Henry VIII is not remembered as a loving husband. Any English schoolchild can recount the unpleasant fates of most of his six wives with the rhyme: “Divorced, beheaded, died, divorced, beheaded, survived.” But though the end of his relationships are famous, less is known about Henry in love.

Now, a rare jewel discovered by an amateur detectorist and bought by the British Museum for the national collection may force us to reconsider the king’s brutal reputation.

The jewel is a heart-shaped locket, crafted in gold with red enamel decoration, and attached to a solid gold chain. On the face are the letters H and K linked together by the stems of a Tudor rose and a pomegranate, which was the symbol of Katharine’s Spanish royal family. It is a reasonable deduction that this remarkable jewel was connected directly to Henry and the first of his wives, Katherine of Aragon.

Katherine was the subject of Henry’s first and most shocking divorce, which precipitated England’s breach with the Roman papacy and the transformation of religion which we now know as the Reformation. In many ways Katherine also suffered the worst of the king’s personal cruelty. Although not executed, she was consigned to virtual house-arrest, much of the time separated from her only living child, Mary.

If this was indeed Henry and Katherine’s jewel it could be a vital clue to quite different moment in their relationship, and to a dimension of the king’s character that his otherwise notorious conduct has completely obscured.

In late medieval and Renaissance society, monograms – the linking of people’s initials – were often created to represent a personal connection, a marriage, a betrothal or even a secret love-match. Beneath the linked letters on the locket is the French word “Toujo(u)rs”, meaning “always” – a natural choice for a pledge between lovers. Here, the letters surely stand for Henry and Katherine.

The locket’s flower and fruit decoration seal the royal connection. The pomegranate symbol swept into English public life after the two families were joined through Henry’s marriage. Decorations for the coronation of the king and queen, just two weeks after the wedding, paired the Tudor rose with golden pomegranates. A woodblock print published to mark the occasion under the title A Joyful Meditation to All England, showed Henry and Katherine receiving their crowns under a twin canopy of the flower and the fruit.

Accounts of textiles commissioned for the royal household show dozens of different pieces – upholstery, wall-hangings, and livery to be worn by servants – all featuring the rose and the pomegranate prominently in their design.

Devoted designs

The decoration of the heart pendant is matched in a wide variety of treasures described in Henry’s household inventories. These contain descriptions of a bag of crimson satin, a silver comb case and standing cup all marked in the same way for the king and his queen. These lists also identify several collars or necklaces – described by the archaic term carkeynes – with heart-shaped pendants. One of these, coloured blue, is also inscribed, “H K”.

Henry spent prodigiously on beautiful, bespoke furnishings, but jewellery was his greatest passion. The inventories of his jewels and plate (gold, gilt and silver objets d’art) compiled shortly after his death in January 1547 record almost 4,000 individual pieces.

This Tudor heart pendant is a prime example of this level of investment. The locket itself is formed from 24-carat gold; the wide chain found with it is weighty and long – more than 40cm. Together they amount to 317 grams of precious metal. It is no wonder that the British Museum’s purchase price was £3.5 million.

It is clear from his wardrobe accounts – which record the purchase of decorative pieces for his household – that Henry took a personal interest in the material and design of many of these pieces. Surviving examples of designs for jewellery drawn by Hans Holbein, the German artist active at Henry’s court in the 1530s and early 1540s, may have come from a pattern book made to influence, or illustrate, the king’s developing tastes. He bought, or commissioned pieces, not only for his own household but also as gifts – often marking the new year – to family members and court favourites.

This may well be the origin of the heart pendant. Since it came to light, it has been spoken of as associated with Henry’s great pageant in the Pas-de-Calais in 1520, the so-called Field of the Cloth of Gold. Here he, Katherine and his court staged a ceremonial meeting with the French King, François I. A great many furnishings from the royal residences and chapels did cross the Channel to decorate the pop-up canvas palace and tents.

