the safety deposit boxes inside.
Terry, of course, quickly learns that nothing about this job is simple. The boxes in the bank turn out to hold secrets tied to British intelligence and the royal family, secrets powerful people are willing to kill to protect, and the film spends its runtime escalating from a straightforward heist into a genuine conspiracy. Statham gives one of his most restrained performances here, anchoring the chaos with a working-class charm that never crosses the line into camp, and Donaldson’s sharp, grimy-glamorous period cinematography keeps the whole thing feeling dangerous. It’s the type of tight thriller that explains why Statham became a star in the first place; it’s also the most popular title on this list, making it easy to overlook how good it is.
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‘Quick Change’ (1990)
Bill Murray dressed as a clown robbing a bank in Quick Change (1990)Image via Warner Bros.
Bill Murray has one directing credit to his name, and almost nobody talks about it, which is a genuine shame given how much Quick Change still feels relevant and rewatchable (though Geena Davis’ account may not deem it as such). Murray also stars in the film, playing Grimm, a New Yorker who’s had enough of the city and decides to rob a midtown Manhattan bank while dressed as a clown, alongside his girlfriend Phyllis (Davis) and best friend Loomis (Randy Quaid). The premise sounds like a singular, sketch-worthy gimmick, but the film uses it as a launchpad into even bigger, widespread chaos.
Quick Change stands out among similar movies of its class by making the robbery the easy part of the story. The real ordeal is getting out of New York City afterward, as the trio gets tangled in bureaucratic nonsense, rotten luck, and the sheer chaos of the five boroughs just trying to reach the airport. The film gleefully subverts heist-movie conventions, finding comedy in the most mundane obstacles possible rather than shootouts or double crosses. Murray’s deadpan delivery is razor-sharp, and the supporting cast — Jason Robards, Tony Shalhoub, and Stanley Tucci — is impressive. Quick Change flopped at the box office, grossing about $15.3 million against a $17 million budget, but it’s since become a cult favorite that only gets funnier with each viewing.
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‘The Score’ (2001)
Robert De Niro, Edward Norton, and Marlon Brando sitting around a table in ‘The Score’Image via Paramount Pictures
Some casts are so stacked they sometimes tend to feel like a marketing gimmick; on paper, The Score looks like exactly that: Robert De Niro,Edward Norton, Angela Bassett, and Marlon Brando are first billing here, and for each of them, the 2000s were a defining era in many ways (for Brando, in particular, this turned out to be a final screen role). Directed by Frank Oz, The Score is a straightforward “one last job” story; De Niro plays Nick Wells, a veteran safecracker who’s ready to retire and run his Montreal jazz club full-time, until his fence, Max (Brando), talks him into one final heist: stealing a priceless scepter locked inside the city’s customs house.
The issue is that Nick has to work with Jackie (Norton), a brash young thief with an inside connection to the building and an agenda nobody else is quite sure about. The film builds its tension almost entirely out of that pairing, with Norton’s unpredictable energy keeping both Nick and the audience off-balance long before the actual robbery starts. Oz wisely lets the performances carry the suspense rather than leaning on flashy set pieces, which makes the film feel more grounded than most heist movies from the same era. Made on a $68 million budget, it grossed around $114 million worldwide, which is a solid if unspectacular return for a film that deserves to be remembered as more than a novelty gathering of cinema legends.
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‘Grand Slam’ (1967)
A man holding a sniper in ‘Grand Slam’Image via Paramount Pictures
Of everything on this list, Grand Slam is by far the most obscure; it’s an Italian-Spanish-German co-production most audiences today have never heard of, let alone seen, which, if anything, only strengthens its case as a forgotten gem. Edward G. Robinson stars as Professor James Anders, a mild-mannered American teacher living in Rio de Janeiro who, after decades of watching a diamond company from across the street, decides he’s bored enough to plan the perfect crime. He recruits a team of international specialists, played by Janet Leigh, Klaus Kinski, and Robert Hoffmann, to pull off the theft during the chaos of Rio’s Carnival.
The structure of Grand Slam is flawless; the actual robbery unfolds with stunning precision, closer in spirit to the greatest heist film of all time, Rififi, than any particular shootout-heavy caper. The real tension shows up only afterward, in the paranoia and slow-building distrust among a crew that no longer needs each other after a done deal. With a score by Ennio Morricone and location work that makes full use of Rio’s skyline and streets, Grand Slam earns a place alongside the genre’s best. It’s lean, stylish, and proof that a heist movie’s characters matter as much as its vision.
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Collider Exclusive · Action Hero Quiz Which Action Hero Would Be Your Perfect Partner? Rambo · James Bond · Indiana Jones · John McClane · Ethan Hunt
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Five legends. Five completely different ways of getting out alive — with style, with muscle, with charm, with luck, or with a plan so intricate it probably shouldn’t work. Ten questions will reveal which action hero was built to have your back.
