Politics
Kitchen Larders Could Be The Ultimate Hack To Banish Your Countertop Clutter
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It’s the plight of modern life: you buy more things to make your life easier, only to make it harder by giving yourself something else to clutter your space.
Over the last few years, there have been several new ‘must-have’ appliances to add to your collection.
And while we’re all for levelling up your space with an air fryer, or even a water purifier, your kitchen counter can end up taken over pretty quickly.
If you’re tight on cooking space already, the last thing you want is a big black slow cooker taking up half of it.
Should your countertop clutter bring you utter misery though, we’ve found it: an appliance garage.
“Appliance garages help people keep everyday essentials within easy reach while maintaining the streamlined, peaceful aesthetic many are now striving for in modern kitchens,” explains the kitchen expert at B&Q, Jodie Spray.
Okay, we know what you’re thinking – isn’t adding something else into your kitchen kind of missing the point? Don’t worry, though, an appliance garage is designed to hide the mess, rather than add to it.
“An appliance garage is a dedicated storage space built into your kitchen,
usually a pantry-style cabinet,” says Spray.
“It’s designed to keep everyday appliances such as kettles, toasters and coffee machines tucked away but still easy to access when you need them.
“The goal isn’t to make your kitchen look empty, it’s to make it feel calmer and more intentional without sacrificing practicality.”
How do you install an appliance garage?
“The way you install an appliance garage will depend on your kitchen layout,
but there are options for both new kitchens and existing spaces,” explains Spray.
“Some are built into cabinetry as part of a renovation, while others can be created by repurposing a section of worktop.”
Just as there’s not one kitchen table for every space, you’ll need to think about what your space needs before buying or building an appliance garage.
“Before installing one, it’s worth thinking about which appliances you use most
often,” Spray adds.
“Good appliance garages prioritise convenience as much as appearance, so the aim should be to make appliances easier to put away and retrieve, not create an extra obstacle in your daily routine.”
Best appliance garages to shop now
Depending on what you already have in your kitchen (and your DIY abilities) you can either buy a cabinet to hide your appliances away in, or build your own using a cabinet, door, handles, and hinges.
To eliminate kitchen eyesores, we’ve rounded up the best of both types to shop now, from as little as £30.
Politics
Samantha Morton Was ‘Hurt’ To Be Replaced In Her By Scarlett Johansson
The Odyssey star Samantha Morton has admitted that it stung to be replaced by Scarlett Johansson for a major role earlier in her career.
Back in the 2010s, Samantha was due to lend her voice to Spike Jonze’s sci-fi romance Her, about a man who develops a romantic relationship with an artificial intelligence operating system.
In fact, Samantha even spent months on set of the Joaquin Phoenix project, and recorded her lines as the central AI service (whose name, confusingly, was also Samantha).
However, in the end, the director opted to have Scarlett take over in the role, which Samantha was asked about during an appearance on the podcast Happy, Sad, Confused.
“My version of Samantha was very […] English,” the British actor recalled. “It was just very, very different. And I think Scarlett Johansson has a beautiful voice. She’s incredibly evocative.”
Recalling how “sad” she was to miss out on appearing in the film – on which she was credited as an associate producer due to her contributions to the production – Samantha continued: “It does hurt when you’re fired from something or before it. I don’t know.
“What I’d have wished for was another chance in a booth to do an American accent.”
“But I think, you know, Scarlett Johansson!” she conceded. “I mean, come on.”
Spike said in a statement back in 2013: “Samantha was with us on set and was amazing. It was only in post production, when we started editing, that we realized that what the character/movie needed was different from what Samantha and I had created together. So we recast and since then Scarlett has taken over that role.
“I love Samantha. I’ve been friends with her forever and I hope we make lots of things together in the future.”
Her was both a critical and commercial success, earning Spike an Oscar in the Best Original Screenplay category, while the film itself was nominated for Best Picture.
Politics
3 Sex Moves Boost The Odds Of Female Orgasm
We’ve written before at HuffPost UK about a study that linked greater levels of “interoception”, or body awareness, to a higher likelihood of orgasm among women.
“Our study empirically demonstrates that women need to get out of their heads and into their bodies in order to have more frequent and satisfying orgasms,” researcher Dr Megan Klabunde said.
