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AI Learns the “Dark Art” of RFIC Design

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Summary

  • RFIC design is a complex “dark art” that limits progress in wireless technologies like 5G, autonomous vehicles, and satellite communications.
  • Princeton researchers use reinforcement learning and inverse design to rapidly create RFICs from scratch.
  • Diffusion models rapidly generate novel or human-interpretable RF layouts, achieving record performance and drastically reducing design time.
  • Future progress needs large, shared chip design datasets and open ecosystems so AI can learn universal electromagnetic and circuit behaviors.

Take a moment and try to imagine your life without the wireless advances of the past three decades.

Have you lost your luggage? What a shame AirTags have not been invented. The airline representative has promised to call with updates, so settle in for a long wait by the kitchen telephone, because there are no affordable cellphones. You’ll be stuck listening to whatever is on the radio while you wait, because there are no streaming services. That’s not even to speak of all the movie plots that would have been ruined.

This is just a tiny sliver of how wireless technology makes itself felt in your day-to-day existence. The effects it has had on supply chains, infrastructure, and how the economy runs have been world-altering.

None of it would be possible without the radio-frequency integrated circuits that allow all our devices to unobtrusively send and receive information.

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Now imagine what the further evolution of this technology will bring: Wide-spread autonomous vehicles, quantum communications, 6G mobile service and satellite communications. Continued momentum will depend on newer and more advanced versions of today’s RF chips.

But there’s the rub. Whereas the design of most of the world’s computing chips has been standardized into its own science, RF design has remained stubbornly in the realm of art. A dark art, even, that is mastered only through years of experience. As any sorcerer will tell you, the dark arts keep their own schedule. And that schedule is impeding progress not just in RF chip design but in every other technology that depends on it.

About seven years ago, in the wake of AlphaGo’s victory over world Go champion Lee Sedol, my students at Princeton and I began to wonder: Could AI be taught this art as well? Recent successes suggest that, to a large extent, it can. Over the last few years, our group and other leaders in the field have started to develop machine-learning-driven algorithmic methods for designing RFICs. Some of the resulting chips look more like modern art than circuit layouts. Yet in many cases, the physical prototypes bested state-of-the art circuits in terms of performance. The real achievement, however, is that it took the AI orders of magnitude less time to conceive a working design than it would a human designer.

This is not about one or two RF chips. AI-enabled design could be the future of all RF design, and maybe much more.

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The Dark Art of RFIC Design

So why do these chips all have to be crafted by hand? Why aren’t RFICs designed with an algorithmic synthesis process, much as CPUs and GPUs are?

The design of RFICs is an exercise in engineering across multiple physical domains. Maxwell’s equations, operating across different spatial and temporal scales, govern how electromagnetic fields interact with active and passive devices that must be carefully codesigned for the chip to function. Alongside these are the laws of thermodynamics, which determine how heat is generated and removed during operation, as well as the mechanics of thermal expansion and contraction that dictate how reliably the chip and its packaging survive temperature changes.

Simultaneously accounting for all the physical constraints these impose makes the design space almost impossibly large. Every decision involves complex priorities that often compete with one another, preventing the optimization of any of them.

To better understand the issue, let’s walk through the steps involved, after which you’ll better understand why a single new chip design takes years and tens to hundreds of millions of dollars.

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Colorful close-up of a microchip die showing intricate circuits and connection pads

Close-up of a glowing gold microchip circuit with dense patterned components.

Close-up of a microchip die with intricate golden circuit patterns and pads.

Close-up of a patterned microchip die with intricate gold circuitry on a dark background

Close-up of an intricate gold microchip circuit pattern on a dark background

Microscope view of intricate gold microchip circuitry with numbered frame \u201c6\u201d.Most of the area of radio-frequency integrated circuits is dominated by complex electromagnetic structures. Human-designed RFICs, like this broadband power amplifier [1], start with templates and follow a symmetric, understandable pattern. But freed from the constraints of human-designed templates and the need for humans to even understand the rationale of electromagnetic structures, power amplifier ICs [2–5] and low-noise amplifiers [6] can take on truly wild-looking yet efficient designs. SENGUPTA LAB

Let’s say you’re an engineer assigned to design a new 28-gigahertz power amplifier for a 5G-millimeter-wave handset. (This is the type of RFIC that boosts the 5G signals on your phone and transmits them to the antenna where they can be picked up by a distant base station). Where do you start?

RFIC design has some features in common with house building. Just as the blueprint for a house dictates the number of bedrooms and bathrooms to be built and the hallways connecting them, the blueprint for an RFIC—called the architecture—establishes the kinds of elements the RFIC needs to fulfill its intended function. Instead of rooms, the architecture includes, for example, the number of stages of amplification your power amplifier needs. Instead of hallways, it shows the paths that signals must take to get through those stages.

The blueprint for RFICs is actually mostly hallway; passive elements, like inductors and transmission lines, take up far more real estate than active elements like transistors.

Here’s why. As you have probably experienced yourself, a typical CPU’s transistors overheat when faced with operating frequencies of just a few gigahertz. The frequencies RFICs can operate at are higher by an order of magnitude—28 and 39 GHz for 5G signals, 26.5 to 40 GHz and even higher for satellite communications, and 77 GHz for automotive radar. Under this onslaught, a CPU’s transistors would fail.

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RFIC transistors avoid this fate because these chips cleverly manage the signal’s energy with careful electromagnetic design. This takes the form of byzantine networks of metal elements that dominate the chip’s real estate. These structures are geometrically regular, often symmetrical, and so intricately constructed they sometimes resemble lacelike filigree. But while they may look decorative, they are essential to the chip’s functioning.

Electrically speaking, these “hallways” work more like the chip’s plumbing. Like plumbing, this extensive labyrinth of passives confines electromagnetic energy only to the places it should be traveling around the chip.

The major challenge in RFIC design is putting all these elements together to ensure they work, just as constructing a house from its blueprints demands exact specs for load-bearing beams, pipes, and external walls. On an RFIC, the architecture needs to be realized with physically fabricable transistors and passive components that are connected just so, to permit the signal to travel through the chip and be processed. The way these devices are connected locally is what we call the circuit’s topology.

The RFIC Design Process

To make that power amplifier, then, your first step is to identify a candidate circuit template: The combination of structures that will meet the goals of a particular architecture with a specific circuit topology. Over the years, researchers have eased your burden by developing reusable design templates for specific functions. For example, templates suggest how many amplification stages a circuit needs (because sometimes, combining the output of two smaller amplifiers will result in better bandwidth and efficiency than you would get from a single larger one). And they suggest what the general configuration of the passive structures should be. Today there is an extensive library of such templates.

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However, these can’t simply be used off-the-shelf, because each comes with trade-offs. Some have better gain at the expense of stability; some better bandwidth at the expense of efficiency; still others are more energy efficient at the expense of output power, and so on. There is rarely a clear best choice.

To arrive at the “sweet spot” where all these different parameters are balanced into optimal harmony, designers will typically lay out several different versions of the circuit, using intuitions and methods they have picked up in their years of training.

The challenge is that the decision around the architecture, circuit topology, or the electromagnetic passives cannot be done separately. One decision influences the others. So, designing an RF circuit can often feel like trying to fit an oversized carpet into too small a room—press down one corner, and another pops up.

