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Godzilla movies are fun, except for when they’re not. The fun times are when he’s fighting other monsters and destroying buildings and causing explosions. But the bad times are when we’re supposed to focus on the human characters who are always within viewing distance of said destruction…or, that one time when Godzilla was a T. rex (and yes, that is the correct abbreviation) in New York. The biggest drag of any Godzilla movie—or, any Kaiju movie in general—is that the star of the movie is the giant monster on the poster and you can’t make a feature-length movie of monsters fighting or causing mayhem the entire time. That would get excessive and boring after a while, so there has to be a human element that the audience can identify with to give the film a structured narrative to follow.
Unfortunately, no matter how hard the writers or the actors try, that’s always the weakest part of the movie. The first Godzilla film in years to make its human characters genuinely interesting was Godzilla: Minus One, blending a family dynamic with post-war drama in a monster movie, and surprisingly…it worked great. But before that, Toho released 2016’s Shin Godzilla, which made the innovative and seemingly obvious choice of just dropping the human drama aspect altogether and make it about the monster.
Directed by Hideaki Anno and Shinji Higuchi, the film follows a mysterious creature that emerges out of Tokyo Bay and begins to evolve and grow, threatening to destroy Tokyo. It’s then up to the Japanese government to stop it before it can wreak total havoc…and that’s it. That’s literally the entire plot synopsis of a two-hour-long movie described in two sentences.
Brevity is the key term here, because the movie starts with a weird occurrence and a giant monster coming out of said occurrence, and then painstakingly goes into the minutiae of how the government will deal with it. This isn’t the government depicted in a ’90s Michael Bay movie where characters are yelling, everyone’s sweaty with their ties undone, people are haphazardly running from rooms with jumbles of paper, and Stanley Anderson is the President. No, this is people sitting in taupe-colored rooms (which is allegedly very soothing), and dryly going over what information they have on the anomaly and what options they have to resolve the problem.
Does that sound fantastically boring? Because by all accounts, it absolutely should be, but the dry, methodical process demonstrates what would have to be done with a fantasy monster appearing, almost like a natural disaster, actually adds to the tension and hysteria. The characters even acknowledge the amount of bureaucracy that goes into making simple decisions: “So much red tape. Every action requires a meeting.” That’s like the thesis of the entire movie!
Attack helicopters can’t just be brought into a highly populated area to attack the monster, and a military presence can’t just be called to assist. The proper legal channels have to be gone through, and the necessary officials have to sign off on it. This should be so crushingly dull and tedious, but it surprisingly adds to the anxiety of the predicament by cross-cutting with the destruction that Godzilla is causing. Knowing that the longer the process takes, the higher the risk of more people dying in the delay really shows how dire the situation is. The procedural nature of the government scenes also makes Godzilla even scarier, since they don’t try to make him a realistic monster. They make him over-the-top scary by making him as overpowered as possible, and contrasting that with the realistic world that the people inhabit makes the threat feel appropriately overwhelming.
That’s where the lack of a human element makes the film feel so much more streamlined. The story takes an omniscient perspective and consistently cuts to wherever the information is that’s vital to the audience. Godzilla isn’t a hidden monster, and we don’t see everything from the point of view of one person. The movie follows wherever the action is, where world-building is necessary, and where vital information is learned. The story has a protagonist named Haguchi (Hiroki Hasegawa), but he’s very deliberately left underwritten, and is more a focal point, so the audience can keep up with the flood of details and information that’s always flowing in.
His motivation isn’t saving a pregnant wife, or to protect his family—if he even has one, since he never mentions any loved ones, or at least none that come to mind—his entire motivation is the same as everyone else’s: Save Tokyo, and potentially, the world. We don’t need him to have kids that he’s estranged from, that he can hug when they survive, or a love interest to kiss at the very end. The desire not to die and also to prevent the deaths of potentially millions of others (or more) is a clear motivation that anybody can get behind.
From a Hollywood perspective, Shin Godzilla defies what Western audiences would expect in a kaiju movie. There are no themes of family or character arcs—there’s barely a main character—all it is, really, is a large group of people realistically going about their business and doing their jobs in a time of unrest. It just so happens that that time of unrest is because of a giant monster that popped out of the ocean, but it’s the most procedural version of that premise that could be done, and that’s what makes it unique and so compelling.
July 29, 2016
120 minutes
Hideaki Anno, Shinji Higuchi
Hideaki Anno
Kazutoshi Wadakura, Taichi Ueda, Masaya Shibusawa, Yoshihiro Sato
Hiroki Hasegawa
Rando Yaguchi : Deputy Chief Cabinet Secretary
Yutaka Takenouchi
Hideki Akasaka : Special Advisor to the Prime Minister
Roommates, it looks ‘Love Island USA’ season 7 didn’t deliver too many happy endings. Clarke Carraway has reportedly made the decision to call it quits with Taylor Williams.
According to PEOPLE, Clarke Carraway and Taylor Williams have called it quits just over a year after they left the Fiji villa together in 2025. A source close to Clarke said she “made the difficult decision to part ways with Taylor” and wishes him “the absolute best.” The source added that Clarke appreciates their time together and looks forward to what the future has in store for her.
“She will always be grateful for the time they shared together, and for everyone who showed them love and support from the very beginning. As she closes out this chapter, she’s looking forward to focusing on her growth and what’s ahead,” the source explained.
Right now, Clarke and Taylor haven’t shared what led to their split, but folks online are flooding The Shade Room’s comment section with reactions. Some fans said the timing of the breakup feels suspicious, while others believe Clarke wanted the city life and not the farm life Taylor envisioned.
Instagram user @marcman55 wrote, “My Shayla’s!”
instagram user @_briiellee._ wrote, “😭😭 he picked Clarke Clarke ain’t pick him.”
While Instagram user @taelor.dionne wrote, “Aww they contracts ending cuz new ones starting.”
Then Instagram user @arimarcellaa._ wrote, “ok what if olandria & nic breaking up & clarke & taylor breaking up was secretly a way for ola & taylor to try things again👀👀👀👀👀 (don’t beat me up for this lol)”
Instagram user @lobetrim wrote, “I guess bro ain’t pick Clarke no more 😭”
Another Instagram user @xokeeeeox wrote, “I’m glad Serena & Cordell are still together 😅”
Instagram user @__daijloooaf wrote, “So after Nicolandria break it off… they decide to break it off… funny… not ha ha funny, funny weird 😬”
Then another Instagram user @theeonlyari_ wrote, “Damn that kid feeling got tiring huh.”
While another Instagram user @dayjahdenise wrote, “She got tired of being on that damn farm.”
Finally, Instagram user @n.renne1 wrote, “WELL WELL THROW THE WHOLE SEASON 7 away.”
Taylor Williams and Clarke Carraway’s breakup comes just days after their castmates Olandria Carthen and Nic Vasteenberghe announced their split. As The Shade Room Teens previously reported, distance and their busy schedules made it tough for the couple to keep their connection going. A source close to the pair said they’re sill cool and will always support each other. “They still remain close friends. They share a deep love and respect for each other and will always support one another whenever possible,” the source said.
Shortly after the breakup news made it’s rounds online, Nic took to TikTok to break his silence.
“To the Nicolandria community: The rumors are true. I didn’t want to give people false hope, so I wanted to clear the air. We will continue to love each other ALWAYS. It’s a sensitive, as well as a private Subject. Thank you for respecting our privacy.”
Nic also hopped on Threads to send a message to critics, writing, “None of y’all haters can whoop me tho.”
What Do You Think Roomies?
Donna Mills is living proof that it’s never too late to try something new like OF.
The 85-year-old actress has joined the list of older Hollywood stars who use the adult entertainment platform. Her plans are already laid out as she joined the site to build meaningful connections with her fans.
Donna Mills has never been one to go the conventional route with her life’s plans. From having a child at 54 to taking the bold step to revive her career at 81 after an 18-year hiatus, the actress has been one for surprising moves.

