Related: ‘Love Island USA’ Season 8 Couples: Who Is Still Together? Who Broke Up?
Advertisement
By Chris Snellgrove
| Published

One of the sexiest characters in Star Trek history is Nurse Chapel. These days, that character is played by Jess Bush on Strange New Worlds, where she enjoys great banter with Dr. M’Benga and an awkward romantic entanglement with Mr. Spock. But in The Original Series, Chapel was played by Majel Barrett, one of the most iconic forces in the franchise. Barrett previously played Number One in Star Trek’s first pilot and went on to voice the Enterprise computer. Later, she was cast as Lwaxana Troi, the overbearing mother to the half-Betazed counselor, Deanna Troi.
As you can tell, Star Trek was pretty good to Majel Barrett. That’s not so surprising, though, considering who her husband was. When The Original Series started, she was dating franchise creator Gene Roddenberry, a man she would later marry. Roddenberry was all too happy to put her in Trek wherever he could, but there was a problem: NBC had already rejected Trek’s pilot, and they wouldn’t want to see Barrett play a different role. She solved this problem by dying her hair and auditioning under a different name, a gamble she knew would be effective because her new blonde hair fooled the man who knew her best: Gene Roddenberry!

Majel Barrett’s introduction to Star Trek is a heartwarming and slightly messy story. She became a mistress to Gene Roddenberry, someone who was already married and had two kids. Roddenberry was all-in on the relationship (he went on to marry) and was enthusiastic about writing her into Trek. So enthusiastic that when he was writing “The Cage,” Trek’s first pilot, he wrote a very prominent role for Barrett: Number One, the first officer to Captain Pike. Unfortunately, NBC didn’t like the pilot, and while they gave Roddenberry the chance to make another, they had two requests: for him to drop both Leonard Nimoy and Majel Barrett from the show.
Roddenberry went to bat for Nimoy, feeling the Spock character was crucial to Star Trek. He agreed to let Barrett go, though, and she didn’t appear in Trek’s second pilot, “Where No Man Has Gone Before.” NBC loved the pilot and ordered the show to series. Afterwards, starting in “The Naked Time,” Barrett appeared as a very different character: Nurse Chapel, someone who loved flirting with Spock. Barrett knew she’d have to sneak by NBC executives to appear on Trek again, so she dyed her hair blonde and visited Roddenberry’s office. He didn’t recognize her at first, and Barrett made a declaration: “By God, if I could fool you, I can fool NBC.’”

Majel Barrett got the part, and she appeared throughout Star Trek: The Original Series as Nurse Chapel. Did she successfully fool everyone at NBC, though? It depends on who you ask. In an old issue of Star Trek Monthly, Barrett proudly claimed, “For three years, NBC never knew it was the same person.” However, according to Inside Star Trek: The Real Story, NBC Vice President Herb Schlosser asked studio exec Herb Solow about who the Chapel actor was; when he found out it was Barrett, he correctly sussed out that she was likely having an affair with someone important.
Speaking of affairs, Barrett’s stunt severely angered Lucille Ball, whose Desilu studio produced Star Trek: The Original Series. After her own marriage fell apart due to her husband’s philandering, she began demanding that everyone who worked with her act upright and moral at all times. When she found out that married Gene Roddenberry had snuck his mistress back into Trek under a different name (Majel Leigh Hudec, her real name), she wanted to fire the two of them. Basically, she hated their moral impropriety as well as Roddenberry’s naked nepotism. Fortunately, Solow was able to talk her out of it, which allowed Roddenberry to change sci-fi forever.

As for Majel Barrett, she certainly left her mark on Star Trek. She married Roddenberry, appeared extensively in The Original Series, and then popped up in multiple TOS movies and TV spinoffs like The Animated Series, The Next Generation, and Deep Space Nine. The franchise effectively changed her life for the better, and her appearances certainly made Trek a deeper and more delightful universe. None of this would have happened, though, if she hadn’t dyed her hair blonde one day and set out to trick the man she would later marry!
Love Island USA‘s Jen Terry and Kenzie Annis tried to avoid a feud after both showing interest in the same “older man” in the villa.
During the Thursday, June 25, episode, Jen’s connection Gal Tshnieder pulled Kenzie for a chat, which didn’t go over well. Jen wasn’t thrilled that Kenzie — who was talking to other guys — was also exploring something with her man.
Kenzie, however, defended her actions in a confessional when she revealed she was interested in someone older than her. (Gal is 29 while Jen is 23 and Kenzie is 24.)
The pals sat down and seemingly worked out their issues but it remained unclear which guys they would be pursuing. Kenzie is also technically still coupled up with Corbin Mims after facing many highs and lows on Love Island USA.
After Kenzie initially formed a bond with Zach Georgiou, she recoupled with Corbin — but then America stepped in and switched her partner to Caleb McDaniel. She was reunited with Corbin shortly before he headed to Casa Amor.
Love Island USA follows a group of singles who must pair off in order to stay in the show’s luxury villa. The contestants — referred to as Islanders — live in isolation in a villa under constant video surveillance. They must be coupled up to remain on the show and earn a shot at the $100,000 prize.
While the islanders are filming nonstop for weeks, viewers are watching daily episodes and casting votes that affect the couples and the fate of the contestants.
Before viewers tuned in, Peacock issued a message to remind the audience to be kind.