And another paper published in Archives of Sexual Behaviour, which collected data from over 52,000 online surveys, found that the moves used during sex seemed to matter, too.
The “orgasm gap” remains – but three moves may lower it
In this study, researchers asked a variety of respondents (men and women, who were a mix of gay, straight, and bisexual) about their experience with the Big O.
During sexually intimate moments, the percentages of people who said they always or usually orgasmed during sexual intimacy were:
- 95% for straight men,
- 65% for straight women,
- 89% for gay men,
- 86% for lesbian women,
- 88% for bisexual men,
- 66% for bisexual women.
No group of women finished more often than any of the groups of men, though among the ladies, lesbians got the best results. Not that straight men seemed fully aware of the extent of the discrepancy, as 45% said their partner always reached orgasm, whereas only 33% of heterosexual women said they did.
Perhaps a stat might provide clues as to why: about 30% of heterosexual men believed penetration was the best way to make women orgasm, whereas in this study, only 35% of women said they usually or often got off to vaginal sex alone.
44% of women said they rarely or never orgasmed from this type of intercourse.
80% of straight women, and 91% of women, however, said they usually or always orgasmed from manual genital stimulation, deep kissing, and/or oral sex.
Speaking to The Guardian, the study’s co-author, Professor Elisabeth Lloyd, said called this combination “the golden trio”.
Anything else?
The paper also found that women who orgasmed more often were likelier to receive oral sex, praise their partner in bed, make dirty calls, wear lingerie, and express love during the act.
They also acted out their fantasies more often and had higher odds of asking for what they wanted in the bedroom.
Seeing orgasm as the “point” of sex can paradoxically make your experience of it worse, thus lowering your chances of finishing, experts say. But if you’re not happy with your current rate and/or are looking to try something new, hey: science says theb “golden trio” might not be a bad place to start.
Politics
Madonna And Kylie Minogue Announce New Love Sensation Remix
During Madonna’s Celebration Tour back in 2024, the Queen of Pop gifted pop fans with a moment they’d been waiting four decades for, when she was joined on stage by none other than Kylie Minogue for an impromptu duet.
Fast-forward two years, and the two music icons have finally combined forces on a new collaboration, which is coming later this week.
Last week, Kylie was a surprise guest during Madonna’s Club Confessions event as part of World Pride in Amsterdam, where the two sang along to a remixed version of the Like A Prayer singer’s recent musical offering Love Sensation.
It’s since been revealed that a remixed version of the track with new vocals recorded by the Australian pop superstar is coming on Thursday.
Check out a brief preview for yourself below:
Madonna and Kylie previously teased that a collab could be on the cards during the recent BBC special Madonna & Graham, where the Can’t Get You Out Of My Head singer made a brief cameo.
During the special, host Graham Norton put Kylie on the spot about whether she could be appearing on Madonna’s then-upcoming album Confessions II, with both stars remaining coy at the time.
Back in 2014, Kylie spoke to HuffPost UK about her hopes to team up with Madonna one day.
“That would be incredible!” she enthused. “It’s like maybe the world would stop mid orbit! Yeah, it would be incredible.
“I don’t know if it would ever happen. Maybe it’s something that will live in our imagination.”
Reacting to her Love Sensation remix earlier this week, an emotional Kylie wrote on Instagram: “Tell your 15-year-old self that you’ll be on… a… Madonna,.. record… one… day.”
Love Sensation is taken from Madonna’s latest album Confessions II, which earned rave reviews, topped the charts on both sides of the Atlantic last month and is her first release in almost two decades to give the Grammy winner two UK top 40 hits.
Politics
Zack Polanski’s Popularity Drops Amid Farage Controversy
Zack Polanski’s popularity has plummeted amid the row over him sharing an Instagram post suggesting Nigel Farage should be beheaded.
The Green Party leader was reported to the police after he accepted a collaboration on a series of photos, one of which showed a man in a t-shirt featuring an outline of a guillotine and the words: “We’re only making plans for Nigel.”
Polanski later deleted the entire post, but refused to apologise when grilled by the BBC’s Victoria Derbyshire.
He said it was “quite obvious he had not done anything wrong apart from make an inadvertent mistake”.
Although Reform UK accused him of “incitement to violence”, police later said they would be taking no further action.
However, polling by the More in Common think-tank suggests the row has damaged Polanski and the Greens.
