It was a VERY special return from Take That last night, bringing The Circus back to life for the first time in 17 years. Our reporter was there in 2009 and 2026 and delivers her verdict on the key moments and big changes.
So Take That have only gone and done it. They’ve not only done what no band has ever done before in bringing back a major tour in its entirety, but they’ve actually made The Circus Live even bigger, better and more bedazzling than the first time around.
I was there in 2009 when the band first brought The Circus Live to stadiums across the UK – and like the 1million of us with tickets back then was left utterly gobsmacked at the scale and ambition of this incredible show. So I headed along to the opening night of this 2026 reboot at St Mary’s Stadium in Southampton thinking I knew what to expect.
Yes, I knew I’d be wowed. But wow oh wow oh wow, it was just so breathtaking and beautiful, and I don’t think I expected to feel quite so emotional about it all.
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Needless to say, I now just want to go back and do it all again.
Opening with Greatest Day, the trio of Gary Barlow, Mark Owen and Howard Donald seem determined to deliver exactly that to their fans with this humdinger of a two hour show. It rattles through 25 of Take That’s biggest songs, all performed with total pizzazz thanks to the spectacular circus themed staging.
So, my advice if you’re heading along? Soak up every single minute. As Mark said at the end of the opening night: “Thank you for making this such an incredible memory, we will hold this in our hearts forever.” He could probably speak for every single person in the stadium with that thought.
Here’s more of my thoughts after that spectacular opening performance.
You won’t know where to look
Never has a show more fittingly been described as a “feast for the eyes”. It’s a true spectacular – and at times there is SO much going on across the different stages (the main stage, the B stage and the rising promenade between the two) that you will not know where to look.
They have 40 talented performers on stage with them throughout this show, and each one gives their own incredible performance, whether it be acrobat, clown, trapeze artist or stilt-worker, this really is a joybomb of a show.
I mean, there is fire, rain, glitter bombs… oh and a full on firework finale. Even the costumes are even more glitzy – look out for the sequin-encrusted clown outfits and bowler hats, and the very wow red suits for Relight My Fire at the end.
It will probably make you leave thinking “I really need to go and see this again”, just to try and watch again all the incredible detail. And, having spoken to a number of fans in the queue on the way in, it sounds like many of you have already planned this with repeat tickets for the ongoing tour.
You will laugh, and you will cry
Any time-served Take That fan will go along to see their idols prepared for ALL the emotions. But this show, this Circus, really does give all the feels.
I have to be honest and say my eyes were prickling with the watery stuff on more than one occasion, and indeed from the opening moments when they emerge so spectacularly from the balloon-encrusted stage. And my skin was definitely rippling with lots of goosebumps throughout this show.
I was not prepared to feel quite so emotional though when Gary took to the stage for his solo bit at the piano – The Circus is one of my favourite songs, but seeing it played as a stunning tightrope walker made his way across the crowd was really something else.
Never Forget backed by a vast drummer band, while the audience all held their arms aloft as one was also a standout, blub-worthy moment.
But this is Take That – and you know you’re never far from a party trick or two. They masterfully weave between tender moments and the big razzle dazzle. And proper laugh out loud stuff too when they embark on their big unicycle moment. Howard and Mark zipping down the promenade stage to cheers – followed by Gary toddling along in his little three-wheeler.
You may also get a bit wet…
Be warned if you’ve got tickets in the standing zone, as you may well find you’re heading near the “splash zone”. This is basically anywhere near the B stage where much of the action starts in the show.
There are signs warning you of this if you do get to this area, but the main song to look out for is Back for Good, which comes with a spectacular monsoon of magic that has the lads pulling their umbrellas out.
The elephant in the room
Oh yes the elephant. You will be seeing thousands of videos on your TikTok, Facebook and Instagram feeds of this bad boy in the weeks ahead.
But honestly, no social media post can truly compare to seeing it, feeling it, being there when the lads emerge on top of this 30ft animatronic beauty to walk through the audience to the stage. It’s powered by the performers – just make sure you take a close look when you see it – even down to the swishing tail, brought to life by a dazzling and daring acrobat.
Soundtracked by tearjerker The Garden, it’s not only one of the best ever Take That moments, it’s also one of the most special moments in British live music history.
