“Selling Sunset” is heading into its milestone 10th season with a cast shakeup that nobody saw coming.
Just weeks before cameras are set to roll again, multiple familiar faces have reportedly been cut from the Netflix hit, leaving fans stunned and insiders scrambling to explain what happened behind the scenes.
While some longtime stars are out, controversial fan favorites are suddenly back in the mix, setting the stage for one of the franchise’s messiest and most dramatic seasons yet.
“Selling Sunset” reportedly cleaned house ahead of season 10, with Emma Hernan, Mary Bonnet, Chelsea Lazkani, Alanna Gold, and Sandra Vergara all getting axed from the series.
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According to a report from TMZ, the decisions were made back in April as producers prepared for filming to begin only weeks later.
The massive overhaul marks one of the show’s biggest cast changes and immediately sparked questions about the direction Netflix wants the franchise to take moving forward.
Bonnet herself appeared to hint that major behind-the-scenes changes were already happening during an interview earlier this month.
“Netflix wanted a change-up,” she admitted per the Daily Mail, while teasing that there were “changes” coming that she “just can’t say.”
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At one point, Bonnet also appeared uncertain about when filming for season 10 would even begin, fueling speculation she already knew her future with the show was over.
Meanwhile, insiders claim another familiar Netflix face may soon enter the chaos. Alex Hall from “Selling the OC” is reportedly being considered for the cast while the spin-off remains on indefinite pause.
‘Selling Sunset’ Brings Back Christine Quinn And Heather Rae El Moussa
Xavier Collin/Image Press Agency/MEGA
While several stars are reportedly out, “Selling Sunset” is also reviving some of its most recognizable faces.
Bre Tiesi, Christine Quinn, Amanza Smith, and Heather Rae El Moussa are all expected to return for the upcoming season.
Quinn’s comeback, especially, sent shockwaves through the fanbase because she left the show in 2022 amid explosive drama and accusations she fiercely denied.
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The former breakout villain was accused of offering one of Emma Hernan’s clients $5,000 to stop working with her, claims Quinn publicly rejected.
Even Bonnet admitted Quinn remains valuable television despite their complicated history. “Christine’s always, she’s good for the show. Wasn’t happy about the way she left, I mean the things before, but everyone grows and hopefully she has,” Bonnet said.
Davina Potratz also supported Quinn’s return, saying, “I think Christine is a great choice for return because she’s a fan favorite and everyone loves her. She’s very funny. And I think she’s great for the show.”
Potratz suggested producers may be trying to restore the energy from Selling Sunset’s earlier seasons after fans complained the series drifted too far from its original appeal. “I feel like the fans kind of want more of what it originally was,” she explained.
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‘Selling Sunset’ Drama Destroyed Major Friendships Behind The Scenes
Several of the cast exits follow years of growing tension and explosive personal feuds within the Oppenheim Group.
Lazkani and Bonnet, once close friends, spent the last two seasons tearing into each other after a disastrous listing appointment damaged their relationship.
The conflict reportedly began when Lazkani arrived late to an open house, and Bonnet criticized her revealing outfit in front of Jason and Brett Oppenheim.
Lazkani fired back by telling Bonnet, “If you wanted to be woman-to-woman you would’ve pulled me aside, but doing it in front of two men, I just think it’s a little bit of a low blow.”
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Their friendship never recovered. Even after Bonnet experienced a frightening home invasion, she reportedly refused the flowers Lazkani sent her afterward.
Emma Hernan also became embroiled in controversy during her run after Chrishell Stause accused Hernan’s boyfriend, Blake Davis, of saying “pronouns are dumb” regarding Stause’s nonbinary spouse, G Flip.
Hernan denied the accusation completely, insisting Davis merely referred to G Flip as Stause’s “wife.”
Davis later clarified, telling the Daily Mail, “I regretfully referred to G Flip as Ms Stause’s wife.” The drama eventually contributed to Stause stepping away from the show after saying it was “no longer good for my mental health.”
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‘Selling Sunset’s Newer Cast Members Also Faced Controversy
Some of “Selling Sunset’s” newest additions also struggled to connect with audiences before reportedly being let go.
Alanna Gold faced backlash after claiming she and her husband owned Pioneertown, California, prompting furious reactions from locals.
She later apologized and clarified that they had only “invested in a home and other properties there.” Sandra Vergara, Sofia Vergara’s adopted sister and biological cousin, only lasted one season before reportedly exiting.
During her short time on the series, she clashed with multiple cast members and emotionally denied accusations that she once keyed a car belonging to Stause’s assistant.
Insiders claim one challenge for newer additions is that they often lack genuine relationships with the rest of the cast before filming begins.
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“Sandra Vergara didn’t really know anybody before joining,” one source explained, adding, “It’s hard anytime they add a new person that doesn’t have a real behind the scenes connection with anyone in the cast.”
‘Selling Sunset’ Producers Reportedly Want Bigger Drama For Season 10
Behind the scenes, insiders claim producers became desperate to revive “Selling Sunset’s” original formula by bringing back cast members with deeper history and bigger personalities.
According to sources, Quinn was not actively trying to return to the show. “Christine was not looking to be back on Selling Sunset,” one insider told the Daily Mail last month, adding she “didn’t reach out” to producers herself.
Instead, producers allegedly pursued her because “she brings the most drama and that’s what they need right now with the new season – more drama.”
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The insider even claimed producers sometimes “bribe cast members with more money just for them to return.”
Quinn reportedly hesitated because of concerns about how she would be portrayed after previously being edited as the show’s villain.
“She was made out to be a villain and she’s not like that at all in real life,” the source said. Still, producers reportedly believe Quinn’s long history with the cast gives the series something newer stars could never fully recreate.
Long-running franchises are more common nowadays, with series milking their IP as much as possible, for better or worse. However, everyone loves a good trilogy, like The Lord of the Rings. Animation, in particular, has become more popular, with viewers hoping for more trios in the medium.
With the rise of animation, now is the perfect time to rank the seven best movie trilogies, with each entry a masterpiece. Based on animation, writing, popularity, fan opinion, critical acclaim, and the overall quality of each film, here are seven must-watch trilogies that define the genre’s best.