“The Villa runs on good vibes, and so does this community. We love seeing your reactions, opinions, and debates, but everyone deserves to feel safe and respected,” read their statement. “This is a space for fun, not negativity – so keep it kind, keep it positive, and remember: this is LOVE Island!”
Host Ariana Madix has also had to previously issue a message for those Love Island USA viewers who are taking things too far when expressing their frustrations with the show.
“I do want to say something to some of those people who are online,” she said during a June 2025 episode of Aftersun. “Don’t be contacting people’s families. Don’t be doxxing people.”
Ariana questioned the behavior she saw on social media.
“Don’t be going on islanders’ pages and saying rude things. You still have time to delete all of that because the islanders don’t have their phones,” she noted. “So we are giving you a chance because this is a fun, amazing and beautiful show. We should be thanking each one of these islanders every single day for giving us themselves.”
New episodes of Love Island USA are released six days a week — except for Wednesdays — on Peacock.
Join Us Weekly and Bracketology.tv in our first-ever Love Island USA fantasy league! This is your chance to predict who you think will win Season 8 and rank the Islanders weekly based on how confident you are that they will survive the next elimination. You will be playing against our editors, get access to exclusive content and have the chance to win fun prizes. Sign up for free today!
General Hospital suggests some new couples that may be pairing up soon. From a new romance for Ric Lansing (Rick Hearst) to a surprising one for Ethan Lovett (Nathan Dean Parsons). We’re going to talk about several pairings that may spark during July sweeps.
And now let’s dive into some new romantic pairings that I am pretty excited to see manifest. The first pair I want to talk about is Ava Jerome (Maura West) and Ethan Lovett. Now already you’ve probably noticed these two have a little vibe happening. There’s some chemistry there. Even though Ava is leveraging Ethan’s secret that he is Phoebe’s father, there is something genuine there. Plus, he’s clearly hiding something.
And with Sonny Corinthos (Maurice Benard) just warning Ethan about Ava, that to me was a red flag that there’s more to come between her and Ethan. I think they would actually be a fun pairing. Ava is of course a she-villain who’s a little bit reformed and Ethan’s a con man who doesn’t seem interested in reform and Ava does like a bad boy and it certainly wouldn’t be the first time she’s been with a younger man.
Over the years, Ava had romances with Morgan Corinthos (Bryan Craig), Griffin Munro (Matt Cohen), and she recently had that fling with Cody Bell (Josh Kelly), although he was paid by Kristina Corinthos (Kate Mansi) to seduce Ava. So, Ethan with Ava would be pretty normal for her.
Honestly, I think Ethan and Ava would be a lot of fun. They have that banter and chemistry, and I could totally see GH putting them together. Plus, it would really annoy Sonny if Ava got with his latest henchmen. And I think Sonny deserves a little sass from Ava for always using Avery Corinthos (Scarola twins) as leverage in every situation.
Next, let’s talk about Ric Lansing and Alexis Davis (Nancy Lee Grahn). And of course, we know Ric is with Elizabeth Webber (Rebecca Herbst) right now, and he is madly, madly in love with her, but it is also pretty clear that GH is heading towards Dante Falconeri (Dominic Zamprogna) pairing up with Liz. So, with Liz’s attention elsewhere and Ric spending time with Alexis, planning the big party for Molly Lansing-Davis (Kristen Vaganos), you can also see their chemistry on display.
Fans really like the Ric and Alexis pairing because honestly, they’re hilarious when they pick at each other. No doubt they have a rocky past. We all know that. Ric was pretty awful back in the day and he hurt Alexis as well as other people. But Ric has truly changed and he and Alexis have this easy natural vibe and not just romantically. They’re a fun pair. They enjoy provoking each other and you can’t look away from any Ric and Alexis scene.
And there might have been a little foreshadowing when Cody recently asked Molly if she thought her parents would get back together and she seemed horrified. But Ric and Alexis have a fan base. They have a smoosh name, Rexis. And now that Ric is reformed and Alexis is on a good path, I think it could work. The kidnapping that he went through by Kristina, Alexis, and Ava, I think taught him a lasting life lesson. And Alexis is sober. She’s not doing any crimes right now. And she got her law license back. They’re both in a good place. Plus, we might even see Ric joining Alexis’s law practice. That could be really cool.
And tied to the Ric and Alexis pairing, of course, would be Dante and Elizabeth. Even though she is giving romance with Ric another chance right now, we haven’t seen Liz in scenes with Ric in quite a while. Almost all of Liz’s screen time has been with Dante over the past, I don’t know, month or so. Even this week, as he prepared to leave town to go save Rocco Falconeri (Finn Carr), he came to see Liz.
Dante has been venting to her about Lulu Spencer (Alexa Havins Bruening). He’s been confiding in Liz and asking advice. And Dante’s leaving for who knows how long, but he didn’t stop to see Gio Palmieri (Giovanni Mazza) or Sonny. No, he went to see Liz. GH is clearly throwing Dante and Liz together, and their chemistry is incredible. And once Rocco is back home and Anna Devane (Finola Hughes) takes back the role of police commissioner, maybe Dante will finally see if Liz might go out with him.
Dante was already kind of bummed when he heard Liz was back with Ric. So something has to happen to get Liz away from Ric first. That’s very clear. And with Sonny going to war with Sidwell and Ric staying loyal to his brother, the mob stuff might be a deal breaker for Liz and maybe she takes a step back. Dante and Elizabeth already have a fan following as well, so this seems like a no-brainer for General Hospital to go ahead and explore.