🎖️Rambo
🍸James Bond
🏺Indiana Jones
🔧John McClane
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🎭Ethan Hunt
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01
You’re dropped into a dangerous situation with no warning. What do you need most from a partner? The first few seconds tell you everything about who belongs beside you.
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02
You have to get somewhere dangerous, fast. How do you travel? How you get there is half the mission.
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03
You’re pinned down and outnumbered. What does your ideal partner do? This is when you find out what someone is really made of.
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04
The mission is paused. You have one evening to decompress. What does your partner suggest? Who someone is when the pressure drops is who they actually are.
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05
How do you prefer your partner to communicate mid-mission? Good communication is the difference between partners and a liability.
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06
Your enemy is powerful, well-resourced, and has the upper hand. How should your partner approach them? The approach to the enemy defines the partnership.
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07
Things go badly wrong and you’re captured. What do you trust your partner to do? Who someone is when you need them most is the only thing that matters.
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08
What does your ideal partner bring to the table that you couldn’t replace? A great partner fills the gap you didn’t know you had.
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09
Every partnership has a cost. Which of these can you live with? No one comes without baggage. The question is whether you can carry it together.
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10
It’s the final moment. Everything is on the line. What do you need from your partner right now? The last question is the most honest one.
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Your Partner Has Been Assigned Your Perfect Partner Is…
Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.
Rambo
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Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.
James Bond
Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.
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Indiana Jones
Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.
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John McClane
Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.
Ethan Hunt
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Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.
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‘Logan Lucky’ (2017)
Steven Soderbergh built his reputation on the Ocean’s trilogy, so it’s telling that when he came out of a brief retirement in 2017, he chose to make Logan Lucky, which has fondly been referred to as “Ocean’s 7-Eleven.” Logan Lucky is a heist movie stripped of tailored suits and Vegas glamour and dropped into rural West Virginia instead; Channing Tatum stars as Jimmy Logan, a construction worker who’s just been laid off and decides, almost on a whim, to rob the Charlotte Motor Speedway during a NASCAR race. He recruits his one-armed bartender brother Clyde (Adam Driver), his hairdresser sister Mellie (Riley Keough), and a locked-up, deadpan safe cracker named Joe Bang, played by Daniel Craig in one of the most outstanding performances of his career.
Logan Lucky steers away from the genre’s usual playbook through how it treats the characters it introduces. They’re working-class people with real financial stakes, and the film takes their plan just as seriously as it would a team of George Clooney-style professionals. The heist itself is genuinely clever, the humor is bone-dry, and Soderbergh directs with the same effortless confidence he brought to his glossier work. Made for around $29 million, it earned back roughly $48 million worldwide, a modest return the film’s critical reception never quite matched; Logan Lucky is a joyful movie that actually gets better with repeat viewing.
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‘Thief’ (1981)
James Caan as Frank sitting by an airport window in Thief (1981).Image via United Artists
BeforeMichael Mann became the filmmaker behind Heat and Collateral, he made his feature debut with Thief, a film that already has his entire visual language fully formed: neon-soaked nights, rain-slick streets, and criminals defined more by their code than by the crimes they commit. Though Thief barely escaped the jaws of time, modern audiences remember it for its influence on later cinematography, particularly in the crime caper genre. James Caan stars as Frank, a professional safecracker in Chicago who wants nothing more than to leave that life behind and build a family. Standing in his way is Leo (Robert Prosky), his mentor and fence, who has no intention of letting his best earner walk away.
Thief is the kind of heist film that’s less interested in the mechanics of a single job than in the crushing weight of the job that forces Frank to stay trapped inside it; retirement from a life of crime is harder than he imagines, as it turns out. Tangerine Dream contributed a stunning synth score that gives the film its hypnotic, almost dreamlike rhythm, and Caan delivers one of the greatest performances of his career, portraying rage beneath a carefully maintained calm. Thief had a quiet release, but its influence far outweighed its financial gains, allowing Mann’s debut to reverberate through crime cinema for decades. It’s moody, aesthetic, and human, and it rewards anyone who sits with it.
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‘Ronin’ (1998)
Close up of Vincent (Jean Reno) aiming a pistol out of a car window in ‘Ronin’Image via United Artists
John Frankenheimer spent much of his career making sharp, paranoid political thrillers, and Ronin is what happens when that sensibility and his undeniable talent are pointed at the crime caper/heist genre instead. Robert De Niro portrays Sam, leading an ensemble of former intelligence operatives, played by Jean Reno, Stellan Skarsgård, and Sean Bean; Sam and his crew are hired by a mysterious handler named Deirdre (Natascha McElhone) to steal a heavily guarded briefcase. What’s inside is never revealed, and the film is smart enough to know that that very mystery matters more than any answer could.
