Between its launch and Episode 2, Saturday Night Live UK has seen its first ratings dip. As reported by Deadline, the second episode of SNL UK — hosted by the very good yet slightly confusing choice of Jamie Dornan — drew 205,000 viewers on Sky One, down around 9% from its 226,000 premiere. SNL UK captured a 3.2% audience share, still a solid performance for a subscription-based broadcaster and, crucially, it outperformed rival programming on Freeview channels in the same late-night slot. SNL UK losing viewers after Episode 1 may be making commissioners nervous, but a drop is to be expected once the initial curiosity wears off. It may also be a sign that the UK version is following the same slow-burn trajectory that turned the original Saturday Night Liveinto a cultural institution that has lasted 50 years.
A Dip in Ratings Between Episode 1 and 2 of ‘SNL UK’ Was Expected
There was a significant curiosity factor around SNL UK’s debut, with audiences tuning in largely to witness an experiment. Could a distinctly American format translate to British comedy? Live comedy on this scale—let alone live sketch comedy—hasn’t existed on UK screens for years. The format itself, with its fast turnaround, unpredictability, and weekly hosts, is a sharp detour from a schedule dominated by templated panel shows designed to be evergreen enough for endless repeats. With SNL UK’s launch, audiences were also tuning in to see whether an entirely new cast of largely unknown performers would stumble or thrive. That level of initial curiosity almost guarantees a drop in week two. Once the “event television” factor fades, audiences tend to settle back into habitual viewing patterns.
Will this bold move pay off, or will it be met with the cold shoulder?
Saturday night TV in the UK has traditionally leaned toward earlier, family-oriented viewing — think Britain’s Got Talent,Saturday NightTakeaway, or Strictly Come Dancing — all designed to appeal to viewers from children to grandparents. A 10 PM live sketch show represents both a tonal and structural shift, asking audiences to engage with something later and markedly different. There’s also the issue of the platform itself. Sky is a paid subscription service, meaning SNL UK begins with a naturally smaller potential audience. Yet its free-to-air competitors aren’t putting up much of a fight. At the same time as Dornan’s turn on SNL UK, BBC One was airing the reliable News at Ten, BBC Two broadcast an unremarkable clip show of musical moments from the network’s archive, commercial rival ITV was repeating a 2025 episode of the game show The 1% Club, and Channel 4 aired another 2025 repeat of Bill Bailey in Vietnam. A yawnfest.
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Freeview channels no longer prioritize edgy jokes or voices that reflect modern society across the full schedule, let alone at 10 PM on a weekend. While SNL UK’s ratings dipped in week two, audiences may well begin switching over from the repeated, bland, and boring once they know there is an alternative willing to take risks.
‘SNL UK’ May Be Entering the Same Slow-Burn Cycle of the Original SNL
If SNL UK’s numbers feel underwhelming, history offers reassurance. When Saturday Night Live first premiered in 1975, with GeorgeCarlin as host and a cast including Chevy Chase and John Belushi, it was far from an instant hit. It was messy, uneven, and (depending on who you asked) either the future of television or a late-night experiment that wouldn’t last a year. Sketches were short, the format shifted week-to-week, and entire episodes leaned heavily into music, like the second, hosted by Paul Simon, who performed 11 tracks. Even staple segments like “Weekend Update” — which now, in the UK version, brings bisexual panic via Ania Magliano and PaddyYoung — xwere still finding their rhythm.
Network executives weren’t immediately convinced by SNL either, as ratings were modest, and complaints about controversial content were frequent. But what those numbers didn’t capture was the show’s growing appeal among younger audiences, a demographic that advertisers valued and that traditional television struggled to reach. Remind me, how many younger viewers are tuning in to watch Bill Bailey traverse Saigon?
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SNL turned into something bigger than its initial overnight ratings suggested. By 1978, it had become essential viewing. It was counter cultural and redefined what late-night television could be. There’s every reason to hope for a similar trajectory on the other side of the Atlantic. For now,SNL UK requires less focus on ratings week-by-week and more attention paid to its cultural capital and accompanying social media frenzy. It needs space for sketches to fail, for the cast to develop chemistry, and for audiences to decide what they actually like about the show.
A 9% drop after a heavily anticipated premiere is simply part of the process. If anything, it suggests SNL UK is beginning to settle into the same slow-burn growth cycle that defined the American original. And with a format that has already proven its longevity over five decades, that’s hardly a bad place to be. The real test now is whether SNL UK can build an audience that returns each week, not because it’s new, but because it’s worth watching.