At microwave and millimeter-wave frequencies, even the smallest misstep is the difference between a chip that works and one that doesn’t, and any number of things can go wrong. For example, when an electromagnetic wave encounters a transistor—or any other component —the path it travels must be properly “matched” to what comes next. If it isn’t, some of the energy reflects backward instead of flowing forward. Imagine trying to connect a high-pressure fire hose directly to a narrow garden hose. Without the right adapter, water will splash backward at the junction. Very little will make it through. In electronics, this is called the impedance-matching problem.

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To prevent those reflections, engineers design special transitions, essentially microscopic adapters, that smooth the handoff between components. On a chip, these adapters can be surprisingly intricate. They don’t just pass the signal along; they can also split it, combine it, or distribute it across multiple paths with carefully controlled timing and strength.

Once you’ve done the architecture, plumbing, and everything in between comes the moment of truth. Have all the choices you have navigated through the enormous design space resulted in an RFIC that meets its specifications? If the specifications are not met, you will have to go back, either redoing the topology or the entire architecture, and repeat the whole process. So get ready for months of time- and resource-heavy simulation and iteration. Perhaps you now see why, for decades, a core belief has persisted in the RFIC community: “RF design is an art.” It was said that only an experienced designer—with an artisanal understanding of how the pieces make up the whole—could master the subtleties of analog and RF design. Unfortunately, this entrenched notion has long held back algorithmic innovations in the field just when we need them most. Traditional, artisanal RFIC design is hitting its limits as the complexity of these systems inexorably grows.

AI for RFIC Design

While RFIC designers continued their battle against their “oversized carpet” problem, a series of interesting developments emerged in allied disciplines. Across a range of other previously intractable problems like protein folding and climate modeling, AI has been able to successfully navigate multidimensional complex spaces. This gave us the incentive to look deeper into AI for RF. After all, the combinatorial complexity of protein folding is not that different from the nature of the design space in our domain.

We were not the first to think of using artificial intelligence to speed up parts of RFIC design. Researchers had previously trained machine learning algorithms on circuit templates in the hope of speeding up the normal optimization processes. While this approach was undoubtedly faster than humans at optimizing templates, it still relied fundamentally on libraries of existing designs invented by humans.

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We didn’t want that. We wanted to break free from the restrictions of prefabricated topologies. Because while a designer’s experience and hard-won heuristics are crucial to building a working design, they also place fundamental limits on it. Furthermore, such an approach would necessarily require simulation steps as part of the optimization cycle, and even the fastest simulations use a lot of computing resources. Worse still, in many advanced cases, such as for broadband designs, there are no existing templates.

But if we didn’t start with templates, where could we start?

The goal here was to allow algorithms to determine—entirely from scratch—every parameter for architecture, constituent circuits, and electromagnetic passives. This approach differs fundamentally from conventional optimization, which is limited to determining the parameters—like transistor dimensions and passive component geometries—that optimize structures originally devised by humans.

In our new approach, the architecture begins essentially from nothing and is progressively assembled through successive iterations. The system explores the design space by generating myriad candidate circuit combinations and mapping the resulting performance trade-offs as it navigates this landscape. Because the process is not biased by prior human design choices, it can produce completely novel circuit topologies that look markedly different from those created by human designers.

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In some ways, the approach echoes AI systems such as AlphaGo Zero, which achieved superhuman performance not because it was trained on games played by humans but because it explored the rules by playing against itself. Similarly, our algorithm develops new circuit architectures by exploring and evaluating its own design strategies. In so doing, it learns to understand circuits, electromagnetics, and the close codesign they need to achieve the end-to-end design of RFIC.

Inverse Design for RFICs

To realize this capability, we proceeded in two stages. First, we developed a reinforcement-learning (RL) framework that determines the optimal system architecture, circuit topology, device parameters, and even the properties of the electromagnetic interfaces that connect different circuit elements. In this stage, the algorithm effectively defines how signals should propagate and interact across the system.

The algorithm trains very similarly to how a computer learns to play a game. If you let it play enough times, it can learn to play better by observing the relationship between the actions it took and the score it achieves. In a similar way, the RL agent here learns to design effective circuits by playing with a set of combinations, and over time, it can map the space between the circuit performance to its architecture, topology, and parameters. This training takes a few days to a week, but once trained, the agent can design circuits very quickly

The next step was to determine the physical structure of the IC’s electromagnetics—the plumbing—that can create the desired properties of the passive elements, which are characterized by a set of metrics called scattering parameters. These measure if a signal entering a component actually moves forward—or is reflecting backward, being wasted, as in our previous example with the fire hose and the garden hose.

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Deriving the structure from the desired scattering parameters is an example of an approach called inverse design, which appears across many areas of engineering. In structural engineering, for example, one might collaborate with an architect on a physical goal—such as creating large interior spaces with high ceilings—and then determine the arrangement of arches or buttresses that can support it.

Generative AI for Electromagnetic Networks

Diagram linking S-parameter curves to classical, mazelike, and pixelated structures.
In an effort to make AI-designed circuits more understandable, engineers took a page from image-generation AIs that allow users to create pictures in the style of different artists. Here, instead of an artist\u2019s style, the user can dial in the spatial frequency of an electromagnetic structure. Regardless of how pixelated the structure is, it will still reproduce the needed electromagnetic characteristics, or S-parameters.
Chris Philpot

But RF integrated crcuits pose a particular challenge for inverse design: The process must account simultaneously for circuit behavior and the electromagnetic responses of the interconnects and passive elements that link them together. But it has to figure that out without doing a lot of artisanal iterating.

So we replaced our RF circuit simulator with an AI-based emulator. This AI model can predict the behavior of electromagnetic fields going through any structure—even totally arbitrary two-dimensional shapes—without having to compute the underlying physics from scratch, as simulation tools do. It would predict the solution of Maxwell’s equations and tell you the scattering parameters for any structure you showed it, without actually doing the math. With such an AI in hand, what a time-consuming electromagnetic solver normally takes minutes or hours to accomplish is reduced to milliseconds.

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We chose to build our emulator around a convolutional neural network—a machine learning model that has been remarkably successful for image processing. Such networks can extract spatial features from any structure, and it turns out that the image of a structure contains a lot of spatial information that can accurately predict its electromagnetic performance. Then we trained it on a vast number of random pixelated structures whose scattering parameters had been labeled.

Once we had our inverse-design RL and suitable AI emulator, we essentially had an end-to-end AI designer. So we asked it to design us a power amplifier.

Unconventional RF Architectures

In 2023, we published this proof of concept—a power amplifier targeting the millimeter-wave band, specifically spanning 30 to 100 GHz, which covers most of the relevant 5G and radar frequencies. The final design achieved the best combination of wide bandwidth, output power, and efficiency then reported for a silicon-based power amplifier—meaning it could amplify a large amount of data across a wide swath of frequencies—while maintaining record efficiency.

The structure of the IC’s electromagnetic pathways was unlike anything any human would ever consider. Since the AI is not trained on human designs, the layout that emerged looked more like an arbitrary pattern or perhaps a QR code than the regular symmetrical structures we are used to seeing.

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One unexpected insight revealed by this prototype, and our research generally, is that there’s no evidence that the templates we’ve historically relied on are even close to optimal for modern design goals. It’s not that a human designer can never come up with a better design. But with the removal of the templates and the time to synthesize cycle upon cycle of optimized circuits, it is now clear that AI-driven synthesis could break traditional design barriers and push the limits of RFIC capabilities.