Next, I want to talk about Tracy Quartermaine (Jane Elliot). It has been a minute since she had a relationship. The closest thing she’s had since Luke’s death was her very close friendship with Gregory Chase (Gregory Harrison), who of course passed away. Although, I will say I think he was a little too nice for Tracy. She needs somebody with an edge to them like Luke Spencer (Anthony Geary) had. And that’s why I think she should wind up with Martin Gray (Michael E. Knight), who is supposed to be back soon.
Tracy and Martin don’t like each other. They are always at each other’s throats. They have each actively tried to destroy the other on several occasions that I can think of. Tracy and Martin bring out the worst in each other and that’s why they are absolutely hilarious together. However, I thought that they seemed to soften up a little bit when Tracy showed up at Drew Cain’s (Cameron Mathison) place during the big blizzard this winter when people got locked in together, remember? And she got stranded with Martin for a little bit. And they both need love. And soaps are known for doing enemies to lovers.
So, the last pair to talk about is Detective Joe Fitzpatrick (Jonathan Bennett) and Lucas Jones (Van Hansis). Now, we know Joe came to town single, and fans thought he was about to ask Lucas out on a date the other day, but it turns out Joe was asking Lucas a medical question about the syringe he found at Britt Westbourne’s (Kelly Thiebaud) place. So, Joe’s new to Port Charles. He has his hands full with police business.
Plus, Lucas is still grieving and he’s still chasing revenge on Ross Cullum (Andrew Hawkes). And as you know, Lucas wants revenge for Cullum killing the man that he loved. But that should all resolve pretty soon. And then Lucas may be in a place to finally consider a new romance. And Joe’s going to need a love interest eventually. And I suspect that he might have been brought on intending for him to wind up with Lucas.
And once Cullum is taken down, I do think Lucas will be on a road where he’s healed enough to consider going out on a date and giving romance another shot. And I will say I’ve always liked him with Brad Cooper (Parry Shen), but I don’t think he would go there again. And of course, Lucas right now still loves and is grieving that loss to some extent, but eventually Lucas will move on. And handsome cop Joe could be the one to help him get past his sadness. And remember that life is for the living.
The “Hannah Montana 20th Anniversary Special” premiered on Disney+ in March 2026, featuring most of the main cast members, including Miley Cyrus, for the Alex Cooper-hosted reunion. However, Mitchel Musso and Emily Osment were notably absent. Now, months later, he’s revealing why fans didn’t see him on the special.

Musso appeared on “The Joe Vulpis Podcast” in June 2026 to discuss his life post Disney Channel success. During the chat, the topic of “Hannah Montana” came up, and the actor confirmed he had been invited to appear on the special. He began, “It wasn’t the right thing.”
According to him, “Of course they asked me.” Regarding his decision to skip, he stated, “It wasn’t presented correctly.” Musso then explained that he would have preferred Disney to produce a new episode or even a movie, with him stepping back into his character, Oliver Oken, instead of using the reunion format.
He continued, “The kid in me was banking on it. Do an episode. Do a show. The set is still there. They just did it differently, and it is what it is, but it wasn’t the right thing.”

Musso continued explaining his absence from the “Hannah Montana” 20th Anniversary Special, saying, “I was busy doing something that was more important.” However, had the decision been made to film an original episode to celebrate the show’s anniversary, it would have been “way more important” than what he did instead.
The 34-year-old continued, “It would’ve been everything. I would’ve dropped everything—eat, breathe, sleep. I’m flying in early. I’m gonna be there. It didn’t turn out that way.”
He then reflected on the special, highlighting that timing also played a factor, saying, “It’s too long of a wait to do it in a way that isn’t even close to, in my opinion, correct.”
Musso added about his desire to return to the character, “I’d want to feel the part again. I’d want to put on that little polo again and wear the plaid shorts with the goofy shoes—I’d want to play the character.”

Following Musso’s reasoning for not appearing on the special, fans of the iconic Disney Channel series largely agree. This is the case, as many found what aired on Disney+ in March to be underwhelming compared to what they expected from the reunion.
One person said on X, “I think we can all agree with him a bit.” Someone else said, “He’s right.” After that, another social media user chimed in, writing, “It was fun and enjoyable and really emotional to hear her sing ‘ This Is the Life,’ but he’s also not wrong.”
However, despite the support, some took issue with his stance, saying he robbed the fans of the full experience. One person stated, “He still could have shown up.” Someone else wrote, “I think he just wanted a bigger paycheck from Disney.”
In addition to reacting to his reasoning for not appearing on the “Hannah Montana” special, social media users are also reacting to how happy and healthy Musso appears.

Despite not filming the “Hannah Montana” reunion special, Musso took to his official Instagram page in March to reflect on the series’ legacy. He did so by posting photos from the show and penning a lengthy statement.
He said, “Hannah Montana wrapped around my heart and never really let go. We literally grew up with ya’ll — long days, crazy schedules, learning lines, cracking up between takes, and figuring out life while the cameras rolled.”
After that, the actor noted what he gained from the show, saying, “It taught me so many wonderful values, but the most important to me is that laughter can get you through the tough days. That confidence still sticks with me every single day.”
In tributing the audience, he said, “To all of you who grew up right alongside us… your friends were our friends too.”