Mills, who has made a name for herself in the entertainment industry, particularly through her role as Abby Cunningham on the CBS primetime soap “Knots Landing,” has shocked fans with her latest move. The actress started her own OF account at the ripe age of 85!
She expressed her excitement to join the platform in a statement, adding that she acknowledges the “more personal and direct connection” the subscription-based site offers.
“I’ve always appreciated the incredible support and encouragement I’ve received from my fans over the years. Social media has been a wonderful way to stay connected,” she shared before revealing details of the content she intends to put out.
Mills told Variety that she plans to share moments of her daily life, behind-the-scenes glimpses, and engage with her fans in a more meaningful way. “It’s simply another platform to spend quality time with the people who’ve supported me throughout my career while staying true to who I am,” the TV star added.

While many creators use the site to share explicit content, Mills does not intend to veer from sharing details of her actual personality in real time with viewers. She has no plans to change who she is, but rather she wants to give her “longtime fans more access to the personality, style, and behind-the-scenes moments they already love.”
CEO of OF owner Creators INC Andy Bachman shared that he’s known the TV star to be fearless and ahead of her time. Speaking about her decision to join the entertainment site at 85, Bachman said she responded in true Mills fashion: “YOLO [You Only Live Once], let’s do it.”
He continued, sharing that the octogenarian is approaching OF on her own terms and creating a space that feels personal, authentic, and completely true to her.

A few years ago, Mills reflected on her life-changing decision to become a mother while she was well into her fifties. She shared that prior to welcoming her daughter, Chloe, her sole focus was her career until she realized something was missing.
When she acknowledged her desire to have a child, she went after it and adopted Chloe at she was only four days old and has raised her since then. The “Knots Landing” actress was 54 when her daughter came into her life, and she recalled being told she was “going to be too old [to] have a little toddler running around” by people at the time.
Despite the remarks, Mills went on with her decision, telling PEOPLE, “I never felt older than the other mothers who were probably in their 20s.” The actress shared that having her daughter at 54 was the perfect timing and advised other women who are career-oriented to focus on building their careers before venturing into motherhood.
“The Incident” star revealed that age got nothing on their mother-daughter bond as they communicate daily and hang out weekly.

After adopting Chloe, the TV icon made the decision to take an 18-year hiatus from acting to be home with her daughter once she started school. She said, “I didn’t become a mother to give her to a nanny” and stayed true to her words. Mills took her time to soak up the full experience of motherhood before stepping back into the industry.
Being away from the lights, cameras, and action for almost two decades did not make Mills rusty; she appeared on “General Hospital” in 2014 and bagged an Emmy for her role as Outstanding Guest Actor. As reported by AJC, the iconic actress shared that she was ready to revive her career after leaving Hollywood for motherhood.
At her age, Mills is more open to older-woman roles, especially for those that embrace her grey hair with sprinkles of glamor. She reportedly works out five times a week to keep herself in the best shape and sticks to her skincare regimen.