And the other elephant in the room…
Ah yes, there’s no getting away from the fact that it is a little sad that former bandmate Jason Orange does not return for this Circus reboot. He was such a huge part of the show last time around, with his fabulous dancing and unicycling, as well as the tender moments when he took centrestage to perform his big solo on Wooden Boat, as well as taking lead vocals on How Did It Come To This.
While the 2026 setlist stays pretty true to the original, it’s no surprise really that the big changes are to reflect the fact Jason is not with them, so no Wooden Boat or How Did It Come to This. Instead, we get a lovely moment with Mark centrestage to sing 90s classic Babe, backed by Howard on drums and Gary on the piano.
In a fitting move to reflect the band moving forward as a trio, there’s also room for their newest song, You’re a Superstar, which is already turning into a firm fan favourite.
On opening night we also got some special little piano moments from Gary too – he performed snippets from Love Ain’t Here Anymore and Nobody Else before the tearjerking The Circus. I do wonder if he might switch it up and play different little ditties at this point during each night of the show, but we’ll have to wait and see on that.
Get there early
Yes, I know the diehard fans don’t need to hear this. They’re the ones camping out overnight to be sure they’re the first through the doors when they open.
But for those who may not have seen the show before, you really do want to be making sure you enjoy every single moment of what’s in store.
And that means getting there for the support acts too. On this tour, you’re treated to two performances that would be worthy of their own headline billing in the shape of 80s and 90s pop princess Belinda Carlisle and rockers The Script.
With this in mind, here’s how it played out on opening night. Stage times are always subject to change but this gives you a good guide of what time you need to be getting in and finding your seat or your place on the floor.
Stage times on opening night
Doors open: 5pm
Belinda Carlisle: 6.25pm –
The Script: 7.20pm
Take That: 8.30pm
Show ends: 10.30pm
And finally… you’ll still be singing and dancing at the end
The show may come to a close at 10.30pm, but trust me when I say you’ll leave on a high – and still be singing and dancing on your way out.
When the lads leave the stage, the song that straight away comes on is Dirty Dancing classic I’ve Had the Time of My Life and what a belter it was.
On opening night, it was such a joy to watch everyone singing and dancing away as the lights came up. Some even attempted that famous Johnny and Baby dance lift although I suspect for health and safety reasons that’s not one to be advised, but it did give us all a good giggle all the same.
The Setlist in full
I know not everyone likes the spoilers, so this is your time to scroll away now if you don’t want to know the songs that are in store.
But for those who do like to know, this is the setlist from the opening night on Friday, May 29 at the St Mary’s Stadium.
Greatest Day
Hello
Could it Be Magic
Pray
A Million Love Songs
Back For Good
The Garden
Shine
Up All Night
Babe
You’re a Superstar
Love ain’t Here Anymore
Nobody Else
The Circus
What is Love
Do What U Like/Promises/It Only Takes a Minute/Take That and Party
Said it All
Never Forget
Patience
Relight My Fire
ENCORE:
Hold up A Light
Rule The World
Where they go next
If you’re now thinking you need to see this show (and if you’re a Take That fan, then trust me, you do), then be quick. There’s not many tickets left as the rest of the tour heads out across the UK and Ireland over the next six weeks.
Here’s the 16 remaining tour dates in full.
Saturday 30 May – Southampton, St Mary’s Stadium
Thursday 04 June – Coventry, Building Society Arena
Friday 05 June – Coventry, Building Society Arena
Saturday 06 June – London, Wembley Stadium (Capital’s Summertime Ball)
Saturday 06 June – Coventry, Building Society Arena
Tuesday 09 June – Sunderland, Stadium of Light
Friday 12 June – Glasgow, Hampden Park
Saturday 13 June – Glasgow, Hampden Park
Tuesday 16 June – Cardiff, Principality Stadium
Friday 19 June – Manchester, Etihad Stadium
Saturday 20 June – Manchester, Etihad Stadium
Sunday 21 June – Manchester, Etihad Stadium
Thursday 25 June – London, Stadium
Friday 26 June – London, Stadium
Saturday 27 June – London, Stadium
Wednesday 01 July – Manchester, Etihad Stadium


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