Ronin, unlike some of the other entries on the list, is primarily about the job itself, depicting the shifting loyalties of people who no longer have a country or cause, as well as the cold professionalism they resort to instead. Its car chases through Nice and Paris are still among the best ever filmed, and David Mamet’s rewrites give the dialogue a bite that most action films of the time lacked. Ronin underperformed significantly at the box office when it was released, but audiences that have seen it gave it overwhelmingly positive reviews (though critics didn’t seem as thrilled). Ronin has aged pretty well, and we could argue for it to be the best forgotten heist film on this list.
Christopher Nolan is celebrating the incredible box-office performance of The Odyssey, which delivered the biggest global box-office debut of his career. The film’s success couldn’t have come at a more opportune time for the filmmaker, who suffered two back-to-back setbacks in the last few days. A recent blockbuster overtook two of Nolan’s biggest hits at the worldwide box office, pushing them down the all-time chart. The movie in question had a difficult production that reportedly saw its entire third act being revamped. It then had to brave controversies surrounding the lens with which it viewed its subject, in addition to mixed reviews.
However, audiences were enthralled, pushing it to incredible success over the last few weeks. We’re talking, of course, about the Michael Jackson biopic, Michael, directed by Antoine Fuqua. The film currently holds a 38% score on the aggregator website Rotten Tomatoes, where the consensus reads, “While Jaafar Jackson’s smooth moves bring the King of Pop to uncanny life, this musical biopic mostly plays like a ‘greatest hits’ album that could’ve benefited from including liner notes to give actual insight into the icon.” However, Michael‘s audience score on the aggregator stands at a near-perfect 97%.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
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🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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‘Michael’ Has Overtaken Two Christopher Nolan Movies at the Box Office
The movie has grossed over $370 million domestically so far; it recently emerged as the second film of 2026 to pass the coveted $1 billion mark worldwide, after The Super Mario Galaxy Movie. In doing so, Michael overtook the $975 million lifetime global haul of Nolan’s Best Picture-winning Oppenheimer, thereby becoming the highest-grossing biopic of all time. And now, Michael has surpassed the lifetime global haul of another Nolan blockbuster: The Dark Knight. Released in 2008, the superhero epic broke numerous records of its own and ended its run with $1.08 billion globally. It was subsequently beaten by its sequel, The Dark Knight Rises, and the Aquaman movie starring Jason Momoa for the title of the highest-grossing movie based on a DC character. That said, The Dark Knight remains a classic of the genre, and is widely considered to be one of the best films of the 21st century. Michael is now available to rent or purchase at home. Stay tuned to Collider for more updates.
Once any show has been on the air for five years, it will start to wobble under its own internal logic, lore, and mythology. Stargate SG-1 was on the air for a decade which means those early Season 1-3 episodes sometimes contradicts what becomes canon later. In the case of Season 1’s “Hathor,” it’s unclear why a Goa’uld Queen needs male DNA to produce more larvae. Later episodes show that it’s not needed, and they can reproduce asexually, but that’s the least of the issues with “Hathor.”
Stargate Goes Full Species
“Hathor” centers around the unearthing of the Egyptian Goddess of Love, Hathor (Suanne Braun), who emerges from a sarcophagus after 3000 years speaking English. Drawn tot he Stargate, she shows up at Cheyenne Mountain and quickly starts bringing the men within the base into her thrall. Starting with Daniel (Michael Shanks), then General Hammond (Don S. Davis), O’Neill (Richard Dean Anderson) is the next to succumb, though Teal’c’s (Christopher Judge) Goa’uld renders him resistant to her power.
That sets up a showdown between the men and the women (all five of them), led by Captain Carter (Amanda Tapping) and Dr. Frasier (Teryl Rothery) in the locker room where Hathor is preparing to use a hot tub to birth a new generation of Goa’uld larvae using Daniel Jackson’s juices. That’s how the show refers to it. It’s as awkward as it sounds.
The Writers Chose To Ignore The Episode
Great Villain, Horrible Debut
Stargate SG-1 would eventually mock “Hathor” in the Season 8 episode, “Citizen Joe,” a clip show that highlighted the ridiculousness of those early season episodes. “Hathor” was the first episode in the series where the team didn’t travel through the Stargate, and the only one written by David Bennett Carren and J. Larry Carrol. Hathor herself would come back, two more times, as a much more formidable (and better written) villain particularly in Season 2’s “Out of Mind.”
Ever since Homer introduced the concept of Sirens in The Odyssey, the “beautiful woman mind controls all men” trope is widely used in sci-fi and fantasy shows. Stargate SG-1 had no problem recycling classic tropes and often, doing them incredibly well, from time loops (“Windows of Opportunity”) to “that old man can kick everyone’s ass” (Bra’tac), but “Hathor” was a misfire.
Teryl Rothery wasn’t even able to deliver the line “there’s five women in here and we’re very lonely” while keeping a straight face. The more series re-watches you do, “Hathor” sticks out more and more like one of the worst episodes of the series. Unlike “Emancipation,” which was so bad it caused the writers to re-work Carter’s character, “Hathor” has no silver lining, other than the self-styled goddess having more character, personality, and better lines in her later appearances. Her debut episode could be erased from the timeline, and you’d still know everything about her within minutes of her second appearance.