Though not on screen as often as during his original Disney Channel days, Musso has remained active in Hollywood, with roles in projects such as “The Rinse” in 2025, “Phineas and Ferb the Movie: Candace Against the Universe” in 2020, and “The Sand” in 2015.
However, according to Deadline, he was cast in 2025 to star in the upcoming comedy film “Mister Fun,” alongside Jesse Metcalfe, Cocoa Brown, and others. The movie is currently listed as being in post-production.
Every British actor of a certain generation is being asked if they’ve been approached to audition for the role of James Bond. One of the most coveted gigs in the world, the position remains open as Amazon officially searches far and wide for someone to fill it. Jacob Elordi has long been rumored to be a front-runner, while Callum Turner certainly has his fans as well. One name that has often come up in discussions about the James Bond role is Leo Woodall. The actor broke out with a memorable performance in the second season of HBO’s The White Lotus, and then reached a larger audience thanks to Apple TV’s Prime Target, Netflix’s One Day, and Prime Video’s Vladimir. More recently, Woodall starred in one of the most acclaimed movies of the year, which landed on the PVOD market with a bang.
The movie in question premiered at the 2025 Telluride Film Festival, where it immediately drew a positive response from critics. It was released theatrically a few weeks ago, and the reaction from a larger pool of reviewers was just as enthusiastic. The movie marked the narrative debut of Daniel Roher, who won an Oscar in the Best Documentary Feature category for Navalny, about the slain Russian opposition leader. More recently, Roher co-directed the documentary The AI Doc: Or How I Became an Apocaloptimist, which holds an 87% score on Rotten Tomatoes.
Roher’s movie with Woodall has an even higher score on the aggregator website. We’re talking, of course, about Tuner. It’s now sitting at a “Certified Fresh” 94%, with a consensus that reads, “Announcing Leo Woodall as a compelling star talent, Tuner enhances its nifty caper setup with a smart sense of humor and vivid characterizations.” Woodall also played an important supporting role in last year’s Bridget Jones: Mad About the Boy, and the World War II drama Nuremberg, which featured Russell Crowe and Rami Malek in the lead roles. Nuremberg grossed more than $50 million worldwide and has emerged as a major hit on the PVOD market. Woodall can now put Tuner in the same category as well.
According to FlixPatrol, Tuner was among the 10 most popular movies on the domestic iTunes chart this week. Stay tuned to Collider for more updates.
May 29, 2026
109 minutes
Daniel Roher
Dolly Parton is giving fans another reason to breathe a sigh of relief.
The beloved singer made a surprise appearance on Wednesday at the opening of her Tennessee Travel Stop in Cornersville, Tennessee. It was a small but powerful moment that sent a wave of relief across her devoted fanbase.
While the appearance eased some fears, Dolly Parton has remained the subject of speculation in recent months following reports about health struggles and the cancellation of a highly anticipated residency.

Dolly Parton surprised fans with her appearance for the grand opening of Dolly’s Tennessean Travel Stop in Cornersville, Tennessee.
On Wednesday, the country music star was in attendance to showcase some of the site’s new features, such as a barbecue restaurant and a coffee shop called “Cup of Ambition.”
The look was one of Parton’s rare public appearances in recent times, and it brought smiles to the faces of her many fans who’ve worried about her health.
Fans had been particularly looking forward to the singer’s return and were ecstatic to see her smiling and interacting with people after a hiatus, as she made several appearances.
She had previously stepped back from several other events while recovering physically and emotionally. The turnout on Wednesday indicated that the legendary entertainer might be making her comeback to the stage she has illuminated for more than 50 years, per TMZ.

The Blast covered Parton’s first major public appearance in March, when she delivered the keynote address at the opening of Dollywood’s 41st season in Pigeon Forge, Tennessee. It was her first time in front of a large crowd after months out of the spotlight.
That night, addressing an audience, Parton admitted to experiencing health challenges, as well as the loss of Carl. She told the crowd, “I’ve had a few little health issues, and we’re taking good care of them.” “All is good. It didn’t slow me down.”
The Dollywood season also kicked off a new attraction, the $50 million NightFlight Expedition roller coaster. Parton co-owns the theme park, which has been a cornerstone of the Pigeon Forge community since the 1980s.
Beyond the health battles, Parton has been open about the emotional weight of losing Carl Dean, who passed away in March 2025 at the age of 82 after a long illness. The two had been together for nearly six decades, marrying in 1966 after meeting outside a Nashville laundromat in 1964.
Parton said she needed to recover after his death, spiritually, emotionally, and physically. She said she was “worn down” and “worn out” as she grieved the death with her health issues.
Dolly Parton, in another interview, expressed her peace knowing that Carl was no longer suffering, yet she spoke of the great loneliness he had left behind. Fitting in has been a big adjustment for a woman who had been living with someone for almost 60 years.

The Blast has previously reported that people who knew Parton said that life was heartbreaking without Carl Dean. The insider said the singer’s grief affected her physically, as she stopped eating properly, and some of her former health care regimens were neglected.
Another source alleged that it was the first time in decades that Parton really slowed down. Later, the country girl admitted the challenge to herself, writing to fans that she was experiencing a “year of firsts” without Carl, including holidays, anniversaries, and even Carl’s death anniversary.

Parton announced in May that she was canceling her Las Vegas residency after previously postponing it from December 2025 to September 2026.
In a candid video, she revealed that her immune and digestive systems were “all out of whack” and that some medications left her feeling “swimmy-headed.”
Despite the setback, Parton made it clear she has no plans to retire, telling fans, “Don’t worry about me quittin’ the business because God hasn’t said anything about stopping yet.”
Apple TV has had a sensational summer, with as many as four new shows delivering near-perfect scores on Rotten Tomatoes. At least one of them was able to ride this positive word-of-mouth and break out into the mainstream. However, the one Apple TV title that was set up for success seems to be struggling. The series in question features a star-studded cast that includes an Oscar winner and a six-time nominee. The show’s A-list pedigree also extends behind the scenes, with the legendary Steven Spielberg and Martin Scorsese serving as executive producers. Apple made sure to underline this in its marketing for the project, which premiered to positive reviews on June 5. The show has so far aired four episodes, and will conclude its 10-episode run on July 31.
According to FlixPatrol, it’s currently the fourth-biggest title on Apple’s global viewership chart. It isn’t doing any better domestically, having fallen to the number five spot behind holdover hits such as Your Friends & Neighbors, Maximum Pleasure Guaranteed, Widow’s Bay, and Sugar, which recently returned with a second season. Of all these hit shows, Widow’s Bay has proven to be the real cultural juggernaut. It holds a 98% score on Rotten Tomatoes, and recently concluded its 10-episode debut season. Two other shows on Apple TV — Margo’s Got Money Troubles and Star City — both hold 96% scores.
Neither of these shows, however, features the star power of Cape Fear. Featuring Amy Adams, Javier Bardem, and Patrick Wilson, Cape Fear is plummeting on the Apple TV viewership charts. It opened to positive reviews and is now sitting at a “Certified Fresh” 76% critics’ score on Rotten Tomatoes. The site’s consensus reads, “Elevated by Javier Bardem’s manic charisma and the genre’s best pulpy intricacies, Cape Fear revitalizes the revenge thriller and manages to make a noteworthy name for itself.” Audiences don’t seem to be too impressed, having given Cape Fear a 61% score on Rotten Tomatoes. The show is based on a novel that was previously adapted into two movies, the first in 1962 and the second in 1991. Bardem plays the colorful character who was played by Robert Mitchum in the 1962 version and Robert De Niro in the 1991 adaptation, which was directed by Scorsese.
Cape Fear is streaming on Apple TV now. Stay tuned to Collider for more updates.
June 4, 2026
Apple TV
Nick Antosca
Amanda Marsalis, Morten Tyldum, Stephen Williams, Jon S. Baird, Jonathan van Tulleken, Reed Morano, S.J. Clarkson, Trey Edward Shults
Peter Blake, Alan Page Arriaga, Tara Shivkumar, Maria Jacquemetton, Diana Pawell
Seth Rogen has established himself as one of Hollywood’s most versatile creatives, building a successful career as an actor, writer, director, and producer. Despite his busy schedule, however, he hasn’t directed a movie in over a decade. His last film project as a director was “The Interview,” released in 2014, which sparked tensions between the U.S. and North Korea. Rogen has since directed for TV, and will slowly ease back into helming movies.