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Release Date
October 11, 1975
Showrunner
Lorne Michaels
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Directors
Dave Wilson, Don Roy King, Liz Patrick, Andy Warhol, Linda Lee Cadwell, Matthew Meshekoff, Paul Miller, Robert Altman, Robert Smigel
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Writers
Will Forte, Bill Hader, Tina Fey, Kristen Wiig, Chris Parnell, Asa Taccone, John Lutz, Tom Schiller, Simon Rich, Michael Patrick O’Brien, Nicki Minaj, Herbert Sargent, Matt Piedmont, John Solomon, Chris Kelly, Alan Zweibel, Kent Sublette, Ari Katcher, Marika Sawyer, Sarah Schnedier, Scott Jung, Justin Franks, Jerrod Bettis, Rhiannon Bryan
Lately, I have been so stuck with the feeling of picking apart a thriller when it ends, instead of being impressed. Most of the time, something doesn’t add up, or there are a few characters that act out of convenience. It happens a lot. That’s why a well-written thriller stands out so much more.
The films in this list are some of the perfectly written thrillers. You can follow every decision, even when it leads somewhere uncomfortable. The tension builds up very naturally and comes from how carefully everything is set up. And more importantly, the story still makes sense when you look back at it. Let’s have a look at them.
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7
‘The Fugitive’ (1993)
Harrison Ford as Dr. Kimble in The Fugitive Image via Warner Bros.
The Fugitive is a thriller that does not rely on twists merely; it works because every part of the story is clear and tightly connected. The film wastes very little time and moves with a steady senseof urgency, but it somehow never feels rushed. From the opening moments, the situation is easy to follow, and the stakes are set in a way that keeps the tension consistent throughout.
Dr. Richard Kimble (Harrison Ford) is wrongly accused of murdering his wife and is forced to go on the run after a prison transport crash. As he searches for the truth behind the crime, U.S. Marshal Sam Gerard (Tommy Lee Jones) leads the manhunt with sharp focus and determination. What makes the writing stand out is how both sides are given equal weight. Kimble’s investigation and Gerard’s pursuit move side by side, and each step logically leads to the next. There are no unnecessary detours, which makes the story complete and carefully constructed from beginning to end.
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6
‘Michael Clayton’ (2007)
Image via Warner Bros. Pictures
Some thrillers build tension through action, while Michael Clayton builds it through decisions and consequences. The film takes a more controlled approach and focuses on how pressure builds over time. It trusts the audience to follow complex situations without over-explaining anything.
Michael Clayton (George Clooney) works as a fixer for a powerful law firm, and he handles problems before they grow out of control. His routine changes when Arthur Edens (Tom Wilkinson), a senior lawyer, begins to act unpredictably in front of him during a major case involving a large corporation. At the same time, Karen Crowder (Tilda Swinton) tries to contain the situation from the corporate side. The writing is almost perfect because every character has a clear motivation, and every action carries weight. The story shows how a well-written thriller does not need constant action to stay engaging.
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5
‘Zodiac’ (2007)
Robert Graysmith (Jake Gyllenhaal) hunchesover his desk while Paul Avery (Robert Downey Jr.) loiters casually behind him in ‘Zodiac’ (2007).Image via Paramount Pictures
Zodiac focuses on what happens when a thrilling case refuses to be solved. The film moves in a deliberate and controlled way, and shows how time passes without clear answers. Instead of forcing a concrete ending, it stays committed to the uncertainty, which makes the story feel more realistic and honest.
The investigation follows cartoonist Robert Graysmith (Jake Gyllenhaal), journalist Paul Avery (Robert Downey Jr.), and inspector Dave Toschi (Mark Ruffalo) as they try to track down the Zodiac killer. Each of them approaches the case differently, though all of them become consumed by it over time. The writing stands out because it does not simplify the process or offer easy conclusions. Clues lead somewhere, then stall. Leads appear promising, then fall apart. As a result, the tension comes from obsession and frustration, which makes the film feel complete even without a clear ending.
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4
‘No Country for Old Men’ (2007)
Josh Brolin as Llewelyn Moss in No Country for Old Men.Image via Miramax Films
No Country for Old Men takes a quieter approach towards thrillers, though the tension never really fades. The film removes many of the usual thriller elements and replaces them with stillness, timing, and unpredictability. It does not guide the audience in a traditional way, which makes every moment feel more uncertain.
