Red Dead Redemption 2 – Rockstar’s best? (Rockstar Games)
The Friday letters page isn’t sure what to make of the new Resident Evil movie trailer, as a reader tries to work out what Xbox’s next gen plan might be.
Games Inbox is a collection of our readers’ letters, comments, and opinions. To join in with the discussions yourself email gamecentral@metro.co.uk
Personal best People have been talking about Rockstar games that aren’t GTA recently and it got me thinking what is actually their best game? I think a lot of people would say GTA 5, at the moment, but since it’s so old I’ve kind of got sick of it and can’t bring myself to play GTA Online anymore.
But if it’s not that then the obvious answer is Red Dead Redemption 2 and I’m afraid to say I don’t really see anything else as being particularly close. L.A. Noire was only ever a novelty, they never worked out what to do in lessons with Bully, and The Warriors wasn’t a particularly good beat ‘em up.
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I could see an argument for their table tennis game but, let’s be real, it’s Red Dead Redemption 2 that’s the best thing they’ve ever done. Let’s hope that changes with GTA 6 though or otherwise this long wait will have been for nothing. Larson
Movie accurate Great preview of 007 First Light and very glad to hear that it’s looking good, as I’ve found the trailers so far a little underwhelming. GoldenEye 007 may have been a great game but it wasn’t very much like a Bond movie. He doesn’t gun down dozens of people every five minutes and while there was a more than that to the game, it’s still a shooter before anything else.
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This game sounds like it’s actually like one of the movies, where you’re doing the same sort of stuff. I particularly like the idea of just wandering around a party and listening in and chatting to people. It might not sound very exciting but it’s the sort of thing you’d see in the films but that most games would leave out or put in a cut scene. Will be keeping a close eye on this from now on. Coby
Reinventing the wheel I do agree that relying on remakes is not the way forward for Assassin’s Creed. Ubisoft are obviously trying to copy Capcom, but the thing is the old Resident Evil games, even 4, are almost unplayable nowadays with their clunky controls and retro graphics. Nobody but a hardcore fan is going to pick up 2 on the PlayStation and play it nowadays, so it needed a remake.
But Black Flag still looks fine for an Xbox 360 and while the new version will look better it’s not suddenly going to make an outdated game playable again.
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It’ll probably sell anyway, because nostalgia, but for me it’s a distraction from making the next game better. Shadows was fine but it was the setting and graphics that sold it. I don’t see anyone getting excited about witch trials in Germany like they did about being a ninja in Japan. Schnorbitz
Evil in residence I’ve seen a lot of negative responses to the Resident Evil movie trailer, but I think this breakdown by the director explains things pretty well. He basically says that he’s trying to get across the style of the game, rather than repeating any of the stories.
So you’ve got a third person camera that acts like a game, lots of sorting through drawers, and always hunting for keys and ammunition and health. So the film is doing all the things the games do but this time the hero is just a regular guy who isn’t a combat pro or anything.
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I’m not saying it’s going to work, or that it’s the best way to go, but it’s got to be a better approach than the terrible last one, which was the closest one of the films has been to the games. I’d much rather it be a good film than an authentic one, especially after having seen the latest Mario. Zeiss
A Link to the cinema Hey, here’s food for thought and I know I’m getting a little ahead of myself right now.
The Legend of Zelda movie will be out in the not too distant future. Let’s assume that there is likely to be a sequel. Only a few Legend of Zelda titles have used the same Link as the main character, hence the legend.
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If a sequel is made are they going to use the same cast or stay true to the games by having a completely different blonde-haired boy?
I told you I was getting ahead of myself. freeway 77
GC: Clearly the answer is to choose someone with pink hair.
Things can only get worse I know they weren’t expecting anything better, but those Xbox sales results are just tragic. They’re so bad I don’t understand how it could ever be turned round. I get Microsoft is mega rich and nothing that happens with Xbox is ever going to be more than pocket change to them but what is the long term plan here?
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No one’s going to buy a Project Helix, we can put that ridiculous idea to bed right now. Unless it’s half the price of PlayStation 5, but it sounds like I’ll be more like twice. They’re not making enough money from selling games, even on PlayStation 5 – although they can’t seem to get their act together on that anyway, and have things like Forza Horizon 6 come out at the same time.