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They can’t all be winners, and with a decade of episodes to get through, Stargate SG-1 was going to have some episodes you don’t have to bother watching.
Taylor Swift and Travis Kelce have found their post-wedding bliss overshadowed by controversy linked to their nuptials held at Madison Square Garden.
According to a report, the newlywed couple is “disheartened” by the negative remarks and alleged “trash talking” from Kelce’s teammates over their guest list and invitations.
This claim comes after Taylor Swift and Travis Kelce attended the wedding of the NFL star’s ex-teammate JuJu Smith-Schuster and his bride, Laura Kruk, with sources saying the event “lifted their spirits.”
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Swift and Kelce’s ceremony has proven that even the most popular celebrities still get to deal with the classic headaches that come with wedding planning.
Following months of speculation, the couple finally tied the knot at the famous Madison Square Garden in New York City on Friday, July 3. They also held an intimate rehearsal dinner for close friends and family the day before, but left many upset for refusing to invite them to that event.
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According to the Daily Mail, some individuals in Kelce’s “circle” were displeased that they got invited to the Friday main event but not the intimate rehearsal dinner on Thursday.
A few retired athletes have even publicly shared their frustrations after failing to land an invitation to the star-studded wedding, while some of Kelce’s current teammates have reportedly taken the “trash talk” straight to the multiple group chats of Kansas City Chiefs’ players.
The Couple Is ‘Disheartened’ Over The Negative Reactions To Their Wedding Invitations
Sources close to the couple have now revealed that recent drama involving guest lists and alleged “trash-talking” from corners of their social circles has left the pair feeling disheartened.
“They are typically very good at blocking out the noise, but to have all these nasty stories coming out about his teammates being jealous and trash-talking them is pretty disheartening,” an insider told Star Magazine. “He’s got to go back to that locker room any day now, and that’s bound to be uncomfortable because clearly there’s a lot of jealousy towards him.”
“They’re finding it quite exhausting keeping up with all the rumors and all the mischief that people are making,” the source continued. “Wasting time on that sort of nonsense isn’t pleasant at any time, but especially when they are trying to enjoy their first days as husband and wife.”
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Taylor Swift And Travis Kelce ‘Lifted Their Spirits’ By Attending His Former Teammates’ Wedding
Despite the background noise, Swift and Kelce have remained completely aligned and are enjoying their union just fine. Days after they got married, the couple put up a loved-up appearance for Kelce’s former teammate JuJu Smith-Schuster’s wedding to Laura Kruk.
The “Bad Blood” singer dazzled in a pink strapless floor-length gown with floral brocade designs, along with her signature red lipstick, while the Kansas City Chiefs tight end wore a classic suit and tie.
The source who spoke with Star explained that the event helped lift their spirits and kept things in a lighter mood.
“They did have a wonderful time,” they noted, referring to the July 11 wedding. “That really helped to lift their spirits. It was a great reset, and so fun to be able to relive the whole wedding experience without all the pressure of being the bride and groom.”
The Chiefs Tight End Was Seen Working Out Ahead Of New NFL Season
The couple has largely kept to themselves in the days following their wedding, only appearing for Kelce’s pal’s wedding about a week ago.
Sources earlier claimed they were considering an “ultra-private” honeymoon with the historic San Ysidro Ranch in Montecito as their preferred location.
“They just don’t want anything getting leaked,” a source told Star Magazine. “They want to be able to enjoy this special time with total privacy.”
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“There’s the option to rent out the entire property, which she’d likely want to do for privacy, and that can cost upwards of $500K for a week,” the insider explained.
However, according to the Daily Mail, Swift and Kelce enjoyed a private “mini-moon” at the exclusive Yellowstone Club in Big Sky, Montana. The couple is said to have utilized major security measures, including decoy jets, to maintain privacy during their stay at the luxury mountain resort.
Christopher Nolan‘s “The Odyssey” is one of the year’s biggest film releases, continuing the filmmaker’s streak of ambitious, large-scale movies. While fans are still taking in his latest project, the director has already tempered expectations for what’s next, revealing that audiences will likely have to wait a while before his next movie arrives.
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Just days after the release of “The Odyssey” on July 17, fans are already wondering when Christopher Nolan’s next project will be released. The director’s early career was marked by one- to two-year gaps between films. Since 2017, however, his releases have settled into a roughly three-year cycle.
“The Odyssey” is Nolan’s first movie after 2023’s “Oppenheimer.” The director admitted that his latest project pushed his physical limits and was the most challenging film he had ever done.
“I definitely hit the limits of my own stamina and everybody’s stamina, I think. I mean, it’s ‘The Odyssey,’ of course it should be difficult,” he said, adding that he wouldn’t be doing his job correctly if it was easy.