Llewelyn Moss (Josh Brolin) finds a suitcase of money after a drug deal goes wrong, and he decides to keep it, knowing it will bring trouble. That decision puts him in the path of Anton Chigurh (Javier Bardem), a relentless killer who follows his own strict sense of logic. The writing in the movie is flawless because it avoids the cliché easy explanations, which are visible in every other thriller. This unpredictability gives the film its due credit and makes it feel carefully thought out.
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3
‘Chinatown’ (1974)
Jack Nicholson and Faye Dunaway star in Chinatown (1974).Image via Paramount Pictures
Some thrillers slowly pull you into a mystery, and Chinatown does exactly that with careful control. The story begins with what seems like a simple case, but it gradually opens into something much larger. Each new detail adds another layer, and the film never rushes to explain everything at once.
Jake Gittes (Jack Nicholson) is a private investigator who is hired to follow a man suspected of infidelity. What starts as routine work quickly turns into a complex investigation involving water rights, corruption, and hidden power. Evelyn Mulwray (Faye Dunaway) becomes central to the case, though her situation is not as clear as it first appears. Nothing feels wasted, and the story builds step by step until it reaches an ending that feels both shocking and inevitable.
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2
‘The Silence of the Lambs’ (1991)
Anthony Hopkins staring intently at a small metal object in The Silence of the Lambs.Image via Orion Pictures
The Silence of the Lambs keeps its focus tight and controlled, which makes the tension feel constant from start to finish. The film does not rely on large-scale action. Instead, it builds its impact through conversations, psychological pressure, and the space between what is said and what is implied.
Clarice Starling (Jodie Foster) is a trainee at the FBI who is assigned to help track down a serial killer known as Buffalo Bill. To understand the case better, she interviews Dr. Hannibal Lecter (Anthony Hopkins), an imprisoned psychiatrist with a disturbing past. Their conversations become the center of the story, as Lecter offers insight while also testing Clarice at every step. Every exchange moves the story forward while revealing something about the characters, and nothing feels random.
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1
‘Se7en’ (1995)
A close-up of Detective Mills (Brad Pitt) crying while holding a gun in Se7en.Image via New Line Cinema
Se7en is one of the best thrillers ever made since it builds toward a conclusion that feels unavoidable. The film follows a clear structure, though the tone grows darker with each step. From the beginning, it sets a mood that does not shift, which makes the ending more natural.
Detective Somerset (Morgan Freeman) and Detective Mills (Brad Pitt) investigate a series of murders connected to the seven deadly sins. As they move from one crime scene to another, the pattern becomes clearer, though the purpose behind it remains unsettling. The killer, John Doe (Kevin Spacey), stays hidden for most of the film, which adds to the tension. The writing stands out because everything connects back to the central idea. Each crime, each clue, and each conversation builds toward the last scene, making the story feel complete and carefully planned.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
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🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
The Atlanta-born rapper was arrested in August and charged with four felonies: three counts of battery against a police officer and one count of resisting an executive officer.
Claudia Gerini wears a green headdress as Claudia Procles in ‘The Passion of the Christ’Image via Newmarket Films
When a movie does well in theaters, it tends to do well on other platforms as well. On other occasions, movies that weren’t able to find an audience during their theatrical runs find their people when they’re released on home video. Sometimes, these two categories intersect. A box-office hit that has remained a fan-favorite over the last two decades was resurrected by audiences this past weekend. Over the years, it has emerged as something of an Easter tradition for its admirers, who are now looking forward to a long-awaited sequel that will be released in two parts in 2027. The movie in question remains the top-grossing religious film of all time, and was, until a few years ago, the top-grossing R-rated movie in domestic box-office history.
It grossed more than $610 million worldwide, of which around $370 million came from North American theaters. Released in 2004, the movie was highly controversial for its subject matter and was even banned in a handful of territories owing to its religious themes. A section of the public also accused it of being anti-Semitic, while others took offense to its portrayal of violence, which was perceived as excessive. The late critic Roger Ebert described it as “the most violent film” that he had ever watched. We’re talking, of course, about The Passion of the Christ, directed by Mel Gibson and headlined by Jim Caviezel.
There’s no wrong time to break bad with Walter White, Jesse Pinkman, Hank Schrader, and the rest of that Vince Gilligan universe. Let’s start cookin’.
