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Star Trek Is Officially Rewriting ‘Strange New Worlds’ Winning Formula for Season 5 [Exclusive]

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Paul Wesley as James T. Kirk in Star Trek: Strange New Worlds, episode 10, season 4, streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+

Editor’s Note: This interview contains spoilers for the Season 4 finale of Star Trek: Strange New Worlds.

Summary

  • Star Trek: Strange New Worlds showrunners Henry Alonso Myers and Akiva Goldsman discuss the Season 4 finale, a time-bending ride in which Uhura meets her future self to save Scotty.
  • Myers and Goldsman tease Season 5’s six-episode arc as a goodbye to the characters of Strange New Worlds.
  • The showrunners promise satisfying send-offs, tease Kirk/La’an romance, and the new Bones and Sulu, while revealing their only regret for the series.

Just like that, the penultimate season of Star Trek: Strange New Worlds has come to a close with an epic, time-bending finale that saw Lt. Uhura (Celia Gooding) teaming up with a future version of herself in a bid to save Scotty (Martin Quinn) from an untimely death. In “Tomorrow’s Enterprise,” we get a glimpse of the earliest days of James T. Kirk’s (Paul Wesley) time as the Captain of the USS Enterprise​​​​​​, teeing up the endgame of Strange New Worlds, which is expected to bring the timeline full circle to The Original Series. With gorgeous costumes and a wild plot twist, this episode takes audiences on a wild ride that reaffirms the show’s throughline of found family fighting for a hope-filled future.

Ahead of the finale, I sat down with Strange New Worlds showrunners Henry Alonso Myers and Akiva Goldsman to discuss the episode, while also looking forward to the future of Star Trek. We also discussed what audiences can expect from the show’s fifth and final season, which is expected to air sometime in 2027, following the second and final season of Star Trek: Starfleet Academy. Big changes are coming for Strange New Worlds as Myers and Goldsman confirmed they’ll be abandoning the show’s genre-hopping premise — to an extent — as they use every minute of their final six episodes to give this crew of the USS Enterprise a fitting send-off. Myers and Goldsman also briefly teased further exploration of the relationship between Kirk and La’an (Christina Chong), what to expect from the new Bones (Thomas Jane) and Sulu (Kai Murakami), and how they’ll bring the series to a satisfying end. You can read our full conversation in the transcript below.

COLLIDER: Much of this episode is anchored in Uhura and Scotty’s relationship, which is, I think, mentioned offhandedly in the movies, but I’m curious, what made you want to explore that dynamic for this finale?

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HENRY ALONSO MYERS: Well, part of that was that there’s a lot of stuff that they kind of got into later, I think, in the films that imply that there’s a whole world of emotion that is not really explored throughout the series. It’s one of the fun things that we’ve gotten to do on this show was give those characters some things to play that they didn’t get to do in the original show, but that have been implied.

They had interesting chemistry. We wanted to find, you know, we were interested in, the romance between them, and also it’s an important episode where she’s exploring, trying to make a, you know, like a time travel adjustment, and these things are much better if you have some emotional core that you’re trying to save at the heart of it. And I think that because we felt that was there in the movies, it was something we could dig in and reveal more specifically.

It’s Officially the End of an Era for ‘Star Trek: Strange New Worlds’

Paul Wesley as James T. Kirk in Star Trek: Strange New Worlds, episode 10, season 4, streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+
Paul Wesley as James T. Kirk in Star Trek: Strange New Worlds, episode 10, season 4, streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+
Image via Jan Thijs/Paramount+
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When I spoke with Paul a few weeks ago, he mentioned that there might be a little less genre hopping in Season 5, as you guys only have six episodes to really land the ship. Can you speak to whether Season 5 will play out, episodically still, or will it be a little more serialized?

AKIVA GOLDSMAN: It’s definitely still an episodic show, but to some people’s delight and others’ dismay, there will be essentially no genre hopping. Which isn’t to say the tones of the episodes aren’t different, but they are fundamentally a suite of episodes that are about our goodbyes to those characters.

Speaking of those goodbyes, there are several Strange New Worlds characters that we don’t ever meet in The Original Series. Can you tease anything about bringing their stories in particular to a satisfying end?

GOLDSMAN: We will bring those stories to a satisfying end. [Laughs]

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That is great to hear. We do get a little mention of Bones in this episode, and we know you guys have already cast Bones and Sulu. I’m curious what made Thomas Jane and Kai Murakami the right guys to fill those two roles?

MYERS: Well, this feels like something we should talk about next season maybe, but I will say simply, they were both really great and they’re fun to work with and smart, and got to bring something that really, genuinely felt like those characters to us. But, if you really want to see that yourself, you should watch next season.

We do get also a little glimpse of a couple characters that are only seen in The Animated Series in this episode, which I thought was a really cool little Easter egg. How close is this alternate future that we see in this episode to where we end up in Season 5?

GOLDSMAN: So I don’t think this is an alternate future. I think this is an interstitial future. I think there is a…so, this exists in continuity as well. How close it is…

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MYERS: Well, Scotty doesn’t die. That’s the only part that would change.

GOLDSMAN: Correct. So…close.

MYERS: Right.

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‘Star Trek: Strange New Worlds’ Never Wants to Stop Surprising You

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Star Trek: Strange New Worlds, episode 9, season 4, streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+
Image via Jan Thijs/Paramount+

Jumping back a little bit into this episode. I love that this sort of carries on the tradition of Starfleet delivering space babies. What made you decide to make that part of this finale’s central mystery?

MYERS: I mean, usually what you do in a writers’ room, I will say globally, is you keep playing with something until it surprises you. And I think that we kept taking it to what felt like an ordinary place. And that’s never a great way to have an act out. What you want is an act out that twists the story in some way and makes it, like, genuinely, “What? Oh, my God!” Like, you want to give something to the audience that you look for in a story. And we were genuinely surprised and thought it was not where people expected to go with each turn in this episode. And that’s really what we were going for. I mean, that’s just a global writing thing that we stick to in the room.

I love any time that this sort of trope comes up in Star Trek. I think it’s so much fun. When Uhura mentions La’an in this future, Kirk has a pretty strong but sort of unexplained reaction. I’m curious, is this a hint about where her story goes in Season 5, or is it simply a reference to their star-crossed nature?

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GOLDSMAN: You will have to watch Season 5.

I will be there with bells on.

MYERS: I promise you, there will be surprises and emotion to come.

I really, really enjoyed their alternate universe-ish episode in Season 2, so I am excited for more of that relationship — if it’s there!

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GOLDSMAN: It very well may be, my friend.

‘Strange New Worlds’ Showrunners Only Have One Regret Ahead of the Final Season

Key Art for Star Trek: Strange New Worlds Season 4, featuring Babs Olusanmokun as M’Benga, Melissa Navia as Ortegas, Jess Bush as Chapel, Rebecca Romijn as Una, Anson Mount as Captain Pike, Ethan Peck as Spock, Celia Rose Gooding as Uhura, Christina Chong as La’an and Paul Wesley as Kirk, streaming on Paramount+ 2026. Photo credit: Paramount+.
Key Art for Star Trek: Strange New Worlds Season 4, featuring Babs Olusanmokun as M’Benga, Melissa Navia as Ortegas, Jess Bush as Chapel, Rebecca Romijn as Una, Anson Mount as Captain Pike, Ethan Peck as Spock, Celia Rose Gooding as Uhura, Christina Chong as La’an and Paul Wesley as Kirk, streaming on Paramount+ 2026. Photo credit: Paramount+.

I know that with Star Trek, the possibilities are truly endless. And I know that with you guys having this shorter run of episodes in Season 5, you may not have gotten to check off everything on your Star Trek bucket list. So I’m curious if there’s anything else that you would like to see come to fruition in a future comic series, or another series down the line?

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GOLDSMAN: I mean, I think we’re going to have, you know, we, as Henry says, we leave behind a bunch of ideas every year. I think I regret that we were unable to get Shatner on this show. That would have been wonderful. But otherwise, for me, I feel pretty fulfilled.

MYERS: I think if you get to do five seasons of a show and you get to come up with the actual ending, that’s a win. You know, I’ve worked on a lot of shows, and sometimes you get to say goodbye, and sometimes it just ends. This is the best of all those worlds.

With Star Trek sort of coming to the end of an era, on television for the time being. I am curious if you guys have any advice that you would give to Jonathan Goldstein and John Francis Daley, who are sort of working on bringing back the franchise to the big screen?

GOLDSMAN: I wouldn’t dare. I know them. You know well enough to know that they love Star Trek and that is the only prerequisite in my book. And then the imagination is the limit.

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MYERS: I mean, they’re great writers. I just hope that they get to have as much fun as we did, if not more. Because I feel like that’s usually the sign that things are going well. You get to enjoy it.