So I think the theory of just sitting there waiting until video game streaming becomes big is probably the best explanation, but good luck with that. Maybe it’ll work, maybe it won’t but if there’s one thing we know Microsoft isn’t very good at it’s predicting the future.
Ultimately it doesn’t matter, since Xbox is basically irrelevant now, and to be honest, if they did give up on gaming, we’d only get someone even worse come in a try and take their place. The damage they’d done with buying up so many companies is awful but I’m sure it could be even worse. Cranston
Multiple problems Maybe I’m a bit slow but I don’t get why everyone is moaning about Sony and DRM. As far as I can tell it’s so they can check that you have a right to play that game if you have download it.
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It means you have got broadband in order to download it, so I can’t see the problem. As a download you haven’t bought the game, you have bought the right to play the game. So what’s the problem? David
GC: It took days for Sony to explain what it was for, leaving people to guess. Also, sometimes your broadband, or PS Plus, goes down.
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Indirect adaptation So that Resident Evil movie trailer was very interesting. Zach Cregger is a great filmmaker, so I don’t think there’s any doubt this is going to be the best made video game movie ever. Although the situation’s so bad I don’t even know what would be the second best, at least until Elden Ring appears.
The very obvious problem is that there’s absolutely nothing in the trailer that makes it obvious it’s Resident Evil. If it didn’t say the name I doubt anybody would make the connection. Maybe there are some Lickers or Hunters hiding just off-screen but I get the feeling there aren’t and that the monsters are all original.
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If this was a game and that was the case I’d be all for it but for a film it does start to stray into ‘What is the point?’ territory. If nothing about the film is like the games, except maybe some zombies, should it even be called Resident Evil?
But… what if the secret of making a good video game movie is to make it have very little in common with the games beyond the general concept/atmosphere. Cregger can make whatever he wants and if it’s good that would be a hell of a lot better than anything else before it. Then just slap the Resident Evil name on and he can say it was inspired by the games, while only having the most basic of similarities.
I’ll watch it because I like his previous stuff and I like Resident Evil, but I can see a lot of super fans getting upset about it because it’s not just a nostalgia fest. Focus
Inbox also-rans That Invincible VS game sounds a bit disappointing. Can I ask whether Damien Darkblood is in it as a playable character? Keyts
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GC: Sadly not.
Someone took the innards out of a Switch 2 cartridge and sold the empty plastic shell? That is so much effort to rip someone off for a few pounds. People are the worst. Jsper
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But Shakhtar started the second half as Palace had the first to draw level when Oleh Ocheretko fired home from a corner.
Palace responded superbly to Shakhtar’s equaliser and regained the lead after 58 minutes as Daichi Kamada netted low through a crowded box.
Jorgen Strand Larsen then came off the bench to give Palace breathing room in the tie as he finished off a fine counter-attacking move.
Sarr settles early nerves
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No player has scored more goals in the Conference League this season than Sarr.
The Senegalese winger has made this tournament his own, and his return from the Africa Cup of Nations (AFCON) has propelled Palace out of their mid-winter slump and in contention for European glory.
Racing on to Jean-Philippe Mateta’s pass, Sarr slotted home comfortably to hand Palace the dream start at the Henryk Reyman Municipal Stadium.
In scoring the fastest goal ever recorded in the Conference League, Sarr settled any early Palace nerves with his eighth in the competition.
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Having been pegged back early in the second half, Sarr should have restored Palace’s lead after being set through on goal after more good work by Mateta.
A constant threat, he then came agonisingly close to reacting to Mateta’s shot off the post moments before Kamada fired Palace back into the lead.
It is no coincidence that when Sarr has been on the pitch, Palace have looked a different proposition in Europe.
Palace put one foot in Conference League final
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Palace delivered a clinical performance in Krakow to take the sting out of Shakhtar’s energetic young team and secure a commanding first-leg lead.
This is the youngest team in the club’s history, and Arda Turan is their youngest manager. Amid the backdrop of war, it is no surprise they have developed such resilience.
Unlikely hero: Daichi Kamada scored his first Crystal Palace goal since October 2024 to restore their lead
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Shakhtar were not deterred by Sarr’s early goal, and their dominance quickly told after the break as Ocheretko was first to meet Kaua Elias’ knockdown to level the score.