But I am convinced the message conveyed by this jewel is not political but profoundly personal. Toujours is an expression of deep, heartfelt attachment. An alternative theory, advanced by the British Museum itself, is that the pendant was made to mark the betrothal in October 1518 of Katherine’s only living child, Princess Mary, aged two, to the eight-month-old heir to the French throne.

But given the presence of pieces of very similar design in the royal household soon after the marriage and coronation, it must be possible that the pendant belongs to the early years of Henry and Katherine’s relationship. At first, she and the king were inseparable. Five months from the wedding she was pregnant. She conceived again each year from 1510 to 1513. One of these pregnancies resulted in a son, named Henry, born in January 1511. He lived for a little under two months.

In the late summer of that year, the king and queen embarked on a progress through the Thames Valley and on into the West Midlands, culminating at Warwick. It was in a Warwickshire field that the detectorist, Charlie Clarke, uncovered the heart pendant in 2019.

Could it be that a jewel gifted to Katherine at the time of the birth of Henry’s longed-for male heir was carried with the royal party – as so many of their personal jewels were – as they made their way into Warwickshire? It gives the locket an edge not just of romance, but of tragedy. Here, perhaps, Katherine was parted from a present that was, already, a memento mori of her lost son.

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Police say 72-year-old Jacqueline Ormes died at Royal Bolton Hospital last Thursday, February 12.

Officers say there are no suspicious circumstances surrounding her death and are appealing for members of the public to help them trace her family.

A Greater Manchester Police spokesperson said: “Police are appealing for the public’s help to trace family of a woman from Bolton.

“Jacqueline Ormes (72) died at Royal Bolton Hospital on 12.02.2026.

Bolton Coroners’ Court (Image: Anthony Moss)

“There are no suspicious circumstances surrounding her death.

“Anyone with information about Jacqueline’s next of kin should contact the Police Coroner’s Office in Bolton on 0161 856 4687.”

Police issue appeals like this to help them to find relatives of people who have died around the region.

Once the police have the details that they need, they will be passed along to the Coroner’s Office to let full cause of death be established.

In UK law, there is no legal definition of “next of kin”, but it is usually understood to be the closest relative, whether a partner, parent, child or sibling.

Anyone with any information can call the Police Coroner’s Office in Bolton on 0161 856 4687.

The newly released content takes the legendary strategy title to medieval South America, adding three new civilisations and three epic campaigns

Age of Empires II fans revelling in nostalgia have even more to enjoy with a new DLC.

Gamers who love the iconic 1990s PC game have been rewarded over the years with remasters of the beloved historical strategy series. But now, almost 30 years after the original Age of Empires II game first released, a new expansion has reason to keep fans coming back to the franchise.

The latest remaster, Age of Empires II: Definitive Edition, was called the ‘best version’ of the game by PC Gamer. Available not just on PC, but also Xbox and PlayStation, it has been updated with a number of DLC packs in recent years.

Yesterday (Tuesday, February 17) saw the launch of the latest update, The Last Chieftains. The new content includes three new civilisations to play as and new campaigns based in mediaeval South America.

The Mapuche, Muisca and Tupi join AoE, each with their own unique characteristics. Each one has its own campaign for players to enjoy.

Players choosing each new civilization will access their unique units, as always. The Mapuche offers melee cavalaryman the Kona and ranged cavalryman the Bolas Rider.

The Muisca’s Guecha Warriors are javelineers whose death heals other nearby Guecha Warriors, while the Temple Guard is a heavy infantryman that “attacks faster the longer it remains in combat”. Finally, the Tupi offer the Blackwood Archer, a ranged soldier trained in pairs, and the Ibirapema Warrior, a heavy infantryman who deals area damage.

The new campaigns are as follows:

Mapuche

• Lautaro: After witnessing his village’s destruction, the young warrior Lautaro vows revenge on the Spanish conquistador Pedro de Valdivia. Can Lautaro change his people’s fate by mastering Spanish tactics?

Muisca

• El Dorado: Commander Pacanchique is forced to pick a side between two powerful rulers, yet his true loyalty lies with his beloved Azay. Can Pacanchique protect her while surviving Muisca infighting and European incursions?