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1
Berserk: The Golden Age Arc (2012–2013)
Berserk is arguably one of the greatest manga series of all time, but its anime adaptations have received mixed reception. This set of movies adapts the Golden Age arc, a flashback about Guts’ backstory, from meeting the Band of the Hawk to fighting many battles, to the one moment that changed his life forever.
The later adaptations of Berserk are much worse, but luckily, these films are at least good, if not as good as the manga. Still, this story is timeless, and the trilogy does an excellent job of highlighting this iconic fantasy arc. It is dark, compelling, and rich in storytelling, making for a worthy adaptation of one of the best manga stories. Fans are better off reading the manga, but these movies are still masterpieces in their own right.
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2
The Lego Movie Trilogy (2014–2019)
Rex Dangervest, voiced by Chris Pratt, smiles confidently in The Lego Movie 2.Image via Warner Bros.
Everyone grew up playing with LEGOs, so it was only a matter of time until it got its own movie. The LEGO Movie had only two films, but this entry also includes The LEGO Batman Movie. Emmett (Chris Pratt) is an average construction worker, but now he is the one chosen to lead the resistance against evil.
No one expected The Lego Movie to be so good, but it instantly became a family classic and a staple animated movie. It was fun and creative, relating to everyone who has ever played with Lego. Next is The Lego Batman Movie, which was another shockingly fascinating and entertaining film that did well by the character while also offering new moments and humor, resulting in a fun and quirky trilogy that many fans want a new movie of.
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3
Puss in Boots Trilogy (2011–2022)
Puss in Boots bids farewell to a female cat on a dock by a ship in Puss in Boots, 2011Image via DreamWorks
Shrek is one of the most iconic trilogies of all time, but it sadly didn’t make this list since not all of them are masterpieces. However, that created an equally great spin-off, Puss in Boots. The titular cat has three films, each taking him from encounters with a bad egg and three adorable but feisty kittens to a face-to-face encounter with death itself.
Puss in Boots: The Three Diablos isn’t a masterpiece, but it is still a solid and enjoyable film that shouldn’t keep this trilogy off this list. The first film is an entertaining romp, but nothing more. However, Puss in Boots: The Last Wish is one of the greatest modern animated films, conveying a sense of emotional weight heavier than most. The themes, story, and villain create a masterpiece that rivals most animated trilogies.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
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🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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4
Kizumonogatari Trilogy (2016–2017)
There are a handful of anime films on this list, but one of the greatest anime series of all time featured is the Monogatari Series. The Kizumonogataritrilogy is the first part of the franchise chronologically, following Araragi as he gains the powers of a vampire. However, if he wants to live as a human, he must retrieve the limbs of the vampire who took his blood, sending him off on a perilous journey.
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The Monogatari Series is one of the most polarizing anime series because of its controversial themes and sexual content. However, the Kizumonogatarimovies feature less of that and more of a cohesive story, making it the series’s best arc. The animation is gorgeous, fluid, and distinct, and the direction, editing, and style create an unconventional yet mesmerizing movie. Kizumonogatariis a wild ride with action, gore, romance, and drama, and each film is better than the next.
5
How to Train Your Dragon Trilogy (2010–2019)
Live-action adaptations of animated films are all the rage nowadays, even if they rarely turn out well, but one of the most recent was also one of the best. How to Train Your Dragon is a staple of the 2010s, following Hiccup (Jay Baruchel), a Viking boy too weak in a world of cold-hearted warriors. Instead of killing a dragon, he tames it, hoping the rest of the clan and these creatures can live in harmony.
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The How to Train Your Dragon franchise is one of the most consistent, with each of the three movies offering a fun adventure with plenty of drama, emotion, action, and magic. The messages are wholesome and important, bolstering this already essential film with worthwhile subtleties. Each movie is grander than the next, and the natural progression and aging of the characters is a nice addition, creating an essential 2010s animated trilogy.
6
Makoto Shinkai’s Disaster Trilogy (2016–2022)
Suzume holding a chair while looking at the camera in SuzumeImage via Toho
Most of the anime films on this list are part of a franchise or adaptation work, but Makoto Shinkai’s Disaster Trilogy is an original story. The trilogy consists of Your Name, which follows two teenagers who try to find each other after they switch bodies; Weathering With You, where a runaway student meets a girl who can control the weather; and Suzume, where the titular protagonist can see supernatural forces and tries to stop the world from ending.
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What starts as a wholesome adventure in Your Name quickly becomes a high-stakes race against time. Often hailed as one of the greatest anime films of all time, this is the trilogy’s best, known for its visual beauty, powerful themes, and a profound romantic story. Weathering With You is the least popular of the bunch, but it is arguably the most daring. Choosing an unexpected plot twist, the story is ingrained in everyone’s memory. The atmospheric storytelling and gritty urban style set it apart from other idealistic films. Suzume is a direct response to the 2011 earthquake, detailing a deeply personal film that is also the most important. It ends the trilogy on a fantastic note, with masterful writing, themes, and animation.
7
Toy Story Trilogy (1995–2010)
Image via Disney/Pixar
After a string of lackluster originals, Pixar has leaned heavily into sequels, some of which panned out, while others failed. However, their magnum opus is undoubtedly Toy Story. When Andy accidentally forgets his toys when moving, his old reliable cowboy, Woody (Tom Hanks), and new and improved space man, Buzz (Tim Allen), begrudgingly work together to find him. Toy Story 2 is about the gang trying to escape a greedy collector, and Toy Story 3 follows the usual crew trying to escape a center for abandoned toys after mistakenly being donated.
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Technically, Toy Story isn’t a trilogy, as the fourth film in 2019 made it a tetralogy, and the upcoming Toy Story 5 will make it even longer. Still, the original three is too perfect a conclusion not to be considered its own trilogy. The first three films are a flawless, complete story, wrapping up character arcs and bringing themes full circle. Each has a powerful message that is something new and inventive. In the end, the Toy Story trilogy might be the greatest of all time.
Less than fifteen years ago, Netflix‘s business model looked quite different. Instead of being the global video and tech giant available on almost any device with an internet connection, Netflix was primarily a movie-rental service. That changed in the early 2010s, when its leadership decided to wade into scripted programming, becoming a destination rather than a service. Additionally, Netflix decided to operate like a traditional network, licensing scripted shows from studios for exclusive streaming rights.