As for whether fans can expect his next film to come out in three years, he told TODAY, “Oh, at least.”
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Matt Damon Received A Call About ‘The Odyssey’ Months After The Director’s First Oscar
Nolan’s idea to take “The Odyssey” to the big screen began in the early 2000s. According to Matt Damon, who portrays Odysseus in the epic film, he got a call from the director just six months after his first Oscar win.
In 2024, Nolan earned his first Best Director Oscar for the biographical drama “Oppenheimer.” The movie was nominated in 13 categories and took home seven wins.
Damon assumed that it would take at least another year before the director would start to work on his next project, but that wasn’t the case, as he learned during the call. “So I just thought we were catching up, which we did. And then he blurted out, ‘Yeah, I’m thinking of going back to work.’ And I went, ‘Wait, already?’” the actor told PEOPLE.
Christopher Nolan Made History With His Latest Film
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“The Odyssey” is the first feature-length commercial film shot entirely on IMAX film cameras, which uses 70mm film stock. For Nolan, shooting the movie in the format was a dream come true. Although he had used it in sequences for his past films, “The Odyssey” was the first time he used it for the entire movie.
“I’d originally seen IMAX films in museums and theme parks as a kid and immediately thought, why aren’t they making movies like that? That was when I was 16 or 17. Now I’m about to be 56, and I’ve finally gotten to do it,” he told The New York Times.
Using the camera had its challenges, though. As cinematographer Hoyte Van Hoytema noted, it made a noise “like a lawn mower, diesel engine.” The problem was solved with a “soundproofing system” built for the camera.
Filming ‘The Odyssey’ Was Tough For The Cast And Crew
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Nolan knew making “The Odyssey” would be tough. The director is known for favoring practical effects over CGI, and the cast and crew had to endure grueling filming conditions in pursuit of authenticity.
The cast and crew were exposed to brutal weather conditions and had to hike daily to a set located 1,000 feet above sea level to film some scenes. While shooting aboard a ship in the open sea, some supporting cast members became seasick and threw up. Instead of halting production, Nolan decided to include it in the movie. “They were really game for it. And that day ended up being fabulous as well as miserable; it yielded some of my favorite shots in the film,” the director said.
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Damon noted that Nolan had the “hardest job on set,” sharing that when he felt discomfort, it helped to see the director “looking like a drowned rat, just as cold, just as wet, and never complaining.”
‘The Odyssey’ Made $51 Million On Opening Day
“The Odyssey” is on track for box office success. According to multiple reports, the film earned $51.2 million from preview screenings and its opening day on Friday, July 17, in North American theaters.
It is projected to earn $120 million on opening weekend. Furthermore, the movie has, so far, earned $137.3 million across 73 international markets.
Facing competition from Christopher Nolan‘s latest epic, The Odyssey, Disney’s live-action Moana remake has taken a steep fall in its second weekend of release. The action-adventure film opened to mediocre reviews and underperformed commercially in its first weekend, grossing less than $100 million worldwide. Of this total, only $43 million came from domestic theaters. This put the film in the same category as the superhero flops Supergirl and Joker: Folie à Deux. Both The Odyssey and Moana cost $250 million to produce, but Nolan’s epic has already grossed in three days what Disney’s remake will struggle to in its lifetime run.
The Odyssey generated around $120 million domestically and approximately $260 million worldwide in its opening weekend, representing a record debut for star Matt Damon. It also delivered the biggest global opening for Nolan, beating out The Dark Knight Rises and The Dark Knight. The film currently holds a “Certified Fresh” 95% critics’ score and a “Verified Hot” 97% audience score on Rotten Tomatoes. The aggregator website’s consensus reads, “Reinvigorating an ancient adventure with majestic sweep and sterling work by its colossal ensemble, Christopher Nolan’s The Odyssey imbues myth with primal human feeling.”
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Collider Exclusive · The Sorting Hat Awaits Which Hogwarts House Are You? Gryffindor · Slytherin · Hufflepuff · Ravenclaw
Four houses. One destiny. The Sorting Hat has considered thousands of students — now it’s your turn. Answer honestly and discover where you truly belong at Hogwarts School of Witchcraft and Wizardry.
🦁Gryffindor
🐍Slytherin
🦡Hufflepuff
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🦅Ravenclaw
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01
What quality do you value most in yourself? Answer as honestly as you can — the Hat always knows.
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02
A friend is being treated unfairly. What do you do? How you protect others says everything about who you are.
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03
What does success look like to you? What you’re working toward defines who you’re becoming.
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04
What is your greatest fear? Fear is the most honest thing about a person.
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05
The rules say no. Your gut says go. What do you do? Every institution has rules. What you do with them is a choice.
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06
What kind of friend are you? Who you are to the people you love is who you really are.