Seth Rogen is starring in a new movie directed by Olivia Wilde, “The Invite,” alongside Wilde, Penelope Cruz, and Edward Norton, and at the premiere, he discussed his own experience directing. The last film he helmed was “The Interview,” released in 2014, which he co-directed with childhood friend and longtime collaborator Evan Goldberg.
“It has been a while. The last one we did almost started a war, so that made us maybe a little gun-shy for a little while,” Rogen said, per The Hollywood Reporter.
The actor said that directing for TV has been going well, and he’s welcoming the idea of directing for the big screen once again. “We do talk about maybe, hopefully, directing a film next year, actually. We’re not the biggest problem anymore,” he added.
“The Interview” starred Rogen and James Franco as producer Aaron Rapaport and TV host Dave Skylark, who land an interview with North Korean leader Kim Jong Un. After being recruited by the CIA to assassinate the leader, their journalistic assignment turns into a high-stakes mission.
North Korea vehemently condemned “The Interview,” claiming that it was an act of war against them and an insult to their people. They demanded that the movie not be released, to no avail. It was followed by a cyberattack on Sony by a group called Guardians of Peace, which resulted in a leak of confidential emails, personal information, and copies of unreleased films. The FBI later confirmed the cyberattack originated from North Korea.
“If the U.S. persists in American-style arrogant, high-handed and gangster-like arbitrary practices despite the repeated warnings of the DPRK [Democratic People’s Republic of Korea], the U.S. should bear in mind that its failed political affairs will face inescapable deadly blows,” North Korea threatened.

Sony Pictures canceled the traditional theatrical release of “The Interview” following the threats. Instead, the movie was released digitally, followed by a limited theatrical release in a few hundred, mostly independent movie theaters.
Then-President Barack Obama criticized Sony, saying “they made a mistake” in cancelling the theatrical release, wishing they had consulted him on the steps to take. “We cannot have a society in which some dictator someplace can start imposing censorship here in the United States,” Obama said.
In 2025, Rogen recalled how he thought his career was done after the international debacle. “I legitimately thought I had eliminated myself as someone who was viable to work with,” he said, adding that he worried he pushed things too far in “The Interview.”
Elsewhere in the interview, Rogen said that he enjoyed working on “The Invite” solely as an actor. The filmmaker often takes on multiple roles in his projects, but this time, he had one mission: to act.
“It’s nice when there’s a conversation happening over there, and you’re like, ‘Normally I’d be a part of that conversation that everyone looks pretty miserable to be a part of.’ And I can just scroll Instagram and talk to Edward,” he shared.
Rogen also praised Wilde for fulfilling her role as both director and actor in the movie. “She was very bold in both respects, which I found to be really impressive,” he said.

Apple TV+’s “The Studio,” which Rogen writes, directs, executive produces, and stars in, has been a critical success, earning widespread praise for its sharp satire, witty writing, and standout ensemble cast.
“The Studio” took home a record-breaking 13 Emmy Awards, including Outstanding Lead Actor in a Comedy Series for Rogen. The show also won two awards at the Golden Globes for Best Television Series – Musical or Comedy and Best Performance by a Male Actor in a TV series.
“The Studio” is coming back for Season 2, but a release date has yet to be announced. Meanwhile, fans are eager to see which film Rogen will direct next.
One lucky man has Amy Adams and her family to thank for saving his life.
The actress recently shared a wild story about the time she saved a man’s life while spending quality time with her loved ones.
The incident occurred in Santa Monica, and Amy Adams drew on her medical knowledge from her time on the short-lived TV show “Dr. Vegas.”

During a recent interview, Adams reflected on her time starring as a nurse on the CBS show, noting that she had shadowed an emergency room doctor to prepare for the role. Thanks to this experience, the actress was well prepared when an accident occurred in Santa Monica.
According to the entertainer, she and her family were leaving their favorite restaurant when they noticed a group of people panicking. “They’re yelling, ‘He’s dying!’ and my husband’s like, ‘That’s blood,’” Adams shared on the “SmartLess” podcast, noting she told her beau, Darren Le Gallo, to stay with their daughter, Aviana.
Meanwhile, the actress sprang into action with her father and rushed over to the group, where they discovered a man had been stabbed in the neck. Adams and her dad grabbed the towels they were going to use at the beach to apply pressure on the man’s neck before her TV medical knowledge kicked in.