The gamble paid off when the streamer landed hits like House of Cards and Orange Is the New Black early on. However, those were not the only shows Netflix had. Some of its earliest shows were dramas like Lilyhammer and the Bill Skarsgård-led supernatural thriller, Hemlock Grove. Before rising to acclaim as Pennywise in the IT franchise, Skarsgård was among the main cast members of the series based on Brian McGreevy‘s books. Hemlock Grove ran for three seasons from 2013 to 2015. While critics panned the series — leaving it with a dismal 33% score on Rotten Tomatoes — audiences were far more forgiving, with a 65% rating.
Netflix announced in 2022 that all seasons of the series would be removed from the streaming service, despite the series being branded as a Netflix Original. The removal came as a result of lapsed licensing terms that required the streamer to renew to keep the show on the service, but given that it was relatively old and wasn’t a cultural phenomenon like Orange Is the New Black, Netflix passed. Back then, Netflix had not fully become both a studio and a streaming service as it is now. Hemlock Grove was later licensed to FAST and Freemium services, with seasons available for purchase on PVOD services. Even with the show having ended over a decade ago, viewers still love it. Hemlock Grove was one of the most-watched shows on iTunes in the last week, according to streaming data from FlixPatrol.
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Collider Exclusive · Horror Survival Quiz Which Horror Villain Do You Have the Best Chance of Surviving? Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky
Five killers. Five completely different ways to die — if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.
🏕️Jason
🔪Michael
💤Freddy
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🎈Pennywise
🪆Chucky
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01
Something feels wrong. You can’t explain it — you just know. What do you do? First instincts are the difference between the survivor and the first act casualty.
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02
Where are you most likely to find yourself when things go wrong? Setting is everything in horror. Where you are determines which rules apply.
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03
What is your most reliable survival asset? Every survivor has a quality the villain didn’t account for. What’s yours?
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04
What kind of fear is hardest for you to fight through? Knowing your weakness is the first step to not dying because of it.
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05
You’re with a group when things start going wrong. What’s your role? Horror movies are brutally clear about who survives group situations and who doesn’t.
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06
What’s the horror movie mistake you’re most likely to make? Honest self-assessment is a survival skill. Denial is not.
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07
What’s your best weapon against something that can’t be stopped by conventional means? Every horror villain has a weakness. The survivors are always the ones who find it.
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08
It’s the final scene. You’re the last one standing. How did you make it? The final survivor always has a reason. What’s yours?
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Your Survival Odds Have Been Calculated Your Best Chance Is Against…
Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.
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Camp Crystal Lake · Friday the 13th
Jason Voorhees
Jason is relentless, but he is also predictable — and that is the gap you would exploit.
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He moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.
Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.
Haddonfield, Illinois · Halloween
Michael Myers
Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.
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But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
Michael’s power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.
Elm Street · A Nightmare on Elm Street
Freddy Krueger
Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.
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You are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.
The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.
Derry, Maine · It
Pennywise
Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.
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The Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
You ask the questions others avoid. You look directly at what frightens you rather than turning away.
That directness — the refusal to let fear fester in the dark — is Pennywise’s worst nightmare.
It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.
Chicago · Child’s Play
Chucky
Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.
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You don’t have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
Against Chucky, not laughing is already winning. You are very good at not laughing.
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What Is ‘Hemlock Grove’ About?
Like many terrifying stories on TV, the gothic horror-thriller takes place in the titular town. Hemlock Grove, Pennsylvania, was once a thriving steel town, now a shell of its former self. The town is rocked by a murder that shifts attention to Peter Rumanceck (Landon Liboiron), a young man rumored to be a werewolf, and Roman Godfrey (Skarsgård), the heir to the town’s founding family. Peter and Roman team up and uncover the town’s terrifying underbelly and its connection to the mysterious Godfrey Estate. Famke Janssen also stars as Olivia Godfrey. The horrors of a small, decrepit town are still thrilling all these years later.
Hemlock Grove is available for purchase on iTunes or for streaming on Tubi. Stay tuned to Collider for more updates.
Daniella Kertesz in World War ZImage via Paramount Pictures
Jodie Foster recently made headlines when she described F1as a movie made by artificial intelligence, but not in a “disparaging” way. Foster felt that the film’s storytelling was too mechanical, and presumably lacking soul. However, F1 emerged as the highest-grossing film of Brad Pitt‘s career with more than $630 million at the worldwide box office. It overtook a 2014 release that survived a tumultuous production that relied on decidedly human intervention. When the studio, Paramount, realized that the 2014 film’s third act wasn’t working, it decided to fund large-scale reshoots and hired A-list writers to come up with a fresh climax.
Pitt’s previous highest-grossing movie was initially green-lit with a reported budget of $125 million, which ended up ballooning to nearly $270 million because of the production difficulties. Based on a book by Max Brooks, the film was originally supposed to end with an epic action sequence set in Russia’s Red Square. But the rewrites and reshoots moved the climax to a medical research facility. Despite the setbacks, the film emerged as a major hit, grossing $540 million worldwide. Paramount even announced that it was moving ahead with a sequel that was being circled by none other than David Fincher. But the sequel hasn’t materialized yet, although it recently gained steam again.
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Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
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🏜️Dune
🚀Star Wars
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01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
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02
In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
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03
What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
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04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
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05
Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
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06
Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
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07
Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
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08
What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
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Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
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The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
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You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
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You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
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You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
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Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
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You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
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Here’s Where You Can Watch Brad Pitt’s Big-Budget Action Movie
We’re talking, of course, about World War Z, the epic zombie action movie starring Pitt. The film was directed by Marc Forster, with Damon Lindelof and Drew Goddard contributing to the rewrites. World War Z now holds a 67% score on the aggregator website Rotten Tomatoes, where the consensus reads, “It’s uneven and diverges from the source book, but World War Z still brings smart, fast-moving thrills and a solid performance from Brad Pitt to the zombie genre.” The film remains a perennial favorite on the Paramount+ streaming service even more than a decade after its release, and it is now available to stream domestically on Prime Video as well. Meanwhile, Pitt will return later this year as the star of Heart of the Beast and The Adventures of Cliff Booth. Stay tuned to Collider for more updates.