Our 5G amplifier had only one input port and one output port. Adding more inputs and outputs to a design is not straightforward. Every port electromagnetically couples to every other port, so the scattering parameters quickly add up. Two ports give you four scattering parameters. Four ports, 16 scattering parameters. The math gets ugly fast. Could our model keep up?

We next trained our model on larger classes of electromagnetic structures with many input and output ports. In 2024, we published work showing that multiport integrated circuits are no problem for these AI algorithms either. Where previously multiport electromagnetic simulation required days or weeks of toil, this model evolved new structures in minutes. Since then, a plethora of work in the space by research communities across the globe have demonstrated the power of inverse design in RFIC.

Combining the reinforcement learning framework with the inverse design, we now had the ability to create an RFIC from specifications all the way to a fabrication-ready layout. We’ve so far shown this is true for RFICs ranging from low-noise amplifiers to subterahertz and broadband power amplifiers. The hope is that this will work just as well for other circuits.

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Making AI Designs Interpretable

Our goal was to make RFIC design better and easier, but we didn’t want to make it beyond human understanding. Chip testing and debugging is a long, arduous process, sometimes even more so than design. Engineers often prefer ICs to have interpretable structures, so that if a problem crops up, they can understand how the chip works well enough to debug it.

To create structures that are more interpretable, we turned to diffusion models, which you may know from their remarkable ability to generate realistic images from text prompts.

AI-driven synthesis could break traditional design barriers and push the limits of RFIC capabilities.

Imagine you go to your favorite image-generation engine and ask it to create a painting of the sky in the style of Picasso, Van Gogh, or Michelangelo. You will get images that capture the essence of their brushstrokes, their use of colors, and their framing. All are pictures of the sky nonetheless, but in different styles.

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Electromagnetic design is similar in that multiple structures can have very similar electromagnetic responses. Instead of using text input, we used scattering parameters as our input, and the electromagnetic structure of an RFIC chip as our output. As part of the inputs to the diffusion model, we created a dial that sets the spatial frequency of the final structure. By turning the dial, a designer can direct the model to synthesize structures with low (classical-looking and interpretable), medium (mazelike structures), or high (pixelated or arbitrarily-shaped) spatial frequency.

From prompts to output, the entire process took about 6 minutes. With this diffusion model, algorithms can now both discover novel architectures and accelerate the creation of conventional, so-called classical ones.

All an RFIC designer needs to do is specify virtually any valid set of scattering parameters. As long as they are physically realizable under Maxwell’s equations, the model pops out a corresponding structure as if it were a vending machine.

The Future of AI-Driven RFIC Design

The results of our investigations have drawn the attention of the RF community. The traditional bottom-up design process is clearly beginning to reverse.

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But there are still questions: How generalizable are these methods? Can they consistently deliver truly high performance? Can we get to a place where AI produces designs that maximize every conceivable trade-off, holistically optimizing every parameter to its most ideal physical state? We want to take this strategy beyond RFIC design and invent other kinds of circuits that are different from anything humans have ever done.

These are exciting and ambitious prospects, but we are not there yet. AI can hallucinate a design that creates bad circuits that don’t work. This means verification methods need to remain under human oversight. And, while hallucinations are rare, it would still be good to reduce their occurrence.

History suggests that meeting these dreams of the future will take much more data than we’ve been using. Before the creation of the ImageNet repository—a repository of 14 million varied, human-annotated images—image-recognition models didn’t function well in the real world. The datasets they had been trained on were too tiny to be effective. ImageNet’s massive amounts of training data ushered in a revolution that led to AI that can generalize and recognize images in the wild. The rest was history.

If the goal for RFIC and analog design is a universal foundational model—something that learns the governing laws of electromagnetics and circuit behavior—then we also need data.

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The good news is that this data is plentiful. Around the world, countless engineers at companies and academic labs simulate nearly identical RF circuits and passive structures every day. The bad news is that it’s all locked away behind nondisclosure agreements.

Open ecosystems have propelled other areas, and we think the RFIC community should do the same. There had been some movement toward this. Natcast, the operator of the U.S. CHIPS and Science Act’s R&D program, would have bolstered shared infrastructure and innovation for the next generation of wireless, sensing, and defense technologies. Unfortunately, both the organization and the program it ran specifically for machine learning and RFICs have been closed.

But the momentum Natcast’s effort sparked hasn’t died out. Building on our early work, groups across the community have already demonstrated remarkable advances. AI-driven IC design is part of a much broader technological shift. From biology and materials science to automotive and aerospace engineering, AI is reshaping how complex systems are conceived and optimized. Deeper collaboration between AI researchers and chip designers will unlock the field’s full potential. It’s by no means a foregone conclusion, but if we get this right, this genie won’t stay in its bottle.

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Quantum Systems has built a UAV capable of reaching speeds of up to 699 km/h in “straight and level flight” and is now seeking official recognition for the achievement. The German drone maker recently announced that its Apex Recordhunter drone reached an “unofficial” world record during internal testing conducted on…
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Avoid AI atrophy – new tool promises to reverse vibe coding skills decay

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Want big muscles? Keep working out. Want big coding skillsets? Flex your dev skills with the Atrophy CLI app before they wither away

If you’re a coder who uses AI agents to write programs for you, you may start losing those talents. Fortunately, a new command line tool can help reinforce your skills before they wither away. 

Aptly titled Atrophy by Ashutosh Rath, the Bengaluru, India-based developer who created it, the CLI app treats coding abilities like Elo chess scores and pushes devs to reinforce their learning through regular drills in five different skill areas. 

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Syntax recall asks users to write a small function from a spec, debugging presents a code snippet with a hidden bug in it, code reading treats users like a human print command, API memory tests one’s ability to fill in the blank in a stdlib call, and decomposition tests a coder’s ability to outline a design. 

Exercises test Python and JavaScript skills and come in three difficulty levels, Rath explained in the GitHub readme, with seeded generation for fresh variants of the different exercises. 

“If AI assistance is quietly eroding your ability to code unaided, the chart shows you – before an interview, an outage, or a day without wifi does,” Rath wrote in Atrophy’s readme. 

Users take a baseline exam with one exercise in each of the five skill areas to get their starting ratings, which Rath estimates takes around 25 minutes to complete. After that, he recommends users do 5-10 minute drills two or three times a week. Atrophy automatically selects an exercise from the skill that’s been neglected the longest and sets a soft time limit for the exercise. Users can still pass if they exceed the soft limit, but point gain will be reduced if they do so. 

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Rath told The Register that ratings are adjusted after exercises “using an Elo-style formula,” and explained that drills early in one’s Atrophy use will move the number more than later ones. Inactivity in using the app (it has to be triggered manually right now and won’t force users to drill on any set schedule) weakens Atrophy’s confidence in the correctness of its user’s rating, but doesn’t actually lower scores.

Rath also suggests users take an AI-assisted drill once a month, scores for which are tracked separately and used to measure one’s skill gap between assisted and unassisted coding so you can see if you’re gradually becoming more dependent on agent assistance as time goes on.