Seasons 1–4 of Strange New Worlds are now streaming on Paramount+. The fifth and final season is expected to air next year. Stay tuned at Collider for more.


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Release Date

2022 – 2027-00-00

Network
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Paramount+

Showrunner

Henry Alonso Myers, Akiva Goldsman

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Directors

Dan Liu, Amanda Row, Maja Vrvilo, Akiva Goldsman, Dermott Downs, Eduardo Sánchez, Jeffrey W. Byrd, Jonathan Frakes, Jordan Canning, Leslie Hope, Valerie Weiss, Sydney Freeland, Christopher J. Byrne, Rachel Leiterman

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Writers

Onitra Johnson

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Ed Sheeran Loses 500K Followers As Tour Fallout Deepens

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Ed Sheeran performs in Madrid

For most of his career, Ed Sheeran managed something many global superstars never do, staying largely outside the political crossfire that consumes public figures. 

His music appealed to broad audiences, his concerts stayed focused on songs rather than statements, and controversy rarely lingered. That changed dramatically this month. 

Now, as a dispute tied to his tour continues to dominate headlines, Sheeran is discovering what happens when an artist who tried to avoid taking sides suddenly becomes the story.

Ed Sheeran’s Attempt To Please Everyone Leaves Nobody Happy

Ed Sheeran performs in Madrid
Europa Press / MEGA

One of the stranger realities of the past week is that Ed Sheeran is facing criticism from multiple directions at the same time.

As The Blast shared, the controversy began after Macklemore made pro-Palestinian remarks during Sheeran’s New Jersey concerts. What followed was a chain reaction few could have predicted. 

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Macklemore exited the tour after what he described as a week of “difficult conversations” with Sheeran. 

Soon afterward, Finneas, Lukas Graham, Aaron Rowe, and members of Beoga also announced departures in solidarity with Macklemore and Palestine.

As pressure mounted, the “Shape of You” singer addressed the issue publicly. During a Philadelphia show, he described Gaza as “catastrophic and unjustifiable” while also calling Hamas’ October 7 attacks “horrific.”

Yet the statement did little to ease tensions. Instead, it intensified debate around a performer who had previously insisted he did not want politics to become part of his concerts. 

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Sheeran Says He Questioned Whether He Wanted To Be An Artist At All

Ed Sheeran with other celebrities on their way to the Spain-Argentina World Cup final in New York
AFPS/MEGA

Lost beneath the political arguments was something more personal: the effect the backlash was having on Sheeran himself.

Standing before 50,000 fans in Philadelphia, the singer said the turmoil had pushed him into genuine uncertainty.

“The last week of my life has been one of the worst weeks of my life,” he admitted.

The comment wasn’t simply about tour logistics or negative headlines. The 35-year-old went further, explaining just how dramatically the situation had shaken his confidence.

“I really didn’t know whether this tour would be carrying on. I really didn’t know whether I’d even be getting on stage again, whether I even wanted to be an artist at all. In these situations, you really find out who your friends are, and it’s been a weird week,” Sheeran said.

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Ed Sheeran’s Instagram Numbers Tell The Story Of A Fan Base In Flux

Ed Sheeran at the 2024 Blue Diamond Gala
ZUMAPRESS.com / MEGA

While the emotional fallout played out onstage, another measure of the controversy was unfolding online.

Before Macklemore announced his departure, Sheeran’s Instagram account stood at roughly 47.6 million followers. Within days, the figure began falling sharply.

According to a Daily Mail report, nearly 150,000 followers disappeared on September 15 alone after the Grammy winner publicly addressed the controversy. 

More losses followed the next day, and the decline continued throughout the week. By September 23, his audience had dropped to approximately 47.2 million followers.

At the same time, the artists connected to the dispute were experiencing the opposite trend. Reports revealed that Macklemore, Finneas, Graham, Rowe, and Beoga collectively gained about 1.6 million followers after the tour fallout became public.

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More From The Blast

Charlotte Church Says Sheeran Chose ‘Capitalism’ Over Principle

Amid the fallout from the Loop Tour controversy, some of the sharpest criticism has come from fellow musicians.

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Among the latest voices to weigh in is Welsh singer Charlotte Church, who used a recent concert in Cardiff to publicly call out Ed Sheeran over the handling of the Macklemore situation. 

Rather than focusing on the tour logistics, Church framed the issue as a question of responsibility and influence. 

Addressing the crowd, she argued that Sheeran had a rare opportunity to use his platform differently.

“Whilst he has made millions and has an enormous following, he has an enormous platform to do real good in the world,” she said, per The Guardian.

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Church then delivered the line that quickly made headlines across multiple outlets. She stated, “He chose consumerism and capitalism over doing the right thing. Ed Sheeran, we’re watching you. Free Palestine.” 

Ed Sheeran’s Cousin Turns The Tour Crisis Into A Family Feud

Ed Sheeran at the MTV EMa's 2021 in Budapest
MEGA

If criticism from fellow artists intensified the pressure surrounding Sheeran, some of the most surprising backlash came from much closer to home.

As reported by The Blast, Sheeran’s cousin, Jethro, better known by his stage name Alonestar and a longtime collaborator of the singer, launched an extraordinary public attack on his cousin.

In a series of posts and interviews, Jethro accused Sheeran of being far more involved in the decision than he has publicly acknowledged.

“He’s dropped Macklemore himself—I believe 100%,” Jethro said before delivering the comment that became the centerpiece of news coverage. “He’s a coward,” he said. 

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But the criticism didn’t stop there. Jethro also accused his cousin of being a “selfish individual with malicious, cunning ways” and claimed the public was finally seeing a different side of the Grammy winner. 

In one particularly pointed message, he wrote, “Finally it’s all coming out! I’m ashamed of my Cousin Ed.”

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Love Chrissy Teigen’s $550 Cashmere Sweater? Get the Look for $30

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Love Chrissy Teigen's $550 Cashmere Sweater? Get the Look for $30

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When it’s too chilly for tanks yet too hot for coats, the right cardigan sweater changes the game. But cardigans can lean frumpy, which is why we’re swooning over Chrissy Teigen‘s classy, elevated version. We found her rich mom look on sale for only $33!

In an Instagram post, Teigen showed off her brand’s pancake mix wearing the easiest everyday uniform. She rocked relaxed jeans, a simple tank and a light-brown cashmere-blend cardigan on top. The catch? That buttery caramel layer costs $550, but this Amazon twin is practically identical. Rich moms (and Us) are stocking up!

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Get the Lillusory Lightweight Cardigan for $30 (was $40) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Like Teigen’s, this Lillusory Lightweight Cardigan features a similar caramel hue, dainty buttons and refined shape. Better yet, it has a modest crop and tailored fit, which is exactly why it looks so good with high-waisted denim, a Teigen favorite.

Ribbed hems, stretchy fabric and a round neckline round out this classy fall piece (pun intended), so it’s no wonder shoppers are obsessed. One five-star reviewer wrote, “It’s got cashmere-like softness to the material. Feels like you’re wrapped up in a blanket, but it’s not too thick.”

Another happy fan shared, “It hits right at the waist, which makes it perfect for pairing with high-waisted jeans or skirts.”

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This easy layering style works for school pickups, brunches and quick coffee runs when you want to appear pulled together in two seconds flat. We understand why the look is Teigen-approved!

Get the Lillusory Lightweight Cardigan for $30 (was $40) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Looking for something else? Explore more chic knits, and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

UsNow Fall Sale Alert: These chic fashion finds are up to 60% off – plus free shipping

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Welcome to fall with our biggest sale of the season. Our favorite dresses, tops, handbags, and shoes are all on sale + free shipping. Inventory is limited so hurry before they’re gone.

Shop the UsNow Fall Sale –>

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The 15 Best Netflix Original Comedy Movies, Ranked

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A still from the film Metal Lords featuring a long-haired teen with an electric guitar

While the streaming era as a whole has provided a great deal of engaging and iconic original content across a wide variety of different streaming services, Netflix has continued to be at the forefront when it comes to its original content. The platform has proven time and time again why it is the king of the streaming era, with its multitude of original films being just one way that it has held dominance over other streaming services. While Netflix has provided many iconic titles in a wide variety of genres, some of their strongest offerings are easily in the realm of comedy.

Ranging from exclusive installments in massive comedy film series, or new stories brought to life by the modern day’s biggest and brightest comedic filmmakers, there is no shortage of brilliant original comedies on the platform. When it comes to the absolute best comedies that the platform has released, the films have been highly regarded and considered some of the most successful and beloved comedy films of recent memory.

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A still from the film Metal Lords featuring a long-haired teen with an electric guitar
A still from the film Metal Lords featuring a long-haired teen with an electric guitar
Image via Netflix

Easily one of the most underrated Netflix original films out there, Metal Lords is a coming-of-age teen comedy that follows a duo of misfits with big dreams of performing a heavy metal song at their school’s battle of the bands, becoming school legends just like their heroes. The overwhelming strength of the film is its signature sense of charm and earnestness, finding an effective balance between comedic elements and some genuine emotional heart.