Tupi

• Arariboia: When a rival tribe threatens his people with extinction, chieftain Arariboia resolves to protect them at any cost. Will he be able to secure Portuguese aid and reclaim his people’s lost homeland?

An Xbox Game Studios spokesperson said: “We are thrilled to announce the next DLC for Age of Empires II: Definitive Edition – The Last Chieftains, is available now! Dive into medieval South America, where history and folklore combine in a vibrant and compelling expansion to present epic battles, riveting narratives, and endless intrigue.

“Plus, The Last Chieftains introduces three captivating new civilizations, each with their own unique units and technologies: Mapuche, Muisca, and Tupi. Whether you are a passionate historian, an admirer of compelling narratives, a longtime fan of the Age of Empires franchise, or all of the above – The Last Chieftains will bring you countless hours of joy and fun!”

The Last Chieftains is available on Steam for PC, Xbox Store for Xbox Series X/S and and PlayStation Store for PS5. It costs £14.99.

Emergency services were called to Station Road around 1.30pm on Wednesday (February 18), after a car collided with the man.

He was taken to hospital, but it is understood he did not suffer any major injuries.

A witness at the scene, who did not want to be named, said he: “There were three police cars there attending a man with facial injuries. He was covered in a thermal blanket and sat on the path with his back to the wall.”

A North East Ambulance Service spokesperson said: “We received a call at 1.31pm on Wednesday, February 18, to reports of a road traffic incident on the junction of High Northgate and Station Road in Darlington.

“We dispatched an ambulance crew to the scene and transported one patient to Darlington Memorial Hospital for further treatment.”

Urmston is set for a transformation after leaders signed off on a 15-year vision for the town centre.

Trafford council is aiming to “future proof” Urmston as a “successful” and “dynamic” place to live and work. It has now signed off on a plan that will shape investment and regeneration in the town over the coming years.

A number of key areas are being eyed up as redevelopment opportunities, including Urmston’s derelict market site, the area around the library and several empty buildings around the town centre. Improvements in the streets are also proposed with new seating and road crossings being considered.

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Called the Urmston Plan, the vision will act as a guide for future projects in the town, with the council saying it will be able to use it as a basis for funding and investment bids in future years. The authority will also be liaising with landowners in the town centre to encourage sites to be improved or brought back to use. A list of the areas being considered for regeneration can be found below.

The plan has been drawn up following consultation with residents and businesses in the area, with almost 550 responses received. Concerns were raised from within the community over the general upkeep of the town, with issues such as cracked paving, potholes and litter flagged.

Residents also bemoaned a lack of public toilets in their park and a dearth of comfortable seating areas for the elderly. Young people in the town also criticised a lack of places for them to meet and socialise, particularly when the weather is bad.

Some criticised the town centre as dated and said they were “disappointed” with the number of vacant shops in the centre. Others raised problems on the roads, including congestion, poor parking and a lack of cycle infrastructure. Residents also said they wanted improved public transport into the town, including the creation of a Metrolink service.

Liz Patel, Trafford council’s executive member for economy and regeneration, said: “Urmston is one of Trafford’s most amazing and unique town centres […] and this plan is the latest reflection of our commitment to ensuring its future as a vibrant town centre that both delivers for residents and supports the diverse and hardworking businesses that call it home.”

She added: “The plan is not an end in itself, but a helpful and timely review of the priorities for the town centre and needs in Urmston. As and when investment and development opportunities arise, it will be a guide to that development.”

Councillor Joanne Harding has lived in Urmston since 1987, and represents it on the authority. She said: “Urmston really does have a charm of its own and it has a real sense of community that pulls together. Some of the historic buildings that we have, some of the architecture, is to be cherished.”

Regeneration ideas for Urmston

Higher Road – More planting, seating and lighting are proposed for the area around the cherry trees at the western end of Higher Road

Urmston Library – the overhanging roof of the library offers cover for people waiting for buses, but is not well-lit and needs more seating and planting, Trafford council has said. Existing columns and walls could also feature local artwork to “evoke feelings of local pride”.