Several Hollywood veterans have joined the popular subscription-based platform in recent years for various reasons. Some stars created their OF accounts to generate funds to pay off debts, gain financial independence, or, like Mills, connect directly with longtime fans outside of traditional studio systems.
“American Pie” star Shannon Elizabeth launched her OF profile in April at 52 years old and earned over $1 million within her first seven days on the site.
She shared that one of the reasons she was pivoting to the adult entertainment website was because she was growing tired of working in Hollywood, where “other people controlled the narrative and the outcome of my career.”
Emmy-winning actress Drea de Matteo reportedly joined the platform after facing a financial crisis. She started as a creator on the site at 51 years old in 2023. She later told The Daily Mail that OF “saved her life” financially and helped her pay off her home.
Another Emmy winner, Jamie Pressly from “My Name Is Earl,” launched her OF account at 48, stating that it would serve as a means for her to connect with her audience directly and on her own terms.
Will Donna Mills inspire older stars to join OF?
Nolan Wells’ family is continuing to speak out as they search for answers surrounding the 18-year-old’s death, and their latest interview addressed some of the names that have repeatedly surfaced in online conversations. While speculation continues to swirl across social media, Nolan’s parents, Christine and Elmore Wonsley, and their attorney, Ben Crump, made it clear they’re focused on one thing above all else: finding the truth.
During a recent appearance on NewsNation’s ‘CUOMO,’ Nolan Wells’ parents joined attorney Ben Crump to discuss the ongoing investigation. After host Chris Cuomo played a clip of Tracestin Shepherd—who has publicly described himself as one of Nolan’s closest friends—Cuomo asked Nolan’s parents whether they recognized him.
Nolan’s father, Elmore Wonsley, said he did not. “No, I don’t. Just because you park your vehicle in someone’s yard doesn’t mean that they have to know you,” Wonsley said. He went on to question Shepherd’s public comments, adding, “It sounds more to me like he’s more focused on getting people to know him, and getting away from the fact that his so-called best friend is not here anymore.” Wonsley also shared the family’s heartbreak, saying, “Our son should be in college right now. We should be receiving phone calls from him about how his day went. But we can’t. And we just want everybody to focus on what the real subject matter is.“
The interview also touched on comments made by another of Nolan’s alleged friends, Warren Hudson, who previously participated in a separate interview discussing the case, including questions surrounding his phone. After watching the clip, Ben Crump stressed that the family’s goal isn’t to rush to conclusions but to thoroughly examine every detail.
“Chris Cuomo, Nolan is dead. We’re going to dot every I…cross every T. We’re going to look under every rock,” Crump said. He also pointed to the unanswered calls Nolan’s mother made to her son’s phone, saying they continue to raise important questions. “His mother called his phone repeatedly with no answer. That raises questions. That’s all we want to get to … answers. If this was your child, Chris Cuomo, wouldn’t you want to ask every question possible?” Crump added.
Before Nolan Wells’ parents addressed the recent interviews, two of Nolan’s alleged friends had already spoken publicly about the case. During a podcast interview, Tracestin Shepherd said he met Nolan in the ninth grade and considered him his “best friend.” Shepherd became emotional while denying any involvement in Nolan’s death, saying he’s been “beating himself up” over what happened on July 4 and describing the online accusations against him as deeply painful.
Meanwhile, Warren Hudson also addressed the investigation during a separate podcast interview, pushing back on speculation surrounding Nolan’s phone. Hudson questioned why anyone would have been concerned about accessing the device while dealing with a boat that was reportedly experiencing issues, adding that he didn’t know Nolan’s passcode and insisting neither he nor the others touched the phone until it was handed to Nolan’s mother at a friend’s house. Hudson also firmly denied claims that anyone deleted anything from the device, saying there was “nothing to hide” and “no reason” for anyone to remove information from Nolan’s phone.
What Do You Think Roomies?
Taylor Swift and Travis Kelce found an unexpected way to keep their estimated 1,000 wedding guests entertained: making them compete for raffle tickets. Rob Gronkowski, who attended the couple’s July 3 celebration at Madison Square Garden with his girlfriend, Camille Kostek, revealed that guests had to participate in games before they could enter the raffles. The retired NFL star eagerly joined the competition, hoping he could bring home a prize for Kostek.

Gronkowski confirmed that he participated in the wedding raffles during a recent conversation with PEOPLE. “I did [participate in the raffle]. I was trying to win something for my girl, Camille,” the 37-year-old said.
Rather than simply distributing tickets to everyone in attendance, Swift and Kelce reportedly required their guests to complete different games to earn them. “I participated because, what was really cool was that you had to play the games in order to get the raffle tickets, so that was really, really cool,” Gronkowski explained.
The former New England Patriots and Tampa Bay Buccaneers tight end appeared to appreciate that guests had to put in some effort before becoming eligible to win. “You had to earn the raffle tickets and that’s why I appreciate it. It wasn’t no hand-me-outs, you had to earn the raffle tickets, and that’s what made it so much fun,” he added.
Gronkowski did not reveal what prizes were offered or whether he successfully won anything for Kostek.