Especially as so many other teen movies of the modern age feel limited by characters that act more as caricatures and basic personality traits, Metal Lords gets a lot of mileage out of treating its characters like real people, with a layered understanding of the stresses and difficulties of modern teenage life. While it might not be one of the first films that come to mind when considering the must-watch Netflix comedies, Metal Lords is absolutely worth checking out for fans of the teen coming-of-age genre.

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14

‘Always Be My Maybe’ (2019)

Ali Wong and Randall Park as Sasha and Marcus at a party in Always Be My Maybe 
Ali Wong and Randall Park as Sasha and Marcus at a party in Always Be My Maybe
Image via Netflix

One of the better romantic comedies on the platform, Always Be My Maybe follows the story of Sasha (Ali Wong) and Marcus (Randall Park), two childhood friends who drifted apart after an awkward fling. However, fifteen years later, fate has seemingly brought the two together again, yet the stark differences between Sasha’s life as a world-famous chef and Marcus’s average, local lifestyle prove to come with their own difficulties. However, it’s undeniable that the two still have sparks, so they do their best to make this second chance at a relationship work.

As with all great romantic comedies, the crux and biggest strength of Always Be My Maybe comes from the genuine connection and on-screen chemistry between Wong and Park. Both in terms of the genuine romance that the characters build throughout the film, and acting as great comedic foils that constantly bounce off of one another, the duo are on-screen dynamite. As far as Netflix’s original romantic comedy movies, Always Be My Maybe is easily one of their best.

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13

‘They Cloned Tyrone’ (2023)

John Boyega, Jamie Foxx, and Teyonah Harris in They Cloned Tyrone.
John Boyega, Jamie Foxx, and Teyonah Harris in They Cloned Tyrone.
Image via Netflix

An exceptionally hilarious sci-fi satire defined by an overwhelming sense of style and personality in its filmmaking, They Cloned Tyrone proves to be much more insightful and intelligent with its comedy than the average Netflix original movie. It follows the unlikely trio of a drug dealer (John Boyega), one of his customers (Jamie Foxx), and a sex worker (Teyonah Parris) uncovering a mass cloning conspiracy happening right underneath their town, as it seems that every aspect of their lives has been set up by a nefarious shadow government.

From the extravagant costumes to the over-the-top set designs and background elements, They Cloned Tyrone places a lot of emphasis on the smallest of details to create a satirical edge to its world, making its shift to conspiratorial sci-fi all the more effective. It also helps that Boyega, Foxx, and Parris each provide exceptional comedic performances, bouncing off of one another and adding layers to this story of clones and conspiracy.

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12

‘Don’t Look Up’ (2021)

Leonardo DiCaprio and Jennifer Lawrence looking down at something in Don't Look Up Image via Netflix

Acting as an in-your-face satire of climate change, Don’t Look Up follows two low-level astronomers who come upon the terrifying discovery that a meteor is set to crash into Earth in six months. In an attempt to warn everyone about the impending doom of the planet, they attempt to go on a press tour to spread the word and hopefully get a solution rolling. However, much to their dismay, most of the world either doesn’t believe their claims, or even worse, doesn’t care.

Adam McKay‘s recent comedy films have always been able to successfully toe the line between biting and cutthroat satire with a signature, broadly appealing style of humor that greatly defined his earlier works. Don’t Look Up acts as the true pinnacle and combination of the two eras of his career, able to feature both relevant social commentary with absurdist characters and caricatures to create a distinct viewing experience. While not everybody’s cup of tea, it’s hard to deny the reach and impact that the film has had, being one of Netflix’s most successful films of all time, comedy or otherwise.

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11

‘The Meyerowitz Stories (New and Selected)’ (2017)

Adam Sandler, Ben Stiller, Elizabeth Marvel, Grace Van Patten in a waiting room in The Meyerowitz Stories.
Adam Sandler, Ben Stiller, Elizabeth Marvel, Grace Van Patten in a waiting room in The Meyerowitz Stories.
Image via Netflix

One of many distinct collaborations between Netflix and acclaimed director Noah Baumbach, The Meyerowitz Stories (New and Selected) follows the estranged Meyerowitz family during a long-awaited reunion. With the father of the family, Harold Meyerowitz, having an event in New York meant to celebrate his artistic work, the rest of the family, including the likes of Adam Sandler, Ben Stiller, and Emma Thompson, come together for a celebration. It doesn’t take long, however, before the family falls back on the infighting and division that had kept them away to begin with.

While not as award-winning or recognized as Baumbach’s other iconic film for Netflix, Marriage Story, The Meyerowitz Stories significantly leans more into Baumbach’s talents as a comedic writer. His signature writing style combined with the all-star cast of comedic legends comes to create one of the most distinct and consistently hilarious comedies that Netflix has ever released. It’s a film that also features as much thematic resonance and powerful themes of familial ties and division as it does hilarious comedic moments that continue to stay funny on every rewatch.

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10

‘The Half of It’ (2020)

Ellie and Paul speaking on the road Image via Netflix

The Half of It is a coming-of-age romantic comedy that follows Ellie, a reclusive straight-A student who has spent her high school years isolated from the rest of the student body. She soon finds herself being hired by straight-D student Paul, who needs help in charming the most popular girl in school and wants to use Ellie’s writing abilities to make the perfect love letters. All seems good at first before Ellie soon realizes that she is also beginning to form feelings for the same girl that Paul is into.

While many modern coming-of-age movies have floundered because of how inauthentic and unrelatable their characters were to modern teens, The Half of It succeeds where its contemporaries largely fail. The film takes a much more grounded and realistic approach to the classic teen romance story, showing that it’s OK when not everything goes according to plan, as the rocky teenage years are unpredictable and are never perfect for anyone. It has a level of respect for its audience that is rare in teen movies, making it a highly commendable take on the genre.

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9

‘The Mitchells vs. the Machines’ (2021)

Every member of the Mitchell family looks alarmed as robots pursue their car in 'The Mitchells vs. the Machines'.
Every member of the Mitchell family looks alarmed as robots pursue their car in The Mitchells vs. the Machines.
Image via Netflix

Easily the definitive animated comedy movie to be released by Netflix, The Mitchells vs. the Machines is a wild, unrestrained love letter to the very notions of filmmaking and creating insane, deeply personal art. Blending together a story of artistic vision, a classic family road trip, and a sci-fi story of saving the world from a robot apocalypse, the film embraces its lack of normalcy and the absolute weirdness of art and trying to be a family.

The major highlight of the film is the absolutely stunning animation, rife with personality and comedic flourishes throughout the entire thing that serve to elevate the entire experience. It’s a film tailor-made for the social outcasts and animation nerds of the world, with enough engaging central theming around family dynamics to make it a feel-good experience for the entire family. It’s easy to see the film as one of the very best animated films Netflix has released, and it works in its favor that it also happens to be hilarious from start to finish.











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Collider Exclusive · 8 Questions · 2 Minutes
Which Netflix Character Would Be Your Best Friend?
Dustin · Emily · Wednesday · Gi-hun
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Some friends drag you out of the house. Some sit with you on the worst night of your life. Netflix has written both, plus the one who tells you the truth you have been avoiding all week. Answer eight quick questions about how you actually do friendship, and find out which of them was always going to end up in your corner.

🧢Dustin(Stranger Things)

🗼Emily(Emily in Paris)

🕷️Wednesday(Wednesday)

🟢Gi-hun(Squid Game)

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01

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How do you usually end up making a new friend?
The origin story says a lot about the friendship that follows it.




02

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What is a perfect Saturday with your best friend?
Friendship is mostly built out of very ordinary hours.




03

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You call them at two in the morning. What happens?
This is the real test of a friendship, and everybody knows it.




04

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What do you want from them when you are clearly wrong?
The best friendships are the ones that survive being corrected.




05

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What do your friends actually value about you?
The friend you attract says something about the friend you are.




06

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You have a falling out. How does it go?
How a friendship repairs itself matters more than how it breaks.




07

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What do you actually need a best friend for?
Everybody is missing something. The right friend fills that gap.




08

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Ten years from now, what keeps the two of you close?
Eight questions in, this is the one that decides who you get.




The Group Chat Has Spoken
Your Best Friend Is…
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Four Netflix characters, four completely different ways of showing up
for somebody. This is the one who fits how you actually do friendship, and what having them in your
life would be like.


Stranger Things · Netflix · Since 2016

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Dustin Henderson

You do not do friendship at half volume, and neither does he.
What you want is somebody who says yes to the plan before you have finished describing the
plan.

  • Dustin is the friend the entire show runs on: loyal past the point of sense,
    enthusiastic about everything, and incapable of leaving anybody behind.
  • You have the same instinct. Your friendships are loud, specific and slightly ridiculous,
    and they last for decades because of it.
  • He is also the one person who would take your strangest interest completely seriously,
    which is far rarer than it sounds.
  • You would have a group chat. It would never once be quiet.