Palace, however, reacted superbly to Shakhtar’s leveller to regain the lead just before the hour mark.
When Palace wanted to go through the gears, they were able to, showing their class to take the game away from Shakhtar late on.
A tale of two fast starts
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In a hotly contested semi-final, it was imperative that if either side were going to take control, they would have to hold their concentration.
As it was, both teams were guilty of letting their guard down at the start of each half as Palace scored with the game’s first attack before Shakhtar drew level two minutes after the break.
In a game that ebbed and flowed, Palace were ultimately the more clinical of the two and can count themselves unlucky not to have taken an even healthier lead back to London.
Sarr and Mateta both should have added to Palace’s tally as the Eagles routinely got into good positions in the final third.
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This was an archetypal Palace performance, defending stoically and breaking forward incisively.
Despite enjoying less than 30 per cent possession, they produced seven shots on target to Shakhtar’s solitary effort on goal.
Shakhtar are young and energetic, but by the same measure, they are also impetuous. Palace, on the other hand, are well-drilled.
This will have been a learning curve for Shakhtar, who were sucker-punched on the break by Strand Larsen.
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Palace, meanwhile, did exactly what they had to as they executed Oliver Glasner’s game plan to perfection.
Milly Alcock, the breakout star of House of the Dragon, has revealed the unconventional way she discovered she had landed the coveted role of Supergirl, following a vision from DC Studios co-CEO James Gunn. The 26-year-old Australian actor, who captivated audiences as the young Princess Rhaenyra Targaryen, was chosen for her “punk rock” energy, a quality Gunn specifically sought for the iconic superhero.
DC Studios co-CEO Peter Safran recounted Gunn’s initial vision for the character, inspired directly by Alcock’s performance. “He goes, ‘you know the young girl from House of the Dragon? The young queen or princess? That’s how I picture it, like a young punk rock girl who is just totally badass and tough,’” Safran told The Associated Press. “I was like, yeah, that sounds fantastic, and we haven’t seen that before.”
Alcock, who had been working in her native Australia since her teenage years, found her world rapidly expanding. After submitting a self-tape for the secretive Supergirl project, she was summoned for her first-ever screen test. A 24-hour flight from Sydney to Atlanta later, she gave it her all. “I kind of had a feeling, I remember I like got back to my hotel room and I like sat down and I was like, ‘Oh, this is gonna, something’s gonna happen,’” Alcock said. “I just had like an intuition that like, this is going to be a very exciting challenge if it goes in my favour.”
Ten days later, the news arrived not via a phone call, but a text message from Gunn containing an article from the trade publication Deadline: “Supergirl’: New Woman Of Steel Is ‘House Of The Dragon’s’ Milly Alcock.” Her immediate reaction? “This is crazy, what have I done?” Just days after, she was back on that 24-hour flight to film her cameo in the upcoming Superman film.
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Milly Alcock with ‘Krypto’ in ‘Supergirl’ (AP)
Since then, things have not slowed down. Filming the Supergirl movie, set for release on 26 June, has been a marathon of stunts, action, and emotion, with the promotional tour proving equally relentless. Speaking to the AP earlier this month, Alcock had just arrived in Las Vegas from Kyoto, where she was filming another project, and, on just two hours of sleep, had to rally to hype Supergirl in front of thousands of cinema owners.
Safran believes the film offers a fresh perspective. “It’s a really original and unique take on a superhero movie,” he said. “I think it’s just a great movie for audiences. It’s not just for superhero fans.”
Despite her character being less widely known than her famous cousin, the response to Alcock’s brief appearance in Superman was overwhelmingly positive. “She’s in the Superman movie for, you know, 12 seconds, yet one of the things audiences wanted to see … more of was her,” Safran noted. “And Millie in real life, she’s just that girl … she is authentically a badass.”
Part of Supergirl’s intrigue lies in her stark contrast to the straight-laced Superman. Unlike her cousin, who was raised by loving parents on Earth, Kara witnessed the destruction of her home planet and the loss of everyone she knew, forcing her to fend for herself. Directed by Craig Gillespie, known for his films about complex young women like I, Tonya and Cruella, the film follows a jaded Kara on an intergalactic odyssey.