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07
You look into the Mirror of Erised. What do you see? The mirror shows the deepest desire of your heart.
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08
The Sorting Hat pauses. It whispers: “You could do well in any house. But what matters most to you — truly?” This is your tiebreaker. The Hat always listens.
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The Sorting Hat Speaks Your House Has Been Chosen
After careful deliberation, the Sorting Hat has made its decision. This is the house your values, your instincts, and your particular way of being in the world were made for.
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Gryffindor Tower · Scarlet & Gold
🦁 Gryffindor
You have nerve. Not the reckless kind, but the deep, quiet courage that shows up even when you’re terrified — especially then.
Gryffindors don’t act because they’re fearless — they act because they understand that some things are worth being afraid for.
You stand up for people when it would be easier to look away.
You charge toward what’s right even when the odds are terrible.
Harry, Hermione, Ron — the heroes of Hogwarts’s greatest chapter — all called the tower with the scarlet and gold home. And now, so do you.
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Slytherin Dungeon · Emerald & Silver
🐍 Slytherin
You are driven, sharp, and utterly clear-eyed about what you want and how to get there.
Slytherin has long been misunderstood — painted as the house of villains when it is, at its best, the house of those who refuse to accept limits placed on them by others.
You are resourceful, strategic, and you play the long game.
You know your worth. You protect your own fiercely.
The dungeon common room with its view of the Black Lake is yours — and the ambitions that will take you further than anyone expects are yours too.
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Hufflepuff Basement · Yellow & Black
🦡 Hufflepuff
You are the kind of person that makes the world genuinely better just by being in it.
Hufflepuff is not the “safe” house or the “leftover” house — it is the house of those with the greatest heart and the most unwavering integrity.
You show up. You work hard. You don’t need glory or recognition — you do what’s right because it’s right.
Your loyalty never wavers, even when tested.
Nymphadora Tonks, Cedric Diggory, Newt Scamander — some of the wizarding world’s finest. And now you join them.
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Ravenclaw Tower · Blue & Bronze
🦅 Ravenclaw
Your mind is your greatest gift, and you’ve always known it.
Ravenclaws are the thinkers, the questioners, the ones who find a puzzle irresistible and a good book better company than most people.
Ravenclaw is not merely about intelligence — it’s about the love of learning, the pursuit of truth, and the rare courage to admit you don’t know something yet.
You see the world with unusual clarity and depth.
Luna Lovegood, Filius Flitwick, Rowena Ravenclaw herself — all extraordinary, all original. And so are you.
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Here’s How Much the ‘Moana’ Remake Has Grossed at the Global Box Office
Meanwhile, the Moana remake plummeted by 70% on its second Friday and by around 55% on its second weekend. It grossed approximately $18 million domestically in its sophomore frame, pushing its running total to just over $80 million. Globally, Moana has amassed more than $170 million so far. Starring Dwayne Johnson and newcomer Catherine Laga’aia, the movie arrives just 10 years after the animated original, which gained incredible popularity on streaming. The relatively short window between the original and the remake is being viewed as the biggest reason behind the new film’s underperformance. Moreover, a sequel to the animated hit titled Moana 2 was released just two years ago. The remake currently holds a 31% critics’ score and an 89% audience score on Rotten Tomatoes, where the consensus reads, “The sea calls to no one in this underwhelming new version of Moana, an endeavor that solidifies its animated predecessor as the superior adventure.” Stay tuned to Collider for more updates.
“Full House” star Jodie Sweetin has been candid about her struggles with sobriety over the years, revealing that she first started drinking alcohol at the age of 14 before sharing that her interest in substances eventually spun out of control. Now, in a new interview, the “Fuller House” actress is revealing how her co-star, John Stamos, supported her on the difficult journey toward recovery while also staying on the straight and narrow himself.
While appearing on the “Dory Jackson Interview” podcast, Sweetin, 44, opened up about how Stamos’ support and kind words helped keep her in check as she pursued sobriety.
“John and I really, really connected in a lot of ways over [sobriety],” she said on the most recent episode. “We have been there to celebrate each other’s big successes and milestones, and I am so glad that I got to be an example of attraction rather than promotion, which is a big principle in recovery.”
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Stamos and Sweetin’s relationship dates back to the ’80s, when they both booked leading roles in the ABC sitcom “Full House,” which ran from 1987 to 1995. They reunited on screen for the Netflix reboot, “Fuller House,” from 2016 to 2020.
According to Sweetin, she’s learned a lot about herself throughout her sobriety journey. “[The principle is] don’t beat people over the head. Just be the result of all of your work, and chances are, people that are looking will find you,” she said.
The Last Time Jodie Sweetin Touched A Drink
Elsewhere in the interview, the mom of two opened up and revealed that the last time she even touched an alcoholic drink was in 2011, adding that it’s been a “journey.” She explained that she began a 12-step program and engaged in work outside the program, such as therapy, to help guide her. Sweetin described the feeling of being untethered to alcohol as “very freeing.”