Emily in Paris · Netflix · Since 2020

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Emily Cooper

You are the friend who makes things happen, and so is she.
Together you would be mildly exhausting to everyone around you and completely delighted with
yourselves.

  • Emily treats an ordinary Tuesday as something that could be turned into an occasion,
    which is either the best or the worst quality in a friend depending on your energy
    levels.
  • You share her refusal to sit still. Neither of you has ever accepted a night in when
    something was happening somewhere else.
  • She is far more loyal than people give her credit for. She defends her friends loudly,
    publicly, and occasionally before checking the facts.
  • She would post the photo without asking. You would forgive her, because it is a very
    good photo.


Wednesday · Netflix · Since 2022

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Wednesday Addams

You have no patience for pleasant lies, and she has no ability to
tell them. What looks like coldness from the outside is the most reliable friendship on this
list.

  • Wednesday never says a kind thing she does not mean, which makes the rare ones count for
    an enormous amount.
  • You would rather be told the truth than be made comfortable. She is constitutionally
    incapable of offering you anything else.
  • Underneath all of it she is ferociously protective. She simply refuses to make a
    performance out of caring.
  • Do not expect a birthday message. Do expect her to ruin anyone who wrongs you.


Squid Game · Netflix · 2021–2025

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Seong Gi-hun

You look after whoever is having the worst day. So does he. It is
the least strategic way to move through the world and the best possible quality in a friend.

  • Gi-hun is not the strongest player in Squid Game, or the cleverest. He is the one who
    keeps choosing to protect somebody else, over and over, at genuine cost to himself.
  • You have the same instinct. You notice who is struggling and you stay with them, long
    after anybody would blame you for leaving.
  • He is a flawed friend, and that is part of why it lands. He lets people down, then comes
    back and tries again, which is more than most manage.
  • He would give you his last chance and never once mention that he had done it.

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8

‘Bad Trip’ (2021)

Eric Andre and Lil Rel Howery in Bad Trip
Eric Andre and Lil Rel Howery in Bad Trip
Image via Netflix

A wild hidden camera comedy in the same vein as Borat and Jackass, Bad Trip follows best friends Chris (Eric Andre) and Bud (Lil Rel Howery) as they embark on a wild road trip across the country. While on their journey, they play a part in a multitude of crazy pranks and shenanigans that pull real-life people into the mayhem of the story, as they adjust the story based on their interactions. At the same time, the duo is being chased down by Bud’s sister Trina (Tiffany Haddish), who is getting up to her own inklings of chaos while hunting the duo down.

While there have been a multitude of failed attempts over the years to recapture the same manic, pranking hidden camera energy of Borat, the only comedian who was truly going to be able to come close to this manic energy was Eric Andre. Andre’s experience and similar absurdist prank-based humor seen in his show, The Eric Andre Show, is simply brought to the next level in Bad Trip, with a cinematic budget giving them limitless possibilities for the chaos that unfolds. Especially for fans of Andre’s other works, Bad Trip is a must-watch comedy experience.

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7

‘Do Revenge’ (2022)

Camilla Mendes and Maya Hawke in a scene from Do Revenge.
Camilla Mendes and Maya Hawke in a scene from Do Revenge.
Image via Netflix

Acting as a modern-day love letter to the classic clique-based teen movies of the late 90s and early 2000s, Do Revenge perfectly recaptures the manic and cutthroat comedic energy of films like Mean Girls and Clueless. The film follows the story of Drea, a former queen bee at her private high school who has her entire social life crashing down around her, losing her status and all of her friends in the process. However, after meeting with new student Eleanor, the two hatch a scheme to get revenge on each other’s worst enemies, earning their way back to the top in the process.

Do Revenge is easily one of the best, most underrated teen movies in recent memory, acting as a perfect modernization of the classic revenge-based teen movie. Even more than simply rehashing and revitalizing a once popular trend, Do Revenge builds upon and twists the conventions of its premise to create a wildly engaging and highly unpredictable story. Still, comedy has always been the strongest aspect of these films, and Do Revenge, much like the films that inspired it, is chock full of quotable lines and hilariously memorable moments that make it a Netflix movie designed for endless rewatches.

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6

‘Paddleton’ (2019)

Mark Duplass and Ray Romano laughing in Paddleton
Mark Duplass and Ray Romano in Paddleton
Image via Netflix

Paddleton accomplishes the difficult task of finding the humor and pleasant moments in one of the darkest and dreariest things a human can go through. The film follows the story of Michael and Andy, two misfit neighbors who have become the closest of friends, playing games of Paddleton together and watching their favorite kung fu movie. Their friendship, however, is now taking an emotional turn, as Michael is diagnosed with terminal cancer and requests Andy’s help in making his last days on Earth worthwhile.

It’s easy to mess up a film like Paddleton, as the stark contrast between awkward, uncomfortable comedy and a genuinely uncomfortable experience can easily be misconstrued by an audience. However, what makes the film work so exceptionally well are the performances and genuine chemistry between Mark Duplass and Ray Romano, who sell their years-long friendship with constant riffing and genuine back-and-forth. Even when it gets to its most emotional and heartbreaking moments, the film still understands the importance of humor, even in the darkest of times.

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Jonathan Taylor Thomas Allegedly Kicked Cop Before Arrest

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Why Did Jonathan Taylor Thomas Stop Acting? Hollywood Exit Explained

Former Home Improvement star Jonathan Taylor Thomas allegedly kicked a police officer in the stomach prior to his arrest in Los Angeles earlier this week.

A spokesperson for the Los Angeles Sheriff’s Department confirmed to Us on Wednesday, September 23, that Thomas, 45, was taken into custody on Monday, September 21, following a traffic stop at Westlake Boulevard and Townsgate Road in Westlake Village.

Thomas was allegedly in the passenger seat of a car stopped by officers for “blocking traffic” when it was stopped at an intersection during a green light.

“Deputies pulled alongside the vehicle to see if the driver needed assistance,” a police spokesperson confirmed to Us. “Deputies noticed the driver was acting odd and appeared to be intoxicated. Deputies conducted a traffic stop on the vehicle for the violation and conducted a driving under the influence investigation.”

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Why Did Jonathan Taylor Thomas Stop Acting? Hollywood Exit Explained


Related: Why Did Jonathan Taylor Thomas Stop Acting? Hollywood Exit Explained

Jonathan Taylor Thomas became a household name after appearing on Home Improvement, but the child star eventually turned away from the spotlight. Thomas, now 44, got his start at 9 years old when he appeared on The Bradys before voicing young Simba in The Lion King and starring in other films such as Man of […]

According to the LASD, Thomas (real name Jonathan Taylor Weiss) “appeared intoxicated” when he was instructed to remain inside the passenger seat of the vehicle.

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“[Thomas] continually exited the vehicle and approached the deputies, distracting them from their investigation,” a police statement read. “Deputies attempted to detain [Thomas] for obstruction and public intoxication, at which point, Weiss kicked a deputy in the stomach.”

The Lion King voice actor was “arrested, transported, and booked” at the Malibu/Lost Hills Sheriff’s Station on charges of obstructing or resisting an officer, police said.

“The case will be submitted to the Ventura County District Attorney’s Office for filing consideration,” police said.

Us has reached out to Thomas for comment.

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T2DHOIMTO003 Jonathan Taylor Thomas Allegedly Kicked a Cop in the Stomach Before Arrest home improvement cast

Tim Allen, Jonathan Taylor Thomas, Zachery Ty Bryan, Patricia Richardson and Taran Noah Smith on “Home Improvement”
Touchstone Television / Courtesy: Everett Collection

After starting his acting career at 9 years old, Thomas had his breakthrough playing Randy Taylor on Home Improvement, in which he starred opposite Tim Allen, Patricia Richardson, Taran Noah Smith, Zachery Ty Bryan, Richard Karn and Debbe Dunning. The classic sitcom aired on ABC from 1991 to 1999.

Thomas became a teen heartthrob, landing leading roles in teen adventure movie Wild America and the festive rom-com I’ll Be Home for Christmas in the late 1990s. However, he stepped away from acting following a string of guest appearances on Smallville, Veronica Mars and a four-episode reunion with Allen, 73, on Last Man Standing.

Allen recently spoke exclusively to Us about potential roadblocks to getting a long-awaited Home Improvement revival off the ground.

“They keep talking about how it could move forward, but they get stuck [because] there are some personality problems right now with the boys,” Allen revealed to Us in June. “They’ve got their own issues. I always thought it would be cool if it was a story about them. That’s a little challenging right now, to put it mildly.”

(Bryan, 44, has had a string of legal issues over the years, including DUIs arrests and alleged incidents of domestic assault.)