Alcock found an unexpected connection with her character. “Kara surprisingly reminded me a lot of myself, which I never thought I would get from playing like a superhero, from playing someone who isn’t human. There’s a lot humility in her and that kind of made me fall in love with her immediately,” Alcock explained. “Sometimes you can get swept up in what other people expect, and then you kind of lose your intrinsic you-ness. And that’s why people hire you in the first place, because of what you bring to something just innately being who you are.”
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Milly Alcock (2026 Invision)
Alcock, who didn’t grow up a big film fan, found acting to be a lifeline and an outlet for communicating feelings she struggled with in real life. Now living in London with a close-knit group of non-actor friends, she is adjusting to the intense visibility that comes with her new role.
“It’s been kind of disorientating,” she admitted. “I do this job because it gives me the ability to disappear. So then to like suddenly be so visible and so exposed is a very vulnerable experience. I’m just trying to learn how to deal with that relationship. But I mean, it’s exciting. Of course it’s exciting. But like anything exciting, it’s also terrifying.”
She recalled a conversation with David Corenswet on the Superman set, highlighting their differing perspectives on fame. “I remember him being like, ‘We’re gonna have action figures, isn’t that cool?’” she said. “And I was like, ‘That’s so weird. Why would someone have a toy of my face?’”
Hokum, starring Adam Scott, puts a new spin on haunted hotels (Picture: Neon)
Hokum is a fun, self-aware title for a horror film when that genre can often be so easily dismissed as such. But this movie is ready to convince you otherwise.
You get your first jump scare less than five minutes in. It’s a warning that this movie enjoys employing that device. Is it original? No. But is it effective? Yes.
What is more original about this latest film from Oddity filmmaker Damian McCarthy is its decision to not take itself seriously without indulging in the cheap gags or bad acting that normally dominates comedy-horror blends.
But make no mistake, there are some properly frightening moments, including a split-second in one scene that’s so beautifully simple yet traumatising that I doubt I’ll forget it.
Severance star Adam Scott is weirdly delightful as grumpy and troubled author Ohm Bauman who, while struggling with his latest book, decides to take a trip to rural Ireland to spread the ashes of his late parents.
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The movie retains a chill throughout despite not taking itself seriously (Picture: Black Bear)
He heads to the last place he knows they were happy, holing up in a faded hotel run by eccentric Irish staff.
The first unsettling – and rather baffling – sight he’s met with is the carcass of a goat that’s been shot dead for trying to climb on a car. ‘Shooing’ and spraying with a hose weren’t options, he’s told.
Ohm is invited to the hotel’s annual Hallowe’en party and, after ‘craic’ is explained to him in no uncertain terms, requests the room furthest away. He also refuses to sign a book. Later he describes someone to their face as an ‘oblivious charisma vacuum completely incapable of reading a room’. As you can tell, he’s a real ray of sunshine.
But things get weird when he meets local vagrant Jerry (a fantastic David Wilmot) in the woods, who offers him moonshine and confirms the goats are all high on a local supply of magic mushrooms. They’re naturally attracted to ‘shiny surfaces’ when clambering all over people’s vehicles.
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But while there’s certainly ‘craic’, there are still terriying moments (Picture: Black Bear)
He’s also been warned that a witch haunts the hotel’s honeymoon suite, which is never rented out, hidden behind a metal-gated lift to the top floor. Perhaps predictably, Ohm calls this ‘hokum’.
When hotel worker Fiona (Florence Ordesh) goes missing though, and Jerry is convinced he can find an answer in the honeymoon suite, Ohm finds himself sucked into a terrifying nightmare.
Cue plenty of creaking doors, jangling bells and glimpsed-at ghouls in the background, while Ohm also battles with being haunted by memories of his late mother, who we learn was shot.
Even here, Hokum retains its humour in an entertaining way, from the knowing faces of the room’s chintzy cherub ornaments to a ghost with no concept of personal space walking directly behind Ohm. As in, mirroring his every move like a shadow that’s glued to him. I left the screening with that image branded on my brain it was so creepy – and yet, I still laughed.