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Release Date
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June 21, 2013
Runtime
116 minutes
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Director
Marc Forster
Writers
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Damon Lindelof, Drew Goddard, Matthew Michael Carnahan, J. Michael Straczynski, Max Brooks
Producers
Brad Pitt, Dede Gardner, Ian Bryce, Jeremy Kleiner
No matter the era, the art of making people laugh is timeless. Comedy existed long before television was invented, and few things feel better than making someone laugh on a bad day. Previous generations embraced classics like 30 Rockand Seinfeld, while the early internet era helped popularize shows like Brooklyn Nine-Nineand How I Met Your Mother as meme culture began to take off.
Today, a new wave of comedies explores how humor can thrive even when life isn’t always funny. The result is a generation of shows that balance hilarious comedy with memorable characters and surprisingly heartfelt stories. With that in mind, here are new comedy shows that are perfect from start to finish.
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10
‘The Four Seasons’ (2025–2026)
Image via Netflix
The Four Seasonsintroduces three couples during their quarterly trips together. Although the group seems to have a fun time, most of them are secretly unhappy. Jack (Will Forte) and Kate (Tina Fey) struggle with mounting resentment over a lack of affection, while Danny’s (Colman Domingo) health concerns scare Claude (Marco Calvani). But the real kicker is when Nick (Steve Carell) leaves Anne (Kerri Kenney-Silver) after 25 years for a much younger woman.
The Four Seasons proves that age doesn’t magically make people wiser. If anything, the drama only gets messier as its characters navigate crumbling marriages, midlife crises, health scares, and unexpected new relationships. The show doesn’t offer neat solutions to these problems. Instead, it follows a group of adults who are still figuring things out, reminding audiences that growing older doesn’t mean having all the answers. Through its ups and downs, The Four Seasons arrives at a bittersweet truth: life keeps changing, and so do the people we love.
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9
‘Hacks’ (2021–2026)
Jean Smart’s Deborah Vance and Hannah Einbinder’s Ava Daniels smiling in Season 5, Episode 6Image via HBO Max
Hacksis a story about generational differences, centering on the relationship between the “canceled” struggling television writer Ava Daniels (Hannah Einbinder) and Deborah Vance (Jean Smart), the longtime headlining comedian at the Palmetto Casino. Forced to work together, the two try to use one another to sustain their impossibly difficult careers in the entertainment industry.
Hacks is driven by Ava and Deborah’s ever-evolving relationship, which transforms from a purely professional partnership into a genuine friendship. Of course, getting there isn’t easy. Their journey is filled with clashes, hurt feelings, and more than a few betrayals, all fueled by their relentless ambition to stay relevant in a brutally competitive industry. Yet it’s their sharp honesty and refusal to let each other get away with their worst impulses that make them such a thrilling pair to root for in this perfect comedy-drama series.
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8
‘Bait’ (2026)
Image via Prime Video
Riz Ahmed toys with the James Bond rumors in Bait. Struggling actor Shah Latif (Ahmed) gets his big break when his agent secures him an audition to play James Bond. But as news of his opportunity spreads, every corner of his life crumbles — from his unresolved feelings for his ex to his tumultuous relationship with his family.
There’s a certain humor in watching someone spiral in real time, especially when the camerawork amplifies every moment of anxiety. Bait takes even the smallest misunderstanding or awkward interaction and snowballs it into a public relations disaster for Shah. Yet each humiliation serves a purpose. Rather than breaking him, every embarrassing setback forces Shah to develop a thicker skin, gradually turning him into someone far more resilient than the insecure actor we meet at the beginning.
Business and family make a deadly combination in Deli Boys. Following their father’s sudden death, brothers Mir (Asif Ali) and Raj (Saagar Shaikh) Dar are left to take over the family deli business — only to discover it’s actually a front for their father’s underground drug operation. With the help of their aunt Lucky (Poorna Jagannathan), the brothers attempt to carry on their father’s criminal legacy without getting caught.
It’s a steep learning curve for Mir and Raj, and watching them try to grasp the underground business is what makes Deli Boys such a binge-worthy comedy show. They do practically everything they’re not supposed to do, but in an ironic twist of fate, their unconventional methods end up working surprisingly well — sometimes even better than expected. There’s something satisfying about watching two aimless brothers finally find a sense of purpose, even if that purpose could land them on the FBI’s radar.
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6
‘St. Denis Medical’ (2024–Present)
Allison Tolman as Alex, Kahyun Kim as Serena at a nurses’ station looking unamused in St. Denis Medical.Image via NBC
Overworked and underpaid, the medical staff at St. Denis Medical is at an all-time low when it comes to morale. Luckily, executive director Joyce (Wendi McLendon-Covey) is set on turning the Oregon hospital into a respectable international medical destination. But before they could do so, they’re going to need some serious funding.
Hospitals are the last place you’d expect to find humor, but if St. Denis Medical proves anything, it’s that laughter is often the very thing these staff members need to get through the day. It’s hard to stay upbeat when you’re working long hours and caring for a constant stream of patients. Yet the series understands that finding humor in the chaos isn’t insensitive — it’s a survival mechanism. Not every patient will have a happy ending, but life doesn’t stop moving, especially for the people responsible for caring for them.
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Collider Exclusive · TV Medicine Quiz Which Fictional Hospital Would You Work Best In? The Pitt · ER · Grey’s Anatomy · House · Scrubs
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Five hospitals. Five completely different ways medicine goes sideways on television — brutal, chaotic, romantic, brilliant, and ridiculous. Only one of them is the ward your instincts were built for. Eight questions will figure out exactly where you belong.
🚨The Pitt
🏥ER
💉Grey’s
🔬House
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🩺Scrubs
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01
A critical patient comes through the door. What’s your first instinct? Medicine under pressure reveals who you actually are.
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02
Why did you go into medicine in the first place? The honest answer says more about you than the one you’d give in an interview.
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03
What do you actually want from the people you work with? Who you want beside you under pressure is who you are.
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04
You lose a patient you fought hard to save. How do you carry it? Every doctor who’s worked a long shift has had to answer this question.
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05
How would your colleagues describe the way you work? Your reputation on the floor is usually more accurate than your self-image.
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06
How do you feel about hospital protocol and procedure? Every institution has rules. What you do with them is a choice.
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07
What does this job cost you personally? Nobody works in medicine without paying a price. What’s yours?
