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What I Like About You is finally streaming on Netflix — but the theme song will sound a little different.

The hit WB sitcom, which aired from 2002 to 2004, followed the lives of two sisters living together in New York City — teenager Holly (Amanda Bynes) and her responsible older sister, Val (Jennie Garth). In addition to Bynes and Garth the series starred Simon Rex, Wesley Jonathan, Leslie Grossman, Michael McMillian, Nick Zano, Allison Munn, Dan Cortese, Edward Kerr and David de Lautour.

What I Like About You pulled inspiration for its show title from the 1980 song of the same name by American rock band The Romantics. A cover version of the song — performed by Canadian all-female rock group Lillix — was used for the theme song after also being heard on the Freaky Friday and 13 Going on 30 soundtracks.

Season 2 featured a remixed techno/dance style version, which was the theme song for the rest of the series. Music costs and rights — and various DVD and streaming releases — led to the theme song replacing Lillix’s cover.

Related: ‘What I Like About You’ Cast: Where Are They Now?

Amanda Bynes and Jennie Garth reminded fans of all the reasons they love the actresses during their run on What I Like About You. The duo starred as sisters Holly and Val Tyler, respectively, on the WB sitcom from 2002 to 2006. For four seasons, they cracked up viewers alongside their costars Nick Zano (Vince), Leslie Grossman […]

Keep scrolling for a breakdown of the theme song on What I Like About You — and the subsequent changes:

What Is the ‘What I Like About You’ Theme Song?

In season 1, a cover of The Romantics’ What I Like About You played across the original title sequence. It changed in the next three seasons with a remixed techno/dance style theme created by Philip Steir, who composed all the music for the remainder of the series.

When Did the ‘What I Like About You’ Theme Song Switch?

Wally Palmar, Mike Skill, Rich Cole and Jimmy Marinos wrote the 1980 track “What I Like About You,” which served as the inspiration for the show’s title. Rock group Lillix sang the cover featured in season 1 before it was swapped when Warner Home Video released the complete first season on DVD in 2007.

Due to high music licensing issues, Lillix’s cover of the theme song was removed and replaced with a generic song produced specifically for the DVD version. Low sales and high music licensing costs caused no further seasons to be given a general retail release. (The rest of the seasons were ultimately released by Warner Archive from 2017 to 2019.)

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Getty Images (2) On January 11, 1995, a network launched that would become a destination for younger viewers — one that would have them saying “Oh what a night!” five times a week. In hindsight, The WB as a network was merely a blip in TV history; remaining on the air for just a short […]

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Which Version of the ‘What I Like About You’ Theme Song Is on Netflix?

The show originally became available on HBO Max in January 2021 with the replacement song. It was the same version that started streaming on Netflix five years later.

Where Is ‘What I Like About You’ Available to Stream Now?

If you weren’t a fan of the show back in the day and managed to snag a DVD set, What I Like About You is available for purchase on iTunes or all four seasons are currently streaming on Netflix.

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Sixty-six years ago, Frank Sinatra changed the music industry forever by launching Reprise Records. It was an unapologetically bold move that redefined how the industry viewed, and later respected, artist ownership and creative freedom. Already a global superstar, Sinatra broke away from Capitol Records after growing frustration with feeling restricted and even controlled.

Determined that no other musician would feel the same, Sinatra built a label that truly valued its musicians. His bold creation later signing legends including The Beach Boys, Jimi Hendrix and Joni Mitchell. It was a courageous, industry-shaking act that empowered generations to come.

Frank Sinatra’s Record Label Gave Him Creative Freedom

Image via United Artists

Up until 1960, Frank Sinatra was the ultimate crooner. He had starred in fan favorite movies like High Society and Guys and Dolls, and released Come Fly With Me, but he wanted more than a poster boy. Before paving his own way, Sinatra was signed with Capitol Records, but he felt constricted by the big corporation. As one of the biggest musicians on the planet, it was reasonable for Sinatra to want a sense of control over his music if millions were listening. He was no longer a newcomer, he no longer needed guidance. Sinatra had wits, and he was ready to use them.