Although many details surrounding Swift and Kelce’s wedding remain private, Gronkowski’s comments offer a glimpse into the activities available during the reception. The interactive raffle games seemingly gave the enormous guest list another form of entertainment beyond dinner and dancing.
Gronkowski previously described the wedding as “magnificent” and praised the couple for creating an impressive celebration inside one of New York City’s most recognizable venues.
The NFL legend also made it clear that the reception’s dance floor remained crowded throughout the night. “It was top-notch. Hats off to Taylor and Trav. The dance floor, that’s the one thing, it was popping. It was popping,” he said.

The magnitude of the celebration was apparent before Gronkowski and Kostek even entered Madison Square Garden. According to the four-time Super Bowl champion, a long line of private vehicles filled the surrounding streets as guests arrived at the venue.
“We’re sitting there, it was the most amount of black cars I’ve ever seen going into Madison Square Garden. It was five blocks of black cars in a row,” Gronkowski recalled.
Swift and Kelce, both 36, exchanged vows in front of an estimated 1,000 attendees during the July 3 ceremony. Despite the large crowd and significant attention surrounding the wedding, relatively few photographs and videos from inside the celebration have publicly surfaced.
The couple and their guests have largely kept the event’s most intimate moments under wraps, leaving attendees like Gronkowski to offer occasional details about the extravagant gathering.

Swift and Kelce reportedly wore custom Christian Dior Haute Couture designs created by the fashion house’s creative director, Jonathan Anderson. The ceremony and reception brought together figures from the entertainment and sports worlds, reflecting the couple’s individual careers and their highly publicized relationship.
Gronkowski’s attendance also added another familiar NFL face to the guest list. Although he and Kelce never played on the same professional team, both became two of the most recognizable tight ends in league history. Kostek accompanied Gronkowski to the wedding, inspiring his attempt to collect as many raffle tickets as possible and potentially secure a prize for her.

