Kendra Wilkinson is clapping back at trolls who have something to say about her body, saying she loves the way she looks.

The ex-model got her big break as a Playboy model, appearing on “The Girls Next Door” as one of Hugh Hefner’s girlfriends. Wilkinson has since left that life, transitioning to a real estate agent.

As a reality star cleans up her image, she recently embarked on a weight loss journey and couldn’t help but get tongues wagging about her physique.

In a recent Instagram post, Wilkinson gave fans an update on her weight loss journey after starting the use of GLP-1 drugs.

Uploading a promotional clip in collaboration with health company Effecty, the public figure appeared smaller, rocking an oversized brown blazer over fitted black pants and a nude camisole.

She proudly gushed about fitting into her size six jeans, gushing, “I couldn’t be more excited.” In the accompanying caption, she added, “Month two on my GLP-1 journey and I’m still being really intentional about how I approach this.”

Wilkinson further explained that the number on the scale isn’t the motivation behind the journey. Instead, she wants to feel like herself and revive her energy.

Concluding her post, People Magazine reports wrote, “We’re just getting started, but I’m here for all of it and can’t wait to bring you along for what’s coming.”

The Former Playboy Playmate Says Haters Should Start a GoFundMe

Although Wilkinson was proud of her progress, some fans weren’t and directed body-shaming comments at her. Many were targeted at the size of her bosom.

“The boobs make you look heavier. Bring it down a few sizes. You’ll look smaller,” one fan remarked. Another described her as overweight. Clearly displeased by the remarks, the 40-year-old took to her Instagram Stories to give her response.

Alongside a screenshot of the comments, she wrote, “Who’s paying?! You want my Venmo to support this?” In another post, she continued the sentiment, adding, “Until I get my GoFundMe breast reduction money, I’m going to love my boobs the way they are.”

The unkind opinions didn’t stop with another fan writing, “Wow, you aged awfully,” to which Wilkinson replied, “And for the 20,000th time. I’m OK with aging poorly, and I don’t care anymore about male attention,” per The Looker.

Kendra Wilkinson Pushed Back At Critics After Weight Gain

This isn’t the first time the real estate broker has fired back at critics, defending her aging looks. Such was the case earlier this year when it appeared she had gained weight.

According to The Blast, Wilkinson cleared the air in a social media post, admitting she used filters in the past but embraces her natural features.

As a result, she has received barraging comments from some fans who say she ” aged poorly.” The former reality noted she didn’t mind “aging poorly” as she was the “happiest” she had been in years.

Wilkinson then reflected on her controversial past, describing her time on TV as “crazy chaotic” because she was focused on impressing others. Now, she is about giving back to herself

Wilkinson Shares Reason For Using GLP-1 Shots

Amid her journey of pouring into herself, the “Kendra On Top” alum revealed she was joining other Hollywood figures to use weight loss injections.

The mother of two shared her frustrations with shedding pounds despite consistently working out. According to her, it was the tightness of her jeans that sparked the decision.

“I noticed that my jeans are a little tighter lately, so I don’t want to go out and shop anymore,” she revealed, per The Blast. “So I actually signed up for a shot company…”

Wilkinson further elaborated, saying her goal wasn’t to be “skinny,” but to be able to fit well into her jeans.

The TV Personality Took A Jab At Dishonest People

As Wilkinson openly carried fans along on her GLP-1 journey, she couldn’t help but shade those who weren’t being transparent. While announcing her partnership with Effecty, she noted that “unlike most people, [she] is being honest with this journey.”

However, Wilkinson’s announcement was met with mixed reactions from her fans. While some praised her honesty, others offered a rebuttal, saying she didn’t need to join the bandwagon of Hollywood stars.

“Another one falls to the pressure of being a skeleton. Sad,” one fan slammed, per The Blast, urging her to love herself as she is.

As a new chapter in his career begins, Johnny Depp is looking to win back some fans by returning to his best-loved role. In the upcoming sixth film in Disney’s blockbuster franchise, Pirates of the Caribbean, Depp looks set to return to his most iconic role as Captain Jack Sparrow, although it is still unclear whether he will be joined by fellow franchise favorites such as Orlando Bloom and Keira Knightley. Although his place in the film isn’t yet confirmed, franchise producer Jerry Bruckheimer did previously hint that a role for Depp’s Sparrow might already be in the script.

As we wait for any concrete confirmation of Depp’s involvement in Pirates 6, a forgotten entry in his filmography is about to become available for free. Based on the book, LAByrinth, by Pulitzer Prize-winning author Randall Sullivan, the 2018 crime thriller City of Lies starred Depp alongside the likes of Oscar winner Forest Whitaker, Rockmond Dunbar, Neil Brown Jr., Xander Berkeley, and more.