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Why Did Jonathan Taylor Thomas Stop Acting? Hollywood Exit Explained


Related: Why Did Jonathan Taylor Thomas Stop Acting? Hollywood Exit Explained

Jonathan Taylor Thomas became a household name after appearing on Home Improvement, but the child star eventually turned away from the spotlight. Thomas, now 44, got his start at 9 years old when he appeared on The Bradys before voicing young Simba in The Lion King and starring in other films such as Man of […]

Earlier this year, Allen admitted to Us that he struggled to offer fatherly advice to Bryan, Thomas and Smith, 42, while they were filming Home Improvement.

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“It was new to me and it took a while for me to be that [father figure]. I felt like more of a funny, mischievous older brother for quite a while — especially to the boys on Home Improvement,” he acknowledged. “It’s difficult because I said when it was easy to be a TV parent, it’s easy. When it’s difficult to be a TV parent, you really are of no value.”

Allen noted that some of his younger costars went through “personal, horrible trauma” in their adolescence.

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“[For example with the] Home Improvement kids, it was so long ago and I was brand new at that and it was very difficult for me to be anywhere near a mentor or guide,” he told Us.

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Gleb Savchenko’s Custody War Ends With A Brutal Setback

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pro-dancer Gleb Savchenko at DWTS Season 33 dance rehearsals

For years, Gleb Savchenko and Elena Samodanova appeared to have moved beyond the bitterness of their split. 

However, a custody dispute that stretched across continents has now exposed a far deeper conflict, one involving allegations of emotional harm, competing claims of parental manipulation, and a legal fight over where their teenage daughter truly belongs. 

The drama, which began as Savchenko’s effort to keep 15-year-old Olivia in Los Angeles, ultimately ended with a court siding against his request, setting the stage for an even more dramatic chapter in the former couple’s long-running battle.

Gleb Savchenko’s Emergency Custody Bid Centered On Serious Allegations

pro-dancer Gleb Savchenko at DWTS Season 33 dance rehearsals
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Gleb Savchenko’s latest legal push was built around claims that Olivia faced troubling conditions while living with his ex-wife in Hong Kong. 

In court filings opposing his daughter’s return overseas, the dancer argued that she would face a “grave risk of physical and psychological harm” if she were sent back.

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According to documents obtained by the Daily Mail, Savchenko accused Samodanova of pressuring Olivia to take weight-loss medication to maintain her appearance for dance. 

He also alleged that the teenager endured harsh criticism about her appearance and was subjected to comments that labeled her “fat” and a “disgrace” to the family.

Beyond those claims, the 43-year-old alleged that his daughter was being pushed to train, dance, and perform to the point of exhaustion, even when she was ill. 

According to him, she suffered from severe depression and anxiety and had turned to alcohol and drugs as a coping mechanism.

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Taken together, he argued, the allegations demonstrated “potential risks” associated with returning Olivia to Hong Kong.

Savchenko And Samodanova Offered Starkly Different Versions Of Events

Gleb Savchenko and Elena Samodanova at 'Father Figures' Premiere
Sheri Determan/WENN.com/ MEGA

Samodanova didn’t stay silent about the accusations. Instead, she accused Gleb Savchenko of being the parent engaged in “wrongful retention.” 

In a petition filed under the Hague Convention, she argued that Olivia travelled to Los Angeles on July 9 to visit her father but never returned home to Hong Kong.

According to court records, Samodanova alleged that Savchenko attempted to enroll Olivia in a Los Angeles school without her approval. She later told the Daily Mail that his accusations against her were “just empty words without any proof.”

Her legal filings included text messages she said came directly from Olivia. In those exchanges, the teenager allegedly claimed her father was pressuring her to make statements against her mother.

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“Her father told her she would be betraying him and taking my side while he takes care of her, feeds her, and gives her money,” Samodanova wrote in her declaration.

She further alleged that Savchenko told Olivia “she could go any time but that he would not spend money on her, including for a flight home.”

Gleb Savchenko Suffers A Major Setback As Court Sends Olivia Back To Hong Kong

Gleb Savchenko at Los Angeles premiere of 'If I Stay'
Lumeimages / MEGA

As the dispute intensified, the case culminated in a September 15 hearing in Los Angeles.

Samodanova traveled from Hong Kong to attend the proceeding in person, where she faced her ex-husband in court. Among the materials submitted was a selfie Olivia allegedly sent her mother showing herself crying.

In the message attached to the photo, Olivia wrote, “Papa said I can go anytime but he is not spending any more money on me or anything even flight home.”

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Despite the serious allegations raised by Savchenko, the court focused on a key issue central to Hague Convention cases: the child’s habitual residence. 

According to hearing minutes, the court determined that Olivia’s habitual residence was Hong Kong.

The ruling dealt a significant blow to Savchenko’s effort to keep his daughter in Los Angeles through an emergency order. The court also directed the former couple to participate in mediation through Family Court Services.

Following the hearing, Olivia returned to Hong Kong with her mother, bringing the latest chapter of the international custody dispute to a close, at least for now.

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Samodanova Says Gleb Savchenko Missed Child Support For 10 Months

Gleb Savchenko and Elena Samodanova attend Premiere of 'Solo: A Star Wars Story'
Brian To/WENN.com/ MEGA

The custody battle between Savchenko and Samodanova was already packed with accusations about parenting and Olivia’s future, but court filings revealed another dispute that had been simmering behind the scenes.

In documents obtained by PEOPLE in July, Samodanova alleged that her ex failed to make child-support payments for ten months before the situation was eventually resolved. 

According to the filing, she said she was forced to seek “assistance through the appropriate child support enforcement authorities before payments resumed.”

In the same filing, Samodanova denied Savchenko’s claim that she took the children to Hong Kong without his consent, arguing instead that the move was mutually agreed upon after their divorce. 

She maintained that Hong Kong remained the children’s home and legal residence. Samodanova also challenged Savchenko’s broader custody arguments. According to the filing, she accused him of wrongfully keeping Olivia in California after canceling her return ticket to Hong Kong.

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Samodanova Revisits Infidelity Claims That Ended Their Marriage

Gleb Savchenko & Elena Samodanova smiling
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Long before the latest custody fight landed in court, the breakdown of Savchenko and Samodanova’s marriage had already played out in public.

After announcing their separation in 2020, Samodanova publicly accused Savchenko of repeated infidelity and spoke candidly about the impact it had on their family.

“Gleb’s ongoing infidelity and a recent inappropriate relationship has created turmoil in our marriage and absolutely torn our family apart,” she told PEOPLE at the time.

Samodanova also expressed frustration over what she believed had happened during the final months of their marriage, adding, “No wife should ever stand by and watch while another woman gifts her husband expensive presents, lures him out to dinners and seduces him at every turn.”

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8 Great Books Where Every Chapter Is Perfect

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The Shining - book cover - 1977 (1)

Since books have been a thing for so long, and many books themselves are also so long, it can be hard to fully “catch up” with the art form overall the way you might almost be able to do with movies or video games. Okay, emphasis on the “almost” there, because there remain overwhelming numbers of those things, too, and they’re still getting pumped out constantly, so falling behind further and further is inevitable.

Returning to books, though, you’ve got absolute must-read classics that were published centuries ago, and people do still read, and so great books are still being published. What follows is a rundown of some arguably perfect books, selected here because they’re incredibly consistent and really don’t have any downtime, even for just a chapter or so. They’re not automatically the very best books ever written, since trying to decide on that is overwhelming, but they’re a great selection, and all definitely hold up as worthy of one’s time and attention.

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8

‘The Shining’ (1977)

The Shining - book cover - 1977 (1) Image via Doubleday

The thing about The Shining is that it might not be the absolute greatest Stephen King novel, since there is something to be said about how remarkable his epics are, but the length of books like IT, The Stand, and Under the Dome does lead to some (usually minor) flaws alongside all the good stuff. So, here’s The Shining, and it’s here because it’s consistently great to, like, a greater extent than some of his impressively lengthy works.

There aren’t many characters in this one, and the setting is also decently confined, because The Shining famously involves a family of three staying at a hotel during the off-season, and it is quite the odd and/or haunted hotel. The father already had personal demons that become harder to control as more time is spent in the hotel, and there’s equally unsettling psychological horror, as a result, alongside all the supernatural occurrences. It’s pretty much perfect horror, and one of the hardest-to-fault (or even nitpick) Stephen King books.

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7

‘The Curious Incident of the Dog in the Night-Time’ (2003)

The Curious Incident of the Dog in the Night-Time - 2003 Image via Doubleday

Thanks to it not being too long (unlike some of the books that’ll be mentioned in a bit), and also being incredibly engaging, it’s pretty easy to blast through The Curious Incident of the Dog in the Night-Time in just a couple of sittings. Narratively, it’s about a teenage boy who has a distinctive outlook on the world, and he sets his sights on trying to find out the truth behind the death of a neighborhood dog.