Following his appearance at Swift and Kelce’s wedding, Gronkowski is preparing for another event centered around collecting and prizes.
On August 1, he will livestream from the National Sports Memorabilia Collectors Convention in Chicago. The former football star said he is excited to “dive deeper into the hobby and be a big personality and rip packs and have fun with it and interact with fans.”
The appearance will allow Gronkowski to connect with sports collectors while opening card packs and exploring the memorabilia hobby.
A surprising team-up between master cinema craftsman James Cameron and exploitation auteur Robert Rodriguez, 2019’s Alita: Battle Angel is perhaps Cameron’s most under-seen project (aside from his debut, Piranha II: The Spawning). It also happens to be a supremely underrated slice of cyberpunk/fantasy cinema nirvana. The film, based on a 1990s manga series by Yukito Kishiro, was a passion project of Cameron‘s as far back as summer 2000, according to contemporaneous reporting. And while Cameron co-wrote and produced the film, when it came to directing, he was buried up to his neck with his monumental Avatar series, so it fell on Rodriguez to finally bring the master’s vision to the screen.
An electric molding of Cameron’s tech/cybernetic obsessions and Rodriguez’s frenetic genre stylization, the film proved the highest grossing of Rodriguez’s career, earning over $400 million worldwide, despite the fact that it’s been largely forgotten seven short years later. Even though it was released in 2019, Alita: Battle Angel is a throwback to a time of unashamedly goofy, earnest, and kinetic genre cinema — and it’s a blissful corrective to much of the 2020s’ superhero and nostalgia-bait slop.
Alita tells the story of a discarded cyborg with a human brain who, in the year 2563, rediscovers her humanity and engages in elaborate swordfights against mechanized assassins. Material this simple and arguably dated required a human heart and superhuman craftsmanship to make it sing — and Cameron and his team brought exactly that. From the seamless (although occasionally unsettling and uncanny valley-straddling) Avatar-borne CGI that brings Alita to life, to the intense dedication to world-building (Cameron was so focused on this that he insisted the future city of Zalem be set on the equator, lest its fictional space elevator not work correctly), the entire production smacks of Cameron’s trademark care and quality control.
While it’s unclear how much of a hand Cameron had in the day-to-day production, the film’s action has a smoothness and lucidity that’s unusual for Rodriguez, and makes the fast-moving, ludicrous battles easy to follow and genuinely exciting. Veteran cinematographer Bill Pope (a longtime Sam Raimi collaborator and DOP on The Matrix) and Garrett Warren, the action/stunt coordinator Cameron used on Avatar and its sequels, help keep the proceedings visually engaging and sprightly, even when CGI “Motorball” gladiators and cybernetic tentacles are whipping across the screen.
In an age of quippy, postmodern (derogatory), sludgy CGI debasements and failed franchise-starters, the blockbuster world needs more of the Cameron spirit. While the dialogue and characterizations in Alita: Battle Angel don’t exactly sing, the sturdy storytelling and overwhelming earnestness sell whatever the breathtaking effects can’t. Too often today, audiences are given excellence in neither department and expected to simply appreciate the $100 million or so on the screen.
While the runaway success of Cameron’s two latest Avatar sequels and the growing streaming popularity of lively genre fare like Dungeons & Dragons: Honor Among Thieves is already an encouraging development, Cameron and Rodriguez have also promised more Alita to come. We’ve “sworn a blood oath to do at least one more Alita movie,” Cameron said in a 2025 Empire interview, adding that the sequel was in active development. “In fact, we’re thinking of an architecture that bridges to a third film, but we’ll be satisfied if we can make one more.”
February 14, 2019
122 minutes
Robert Rodriguez
James Cameron, Laeta Kalogridis
James Cameron, Jon Landau, Robert Rodriguez
Live-action adaptations are some of the most eagerly anticipated projects of die-hard fans of the respective source materials. However, at the same time, such an endeavor is fraught with danger, as the same fans can quickly turn should they perceive that the source material isn’t being faithfully adapted. It does help when the lead role of such a venture goes to an actor with a deep love and reverence for the original stories, and this is what Netflix had secured when it first cast Henry Cavill to play Geralt of Rivia in its fantasy series, The Witcher.
The Netflix show was adapted from Andrzej Sapkowski‘s original novels and Cavill has repeatedly, over the years, spoken of his deeply held appreciation of Sapkowski’s work. Cavill’s portrayal of Geralt moved to capture the very essence of the story’s lead character, with Geralt’s dry, cynical but morally strict code, coming to the fore. The Man of Steel star would play the role for three seasons before departing ahead of the fourth season. While neither Cavill nor Netflix have ever explicitly confirmed the reason for his departure, one leading theory among fans of the show and universe revolves around perceived creative differences between the acclaimed actor and the show’s writers. Cavill was replaced by Liam Hemsworth, who took up the role ahead of Season 4.
However, for those who might still be stewing over some of the surprising moments in Season 4, there is hope for some canonically accurate content to soothe your grievances. As a staunch defender of Sapkowski’s work, Cavill would undoubtedly offer up his stamp of approval to Dark Horse Comics‘ upcoming Andrzej Sapkowski’s The Witcher: The Last Wish – The Complete Collection HC ,which is an upcoming new release proven to be faithful to the original works. As we celebrate the 40th anniversary of Sapkowski’s renowned short story Wiedźmin (The Witcher), Dark Horse Comics has announced The Witcher: The Last Wish – The Complete Collection HC, arriving on December 15, 2026. Coming in at a hefty 384 pages with 8″ x 12 3/16″ dimensions and available for $124.99 on release, the omnibus collects the complete graphic novel adaptation of Sapkowski’s acclaimed short story collection.