Adams recalled remaining calm and composed throughout the ordeal, giving instructions to de-escalate the situation. “I’m sitting there somehow going, ‘You need to calm your pulse rate. Take a deep breath in.’ I literally was just so focused,” she said, adding
“I was like, ‘The more you struggle, the faster you’re going to bleed. Just lay down. Let’s elevate this.’”
The “Enchanted” star’s efforts saved the man’s life, and he had the opportunity to express his gratitude a year after the incident. Adams noted that she was in a restaurant when a stranger approached her to ask about the stabbing incident.

When the man approached the TV personality, he didn’t introduce himself as the person she and her father had saved. Instead, he acted like a stranger who heard about their heroic act and wanted to confirm the story.
After Adams confirmed the incident had happened and wondered how the man knew, he then revealed the scar on his neck. The actress recalled being pleasantly surprised by his identity, while the latter got emotional as he thanked her for saving his life.
“He was like all teary, and he had his son with him. It was so crazy,” the actress said. As for how the man got stabbed, Adams said she didn’t know the full story. Nonetheless, she heard the victim and his friends had bumped into an old college friend and had some drinks before the man “just freaked out.”

Adams’ life-saving role as a nurse on the short-lived TV show marked one of the many jobs she took to make a name for herself in Hollywood. In a 2014 interview, she opened up about her difficult rise to fame, noting she was “a mess.”
She described the many years she spent trying to survive in Los Angeles as “painful, to say the least,” recalling how she took “everything from day player to guest star to small parts in movies.” But these roles were not enough to ensure her survival.
Adams, per E! News, confessed that she was under “a lot of pressure” and almost quit acting because she was starting to dislike who she was becoming. Fortunately, her perseverance paid off, and the spotlight began to notice the actress in her early 30s.

One of the projects that put Adams in the spotlight was 2002’s “Catch Me If You Can,” in which she played Leonardo DiCaprio’s love interest. The Blast reported in 2022 that the TV personality had reflected on her experience working with the actor.
She confessed that she was once one of DiCaprio’s biggest admirers, but her feelings for him cooled after meeting him. “Nothing really kills a crush faster than working with somebody,” Adams explained, clarifying that she didn’t mean it in a bad way.
According to the actress, her fantasy of DiCaprio was ruined after getting to know the real him. Additionally, she had no time to think about a crush while dealing with the pressure of the spotlight after their movie became a hit amongst fans.
For more than a decade, “Stranger Things” shaped Millie Bobby Brown’s childhood, career, and closest relationships.
However, when the cameras finally stopped rolling on Netflix’s blockbuster series, the actress discovered saying goodbye was far harder than she ever imagined.
Instead of celebrating the end of a hugely successful chapter, Brown found herself battling unexpected emotions, questioning friendships, and struggling to process life without the people who had become her second family.

Millie Bobby Brown candidly reflected on the emotional aftermath of finishing “Stranger Things” during a live recording of Josh Horowitz’s “Happy Sad Confused” podcast in New York City.
Although she has long been known for her upbeat personality, Brown admitted she wasn’t prepared for how deeply the ending of the series would affect her.
“It was very hard for me,” Brown recalled per Page Six, adding, “I would not have expected that coming off of the show. I’m a very happy-go-lucky person.”
Instead of feeling relieved after wrapping one of Netflix’s biggest franchises, Brown said she found herself overwhelmed by unexpected sadness.
The 22-year-old described falling into “a slight depression,” explaining that the emotional weight of closing such a significant chapter in her life hit far harder than she ever imagined.

As she processed the end of the series, Millie Bobby Brown also found herself reaching out to the people she had worked alongside for years.
The young star admitted she wanted to make sure there was no lingering tension with her “Stranger Things” family, including David Harbour, Finn Wolfhard, Gaten Matarazzo, Noah Schnapp, Caleb McLaughlin and Winona Ryder.
“I was like, ‘We’re still friends, right? Like, you’re not gonna stop talking to me anymore?’” she recalled.
Brown explained that she apologized if she had ever hurt anyone during their decade together, hoping to leave the production on good terms.
She explained, “I was like, ‘I’m sorry if I ever upset you,’ and was just trying to mend anything. ‘It’s been 10 years, and I really want to be friends. You’re my sibling.’”
The emotions continued long after filming wrapped. While spending time by the ocean, the “Enola Holmes” star said the reality of everything finally caught up with her.
“And then I was on the beach, it was beautiful, and I just sat there crying,” she continued. “It was a very hard time for me.”

For Brown, “Stranger Things” wasn’t simply another acting job. It represented her childhood, her identity and many of the relationships that shaped her formative years.
She began portraying Eleven at just ten years old, remaining with the series throughout its five-season run from 2016 to 2025. Looking back, Brown said the experience was something very few people could truly understand.
“And no one will ever understand it,” she shared. Brown explained that playing Eleven became inseparable from her own life because she spent more time with the cast than she often did with her own family.
In her words, “I started the show when I was 10, and this character was me, and these people were in my life more than my own family.”
She added that she saw her castmates more frequently than she was able to sit down for dinner at home, making the goodbye especially painful after a decade together.
Brown admitted that leaving the character behind remains one of the hardest parts of closing the series. “I’m going to miss Eleven more than anything,” she noted.