Flixton Road / Crofts Bank Road – There is currently no pedestrian crossing between the pedestrianised zone at Golden Way and Urmston train station, the council said. A raised crossing is proposed across from the Millennium Clock, with the existing bus stop outside Bevano Lounge to be moved up the road. Trees would also be planted along this stretch.

Gloucester Road From Atkinson Road to the B5214 – This route hosts a variety of businesses, the council has said. Trees are proposed to be planted along this stretch, with seating built into some of the planters so people can stop for a coffee or have somewhere to sit while waiting for an appointment.

Former bank on corner of Crofts Bank Road – The council wants to see this building brought back into use to meet community needs, with arts, culture or leisure uses suggested for it. The building is currently vacant, but Trafford does not know what the landowner intends for its future.

Urmston Market – Planning permission was granted in February 2022 for the redevelopment of the site into an indoor market hall, work hub, hotel and children’s play areas. The scheme has stalled due to “viability challenges”, Trafford said.

Former Ridings Store – Again, Trafford wants to see the site brought back into use to meet community needs, with arts, culture or leisure uses once more suggested. However, the site is in “complex ownership” with the council believing its intervention might be needed to bring about its redevelopment.

Victoria Parade – Trafford said there is an opportunity here for a mixed-use residential development to be brought forward, incorporating commercial or work spaces. Again, ownership of this site has been described as complex and the project long-term.

Former TMBC Depot Building – This could be redeveloped into accommodation to meet either general housing need in the town or for older people. The intentions of the landowners for the site are “unknown”, Trafford has said. However, the council believes they would be “likely to support redevelopment”.

Former surgery on corner Station Road – Once more, the council wants to see this building redeveloped to meet community needs, such as through arts, culture or leisure use. Trafford has indicated that the owner is interested in redeveloping the site.

Mark Zuckerberg, the CEO of Meta, has arrived at a Los Angeles courthouse to testify in a civil trial on social media addiction, a closely-watched case that could have major implications for the tech industry.

The 41-year-old billionaire is slated to be grilled by attorneys, who argue that social media platforms are deliberately engineered as “digital casinos” to lure young users into constant engagement.

Zuckerberg’s testimony before the jury at the Los Angeles County Superior Court will not be live streamed, but reporters in the room are expected to provide updates.

At the center of the case is a 20-year-old California woman, identified in court papers only as KGM, who filed a lawsuit against Meta, TikTok, Google, and Snap in 2022. She accused the companies of following Big Tobacco’s playbook: instilling addictive behaviors in teens while dismissing their own research showing their products posed health risks.

KGM said that, at six years old, she began obsessively using YouTube, and three years later, she started scrolling on Instagram. She claimed these platforms exacerbated her suicidal thoughts and depression.

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Before the trial began, TikTok and Snap settled with the plaintiff, narrowing the case to two defendants: Meta and Google.

“These companies built machines designed to addict the brains of children,” KGM’s attorney Mark Lanier said at the beginning of the trial earlier this month. “And they did it on purpose.”

Meta, the parent company of Instagram and Facebook, has pushed back against the allegations.

“The question for the jury in Los Angeles is whether Instagram was a substantial factor in the plaintiff’s mental health struggles. The evidence will show she faced many significant, difficult challenges well before she ever used social media,” a Meta spokesperson told The Independent.

Paul Schmidt, Meta’s lawyer, said in his opening statement that medical records indicate the plaintiff had a tumultuous home life and that she sought out social media platforms to cope with her pre-existing struggles.

Google has also denied the allegations brought by KGM.

More than 1,500 similar lawsuits have been filed against social media companies, but KGM’s is the first to go to trial, according to CNN. It’s been chosen as a bellwether trial, meaning its verdict could shape the outcome of numerous suits like it.

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A legal victory for KGM could set a landmark precedent, making tech companies liable for designing addictive and harmful products.

In recent years, a number of studies have found links between young peoples’ frequent use of social media and negative mental health outcomes, such as anxiety and depression.