When Netflix announced its adaptation of Sapkowski’s work, it was met with much excitement, with the first season debuting with a solid 68% from critics and an impressive 88% audience score. By Season 2, its appreciation soared to 95% among critics but slipped to 55% from audiences. When Season 3 rolled in, it had dipped again — 79% critics, 22% audience, showing a steady audience drop-off as the show continued to stray further from the source material. The recasting of Geralt drew attention, some of it negative, and by the time Season 4 premiered, the strain was evident. It limped to a 59% critic score and a brutal 19% audience score on Rotten Tomatoes at the time. Sadly, it highlighted just how much the adaptation had lost the plot, hence why releases like The Witcher: The Last Wish – The Complete Collection HC would be incredibly welcome.
Contained within are the six graphic novel adaptations of Sapkowski’s short stories: The Witcher, A Grain of Truth, The Lesser Evil, A Question of Price, The Edge of the World, and The Last Wish. As detailed by ScreenRant, fans must note that this collection would offer more than simply collecting the previous installments. For those seeking a canonically accurate collection, different from Netflix’s offering, especially given the most recent season, this is certainly the way to go.
The Witcher: The Last Wish – The Complete Collection HC from Dark Horse Comics will be available to read on December 15, 2026.
December 20, 2019
Netflix
Stephen Surjik, Charlotte Brändström, Edward Bazalgette, Loni Peristere, Louise Hooper, Bola Ogun, Alex Garcia Lopez, Gandja Monteiro, Sarah O’Gorman
Haily Hall, Clare Higgins, Javier Grillo-Marxuach, Jenny Klein, Tania Lotia
Marvel Studios has finally pulled back the curtain on why David Jonsson was chosen to become the next Black Panther, and it wasn’t just because of his acting ability.
Following Jonsson’s surprise casting as the adult T’Challa II at San Diego Comic Con, Marvel executives and filmmakers have begun sharing what ultimately convinced the studio that he was the right person to inherit one of the MCU’s most iconic roles. Their answers all point to the same conclusion: Jonsson possessed something that went far beyond talent.
Chadwick Boseman
Marvel Studios casting director Sarah Finn, who has been responsible for casting nearly every major MCU hero since the franchise began, explained that replacing the legacy left by Chadwick Boseman required a very different approach than filling a typical superhero role.
“These are obviously very big shoes to fill,” Finn said. “We needed somebody not only with the talent but with a certain presence and a certain spirit.”
Those qualities immediately stood out to director Ryan Coogler.
According to Marvel Studios President Kevin Feige, Coogler met privately with Jonsson while finishing work on Sinners. Before Marvel had even begun an official casting search, Coogler called Feige with complete confidence.
“I found him. He’s the guy,” Coogler said.
Feige recalled Coogler telling him, “He’s the guy. I felt it. I felt it in my soul. He’s a good man, and he is the next Black Panther.”
The moment was emotional for Feige, who admitted, “I got chills, and I got a little welled up.”
Together, Finn’s comments and Coogler’s conviction paint a clear picture of what Marvel was looking for. The studio wasn’t simply searching for the best actor. They wanted someone who could carry the emotional weight, leadership, and responsibility that come with portraying Black Panther after Chadwick Boseman’s unforgettable performance.
Comic-con 2026 [marvel]
Jonsson’s recent rise certainly didn’t hurt. The British actor has earned widespread acclaim for performances in Rye Lane, HBO’s Industry, Alien: Romulus, and The Long Walk, while also winning the BAFTA Rising Star Award. His ability to balance vulnerability, confidence, and quiet intensity made him one of Hollywood’s fastest rising stars before Marvel ever came calling.
Marvel’s decision also continues the respectful path established in Black Panther: Wakanda Forever. Rather than recasting Boseman’s T’Challa, Black Panther III will follow his son, T’Challa II, allowing the franchise to move forward while honoring the original hero’s legacy. Jonsson now steps into that role alongside returning stars Letitia Wright and Winston Duke, with Denzel Washington also joining the cast in an undisclosed role.
When Jonsson appeared on stage during Marvel Studios‘ Hall H presentation, he acknowledged the enormous responsibility ahead of him.
“Thank you so much. Thank you, Ryan. Thank you, Kevin. Thank you to this amazing family that I have the honor and privilege to join. I don’t want to say too much because I want to let the screen do the talking.”
Marvel Studios has spent nearly two decades building heroes, but Black Panther has always represented something bigger than the costume. Between Sarah Finn’s insistence on finding the right “presence and spirit” and Ryan Coogler’s certainty that Jonsson was “the guy,” it’s clear the studio believes it has found someone capable of carrying Wakanda into its next chapter.
Camryn Manheim has long been celebrated as one of Hollywood’s most outspoken advocates for self-acceptance, but the actress is now attracting attention for a different reason.
The Emmy winner recently debuted a noticeably slimmer figure during a New York City appearance, prompting an outpouring of praise from fans.
While her appearance has evolved over the years, Camryn Manheim has remained consistent in her message about body image and self-worth, values she has championed throughout her decades-long career.
Manheim turned heads with a striking new appearance after debuting a noticeably slimmer figure at a recent New York City event.
The Emmy Award-winning actress attended the opening night of Rosie O’Donnell’s one-woman show, “Common Knowledge,” where she posed confidently on the red carpet alongside friends including Julie Halston and Ricki Lake.
For the occasion, Manheim opted for a patterned blouse paired with jeans and statement beaded accessories, showcasing her transformed look.
Best known for her performances in “The Practice, Law & Order,” and “Scary Movie 3,” the 65-year-old has long been recognized as a vocal advocate for self-acceptance and body confidence throughout her Hollywood career.
One of her most memorable moments came in 1998 when she accepted an Emmy Award for her role as attorney Ellenor Frutt in “The Practice.”
During her acceptance speech, she famously dedicated the honor to “all the fat girls,” a remark that resonated with many viewers.