As mentioned above, the rating system was based on chess Elo ratings, but Rath told The Register that it’s not a one-to-one copy of Elo’s ranking style. For one, each of the five skill areas is ranked independently and each starts at 1200. There isn’t a hard minimum or maximum, Rath explained, so just know you can keep dropping below 1200 if your coding muscles get really weak. 

As Rath notes in the readme, drills are just a proxy for real-world skills, so don’t treat the number as an absolute measurement of skill: The value of Atrophy lies in the trends the app suggests over time, which allows devs to hone in on skill areas AI may be harming. 

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“Atrophy isn’t anti-AI,” Rath told us. “I built it to measure the gap between what I can do with AI and what I can still do on my own, because that skill can quietly rust without warning.”

There’s plenty of evidence to suggest Rath is on to something. Analysts have been warning for some time that AI can erode skills due to reliance on tools to handle tasks traditionally left to human developers, but anecdotal evidence isn’t all the proof. 

Researchers at MIT found last year that students writing essays with the assistance of AI chatbots had less brain activity than those writing them without LLM help. The cadre of users relying on AI also had poorer fact retention and an inability to recall what they had written. The end result of AI usage, they concluded, was “shallow encoding” of learning and less ability to operate independently of their agentic companions. 

In other words, your skills could be disintegrating without you even realizing – might be time to take Atrophy for a spin so you can at least establish a baseline. ®

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UCD researcher building AI learning tools for autistic people

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‘I became very aware of how misunderstood autistic people still are, especially in education, healthcare and workplaces’.

Lisa O’Neill is researching neuroaffirmative approaches in education for autistic students as part of her master’s degree at University College Dublin’s School of Medicine.

Alongside her research, O’Neill is the founder and CEO behind ‘NeuroConnect’, an autistic-led platform designed to translate research and lived experience into practical training, guidance and AI-supported tools. The tool is designed for a variety of groups, including educators, employers, families and autistic people.

O’Neill herself is autistic, having been diagnosed in her mid-forties. She says this new understanding set off a spark in her.

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“Suddenly, so many experiences from my life started to make sense, but at the same time I became very aware of how misunderstood autistic people still are, especially in education, healthcare and workplaces.”

What inspired you to become a researcher? Do you have any specific memories that set off a spark?

One specific memory that stayed with me was realising how often autistic people are talked about in research and training but not genuinely included in shaping it. It made me want to contribute to research that centres lived experience and creates practical change, not just theory.

That experience inspired both my MSc research and my work developing NeuroConnect, an AI enabled, autistic-led platform focused on more neuroaffirmative support for educators, employers, families and autistic people themselves.

Can you tell us about the research you’re currently working on?

I’m currently completing an MSc research project focused on collaborative partnerships around autistic students in mainstream lower-secondary education. My research looks at how schools, families and autistic people can work together more effectively to create more supportive and neuroaffirmative educational experiences.

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The project grew from my lived experience (as a late-diagnosed autistic adult and parent of an autistic child), and from seeing how often misunderstandings happen between systems, professionals, families and autistic people.

Over time, the research has evolved from simply looking at ‘support’ into exploring shared understanding, communication and relationship-building.

Drawing on my lived experience and understanding of autism, I worked closely with my child’s school during a very difficult transition, to help them better understand his needs and communication style. Over time, they began taking on board my advice and guidance, and the situation gradually improved. Today my son is attending school every day, which has had a huge impact on me personally and really shaped the direction of my research.

I’m working with supervisors across medicine and psychology, which has been really valuable because the project is very interdisciplinary.

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Alongside my MSc, I’m also developing NeuroConnect, an autistic-led platform that translates a lot of these ideas into practical training and AI-supported guidance for educators, employers, families and autistic people. For me, the research and the platform are very connected because they are both focused on creating practical, real-world change.

In your opinion, why is your research important?

I think this research is important because many autistic people, particularly children and young people, are still trying to fit into systems that were never designed with autistic experiences in mind. Too often, support focuses on changing the autistic person rather than improving understanding, communication and the environments around them.

My research focuses on collaboration and shared understanding because I believe better outcomes happen when autistic people, families, educators and professionals genuinely work together and value each other’s perspectives. Small changes in understanding and communication can make a huge difference to a person’s education, wellbeing, confidence and future opportunities.

I also think it is important that autistic voices are included meaningfully in research and practice. Lived experience should not be an afterthought. It should help shape the systems and supports being created.

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What commercial applications do you foresee for your research?

I see strong potential for my research to be translated into practical tools and training that improve real-world support for autistic people across education, healthcare and workplaces. Alongside my research, I am developing the NeuroConnect platform with the aim of turning research and lived experience into accessible training, guidance and AI-supported support tools.

The long-term goal is to develop evidence-informed resources that help educators, employers and professionals better understand and support autistic people in everyday settings. This could include neuroaffirmative training programmes, digital support platforms, collaborative planning tools, and AI-assisted guidance systems informed by lived experience and research evidence.

What is most important to me is that any commercial application remains grounded in ethics, accessibility and autistic perspectives, so that it creates meaningful and practical change rather than simply raising awareness.

What are some of the biggest challenges you face as a researcher in your field?

One of the biggest challenges is trying to bridge the gap between lived experience and traditional systems. In autism research, autistic voices have historically been underrepresented so there can still be a disconnect between what research focuses on and what autistic people actually need in everyday life.

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Another challenge is that education, healthcare and workplace systems are often under significant pressure, so even when people want to do better, they may lack the time, training or resources to fully support neuroaffirmative approaches. Part of my research involves exploring how to create approaches that are both meaningful and realistic within real-world settings.

As someone coming into research through lived experience as well as academia, I also think there can sometimes be challenges in balancing personal insight with traditional academic expectations. At the same time, I see that as one of the strengths I bring to my work because it keeps the research grounded in real experiences and practical impact.

Are there any common misconceptions about this area of research? How would you address them?

Yes, I think one common misconception is that autism research is only about deficits, behaviours or finding ways to ‘fix’ autistic people. Increasingly, many researchers and autistic advocates are challenging that approach and focusing instead on shared understanding, communication and relational factors such as collaboration and emotional safety between autistic people and their wider support systems.

Another misconception is that supporting autistic people requires huge or unrealistic changes. In reality, small adjustments in communication, predictability, flexibility and understanding can often make a very significant difference.

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I also think there can be a misunderstanding that lived experience and academic research are somehow separate. For me, lived experience strengthens research because it helps ensure the questions being asked are relevant to real life and the outcomes are meaningful for the people the research is intended to support.

What are some of the areas of research you’d like to see tackled in the years ahead?

I would really like to see more research that is genuinely co-produced with autistic people and grounded in lived experience from the beginning, rather than autistic people only being consulted at the end of a project.

I’d also like to see greater focus on relational and systemic approaches, particularly around communication, shared understanding and collaboration between autistic people, families, educators, clinicians and employers. I think there is still a lot we do not fully understand about how environments and relationships shape outcomes for autistic people.

Another area I think is incredibly important is the ethical use of AI and technology to improve accessibility, education, mental health support and everyday communication for neurodivergent people. There is huge potential there if it is developed in a neuroaffirmative and human-centred way.

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Finally, I would love to see more strengths-based research that looks at autistic wellbeing, belonging, identity and long-term quality of life, rather than focusing only on difficulties or deficits.

Don’t miss out on the knowledge you need to succeed. Sign up for the Daily Brief, Silicon Republic’s digest of need-to-know sci-tech news.

