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Entertainment

Only 3 Steven Spielberg Movies Are Kind of Bad

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Mark Rylance carrying Ruby Barnhill in 'The BFG'

Steven Spielberg is about as legendary as filmmakers get, and that’s something that should be emphasized right away, before things get a little negative. He’s made a few dozen movies, as a director, across a career that’s lasted more than half a century, and he remains active, as of 2026, with the (currently) upcoming Disclosure Day being one of many blockbuster-scale movies he’s made. It would be great if that movie were great, of course, but it almost doesn’t matter, in the overall scheme of things, because Spielberg’s always going to be a legend because of what he’s already done. Some of the most beloved, enduring, and popular American movies of all time were directed by him (see Jaws, Raiders of the Lost Ark, E.T. the Extra-Terrestrial, and Jurassic Park, for starters), and he’s also taken on a few films of a more serious nature that are remarkable, and not necessarily the kind of blockbuster fare that he’s most celebrated for, like Schindler’s List, Saving Private Ryan, and Munich.

Again, there’s a lot by way of positive things that can be said about Steven Spielberg, and his misfires aren’t too common, when you consider how many movies he’s made and how long he’s been active for. The ones that aren’t great have to be emphasized here as “kind of bad,” rather than “really bad” or “terrible.” Spielberg’s worst movies are just a bit clunky, and maybe disappointing, but it would be a stretch to suggest those misfires are outright failures, or devoid of anything somewhat redeeming. The ones below just come the closest to being bad, and some of the picks might feel controversial. Similarly controversial is the admission that of the three movies here, the following are not among them: Indiana Jones and the Kingdom of the Crystal Skull, Always, and 1941, all of them flawed, but not really close enough to be considered bad by this particular writer. The following movies (again, in this writer’s opinion) are worse than those ones, but not by much. Consider those more expected/usual suspects as having received dishonorable mentions, if you want.

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3

‘War Horse’ (2011)

No false advertising here, at least, because War Horse is a war movie and there is also a horse in it. The movie begins as something about that horse and his owner, but then the horse is sold to the Cavalry while World War I is beginning, and so the pair are separated. And the horse gets involved in a whole bunch of battles or, more accurately, is used by various people throughout the conflict, and then the horse’s owner is all sad about it and wants the horse back. It’s in this weird zone, as a movie, because there are ingredients here that might suggest a slam-dunk, but then there’s also a kind of strange premise and some other glaring issues that really don’t suggest anything slam-dunk-y in nature. Like, War Horse is blown up to almost two and a half hours in length, for some reason, and there really isn’t a lot of story here… plus, the film is quite episodic in nature, so the stop-and-start feeling of it all, when paired with the epic-length runtime, makes it all feel like quite a slog to actually get through.

When compared to the other war movies Steven Spielberg has directed, War Horse falls pretty short. It’s maybe a little interesting for its supporting cast, because the way the film’s structured, it does lead to a good many characters showing up and dropping out along the way, and a few of those actors were either about to blow up – or were sort of blowing up – in the very early 2010s (namely, Tom Hiddleston and Benedict Cumberbatch, both of whom have supporting roles here). But there are those reasons why War Horse has been kind of forgotten, and it doesn’t boast one standout element that other debatably middling Spielberg films from this period have. Like, one year on from War Horse, Spielberg directed Lincoln, and that movie’s not perfect, and it also has that War Horse problem of being too long, but it does boast an incredible Daniel Day-Lewis performance at its center. War Horse is all a bit too forgettable, though, if one’s being generous, and maybe actually kind of bad, if one’s not being so generous. It’s a little bad, sadly.

2

‘The BFG’ (2016)

Mark Rylance carrying Ruby Barnhill in 'The BFG' Image via Walt Disney Studios Motion Pictures
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The BFG sees Steven Spielberg trying to do E.T. the Extra-Terrestrial again, but this time within the bounds of the fantasy genre, rather than the sci-fi one. And that might sound like a bit of a bold or even stupid claim, but The BFG does take that kind of approach to the source material, which was published the same year as E.T. the Extra-Terrestrial came out. Okay, that’s probably just a coincidence. But The BFG (2016) was adapted by Melissa Mathison, and her best-known credit was for writing E.T. the Extra-Terrestrial, so with those two essentially re-teaming for The BFG… you can start to see it. Maybe it doesn’t seem like as big of a stretch to say now. Anyway, The BFG does fail in most of the areas where E.T. the Extra-Terrestrial succeeds, and it’s weird to see a family movie mishandled in this way when it’s got a somewhat comparable premise to that 1982 classic (child becomes friends with an unlikely/otherworldly companion) and had some of the same people involved in making it.

There are technically worse family movies out there, and you can recognize that an attempt was made, on a technical front, with The BFG, even if so much of the ambition feels misguided.