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‘The Passion of the Christ’ Is Getting a Long-Awaited Follow-Up
The movie received divisive reviews upon release. It now holds a 50% critics’ score on Rotten Tomatoes, where the consensus reads, “Director Mel Gibson’s zeal is unmistakable, but The Passion of the Christ will leave many viewers emotionally drained rather than spiritually uplifted.” However, the film’s audience score on the aggregator is perched at a far more favorable 81%, which is one of the key reasons for its sustained success at home. According to FlixPatrol, The Passion of the Christ was among the most-watched movies on the domestic iTunes and Vudu charts on Easter. The long-awaited follow-up, The Resurrection of the Christ, will be released in two parts in 2027 and is currently in production. Caviezel won’t be returning as Jesus, with Finnish actor Jaakko Ohtonen cast as his replacement.
Offset is recovering after a frightening incident in Florida that turned from a routine public outing into a police investigation.
The rapper, who was reportedly interacting with fans moments before the chaos unfolded, was shot near a busy hotel and casino.
While early updates suggest his injuries are not life-threatening, the situation has raised concerns among fans, especially given his past ties to tragedy within the hip-hop community.
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Offset Shot Outside Florida Hotel After Encounter With Fans
Xavier Collin/Image Press Agency / MEGA
Offset was reportedly shot on Monday evening near the Seminole Hard Rock Hotel & Casino in Hollywood, Florida. The 34-year-old artist was injured in an incident that took place in the valet area shortly after 7 p.m.
Speaking to Page Six, the rapper’s representative revealed that Offset survived the shooting and was receiving treatment.
They confirmed that he was “fine” following the incident and added that he “is currently at the hospital receiving medical care.”
The update also noted, “He is stable and being closely monitored,” though details about the severity of his injuries have not been disclosed.
Amid the incident, the authorities also released a statement to the outlet.
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“We are aware of an incident that occurred at the valet area after 7 p.m. Monday outside of Seminole Hard Rock Hollywood that resulted in non-life-threatening injuries to an individual who was transported to Memorial Regional Hospital in Hollywood,” the Seminole County Police Department revealed.
They added that officers were already nearby, allowing them to contain the situation quickly. Police also revealed that two individuals had been detained and that an investigation had begun.
Offset Seen Smiling With Fans Moments Before Shooting
APEX / MEGA
Just minutes before the shooting, Offset appeared relaxed and engaged with fans outside the venue.
Photos taken around 7:10 p.m. and released by TMZ showed him smiling, unaware of what was about to unfold.
Witnesses said the star had been near the entrance, looking toward the valet area while on a phone call.
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During that time, several fans approached him, and he reportedly greeted them warmly. He was seen shaking hands, chatting, and even stopping to pose for photos.
The interaction appeared friendly and routine, making the sudden violence that followed all the more shocking. Video clips circulating online later showed police officers rushing to the scene, where they restrained multiple individuals.
In the footage, one man could be seen pinned to the ground while officers worked to control another person who appeared to be resisting.
Offset’s Shooting Comes Years After Takeoff’s Death And Career Changes
Xavier Collin/Image Press Agency/MEGA
The incident comes more than three years after a devastating loss within Offset’s inner circle.
Fellow Migos member Takeoff was shot and killed in 2022 outside a bowling alley in Houston, Texas, at the age of 28.
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A man named Patrick Xavier Clark was later arrested and charged in connection with the case. Although he has denied responsibility, prosecutors have claimed surveillance footage shows him firing into a crowd. His trial, which has faced delays, is now expected to begin in November.
Takeoff’s death had a major impact on Offset and the group’s future. Migos, which also included Quavo, ultimately disbanded, with each member focusing on solo work.
Offset has since continued building his individual career. He previously found success with collaborative and solo projects, including “Father of 4” and “Set It Off,” the latter of which was delayed following Takeoff’s death before debuting in the top five of the Billboard 200.
More recently, he released his third studio album, “Kiari,” in August 2025, which reached number 16 on the charts.
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He also dropped a collaborative project titled “Haunted by Fame,” featuring artists like YoungBoy Never Broke Again, NoCap, and Lil Dump, marking his continued presence in the music scene despite personal and professional challenges.
Cardi B Files For Divorce From Offset
MEGA
Offset’s recent ordeal comes nearly two years after Cardi B officially filed for divorce from the rapper following years of an on-and-off relationship.