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Portable Bluetooth speakers have grown far beyond the disposable little cylinders that once lived in kitchen drawers, rental cars, and beach bags until their batteries gave up the ghost. The category has exploded in recent years, drawing serious attention from brands such as KEF, DALI, Devialet, and Andover Audio, all of which see an opening for compact, battery-powered speakers that do more than make noise near a pool and can be tossed at that annoying relative who lacks a filter.

That brings us to the Andover Audio FreePlay and KEF Muo. On paper, there is a clear price difference, and the KEF arrives with the kind of industrial design pedigree and premium-brand cachet one expects. But this is not quite a battle between a luxury object and a lesser alternative. Both are designed to work at home, travel without complaint, and survive time outdoors; both also aim to offer more musical weight, clarity, and refinement than the usual Bluetooth-speaker suspects.

The real question is not which one has the fancier badge or the longer specification sheet. It is which portable speaker makes more sense for how you actually listen: on the kitchen counter, in a hotel room, by the grill, at the beach, or anywhere a proper stereo system would be excessive, impractical, or likely to attract complaints from someone who detests fun.

Andover Audio FreePlay vs. KEF Muo Specifications

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Andover Audio FreePlay KEF Muo
Price $429 $249.99
Speaker type Portable stereo Bluetooth speaker Compact portable Bluetooth speaker
Drivers 2 x 5.25-inch aluminum-cone woofers,
2 x 25mm dome tweeters, rear passive radiator
58 x 117mm racetrack mid/bass driver with P-Flex surround, 20mm dome tweeter
Amplification Not published 40W total Class D: 30W mid/bass, 10W tweeter
Frequency response 55Hz to 20kHz 43Hz to 20kHz
Maximum SPL Not published 90dB ±3dB at 1 meter
Bluetooth Bluetooth 6.0 with LE Audio and Classic Bluetooth Bluetooth 5.4
Codecs LC3, AAC, SBC aptX Adaptive, AAC, SBC
Wired inputs 3.5mm auxiliary input, dynamic microphone input, USB-C charging/power delivery USB-C charging and audio playback
Wireless multi-speaker support Party Mode links up to 99 additional FreePlay speakers TWS stereo pairing; Auracast multi-speaker support
App control No dedicated app KEF Connect app
DSP / listening modes Wide Range and Loud Mode, with Loud Mode adding 6dB Orientation-aware DSP and app-based EQ adjustments
Battery life Up to 24 hours; more than 23 hours in testing Up to 24 hours at moderate volume
Charging time About 3 hours About 2 hours; 15 minutes provides up to 3 hours of playback
Phone charging 5W Qi wireless charging pad; 45W bidirectional USB-C charging No wireless phone charging
Weather resistance IP67 IP67
Dimensions 10 x 13 x 6.5 inches 8.5 x 3.2 x 2.3 inches
Weight 9 pounds 1.6 pounds
Included carry accessory Carry bag with shoulder strap Removable carrying strap
Best fit Room filling, outdoor gatherings, deeper bass, greater output Desktop, kitchen, travel, close-range listening, smaller spaces

Design, Portability, and Outdoor Use

Before getting into bass, detail, dynamic capabilities, and all of the other things people claim to hear while standing next to a braai with an ice-cold Castle Lager in one hand, the more useful question is how these speakers fit into daily life.

kef-muo-in-hand
KEF Muo

The FreePlay and Muo are both meant to travel beyond the living room, but that does not make them interchangeable. Size, weight, battery performance, weather resistance, charging, physical controls, wireless stability, and how easily each speaker moves from kitchen counter to hotel room to backyard all matter here. A portable speaker that sounds wonderful but stays on a shelf because it is too precious, too awkward, or too annoying to charge has rather missed the assignment.

Both proved more durable than their polished finishes might suggest. I used them at the beach, left them in the sand, poured water over them, and left both outside for roughly 30 seconds after the rain began. Neither speaker flinched. I did not submerge either one, because there is a difference between testing an IP67 rating and behaving like a man who has lost a bet.

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The FreePlay’s protected connections inspire more confidence in that context. My only concern with the Muo is that its USB-C input is exposed rather than covered by a rubber flap. That has not proved to be a real-world issue so far. After nearly two months of regular use and more than a little abuse, the Muo is still kicking butt. But on a sandy beach or in wet conditions, it is one detail worth keeping in mind.

The two speakers approach portability from opposite ends of the dock.

andover-audio-freeplay-olive-front
Andover Audio FreePlay

At 9 pounds, the Andover Audio FreePlay is not something you toss into a coat pocket before leaving the house. It is a substantial portable speaker built around a genuine stereo driver array: two 5.25-inch woofers, two 25mm dome tweeters, and a large rear passive radiator. The fold-down handle, tie-down bars, included shoulder bag, IP67 rating, 24-hour battery claim, Qi charging pad, USB-C power delivery, microphone input, and Party Mode make clear that Andover expects the FreePlay to work as the musical center of a patio, pool day, boat trip, golf outing, or camping trip to get away from all of the summer people.

The KEF Muo is the more genuinely travel-friendly option. At only 1.6 pounds and 8.5 inches tall, it slides into a bag without requiring a logistical meeting first. Its sculptural aluminum enclosure, removable carry strap, IP67 protection, USB-C audio, Bluetooth 5.4 with aptX Adaptive, speakerphone function, KEF Connect app, and claimed 24-hour battery life give it a more compact and technologically polished brief. Pair two for dedicated left and right channels, or use Auracast to spread music across multiple compatible speakers.

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kef-muo-front
KEF Muo

It also has a useful second life as a desktop speaker. Positioned horizontally beneath an Apple iMac or on a narrow IKEA desk shelf, the Muo fits neatly where a conventional pair of speakers would be impractical. Its small rubber feet create a stable contact surface, while its orientation detection adjusts the DSP when the speaker is placed on its side. The result is a broader, more room-filling presentation than its narrow cabinet suggests, with a soundstage that can extend meaningfully beyond the speaker itself.

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That is why the price difference is not as straightforward as it first appears. The Muo asks you to pay for miniaturization, materials, everyday portability, and KEF’s refined industrial design. The FreePlay gives you far more physical speaker, true stereo from a single enclosure, more output potential, more bass-producing surface area, and features that make it feel closer to a compact outdoor music system than a conventional portable Bluetooth speaker.

Both can handle the kitchen counter, hotel room, pool deck, beach, or backyard. The difference is that the KEF is the one you carry everywhere because it disappears into a bag; the Andover is the one you bring when the music needs to annoy everyone within 100 feet in every direction.

kef-muo-rear
KEF Muo (rear)

Connectivity, DSP, and Real World Performance

The technology matters here because these are fundamentally different solutions. KEF uses DSP, compact engineering, and app-based adjustment to make the Muo unusually flexible for its size. Andover gives the FreePlay more cabinet volume, more drivers, and far more physical presence. Neither approach is accidental.

Bluetooth, Apps, and Useful Technology

Both speakers paired quickly and reliably, with connection taking less than a second in most cases. The KEF Connect app gives the Muo useful sound-adjustment options, while the FreePlay keeps things more direct. Casting from an iPhone to the FreePlay simplified playback, and TIDAL, Qobuz, and Spotify all worked without noticeable lag.