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08
At the end of a long shift, what keeps you coming back? The answer to this question is the most honest thing about you.
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Your Assignment Has Been Made You Belong In…
Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.
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Pittsburgh Trauma Medical Center
The Pitt
You are built for the most unsparing version of emergency medicine television has ever shown — one that puts you inside a single fifteen-hour shift and doesn’t let you look away.
You need your work to be real, not romanticised — meaning over drama, honesty over aesthetics.
You find purpose inside the work itself, not in the chaos surrounding it.
You’ve made peace with the fact that this job takes from you constantly, and gives back in ways that are harder to name.
Pittsburgh Trauma Medical Center demands exactly that kind of person — and you would not want to be anywhere else.
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County General Hospital, Chicago
ER
You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential.
You show up, do the work, absorb the losses, and come back the next day without needing the job to be anything other than what it is.
You care about patients as individual human beings, not as cases to solve or dramas to live through.
You believe in the system even when it fails you — and you understand that emergency medicine is about holding the line just long enough.
ER is television about endurance. You have it.
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Grey Sloan Memorial Hospital, Seattle
Grey’s Anatomy
You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door.
You feel things fully and form deep attachments to the people you work with.
Your personal and professional lives are permanently, chaotically entangled — and that entanglement drives both your greatest disasters and your most remarkable saves.
You understand that extraordinary medicine often happens at the intersection of clinical skill and profound human connection.
It’s messy at Grey Sloan. You would not have it any other way.
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Princeton-Plainsboro Teaching Hospital, NJ
House
You are drawn to the problem above everything else — the symptom that doesn’t fit, the diagnosis hiding underneath the obvious one.
You’re not primarily motivated by the patient as a person — though you are capable of caring, even if you’d deny it.
You work best when the stakes are highest and the standard answer is wrong.
Princeton-Plainsboro exists to house one extraordinary, impossible mind — and everyone around that mind is there because they’re smart enough to keep up.
The only way forward here is to think harder than everyone else in the room. That is exactly what you do.
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Sacred Heart Hospital, California
Scrubs
You understand that medicine is tragic and absurd in almost equal measure — and that the only sane response is to hold both of those things at the same time.
You are warm, self-aware, and funnier than most people in your field.
You use humour to get through terrible moments — and at Sacred Heart, that’s not a flaw, it’s a survival strategy.
You lean on the people around you and let them lean back. The laughter and the grief are genuinely inseparable here.
Scrubs is a show about learning to become someone worthy of the job. You are still very much in the middle of that process — which is exactly right.
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5
‘Shrinking’ (2023–Present)
Cobie Smulders and Jason Segel in ShrinkingImage via Apple TV+ / Courtesy Everett Collection
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When in doubt, get a shrink. But if that therapist is Jimmy Laird (Jason Segel) from Shrinking, he might not be the most conventional option. Following the death of his wife, Jimmy has fallen into an unnecessarily prolonged period of mourning. It doesn’t help that his job is to help other people with their problems.
The humor behind Shrinking comes from how Jimmy attempts to help his clients, culminating in his effective yet ethically questionable “Jimmy-ing” method. It’s not every day audiences get to watch a therapist break practically every rule in the ethics handbook, and part of the fun is seeing just how far he can push those boundaries. But Shrinking is more than just a great 2020s comedy series. It’s also a thoughtful story about grief, showing that healing is rarely straightforward and that sometimes it’s okay to laugh along the way.
Arguably Seth Rogen’s comedic magnum opus, The Studioaddresses the modern anxieties of today’s entertainment industry. Rogen plays Matt Remick, a cinephile with a genuine appreciation for movies. That alone makes him the perfect head of Continental Studios. Sadly, the studio isn’t generating as much income as they want — this is where Remick comes in.
While most viewers have never worked in Hollywood, they’ve probably had to compromise their values to keep a boss happy. That’s exactly what makes Remick so relatable. He loves movies but can’t stand the business behind them, and The Studio never loses sight of that contradiction. Each episode forces him into a new publicity stunt, creative sacrifice, or corporate headache, with every humiliation building toward a satisfying payoff in the finale.
3
‘The Bear’ (2022–2026)
Jeremy Allen White as Carmy and Ayo Edebiri as Sydney standing in the streets looking offscreen contemplatively in The Bear Season 2.Image via FX
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The Bear shows that it takes more than talent to open up a restaurant. In the aftermath of his brother’s passing, fine dining chef Carmy Berzatto (Jeremy Allen White) is entrusted with his dingy “The Original Beef” joint. However, his cousin Richie (Ebon Moss-Bachrach) isn’t a fan of Carmy butting in on his upper-crust culinary standards.
The Bear puts the “fun” in “dysfunction,” and it’s all thanks to the chaotic Berzatto family. The debut season finds them at their lowest point, with the restaurant seemingly on the verge of collapse. Even as they work to transform it into something greater over the following seasons, the Berzattos’ candid quips, constant arguments, and frequent shouting matches remain a big part of their charm. Still, for all their flaws and imperfections, they’re the kind of underdogs audiences can’t help but root for with each passing season of The Bear.
2
‘Abbott Elementary’ (2021–Present)
Tyler James Williams, Quinta Brunson, and Keyla Monterroso Mejia talking with awards in Abbott Elementary episode Educator of the YearImage via Gilles Mingasson/ABC/Courtesy Everett Collection
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Some of Philly’s best teachers can be found in Abbott Elementary. Teaching is often an overlooked profession, but the show pays homage to these educational heroes by putting them in the spotlight. People like to say teaching is easy, but juggling multiple classes, managing extracurricular activities, and navigating endless school district bureaucracy is no small task.
Abbott Elementary reminds audiences that teaching is one of the noblest and most demanding professions there is. More importantly, it never forgets that these teachers are human, too. Over the seasons, we watch them grow not only as individuals but also as a team. They might have their quirks, from Barbara Howard’s (Sheryl Lee Ralph) old school ways to Gregory Eddie’s (Tyler James Williams) distaste for pizza, but they always got each other’s backs.
1
‘The White Lotus’ (2021–Present)
Rick sitting in a bar looking stunned in The White Lotus.Image via HBO
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Nothing beats some time off at The White Lotus. Over three seasons, audiences follow a group of primarily wealthy American guests as they check into White Lotus resorts around the world. Whether they’re vacationing somewhere close to home like Hawaii or traveling farther afield to Thailand, these guests quickly learn that some problems can’t be solved with a dip in the pool or a trip to the spa.