Although Millie Bobby Brown now speaks warmly about her castmates, her time on “Stranger Things” wasn’t entirely free of conflict.
Reports emerged ahead of the show’s fifth season alleging she had filed a complaint involving David Harbour, who portrayed her on-screen adoptive father, Chief Jim Hopper.
According to earlier reports, Harbour was the subject of an internal investigation before production on the final season began, although the outcome of that inquiry was never publicly disclosed. Brown also reportedly filmed the series finale with a personal representative present on set.
Earlier this month, Harbour publicly acknowledged there had been tension between him and Brown, though he emphasized that they eventually resolved their differences.
Speaking to Variety, he compared the disagreement to family dynamics, noting that families “occasionally get in arguments, disagreements” before they ultimately “come back together.”
He also explained that others had become involved before the two stars decided to handle the issue themselves. Harbour shared that once he and Brown had “cleared everybody out of the way and talked to each other,” they were “fine.”

Harbour reflected further on the situation, revealing that the biggest challenge wasn’t the disagreement itself but how uncomfortable people had become with honest conversations.
“Everyone nowadays is very scared of talking about things,” he reflected, further noting, “People are very scared of being human. It’s unfortunate, because I don’t know how to navigate this weird media world.”
Despite the headlines surrounding their relationship, Harbour maintained that the conflict never changed the foundation of their bond.
“But it was completely normal and we adore each other and always have,” the 51-year-old stated.
There’s going to be at least a little heaviness in just about every drama movie out there, because it’s in the name, really. Dramas deal with difficult things, or personal struggles, and sometimes broader ideas, or, like, groups of people working through something immense. As boring as it might be to be the 500,000,00th person to bring it up, The Shawshank Redemption really is a quintessential drama, and one where there’s a balance of intense moments of hardship and quite a bit by way of moments that are inspiring and hopeful.
With the following films, though, there’s a focus on hardship and sadness. These are the heaviest drama movies of all time, and they’re either devoid of hope, or what little traces by way of silver linings that they might have are incredibly dim. There will also be a focus on dramas over anything else, so even if something notoriously heavy like Come and See might be labeled a drama, it’s primarily – and usually – described as a war movie, or at least a war-drama, so it doesn’t qualify for this particular ranking.
Even if you think you’ve seen it all, movie-wise, there are still almost guaranteed to be parts of An Elephant Sitting Still that’ll rattle you. Part of that has to do with the film being remarkably long, as in almost four hours, so there’s a lot here that is dark when, like, the whole film is about several people trying to get by while living lives defined by various personal struggles.
It is grounded in that way, and the kind of movie where it’s easy to forget you’re watching one. It’s a cliché to call a movie hypnotic, but An Elephant Sitting Still really is, since there’s a unique rhythm here and all the long takes prove immersive, too. The legacy of the film, and the story behind its production and release (if you want to read up on that… it is really bleak, though, as a warning), does also inevitably add to the heaviness of An Elephant Sitting Still, and its ultimate/undeniable haunting quality.
While not as long as An Elephant Sitting Still, the theatrical version of Scenes from a Marriage is still pretty much epic-length, though the scope of the movie (and its premise) definitely aren’t in line with what you’d expect to see in an epic. Basically, it is a bunch of scenes, many of them long and most of them involving some kind of argument between a married couple who are going through a divorce.
When Marriage Story came out, it was pretty easy to compare it to Scenes from a Marriage, though that’s also got a little more by way of hope. And the same can probably be said for Kramer vs. Kramer. Scenes from a Marriage is more intense, and very subversive/bitter if you want to consider it a romance film of sorts. It is primarily a drama, though, and one all about falling out of love rather than falling in love, so it feels like it qualifies for present purposes.
Unlike some of the other dramas here, there isn’t any graphic or shocking content in Bicycle Thieves, and it ultimately finds other ways to be incredibly downbeat. It’s about a man trying to provide for his family in Italy, during the post-war years, and eventually finding a job that requires a bicycle, only for everything to be placed in jeopardy once that, you know, bicycle thief strikes.
Much of it’s about this man and his son going around, trying to find the stolen bicycle, and how the desperation inherent to an already desperate situation intensifies. Bicycle Thieves is simultaneously sad and very simple, and one of those films that shows how you can make something cinematically compelling out of pretty much anything. It’s also hard to imagine many people watching this and somehow not feeling at least the slightest bit moved by what they see.
One of the biggest endurance tests in cinema history, Sátántangó (based on an also harrowing novel) goes for about 430 minutes, and it feels some level of soul-crushing, dull, and emotionally empty for almost every single one of those minutes. It’s like a slice-of-life movie where life just sucks, and there’s nothing for anyone, and nothing matters. People live in a tiny village, and living in a tiny village sucks. One guy comes through the town and inspires hope, but he also sucks, since he has his own nefarious scheme he’s trying to execute.
It’s like a slice-of-life movie where life just sucks, and there’s nothing for anyone, and nothing matters.
It’s non-stop misery, and then the pacing feels the opposite of non-stop, since Sátántangó is one of the slowest films ever made. It’s glacially paced by design, sure, but still. There also isn’t really any other genre you can argue this one fits into. It’s a straightforward drama, never threatening to be funny like a comedy, or exciting like a thriller, or (traditionally) scary like a horror movie. This is enough, though, for some to consider it one of the best films of its decade… somehow.
Compared to Sátántangó, The Conformist almost feels like an action movie, or at least a thriller, but it is still pretty methodical and patiently paced in the overall scheme of things, not to mention more of a political drama than anything else. Well, maybe a psychological drama, too. It’s about a man who attempts to carry out the assassination of someone he used to look up to, mostly due to him becoming politically and morally compromised.