Depp stars in the film as Russell Poole, a determined detective trying to piece together the mystery surrounding the infamous death of rap artist Christopher Wallace, aka, The Notorious B.I.G. The movie earned poor reviews from critics, illustrated by a 49% rating on review aggregator Rotten Tomatoes, but won over fans, with audiences awarding an 86% rating on the same review site. Eight years on from the film’s release, you can catch City of Lies for free, as it becomes available to stream on Plex starting June 1, 2026.

What Is Johnny Depp Doing Next?

Advertisement

Alongside trying to shrug off the consistent controversy following his legal battle with his ex, Amber Heard, Depp has two projects in the pipeline. The first is the upcoming Christmas effort Ebenezer: A Christmas Carol, distributed by Paramount Pictures. Second, and most exciting, is Day Drinker, an action thriller that was recently confirmed to be premiering on March 26, 2027. Day Drinker is officially taking the place of Mel Gibson‘s The Resurrection of the Christ: Part One, which has now been postponed to May 6, 2027. Depp is set to star in the movie alongside Madelyn Cline (Outer Banks), Penélope Cruz (Pirates of the Caribbean: On Stranger Tides), Manu Ríos (Elite), and more.

City of Lies is streaming on Plex next month. Stay tuned to Collider for all the latest streaming stories.

Advertisement

Advertisement

Release Date

March 19, 2021

Runtime

112 minutes

Advertisement

Advertisement

Advertisement

Advertisement

Season 3 of Euphoria will be remembered for a few highlight moments. Among them are Cassie’s (Sydney Sweeney) and Nate’s (Jacob Elordi) wedding dance, Nate’s brutal death, and the four-year wait between Season 2 and 3. But it also represents the breakout performance of Anna Van Patten, who plays Kitty, a dancer at the Silver Slipper. Van Patten isn’t a stranger to iconic television shows. Her father, Tim Van Patten, is an actor and director, known for his work on The Sopranos, Sex and the City, Touched by an Angel, and Game of Thrones. Anna grew up on many of those sets, soaking in the environment, gaining knowledge and experiences that would go on to help her succeed as an actress.

Along with her father, Tim, Anna’s uncle Dick Van Patten, and sister Grace Van Patten have also made an impact in the entertainment industry. Dick was an actor and comedian, featured in films and shows like Spaceballs, Robin Hood: Men in Tights, and Eight Is Enough. Meanwhile, Grace has starred in the hit shows Nine Perfect Strangers, Tell Me Lies, and The Twisted Tale of Amanda Knox.

While Anna is grateful for her family’s entertainment expertise, she is paving her own path and staying authentic to who she is — not trying to fit into the public norm. In this exclusive interview with Collider, Van Patten explains the craft behind Kitty in Euphoria, working with Sam Levinson, and what she learned about herself while embodying a dark and sad character. Anna also dives into her fascination with storytelling, her appetite for learning, and what roles and projects excite her.

Van Patten Felt Pressure To Do Justice to Kitty’s Dark ‘Euphoria’ Story

“I felt a pressure to do a good job.”

Image via Eddy Chen/HBO

COLLIDER: Was there a realization moment for you that you were going to be part of a series in Euphoria that fans worldwide have been waiting four years for?

VAN PATTEN: It has really felt surreal the whole time. I think in order to do my job and to not feel crazy, I didn’t really let it hit me just so I can be as present as I could be. But I remember getting the call that I got the job and then just kind of being silent to be like, “Oh my gosh.” Never in my wildest dreams did I think this would happen.

Your character, Kitty, is dark, sad, and emotional. Did you do anything specific to help get yourself into such a deep headspace?

VAN PATTEN: I think I just stayed really present with her and kind of played with the scene that we’re dealing with, which it is very dark and it is sad. And just to be as present as I could and really focus on her truth.

What were those conversations like with Sam [Levinson]? How did you two shape Kitty together?

VAN PATTEN: Well, he gave me a lot of references on the first day on set that really helped me kind of expand the vision that I already had for her from when I first auditioned for her. So he was so helpful. We always approached things with her very delicately.

How much freedom did you have to try different things during takes and scenes? Was there enough room to play around and find that right tone?

VAN PATTEN: Yeah, definitely. There was always room to play. And I think when I had a question or if I felt like something, [Sam] and everyone would always listen. And there was a lot of room to collaborate, and it feels like a good place to be when you feel like you can speak on certain things.