Scott is quite wonderful as a grumpy so-and-so (Picture: Black Bear)
Hokum: Key details
Director
Damian McCarthy
Writer
Damian McCarthy
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Cast
Adam Scott, Peter Coonan, David Wilmot, Will O’Connell, Michael Patric, Florence Ordesh, Brendan Conroy, Austin Amelio, Mallory Adams, Sioux Carroll
Age rating
18
Run time
1hr 47m
Release date
Hokum releases in UK and US cinemas on Friday, May 1.
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That’s the unique power of Hokum.
However, it runs out of steam with its main character trapped in the room and trying to survive. While it continues to keep you on edge, the threat of the lurking witch is stretched thinly over the rest of the film.
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There’s some intriguing human drama that comes into play, including a couple of twists – one I guessed, one I didn’t – but in places it chips away at the twisted atmosphere McCarthy has so far conjured, as well as our suspension of disbelief.
And while the ending is neat enough, it left some of its foundations underexplained, a frustrating characteristic of horror (and a personal pet peeve).
While it does run out of steam, Hokum is a refreshing addition to the horror genre (Picture: Black Bear)
Having said this, more horror films should aspire to be like Hokum: unafraid to showcase smart humour alongside genuinely unnerving elements.
Its cast, which also includes Peter Coonan, Will O’Connell and Michael Patric, are all universally superb as well, helping to elevate the experience Hokum offers above standard fare in the genre.
Verdict
McCarthy and the cast are determined you’ll enjoy being scared by Hokum, with a deft blend of funny and frightening for the discerning fan.
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Hokum is in cinemas from today.
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The Department for Work and Pensions (DWP) is introducing statutory sick pay rule changes affecting employees who call in sick, with minister Pat McFadden confirming that up to 1.3 million more workers will be covered and can now access sick pay from their first day of illness.
The Department for Work and Pensions is implementing a rule change that will affect workers who phone in sick. Pat McFadden, the DWP minister, has spoken to the House of Commons about the modifications to sick pay arrangements.
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Labour MP Yuan Yang this week asked Mr McFadden “what assessment has he made of the adequacy of rates of statutory sick pay?” prompting a response from the DWP minister, reports Yorkshire Live.
Mr McFadden, who leads the welfare department, said: “For the first time ever, we have removed the lower earnings limit for statutory sick pay, as well as the waiting period so that people can access sick pay as soon as they need it.
“These changes will mean that up to 1.3 million more people will be covered, helping the low paid and those who work for more than one employer in particular.”
Yang said: “I am indeed very proud of this Labour Government’s historic Employment Rights Act 2025, which, from this month, means that workers will get statutory sick pay from the first day they are ill, rather than having to wait till the fourth. Too many people in Reading – even those working in health and care settings – are working through their illnesses; this measure will protect them, their clients and patients and improve the productivity of their workplaces.
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“While the ERA is an important step forward, does the Secretary of State accept that the current flat rate of statutory sick pay 0 at four fifths of average earnings – remains a barrier to those on low incomes, and thus remains a barrier to tackling illness in the workplace?”
Mr McFadden continued: “I believe that removing the three-day limit and giving access to statutory sick pay from day one, as well as making it available to those who work for multiple employers, should decrease the pressure on workers to have to work through illness.”
Matthew Oakley, Founder and Director of WPI Economics, remarked: “Sickness absence costs the economy – simple as that – and it impacts affected workers severely in terms of lost earnings.
“Improving sick pay would enable people to take the time off they need to recover and lower the number of people taking extended sick leave, stemming the flow of unwell workers on to out-of-work benefits and boosting productivity.
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“As the Government looks for fresh ideas to give the UK a competitive edge, a wider overhaul of sick pay and better incentives for employers to invest in occupational health should be front and centre.”
The northbound carriageway was blocked between junction 2 and junction 3, near the A666 St Peters Way turn-off, after the vehicle caught fire at around 9.45pm on last night (April 29).
Firefighters from Farnworth and Bolton rushed to the scene, with three engines in attendance.
A spokesperson for Greater Manchester Fire and Rescue Service said: “At 9.45pm on Wednesday 29 April, three fire engines from Farnworth and Bolton attended a vehicle fire on the M61 northbound.
“The fire involved one vehicle, and firefighters used one hose reel, one breathing apparatus and lighting to extinguish the fire.
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“Crews were in attendance for one hour.”