According to reports, the 33-year-old ended the union in August 2024 after the pair had “grown apart,” with sources saying the decision was not driven by a single issue but a buildup over time.
The former couple, who married in 2017, share multiple children together and had previously split and reconciled several times.
Cardi B had earlier filed for divorce in 2020, calling the marriage “irretrievably broken,” though they later reunited before separating again.
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However, in 2024, insiders suggested the breakup was final, with Cardi B reportedly seeking primary custody of their children.
Despite the split, sources noted there was no major hostility, as both stars focused on co-parenting while moving forward separately after nearly seven years together.
Offset Allegedly Asked Cardi B For Millions While Facing Massive Tax Debt
CraSH/imageSPACE / MEGA
Offset’s divorce from Cardi B grew increasingly tense after reports detailed the rapper’s steep financial demands while he was dealing with significant debt.
As The Blast reported, Cardi B alleged that her ex-husband had refused to finalize their split unless she agreed to give him “millions of dollars,” cover his outstanding tax bills, and even transfer ownership of one of her properties.
At the time, Offset was reportedly facing more than $2.3 million in unpaid taxes owed to the IRS and the state of Georgia, placing him under intense financial pressure.
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Records later showed he cleared a major portion of that burden, paying about $1.5 million in federal taxes, though he still had roughly $778,000 in remaining liabilities.
Cardi B publicly pushed back against the demands, noting that she wished Offset would suffer and die a “slow death.”
After earning $1.3 billion with the 2023 blockbuster The Super Mario Bros. Movie, hopes were high that the world’s favorite pair of animated Italian plumbers could return with another huge hit this past weekend. The Super Mario Galaxy Movie, which made its big box office splash on April 1, has done exactly that, scoring the highest-grossing opening weekend of 2026 so far with an enormous $372 million worldwide, split between a domestic haul of $190 million and a further $182 million from overseas markets.
This opening haul will come as no surprise to most, given the huge success of the first installment and the global phenomenon that is the original Nintendo video game series. Add to this a voice cast that delivered a host of returning favorites in Chris Pratt,Anya Taylor-Joy, Charlie Day, and Jack Black, alongside franchise newcomers Glen Powell, Brie Larson, and Donald Glover, and a recipe for financial success is born. Far from his familiar Mushroom Kingdom, the new movie follows Mario as he joins Peach and Luigi on an adventure spanning the cosmos.
In its instant rise to the top of the box office charts, The Super Mario Galaxy Movie has overcome the dominant Spring force of the Ryan Gosling-led sci-fi flick Project Hail Mary, which is already an early contender for Academy Awards success in 2027. Based on the bestselling book byAndy Weir, Project Hail Mary had first held the record for the highest-grossing opening weekend of the year before that total was smashed by the Mario sequel.
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Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars
Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.
💊The Matrix
🔥Mad Max
🌧️Blade Runner
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🏜️Dune
🚀Star Wars
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01
You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.
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02
In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.
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03
What kind of threat keeps you up at night? Fear is useful data — if you’re honest about what you’re actually afraid of.
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04
How do you deal with authority you don’t trust? Every dystopia has a power structure. Your approach to it determines everything.
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05
Which environment could you actually endure long-term? Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.
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06
Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.
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07
Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they’re actually made of.
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08
What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.
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Your Fate Has Been Calculated You’d Survive In…
Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.
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The Resistance, Zion
The Matrix
You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.
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You’re drawn to understanding how the system works before figuring out how to break it.
You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You’d be the one probing the walls for the door.
The Wasteland
Mad Max
The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.
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You don’t need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.
Los Angeles, 2049
Blade Runner
You’d survive here because you know how to exist in moral grey areas without losing yourself completely.
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You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You’re not a hero. But you’re not lost, either.
In Blade Runner’s world, that distinction is everything.
Arrakis
Dune
Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.
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Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.
A Galaxy Far, Far Away
Star Wars
The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.
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You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
You fight — not because you have to, but because standing aside isn’t something you’re capable of.
In Star Wars, that willingness is what makes all the difference.
