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Audiophile Excess Runs Wild in Denmark, Qobuz Fixes CarPlay, Wes Montgomery’s Timeless Groove, and the Marantz M1: Editor’s Round-Up

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There’s something off in the audiophile world right now, and it’s not just coming from Denmark. Between audiophile media excess that feels increasingly detached from reality, a long overdue Qobuz CarPlay update that finally fixes a daily annoyance, and a reminder from Wes Montgomery that timeless music outlasts every format war, this week’s news cuts in a few different directions. Add in the Marantz M1 earning an Editors’ Choice nod for doing the sensible thing exceptionally well, and the picture gets clearer: good engineering and good music still matter more than hype cycles, press junkets, or how many zeros are on the invoice.

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This coming weekend marks the beginning of the silly season I mentioned last week. The calendar fills quickly with hi-fi shows that will get covered whether anyone really needs another one or not. FLAX arrives next weekend in Tampa, and the press will enjoy the warmth while it lasts. The Olympics are still underway, which means no Tampa Bay Lightning NHL games, still the best show in town. Shows are work, not vacations, and covering them costs money. Airfare, taxis, meals, and the quiet expenses nobody lists on a receipt add up fast.

It is also worth being clear with readers about how this works. Some shows cover hotel costs for media because without coverage there is no visibility, no buzz, and no record of what actually happened. Transparency matters. The media business is under real pressure right now. Publications are shrinking, budgets are tight, and layoffs have been widespread over the past year. Ask the people at the Washington Post, Tech Radar, Digital Trends, Sound & Vision, and others. We have been fortunate to add experienced talent because of that reality, but nobody should assume that publications are rolling in money. Even the biggest names are watching every dollar.

When it comes to press junkets, not everyone gets invited. These trips are usually reserved for high profile journalists from mainstream outlets like Forbes, T3, Wall Street Journal, and the New York Times, along with editors from specialist publications. We are not excluded from that group, which likely reflects our growing influence. I have been invited on overseas trips for product launches, factory tours, listening sessions, luxury car drives, and early looks at new TV technology in Asia, but illness, family emergencies, or other obligations have always gotten in the way. I have never been able to go.

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Domestically, the rules are simple. We pay our own way. That has always been policy at eCoustics, with reimbursement handled later. Overseas press junkets are where things start to feel off, when necessary access blurs into hospitality and the line between reporting and obligation gets harder to see. Audio Group Denmark’s recent introduction in Aalborg of its $1.1 million flagship loudspeakers and $115,000 mono block power amplifiers for a very select group of the press sharpened that concern and has become a topic online in recent days.

When you are flown overseas, wined and dined, there is an unspoken expectation that coverage will reflect the experience. They are hardly alone in this practice, and it says nothing about the quality of what was introduced. By every account I have heard from those who were there, the experience was out of body phenomenal. The harder truth is that entry into this level of audio now borders on the absurd. One might need to sell off body parts just to get in the door, and even that feels optimistic given the general condition of most of the audiophile press.

Audiophile Excess Runs Wild in Denmark

Aavik U-288 Streaming Amplifier and Ansuz A3 and C3 in audio equipment rack

Back in October at T.H.E. Show New York, which was held in New Jersey despite the branding gymnastics, I had my first real exposure to Audio Group Denmark. Calling it New York clearly sounds better on a banner, even if the venue landed nowhere near the part of the Garden State where I actually live. Still, it was enough to make one thing clear: Danish high-end audio is having a moment, and it is not subtle.

That moment extends well beyond Audio Group Denmark. Denmark has been quietly exporting serious audio thinking for decades, with brands like GryphonDynaudio, BuchardtDALIBang & OlufsenAudiovectorLyngdorfOrtofon, and Raidho all contributing to Denmark’s oversized footprint in the high end. Different philosophies, different price brackets, same national tendency to push engineering harder than the market sometimes expects.