Video footage shows emergency crews tackling the fire.
Traffic was temporarily held while crews tackled the blaze, with delays of up to 20 minutes and around a mile of congestion reported on the approach.
The car engulfed in flames (Image: Public)
Shortly after 11pm, the burnt-out vehicle was moved onto the hard shoulder and traffic began to flow again, although delays lingered.
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Greater Manchester Police have been contacted for comment.
The new programme from Scottish charity Right There will operate from Clydesdale Street.
Plans have been announced for a new supported accommodation service in Hamilton.
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Scottish charity Right There, in partnership with the local council, are behind the efforts to prevent homelessness in South Lanarkshire.
The new programme will operate from Clydesdale Street, Hamilton, and is designed to provide short-term, supportive accommodation that meets the needs of individuals, couples and families at risk of homelessness during periods of transition, helping people move on to more settled housing as quickly and safely as possible. The service is currently under development and is expected to be operational soon.
Janet Haugh, CEO of Right There, said: “Right There is proud to have supported people in South Lanarkshire for more than 18 years now, and this programme is about continuing that relationship in a practical way.
“We know that the right support, offered at the right time, can help prevent difficult situations from escalating and give people the stability they need to move forward. We want this to be a place where people are treated with dignity while they work towards something more settled.”
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The Right There Supported Accommodation programme will support people who may be experiencing significant life challenges, including poor health, trauma, housing instability or repeat experiences of homelessness. The focus will be on providing a calm, psychologically informed environment alongside practical and emotional support.
The accommodation, otherwise known as ‘Willow Gate’, will comprise 15 self-contained units, including provision suitable for families. Trained staff will be available to provide support around the clock, seven days a week.
The programme will focus on planned, positive moves to longer-term accommodation. Right There will also offer wider support services, including mentoring, counselling and outreach, to help people sustain progress beyond their stay.
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Further information, including referral arrangements, will be shared closer to opening.
As part of preparation for the service going live, the charity is recruiting staff to deliver the programme, ensuring the team is in place early to shape a safe, welcoming and supportive environment. Go to https://careers.rightthere.org/
Right There is a charity that prevents people becoming homeless or separated from the people they love. It supports almost 4000 children, families, and individuals across Scotland, including Edinburgh, Glasgow, South Lanarkshire, North Lanarkshire, South Ayrshire, East Dunbartonshire, Highlands, Orkney and South Ayrshire.
*Don’t miss the latest headlines from around Lanarkshire. Sign up to our newsletters here.
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And did you know Lanarkshire Live had its own app? Download yours for free here.
Among those put behind bars includes a paedophile and man who tried to drown his pregnant girlfriend
A lorry driver that killed a young mother as she was struck by a crane while walking along a path is among the criminals jailed in Cambridgeshire this month. It’s been another busy month for Cambridgeshire courts, with more criminals put behind bars.
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Others jailed this month include a man who tried to drown his pregnant girlfriend and a man jailed for manslaughter. Here are five people jailed in April:
Kevin Miller
Kevin Miller, 71, was driving his lorry along a road in Willingham on September 22, 2022, where 30-year-old Rebecca Ableman was walking with her then two-year-old daughter Autumn in her pram.
Miller had a unsecured crane on his lorry. When he drove past Rebecca, the crane struck the mother and left her with “catastrophic brain and head injuries”. Autumn was pushed out the way by Rebecca. The 30-year-old died a few weeks later in hospital.
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Miller, formerly of Gayton Road, King’s Lynn, pleaded guilty to causing death by dangerous driving in February. He was sentenced to 13 months in prison at Peterborough Crown Court on April 14.
Linden Chirico
Linden Chirico, 38, touched a girl and got her to touch him inappropriately multiple times between January and July 2022. The offences all happened in East Cambridgeshire.
Chirico, formerly of Close Road, Pavenham, near Bedford, admitted to his offences in police interview. At court, he was found guilty of two counts of engaging in penetrative sexual activity with a girl and one count each of engaging in non-penetrative sexual activity with a girl and cause/incite a girl to engage in sexual activity – no penetration.
After appearing at Cambridge Crown Court on April 16, he was sentenced to seven years in prison. He was also handed a ten-year restraining order, an indefinite Sexual Harm Prevention Order and ordered to sign the Sex Offenders Register indefinitely.