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Inside the house, wireless range was broadly similar. Interior walls mattered more than either speaker’s Bluetooth implementation, depending on where the source device was located. Outdoors, the Muo held a slight edge in connection range.

Indoor Listening and Low Volume Performance

The Muo is particularly effective in close-range listening. Positioned horizontally beneath an iMac, on a desk shelf, or on a kitchen counter, its orientation detection adjusts the DSP and creates a wider, more focused presentation than its narrow enclosure suggests. Pointed toward the listener, it works extremely well as a personal speaker.

The FreePlay cannot play that role in the same way. It is too large to disappear beneath a monitor, but it fills a room more easily and sounds clearer overall. The KEF works best when you are sitting near it; the FreePlay makes more sense when the music needs to reach beyond one person at a desk or table.

Bass, Scale, and Outdoor Volume

This is not a close contest.

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The FreePlay has larger drivers, more cabinet volume, more bass-producing surface area, and more output. Those advantages matter outdoors, where music has to compete with wind, conversation, traffic, water, and the general chaos of people enjoying themselves. It produces more weight, more scale, and greater presence, while maintaining clarity as the volume rises.

The Muo is capable outdoors for personal listening, a small patio, or a hotel balcony. But it is still a compact portable speaker. The FreePlay is the one to bring when the music is expected to carry an outdoor gathering rather than simply accompany it.

andover-audio-freeplay-olive-top-front

The Bottom Line

The Andover Audio FreePlay and KEF Muo are closer than their price tags and dimensions initially suggest, but they are not trying to solve the same problem.

The KEF Muo is the more elegant compact speaker. It travels easily, looks at home on a desk or kitchen shelf, works exceptionally well beneath a monitor in its horizontal orientation, and uses its DSP intelligently to create a wider, more focused presentation for close-range listening. It is the better choice for hotel rooms, desktop systems, smaller spaces, and listeners who want a genuinely premium portable speaker without carrying something the size of a small carry-on bag.

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The Andover Audio FreePlay is the more complete all-purpose music system. Its larger cabinet, true stereo driver array, stronger bass, greater output, and superior ability to fill a room or outdoor space give it a clear advantage when more people are listening or the environment is working against you. It also brings useful extras, including Qi charging, USB-C power delivery, a microphone input, Party Mode, and the kind of ruggedness that makes it easy to use at the beach, by the pool, or during a braai without treating it like a museum piece.

Buy the KEF Muo if portability, desktop use, design, and close-range listening are the priorities. Buy the Andover FreePlay if you want more scale, more bass, more output, and a speaker that can comfortably move from the kitchen counter to the backyard without running out of breath.

The Muo is the better compact speaker. The FreePlay is the better choice when you need a portable speaker to behave like a real music system.

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Former Impinj CEO Bill Colleran tapped to lead Seattle AI coding startup Adronite

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Bill Colleran is the new CEO of Adronite.

Bill Colleran, a veteran technology executive who previously led Impinj and sold Innovent Systems to Broadcom, has joined Seattle-based AI coding startup Adronite as CEO.

Edward Rothschild, who co-founded Adronite in 2023 and served as its first CEO, is transitioning to chief technology officer, where he’ll continue leading the company’s product development, including its Adronite Context Engine and Codistry AI code generation tool, according to a news release.

The 15-person company raised a $5 million Series A led by Gatemore Capital Management earlier this year. The platform supports cloud, on-premises and air-gapped deployments, targeting midmarket companies and regulated industries.

Colleran has more than 35 years of experience in semiconductor and enterprise technology. He grew Impinj into a market leader in RFID technology, raising more than $100 million in equity financing. He left the company in 2014 and was succeeded by co-founder Chris Diorio. 

He was also CEO of Innovent Systems, which developed the world’s first CMOS Bluetooth chip and was acquired by Broadcom for approximately $500 million. 

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More recently he founded lidar company Lumotive and led Seattle SaaS startup AnswerDash. He holds a Ph.D. in electrical engineering from UCLA and a J.D. from Harvard Law School. 

“Throughout my career, I’ve seen technology industries transformed when complexity becomes manageable,” Colleran said in a statement. “Software development now faces a similar challenge. AI can generate code at an incredible pace, but understanding complex software systems remains difficult for both developers and AI.”

Adronite’s platform aims to help developers and AI agents understand entire codebases rather than working file by file — a challenge especially acute for midmarket companies managing legacy systems without the tooling available to large enterprises. 

The company says its approach can cut token consumption by up to 40%, a claim that could resonate as engineering teams grapple with rising AI costs.

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Most pandemic home bakeries fade away, but Tiap Tiap opened a S$500K store

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Peranakan heritage food biz Tiap Tiap began selling on a Facebook group, now it’s a full-fledged shopfront

Most food businesses start with a business plan. Peranakan heritage food brand Tiap Tiap started with a pandan cake and friends who wouldn’t stop asking Sophia Yeow to cook for them.

Six years on, what began as a two-product home-based operation during Singapore’s circuit breaker has grown into a brick-and-mortar shopfront on East Coast Road in Joo Chiat. It’s a fitting location for the brand, rooted in the Peranakan heritage of the neighbourhood where Sophia grew up.

Vulcan Post spoke with Sophia, 55, and her daughter, Nicole Lian, 29, about how a small family business grew into a brick-and-mortar brand, and what it took to get there.

An accident that changed everything

tiap tiap sophia yeow peranakan foodtiap tiap sophia yeow peranakan food
Sophia cooking at home./ Image Credit: Tiap Tiap

Sophia launched Tiap Tiap in 2020 when an accident sent her to the hospital and prompted a reckoning with what she actually valued in life.

She had previously spent two decades in senior marketing and communications roles alongside running a child enrichment centre in Bukit Timah with a friend.

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What was important to me was family. So I stepped away from everything.

Sophia Yeow

Sophia sold the enrichment business, gave six months’ notice at her corporate job, and spent time travelling with her parents and cooking for people she loved. 

With encouragement from her friend, Sophia began posting in a Facebook group called Singapore Home-cooked Delights. She started with just three products: a pandan chiffon cake, radish kueh, and yam kueh. She wasn’t sure anyone would buy.

Tiap Tiap’s pandan chiffon cake./ Image Credit: Tiap Tiap

To her surprise, strangers not only placed orders but also shared reviews in the group, helping word spread organically.

Soon, banks and other organisations looking to support home-based businesses during the pandemic began placing orders. At one point, Sophia was coordinating deliveries to 150 locations across Singapore over two days, juggling production and logistics on her own.

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Today, Tiap Tiap has set up a 500 sq ft central kitchen in Bedok, while its production capacity has increased by 500% from its early pandemic days.

A mother-daughter business

In 2021, MediaCorp, having spotted her Instagram account where she shared food, travel and snippets of daily life, reached out to ask if she’d consider joining MasterChef Singapore.

Despite having no experience, she did it anyway, reaching the top 24. The experience led her to a subsequent cooking competition for home cooks, the Lee Kum Kee Supreme Chef Cooking Competition II, which Sophia won that same year.

Screengrab from Lee Kum Kee

The competitions gave Sophia greater visibility, but to her daughter, Nicole, her talent had never been in doubt.

Nicole grew up watching her mother set the family table differently from everyone else. Sophia would host themed dinners regularly. Indonesian night meant banana leaves and matching crockery; a trip to Athens meant Mediterranean food for a week, served on pieces Sophia had brought back specifically for the occasion. Besides the food, the whole experience surrounding the food was equally important to the family.