Over the years, Manheim has consistently emphasized that her message extends beyond body size. In interviews, she has spoken about the importance of self-worth and has often highlighted the need for greater representation of plus-size individuals in the entertainment industry.
Looking back on her journey, the actress said she intentionally pursued roles that showcased her character and talent rather than focusing on her body size. “I just play roles that have nothing to do with my size, but with my power and spirit. It’s who I am at the core of my being. That’s what’s happening in the second tier of my career,” she explained.
Manheim has also been outspoken about reclaiming the word “fat,” arguing that treating it as taboo only reinforces harmful attitudes toward body image. She recalled how discussions about weight often became uncomfortable whenever the term was used.
“It makes people uncomfortable. Anytime you said it, there would be a whole discussion. It was rather exhausting. ‘You’re not fat….’ Yes, I am!” she said.
The actress explained that she wanted to remove the stigma attached to the word and encourage people to view it as a neutral descriptor rather than an insult.
“It felt like a constant battle of teaching people and making them comfortable with it,” Manheim said. “I wanted to demystify the word so it wouldn’t carry negative connotations anymore.”

Although Manheim spent decades championing visibility for plus-size women on screen, fans have recently noticed her dramatic weight-loss transformation.
After sharing photos from O’Donnell’s show on Instagram, followers quickly flooded the comments section with praise.
“You look amazing!” one admirer wrote, while another commented, “You look fabulous.”
A third fan noted that the actress appeared remarkably youthful, writing that she looked just as vibrant as when they first saw her on screen in the early 2000s, adding that she looked “beautiful and full of life.”
The New York appearance was not the first time Manheim’s slimmer figure has attracted attention.
In May, she stepped out at the Women’s Guild Cedars-Sinai Spring Luncheon alongside Monica Lewinsky, wearing a tailored black pantsuit accented with white trim.
Earlier this year, she also attended the Human Rights Campaign Dinner, where she opted for a sophisticated black jumpsuit paired with a crisp white collared top.

Away from the spotlight, Manheim has credited much of her peace of mind to one surprisingly simple habit: staying organized.
Rather than relying on elaborate wellness routines, the actress has said she prefers tackling tasks early to avoid unnecessary stress later.
From paying bills as soon as they arrive to finishing holiday shopping months in advance, she believes preparation is one of the most effective forms of self-care.
“Just get it done. You know what they want,” Manheim joked, explaining that planning ahead helps her avoid unnecessary stress.
She has said that being “organized is a huge part of self-care” and plays a major role in her overall wellbeing, helping her avoid the stress that can come from procrastination or last-minute deadlines.