The White Lotus gets its comedy from just how outlandish the problems these wealthy guests have — and the funniest part is that the audience is expected to care. You don’t need to travel all the way to a monastery to find spiritual enlightenment or engage in a threesome just to feel something. But even funnier are the employees forced to deal with their guests’ nonsense, with some eventually becoming so fed up that they begin taking matters into their own hands behind the guests’ backs.
In just a few weeks, Matt Damon will be seen in Christopher Nolan‘s The Odysseyin the titular role of Odysseus. Damon has already spoken about how gratifying it was to work on the project, which he described as possibly the last of its kind. The Odyssey was filmed entirely with IMAX cameras, utilizing Nolan’s favored practical effects and real locations. It is said to have cost Universal around $300 million to produce, and is poised to become the summer’s biggest hit. However, a decade ago, Damon starred in another period epic directed by a legend, but had a terrible time making it. The movie in question is now streaming for free in the United States, making for a fun double-bill with The Odyssey.
The film was produced by Legendary Pictures, at a time when the company was putting millions into large-scale monster films such as Godzilla and Pacific Rim. Damon starred in the film alongside Pedro Pascal, who’d only recently broken out with a memorable performance in Game of Thrones. The 2016 film was directed by the Chinese legend Zhang Yimou, and was set in an alternate history where the Great Wall of China was built to keep monsters out of the Middle Kingdom. We’re talking, of course, about The Great Wall. The film received mixed reviews and is now sitting at a 36% score on the aggregator website Rotten Tomatoes. The site’s consensus reads, “For a Yimou Zhang film featuring Matt Damon and Willem Dafoe battling ancient monsters, The Great Wall is neither as exciting nor as entertainingly bonkers as one might hope.”
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Collider Exclusive · Action Hero Quiz Which Action Hero Would Be Your Perfect Partner? Rambo · James Bond · Indiana Jones · John McClane · Ethan Hunt
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Five legends. Five completely different ways of getting out alive — with style, with muscle, with charm, with luck, or with a plan so intricate it probably shouldn’t work. Ten questions will reveal which action hero was built to have your back.
🎖️Rambo
🍸James Bond
🏺Indiana Jones
🔧John McClane
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🎭Ethan Hunt
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01
You’re dropped into a dangerous situation with no warning. What do you need most from a partner? The first few seconds tell you everything about who belongs beside you.
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02
You have to get somewhere dangerous, fast. How do you travel? How you get there is half the mission.
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03
You’re pinned down and outnumbered. What does your ideal partner do? This is when you find out what someone is really made of.
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04
The mission is paused. You have one evening to decompress. What does your partner suggest? Who someone is when the pressure drops is who they actually are.
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05
How do you prefer your partner to communicate mid-mission? Good communication is the difference between partners and a liability.
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06
Your enemy is powerful, well-resourced, and has the upper hand. How should your partner approach them? The approach to the enemy defines the partnership.
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07
Things go badly wrong and you’re captured. What do you trust your partner to do? Who someone is when you need them most is the only thing that matters.
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08
What does your ideal partner bring to the table that you couldn’t replace? A great partner fills the gap you didn’t know you had.
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09
Every partnership has a cost. Which of these can you live with? No one comes without baggage. The question is whether you can carry it together.
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10
It’s the final moment. Everything is on the line. What do you need from your partner right now? The last question is the most honest one.
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Your Partner Has Been Assigned Your Perfect Partner Is…
Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.
Rambo
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Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.
James Bond
Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.
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Indiana Jones
Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.
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John McClane
Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.
Ethan Hunt
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Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.
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Here’s Where You Can Watch ‘The Great Wall’ for Free
The Great Wall underperformed at the box office, grossing around $335 million worldwide against a reported budget of $150 million. Damon later said that making the movie was a disheartening experience. Appearing on Marc Maron‘s podcast, Damon said that his daughter enjoys pulling his leg over his poorly received movies.
“Whenever she talks about the movie, she calls it ‘The Wall.’ And I’m like, come on, it’s called TheGreatWall. And she’s like, ‘Dad, there’s nothing great about that movie.’ She’s one of the funniest people I know.”
Damon said that he knew the movie was doomed when Zhang was forced to bow down to studio pressure. “I came to consider that the definition of a professional actor; knowing you’re in a turkey and going, ‘OK, I’ve got four more months. It’s the up at dawn siege on Hamburger Hill. I am definitely going to die here, but I’m doing it,‘” he said. “That’s as sh**y as you can feel creatively, I think. I hope to never have that feeling again.”
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You can watch The Great Wall on Tubi, and stay tuned to Collider for more updates.
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Release Date
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December 16, 2016
Runtime
103 minutes
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Director
Zhang Yimou
Writers
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Tony Gilroy, Carlo Bernard, Edward Zwick, Doug Miro, Marshall Herskovitz, Max Brooks
Producers
Alex Gartner, Charles Roven, E. Bennett Walsh, Jon Jashni, Peter Loehr, Thomas Tull, Jillian Share, Zhang Zhao, La Peikang
Gerard Butler on the red carpetImage via Jennifer Bloc/Future Image/Cover Images
Movie fans have had a lot to be excited about this summer, but one of the biggest new releases that has everyone talking is The Odyssey. Christopher Nolan is directing the new historical epic, and after his colossal success with Oppenheimer, his attempt to adapt Homer’s work can safely be considered one of the most anticipated movies of the year. Nolan has recruited one of the most impressive ensembles of all time to star in The Odyssey, but starring in the lead role of Odysseus is Matt Damon, who also had a key role in Oppenheimer in 2023. Plenty of other directors have taken their hand at adapting The Odyssey and other famous historical stories over the years, but only a few have reached the status that The Odyssey hopes to achieve once it hits theaters on July 17.