“You get the opportunity to become a different person, and once you start actually liking that person, it becomes really hard to go back and continue destructive behavior,” the actress said. “You kind of go like, ‘Oh, wait, hold on, I want to take care of this little person inside here and see what they’re capable of.’ And I’ve been really fortunate to be able to do that.”
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Jodie Sweetin Struggled With Alcohol During Her Teenage Years
Sweetin previously opened up about her addiction to alcohol in a different interview, revealing that it all began for her when she had her first drink at co-star Candace Cameron Bure’s wedding when she was 14. In another interview, she said that she leaned on alcohol as a teenager to help her relate to those around her.
“I had this weird, I’ll say, I had this, particularly after the show ended, like, in high school, there was this strange feeling that I had, because everyone assumed I was quote unquote a TV star. So, like, you know, the rumor before you would even start at a school was like, ‘Oh, she’s a stuck-up b-tch,’” she said.
Sweetin attempted to shed that label by outdrinking her peers and taking harder drugs, per The Blast.
Stamos Recalls The Moment He Knew He Had To ‘Straighten Up’
Stamos has also dealt with substance abuse, and he even made headlines in 2015 when he was arrested for an alleged DUI. Stamos went on to seek treatment in a rehab center and detailed the moment in his memoir, “If You Would Have Told Me.”
He told PEOPLE in 2023 that he realized he was drinking too much and that it was partially caused by the people he was hanging around. “I had that DUI and I was like, ‘I can’t do this. I’ve got to straighten up,’” he said. “That’s when I was confusing the universe because I’m not a bad person, but I was doing crappy things.”
What Helped Stamos Stay Focused On His Well-Being?
Thankfully for Stamos, he was able to lean on his sister and his “Fuller House” co-stars for support throughout his journey. In addition to them, Stamos credited his wife, Caitlin McHugh Stamos, and their son, Billy, for holding him tightly even when he felt he let them down.
“They have kept me on this path because going down the road of being sober and taking care of yourself, everybody tries. Everybody does it. You could get going for a little while. Then, it’s like, ‘I can drink again,’” he said. “So it’s staying on the path is what they mostly do for me.”
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If you find yourself stuck in a tee-jeans-and-sneakers rut, we hear you. But you don’t have to give up your staple outfit to look chic. By swapping sneakers with luxe-looking sandals, you elevate your aesthetic without even trying. These 13 stylish pairs make it easy, comfy and shockingly affordable — we’re talking picks from only $10.
If you think getting your Free People fix requires trudging to the mall, think again. Amazon is overflowing with the brand’s boho best, including dresses, tops, pants, jeans and everything in between. Better yet, the most stylish pieces start at just $12! These chic wardrobe staples make every outfit look quietly luxe, whether you’re running […]
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6. Vacation Mode: These waterproof Reef sandals are essential for beach and pool days. You won’t mind the long walk to the car.
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9. Easy On: Instead of cork sandals, opt for this upgraded bow-strap version that is just as convenient, yet much more sophisticated.
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Boring white kicks are out! In 2026, fun, colorful sneakers are trending, and we found 13 chic pairs that not only nail the aesthetic, but also make you look mega expensive. These picks look like they should cost hundreds (but thankfully don’t)! As you can imagine, our sneaker favorites are incredibly plush, comfortable and come […]
Taylor Swift and Travis Kelce‘s July 3, 2026, wedding at Madison Square Garden may have been phone-free, but that hasn’t stopped a flood of rumors, AI-generated images of the newlyweds and online criticism from swirling in the days since the couple’s star-studded nuptials.
While the bride and groom remained mum about their big day, several high-profile guests are pushing back and defending the ceremony’s seemingly unconventional choices, shutting down false reports and calling out the fake photos circulating online.
Keep scrolling to see how attendees shut down rumors surrounding one of the year’s most talked-about celebrity weddings:
Joseph Kahn Defends ‘No VIP’ Seating and Blasts Fake AI Photos
Joseph Kahn, who has directed eight of Swift’s music videos, quickly emerged as one of the wedding’s most vocal defenders.
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“For the record, I liked the no VIP seating at Taylor’s wedding,” Kahn wrote via X on July 8, 2026. “Everyone who attended can come down to earth and check their ego with their phones for a minute.”
He added, “It’s not a club. It’s a wedding.”
Days earlier, Kahn used his platform to call out the flurry of AI-generated images purporting to show the inside of the ceremony.
“Every picture I’ve seen of the wedding is fake,” he tweeted. “Trust me, AI would break if you tried to prompt it.”