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There’s just a horror to a lot of The BFG that does not feel intentional. The title character looks so awful throughout, and whatever worked with the computer animated characters in The Adventures of Tintin (2011) was not maintained here, with The BFG. Also, Mark Rylance is not very good, especially compared to the performance he gave in the previous year’s Bridge of Spies (Spielberg’s preceding movie), but he’s also got lesser material to work with here, so maybe not even Daniel Day-Lewis (if Spielberg had kept him around post-Lincoln) would’ve been able to do much here. There are technically worse family movies out there, and you can recognize that an attempt was made, on a technical front, with The BFG, even if so much of the ambition feels misguided, and that screenplay being so sloppy in the first place makes it harder to see much else here as worthy of being considered a silver lining or whatever. There’s just not much here, and it’s hard to imagine either young or older viewers getting anything substantial out of this one.

1

‘The Terminal’ (2004)

The Terminal - 2004 (1) Image via DreamWorks Pictures

There was something of a dream team assembled for The Terminal, or at least it might look that way on paper. Steven Spielberg collaborating with Tom Hanks is usually a good thing, and they’d been on a solid streak in the years preceding The Terminal, thanks to Saving Private Ryan (1998) and Catch Me If You Can (2002). John Williams did the score, and maybe that’s not too surprising, but it’s still worth noting, because Spielberg and Williams are one hell of a duo. Michael Kahn was the editor, and he’s either edited or co-edited far more Spielberg feature films than he hasn’t… like, he’s technically collaborated with Spielberg on more movies than Williams has, only just. And then Janusz Kamiński was the cinematographer for The Terminal, and he’s fulfilled that role for about 20 Spielberg movies all up. Sure, those collaborations include the aforementioned War Horse and The BFG, but Kamiński’s contributions to Schindler’s List, Saving Private Ryan, A.I. Artificial Intelligence, and West Side Story are harder to overlook/ignore.

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Overlooking and ignoring is just what you should do for The Terminal, though. There were all these great people who came together to make another Spielberg movie, and it ended up, somehow, becoming pretty much the worst Spielberg movie. It’s the one film of his that really goes over the line in terms of being overly sentimental, and it really drags, with the initially intriguing premise (about a man effectively stranded inside the John F. Kennedy Airport terminal) soon giving way to awkward humor, sickly sweet emotional beats, and an overall sense of tedium that doesn’t really feel intentional. Like, The Terminal isn’t trying to capture the boredom and tedium that would probably come from being stuck in this situation. It’s trying to be a crowd-pleaser, and it’s not very pleasing. There are so many other Spielberg movies that aim for entertainment value above anything else and really succeed. The Terminal has simply not aged very well, and feels like it should stay nice and forgotten about in the past. It tries too hard to make you feel good, and nothing feels very sincere or effortless about it, the way you likely feel about a great many actually moving and endearing Spielberg films.































































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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

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☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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The Terminal


Release Date
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June 18, 2004

Runtime

128 Minutes

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Writers

Andrew Niccol, Sacha Gervasi, Jeff Nathanson

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Terry Crews Told To Make Hollywood Pay Over Treatment

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Terry and Rebecca Crews on the red carpet

Terry Crews has gone viral after an old clip showed him opening up about how he was allegedly abandoned by Hollywood. The actor claimed the cold treatment came after he spoke out about being reportedly assaulted by his former agent.

Internet users have since shared mixed reactions online, with many calling for him to be protected at all costs, while others insisted he should have made Hollywood pay for how he was treated.

The renewed attention also comes as Terry recently opened up about how he and his wife, Rebecca, endured years of her battle with Parkinson’s disease before he stumbled upon a post about a cutting-edge treatment.

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An old clip of Terry’s appearance on the “Soul Boom” podcast with Rainn Wilson is making the rounds online. In the clip, the “Norbit” actor reflected on the backlash he faced after going public with allegations that his former agent, Adam Venit, assaulted him.

Terry recalled that people initially struggled to believe him because of his size and pressed him about what he was trying to achieve by speaking out. He went on to say that while he stood his ground, the decision cost him financially, as the checks stopped coming in.

Terry revealed that he reported the said assault to the agency and was told it was being handled. However, according to him, the only thing he received afterward was silence.

Terry Claimed He Was ‘Abandoned’ By Hollywood

Terry and Rebecca Crews on the red carpet
Xavier Collin/Image Press Agency/MEGA

Things remained the same until about a year later, when Terry teased what had been going on in a tweet. Shortly afterward, he received a call from the agency looking to iron out the situation. However, the matter had seemingly escalated by then, as many others had also come forward to share similar stories.

Terry explained that the agency still would not take action against the “predator in [the] hallway.”  However, he noted during the interview that his vulnerability resulted in him being pushed out by Hollywood, as many industry bigwigs allegedly turned away from him.