His personal approval rating has fallen to minus 28, making him the most unpopular major party leader in the country.
More than half the public (55%) say they do not believe Polanski’s explanation of the row, with the same number saying he should apologise to Farage.
Meanwhile, 56% of voters now say the Greens are an unserious party.
More in Common director Luke Tryl said: “After a meteoric rise, Zack Polanski has increasingly been dogged by questions of his judgement in recent months.
“Our latest polling had the Greens on 8%, virtually reversing the ‘Polanski wave’ of new support they had gained since he became leader. And Polanski’s personal approval rating has continued to decline, making him the most unpopular major party leader on -28.
“Polanski’s resharing of a t-shirt with violent imagery about Farage exemplifies these struggles.
“A majority of voters, including nearly a third of current Green voters, did not believe his explanation for the incident, and strong majorities of the public believe he should apologise.
“While most were sceptical of Reform’s decision to report Polanski to the police, Polanski has clearly misread the mood of the country, which has no tolerance for posts that risk condoning or endorsing political violence.
“Especially after the shocking murder of Ann Widdecombe, Britons want to see public figures behaving responsibly online.
“While the Greens have clearly tapped into a widespread desire for a progressive alternative over the past year, and Polanski has owned the attention economy a combination of a Burnham bounce and leadership missteps risks setting them back.”
Listen to Commons People, the podcast that makes politics easy. Every week, Kevin Schofield and Kate Nicholson unpack the week’s biggest stories to keep you informed. Join us for straightforward analysis of what’s going on at Westminster.
Politics
Green Leader Zack Polanski Says He Helped ‘Topple’ Keir Starmer
Zack Polanski has claimed he and the Green Party helped “topple” Keir Starmer as prime minister.
Speaking at a press conference focused on the climate crisis, he alleged that his party’s success at the Gorton and Denton by-election in February this year accelerated Starmer’s downfall.
He said: “I think one of my biggest achievements in my coming up through the Green party was toppling a very popular prime minister.
“I am in no doubt that if we had not won Gorton and Denton, Keir Starmer would not have had the leadership crisis he had.”
The Greens’ Hannah Spencer took the Manchester seat from Labour in a surprise win five months ago as the party shot up in the polls.
Starmer and Labour’s executive body blocked then-Greater Manchester mayor Andy Burnham from running in the by-election.
The PM’s net favourability was at -47 at the time, and voters appeared to be flocking to the Greens.
But it was not until after the party’s shockingly poor performance in the May elections across England, Wales and Scotland that Labour MPs publicly called on Starmer to quit.
Makerfield MP Josh Simons then announced that he was vacating his seat so Burnham could return to parliament.
Burnham won the Makerfield by-election on June 18 and Starmer announced he was resigning just days later.
Burnham then ran uncontested to be the next prime minister and was sworn into office on July 20.
But Polanski told the media on Wednesday that the Greens’ victory in Gorton and Denton helped create the “version” of Burnham who criticises neoliberalism.
He added: “And obviously I very much agree with that and that’s something I’ve been talking about all year, and something the Green Party has been talking about for decades.”
The Greens peaked in popularity back in March, when pollsters found the party had leapfrogged Labour and secured second place behind Reform UK.
A YouGov survey for Sky News and The Times put the party on 21% after their support surged by four points with Reform on 23% and Labour trailing at 16%.
But the latest YouGov voting intention poll put Reform at 23%, Labour 22%, the Conservatives on 19% and the Greens far behind in fourth place, on 13%.
Listen to Commons People, the podcast that makes politics easy. Every week, Kevin Schofield and Kate Nicholson unpack the week’s biggest stories to keep you informed. Join us for straightforward analysis of what’s going on at Westminster.
Politics
A SpaceX Rocket Is Thought To Have Crashed Into The Moon
In May of this year, astronomer Bill Gray said on his site, Project Pluto, that a large section of SpaceX rocket Falcon 9 was set to crash into the moon on August 5.
He couched his prediction a little, saying: “I can be sure it will impact near the time and place I’ve predicted, but those varying forces mean that the actual impact will be at least a little off from that time and place”.
But scientists, including those from the Paranal Observatory in Chile, seem to have spotted the crash on its predicted date this morning. Nasa expected the incident to have taken place at 7:35am BST.