When it comes to great historical epics, one of the first projects that comes to mind is 300, the legendary film directed by Zack Snyder and starring Gerard Butler. The epic tells the story of the great 300 Spartan soldiers who stood against the Persian King Xerxes at the Battle of Thermopylae, and it also features some other big names, including Michael Fassbender and Lena Headey. Now 20 years removed from 300 arriving in theaters, the film still does not have a streaming home, but that hasn’t stopped it from becoming one of the top 10 most-watched titles on VOD in several countries around the world. In addition to directing the film, Zack Snyder also wrote the script for 300 with Kurt Johnstad and Michael B. Gordon, and it’s based on the graphic novel by Frank Miller and Lynn Varley.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
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🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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Did Zack Snyder Direct the ‘300’ Sequel?
Eight years after the release of 300, the story continued with the release of 300: Rise of an Empire, which even returned stars Lena Headey and Rodrigo Santoro. However, while Zack Snyder did help write the script for the film and also serve as a producer, he opted not to direct, passing that duty to Noam Murro, who has not directed a feature film in the eight years since its release. 300: Rise of an Empire acts as a prequel and a sequel, with events in the film taking place both before and after the original.
Check out 300 on VOD platforms such as Prime Video and Apple TV, and stay tuned to Collider for more updates and coverage of Snyder’s future projects.
Earning 12.9 million global views within its first seven days of release, Dutton Ranch managed to stand out against its franchise siblings, becoming the biggest original series launch in Paramount+ history. The show has earned plenty of praise from critics, scoring an impressive 89% rating on review aggregator Rotten Tomatoes. Carly Lane awarded Dutton Ranch an 8/10 in her review from Collider, and, among the many reasons she praised the series, Lane was glowing in her assessment of the central performances, saying, “Reilly and Hauser haven’t missed a single beat in their performances.”
For anyone looking for another Reilly performance to accompany her Dutton Ranch success, her 2012 psychological thriller is the perfect option, and now it has reached a new streamer. The film in question is Flight, directed by Robert Zemeckis, who is best known for directing the Back to the Future movies. Written by John Gatins, the film stars Denzel Washington, the 10-time Academy Award nominee and two-time winner. Both Gatins and Washington earned Oscar nominations for the movie, although neither walked out of the ceremony victorious. Right now, following its arrival on the platform at the start of the month, Flight is available to stream on Paramount+.
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Collider Exclusive · Taylor Sheridan Universe Quiz Which Taylor Sheridan Show Do You Belong In? Yellowstone · Landman · Tulsa King · Mayor of Kingstown
Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.
🤠Yellowstone
🛢️Landman
👑Tulsa King
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⚖️Mayor of Kingstown
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01
Where does your power come from? In Sheridan’s world, everyone has leverage. The question is what kind.
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02
Who do you put first, no matter what? Loyalty in Sheridan’s universe is always absolute — and always costly.
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03
Someone crosses a line. How do you respond? Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.
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04
Where do you feel most in your element? Sheridan’s worlds are as much about place as they are about people.
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05
How do you feel about operating in the grey? Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.
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06
What are you actually fighting to hold onto? Every Sheridan character is fighting a war. The real question is what they’re defending.
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07
How do you lead? Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.
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08
Someone new arrives and tries to change how things work. Your reaction? Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.
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09
What has your position cost you? Nobody gets to where these characters are without paying for it. The bill is always personal.
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10
When it’s over, what do you want people to say? Sheridan’s characters all know the ending is coming. The question is what they leave behind.
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Sheridan Has Spoken You Belong In…
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
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🤠 Yellowstone
🛢️ Landman
👑 Tulsa King
⚖️ Mayor of Kingstown
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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
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Was ‘Flight’ a Box Office Hit?
It might not be the highest-grossing hit in Washington’s filmography, but Flight was an undeniable hit at the 2012 box office. Against a reported budget of $31 million, the film returned a global haul of $160 million, split between $93 million in domestic revenue and a further $67 million from overseas markets. Following its strong theatrical run, the film earned another $33 million in home media release, with $22 million from DVD sales and $11 million from Blu-ray.
Flight is streaming now on Paramount+. Make sure to stay tuned to Collider for more streaming stories.
Li’l Ze looking angry in ‘City of God’Image via Miramax Films
The past couple of years have been particularly impressive for Brazilian cinema. A record fell in 2025 as the brilliantly pensive political thriller I’m Still Here became the country’s first to be nominated for the Best Picture prize at the Academy Awards, with star Fernanda Torres scoring a Best Actress nomination. The film also won the Best International Feature prize at the same ceremony, a feat that sadly couldn’t be repeated by 2026’s Brazilian success story The Secret Agent, which eventually lost to the Danish-Norwegian drama Sentimental Value.
But The Secret Agent was successful in other areas, notably for star Wagner Moura, who picked up the Golden Globe for Best Performance by a Male Actor in a Motion Picture – Drama, as well as earning a second Brazilian main acting Oscar nomination in a row. Given how both these movies have carried the torch for modern Brazilian cinema, breaking records along the way, you’d be forgiven for thinking they are the best exports of their kind. However, that title instead goes to the genius 2002 crime flick many liken to Martin Scorsese‘s Goodfellas: City of God.
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Fernando Meirelles and Kátia Lund‘s powerful social drama is as visceral and realistic as it is inventive. Considered one of the most perfect movies of the last 40 years, City of God has aged like a fine wine, feeling even more poignant today than it did 24 years ago. It is also widely recognized for crafting one of cinema’s most spine-chilling villains, with Leandro Firmino‘s performance as drug dealer Li’l Zé still infecting nightmares all these many years later. If you have yet to tick this off your “must-watch” list, you’re in luck, as City of God is now available to stream on Paramount+ following its arrival at the start of the month.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
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☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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‘City of God’ Was a Box Office Triumph
Despite being made for just $3.3 million and featuring a largely unknown cast, word-of-mouth proved pivotal to City of God‘s success, as it initially broke the record for the highest-grossing Brazilian movie of all time. Worldwide, the film returned $32 million in box office revenue, with $7.5 million coming from domestic revenue and a further $24.5 million from overseas markets. Don’t miss out on one of cinema’s best films available to stream now.
City of God is available to stream on Paramount+. Make sure to stay tuned to Collider for more streaming stories.