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“Abusers protect each other in Hollywood,” he said.

Terry Crews’ Viral Clip Sparks Mixed Reactions

Rebecca King-Crews and Terry Crews at 2017 GQ Men Of The Year Party
Xavier Collin/Image Press Agency / MEGA

Internet users have taken to social media to share mixed reactions to the resurfaced clip, with many praising Terry for being vulnerable, while others were less sympathetic to his plight.

“Can you believe the man is violated and they want Him to shut up!!!!! That’s just sick,” one X user wrote, while another added, “Wow, they tried to act like his case wasn’t successful. I’m glad other people also confessed, and he won the case.”

Others had a more critical take.

“If you’re assaulted in front of your family and a room full of white people, you should have beaten his -ss in front of all those witnesses in self-defense and sued him for millions of dollars!!!” one user penned.

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Terry And Rebecca Open Up About Health Scare

Rebecca and Terry Crews on the red carpet
LISA OConnor/AFF-USA.com / MEGA

Terry and his wife, Rebecca, recently opened up about the storms and trials they’ve had to endure in their home, particularly with her Parkinson’s diagnosis in 2015.

In an interview with PEOPLE Magazine, they spoke about the ordeal of dealing with the health scare. Rebecca recalled reaching a breaking point after going three days without sleep. Terry later walked in to show her a post about a groundbreaking, noninvasive treatment known as focused ultrasound, which he believed could help her.

“I’d been reading about this and researching it for ten years,” he recalled. It turned out he was right, and she was able to start getting better.

Terry’s Daughter Narrates Incident With ‘Creepy’ Actor

Meanwhile, Terry and Rebecca’s daughter Azriél took to social media earlier this year to narrate how a “creepy” actor hit on her when she was just 16. At the time, she explained that she met the famous star at a “pre-wedding yacht party” but refused to mention his name.

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“He was very well aware of my age,” she recalled in the clip. “He was friendly at first, and I was a fan of his work, so I was actually really excited to meet him.”

Azriél said the actor later sat beside her at the ceremony despite seats being unassigned, which she described as her “first official red flag.” She claimed he then touched her back, smiled “creepily” at her, and made an uncomfortable remark while pressing his knee against hers.

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Who Won American Idol Season 24? Meet Hannah Harper

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The latest American Idol winner has been revealed.

During the Monday, May 11, season 24 finale, host Ryan Seacrest announced that Hannah Harper received the most votes from viewers. Jordan McCullough was revealed to be the runner-up, with Keyla Richardson coming in third place.

“After a nationwide vote and an incredible season, the winner of American Idol 2026 is Hannah Harper,” Seacrest announced in the finale’s climactic moment.

The Idol finale started off with the final three each singing a track in honor of guest mentor Alicia Keys. Harper performed Keys’ 2007 hit “No One,” while Richardson covered 2009’s “Un-Thinkable (I’m Ready)” and McCullough took on the 2003 song “If I Ain’t Got You.”

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Related: Carrie Underwood Details Life on Family Farm: ‘I’m Covered in Poop’

Carrie Underwood/Instagram Carrie Underwood is sharing the good, the bad and the ugly of life on a farm. “My goal is to just do as much as I can myself,” Underwood, 43, exclusively told Us Weekly at American Idol’s Taylor Swift night on Monday, April 27. “I love it. It’s a challenge, and it’s frustrating, […]

“Your voice sound beautiful and tender and like a lullaby,” judge Luke Bryan told Harper. “Your voice is like walking in the outdoors. It’s like walking through a beautiful garden. You’re true artist.”

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The second round was a salute to each finalist’s hometown, with Harper opting for the original track “Married Into This Town.”

“Congratulations on songwriting, congratulations about being that authentic person,” judge Lionel Richie told her.

The hometown round continued with Richardson’s rendition of “I Love The Lord” and McCullough’s version of “Dear God.” At the conclusion of the second round, Seacrest revealed that Keyla finished in third place overall.

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The stage was set for a dramatic showdown between the final two, as each got a chance to perform their potential winner’s single — Harper’s “String Cheese” and McCullough’s “Goodness of God.” When the votes were totaled, Harper was revealed as the 2026 Idol winner.

Harper, 25, is a stay-at-home mom of three from Willow Springs, Missouri. The singer has captivated American Idol fans since she auditioned with an original song titled “String Cheese,” which explores postpartum depression.

McCullough, 27, is a worship director at Zeal Church in Murfreesboro, Tennessee, which is less than an hour away from Nashville. He previously auditioned for The Voice in 2019 but did not receive any chair turns.

Richardson, 29, is a gospel singer born and raised in Pensacola, Florida. Her single “So Good” became her first No. 1 on Billboard‘s Gospel Airplay chart in 2021.