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Luke Davey
Luke Davey attacked his wife on November 16, 2025 at her home in Doddington, near March. The couple were in the process of separating, and an argument broke out.
The victim recorded the argument with her phone, but then Davey grabbed it and then placed his hands around her neck.
On April 21, Davey was sentenced to a year in prison at Huntingdon Magistrates’ Court after previously pleading guilty to intentional strangulation. He was also handed a five-year restraining order against the victim.
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Christopher Boulton
Christopher Boulton, 78, forced himself into the home of a woman in her 70s on December 29, 2025. Boulton forced the woman into her room and touched her in a sexual way.
He then threatened to kill her if she called the police. In the days before this incident, Boulton exposed himself to other women near his home.
The 78-year-old pleaded guilty to trespass with intent to commit a sexual offence, sexual assault, three counts of exposure, and assaulting an emergency worker. At Peterborough Crown Court on April 24, he was sentenced to six years in prison, and also handed an indefinite Sexual Harm Prevention Order.
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Harvey Browne
Harvey Browne, 20, tried to push his pregnant girlfriend into the bath at their home in Godmanchester in August 2025. The victim was also abused in other ways, including being punched in the stomach.
Browne was arrested by police. While on court bail, Browne threatened to kill the woman and said he would “put her in a coffin” before police could help her.
Browne, of Moselle Avenue, Haringey, Greater London, was arrested for sending communication threatening death or serious harm. He pleaded guilty to the offence, and also assault ABH.
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At Cambridge Crown Court on April 27, he was sentenced to two years and nine months in a young offender institution, and also handed a restraining order.
Some medieval texts have barely survived. Beowulf, the Old English masterwork, exists today because of a single manuscript – one that narrowly escaped combustion in 1731. For such texts, the single manuscript is all important. The discovery of another copy would transform our understanding.
By contrast, a work like Bede’s Historia Ecclesiastica Gentis Anglorum (Ecclesiastical History of the English People) survives in more than 160 manuscripts. This volume of material has meant that scholars have tended to focus on just a few of the earliest copies, since these are most likely to preserve a text close to what Bede originally wrote. The result is that many later or less well-known manuscripts have received little detailed attention.
Now, however, computational methods that make it possible to analyse millions of words are changing that picture. Instead of relying on a narrow selection of manuscripts, we can begin to take the full breadth of the tradition into account. And that, in turn, has renewed the value of finding and studying additional copies.
Elisabetta Magnanti and Mark Faulkner with a copy of Bede’s Ecclesiastical History of the English People. Courtesy of the authors, CC BY-ND
Our own work, motivated by the potential of studying many manuscripts but – for now at least – using traditional methods to locate them, has led to some unexpected discoveries, including, in Rome, a previously overlooked early copy of Bede’s Historia Ecclesiastica. Remarkably, this manuscript also preserves one of the earliest versions of Cædmon’s Hymn, the earliest known poem in English.
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Lost and found
The Historia Ecclesiastica was completed in 731 by the Venerable Bede, an English monk often described as the father of English history. It proved to be one of the most influential works of the western Middle Ages. Copies circulated across Europe and the British Isles from the mid-8th to the 16th century.
One of us, Magnanti, was conducting an ongoing hunt for new manuscripts of Bede’s Historia Ecclesiastica, and discovered in the National Central Library in Rome a copy of the text made at the Abbey of Nonantola in the north of Italy, less than a century after Bede’s death in 735. The manuscript had long been presumed lost and, as a result, had never previously been examined in detail by academics.
The copy of Bede’s Historia Ecclesiastica that Magnanti discovered in Rome. Courtesy of the authors
Rather than being lost, the manuscript had in fact been moved from Nonantola to the church of Santa Croce in Gerusalemme in Rome by the 1650s. During the upheavals of the Napoleonic wars in the early 19th century, it was transferred again to the nearby church of San Bernardo alle Terme, from where it was subsequently stolen, along with other valuable manuscripts.