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‘The Super Mario Galaxy Movie’ Has Already Crushed a Despised Video Game Adaptation
Bowser and Bowser Jr. in The Super Mario Galaxy MovieImage via Universal Pictures
Both Project Hail Mary and The Super Mario Galaxy Movie can be pleased with their success despite being competitors, something that couldn’t be said in 2024 for the video game adaptation Borderlands. Led by Oscar-winners Cate Blanchett and Jamie Lee Curtis, Borderlands finally arrived following almost a decade in development hell. However, it likely now wishes it had stayed there, with its lifetime gross of just $33 million marking an enormous disappointment, especially considering it was against a reported budget of $120 million. In just a few days, The Super Mario Galaxy Movie has already earned more than ten times this total, showcasing both ends of the video game adaptation spectrum of success.
The Super Mario Galaxy Movie is available in theaters now. Stay tuned to Collider for more updates.
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Release Date
April 1, 2026
Runtime
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98 Minutes
Director
Aaron Horvath, Michael Jelenic, Pierre Leduc, Fabien Polack
Blake Lively offered a glimpse into her family life over the weekend, sharing a quiet Easter moment with her children as her legal case tied to “It Ends with Us” continues to unfold. The 38-year-old actress took to Instagram Stories on Sunday to post a lighthearted snapshot of bunny-shaped scrambled eggs she prepared for her kids. Alongside the image, Lively wrote, “Momming always continues on,” adding a string of heart and bunny emojis. Lively, who shares four children with husband Ryan Reynolds, appeared to be embracing the holiday at home just days after a major development in her legal dispute with co-star Justin Baldoni.
Blake Lively’s Case Against Justin Baldoni Narrowed Ahead Of Trial
Instagram Stories | Blake Lively
Last week, Manhattan U.S. District Judge Lewis Liman dismissed the majority of claims Lively had filed against Baldoni, including allegations related to conspiracy and defamation.
Of the original 13 claims, three remain active as the case moves toward a tentative May 18 trial date: retaliation, aiding and abetting retaliation, and breach of contract. The ruling significantly narrowed the scope of the case but allows its central arguments to proceed in court.
Lively’s Lawyer Speaks Out After Claims Dismissed
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Following the decision, attorney Sigrid McCawley emphasized that the case remains focused on retaliation and reputational harm. “This case has always been and will remain focused on the devastating retaliation and the extraordinary steps the defendants took to destroy Blake Lively’s reputation,” McCawley said in a statement.
She further argued that Lively was targeted for advocating for safety on set, adding that the upcoming trial will continue to examine what she described as coordinated online attacks.
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McCawley also addressed the dismissal of the sexual harassment claims, explaining that the court’s decision was tied to Lively’s classification as an independent contractor rather than an employee, not a determination of wrongdoing.
Blake Lively Says She’s Ready To Tell Her Story In Court
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In a statement shared to social media on Friday, Lively expressed gratitude that the case will move forward in part, saying she is prepared to present her experience in full. “I am grateful for the court’s ruling, which allows the heart of my case to be presented to a jury next month,” she wrote, adding that she hopes to speak not only for herself but for others who may not have the same opportunity.
The actress acknowledged she never intended to pursue legal action but felt compelled to do so after what she described as ongoing retaliation tied to her requests for a safer working environment. “The last thing I wanted in my life was a lawsuit,” she said, “but I brought this case because of the pervasive retaliation I faced… for asking for a safe working environment for myself and others.”
She also noted that, regardless of the trial’s outcome, she hopes the case contributes to broader conversations around workplace safety and accountability.
Justin Baldoni’s Legal Team Praises Court’s Decision
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Attorneys for Baldoni, Alexandra Shapiro, and Jonathan Bach welcomed the court’s decision, particularly the dismissal of the sexual harassment allegations and claims against individual defendants. “These were very serious allegations, and we are grateful to the court for its careful review of the facts, law, and voluminous evidence,” they said in a statement.
They added that the case is now “significantly narrowed” and expressed confidence in presenting their defense as the remaining claims head to trial.
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Taylor Swift Reportedly ‘Relieved’ As Case Takes Turn
According to insiders who spoke with journalist Rob Shuter’s #ShuterScoop, Swift views the court’s decision as a meaningful shift, one that could signal the beginning of the end. “It’s a huge relief,” one source said. “This case just got dramatically weaker.”
The insider also suggested there is confusion surrounding Lively’s next steps. “No one understands why Blake isn’t trying to settle,” they claimed. “From the outside, it looks like she’s already lost.”