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Audio Group Denmark sits firmly in that conversation but plays its own game. Its core brands AnsuzBørresen, and Aavik were out in force, supported by their North American team and HiFi Loft, their dealer with locations on West 44th Street in Manhattan and in Glens Falls, just north of Saratoga Springs and not far from Lake George. It is a part of upstate New York where the term summer home tends to mean something very specific and very expensive.

What stood out was not just the technical ambition on display, but the pricing ambition as well. Danish brands across the board are pushing boundaries right now, both in how far they are willing to go technologically and how unapologetic they are about cost. Audio Group Denmark, in particular, has no interest in playing it safe. My first real exposure to them will not be my last. That was clear before I left the room.

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Anyone thinking about a system designed to stay under $30,000 should stop reading now. Even a modest configuration built around their stand mount speakers, an integrated amplifier with streaming, and the required cabling clears that threshold quickly, before analog sources or outboard stages even enter the conversation.

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At T.H.E. Show New York 2025, the two Danish systems on display occupied a very different financial lane, landing between $90,000 and $360,000 USD. Those figures are real. From a listening standpoint, the lower cost $90,000 system was far more compelling to me, but both already lived well beyond what most listeners would consider attainable.

Aavik components 2026
2026 flagship Aavik components powering system including M-880 amps

What was introduced last week, however, makes those show systems look almost entry-level. When you factor in the Børresen M8 Gold Signature loudspeakers at roughly $1.15 million per pair and the Aavik M-880 monoblock amplifiers at $115,000 each, the scale shifts entirely. These are not conceptual exercises or dressed up prototypes.

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The Aavik M-880 uses a reworked Class A amplification stage that maintains its bias 0.63 volts above the required current level at all times. The goal is continuous Class A operation regardless of load or signal conditions, while keeping operating temperatures lower than traditional Class A designs to improve long term stability and reliability; which is a good plan when you consider the “rated” power output and size of these amplifiers.

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Aavik M-880 Amplifier

Power delivery is equally unapologetic. Each M-880 is rated at 400 watts into 8 ohms, 800 watts into 4 ohms, and approximately 1,300 watts into 2 ohms. Add sources, cabling, and the supporting ecosystem that inevitably comes with systems at this level, and it is very likely that the total system cost is approaching $2 million at its peak.

The Aavik M-880 mono amplifier measures 794.02 mm high, 342.00 mm wide, and 509.68 mm deep, which translates to 31.26 inches in height, 13.46 inches in width, and 20.07 inches in depth. Each amplifier weighs 70.0 kilograms, or 154.3 pounds.

The Gold Standard?

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Børresen M8 Gold Signature Loudspeaker

At the heart of the Børresen M8 Gold Signature is a folded dipole bass architecture that defines both its scale and its intent. Each loudspeaker uses two dedicated bass modules populated by twelve 8-inch drivers, firing forward and backward in opposing polarity. The idea is not brute force but control, managing low frequency energy before the room gets a chance to do what rooms usually do.

Every pair is built and calibrated in Denmark, with final measurements and listening sessions completed before the speakers leave the factory. The look is unapologetically serious: black high gloss lacquer, carbon accents, and zero attempt to disguise the mass.

Michael Borresen and Lars Kristensen, Audio Group Denmark Co-founders
Audio Group Denmark co-founders, Michael Børresen (left) and Lars Kristensen (right) standing in front of M8 Gold Signature loudspeakers.

That mass is substantial. Each speaker stands just over 87 inches tall, spans roughly 25 inches in width, and reaches more than 32 inches deep. At 325 kilograms per cabinet, or about 716.5 pounds, placement is a commitment, not a casual decision. The specified frequency range stretches from 20 Hz to 50 kHz, with a sensitivity rating of 87 dB.

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The system is effectively tri sectional. Bass impedance is rated at 5 ohms, while the midrange and treble sections sit at 8 ohms, with each section requiring more than 100 watts of amplification.

The crossover between mid bass and tweeter is set at 2,400 Hz, while bass integration is handled externally via an active crossover that is not included. High frequencies are delivered by Børresen’s RP94 Gold Signature ribbon planar tweeter, supported by two IronFree5 Gold Signature drivers for midrange and upper bass duties, while twelve IronFree8 Gold Signature drivers handle the low end.