It’s a film about fascism, evil, and human nature. It is also incredibly beautiful, at least to look at, so The Conformist can be considered an arthouse film quite comfortably, if that counts as a genre. Still, if that’s not a genre, then it’s a drama, and an oddly hard-hitting one, albeit in ways that aren’t too easy to describe. It gets under your skin and stays there, itching/bothering you a lot, rather than punching you in your gut the way a bunch of the other movies being mentioned here opt to do. And speaking of movies that go right for the gut…
This is probably the most nightmarish a non-horror movie can feel. Requiem for a Dream is… well, the hint at the nightmarish is there in the title. It’s the death of a dream, and the dream’s replaced by a nightmare. It’s hard not to feel this way during and after the film, as Requiem for a Dream might well be one of the least subtle movies in cinema history.
It’s blunt with a purpose, though, in trying to showcase the worst-case scenario for a few people who all get addicted to some kind of substance and have it tear their respective lives apart in a variety of ways. The misery here is pretty consistent, and also works well to feel more intense on a pretty much scene-by-scene basis, all crescendoing to inevitable tragedy (and it’s not the fact that it is a tragedy which is the surprising part… more so just how in-your-face that tragedy is and, ultimately, how tragic things get).
4 Months, 3 Weeks and 2 Days is entirely uncompromising, but has to be, to get across the message it wants to. It’s a Romanian film about a young pregnant woman who works with her friend to find a way to get a black-market abortion at a time in Romania’s history when doing so was illegal, and then the various risks (health-related and also what might happen if they’re caught) are unpacked in grueling detail.
Everything here is presented in a way that feels uncomfortably grounded, so if anything, you might well wish 4 Months, 3 Weeks and 2 Days was less immersive than it is. Though, again, that does give the film its power, and sure, it’s about a divisive issue, so you might not agree with what it’s trying to say – and where it does fall on the abortion debate – but it’s hard not to acknowledge or even admire just how impactfully this argument/message is presented.
If there’s anything by way of a silver lining or some kind of inspiring thing to be found in Mysterious Skin, you do have to look very hard, but it says something about finding strength in bonds with others. That’s something, and it stands out when everything else here is so crushing. It is, ultimately, about two young men who find they share some kind of upsetting past, and that sense of having someone to relate to… again, it’s something.
It’s the way the film unpacks that past, though, and what Mysterious Skin deals with thematically that makes it so challenging to watch. What it shows isn’t necessarily overly graphic, but the subject matter is a lot to grapple with. Mysterious Skin is incredible, though, and right up there among the very best films being mentioned here. It’s just also one that you could understand most people not really wanting to watch, simply because of what it deals with (yes, that stuff was skirted around here, but go read up on the movie if you want to know; find some commentary that isn’t required to be essentially PG-rated and stuff).
Since there’s a focus on samurai culture/morality and, eventually, a little by way of bloody action, you could almost say Harakiri is a martial arts movie… just one that really doesn’t emphasize action at all. It’s much more of a drama, and there are only a few minutes of fighting in a movie that runs for more than two hours, and proves gut-wrenching in some very visceral ways for much of that runtime.
Harakiri is about a man who wants to take his own life in the titular ritual, but he also wants to explain why he’s been driven to that point to a samurai clan, all before taking part in this ritual before them. Much of it’s told in a series of flashbacks that start grim, and then keep getting all the more upsetting. Compared to other films about samurai (even those that don’t spend too much time on action/fight sequences and choose instead to focus on drama and/or tragedy), this is particularly heavy-going stuff.
September 15, 1962
133 Minutes
Masaki Kobayashi
Shinobu Hashimoto
Tatsuya Nakadai
Hanshiro Tsugumo
Akira Ishihama
Motome Chijiiwa
Shima Iwashita
Miho Tsugumo
Tetsurô Tanba
Hikokuro Omodaka
Some people might push back against the idea that The Seventh Continent is the most heavy-going Michael Haneke movie, but that could be because it’s not quite as well-known as the likes of The Piano Teacher and Amour. Those are also emotionally intense, of course, but The Seventh Continent has even more by way of dread, building it up for a very long time before, uh, something happens.
That’s the other hard part. If you say what makes this film as devastating as it is, you kind of ruin the whole thing. If you’re in any way familiar with Haneke, you’ll expect something emotionally and psychologically harrowing, yet this really goes the extra mile, when it gets to the point where it’s ready to. The Seventh Continent should be watched the one time, and then probably never again. Good luck finding anyone who’s either seen it twice, or has already seen it and one day wants to watch it for a second time.
Weekend Open Thread: Miami – Corporette.com
Renter of Home in Anne Heche Crash Denies Settlement With Son
Two goals and an assist by sheer aura: Cristiano Ronaldo just entered the World Cup chat
Microsoft accidentally kills epic Outlook email threads
Soccer-U.S. defends Iran World Cup travel restrictions, says discussions ongoing
Potential 2028er World Cup attendee leaderboard
Andy Burnham and the meaning of Makerfield
Keir Starmer Allies Question His Chances For No 10
The House | Manchesterism won’t survive the painful trade-offs unless it gets citizens on board
A Look At A Gaggle Of Transputer Boards
Bitcoin (BTC) Dips Below $62K, Ethereum (ETH) Plunges 6% Daily: Market Watch
Securitize Wraps Roubini's SEC-Registered ETF as Dubai VARA Digital Security
Entergy settles forward sale agreements, raises $672 million in cash proceeds
Wall Street Week Ahead: Investors see Micron earnings as pulse check of AI rally momentum
Dell (DELL) Shares Tumble Over 5% Following Analyst Downgrade to Hold
Can Charles Hoskinson Really Rescue Cardano?
Jose Alvarado Wants Taylor Swift at More Knicks Games
HIVE shares jump as $220M AI deal speeds Bitcoin mining pivot
Jake Chervinsky accuses CME of protecting derivatives monopoly
Signal’s Meredith Whittaker says AI chatbots ‘are not your friends’ and calls Copilot agents a backdoor
You must be logged in to post a comment Login