The space agency added that the collision will probably leave an 18-metre-wide, 14-metre-deep crater on the moon’s surface.
It could take days or weeks to confirm images of the suspected impact, however.
Will this pose a danger to us on Earth?
Speaking to the BBC, NASA spokesperson Jimi Russell said there’s no risk to us here on Earth as a result of the crash.
And Dr Matt Bothwell, public astronomer at the University of Cambridge, also told the broadcaster: “It’s something really huge smashing into the moon. It’s not remotely dangerous; we can just watch the show”.
We’ve even sent items to crash into the moon on purpose before.
Why did the collision happen?
Per ScienceAlert, the Falcon 9 is a partially reusable rocket, which means “its first, larger stage returns to Earth and alights on a barge so it can be refilled and re-flown, while the second stage remains in orbit”.
The part believed to have hit the moon is that second bit – the “upper stage” of the rocket, which carries the payload of the vessel.
Usually, companies leave this part of a rocket in orbit. They’re often designed to detach.
The section some believe may have hit the moon has been orbiting the Earth for about a year. It was the 10th rocket launched by the company, whose CEO is Elon Musk, in 2025.
On Monday, Julianna Scheiman, SpaceX’s director of NASA science and Dragon programmes, told reporters: “What has happened is essentially a mixture of solar activity and gravity forces have put [the rocket segment] on a path toward the moon.”
Leftover parts like these form a phenomenon Gray calls “space junk”.
How come we knew this would happen?
Usually, debris left in space is guided by the gravity of celestial bodies around it, like the Earth and moon. That can help to make tracking and predicting their movements easier, and formed most of the basis of astronomers’ predictions.
But these objects are also moved around by sunlight. This is a very slight force, but it adds up over time. As the object moves around, it’s hard to say exactly how much sun will hit it.
Despite this variable, however, scientists seem to have been pretty accurate in their guesses here.
Can I see the crash from Earth?
That’s highly unlikely without special equipment, BBC Sky At Night suggests.
And even with great telescopes, amateur and pro astronomers alike might struggle to spot the expected dust plume a crash may kick up as it’s likely to have happened near the visible edges of the moon.
Politics
The Jason Arday farce is an embarrassment to black Britain
I’ll admit it: initially, I pulled my punches. I feel pity for Jason Arday. It must be awful to have every detail of your life picked apart by the media class during ‘silly season’ because there is nothing else to write about. For me to have to add to the commentary is a matter of profound regret.
However, sympathy cannot become an excuse for waving away allegations of plagiarism and dishonesty. When the story broke, Britain’s progressive establishment instinctively circled the wagons. I watched friends and prominent figures rush to defend him, and I even considered adding my name to a high-profile open letter. As a black voice who has faced attacks from both left and right, I understand that reflex. Yet the Arday affair has exposed something darker than a culture-war skirmish: an identity politics that compels intelligent people to subordinate the pursuit of truth to tribal loyalty.
It now seems the black establishment is quietly abandoning Jason Arday. By chance, I was attending a launch party of a prominent black Briton’s book on Saturday – the very day the Guardian published its devastating piece on the affair. Moving through the room, I listened to hushed, furious exchanges among well-heeled black Britons. I spoke with people who had signed that open letter. Some had defended Arday on the airwaves (some as recently as that very morning). Others had penned pieces suggesting he was the victim of a conservative hit job. Almost to a person, they were mortified. As smartphones flashed with links to the story, one attendee put it with cold clarity: ‘Arday has lost the Guardian!’ The reflexive instinct toward racial solidarity had collapsed into acute embarrassment.
Look at the roll call of Arday’s initial supporters: Oxbridge college heads like Professor Dame Ijeoma Uchegbu (who has now removed her name from the open letter), Lord Simon Woolley and Sonita Alleyne, alongside political and media figures like Lord Paul Boateng, John McDonnell, Zack Polanski, Bell Ribeiro-Addy, Nels Abbey, Professor Kehinde Andrews and Dr Shola Mos-Shogbamimu. I count many of Arday’s supporters as personal friends, and I know them to be people of profound decency, kindness and integrity. They saw a man under fire, an underdog. Their generous impulse to protect him has been weaponised.