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After making the Top 5 during the April 27 episode, Harper and Richardson exclusively told Us Weekly that they were grateful to be able to share their faith with America throughout the season.

“We both have grown up in church and had the opportunity to share our testimony, and it was nice to be able to have it on this platform,” Harper said. “It was an honor.”

American Idol Winners Where Are They Now


Related: ‘American Idol’ Winners: Where Are Fantasia Barrino and More Now?

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American Idol paved the way for reality competition shows to help everyday people achieve their dreams of music stardom. The series premiered in 2002 on Fox with a star-studded judging panel consisting of Simon Cowell, Paula Abdul and Randy Jackson. American Idol‘s freshman season introduced Kelly Clarkson, who would become the show’s first breakout star. […]

Richardson added, “I grew up in the church. I know so many songs, so it was kind of hard to pick, but I wanted to pick something everyone could relate to. I wanted everyone to worship with me. That’s my heart right there. That’s where I find myself in worship a lot of times. When they said ‘songs of faith,’ that was right up my alley.”

The musician continued, “I’m glad that we can be open about our faith. I’m glad that everybody is OK with it, and we’re OK with it. … I love God, and that’s who I love.”

Harper, McCullough and Richardson were voted into the Top 3 during last week’s semi-finals.

Monday night’s three-hour season finale saw Keys serve as a guest judge alongside Carrie Underwood, Richie and Bryan. The evening was also filled with musical performances from Brad Paisley, Blues Traveler, Cameron Whitcomb, Clay Aiken, En Vogue, Gin Blossoms, Jason Mraz, Lee Ann Womack, Nelly, Shinedown, Tori Kelly and more.

Braden Rumfelt and Chris Tungseth, who were eliminated in the Top 5, also returned to perform.

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“RuPaul's Drag Race” icon Katya gives health update after emergency surgery and hospitalization

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“Drag Race” stars Monét X Change, Shea Couleé, Bosco, and Michelle Visage replied to Katya’s update online: “Sending healing recovery vibes!”

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Savannah Guthrie announces new hosting gig from Jimmy Fallon and NBC: 'This is something that's full of joy'

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The news comes three months after the “Today” co-host’s mother, Nancy Guthrie, was abducted from her home and remains missing.

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Russell Crowe’s Action Thriller Lands a Surprising Rotten Tomatoes Score After Its Release

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Sports movies love a comeback, and honestly, so do moviegoers. There’s something very hard to resist about a broken fighter getting one last shot, a trainer barking from the sidelines, and a final showdown where the emotional stakes are doing as much heavy lifting as the punches. Add mixed martial arts into the mix, and you’ve got the kind of bruising underdog story that feels designed to leave everyone sweaty, stressed, and quietly rooting for one more round.

Beast, the new MMA action drama starring Russell Crowe (Gladiator) and Daniel MacPherson (Foundation), has debuted with a strong score on Rotten Tomatoes. The film currently holds an 80% critics’ score, alongside a 78% audience score on the Popcornmeter, making it one of the better-received MMA dramas in a genre that has not exactly been overloaded with modern classics. Aside from films like Warrior and The Smashing Machine, the world of MMA has remained surprisingly underused on screen.

Directed by Tyler Atkins and written by Crowe and David Frigerio, Beast follows Patton James, a former MMA champion who has spent years away from the cage, but when his younger brother is put in danger, Patton is pulled back into the fight world and reunites with the trainer who once helped make him a legend. From there, he commits to one final showdown against the reigning champion, because apparently retirement in sports dramas is just a plot device before the big battle scene.

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The cast includes Crowe as Sammy, MacPherson as Patton James, Luke Hemsworth (Westworld, The Terminal List: Dark Wolf) as Gabriel Stone, Mojean Aria (The Correspondent, See) as Malon, Kelly Gale (Plane, The Enforcer) as Luciana, George Burgess (Land of Bad, Locusts) as Neal, Saphira Moran (It Will Find You, Beast) as Nadine James, and Bren Foster (Life After Fighting, Deep Blue Sea 3) as Xavier Grau.































































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Collider Exclusive · Action Hero Quiz
Which Action Hero Would Be
Your Perfect Partner?

Rambo · James Bond · Indiana Jones · John McClane · Ethan Hunt

Five legends. Five completely different ways of getting out alive — with style, with muscle, with charm, with luck, or with a plan so intricate it probably shouldn’t work. Ten questions will reveal which action hero was built to have your back.

🎖️Rambo

🍸James Bond

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🏺Indiana Jones

🔧John McClane

🎭Ethan Hunt

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01

You’re dropped into a dangerous situation with no warning. What do you need most from a partner?
The first few seconds tell you everything about who belongs beside you.





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02

You have to get somewhere dangerous, fast. How do you travel?
How you get there is half the mission.





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03

You’re pinned down and outnumbered. What does your ideal partner do?
This is when you find out what someone is really made of.