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“As a kid growing up, I kind of knew there was something special in her cooking,” Nicole said.

So when Sophia started Tiap Tiap, Nicole naturally recommended the brand to friends and colleagues—she already believed in what her mother was making.

tiap tiap sophia yeow nicole lian peranakan foodtiap tiap sophia yeow nicole lian peranakan food
(L to R): Nicole and her mother, Sophia./ Image Credit: Tiap Tiap

After COVID-19, Nicole noticed that while many home-based businesses fell away as restrictions eased, Tiap Tiap’s orders kept coming. This pushed Nicole to leave her corporate career in 2024 to join Tiap Tiap as Managing Director.

Nicole brought operational structure to what her mother had been running on instinct and craft by creating a system of orders that made organising and fulfilling orders simpler.

Sharing Peranakan heritage

By that point, Tiap Tiap had grown beyond cakes.

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The brand also hosts Butterfly Table, a private dining experience held in Sophia’s home.

Image Credit: butterfly.table via Instagram

The weekly three-hour dinner combines Peranakan cuisine, storytelling and Sophia’s collection of antique crockery, giving guests a deeper appreciation of the culture behind the food.

Butterfly Table was born after a senior executive who had tasted Sophia’s cooking invited her to cater for Temasek and its board of directors for a month.

That opportunity led to her first private dining session at home—a Peranakan tok panjang for the current Singapore Ambassador to China, Peter Tan, who later told her it felt like coming home.

A measured expansion

tiap tiap sophia yeow nicole lian peranakan foodtiap tiap sophia yeow nicole lian peranakan food
Tiap Tiap’s Ondeh Ondeh cake and Kaya spread./ Image Credit: Tiap Tiap

Opening a physical store wasn’t an impulsive decision.

Before committing to a permanent retail space, Sophia and Nicole spent two years testing demand through pop-ups, allowing them to gauge customer interest and learn how to scale the business without taking on significant overhead.

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Tiap Tiap’s Takashimaya pop-up./ Image Credit: Tiap Tiap

Their first pop-up at Takashimaya in 2025 regularly sold out within 10 minutes of each restock, with customers queuing for the next batch of cakes to arrive from Tiap Tiap’s central kitchen.

At Boutiques Singapore, vendors from around the venue reserved cakes before the doors even opened, leaving little stock for the general public by 10AM.

The pop-ups confirmed what years of online orders had already suggested: demand for Tiap Tiap had outlasted the pandemic. Today, around 40% of its customers are repeat buyers who have supported the brand since its home-based days.

With that validation established, the team spent time at the central kitchen refining SOPs, building the team, and working out how to scale production reliably before making the retail commitment.

The shopfront at 374 East Coast Road eventually opened in late Jun 2026. Actual costs came in just under S$500,000—entirely self-funded, with no external investors.

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Taking it one step at a time

tiap tiap sophia yeow nicole lian peranakan food east coast road shoptiap tiap sophia yeow nicole lian peranakan food east coast road shop
Nicole and Sophia at their physical store on East Coast Road./ Image Credit: Tiap Tiap

Today, Tiap Tiap’s East Coast Road store operates as a takeaway concept, offering a range of sweet and savoury Peranakan fare.

The sweet treats are made on-site, while the savoury range and delivery orders continue to be prepared at the brand’s central kitchen in Bedok.

Although Sophia and Nicole still drop by the shop almost every day, Nicole’s immediate goal is to build the business to a point where it can operate without either of them being physically present.

After six years, neither mother nor daughter romanticises the leap from corporate life into entrepreneurship. Passion, Sophia said, is important—but it has to be matched with an understanding of what customers want.

Passion without appreciating what the market wants will eat you up very quickly.

Sophia Yeow

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  • Find out more about Tiap Tiap here.
  • Read other articles about Singaporean businesses here.

Featured Image Credit: Veronica C via Google Reviews, Tiap Tiap

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OpenAI teams with Work Louder to launch Codex-native keyboard, weeks after CEO of Apps told staff ‘not to be distracted by side quests’

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  • OpenAI reveals first branded hardware, the Codex Micro, a programmable macro pad built with keyboard maker Work Louder
  • Codex Micro seems to be based on Work Louder’s Creator Micro 2’s layout, mapped to Codex coding-agent shortcuts
  • The move reinforces OpenAI’s Codex offering as one of its mainstay areas of focus by allowing developers the ability to perform tasks or interact with AI faster

OpenAI’s first branded piece of hardware is not a long-anticipated consumer device it is building with ex-Apple design chief Jony Ive, but rather a programmable macro pad called the Codex Micro.

The keyboard, which consists entirely of macro keys designed to “supercharge people’s Codex usage,” according to an OpenAI spokesperson at the AI Engineer World’s Fair, is reportedly a collaboration between the iPhone creator and the custom macro pad creator Work Louder.

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How to Choose the Right Cable for Your Setup

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Simply head to any electronics section or do some Internet shopping, and you’ll see dozens of HDMI cables in a variety of prices, from a few dollars to a lot more. While they are almost alike, the differences between them can have an impact on how your new TV, gaming console or home theater works as it should. The key to selecting the best HDMI cable is not to spend extra money, but to ensure that the cable is suitable for the task at hand. This guide has made all the information available for your purchase, before you buy.

So what is an HDMI Cable?

HDMI or High-Definition Multimedia Interface is a video and audio interface that uses one cable to connect devices. Rather than having to use separate cables for picture and sound, a single HDMI cable will connect a source device such as a streaming box, gaming console or laptop to a display or receiver. The aim of a HDMI cable is not to sound or appear better, it’s to be able to reliably transport the signal you need.

This is where things get confusing for most buyers. HDMI cables aren’t rated by brand prestige or price they’re categorized by bandwidth and performance tier. It is the knowledge of these categories that really leads to a correct choice.

Types of HDMI Cables Explained

The data transmission rate, or data transfer speed, is expressed as the amount of data carried per second (gigabits per second or Gbps), and there are four commonly recognized categories of HDMI cable in terms of data transmission rate:

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Normal HDMI Cable

  • Can only achieve up to 1080i or 720p resolution at a bandwidth of approximately 5 Gbps.
  • It’s a bit old for modern, but could be perfect for older equipment.

High-Speed HDMI Cable

  • Supports 1080p and can support 4K at lower refresh rates (up to 30Hz), bandwidth of approximately 10 Gbps.

Premium High-Speed HDMI Cable

  • At approximately 18 Gbps, for 4K video at 60Hz, and supports HDR.
  • Meets the needs of most common uses.

Ultra High-Speed HDMI Cable

  • The current top tier with up to 48 Gbps, 8K at 60Hz, 4K at up to 120Hz and all of the features of HDMI 2.1 including VRR and eARC.

It’s not just about purchasing the highest level of cable available, it’s about the matching. The picture will be limited by the Standard cable connected to a 4K HDR TV, and the Ultra High-Speed cable will offer no improvement over a basic 1080p TV.

HDMI Cable Certification: What Those Labels Actually Mean

If you don’t see the four speed categories, you’ll typically find certifications such as “Premium Certified” or “Ultra Certified” on the cables. The labels are not simply a manufacturer’s own performance claims they are the result of independent testing done by the HDMI organization.