The tragedy is that Arday didn’t need to make any of the claims that are now coming under scrutiny. Appointed professor of sociology of education at Cambridge at just 37, he was the university’s youngest black professor. He was also celebrated for overcoming severe developmental challenges, learning to read only in adulthood before reaching an Oxbridge chair. If these elements of his biography are true, then this alone is an extraordinary human achievement.
In an analysis of his 2015 PhD thesis, the Telegraph alleged last month that dozens of passages had been lifted almost word for word from another scholar’s dissertation. It also found text and interview quotes that seemed to match previously published studies. Then came a cascade of questions surrounding Arday’s seemingly tall tales: millions raised for charity with few verified records and extreme athletic feats normally only seen among professional athletes. There were also the blood-curdling threats he supposedly faced, including a knife-wielding intruder in his faculty building and a pig’s head sent in the post to his parents’ home. Although Arday claimed the police had investigated the pig incident, the Met told the Guardian that this was ‘categorically’ incorrect and no investigation had taken place. When pressed by the Guardian on why he presented such claims to the world, Arday offered a telling response: ‘To be honest with you, I thought you’d just believe me.’
If the allegations against Arday are true, this would place him in the same hall of mirrors as Belle Gibson, Rachel Dolezal or Anna Delvey – figures who exploited an establishment so desperate to endorse a trendy narrative that asking for proof was treated as poor etiquette. Of course, bad-faith actors have rushed to exploit the wreckage. Nathan Cofnas, whose Substack post brought the plagiarism allegations to global attention, no doubt believes the Arday case confirms his view that, under a true meritocracy, black people would ‘disappear from almost all high-profile positions outside of sports and entertainment’.
But the existence of bad-faith agitators can’t excuse us from confronting the rot: the patronising assumption is that standards and truth are optional when evaluating a black professional. This is a slap in the face to the 160 or so black professors in Britain today who earned their chairs through gruelling intellectual labour, original research and the unglamorous grind of academia.
It’s also an insult to the civil-rights titans who forged the path before us. Pioneers like Doreen Lawrence, whose unyielding pursuit of justice transformed British policing; Dr Harold Moody, who founded the League of Coloured Peoples in 1931; Sir Geoff Palmer, Scotland’s first black professor; and visionary educator Dame Jocelyn Barrow. These giants didn’t demand to be recognised based on sentiment. They forced a hostile establishment to respect them because their work was bulletproof.
The ultimate casualty of the Arday scandal isn’t one man’s career, nor the bruised egos of those who rushed to his defence. The tragic reality is that Jason Arday has potentially done far more damage to black Britons than any racist agitator ever could. External critics and bad-faith actors can only ever attack from the outside – their prejudices are expected, discounted and easily identified. But Arday’s unchallenged rise, if the allegations turn out to be true, has handed our harshest detractors the ultimate weapon. It provides a silver bullet to anyone looking to roll back equality legislation or widening-participation schemes, or to question every rightful appointment and call professionals like me ‘diversity hires’. No external opponent could ever inflict as much damage as this case potentially has.
I think of my own sister, an Oxford graduate who earned her place through raw intellectual horsepower. I think of the thousands of brilliant black students pushing through Russell Group universities and successful careers right now – people who hold themselves to exacting standards and ask for no free passes. Those lining up in Arday’s defence send the patronising message that black achievement cannot survive the harsh light of objective scrutiny.
Even so, perspective matters. It is worth remembering that Jason Arday hasn’t killed anyone, a point he made himself recently. I have pre-ordered Arday’s book, Great and Unfortunate Things, and look forward to reading it – even though I’ll now treat it more like a fantasy than a non-fiction.
Albie Amankona is a broadcaster and financial analyst, best known for his work on Channel 5, BBC, ITV and Times Radio. Follow him on X: @albieamankona.
Politics
Baroness Andrews reviews ‘Billy Budd’

‘Billy Budd’, Glyndebourne Festival 2026. L-r: Mr Flint, Sailing Master (William Thomas), Captain Vere (Allan Clayton) and Mr Redburn, first lieutenant (Dingle Yandell) | Image: © Glyndebourne Productions Ltd / photo: Tristram Kenton
4 min read
Powerfully sung and beautifully performed, Glyndebourne has mounted a moving production of Britten’s theatrical and musical masterpiece, Billy Budd
As this year marks the 50th anniversary of the death of Benjamin Britten, it is fitting that Glyndebourne has mounted a stunning revival of his theatrical and musical masterpiece, Billy Budd, in a production first performed at the festival in 2010 (directed then by Michael Grandage) and now reprised by Ian Rutherford.