This is not a loudspeaker designed to coexist quietly in a room. The fact that it was demonstrated in an auditorium sized performance hall, elevated on a stage, says a lot about the assumptions baked into the design. Context matters here. These are loudspeakers that expect space, structural support, and a listening environment that can accommodate their scale and output without compromise.

We shall miss the children.

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Craft Recordings Revives Wes Montgomery’s Full House for the OJC Series

This Craft Recordings OJC pressing of Full House ($38.98 at Amazon) is all analog from the original tapes, cut by Kevin Gray at Cohearent Audio and pressed on 180 gram vinyl at RTI. A 24-bit/192kHz high resolution digital edition is available for those who want it. Recorded live on June 25, 1962 at Tsubo in Berkeley, the album captures Wes Montgomery at a point where restraint and intensity exist side by side. He can sound smooth and measured one moment, then suddenly lean in hard enough to make you sit up and pay attention.

cr00961 Wes Montgomery Full House LP

Johnny Griffin is on tenor sax, backed by the Wynton Kelly Trio with Wynton Kelly, Paul Chambers, and Jimmy Cobb, all fresh from their time with Miles Davis and fully locked in. The pressing itself is clean and well executed, with excellent clarity through the guitar and horns and a sense of presence that feels natural rather than hyped. It is the kind of record that makes you wish you had been in the room that night, even if only for a set.

An audiophile once told me, back in my twenties, that Wes Montgomery was mostly hype and not all that impressive. This came from the same guy who shushed me so we could sit through yet another Eagles demo on speakers neither of us could afford. I left the show, walked into Sam the Record Man, bought two Wes Montgomery records, and learned something useful very quickly. Some audiophiles know as little about jazz guitar as I know about the inner workings of nuclear propulsion, which is saying something considering my college roommate went on to become a USN captain running submarines and carriers.

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Wes Montgomery was not hype. He was about feel, timing, touch, and control, with the ability to shift from calm to confrontation without losing the thread. Records like Full House make that obvious within minutes. Call it whatever you want, but the playing still holds up, and it still exposes bad takes just as efficiently as it did back then.

Where to buy: $38.98 at Amazon


Marantz M1 Streaming Amplifier Is Hiding in Plain Sight

Marantz Model M1 Streaming Amplifier

The Marantz M1 was released well over a year ago, but in a category that moves quickly, time can be useful. With so many network amplifiers competing on features alone, it is easy to miss products that take a more measured approach. The M1 does not try to dominate on paper. It focuses on stable performance, sensible design choices, and an emphasis on sound quality over spectacle.

The M1 is rated at 100 watts per channel with a specified distortion figure of 0.005 percent THD. It includes HDMI eARC for television integration and provides a dedicated subwoofer output with adjustable crossover points and a plus or minus 15 dB level trim. That allows for proper configuration of a 2.1 system rather than a fixed one size approach. The amplifier operates fully in the digital domain and supports hi resolution PCM up to 24-bit/192 kHz as well as DSD playback.

Streaming and connectivity are well covered. Bluetooth, Spotify Connect, Qobuz Connect, AirPlay 2, and HEOS are all supported, with HEOS also enabling multi room playback and integration with control systems such as Control4, URC, and Crestron. There is no built in phono stage, so analog playback requires an external solution.

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A full review is coming next week, but early listening with the DALI Kupid, Q Acoustics 3020c, and Acoustic Energy AE100 MK2 was telling. Fireworks may be a strong word, but Bluesound and WiiM may not love what follows.

Where to buy$1,000 at Crutchfield | Amazon

Qobuz Fixes CarPlay and Brings Siri Into the Loop

If you use Qobuz at home, great. If you use it in the car through Apple CarPlay, the experience until now has been less convincing. Scrolling through playlists while driving was awkward, the interface was not doing anyone any favors, and asking Siri to find a specific track or playlist went nowhere. That is the kind of thing that earns looks from the passenger seat that suggest you should keep both hands on the wheel.