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04

The mission is paused. You have one evening to decompress. What does your partner suggest?
Who someone is when the pressure drops is who they actually are.





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05

How do you prefer your partner to communicate mid-mission?
Good communication is the difference between partners and a liability.





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06

Your enemy is powerful, well-resourced, and has the upper hand. How should your partner approach them?
The approach to the enemy defines the partnership.





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07

Things go badly wrong and you’re captured. What do you trust your partner to do?
Who someone is when you need them most is the only thing that matters.





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08

What does your ideal partner bring to the table that you couldn’t replace?
A great partner fills the gap you didn’t know you had.





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09

Every partnership has a cost. Which of these can you live with?
No one comes without baggage. The question is whether you can carry it together.





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10

It’s the final moment. Everything is on the line. What do you need from your partner right now?
The last question is the most honest one.





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Your Partner Has Been Assigned
Your Perfect Partner Is…

Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.

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Rambo

Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.

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James Bond

Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.

Indiana Jones

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Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.

John McClane

Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.

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Ethan Hunt

Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.

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Is ‘Beast’ Worth Watching?

The appeal seems to be that Beast knows exactly what kind of movie it is. This is a classic underdog sports drama, and early reviews suggest it is not trying to reinvent the cage. RogerEbert.com awarded the film 3 out of 4 stars, hailing it as a sports movie that understands the formula and delivering on it. Other reviews have highlighted the fight scenes, with critics pointing to the physicality of the action and the impact of the blows inside the cage, with MacPherson’s performance carrying much of the emotional and physical weight.

Beast is now available on digital. Stay tuned at Collider for more.


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Release Date

April 10, 2026

Director

Tyler Atkins

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Rebecca Black claps back at “Michael” star Jaafar Jackson's 15-year-old criticism that invoked Kanye West

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Billie Eilish Leaves Amy Poehler Green With Jealousy

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Amy Poehler on the red carpet

Billie Eilish left Amy Poehler green with jealousy when the singer appeared on her podcast and started praising “The Office,” prompting the host to bring up her own show, “Parks and Recreation.”

Most fans took sides with Poehler, with many insinuating that “Parks and Recreation” is somehow better than “The Office.”

Eilish also addressed speculation that she was feuding with her brother and co-writer, Finneas, after he was noticeably absent from her tour.

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Amy Poehler on the red carpet
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Eilish left Poehler grappling with jealousy during her recent appearance on the actress’s “Good Hang” podcast.

The “Birds of a Feather” singer spoke about her love for the hit comedy series “The Office,” saying she started watching it when she was about 11 or 12 years old and has probably watched it more than 40 times.

Seemingly jealous, Poehler went on a short rant that made Eilish burst out laughing before clarifying that her real question was whether the singer had heard of and watched “Parks and Recreation.”

Eilish quickly replied that she loves the show, adding, “It’s like the top five shows of all time.” She then went on to praise Poehler’s work on the series as “one of the greatest performances in history,” leaving the actress visibly flattered.

Fans Debate Between ‘The Office’ And ‘Parks And Rec’

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Several fans took to the comment section of a trending video of their interaction to share their mixed reactions, with many debating which show is better.

“Parks and Rec is the better show IMO. I had already seen The Office by the time I picked up Parks and Rec a few years ago, and couldn’t believe how funny it was. Once Michael Scott left The Office, it wasn’t nearly as good,” a fan wrote on X.

Others thought “The Office” was better, with one claiming “Parks and Recreation” borrowed heavily from it.

Billie Eilish Gets Candid About Tourette’s Syndrome

Elsewhere on the show, Eilish got vulnerable as she spoke about doing everything she could to suppress her Tourette’s syndrome, per The Guardian.

The “Ocean Eyes” singer revealed that she was diagnosed with the condition at age 11, adding that it can be very frustrating when others do not know what it is or how to help.

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“I do have Tourette’s and I have vocal tics, and I can keep them pretty quiet,” she said on the show. “I go through phases of words becoming tics, but there’s a thing called suppressing, if you’ve ever heard of it.”

She continued, “When I’m in an interview, I’m doing everything in my power to suppress all of my tics constantly. And as soon as I leave the room, I have to let them all out.”

Eilish Previously Said Living With The Experience Was ‘Very Exhausting’

Billie Eilish on the red carpet
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Back in 2022, Eilish experienced an on-camera tic during an appearance on David Letterman’s “My Next Guest” show on Netflix. At the time, she revealed that she does not experience tics while performing and that some stopped occurring over time, but said living with the condition was “very exhausting,” per the BBC.

She also said she “really loves” talking about her experience, but admitted it was confusing for her and made worse by people’s reactions when she has a tic.

“The most common way that people react is they laugh because they think I’m trying to be funny. I’m always left incredibly offended by that,” she said.