Episode four is titled ‘Kitty Loves to Dance’. Did you know at the time of filming that episode that your character was going to have an episode named after her?

VAN PATTEN: I did, I did, and that was really exciting.

Did that sort of put any pressure on you at all, knowing that you were going to be the focal point of this episode?

VAN PATTEN: No, I think I understood that Kitty is important. What she goes through for the bigger story. And I felt a pressure to do a good job so that what’s being said feels authentic and hits hard. So I did feel pressure, but not because the title, the episode, is named after my character, but just because I wanted to really do justice to Kitty.

Did you learn anything about yourself stepping into the shoes of Kitty at all?

VAN PATTEN: I think I learned a lot about myself, and it challenged me. But what appeals to me with certain projects is that I am learning about myself throughout it.

What are some things that you’ve learned internally, let’s say, Kitty, or even throughout your entire career? What have you learned through the roles that you’ve played?

VAN PATTEN: Well, this one is a bit different, but I think I’ve learned to be more comfortable in my body. And I think playing a dancer made me feel okay to take up space. And I started doing pole dancing, and that too changed my relationship with my body, and how, first, others might perceive me, but then, realizing that it’s so much more than that.

Anna Van Patten’s Hands-On Education

“I thought I wanted to just have a more well-rounded view of the art.”

Image via Disney

You’ve spent a lot of time growing up on not only TV sets, but also some of the most iconic shows. What did you learn about acting from being able to explore sets at such a young age?

VAN PATTEN: I think because I grew up visiting my dad on those sets, and sometimes the camera wouldn’t be rolling, but we’d just be able to play in a back room or explore, I learned that storytelling has a lot more to do than just with words, and that there’s so much that goes into telling a story and there’s so many people involved, and it is a big puzzle.

You prepared yourself by not just jumping right into acting, but by studying performing arts and film in high school and college. Firstly, why did you want to get more education under your belt? And secondly, what did you learn that you might not have if you had gone a different route?

VAN PATTEN: It has always really interested me. Every actor, every person in film is, I assume, working in film because they love movies. After studying acting in high school, I thought I wanted to just have a more well-rounded view of the art. And I’m really glad that I did do that, because I think it kind of opened my eyes to the bigger picture.

In ‘The Twisted Tale of Amanda Knox’, how did you and your sister lean on each other while working on such an intense story?

VAN PATTEN: I leaned on her fully. She’s such a great leader, and it taught me a lot about just being on set. All I had to do was watch her because she’s so amazing. And that would kind of affect me in ways that maybe I wasn’t trying to, but it was so nice just to be with her throughout that whole experience and watch her do her thing that she’s so good at. I felt very proud of her.

What’s Next for Anna Van Patten?

“That’s just kind of how I see life.”

Image via HBO

What sort of roles and projects are you attracted to? Are there any specific types that you open your eyes to?

VAN PATTEN: I do think I’ve always been interested in films that kind of explore the gray areas and that open conversation, so I was really excited to work on Euphoria because I think it really opens the doors for bigger conversations.

I know you’ve said you’re deeply connected with storytelling in so many different forms. What is it about telling stories that inspires you most?

VAN PATTEN: I just think that everything has a story. That’s just kind of how I see life, and I can’t really imagine it any other way. It’s how I connect with the world, and how I learn about myself. I think storytelling is just so important.

Looking back at your younger self that just got into acting, is there anything that you would tell that younger self that you’ve learned over the way that would be helpful at that time?

VAN PATTEN: I’d tell myself to lean into the things that make you authentic. My perception and how I see the world is what make me unique. And I think when we’re younger, we maybe try to fit into other boxes to feel like we’re normal. But I just tell myself to just be you and to expand on that and keep learning more about yourself and really focus on what interests you.

What do you like to do, whether it’s in between projects, maybe in between days of production, that you can kind of escape from?

VAN PATTEN: I’m a big believer in walking, so I’ll walk very long and very far away. And that’s kind of my way to ground myself. And then always looking for things that kind of inspire me. So watching a lot of movies, go to museums, and talk to my family. I’m a bit restless, so I always keep on moving, and keep learning, and exploring.

Looking forward, what excites you most about your future?

VAN PATTEN: I guess that there’s always room to grow personally and creatively, and that really excites me. And I hope I’m a part of more projects that allow me to do that.

Euphoria is now available to stream on HBO Max.