Meta, headquartered in Menlo Park, California, is also on trial in a separate case in New Mexico, in which plaintiffs accuse the company of exposing minors to sexual material and fostering a “breeding ground” for sexual predators. The company has denied the charges and has accused prosecutors of adopting “sensationalist” tactics.

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This is the first time that Mark Zuckerberg, who is worth an estimated $220 billion, has appeared at a civil trial at a courthouse. However he has appeared before Congress to testify on what impact his platforms – which are used by billions of people worldwide – have on youth mental health.

In January 2024, Zuckerberg attended a Capitol Hill hearing on social media’s harms, where lawmakers blasted him and other tech CEOs for failing to adequately address issues including addiction, mental health crises, bullying and sexual predators.

During the televised hearing, children and parents provided testimony describing how young people were exploited on social media platforms. Demonstrators silently stood behind Zuckerberg, holding up pictures of their deceased children

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At one point, Republican Senator Josh Hawley asked Zuckerberg if he would like to apologize to the families of victims seated in the room.

“I’m sorry for everything you have all been through,” the Meta CEO said, while turning to face them. “No one should go through the things that your families have suffered.” He noted that the company has invested in “industrywide efforts” to safeguard children.

In recent years, Meta has implemented several child safety measures, including age restrictions and parental controls.

‘I keep thinking I must have asked for it in some way,’ said the traumatised victim

A takeaway delivery driver demanded oral sex from a 14-year-old customer he had lured into an alley. Himanshu Himanshu, 26, was working for Chicken Valley in Porth, Rhondda Cynon Taf, when he exposed himself to the girl, Cardiff Crown Court heard.

Prosecutor Hannah Friedman said the Indian national, who was in the UK on a student visa, groomed the child for weeks with offers to buy her clothes and shoes. On the night of the incident she went to Chicken Valley with friends and Himanshu turned up in his car.

Her friends walked a short distance to get a phone signal, while the girl accepted Himanshu’s instruction to get into his car because it was raining. He told her to stay with him rather than follow her friends, the court heard. For the biggest stories in Wales first sign up to our daily newsletter here.

Himanshu offered her cigarettes and a vape, which she declined, before leaving the car and taking her into a nearby alley, saying he wanted to show her something.

Ms Friedman told the court: “She asked what it was and tried to say no but the defendant kept saying, ‘Come on.’ He had his arm around her and was coaxing her down the lane.

“The defendant went into the alley and stopped. He told her to go in front of him so if someone came they wouldn’t be able to see him. She thought he was going to show her something on his phone.

“He pulled his trousers and underwear down to about mid-thigh height, exposing his penis. He said, ‘Suck it.’”

The girl said she would not and reminded him she was 14 years old. He replied that he did not care and again ordered her to “suck it”.

Himanshu was exposed for around 20 seconds before the girl managed to whistle to get her friends’ attention. They went to help her and Himanshu got back in his car. The following day, police arrested him at Chicken Valley.

The defendant, of Cymmer High Street, initially denied inciting a child to engage in sexual activity but pleaded guilty on the day his trial was due to start.

In the victim’s impact statement she said she could not trust strangers since the incident and that she felt “terrified” of the dark.

“I can’t go outside at night, I don’t like going out in the day or even go to the local park by myself,” she said. “I have trouble sleeping and travelling down to court [for the scheduled trial] was particularly terrifying. I keep thinking I must have asked for it in some way.”

The court heard Himanshu’s student visa was due to run to 2027 but that he had been served with a deportation order. He has been remanded in custody since August because he breached his bail conditions by failing to surrender his passport.

His barrister David Singh said: “This is a defendant of relatively young age with no previous convictions, I’m told, either here or in his home country. He has no plan to appeal against deportation and wants to return to India as a matter of urgency as his parents are unwell.”

The judge, recorder Mark Powell, noted that it was the victim’s friends who “came and prevented anything else happening”. He told the defendant: “She is a girl who was vulnerable and I can be sure you took advantage of that vulnerability. No doubt you found her sexually attractive.”