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Billie Eilish Shuts Down Rumors Of A Finneas Rift

Finneas O'Connell and Billie Eilish at 2025 iHeartRadio Music Awards
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Eilish has faced rumors of a possible rift between her and her brother, Finneas, who has co-written many of her hit songs.

In an April interview with Elle, she opened up about his noticeable absence from her tour, marking the first time she had worked for an extended period without him. However, she explained that his absence does not mean they are feuding, adding that they are still siblings.

“I heard somebody say, ‘Did you guys hear Finneas and Billie had a falling-out?’” the singer said. “Finneas and I have never and will never have a falling-out, ever in our lives. We’ll get in the biggest f-cking fight you’ve ever heard of in your life…and five minutes later, we’re back, laughing and making music.”

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Kevin Hart And Katt Williams Bury Years-Long Beef

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Katt Williams at Netflix's 'Def Comedy Jam 25' Special Event

After years of tension and public shots between Kevin Hart and Katt Williams, the two appeared to finally bury the hatchet during Netflix’s “The Roast of Kevin Hart.” The comedy special featured a list of comedians and celebrities poking fun at the actor, including Williams, who made a surprise appearance.

Hart and Williams’ feud began in 2014, with the two exchanging verbal jabs. The former extended an olive branch to his fellow comedian, but not before getting brutally roasted in the name of comedy.

Katt Williams at Netflix's 'Def Comedy Jam 25' Special Event
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The Roast of Kevin Hart,” which premiered live on Netflix on May 10, had comedians and special guests roasting the actor, including Tom Brady, The Rock, Jeff Ross, Pete Davidson, Regina Hall, Tony Hinchcliffe, and Big Jay Oakerson. Toward the end of the evening, Hall brought out a surprise guest, legendary comedian Katt Williams.

It was a big surprise, indeed, as the two have been embroiled in a public feud since 2014. Williams immediately took a jab at Hart, saying, “I’m surprised they invited me. That’s how little star power you have. They had to start inviting your enemies. I said, ‘I hate him.’ They said, ‘Come anyway,’”

Hart took Williams’ roast in stride, laughing with the crowd and seemingly having a genuinely good time despite the surprise guest’s scathing words. As for why he agreed to appear, Williams said, “For the money, b-tch!”

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Kevin Hart attends Los Angeles Premiere Of Netflix's "Me Time"
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Williams used his quick wit and storytelling expertise to share with the audience his beef with Hart, combining roasting the comedian and enumerating the problems he had with him. “Kevin and I had beef, and I’ll tell you why. Because, privately, this motherf-cker stole everything from me. Before he saw my act, he was a 6-foot-3 white man,” Williams said.

In 2014, Williams started making backhanded remarks about comedians in Hollywood. At that time, Hart, who started in the stand-up comedy circuit, appeared in films such as “Ride Along,” “About Last Night,” “Get Hard,” and “The Wedding Ringer,” among others. Williams has also accused Hart of taking movie roles from him.

Kevin Hart at the World Premiere Of Netflix's 'Lift'
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Throughout the years, Williams has accused Hart of being an “industry plant” and a “Hollywood puppet,” citing his rapid rise to fame. At the roast, the comedian said he made some comments he would like to take back, and that some of what he said was “misunderstood.”

Williams spoke about those comments during the roast, saying that he referred to the actor as a “plant” because “I keep burying him. He keeps springing back the f-ck up, just like a plant.” As for being a “puppet,” Williams said his words may have been taken out of context, explaining that what he meant was, “The head of Netflix literally has his whole hand up Kevin’s a-s and can make him do anything.”

Katt Williams at Premiere Of Warner Bros. Pictures' 'Father Figures' - Arrivals
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In 2016, Hart posted a photo on Instagram with Dave Chappelle and Chris Rock, writing a caption about comedians supporting each other. “It’s about helping one another not trying to tear each other down!!! The insecure ones will never understand that…” Hart wrote. Despite not naming Williams, many speculated it was a veiled jab at his rival.

In 2018, Hart directly addressed his problem with Williams on “The Breakfast Club,” saying his frustration stemmed from the comedian not taking responsibility for his actions. “You didn’t show up to work. You f-cked off promo shoots… You became a risk to the studios, which is why studios stopped f-cking with you,” Hart exclaimed.

In 2024, Williams appeared on the “Club Shay Shay” podcast, in which he talked at length about Hart being an “industry plant.” The comedian claimed Hart never had a sold-out show or a standing ovation at comedy clubs before being an actor. “He already had his deals when he got here,” Williams said.

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Kevin Hart And Katt Williams End Their Feud

After Williams’ roast, Hart spoke about the surprise appearance and acknowledged their years-long beef. However, he said, “Katt, I can sit, I can watch you, I can laugh because I’m a f-cking fan first.” He went on to say that he’s taking the opportunity in front of live TV to put their differences aside.