There’s some other stuff alongside that, and then the side of The Curious Incident of the Dog in the Night-Time that’s a bit harder to explain and praise is what it does stylistically. It’s a creatively presented and narrated story, and then the story on its own is still fairly interesting. But the execution really makes it stand out as one of the best mystery novels of the century so far.

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6

‘Say Nothing: A True Story of Murder and Memory in Northern Ireland’ (2018)

Say Nothing_ A True Story of Murder and Memory in Northern Ireland - 2018 - book cover Image via HarperCollins Publishers LLC

Like The Curious Incident of the Dog in the Night-Time, Say Nothing: A True Story of Murder and Memory in Northern Ireland has a long title that does a pretty good job of letting you know what you’re in for. The “True Story” part also lays out how this is a work of non-fiction, but it’s paced and written in a way that makes it honestly feel more gripping than a good many actual thrillers out there.

Say Nothing explains the whole wider conflict of the Troubles extremely well, and with great clarity, all the while keeping things interesting on a more personal level.

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The central thing that the whole book’s built around is the disappearance of a woman named Jean McConville in 1972, with the fallout and lead-up to that event explored, and then it’s all a way to explore more things regarding the Troubles. Say Nothing explains the whole wider conflict of the Troubles extremely well, and with great clarity, all the while keeping things interesting on a more personal level, with the central figures explored/depicted. It does a lot rather effortlessly, in other words, and doesn’t lose its way at any point, not even for a page.

5

‘Dune’ (1965)

Dune - 1965 - book cover (1) Image via Ace Books
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Some might take issue with Dune being here, owing to some of the epic novel’s earlier chapters being slow, compared to how the book eventually feels, yet that world-building early on is excellent, and just as engrossing if you’re okay with reading something that’s not 100% plot 100% of the time. In any event, all the things that the novel spends time on early on do prove important, if not by the end of Dune (1965), then at some point in one of the several sequel books it got (those written by Frank Herbert, which are largely worth exploring, too).

There are a fair few factions/groups of characters here, but broadly, Dune involves conflict being fought over a dangerous but valuable planet in the far future. That’s really simplifying things a bit too much, with Dune being so monumental a classic, and deservedly so, for all the reasons that so many people have already said at this point, 60+ years on from the book’s publication.

4

‘Libra’ (1988)

Libra - 1988 - book cover Image via Viking Press
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It doesn’t sound like much of a compliment to call a book confounding and stressful, and those being the main emotions that Libra inspires could understandably influence someone to stay pretty darn far away from it. The way it’s stressful and perplexing, though, makes it something special, and it feels like a lot more than just a book about a conspiracy because of how it explores the nature of conspiracies and beliefs in them.

And then it also tackles uncertainty within history, and the overwhelming sensation of trying to stay alive – and keep up with things – in the second half of the 20th century, and reading Libra now, in the 21st century, so many of those fears are more intense. It was written nearly 40 years ago, and was mostly focused on a historical event that happened a quarter of a century before its publication, yet Libra feels undeniably timeless.

3

‘War and Peace’ (1869)

War and Peace - 1869 - book cover Image via Wisehouse Classics
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War and Peace is famously long, to the point where that’s all that’s known about it sometimes. And there, the length has just been mentioned. So maybe that supports the idea or perpetuates it, which was a careless thing to do on this writer’s part. Then again, it’s hard to convince someone to read something that’s like 1500 pages long in about 150 words, and then if you also have to summarize what the novel’s about… eh, forget it.

All that can be said is that War and Peace is so much more than “just” a famously (or notoriously?) long book. It is genuinely absorbing for all those many, many pages, and while it’s hard to commit to something like this initially, dedicating oneself to the whole epic starts to feel rewarding much earlier than one might expect. This book really does have a bit of everything, and it’s hard to accurately convey/describe just how perfectly written it is throughout.

2

‘The Lord of the Rings’ (1954–1955)

Well, you know. The Lord of the Rings. It’s one huge novel, not quite as long as War and Peace, admittedly, but also not far off. And The Lord of the Rings is more than just the core novel, since it’s connected to The Hobbit, The Silmarillion, and other stories within J.R.R. Tolkien’s legendarium, so quite a bit of time is needed, on your part, if you want to fully explore and understand Middle-earth.

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But with this one huge novel, you still get so much. The Lord of the Rings is incredibly rewarding, starting out amazing and then getting better and better (or at least more emotionally engrossing) as it goes along. Like Dune, it has its slower chapters early on, but thankfully, the world-building here is also about as good as world-building gets. Further, if you’re worried about sitting down to read about 1000 pages of text, there is at least one fantastic audiobook recording of the entirety of The Lord of the Rings, which is another great way to experience the entire epic.

1

‘Different Seasons’ (1982)

Different Seasons - 1982 - book cover - Stephen King Image via Viking Press

To go back to the Stephen King well, Different Seasons stands out from The Shining and some of the other honorably mentioned King books because it’s actually a collection of novellas. There are four here, and they’re all fantastic, so the book is enormously consistent. Sure, “The Breathing Method” doesn’t have quite the same impact as the first three, but it is nonetheless a great novella to close the whole collection on, and then the fact it’s the shortest might also make it stand out.

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As for the others, “Apt Pupil” is surprisingly great, and then with the other two, the greatness is less surprising, since “Rita Hayworth and Shawshank Redemption” is best-known for being the source material for The Shawshank Redemption, and “The Body” served the same purpose for Stand by Me. Great movies, obviously, and great original stories, too. This whole collection showcases King at his best, and then it stands out further for being (compared to his other early novels, novellas, and short stories) less horror-heavy, albeit some stories here still have some creepy moments.


01418767_poster_w780.jpg
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The Shawshank Redemption


Release Date
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September 23, 1994

Runtime

142 minutes

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Director

Frank Darabont

Writers
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Frank Darabont


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Dolly Parton’s Final Wish Reveals One Person She Let In

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Dolly Parton ARCHIVE PHOTOS NEW YORK CITY 2005-2019

Even in her final days, Dolly Parton remained fiercely protective of the image she spent decades building. 

The country music legend, who captivated generations with her larger-than-life personality and unmistakable style, reportedly had one clear request as her health declined: she did not want loved ones remembering her in a weakened state. 

Yet amid that deeply personal boundary, Parton made a single exception, one that reflected just how seriously she took every detail of her legacy.

Dolly Parton Trusted One Person With Her Final Public Appearance

Dolly Parton ARCHIVE PHOTOS NEW YORK CITY 2005-2019
MEGA

For someone who carefully controlled how she was seen throughout her career, Dolly Parton’s reported deathbed wish was strikingly simple. 

According to TMZ, the country legend did not want people visiting her during her final moments because she didn’t want anyone remembering her that way.

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However, she allowed one person into that private space: her longtime wig and makeup artist, Cheryl Riddle.

The decision wasn’t random. Parton reportedly wanted Riddle present so she could prepare her after death, ensuring she would look exactly as she wished before her open-casket service. 

It was a final act of trust between the music icon and one of the people who had helped shape her public image for years.

Another person who was reportedly granted access was her nephew, Bryan Seaver, the former head of her security team. 

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Seaver is said to have visited his aunt the day before she died. During that meeting, Parton reportedly entrusted him with another important responsibility: announcing her passing. 

Seaver later wrote and recorded a message at her studio, which was shared on Parton’s social media accounts on August 25, the day of her death.

Parton’s Sister Explains Why Even Family Didn’t Know About The Cancer

As questions about Dolly Parton’s final months continue to surface, her sister Stella has offered one of the most revealing answers.

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Speaking about the singer’s private cancer battle, Stella explained that secrecy was not about distrust but about protecting the people the Grammy winner cared about.

“Dolly did not want anybody to tell that because Dolly could not bear negative things,” Stella revealed on “CBS Mornings

Stella went on to explain why so many fans, and even relatives, were caught off guard by the news of Parton’s death. According to her, “She would not have wanted her fans worried about it.” 

The “Jolene” singer’s sister revealed that “a lot” of family members were unaware of the diagnosis. 

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Stella also defended the family’s decision not to reveal specific details about the illness, stating, “It’s not my business to tell her business.” 

Dolly Parton’s Final Recording Opens A New Chapter In Her Legacy

Dolly Parton ARCHIVE PHOTOS NEW YORK CITY 2005-2019
MEGA

While family members continue reflecting on Parton’s final months, her voice is still finding new audiences.

Earlier this month, Entertainment Weekly reported that one of the most anticipated posthumous releases arrived with news that the icon’s recording of “Bound to Ride” would appear on “Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers,” an all-star tribute project honoring the bluegrass pioneers. 

The recording carried special significance because it represented the first major musical release since her passing. According to the report, the track was originally recorded in 2022 and features Parton alongside the First Ladies of Bluegrass. 