One habit Manheim takes particular pride in is punctuality, explaining that she dislikes the idea of keeping others waiting.
“I’m never late because I hate that sick feeling of making somebody wait for me,” she said, per Yahoo! Life.
While acknowledging that no one is perfect, Manheim believes her commitment to staying organized has been one of the habits that has benefited her mental health the most.
“It doesn’t cost any money to be organized; that’s the beauty of it,” she explained. “Just get it done, and you will be free from those burdens.”
Psychological thrillers derive their tension from obsession, uncertainty, and unstable minds. The best of these books make the reader question what’s real, whether the narrator can be trusted, and how far ordinary people can be pushed before they become capable of terrible things.
With all that darkness in mind, this list looks at some of the defining psychological thriller novels of the 20th century. Some are propulsive bestsellers; others are a little more reflective and literary. All explore the genre’s core ideas in powerful, intriguing ways.
“This confession has meant nothing.” Before it was a fantastically unsettling movie, American Psycho was a disturbing novel. Protagonist Patrick Bateman appears to be the perfect Wall Street success story: wealthy, handsome, impeccably dressed, and obsessed with status. But beneath that polished exterior lies a mind consumed by narcissism, violence, and an almost unbearable emptiness. The book places us inside Patrick’s head, a tricky (and controversial) move that author Bret Easton Ellis ultimately has the skills to pull off.
Patrick represents all the darkest impulses of ’80s capitalism. He has a rapacious desire for power and material possessions, unmoored from any moral concerns. As a result, the book’s endless descriptions of designer suits, restaurant reservations, and pop music reviews gradually become just as unsettling as the bursts of sudden violence. They reveal someone who takes the culture’s worst aspects to their extreme conclusion.
“I collect butterflies.” The main character of The Collector is Frederick Clegg, a lonely butterfly collector whose sudden financial windfall allows him to kidnap Miranda Grey, an art student with whom he has become obsessively infatuated. Believing that love can somehow be manufactured through captivity, Frederick imprisons Miranda in the cellar of his isolated home. From here, the book alternates between Frederick and Miranda’s perspectives, and their motivations and feelings wind up being more complex than you might expect.
In other words, this is an unusually sophisticated psychological thriller, one that avoids the genre’s clichéd motives and plot twists. The most effective part of the book is the character of Frederick himself. He’s no cartoonish monster. Instead, he’s a seemingly mundane, overly rational man totally devoid of empathy. Nevertheless, he’s a truly loathsome figure, a man who probably wanted to do evil all his life but just didn’t have the power to act on it… until now.
“History is the sum total of the things they aren’t telling us.” Libra was Don DeLillo‘s follow-up to White Noise, the novel that put him on the map. In it, he presents a fictionalized account of the Kennedy assassination, delving deep into the psychology of Lee Harvey Oswald. The book portrays him as a lonely, directionless man desperate to attach himself to something meaningful. His search for purpose collides with intelligence agencies, anti-Castro activists, and shadowy operatives whose overlapping agendas spiral beyond anyone’s control.
The result is less a historical novel than an exploration of paranoia and the stories people invent to make sense of chaos. Once again, this is a case where the author took on ambitious, challenging subject matter and turned it into something compelling. Libra received rave reviews on release, with many declaring the book to be a masterpiece.
“Last night I dreamt I went to Manderley again.” The basis for Hitchcock‘s classic film. After marrying the wealthy widower Maxim de Winter, an unnamed young woman moves into the grand estate of Manderley, only to discover that the memory of Maxim’s late wife, Rebecca, continues to dominate every room, every servant, and every conversation. The new Mrs. de Winter constantly compares herself to this ghost, whose beauty, confidence, and apparent perfection have been immortalized by those around her.
Needless to say, a few conniving figures seek to weaponize that insecurity. Chief among them is the housekeeper Mrs. Danvers, whose devotion to Rebecca borders on religious obsession. She tries to manipulate the protagonist, using cruelly timed words like drops of poison. Every interaction becomes psychologically exhausting. All this adds up to a fantastic Gothic romance/thriller.
“Someone must have been telling lies about Josef K.” This is one of Kafka‘s masterworks. Our protagonist Josef K. is arrested one morning, yet no one will explain what he has done wrong. He soon becomes trapped inside an incomprehensible legal system whose rules seem to shift with every encounter. It’s the ultimate vision of nightmarish bureaucracy. Unlike traditional thrillers, the danger in The Trial is almost entirely psychological.
Here, Kafka creates an atmosphere where logic gradually loses all meaning, and every attempt to understand the system only deepens Josef K.’s confusion. Josef’s growing frustration and helplessness are at times tough to witness. In the end, although more literary and existential than most thrillers, The Trial touches on many ideas that modern psychological thrillers are built on: alienation, uncertainty, institutional power, and the fear of being judged by shadowy forces.
“What’s it going to be then, eh?” Although Kubrick‘s movie adaptation has lodged itself deeper in the public consciousness, Anthony Burgess‘ A Clockwork Orange is still a potent, incendiary piece of work. It centers on the teenage delinquent Alex, whose love of classical music exists alongside an appetite for ultraviolence. After his criminal lifestyle catches up with him, Alex becomes the subject of an experimental rehabilitation program designed to eliminate his capacity for violence altogether.
The book hits us with plenty of brutal scenes, but it also gets very philosophical. In particular, it has a lot to say about free will. Alex is undeniably monstrous, yet the state’s attempt to strip away his ability to choose raises troubling questions about personal autonomy. Is compelled goodness really goodness at all? Is crime the price we pay for freedom? It’s these themes that make the novel a classic.
“Ten strangers are invited. One by one they die.” And Then There Were None is widely regarded as Agatha Christie‘s magnum opus, and perhaps the greatest mystery novel ever written. In the book, ten strangers arrive on a secluded island after accepting mysterious invitations, only to discover that their unseen host believes each of them has escaped justice for a past crime. When the guests begin dying one by one, suspicion turns everyone into both detective and potential murderer.
Christie brilliantly transforms the isolated setting into a psychological pressure cooker. In the process, she created a blueprint that countless writers have riffed on since. With no way to escape and no one left to trust, every conversation becomes loaded with mistrust and, just below the surface, simmering violence. Then, to top it all off, the novel hits us with a juicy, legendary twist.
“I’m your number-one fan.” After celebrated novelist Paul Sheldon is rescued from a car accident by his self-proclaimed “number-one fan,” Annie Wilkes, he initially believes his luck has changed. Instead, he discovers that Annie is dangerously unstable and has no intention of letting him leave until he rewrites the latest installment of her favorite series exactly the way she wants. Bedridden, Paul is at the mercy of Annie’s moods, which swing unpredictably between kindness, childlike enthusiasm, and explosive violence.
While the setup is relatively simple, Stephen King builds it into an edge-of-your-seat thriller. A big part of its success comes down to the character of Annie herself, who is truly one of the author’s most evil creations (and that’s saying something). Because Annie is such a monster, we root desperately for Paul to escape, making each of his failed attempts utterly heartbreaking.
“A census taker once tried to test me.” This is another thriller that was deeply influential, and which gave us some of the genre’s all-time finest villains. The Silence of the Lambs follows FBI trainee Clarice Starling as she seeks the help of imprisoned psychiatrist and serial killer Hannibal Lecter in order to catch another murderer known as Buffalo Bill. What follows is less a traditional investigation than an increasingly tense contest between two brilliant minds.
Every exchange between him and Clarice becomes a duel in which information is exchanged only at tremendous emotional cost. Clarice is a compelling character, yet Lecter is a work of art. He’s an intelligent, urbane, and endlessly manipulative antagonist, always ready with a well-turned phrase. He plays people against each other using little more than words alone; indeed, author Thomas Harris understands that intelligence can be more frightening than brutality.
“The idea came quite suddenly.” Although The Talented Mr. Ripley is more famous, Strangers on a Train might be Patricia Highsmith‘s greatest book, reeling us in from the very beginning. During a chance meeting aboard a train, two men strike up a conversation that leads to an unsettling proposal. Bruno suggests that each of them should murder someone the other wants gone, creating the perfect crime. Guy dismisses the conversation as idle fantasy… until Bruno decides to carry out his side of the bargain.
A lesser writer might have turned that premise into a pulpy noir, but Highsmith’s genius lies in shifting the focus away from the murders themselves and toward the psychological burden that follows. Likewise, she gives us a villain for the ages in Bruno. He’s charismatic, brilliant, and emotionally unpredictable, steadily dismantling Guy’s sense of security through psychological pressure rather than brute force. Their toxic relationship becomes the novel’s true battleground.
Kate Cassidy explained why she’s removing some of her tattoos in honor of her late boyfriend, Liam Payne.
“I knew that some of you guys would be offended at the fact that I decided to laser off these tattoos on my body,” Cassidy, 27, said via TikTok on Wednesday, July 29, while replying to a comment that read, “She don’t love him no more.” She continued, “The only reason that I am getting these tattoos off is literally just because they are too thick to my liking. They’re the very first tattoos I ever received, and I went somewhere really random.”
Cassidy went on to say that she asked for a “fine line tattoo,” which she expected to be even more dainty than her result, and got a “thick, bulky” result.
@kateecass Replying to @Sammi Herrera🥀🖤
She added, “Listen, the meaning behind all of my tattoos are so, so special to me. I am not lasering them off for any other means other than the fact that I’m gonna get them redone somewhere else that has experience in fine line tattoos.”
The tattoo in question is a “444” tribute for Payne, who died at age 31 in October 2024. The number signified the couple’s angel number.

Cassidy has more tattoos in honor of Payne, including an angel wing, “LP” on her wrist, and a wilted rose on her thumb, and a 4 on her wrist.
The influencer dated Payne for nearly two years before his death. They met at a restaurant in Charleston, South Carolina, where Cassidy was working in September 2022. In December of that year, they made their red carpet debut at the British Fashion Awards in London. In 2024, Cassidy shared that she was living with Payne in Florida.
In October 2024, Cassidy traveled with Payne to Argentina, but returned to Florida two days before he fell off a third-floor hotel balcony and died.
Since his death, Cassidy has been candid about her grief journey. In February 2025, she told The Sun, “I feel like my life has changed so much and I think about Liam every second of every day. It still doesn’t feel fully real for me that he’s not here. Sometimes I’ll wake up and it’s a reality I have to face for the rest of my life.”
Cassidy continued, “When I left Argentina, we had such a great day. We were in such great —you know, full of love, and I never would have expected any of that to occur. If I could see into the future, I would have never left Argentina but unfortunately, I do have — we did have our own separate lives. This wasn’t the first time we traveled separately together. We would quite often here and there in the past, so I never thought this would have happened.”
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