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Simone Biles Claps Back at Critics of Her Wedding Invite
Simone Biles wasn’t about to let strangers question her friendship with the bride. After the Olympic gymnast and her husband, NFL star Jonathan Owens, celebrated their attendance with a carousel of photos on Instagram on July 5, 2026, one commenter asked, “When has Simone Biles and Taylor Swift even spoken to each other?😂“
The gymnast and the pop star’s friendship actually stretches back a decade, to when Swift publicly supported Team USA gymnastics during the 2016 Summer Olympics in Rio. Biles later returned the favor by performing to Swift’s “…Ready for It?” during the 2024 Olympic trials.
Their bond deepened in 2021, when Swift narrated a tribute video for Biles after the gymnast withdrew from multiple events at the Tokyo Olympics. Set to Swift’s “This Is Me Trying,” the video became a viral moment of support.
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Tavia Hunt Shuts Down Champagne and Long-Line Rumors
Tavia Hunt, wife of Kansas City Chiefs owner Clark Hunt, wasted no time knocking down rumors that the reception had run short on champagne or that guests were stuck waiting in long lines.
“This is such a false narrative. They did not run out of champagne,” she wrote via Instagram comment days after the ceremony. “There were not long lines. Every single person was seated for the ceremony.”
BBC Radio 1 presenterGreg James, who also attended the ceremony, had a similar experience as the Hunt family.
“Great food, unlimited food and drinks,” James made a point to mention on the July 8, 2026, broadcast of his morning show. “[Taylor and Travis were] on the dance floor, having a great time; it was great.”
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Eric Stonestreet Praises ‘Classy’ Ceremony
“I found that very authentic, and I thought that was like classy and cool,” Modern Family star Eric Stonestreet, a major Chiefs fan, told Chiefs Wire in July 2026. “I think that Travis and Taylor created a night for themselves and their guests that was special and unique in only the way they could.”
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Stonestreet was over the moon to get the invite and was amazed by the venue’s transformation for the big day.
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“I know they’ve gotten so much crap for doing it at Madison Square Garden, but show me another place where they could have a private moment like anybody else would deserve to have at a wedding, where they don’t have helicopters and hot air balloons and dirigibles floating over them trying to get video.”
This story was compiled with the help of AI tools and edited by journalists.
Comedian Tom Segura’s estranged wife, Christina Pazsitzky, is addressing the couple’s shocking split after 18 years of marriage.
“Thank you for all the kind messages. This is a really difficult time for our family,” Pazsitzky, 50, wrote in picture of a handwritten note shared via her Instagram Stories on Saturday, July 18, addressing listeners of her and Segura’s podcast “Your Mom’s House,” who she referred to in the note as “mommies.”
“Episodes of YMH are pre-recorded in advance — hence no mention of recent events,” she continued in the message. “Just know your Mommy loves you and will see you very soon.”
News broke on Monday, July 18, that Pazsitzky, who is also a comedian, and Segura, 47, called it quits a few months ago — a decision that was reportedly amicable. (TMZ was the first to report the news.) The pair, who said “I do” in November 2008, share two sons, Ellis and Julian, whom they welcomed in 2016 and 2018, respectively.
Influencer Jen Hamilton shared another emotional video after sparking speculation that her marriage to husband Brian is over. “OK, no crying,” she began in a TikTok posted on Monday, June 15, which she captioned, “The ‘statement.’” Hamilton continued in her video: “I’m feeling embarrassed and feeling exposed and feeling sad, feeling every single thing you […]
The comedians are not just coparents — they’re also collaborators. During their marriage they also worked on a number of projects together and in addition to their podcast, including the Netflix comedy series Bad Thoughts, created by Segura and featuring Daniella Pineda, Robert Iler and Arturo Castro, among others.
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Christina Pazsitzky/Instagram
According to TMZ, the estranged couple will continue to co-host their “Your Mom’s House” podcast in the wake of their split and as they navigate their public divorce.
The pair have both joked openly about their relationship through the years, with Pazsitzky and their sons appearing multiple times in several of Segura’s standup jokes.
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“I love my husband. I laugh at his jokes. I think he’s fantastic,” Pazsitzky said while performing her 2017 Netflix special Mother Inferior. “And then all day, every day, I wanna punch him in his dumb face. And it’s not the big things that make you wanna kill your spouse. It’s little stuff.”
Amy Schumer and her estranged husband Chris Fischer‘s seven-year marriage ended on good terms, a source exclusively confirms to Us Weekly. “Amy still adores Chris, just not romantically,” the insider shares. “He’s a great guy and an even better father.” Schumer, 44, announced her separation from Fischer, 45, in a since-deleted Instagram post on December […]
The former couple also made headlines earlier this year when they got “stuck in the Caribbean” following their vacation after President Donald Trump approved military action in Venezuela.
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“We can’t go home. We’ve been stuck for extra days. Airspace becomes opened and then closed. It’s fun,” Segura said in a video shared via Instagram in January, appearing alongside his wife. “I’ll tell you the fun part is that you go to the airport and they tell you, ‘You’re gonna leave now,’ and then they go, ‘Just kidding, you’re not.’ Every day is just a mystery. Will we get home?”
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