Cable with the Premium HDMI Cable Certified label has been tested for performance in accordance with the Premium High-Speed specifications, including the consistent performance of 4K and HDR. The Ultra High-Speed HDMI Cable Certified designation means the cable is tested for the complete 48Gbps that is necessary for the 8K resolution and advanced HDMI 2.1 features.

These certifications are important as the categories represent the maximum possible performance, but not all HDMI cables with the same category will deliver the same performance. Two cables can be marked as “Ultra High-Speed” on the packaging, but only one can have the official certificate indicating that the cable has been independently tested to meet the specification. While uncertified cables may not be necessarily unreliable, it does provide a reassuring level of certainty over a self-reported speed rating.

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Every certified cable also contains a unique QR code or authentication feature which can be compared to the HDMI Licensing Administrator’s database to ensure that the cable is a genuine certified cable and not a mislabelled or fake version. This can be helpful when shopping on third party marketplaces, as there is a higher risk of mislabelling than if shopped directly from the retailer.

When you’re making an ordinary purchase, the speed category can be sufficient. For setups that have a high cable count or long cable runs, or those with expensive displays or high-end gaming consoles, opting for a specific certification label (not just a category name) is an extra measure of assurance that the cable will function as stated.

HDMI 2.1 vs. HDMI 2.0

For basic HDR, 4K resolutions at 60Hz are still the predominant standard and sufficient for conventional viewing.

With HDMI 2.1, 4K can be supported at 120Hz, 8K supported at 60Hz, Dynamic HDR, VRR and eARC for Dolby Atmos and similar audio formats.

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A caution: An “HDMI 2.1” that’s not always meant to indicate that all of the features in the specification are being supported. Don’t assume the version number is sufficient; look for particular features.

Understanding Resolution and Refresh Rate

Resolution is the amount of pixels that are shown (1080p, 4K, 8K).

Refresh Rate: The number of times the image updates in a single second (HZ) – the higher the refresh rate the smoother the motion, particularly in gaming and sports.

Each cable requires sufficient bandwidth for both, consider how often you want to refresh, NOT how many megapixels you need.

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The basics of ARC and eARC, and why they are important for audio.

With ARC, a single HDMI cable can deliver audio from TV to soundbar or receiver, eliminating the need for an audio cable.

The full uncompressed format, such as Dolby Atmos, is supported by eARC which is part of HDMI 2.1.

For audio equipment with eARC support, a High Speed or Ultra High Speed cable will provide true benefits to you.

Does Cable Length Affect Performance?

Yes, somewhat. On longer runs, signal degradation becomes more an issue, especially for high bandwidth 4K/8K signals. Standard length for living rooms is not a problem, but if installing in wall, check for a CL2 or CL3 rating, which indicates that the cable is rated for fire-safety applications in wall.

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Do High-Quality HDMI Cables Make a Difference?

Typically, no; analog signals have a variety of subtle differences in quality, while digital signals either do or do not. If a cable has the bandwidth and certification requirements of your system, a low cost cable will do the same as a high cost cable. A better build quality will contribute to durability and protection on long runs, but for most connections, speed tier will be the more important factor than price.

A Quick Checklist Before You Buy

  • Identify the maximum resolution and refresh rate your devices support.
  • Check whether your setup needs HDMI 2.1 features like VRR or eARC.
  • Pick a cable tier that matches those requirements  don’t over- or under-buy.
  • Measure the distance needed and factor in in-wall rating if relevant.
  • Focus on specifications, not price, when comparing cables.

Final Thoughts

Choosing the right HDMI cable comes down to understanding what your devices are capable of and matching that to the appropriate cable tier. A cable that meets your actual technical needs will deliver the same picture and sound quality as one costing several times more  the goal is compatibility, not extravagance. 

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AirPods firmware beta lets developers use new iOS 27 features

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Apple has released a new firmware developer beta build for AirPods and AirPods Pro, preparing the personal audio devices for upcoming iOS 27 changes.

Apple periodically updates the firmware of its accessories and peripherals to account for new features being added to its operating systems. With iOS 27, macOS 27, and others undergoing testing, that same process also happens for firmware updates.

Tuesday’s new firmware, build 9A5314b, is for the AirPods 4, AirPods Pro 3, and AirPods Max 2. The firmware is only available to developers, not to the general public.

The firmware can be downloaded by using the AirPods with an Apple device running iOS 26 or later, iPadOS 26 or later, or macOS 26 or later. There is an option under the AirPods settings interface to enable beta firmware installation.

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After enabling it, the update process happens automatically, while recharging and within range of the host device.

Audio changes

While Apple doesn’t state what the firmware is for, it is almost certainly going to enable Apple’s personal audio devices to work properly with changes in its 27-generation operating systems.

Those changes include a redesign of the AirPods settings submenu, including easy-to-read labels and groupings similar to other Settings elements.

A new customizable EQ is also on the way, found under Settings, AirPods, Audio and Routing, then Equalizer.

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Apple Watch users will also be able to use Find My to track down a pair of missing AirPods Pro. Lastly, for AirPods Pro 3, the heart rate tracking will now sync with GymKit on supportive exercise equipment.

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Mysterious Metal Spheres Identified as Rocket Debris on Queensland Beach After Ocean Journey

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Metal Spheres Queensland Space Debris Australia Beach
Photo credit: Australia Space Agency
Over the weekend, visitors wandering along Australia’s Forrest Beach, just north of Townsville, came across something pretty unusual. A host of shining, metallic spheres began washing up on the beach, attracting attention due to their unique shapes and fittings in an area of the coastline where little else happens. Six of these appeared on Friday, Saturday, and Sunday, each almost twice the size of a basketball.



The news of the discovery spread quickly throughout the normally calm community, and before long, Queensland officials and police had established 50-meter safety zones around each of the orbs to keep everyone safe. The men in the big, heavy suits entered and began cleaning up the debris, depositing it into large bins, while they searched for any rocket chemicals that could cause problems. Researchers eventually concluded that the spheres were safe to be around.


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The Australian Space Agency arrived to take a closer look, and their researchers compared the shape, material, and construction of these orbs to every spacecraft component they could find, quickly concluding that these were essentially pressure tanks holding fuel or gases under extreme pressure to help the rocket lift off the ground and into the atmosphere. The agency has already determined which launch it most likely came from, and they are working with other countries to validate the exact rocket and who shot it.

Metal Spheres Queensland Space Debris Australia Beach
Apparently, these small orbs serve as pressure tanks, keeping the propellants or oxidizers at the proper pressure so that the engines can fire properly as the rocket takes off and zooms across space. They’re rather well protected by thick walls and strong metals that can withstand the heat of re-entry, while the lighter pieces blast away. Over the next two days, ocean currents brought them closer to the Queensland shore.

Metal Spheres Queensland Space Debris Australia Beach
Similar fragments have already been found on the beach, including an Indian rocket component discovered in Western Australia in 2023, and parts from NASA’s Skylab space station landed in the same state in 1979. Even with all of the new launches taking place across the world, it is extremely rare to locate parts of re-entry gear on land since, let’s be honest, the majority of it breaks apart or splashes into the water. When it comes to dealing with space trash, Australia follows the usual international guidelines. The components that survive re-entry are kept by the country that launched the rocket, and the government must request their return.
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