Throughout his life Britten hated violence and distrusted power. His visit to Belsen in 1945 marked him for life. Written in 1951, and commissioned for the Festival of Britain, Billy Budd took him even deeper than his 1945 opera Peter Grimes into the darkest chambers of the human heart. Inspired by Herman Melville’s novella, it is a morality tale about power, repressed desire and luminous grace. The astonishing virtuosity of the score (the sea, ever present in its rise and fall) is brilliantly captured by the London Philharmonic Orchestra, conducted by Nicholas Carter – matched in genius by the precision and poetry of the libretto, (a unique partnership with EM Forster together with Eric Crozier). The end result is a breathtaking fusion of music and narrative.
Image: © Glyndebourne Productions Ltd / photo: Tristram Kenton
Transporting the audience to the vicious reality of the 18th century British navy, at war with France, the opera opens onto a claustrophobic scene inside the three-decked belly of the man-of-war The Indomitable. We see its pathetic crew – largely pressganged, homesick, bullied and brutalised, but still trusting in the seamanship and fairness of their captain, Starry Vere. British tenor Allan Clayton, in glorious voice as Vere, brings a magnetic stillness and agony to this most conflicted role.
This floating world is a place of violence and despair – conveyed marvellously by the male chorus – liberated in their exultation – “This is our moment” as The Indomitable finally comes within sight of the “Frenchies”. The tension rises with the martial orchestration, as the crew gear up for the fight they have been aching for –to be bitterly frustrated when the mist denies them victory.
The astonishing virtuosity of the score is brilliantly captured by the London Philharmonic Orchestra, conducted by Nicholas Carter
But when Billy Budd (the baritone Thomas Mole, inhabiting the role beautifully as he moves from lyric joy to bewildered despair) is pressganged into their midst, the crew recover their own humanity. Billy’s startling beauty, sweetness, his innocent delight as top foreman (“aloft with the birds”) are an immediate torment to the master-at-arms, Claggart – a menacing, hate filled presence (sung powerfully by bass-baritone Sam Carl) who sublimates his own desires into brutality. Billy, in his innocence, sees good in everyone. He brings hope to a wretched universe. In turn the crew look out for him knowing that under stress, his stammer will silence him.
Claggart, forces the ‘novice’ (Laurence Kilby’s expressive tenor), whom he has already broken, to accuse Billy of mutiny – playing into the paranoia driven by previous mutinies in Spithead. In a chilling aria, he confronts us with his belief that, while Billy lives, there will be no room in the world for his malignance. He must destroy Billy or be destroyed by him.
And this is the heart of the matter.
Faced by Claggart’s lies in front of an agonised Vere, who knows he is innocent, Billy is struck dumb and, in his frustration, strikes out, killing Claggart. Vere, conflicted by his own feelings for him, yet bound by the Articles of War, refuses to speak up for him. A drumhead court condemns Billy to hang. Vere, by failing to make the humane and moral choice, has been, like Billy, hopelessly undone. Words are now useless. Only music will do. Offstage, as Vere tells Billy that he will hang, the appalling pain of the moment resonates through a series of lingering and enigmatic chords.
As his noose is being prepared, it is Billy who redeems Vere. Alone on the stage, as he waits for “oozy, weedy depths” to claim him, in his final aria he forgives the captain. The crew is less forgiving – surging forward with broken and wordless cries of rage. Vere’s retrospective epilogue makes it clear too that he has never forgiven himself. Yet the creed by which Britten lived, triumphs: love conquers hate and lives on in his music.
Baroness Andrews is a Labour peer
Billy Budd
Composer: Benjamin Britten
Venue: Glyndebourne
Politics
Progressives didn’t get the big election night they wanted
Progressives didn’t get the earthquake they expected. Moderates are relishing in their stronger than expected showing.
In the early hours of Wednesday morning, with Michigan’s marquee Democratic Senate primary still in limbo, one of Democrats’ key questions of the midterms remains unresolved: Can the party’s most progressive faction successfully compete — and go on to win — in a battleground state?
The razor-thin margin between progressive Abdul El-Sayed and moderate Rep. Haley Stevens will leave Democrats arguing about the answer regardless of who ultimately prevails.