“I am offering you an olive branch of peace. I want to be a brother. I want to be a friend. Katt, I wanna move on. Can we move on, man?” Hart asked. Williams approached the man of the night, extending his hand. The two shook hands and shared a brotherly hug, with the audience hollering and applauding.

Hart took the stage, referring to his interaction with Williams earlier in the night as “some of the best f-cking acting” that he’s done in his career. “I did not mean one word of what I said. F-ck Katt Williams!” he said jokingly. He then went on to refute his rival’s claims.

On a serious note, however, he shared his appreciation for Williams’ participation in the roast. “I meant what I said, that beef is over. Katt and I are friends from today moving forward,” Hart said.

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‘It Ends With Us’ Actor Blasts Blake Lively’s Claims

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Blake Lively attends marc jacobs fashion show

It Ends With Us” actor, Adam Mondschein, is pushing back against claims made by Blake Lively about feeling uncomfortable and violated during the birthing scene in the movie. The actor, who was supposed to testify in the case that has now been settled, is telling his side of the story and detailing what went down on the day of the shooting from his perspective.

Blake Lively attends marc jacobs fashion show
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In an interview with Page Six, actor Adam Mondschein, who played the OBGYN on “It Ends With Us,” spoke out about his experience on set and the environment during the birthing scene, which was part of Lively’s complaint against Justin Baldoni. The actress described it as a “violative birthing scene for which he cast a friend” to play the role of the OBGYN.

While Mondschein has been good friends with Baldoni for years, he also has a master’s degree in acting from UCLA and has several credits to his name. Mondschein said he met Lively for the first time on the day of filming the birthing scene, saying, “Nothing happened that she wasn’t in charge of. She came into the room as the most powerful person in the room.”

The actor also said Lively was part of the creative decisions that day, saying that she was “not a wilting flower” and was confident.

Adam Mondschein Details What Happened On Set During The Birthing Scene

Blake Lively exits court
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Blake Lively claimed she felt “uncomfortable” during the birthing scene, alleging that Mondschein’s “face and hands were in close proximity to her nearly nude genitalia for a birth scene,” which she said was “invasive and humiliating.”

Mondschein counters the claim, explaining that Lively was far from “nearly nude.” The actor said that while it was a birthing scene, Lively was dressed in a hospital gown, had a large prosthetic belly, and was wearing black shorts underneath the gown. “There’s nothing to see. Nothing to look at,” Mondschein said, adding that his attention was on the baby he was holding.

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They used a real baby covered in cream cheese and jelly for the scene, and Mondschein shared that, apart from the crew, the only others present were those needed for the scene and the infant’s parents, who were closely watching their baby.

The Actor Defended Justin Baldoni

Justin Baldoni at 'It Ends with Us' World Premiere
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Mondschein said Baldoni had good intentions when he decided to work on the project and even had a good relationship with Colleen Hoover, the author of the book the movie was adapted from, in the beginning.

“The reason he wanted to direct this piece, the reason why he wanted to be in it, to put his heart on it, was because he found the book to be significant,” the actor said, adding that Baldoni wanted to raise awareness on domestic violence. He also expressed the toll the lawsuit has taken on his friend, which also affected Baldoni’s wife, children, and parents.

“That’s a terrible burden to carry and then to maintain the knowledge that’s not who you are,” he said, adding that the people accused “did not deserve what happened to them.”

The Actor Has Been Refuting Blake Lively’s Claims

Blake Lively leaves the Dior office in Paris
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Mondschein also appeared in journalist Kjersti Flaa’s podcast and refuted Lively’s claims. Flaa, who has been covering the “It Ends With Us” lawsuit, was also mentioned in the case due to her viral interview with Lively, in which the actress asked, “How’s your little bump?” after being congratulated on her pregnancy.

In Lively’s complaint, she claimed Wayferer Studios co-chairman, Steve Sarowitz, was present during the birthing scene. He was also named as a defendant in the case. Mondshchein said Sarowitz wasn’t even on set at that time, saying that he remembers because he gave him “sh-t” for coming in later in the day.

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Mondschein also appeared on Piers Morgan’s “Uncensored” and said he feels “sorry” for Lively, as reported by The Blast. “I have very firm feelings about the actions that she took, and she hurt my friend and has been hurting my friend,” the actor said.

Blake Lively out in Bryant Park
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Days after settling the case, Lively’s camp started pushing to make the defendants pay for damages and legal fees. According to the actress, she is entitled to a payout despite the settlement, citing the defendants’ filing of a “false” defamation lawsuit against her. Baldoni’s defamation claim was dismissed in 2025.

Lively is reportedly seeking “compensatory damages tripled, and punitive damages,” as noted in the motion, per the Daily Mail. The actress’s attorneys are requesting to file more documents to support the motion, but according to the outlet, the judge rejected the request, saying that the court will no longer entertain additional briefs before he decides on the matter.