Reprise Records was launched, and soon after, Sinatra released Ring-a-Ding-Ding! It was very clear that Sinatra was the boss of the label, and legend has it he soon garnered the nickname of Chairman of the Board. While he was CEO, the nickname echoed the ultimate commanding energy Sinatra had. In the first signing of Reprise Records, Sinatra made sure that his nearest and dearest in the community gained the right kind of representation in order for them to feel creatively fulfilled. This included Rat Pack members Dean Martin and Sammy Davis Jr., but also Bing Crosby, Duke Ellington, and, of course, Nancy Sinatra.

But it was all in the name of creative freedom, liberation, and autonomy. One of the founding principles of Reprise Records was for musical artists to gain full ownership of their work, including publishing rights. This bold move was what set Reprise up as a revolutionary label for its time, and one that still has a more artist-centered ethos than many others today.

Reprise Records Opened the Door For Other Legendary Musicians

Reprise was revolutionary in its music-first philosophy, but it was struggling to be a commercial triumph. In 1963, Warner Bros made a deal with the label, ultimately purchasing two-thirds to make Reprise a subsidiary of Warner Bros. In exchange, Sinatra would be a member of their film stable. Nevertheless, Sinatra remained the owner of a third of Reprise, keeping him a key figure of the label. The true key figure in this negotiation, though, was Reprise president Mo Ostin, who actually went on to chair Warner Bros. Records from 1972 to 1994. The deal ensured Reprise did not lose sight of its foundational principles, and it continued to be a label with musical artists truly at its core.

With Reprise’s cash flow rescued, and the increased powers of distribution and marketing from Warner Bros, Sinatra’s label was ready to make serious moves. The 1960s was a decade of rapid evolution, perhaps the quickest of the entire twentieth century. Mods quickly turned psychedelic, folk shifted into pop, and rock and roll transformed into heavy metal. To keep up with these turbulent times, Reprise soon ensured that their roster expanded from the familiarity of the Rat Pack to adopting the seriously big names of the ‘60s.

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Frank Sinatra’s Biggest Hit of All Time Almost Never Happened

The iconic song that almost slipped away from Sinatra’s grasp.

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The musical expansion of Reprise included signing Joni Mitchell, Jimi Hendrix, Neil Young, and The Beach Boys. The diversification of the label was crucial in Reprise gaining the success that it was beginning to experience. The musicians they represented were young and genuinely cool, and it was obvious through their work that they were afforded an unshackled approach to their writing and performance. Joni Mitchell wrote unapologetically from the heart, refusing to be filtered, Jimi Hendrix was brilliantly unruly, and Neil Young kept his raw acoustic roots close to folk.

By 1976, Reprise entered an era of dormancy, and the label was deactivated except for the discography of Sinatra and Young, who insisted the logo remained on their releases. Most of the artists signed to Reprise at that time ultimately moved over to Warner Bros, but this wasn’t the last chapter for Reprise. In 1987, Ostin announced the reactivation of Reprise Records, and it continues to operate. The label has been on a journey since its formation 66 years ago, but a dedication to prioritizing artists in a sometimes cynical industry takes courage. That courage, led by Sinatra, has truly paid off.

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Jason Statham hasn’t exactly started the year on a hot streak after his new movie, Shelter, is struggling to get off the ground at the box office. The action thriller carries a $40 million budget, but it’s grossed only $29 million at the box office at the time of writing. Statham will have a chance to redeem himself later this year when Mutiny comes out this August, though. Over the years, he’s starred in plenty of action hits and misses, so Shelter‘s unfortunate box office failure likely won’t hold him back at all.