Beyond the legal implications, timing appears to be a key concern for Swift. As her reported summer wedding to Travis Kelce approaches, sources say the singer is eager to distance herself from the situation altogether. “She wants this wrapped up before her summer wedding,” the insider added. “The timing couldn’t be worse.”
Even though Anna Duggar’s seemingly picture perfect life in Arkansas was turned upside down after her husband Josh Duggar was found guilty of child pornography, she has stuck by the sex offender’s side since his conviction nearly five years ago despite her family’s objections, Us Weekly has learned exclusively.
“Anna has several family members who have strongly encouraged her to leave Josh,” a source tells Us Weekly. “It has been very difficult to have those conversations because Anna has always been so supportive of Josh, but the family felt that they had to let her know their thoughts.”
The insider notes that Anna’s loved ones “do not want to lose their relationship with her, so they try to let her know what they think while also remaining supportive family members.”
Her family’s disapproval is just the tip of the iceberg when it comes to what Anna has endured since Josh’s 2021 conviction.
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“It is a nightmare for Anna that she will be dealing with for many, many years to come,” the source says of the scandal’s aftermath. “The only positive thing right now is that he is out of the picture [while in jail].”
“Anna has worked very, very hard to get to where she is right now,” the insider explains. “She is not living with the Duggars and has begun to set up her own life.” (Anna, 37, was reportedly living on the Duggar compound in Arkansas as recently as last year.)
Anna Duggar and Josh Duggar with six of their seven children.Courtesy of The Duggar Family/Instagram
“She has worked very hard to be strong and to stay out of the news and rebuild her life to a degree,” the insider adds.
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Unlike many of her in-laws, Anna does not have her own personal social media account, helping to keep her life as far away from the spotlight as possible.
Anna does, however, periodically post on her dog breeding business Instagram account, Golden Grove Pups.
Anna Duggar made a rare public outing as her husband, Josh Duggar, continues to serve jail time. Anna, 36, was spotted attending a community event in Arkansas on Tuesday, December 10, per photos obtained by The U.S. Sun on Friday, December 13. The former TV personality was seen breaking traditional Duggar family clothing rules in […]
“Meet Whitaker, Beaumont, and Harrington — three of our handsome little golden guys 🐶💛,” Anna wrote via Instagram in February, showing a video of three puppies that had been adopted and giving fans a rare glimpse at herself in the process.
As fans of 19 Kids and Counting and its spinoff, Counting On, know, Anna married Jim Bob and Michelle Duggar’s eldest child, Josh, in 2008.
The couple went on to welcome six children, before their idyllic looking life came crashing down in spring 2021. (Anna and Josh’s seventh baby was born in November 2021, just months after his arrest.)
Joseph Duggar and his wife, Kendra Duggar, spoke on many calls during his stay at the Washington County Detention Center in Fayetteville, Arkansas, after his arrest on child molestation charges in March 2026. The recorded conversations — spanning several days — give insight into how the family is navigating his arrest years after his older […]
Josh was arrested in April 2021 for receiving and possessing child pornography. While Josh has maintained his innocence, he was found guilty in December of that same year and sentenced in May 2022 to 151 months in prison. He’s scheduled to be released on December 23, 2032.
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“[Anna and Josh’s kids] are her No. 1 priority and that will never change,” a source exclusively told Us in June 2022 following his conviction. “She’s with them all the time. She’s going to stand by her husband and she’s going to continue raising their kids to the best of her ability.”
Although Anna has stayed silent about her husband’s arrest and prison sentence, emails she sent her brother-in-law Joseph Duggar last month following his arrest for allegedly molesting a 9-year-old girl in 2020 offer a look into how she’s feeling about the latest Duggar scandal.
Anna Duggar became a member of the expansive Duggar family after marrying eldest son Josh Duggar in 2008. Nearly two decades after Anna and Josh tied the knot, the 19 Kids and Counting alum was arrested in 2021 for receiving and possessing child pornography. Josh, who has continued to maintain his innocence, was convicted in […]
“You’ve got our prayers. We love you — however we can help, please let us know,” Anna wrote to Joseph, 31, on March 21, according to letters obtained by Us.
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She also warned him, “Just remember, don’t talk about anything legal unless you are with an attorney. Everything said in these messages, phone calls and video chats are recorded and turned over to prosecutors.”
Joseph was extradited to Florida last month, where he pleaded not guilty to charges of lewd and lascivious behavior involving molestation of a victim less than 12 years old and lewd and lascivious behavior conducted by a person 18 years or older. He was released on a $600,000 bond.