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3 Binge-Worthy Shows to Watch on Prime Video This Week

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Castle TV Series Poster

With just two episodes left in its fifth and final season, The Boys has once again topped Prime Video‘s TV rankings as the most popular show on the platform for another week running. Created by Eric Kripke and based on the comics by Garth Ennis and Darick Robertson, the gratuitously violent superhero satire show is a fan-favorite that ranks among the biggest superhero franchises of the 21st century, and all eyes are appropriately on the series as it enters its final chapters. But while you wait for the show’s last episodes, there’s still a lot of other great series on the streaming platform that could occupy your time. Here’s a look at three great shows that we think you should binge on Prime Video this week, including both recent hits and iconic TV classics.

For more recommendations, check out our list of the best shows and movies on Prime Video.

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1

‘Scarpetta’ (2026–Present)

Developed by Liz Sarnoff, Scarpetta is a crime drama show adapted from the book series by Patricia Cornwell, with Nicole Kidman starring as the title character, Dr. Kay Scarpetta. A brilliant forensic pathologist, Kay uses cutting-edge technology and her expertise to help solve a complex mystery in her role as chief medical examiner of the Commonwealth of Virginia. The show also stars Bobby Cannavale, Jamie Lee Curtis, Simon Baker, Rosy McEwen, Jacob Lumet Cannavale, Hunter Parrish, and Ariana DeBose in key roles.

Scarpetta is not without its flaws, but it’s a thrilling mystery series powered by the perfectly composed performances of its stacked cast. Though its critical reception has been pretty mixed, the show has proven quite popular with audiences. Anchored by Kidman’s and Jamie Lee Curtis’s acting, the series may not be a perfect adaptation of its bestselling source material, but it’s still an enjoyable story in its own right.





















































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Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

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🛢️Landman

👑Tulsa King

⚖️Mayor of Kingstown

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01

Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




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02

Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




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03

Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




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04

Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




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05

How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




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06

What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




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07

How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




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08

Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




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09

What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




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10

When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




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Sheridan Has Spoken
You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

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🤠
Yellowstone

🛢️
Landman

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👑
Tulsa King

⚖️
Mayor of Kingstown

You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

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You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

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You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

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2

‘Snowpiercer’ (2020–2024)

Developed by Josh Friedman and Graeme Manson, Snowpiercer is a post-apocalyptic thriller series inspired by Bong Joon-Ho’s 2013 film, in turn an adaptation of the 1982 French graphic novel Le Transperceneige by Jacques Lob, Benjamin Legrand, and Jean-Marc Rochette. Set seven years after a climate apocalypse, the story explores class tensions, social injustice, and personal conflicts aboard the titular train, which perpetually circles the globe carrying the remnants of humanity. Jennifer Connelly and Daveed Diggs lead the ensemble cast, with Mickey Sumner, Alison Wright, Iddo Goldberg, Susan Park, Katie McGuinness, Sam Otto, Sheila Vand, Mike O’Malley, Annalise Basso, Jaylin Fletcher, Lena Hall, and more in key roles.

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The Snowpiercer series had a pretty rough production, marred by creative conflicts, studio shutdowns caused by the COVID-19 pandemic, and a change of networks. But though it’s quite underrated and underwatched, the show is easily one of the best dystopian TV series of recent years, following well-realized characters in a fascinating saga of class warfare. The performances are a key highlight, with Daveed Diggs in particular winning two Critics’ Choice Super Awards for his work on the show.

3

‘Castle’ (2009–2016)

Created by Andrew W. Marlowe, Castle is a fan-favorite ABC procedural show that stars Nathan Fillion and Stana Katic. The series follows best-selling mystery novelist Richard Castle (Fillion) and hard-nosed NYPD homicide detective Kate Beckett (Katic) as they team up to solve unusual crimes and eventually develop a romantic relationship. Besides Fillion and Katic, the show also features Susan Sullivan, Molly C. Quinn, Jon Huertas, Tamala Jones, Seamus Dever, and more in key roles.

Though the series had a marked decline in quality and popularity in its latter seasons, Castle‘s Seasons 1 to 4 are undeniably brilliant, taking audiences on engaging adventures full of baffling mysteries, emotional drama, and witty humor. Anchored by Fillion and Katic’s performances and chemistry, the series is easily one of the best procedural mystery shows of the 2000s, and even though it may have ultimately overstayed its welcome, Castle still enjoys an international fan following. The show also earned numerous accolades during its broadcast, including 11 People’s Choice Awards.

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Castle TV Series Poster

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Release Date

2009 – 2016-00-00

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Showrunner

Andrew W. Marlowe

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Directors

Andrew W. Marlowe

Writers
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Andrew W. Marlowe

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