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Release Date
February 13, 2004
Runtime
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129 minutes
Director
Fernando Meirelles
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Writers
Bráulio Mantovani
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Producers
Andrea Barata Ribeiro, Daniel Filho, Donald Ranvaud, Hank Levine, Juliette Renaud, Marc Beauchamps, Mauricio Andrade Ramos, Vincent Maraval, Walter Salles
“Baby just say yes,” wedding guest Maren Morris wrote via Instagram on Saturday, July 4, quoting Swift’s song “Love Story,” while sharing a handful of pics from the white-veiled occasion.
Swift and Kelce, both 36, said “I do” on Friday, July 3, in a grand ceremony held inside New York City’s famed Madison Square Garden arena. Morris, 36, was among the star-studded attendees, alongside fellow country stars Kelsea Ballerini and Miranda Lambert.
In Morris’ social media recap of the event, she captured a snapshot of a white, lace handkerchief that was embroidered with the line “So it’s gonna be forever” from Swift’s “Blank Space,” which happens to be Kelce’s favorite track of his bride’s. The delicate linen also included the wedding date and city stitched into the fabric, in addition to the same ‘TT’ monogram intertwined by hearts that was seen on the rehearsal dinner gift boxes.
After Taylor Swift and Travis Kelce’s reported rehearsal dinner, several of their guests left with matching favors. The couple’s friends, including Ross Travis and Charissa Thompson, were photographed leaving New York City’s Madison Square Garden on Thursday, July 2, clutching locked black velvet boxes, per pics obtained by online gossip site DeuxMoi. In the snaps, […]
Morris has been close to Swift since 2018, even duetting on the song “You All Over Me.”
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“I’ve never seen a crowd like that, and there’s not a crowd like hers,” Morris said on the Jennifer Hudson Show in May 2025, detailing what it was like sharing the stage with Swift on the Eras Tour in Chicago in 2023. “[Her fans are] so supportive. They’re listening to all the lyrics, they want to hear every nuance and breath between words. They’re truly locked in. It was a real treat to experience on that plane.”
Despite her close bond with Swift, Morris initially wasn’t convinced she’d make the cut for the Grammy winner’s wedding guest list.
Courtesy of Maren Morris/ Instagram
“I got this, like, spam text a couple weeks ago. It was like, ‘You’re invited to Taylor and Travis’ wedding,” Morris quipped on the Morning Mash Up Showin May. “I was like, ‘I’m blocking this ‘cause there’s no way they would send an invitation through a text like this.’ What if I trashed [the actual one]? I was like, ‘How do they have my number? This is weird.’”
Luckily for Morris, the invitation was the real deal.
As the countdown to Swift and Kelce’s nuptials continued, Morris began pondering what to gift the couple for the occasion.
It’s the celebrity event of the year. Grammy award-winning music star Taylor Swift is reportedly scheduled to be married to Kansas City Chiefs tight end Travis Kelce on Friday, July 3, in New York City. Their wedding venue was only recently revealed to take place in Madison Square Garden, but did Kelce, 36, drop a […]
“What do you get as a gift for someone like that?” Craig Melvin jokingly asked Morris during an early Friday morning broadcast of Today. “Do you get a juicer [or an] air fryer?”
At the time, Morris played coy about her attendance.
“I don’t know, what do you get? That’d be a hard person to buy for,” she said, adding that she was just “so happy” for Swift and Kelce’s union. “She has such a close tie to New York. I’m so excited for them to celebrate their love.”
Comedian Dave Chappelle is breaking his silence on Travis Kelce choosing to attend one of his recent comedy shows as part of his bachelor party celebration.
“I was shocked, I had never seen anything like that. A whoreless bachelor party?” Chappelle, 52, recalled during a Zoom interview on CNN’s Independence Eve Live on Friday, July 3. “Whatever makes you happy, Travis.”
Travis, 36, was joined by his brother, Jason Kelce, and a gaggle of friends last month for a West Coast bachelor party. The group attended Chappelle’s show and multiple sporting events to celebrate Travis’ nuptials to pop star Taylor Swift.
Travis and Swift, 36, coincidentally said “I do” on Friday night, the same time of the CNN broadcast, inside New York City’s famed Madison Square Garden arena in front of a star-studded crowd of nearly 1,000 loved ones.
Taylor Swift and Travis Kelce’s family and friends stood by their sides during their highly-anticipated, star-studded wedding, though there were not any formal bridesmaids or groomsmen. The Grammy winner and the NFL player, both 36, tied the knot at Madison Square Garden on Friday, July 3. “Taylor and Travis did not have bridesmaids or groomsmen,” […]
“I heard he was getting married at Madison Square Garden. You would think I could have got an invite, but I didn’t,” Chappelle quipped during the CNN broadcast. “I didn’t make the 15,000 closest friends.”
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He then asked CNN hosts Andy Cohen and Anderson Cooper, who hosted their live special from blocks away from MSG in Times Square, whether they scored invitations to the wedding of the year.
“It looks like the three of us are the only three people [who didn’t go],” Cohen,58, jokingly replied on Friday. “The three of us are the only ones not invited.”
Gregory Shamus/Getty Images
Cohen and Cooper, 59, were busy hosting their CNN broadcast on Friday night, while Chappelle called in from his stand-up show in California. At the same time, Swift and Travis celebrated their love story in front of a seemingly never-ending list of Hollywood A-list stars, including Bradley Cooper, Jessica Alba, Kelsea Ballerini, Chiefs head coach Andy Reid and Miranda Lambert.
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“Well, I eloped,” Chappelle joked to the CNN cohosts, contrasting the size of his nuptials to Swift and Kelce’s big day. “Me and my wife went to Taco Bell after we got married in Vegas, like, ‘Well, it’s going to be a long life. Good luck to both of us!’”
Taylor Swift and Travis Kelce‘s guest list for their wedding may be under wraps — but we now know one celebrity who definitely didn’t attend the festivities. Amy Schumer poked fun at the interest surrounding Swift, 36, and Kelce’s special day, writing via Instagram on Thursday, July 2, “Rehearsal dinner was sick. Who knows was […]
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Chappelle has been married to Elaine Mendoza Erfe, with whom he shares three children, since 2001.
“We don’t live in Hollywood,” the comedian previously revealed of their daily life out of the spotlight during a 2020 episode of My Next Guest Needs No Introduction With Dave Letterman. “There’s no paparazzi trying to get [our] picture. … I don’t think I ever leave my children’s presence without letting them know I love them ‘cause I never know what’s going to happen anyway.”
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