The tribute album also includes contributions from artists such as Willie Nelson, Sierra Ferrell, Steve Martin, and Ed Helms. 

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The release also reinforced something Parton spoke about for years: her desire to continue sharing music long after she was gone. 

Her longtime manager previously revealed that the country icon carefully organized unreleased material and future projects before her death. 

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Brandi Carlile Leads Emotional Parton Tribute At Americana Honors

That enduring influence was on full display at the Americana Music Honors & Awards, where some of the genre’s biggest names gathered to celebrate Dolly Parton’s legacy.

During the ceremony, Brandi Carlile joined forces with folk trio I’m With Her for a moving rendition of Parton’s beloved classic “Coat of Many Colors.” The performance quickly became one of the night’s most talked-about moments. 

The tribute arrived during an emotional evening already dedicated to honoring the late singer who received a Lifetime Achievement Award. 

Audience members responded with a standing ovation as Carlile and the group delivered the song long associated with Parton’s life story and humble beginnings. 

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The performance carried extra weight because it followed a surprise appearance from Parton herself. 

As The Blast revealed, earlier in the ceremony, attendees watched a pre-recorded acceptance speech she had filmed before her death, allowing her to thank supporters in her own words one final time. 

Dolly Parton’s Nephew Vows To Fight Back After Shock Dismissal

While artists and admirers continue finding ways to celebrate Parton’s extraordinary legacy, a very different story has been unfolding behind the scenes. 

As tributes poured in and audiences reflected on the impact she left behind, one of the people entrusted with protecting that legacy found himself unexpectedly on the outside looking in.

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On Monday, Seaver spoke publicly about his removal from his longtime role as head of security for the singer’s properties. 

As The Blast previously reported, the dismissal affected security operations at her Nashville home, museum, warehouse, and other locations. 

Rather than staying silent, Seaver issued a strongly worded response. “We refuse to be intimidated by those whose actions we believe are being taken in bad faith and with the intent to profit from the life of someone who willingly gave so much,” he and his team told TMZ.

Seaver also expressed frustration over what he described as the estate’s actions, calling them “unexpected and, so far, unexplained actions.” 

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He suggested that decisions were being made by others rather than by people carrying out Parton’s wishes. 

Despite the dispute, he insisted that his focus remained unchanged. Seaver made it clear that his family would continue honoring Parton’s legacy and protecting those she loved.

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‘Highlander’ Officially Returns in 2026 Ahead of Henry Cavill’s Remake

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There can be only one, except there’s not, there’s loads. There are sequels, television shows, animation, comics and a reboot that features Superman, Maximus, two Guardians of the Galaxy and Batman’s butler. Forty years after Connor MacLeod first started removing the heads of fellow immortals to a Queen soundtrack, we’re finally going back to where the whole thing actually began.

Ahead of Henry Cavill’s (Man of Steel) upcoming Highlander reboot, Titan Comics has officially announced Highlander: The Original Screenplay, a four-issue comic adaptation of Gregory Widen’s original script for the 1986 cult classic. The first 32-page issue will be released on December 2, 2026, giving fans a chance to experience Widen’s initial version of the story before Cavill picks up the sword for Amazon MGM.

Widen famously wrote the original Highlander screenplay while studying film at UCLA before it was subsequently revised by Peter Bellwood and Larry Ferguson ahead of becoming a big screen success. Widen himself is returning to adapt that screenplay for the comic, with Szymon Kudrański providing the artwork. Titan describes the series as presenting the “original vision for the timeless classic,” following immortal Connor MacLeod through centuries of conflict as he battles his fellow immortals for the mysterious Prize.

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Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

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🏜️Dune

🚀Star Wars

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01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





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02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





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03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





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04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





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05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





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06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





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07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





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08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





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Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

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The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

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  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.


The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

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  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.


Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

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  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.


Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

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  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.


A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

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  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.

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What’s Happening With Henry Cavill’s ‘Highlander’?

Chad Stahelski (John Wick) is directing the new Highlander, with Cavill taking over as Connor MacLeod. Production began in Scotland in January following a delay caused by Cavill suffering an injury during pre-production. Russell Crowe (Gladiator) will appear alongside Dave Bautista (Dune) as the Kurgan, Karen Gillan (Guardians of the Galaxy), Djimon Hounsou (Blood Diamond), and Jeremy Irons (Watchmen). Crowe recently spoke of his excitement at taking part in the movie, praising Stahelski and stating that he was sure audiences would be thrilled and enthralled by it. “I just finished the shoot of Highlander” he said. “It’s an Amazon production, and it’s going to be fantastic. It’s by Chad Stahelski, who directed all the John Wick movies, so you know [he] is incapable of directing a film that is not exciting.”

Highlander: The Original Screenplay #1 will be released by Titan Comics on December 2, 2026.


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Release Date

March 7, 1986

Runtime

116 minutes

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Director

Russell Mulcahy

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Writers

Gregory Widen, Peter Bellwood, Larry Ferguson

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5 Best Dolly Parton Movies and Shows, Ranked

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Dolly Parton in Heartstrings on Netflix

There is a reason Dolly Parton can walk into a scene dressed like Dolly Parton and somehow make everybody else look overdressed. The hair is enormous, the rhinestones are doing their own publicity campaign, and then she starts talking and the whole image becomes secondary to how quick she is. That has always been the fun of watching her. People inside the movie notice the glamour first. Five minutes later, the smartest person in the room is usually the woman they underestimated.

And that is where her screen career gets surprisingly personal. Dolly has never needed movies to prove she is talented. The music already handled that. The good roles understand something more interesting about her, especially the humor, the stubbornness, the warmth, and that very specific ability to tell somebody off while sounding almost hospitable. When a film catches that properly, you stop seeing “country superstar acting” and start wishing she had made twice as many movies.

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5

‘Dolly Parton’s Heartstrings’ (2019)

Dolly Parton in Heartstrings on Netflix
Dolly Parton in Heartstrings on Netflix
Image via Tina Rowden / ©Netflix / Courtesy Everett Collection

Each episode of Dolly Parton’s Heartstrings takes one of Parton’s songs and builds a standalone story around it, with Dolly introducing the material and occasionally stepping directly into the drama. That could have become eight glossy music videos stretched to television length. Instead, the anthology uses songs including “Jolene,” “Two Doors Down,” and “These Old Bones” as starting points for stories about relationships, family, prejudice, regret, and the kind of small-town secrets country songs have always been very good at holding.

The results naturally vary, but there is genuine pleasure in hearing a familiar lyric and then watching the show take it somewhere you did not expect. “Jolene” is especially smart about refusing the easiest interpretation of its title character. Instead of simply turning the famous other woman into a villain, the episode gives her an actual life beyond somebody else’s marriage. Dolly’s presence keeps the whole project from feeling like a museum devoted to her catalogue. She seems genuinely delighted that songs written decades earlier can keep growing new stories. For fans, that warmth does a lot of the work.

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4

‘Straight Talk’ (1992)

Dolly Parton in Straight Talk. Image via Buena Vista Pictures Distribution

Shirlee Kenyon (Dolly Parton) leaves her dead-end life in Arkansas, moves to Chicago, and accidentally gets mistaken for a radio psychologist after walking into the wrong studio. Rather than immediately correcting everyone, Shirlee sits behind the microphone and starts giving callers the kind of plainspoken advice that actually helps. Straight Talk knows exactly why that premise suits Dolly. Of course strangers would call this woman with their problems. Of course she would ignore professional jargon and tell them what they already know but are scared to admit.

The movie gets especially enjoyable once reporter Jack Russell (James Woods) starts investigating the mysterious new radio sensation and discovers that Dr. Shirlee is neither a doctor nor particularly interested in pretending to be sophisticated. Their romance is light, but the radio scenes are the real reason to watch. Shirlee listens to people without treating them like fools, then cuts through their nonsense with a kindness that keeps the advice from sounding cruel. It is basically the screen version of the feeling people have always had about Dolly herself. You suspect she could fix half your problems over coffee, and you would probably thank her after she roasted you.

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3

‘The Best Little Whorehouse in Texas’ (1982)

Dolly Parton in a metallic dress smiling next to a laughing man in a suit Image via Universal Pictures

Mona Stangley (Dolly Parton) runs the Chicken Ranch, a long-established Texas brothel that has quietly existed with the cooperation of local authorities until crusading television personality Melvin P. Thorpe decides exposing it will be excellent for ratings. The Best Little Whorehouse in Texas turns that fight into a huge, cheerfully bawdy musical where politics, hypocrisy, romance, and show-business spectacle keep bumping into one another.