If you or someone you know is experiencing child abuse, call or text Child Help Hotline at 1-800-422-4453.
Zendaya is currently experiencing one of the busiest years of her career. Not only is she starring in A24’s critically acclaimed “The Drama” alongside Robert Pattinson, but her HBO series, “Euphoria”, is set to return following a years-long hiatus. Now, the actress is opening up about the show, saying she thinks this may be the final season.
Zendaya Thinks ‘Euphoria’ Is Ending After Season 3
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Zendaya appeared on “The Drew Barrymore Show” on April 6 to promote “The Drama” and her several other projects. During the discussion, host Drew Barrymore mentioned “Euphoria” and asked if the upcoming third season would be the final outing for the HBO drama series.
Zendaya responded, “I think so, yeah.” Barrymore then said, “I never want to ask questions like that, because it’s not my business, and yet, is this to be enjoyed knowing [it will end]?”
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After that, Zendaya stated, “Yes, I think so,” before saying, “That closure is coming.” So far, HBO has neither confirmed nor denied that “Euphoria” will end after season three.
HBO Announced The Third Season In 2025
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Season three of “Euphoria” has been highly anticipated, as it’s been four years since the second installment. HBO announced in December 2025 that the show would finally return on April 12. After that, the network released full-length trailers in March, following a series of teasers.
According to Variety, this season will feature a time jump, giving a look at the characters as they navigate adult life. In addition to Zendaya, the ensemble cast includesJacob Elordi, Sydney Sweeney, Colman Domingo, and more.
Fans Are Reacting To The Possible End Of ‘Euphoria’
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As mentioned, there is no official confirmation that “Euphoria” will end with season three, despite Zendaya’s public comments. However, fans of the show are reacting, with many saying they already believed this would be the show’s final season before Zendaya’s “Drew Barrymore Show” appearance.
One person said on X, “HBO staying silent is classic corporate chess — they get the viral speculation for free while keeping the door cracked for spin-offs, movies, whatever prints money later. Smart, but it also feels like they know the lightning-in-a-bottle era is over.”
They continued, “Look, Euphoria changed television. It made us feel uncomfortable on purpose, launched half the young cast into superstardom, and gave Zendaya the kind of role most actors wait a lifetime for. But dragging it past this season risks turning it into the show that used to be great.”
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Another “Euphoria” fan said, “Zendaya saying ‘I think so’ for Euphoria… yeah, that sounds like the end is near.” Lastly, someone else wrote, “lowkey gutted that season 3 is the last of ‘Euphoria.’”
Zendaya’s ‘The Drama’ Has Solid Reviews Despite Controversy
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One of Zendaya’s several projects released in 2026 was “The Drama,” which arrived in movie theaters on April 3. According to BoxOfficeMojo, the movie debuted at number three in the US, making $14,380,197. “The Drama” came in behind “The Super Mario Galaxy Movie” and “Project Hail Mary” in the number one and two positions, respectively.
Regarding reviews, “The Drama” currently has a 77% rating from critics and an 81% rating from audiences, making it “certified fresh” with both. This is despite TMZ having revealed the controversial twist of the movie, which is that Zendaya’s character once considered going through with a school shooting.
Because of the film’s subject matter, some critics vowed not to review it, and it also drew attention from various gun violence prevention organizations, such as March For Our Lives, according to IndieWire.
The ‘Euphoria’ Star Says She’s Taking A Break
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As mentioned, 2026 will be among the busiest 12 months of Zendaya’s stellar career. This is evidenced by the fact that she will have five projects released to the work before the end of the year. Following “The Drama” and “Euphoria,” she will appear in “The Odyssey” and “Spiderman: Brand New Day,” both of which are releasing in July.
After that, Zendaya will star in “Dune: Part Three,” in which her “The Drama “co-star Pattinson will also appear.
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Regarding her busy schedule, Zendaya told Fandango in March 2026 that she would take a break after this year. She said, “I guess, you know, I just hope people don’t get sick of me. I really appreciate everyone who supports any of the movies or who supports my career in any kind of way.”
Zendaya went on, “I’m deeply appreciative, and like I said, I just hope you guys don’t get sick of me this year because I’ll tell you what: after this, I’m disappearing for a little bit. I’m going to have to go into hiding for just a little bit.”
“Euphoria” premieres on HBO and HBO Max on April 12.
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