The finger-pointing within the party has already begun.
“These guys are unbelievably cocky,” said a Democratic operative granted anonymity to speak candidly. The person was frustrated over El-Sayed’s decision to attend a pool party with progressive streamer Hasan Piker on Monday, hours before polls opened.
El-Sayed led by three points by the time both candidates addressed their supporters around 1 a.m. Wednesday, with thousands of votes yet to be counted. He performed best in the state’s wealthiest and most highly-educated places, while Stevens outperformed him in areas with lower average incomes and where fewer voters have college degrees.
But that marginal lead was a far cry from what El-Sayed and his allies had expected.
Public polling in the campaign’s closing stretch showed El-Sayed ahead of Stevens by double digits. And his campaign projected confidence they would deliver a decisive win that would cement the strength of the progressive movement in Michigan, a state crucial to the Democratic Party’s prospects of retaking the Senate in November and, eventually, the White House in 2028.
The progressive wave never materialized on Tuesday night, igniting fresh questions about the potency of the movement. Progressive candidates have notched a series of wins throughout the spring primary season in safe and competitive districts, from California to Maine. Michigan, however, was widely viewed as their biggest test yet.
“The Democratic Party is a coalition that spans everything from center to socialist,” Democratic strategist Tré Easton wrote on social media Wednesday morning in response to Tuesday’s results. “Each part needs the other.”
El-Sayed has maintained a steady lead after the polls closed, and could very well still pull off a win for his progressive coalition and advance to the general election — but instead of kicking off the next phase of his campaign with a victory lap, he’ll emerge limping out of a closer-than-foretold primary.
Even beyond the Senate race, the results were mixed: Progressive Sunrise Movement co-founder William Lawrence won his primary for Michigan’s 7th District, but largely because two more moderate candidates had split the vote. Democratic socialist Donavan McKinney is still locked in a tight race with incumbent Rep. Shri Thanedar for Michigan’s 13th District. And over in Missouri, progressive Cori Bush’s comeback bid fell apart.
“Bottom line is if [El-Sayed] wins, the DSA brand beyond major urban areas is not popular,” a national Democratic operative granted anonymity to speak candidly said early Wednesday morning. “Certainly puts a dent in the movement especially with Cori Bush’s loss.”
Stevens sent her own supporters home on an optimistic note Wednesday morning: “I’m feeling good about this race.”
El-Sayed, for his part, quickly recast his narrow lead as a victory against the barrage of spending against him from pro-Stevens groups — despite projecting enough confidence to declare he would beat Rogers “by seven” percentage points in the general election earlier on Tuesday.
“I wish I could tell you that I was declaring victory right about now. Turns out it takes a long time to count some votes in Michigan,” El-Sayed told supporters at his election night party in Detroit.
For some El-Sayed allies a win is a win, even if the final margins are close. “Any win is good, as long as it’s called tonight,” Bhaskar Sunkara, a 2020 Bernie Sanders surrogate and former DSA vice chair, told POLITICO.
Regardless of the final outcome, the race’s narrow margin ensures that the winner will have significant work to do to unify the party after an acrimonious primary riddled with personal attacks from both sides — a reality both candidates appeared to acknowledge in remarks to supporters.
“To all of our supporters here tonight, watching on TV, tomorrow we begin to mend fences,” El-Sayed said. “If your instinct is to be like, ‘I told you.’ Nope. Let’s come together to build a movement that’s even bigger, that’s even stronger, that’s even more powerful, that reaches into the very depths of this state, that reminds us the best of who we are and who we can be.”
Democrats across the state had already set their focus on uniting their deeply fractured party ahead of another likely bruising contest in the general election.
“It’s no secret that this has at once been a contentious and bruising primary, but Democrats through it all have shown resilience towards coming together following primaries,” said Chris Herweyer, an organizing director for the Kent County Democratic Party.
Michigan State Sen. Mallory McMorrow, who ran for Senate before suspending her campaign a month before the primary, endorsed El-Sayed early Wednesday as he maintained a narrow advantage over Rep. Haley Stevens — another sign of swift efforts to reconcile, even as the race remained in limbo.
Republicans, meanwhile, are still hoping for an El-Sayed win. Rogers’ primary proved a bright spot for Republicans on the Senate map, where the party successfully avoided a costly and heated primary of their own and could focus early on the general election.