However, long before the idea of Shelter ever popped into anyone’s head, Statham starred in a critically panned drug crime thriller that’s finally getting its due on streaming. Statham stars alongside Winona Ryder (Stranger Things) and James Franco (Spider-Man 3) in Homefront, a conspiracy thriller following a former DEA agent who moves to a quiet town to spend more time with his daughter, when he gets tangled up with a local meth drug lord. Homefront has been compared to Denzel Washington’s first Equalizer movie, with both films having similar plots following a retired former operative who is pulled back into the action.

Homefront recently began streaming on Netflix in America, where it’s quietly become one of the streamer’s top 10 most popular movies in the last week. The film earned scores of 42% from critics and 61% from audiences on Rotten Tomatoes, and it grossed $48 million at the box office against a $22 million budget. Sylvester Stallone wrote the script for Homefront with Gary Fleder directing. Stallone originally wrote the part in Homefront for himself, but he later chose to go with Statham after deciding he was too old for the role.

Does Jason Statham Have Any Other Movies on Netflix?

Image via Open Road Films

Jason Statham does have other movies streaming on Netflix, but one of them is confirmed to leave soon. Netflix is removing Snatch, the crime thriller co-starring Brad Pitt, from its streaming library at the end of the month on February 28. Wrath of Man, the 2021 action thriller directed by Guy Ritchie, is also streaming on Netflix right now. It was one of the platform’s most popular movies in January. The fourth Expendables movie has even been confirmed to begin streaming on Netflix later this month, on February 20.

Be sure to watch Homefront before it leaves Netflix, and stay tuned to Collider for more streaming updates.

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Release Date

November 27, 2013

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Runtime

100 minutes

Director

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Gary Fleder

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Streaming charts have a funny way of resurfacing movies that were always good but didn’t stay in the day-to-day conversation, and for this particular case, despite a billion-dollar footprint. Right now, one Disney sequel is quietly doing exactly that and reminding people what big, clean blockbuster craftsmanship looks like when it’s driven by set pieces, character momentum, and a premise that keeps escalating instead of stalling. It’s also a case study in why length doesn’t automatically mean bloat: this one runs 151 minutes, yet it’s paced like it’s trying to beat the clock.

This movie unleashed a villain so visually convincing and so immediately iconic that the movie’s entire mood shifts the second he enters. The filmmaking is confident, too, with a director who knows how to stage action so you always understand geography, stakes, and the next complication. And audiences showed up in a massive way back in 2006: it was made for about $225M and ended up crossing $1.06B worldwide, the kind of commercial footprint that turns a sequel into an event.

That sneaky sleeper, as per FlixPatrol, is Pirates of the Caribbean: Dead Man’s Chest, which is currently charting on Disney+’s Top 10 this week — most notably in the United States, where it moved from #9 yesterday and is currently at #10 at the time of writing (with additional appearances in markets like Italy and San Marino). If you’ve ever wondered why Davy Jones still gets cited as a gold-standard blockbuster antagonist (brought to life by Bill Nighy’s performance and cutting-edge effects), the algorithm is basically telling you it’s time for a rewatch.

What’s New With the ‘Pirates of the Caribbean’ Reboot?

The latest, credible signal is still that Jerry Bruckheimer is still steering development and framing the next film as a reboot/soft reset rather than a straight “Part 6.” He’s also said the screenplay is still being worked on (with Jeff Nathanson on draft duty) and that the post-strike slowdown is part of why it’s taking longer to lock. Meanwhile, there’s no solid update on Johnny Depp’s involvement and Margot Robbie being in the orbit.

Depp, meanwhile, after all that controversy and a long hiatus, is set to have a big year with Ebenezer: A Christmas Carol and possibly Day Drinker. The release date for A Christmas Carol is currently stated as November 13, 2026, and the release date for Day Drinker is not yet unveiled. The next couple of months will also either completely open or close the door on Depp’s return for a potential sixth POTC film.

All Pirates of the Caribbean films are available to stream on Disney+. Stay tuned to Collider for more updates.

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Release Date

July 6, 2006

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Runtime

151 Minutes

Writers

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Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert

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