Recorder Powell imposed 330 days in jail and a sexual harm prevention order which will last 10 years.

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The global phenomenon Mundo Pixar Experience has officially opened in London, bringing the largest immersive Pixar exhibition on Earth to the UK for the very first time

If you’ve ever wanted to step inside Andy’s Toy Story bedroom or take a stroll down Monsters Inc’s Scare Floor then Pixar’s brand new exhibition is a must-visit as it arrives in the UK for the first time.

Iconic sets from the animation studio’s most adored movies have been painstakingly recreated for the Mundo Pixar Experience. The exhibition, held a stones throw from Wembley Stadium, north London, allows visitors to walk through 14 rooms celebrating some of their favourite scenes with life-sized sets and immersive sound and light effects and props.

Experience Finding Nemo’s undersea odyssey with jellyfish cascading from the ceiling or admire Luca’s quaint Italian hometown from the seat of a red Vespa. Each room brings brand new surprises and families will love emerging from the corridors to be transported into another famous Pixar universe.

Visitors can race into Flo’s Café from Cars to meet Lightning McQueen, or soar through the skies with Carl Fredricksen from Up. They can also visit the Headquarters of Riley’s emotions from Inside Out 2, and journey from Coco Land of the Living to the Land of the Dead.

Already proving a huge hit, the first few weeks of the London exhibition have sold out fast with more dates added.

Here’s everything to know about the Experience…

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How to get there

Location: Fulton Road, Wembley, HA9 0TF

It is easily accessed by car, with a public parking lot available at the venue for an extra fee.

Coming from the closest tube station, Wembley Park (Metropolitan/Jubilee lines) head straight down Wembley Way and take a left before you reach Boxpark and continue until you see a host of favourite characters lined up on billboards showing you the way.

Stepping inside

After a quick bag check, ticket scan and buggy park up (if needed) guests will head inside an auditorium where they are greeted by one of the Pixar Experience team. A short film is played to build up the excitement of what’s to come, showcasing some beloved characters and movie moments from the last 30 years.

Guests can explore the rooms at their own pace (although 45 minutes to one hour is the expected time to complete for most).

The experience begins in the immaculate garden of Carl Fredricksen’s house in Up. From there, take a peek inside, sit yourself down on the famous two armchairs and continue on your Pixar adventure at your leisure.

Review

For anyone who is a fan of the Pixar movies this exhibition is a rare and real treat.

Kids will love heading through the experience, peeling back the curtain and being transported to the sets of some of their favourite movies which come to life before their eyes.

The Toy Story rooms were a particular highlight, with the scale of Andy’s bedroom giving everyone the chance to feel like part of the toy collection. Later there is Sunnyside Daycare to explore; including the pastel haven that is Ken’s Dreamhouse.

There are plenty of opportunities to get snap happy with designated photo points throughout, although every inch of the purpose-built space is so photoworthy with impressive attention to detail you’ll want to soak it all in.

There will be something for everyone with 1995’s Toy Story kicking off the nostalgia and newer classics including Cars (2006) Inside Out (2015), Elemental (2023) and Luca (2024) giving gans the chance to experience a catalogue of hits.

As well as the rooms, our little ones also had fun playing the Easter Egg hunt with the iconic Luxo Ball – Pixar’s famous yellow balls with the blue stripe and red star – being hidden in every room. Those in the know will already be aware that the balls appear in numerous Pixar films.

What the experts say

Jay Ward, a creative director at Pixar, said the exhibition, which features 14 film sets from the Disney-owned animation studio, sought to recapture the studio’s trademark attention to detail.

“We are film-makers and we love to really lavish attention to detail on our movies, which you can tell when you watch them again and again. Same thing with Mundo Pixar – we want to give a lavish amount of details and hidden Easter eggs and fun things,” he said.

Mundo Pixar Experience runs from now until June and is open every day except Tuesdays. Daily time slots begin at either 9am or 10am (depending on the date) and run until 7pm. During UK school holidays, the exhibition is open daily, including Tuesdays.

Booking in advance is strongly recommended.