“El-Sayed is the preferred candidate” for Republicans, Jason Roe, a longtime Republican operative in Michigan, said in a text message. “El-Sayed is not doing very well outstate and I think that’s what a lot of Republicans are banking on. It will be very difficult for him to beat Rogers with those rural counties.”
Andrew Howard and Will Steakin contributed to this report.
Politics
Gavin Robinson MP: ‘Defence investment is critical to the Union’
In every generation, the United Kingdom has had to relearn a simple truth: peace is protected by strength, and strength requires investment.
Today, that truth is impossible to ignore. War has returned to Europe, authoritarian states are testing the resolve of democracies, our adversaries are investing in missiles, drones, cyber warfare, and the means to threaten the maritime routes on which our economy depends. In this new era, defence cannot be treated as a discretionary extra; it is the first duty of government.
But for those of us who believe in the Union, defence spending carries an even deeper significance. It is one of the clearest, most practical expressions of what the United Kingdom is and what it can do. The Armed Forces defend every part of our country. The defence industrial base draws on skills from every part of our country. And the benefits of serious, sustained defence investment should be felt in every part of our country.
That is why the Defence Investment Plan matters so much. It must not be a document of warm words, delayed decisions and distant aspirations. It must be a serious plan for capability, resilience and industrial renewal – and it must recognise the role that Northern Ireland can and should play in strengthening the United Kingdom’s defence.
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Nowhere is that more evident than in my constituency of East Belfast.
For more than 160 years, the shipyard at Queen’s Island has been part of the industrial story of these islands. Harland & Wolff is known across the world, but in Belfast it is not simply a name from history. It is a highly capable workforce, a base of engineering skill, and a strategic asset for the whole United Kingdom.
Following Navantia UK’s acquisition of Harland & Wolff in January 2025 and the £157 million in investment since, this shipyard is now one of the most capable and modern anywhere in Europe. The Belfast yard now has the scale, the workforce potential and the industrial heritage to contribute meaningfully to the UK’s shipbuilding and defence needs.
I have long argued that defence investment should not be concentrated in only one or two regions. If the United Kingdom is serious about resilience, then it must build resilience across the United Kingdom. That means investment in Belfast as well as Barrow, Rosyth, Govan, Portsmouth and Plymouth. It means recognising that Northern Ireland is not peripheral to UK defence – it is integral to it.
There is a Union case for defence investment, an economic case and a security case.
The Union case is straightforward. People in Northern Ireland serve with distinction in our Armed Forces. Families here understand service and sacrifice. Our businesses contribute to national capability. Yet too often, Northern Ireland is treated as an afterthought in UK-wide strategies. That must change.
After all, the Union is strengthened not only by constitutional argument, but by shared endeavour. When people see that the United Kingdom is investing in their community, valuing their skills and trusting them with work of national importance, the Union becomes tangible. It becomes a job, an apprenticeship, a future.
The economic case is equally clear. Defence contracts support highly skilled, well-paid employment. They sustain apprenticeships, engineering pathways and supply chains. They give young people a reason to build their future at home.
The military case is perhaps the most urgent. The UK is a maritime nation. We rely on secure sea lanes for trade and energy. We need the capacity to build, maintain, repair and support vessels at pace. We need yards with the ability to scale up. We need industrial partners who can deliver. And we need a government that understands that defence procurement is not simply about buying equipment, but about sustaining the capability to defend our country when needed.
The war in Ukraine has shown that industrial capacity is itself a form of deterrence. A nation that cannot build is a nation whose security is fragile.
That is why the defence investment plan must take a long-term view. Stop-start procurement is bad for the taxpayer, bad for workers and bad for national security. Industry needs certainty, workers need confidence, and young people considering an apprenticeship need to know that there will be a career at the end of it.
For Navantia UK and its Harland & Wolff yard in East Belfast and other companies operating in Northern Ireland, that certainty is essential. The yard has a future if it is given the chance to compete, deliver and grow. It can be part of a stronger UK shipbuilding sector. It can help ensure that sovereign capability is not merely a slogan but a reality. And it can show in practical terms how Northern Ireland contributes to the defence of the nation.
So, my message to the Government is clear. Northern Ireland stands ready to play its part. Harland & Wolff stands ready to play its part. Now the Government must play its part too.
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