Mona is exactly the sort of character Parton understands from the inside. She is glamorous without being naïve, sentimental without losing practical sense, and completely aware that the respectable people condemning her establishment are often benefiting from the same arrangement. Her relationship with Sheriff Ed Earl Dodd (Burt Reynolds) gives the movie more feeling than the title promises, especially when their affection runs into the public scandal surrounding the Ranch. Then there is “Hard Candy Christmas,” which lands much harder than anyone expects after all the jokes and dancing. The movie may be broad, but Dolly never lets Mona become one.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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2

‘Steel Magnolias’ (1989)

Dolly Parton and Olympia Dukakais gossip at an outdoor event in Steel Magnolias.
Dolly Parton and Olympia Dukakais gossip at an outdoor event in Steel Magnolias.
Image via TriStar Pictures
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Truvy Jones (Dolly Parton) runs a Louisiana beauty salon where hair appointments routinely turn into therapy sessions, gossip exchanges, emergency meetings, and unofficial town councils. Steel Magnolias gathers a group of women around Shelby Eatenton (Julia Roberts)’s wedding and follows their friendships through much heavier years than that celebration initially suggests. Truvy may own the salon, but everybody who walks through the door seems to own a piece of the conversation.

Dolly fits into that ensemble so naturally that it is easy to forget how much star power is sitting behind the styling chair. Truvy’s famous line about there being “no such thing as natural beauty” is funny because the entire salon understands the joke, while her sharper observations usually arrive without announcing themselves. The movie belongs to the whole group, especially as Shelby’s health changes the emotional center, and that is part of what makes Dolly so good in it. She never fights for the spotlight. Truvy is simply there with the hairspray, the gossip, and exactly the right thing to say until suddenly you cannot imagine the room without her.

1

‘9 to 5’ (1980)

Lily Tomlin, Dolly Parton and Jane Fonda next to each other in in 9 to 5 Image via 20th Century Studios
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Judy Bernly (Jane Fonda) is newly divorced and completely overwhelmed by office life in 9 to 5. Violet Newstead (Lily Tomlin) knows the company better than the men promoted over her. Doralee Rhodes (Dolly Parton) is dealing with coworkers who assume she is sleeping with their sexist boss, Franklin Hart Jr. (Dabney Coleman), because Hart himself has encouraged the rumor. 9 to 5 puts those three frustrations in the same office, gets the women stoned together, lets them fantasize about murdering Hart, and then somehow turns a workplace comedy into a kidnapping plot.

Doralee announcing that she will turn Hart “from a rooster to a hen with one shot” is still glorious because the threat arrives after she has spent far too long tolerating his behavior. From there, the movie lets all three women enjoy taking control of the workplace and discovering that many of the supposedly impossible improvements Hart resisted are completely manageable once he is tied up elsewhere. Flexible hours, childcare, equal treatment, actual respect. The joke keeps exposing how ridiculous the original office was. And then there is the title song, written by Dolly using her acrylic nails to imitate the sound of a typewriter. 9 to 5 is angry, warm, hilarious, ridiculously rewatchable, and still painfully recognizable. If somebody wants to understand why Dolly Parton belonged in movies, start here.


9 to 5 1980 Film Poster
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9 to 5

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Release Date

December 19, 1980

Runtime
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109 Minutes

Director

Colin Higgins

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Writers

Patricia Resnick, Colin Higgins

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Presley Gerber Revealed What He Lost After Entering Modeling

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Presley Walker Gerber at Los Angeles World Premiere Of 'Infinite Icon': Red Carpet

Before Presley Gerber followed Cindy Crawford into modeling, his days revolved around sports, surfing, and spending hours in the ocean. Presley later identified the loss of that physically active routine as a turning point in his life. Once work demanded more of his time, he said he exercised less, began taking additional medication, and watched his quality of life deteriorate.

Modeling dramatically changed Presley’s life, replacing the active routine that had once kept him grounded. However, Presley did not claim that modeling alone caused his mental health or substance-use struggles. Instead, he described a complicated transition from a relatively carefree childhood into the responsibilities, pressures, and medical treatment that followed.

Presley Gerber Grew Up In The Water

Presley Walker Gerber at Los Angeles World Premiere Of 'Infinite Icon': Red Carpet
ZUMAPRESS.com / MEGA

Presley was raised in Malibu, California, where surfing and skating were central parts of his childhood. In a July 2025 Instagram video, he described himself as a dedicated athlete who once spent hours in the water nearly every day. The routine gave Presley something consistent to focus on. His immediate concerns were simple: eating, returning to the ocean, and staying active. That lifestyle changed when he began working as a teenager.

“For me it took 10 years of looking back at my life being like, ‘Well, what changed?’ A lot of the time people would ask like, ‘You were such a happy kid; what happened to you?’” Presley recalled, according to The Associated Press.

“What happened was life happened, and I wasn’t able to worry about one thing, which was my next meal and then get back in the ocean,” he continued. “Like I had to start making money, I had to start, I got a job.”

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The change was not simply about having less leisure time. Presley reportedly explained that reduced physical activity coincided with being placed on more medication and experiencing a decline in his quality of life.

Cindy Crawford’s Son Entered Modeling As A Teenager

Presley Walker Gerber at the Los Angeles World Premiere Of CJ 4DPLEX's 'Infinite Icon: A Visual Memoir'
Xavier Collin/Image Press Agency / MEGA

Presley signed with IMG Models as a teenager and made his runway debut for Moschino at 16. His entry into the industry appeared natural from the outside. Crawford was one of the most recognizable supermodels in the world, while Presley had inherited her famous beauty mark and photogenic features.

He quickly began working with major fashion houses, including Calvin Klein, Dolce & Gabbana, Balmain, Burberry, and Celine. In 2018, Presley appeared alongside Crawford in a Pepsi commercial shown during the Super Bowl. The campaign paid tribute to his mother’s famous 1992 advertisement for the brand. That same year, he and his younger sister, Kaia Gerber, appeared together in a Calvin Klein Jeans campaign.

The career gave Presley opportunities most aspiring models could only dream of, but that success came as the everyday routine that once kept him grounded began slipping away. Presley never blamed modeling entirely for his struggles, but he recognized that beginning his career pulled him away from the healthy routine that had once anchored his life.

Physical Activity Became Part Of His Mental Health Advice

Presley Gerber
Xavier Collin/Image Press Agency / MEGA

Years after losing his childhood routine, Presley returned to the importance of movement while discussing his mental health publicly. During what became his final public appearance, he participated in a panel at the We Are ENOUGH x Aviator Nation launch event in Malibu on June 11. Crawford and Rande Gerber attended the mental health-focused event to support their son.

Presley encouraged people facing difficult days to move their bodies and reconnect with the outdoors. “Move your body regardless of how you’re feeling. Get outside. Get some sun,” he told the audience, per PEOPLE. “If you don’t feel like moving, lay on the grass.”

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Presley Gerber Spent Years Searching For Answers

Rande Gerber, Cindy Crawford, Kaia Gerber and Presley Gerber
Phil Loftus/Capital Pictures / MEGA

Presley became increasingly candid about his mental health and substance use during the final years of his life. In a since-deleted December 2025 video, he revealed that he had consulted as many as 15 psychiatrists and was taking several medications, per FOX.

He expressed uncertainty about the conflicting guidance he had received and the potential consequences of stopping certain prescriptions. “The doctors say a lot of different things, so it’s kind of scary, but hopefully between my research and their research … and God, we can figure this out,” Presley said.

He also described mental health as a constant responsibility rather than something that could be addressed once and forgotten. “[Mental health] is an issue. It is such a big part of my life. It’s a 24/7 job, and there’s so much to it,” he explained during a 2023 appearance on the “Studio 22” podcast.

Presley later underwent ibogaine treatment in Mexico as part of his attempt to address addiction. He admitted he was “absolutely terrified” before the experience but believed he needed to confront what he had been avoiding.

Helping Others Gave Presley A New Sense Of Direction

Presley Gerber, Kaia Gerber, Cindy Crawford and Rande Gerber attend 'Her Time' Omega Photocall
KCS Presse / MEGA

As Presley searched for stability, speaking openly about his experiences became an important part of his life. He created a social media series called “Mental Health Mondays” to encourage discussions about subjects people often conceal.

“It’s been incredible seeing how far that message has spread and how many people it’s helped,” Presley said. “I’m proud that something I created has inspired others and started a bigger movement around openness and healing.”

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Presley had previously explained that helping even one person avoid the mistakes he made would give meaning to what he endured. Instead of being recognized primarily as Crawford’s son or for his appearance, Presley wanted his experiences to help people facing similar struggles.

Presley Gerber Died At Age 27

Presley Gerber
Meleah Loya / AFF-USA.com / MEGA

Presley died at a rehabilitation facility in Santa Monica, California, on September 20. Santa Monica Police said officers responded to a report of a possible overdose and found him dead at the facility. His death is being investigated as a suspected overdose, but authorities have not determined an official cause.

The Los Angeles County Department of Medical Examiner completed an autopsy and deferred the cause and manner of death pending additional testing. Police said there were no indications of foul play. “The family is asking for privacy during this very difficult and painful time,” family representative Allie Jenkins said.

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