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The book resurfaced in England almost two decades later, when it was acquired by Sir Thomas Phillipps, a 19th-century English book collector and self-described “velomaniac” (manuscript addict). Though Phillips died in 1872, the codex was not sold until 1948, when it entered the collection of the Swiss bibliophile Martin Bodmer. It then disappeared from view once again before being acquired by the National Central Library of Rome via the Austrian-born New York bookseller H.P. Kraus in the 1970s.
Cædmon’s Hymn
Bede as depicted in an illustrated manuscript, writing his Ecclesiastical History of the English People. WikiCommons
The newly rediscovered codex contains perhaps the fifth-oldest surviving complete copy of the Historia Ecclesiastica. As such, it is a hugely important witness to the transmission of Bede’s text to Europe in the century after he completed it.
Even more exciting, the manuscript proved to contain the third-oldest text of Cædmon’s Hymn. Cædmon’s story only survived thanks to Bede. He explains that Cædmon, an agricultural labourer working at Whitby Abbey in north Yorkshire, was at a feast when guests began to recite poems.
Embarrassed that he didn’t know anything suitable, Cædmon left for an early night. A figure then appeared to him in his dreams, telling him to sing about creation, which Cædmon miraculously did, producing his hymn – nine lines of intricately woven praise to God for creating the world.
While admiring the hymn’s “beauty and dignity”, Bede baulked at including the original English in his Latin. Subsequent readers felt the absence, however, and supplied the original text, in the earliest cases adding it at the end of the Historia Ecclesiastica or in the margin. In the manuscript Magnanti discovered, the hymn appears in the actual text: the earliest such positioning by some 300 years.
Closer examination of the Rome Bede also revealed a major blunder: the scribes appear to have become confused and, between Books I and II of the Historia Ecclesiastica, switched to copying an entirely different text — a sermon on Christ’s descent into hell, prescribed for Easter Sunday preaching. This sermon had passed unrecorded in all the existing catalogues in which the manuscript is described, from 1166 to 2011.
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Thanks to computational methods for transcription, collation and textual analysis, a fuller reconstruction of the manuscript tradition of Bede’s Historia Ecclesiastica may now be within reach. That makes discoveries like many the Rome manuscript has yielded just the tip of the iceberg.
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The Full Moon in Scorpio stirs deep emotion, but the Taurus Sun helps you anchor calm. Someone’s hidden feeling becomes obvious. Ensure you respond with clarity, not reaction. Trust your intuition but walk steady today, my friend.
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The incident happened at around 5.30am on April 30, on Preston Road and involved a Tesla and a pedestrian.
The man was pronounced dead at the scene.
Man dies after crash on Preston Road in Coppull (Image: PHIL TAYLOR)
A 24-year-old man has been arrested on suspicion of causing death by dangerous driving and remains in custody.
Police at the scene in Coppull (Image: PHIL TAYLOR)
The road remains closed while collision investigation work is underway.
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Police at the scene in Coppull (Image: PHIL TAYLOR)
Anyone who witnessed the collision or has relevant dashcam, CCTV, or doorbell footage is asked to contact the police by calling 101 and quoting log 0170 of April 30.
Man dies after crash in Coppull (Image: Phil Taylor)
Alternatively, information can be emailed to Lancashire Police’s Serious Collision Investigation Unit at SCIU@lancashire.police.uk.
Man dies after crash in Coppull (Image: Phil Taylor)
A police spokesperson said: “Lancashire Police are appealing for witnesses and footage after a man very sadly died following a collision in Coppull this morning.
“We were called around 5.30am today (April 30) to Preston Road, Coppull, to a report of a collision.
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Man dies after crash in Coppull (Image: Phil Taylor)
“The emergency services attended and found that a Tesla car had been in collision with a pedestrian in the carriageway.
“The pedestrian, a man aged in his 50s, suffered serious injuries and, very sadly, was pronounced deceased at the scene.
“Our thoughts are very much with his family at this distressing time, and they are being supported by specially trained officers.
Man dies after crash in Coppull (Image: Phil Taylor)
“A 24-year-old man was arrested on suspicion of causing death by dangerous driving and is currently in custody.
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“The road remains closed while investigation work is carried out.
“Anyone who witnessed the collision or has dashcam/CCTV/doorbell footage from the area, we ask you to contact police.
“Please contact 101, quoting log 0170 of April 30, or email our Serious Collision Investigation Unit atSCIU@lancashire.police.uk.”
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