Advertisement

Advertisement

Release Date

2019 – 2026-00-00

Network

Advertisement

HBO

Showrunner

Sam Levinson

Advertisement

Directors

Jennifer Morrison, Augustine Frizzell

Advertisement

Advertisement

Advertisement

Advertisement

Most people scrolling through Robert Redford’s filmography probably pause at Butch Cassidy and the Sundance Kid, nod respectfully at All the President’s Men, maybe throw The Sting on during a lazy Sunday afternoon, then completely glide past The Great Waldo Pepper like it does not exist. Which is understandable, honestly. The title sounds less like an action movie and more like somebody’s uncle who owns a corner store and complains about parking meters. Nothing about it prepares you for Redford dangling thousands of feet in the air inside airplanes that look assembled from spare parts and blind optimism.

The film starts out with a rambling, carefree energy. Redford’s character charms, annoys, lies constantly, and bounces from one half-baked aviation stunt to another. At first, it all plays like a shaggy comedy about a group of aging pilots refusing to grow up. Then the movie gradually reveals something more complicated. These are men who found purpose in World War I, excitement, and camaraderie in the skies years earlier and never really figured out how to replace it afterward. Flying isn’t just a hobby for them…it’s the one place where they still feel like themselves. That is why they keep climbing into airplanes that look one strong gust away from falling apart over a cornfield. After a while, the flying stops feeling adventurous and starts feeling necessary, as if life on the ground never quite gave them what they were looking for.

Robert Redford Turns Barnstorming Into Pure Chaos

Image via Universal Pictures

Redford plays Waldo Pepper, a former pilot making his way through the 1920s one air show at a time. He takes jobs wherever he finds them, spends most of his money almost as quickly as he earns it, and approaches common sense as more of a loose suggestion than a rule. What keeps the character from becoming exhausting is the feeling that Waldo is chasing something larger than attention. The older he gets, the more it seems like he is trying to recapture a version of himself that only ever existed in the cockpit.

The movie follows Waldo as he chases bigger stunts and bigger attention while trying to outrun the quiet reality that the war may have permanently broken something inside him. Once legendary German ace Ernst Kessler (Bo Brundin) enters the story, the tone shifts slightly. Their rivalry never really feels heroic. It feels sad and haunted, like both men miss the war in ways they are deeply uncomfortable admitting out loud.

Advertisement

Director George Roy Hill shoots the flying scenes with alarming confidence. Modern action movies usually cut every three seconds, as if they’re terrified the audience might notice the actors are sitting safely in front of green screens. The Great Waldo Pepper does the opposite by allowing the shot to linger long enough for your stomach to start tightening. These planes creak and wobble, and sometimes they appear as if they are actively debating whether flight is still worth the effort.

One of the later aerial scenes carries a tangible sense of danger that most modern blockbusters cannot match, no matter how much money they throw at visual effects departments. The flying suddenly stops feeling cinematic and starts feeling deeply concerning. Not exciting—dangerous. The kind where your brain starts calculating survival probabilities if things go sideways.

Related

Advertisement

Every Robert Redford Western Movie, Ranked

The #1 movie here might have a title that sounds a bit like “Putsch Placidly and the Folk-Dance Lid.”

Advertisement

The Great Waldo Pepper Feels Weirdly Modern Now

Part of what makes the film work so well by today’s standards is how messy it allows itself to be — Funny one minute, melancholy the next. Then, suddenly, somebody crashes through a wing or barely survives a stunt that should have ended with a funeral. Modern action movies often feel polished, leaving the protagonists within an inch of their lives. Every emotional beat lands exactly where expected. Every character arc arrives gift-wrapped and perfectly timed.

But The Great Waldo Pepper feels loose in a way modern movies usually try to sand down. A little rough around the edges and slightly unpredictable. The tone fits perfectly for a story about people who only seem comfortable when something could go catastrophically wrong. Even the slower scenes feel heavy, as if every actor is shouldering a burden they don’t want to admit exists.

Waldo keeps chasing danger because ordinary life clearly feels too small now. The war gave these men intensity, purpose, adrenaline, and terror all mixed together, and civilian life cannot compete with that. The movie never over explains any of this either. It just lets the emptiness persist between scenes as Waldo keeps throwing himself into the sky, trying not to think too hard.

By the end, the movie stops feeling like an adventure story altogether. It begins to feel like a snapshot of people caught between two versions of America, with one version still romanticizing war heroes while ignoring what came home with them. That is what makes Waldo so interesting. He spends the entire film selling the fantasy of aviation heroism while quietly revealing the cost of living inside that fantasy long after the war and the glory have passed.

Advertisement

Advertisement

Release Date

March 13, 1975

Advertisement

Runtime

108 minutes

Director

Advertisement

George Roy Hill

Writers

William Goldman

Advertisement

Advertisement

Advertisement

Advertisement