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For anyone who spends real time behind the wheel, those small frustrations add up. I average 30,000 to 40,000 miles a year, and there are only so many times you can give up and start jabbing at the dashboard while the NHL Network blares on SiriusXM before it becomes a pattern. The latest Qobuz CarPlay update tackles those pain points in a practical way, improving day to day usability and finally making Siri a functional part of the experience. It does not reinvent in car listening, but it makes Qobuz far more livable where many of us use it the most.

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So what did Qobuz actually change, and why does it matter. The CarPlay experience has been rebuilt from the ground up, with a cleaner interface and features that users have been asking for since CarPlay support first arrived. The biggest day to day fix is simple but overdue: shuffle is now available directly from the player, exactly where it should have been all along.

Just as important, Siri finally works the way it should. You can now search, browse, and control playback entirely by voice without poking at the screen. That includes asking Siri to play a specific playlist, artist, or favorite track, turning shuffle or repeat on and off, adding the current song to a playlist or your library, and even asking what is currently playing. The full Discover experience is also available in CarPlay, including personalized playlists, Release Watch, and Radio, all accessible safely while driving.

It is also a cosmetic update, and that part matters more than it sounds. You can now actually see things you could not before, with a cleaner layout that makes sense at a glance. Scrolling through your own playlists or Qobuz’s curated ones no longer frustrates, and discovery is finally usable on a CarPlay screen. The interface is clearer, more logical, and far easier to navigate, unlike the backseat of my car, which remains a lost cause thanks to kids and a dog.

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More importantly, this cleanup makes Qobuz’s strengths visible. Hi-res playlists and editorial content are no longer buried or awkward to access, which means the stuff audio dorks and editors actually care about is front and center where it belongs. It does not just look better. It makes the service easier to live with, especially if you spend serious time behind the wheel.

David Solomon can relax. The Facebook messages will stop. Qobuz finally fixed what needed fixing, and for those of us who live in the car as much as the listening room, that actually matters. Long live Qobuz.

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Google Maps Gets Its Biggest Navigation Redesign In a Decade, Plus More AI

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Google Maps is rolling out its biggest update in more than a decade, introducing a Gemini-powered chatbot and a new “Immersive Navigation” interface. “Ask Maps” lets users plan trips, ask questions, and refine travel suggestions conversationally within the app. “The new chatbot will be accessible via a button up near the search bar,” notes Ars Technica. “You can ask it anything you’re likely to find in Google Maps without jumping into another app. You can ask for directions, of course, but it can also plan out road trips and vacations from a single prompt. Ask Maps works like a chatbot, so it accepts follow-up prompts to refine and expand on its suggestions.”

Meanwhile, Google is promising a “complete transformation” of the navigation experience in Maps with what they’re calling “Immersive Navigation.” It brings detailed 3D visuals, smarter route previews, and improved guidance powered by data from Street View and aerial imagery. “You’ll see accurate overpasses, crosswalks, landmarks, and signage in the new navigation experience,” reports Ars. “Google also aims to solve some of the biggest usability issues with turn-by-turn navigation in this update. […] Immersive Navigation tries to show you more of the route as you drive, using smart zoom and transparent buildings to help you plan ahead. Voice guidance will also reference turns after the next one where appropriate.”

Immersive Navigation will also highlights the tradeoffs between different route options, such as longer routes that avoid traffic or tolls. And, as you approach your destination, it will uses Street View imagery, building entrances, and parking information to help you orient yourself. The features are launching on Android and iOS first, with broader platform support coming later.

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Sonos Era 100 SL vs Era 100: What’s the difference?

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After a slight blunder with an American retailer, Sonos has officially made its two new speakers official. 

Alongside the Sonos Play, which is positioned as one of the brand’s most flexible speakers, is the Sonos Era 100 SL. But how does the Era 100 SL compare to the similarly titled Era 100? 

Considering we awarded the Sonos Era 100 a 4.5-star rating, why should you buy the Era 100 SL?

To help you decide, we’ve compared the specs of the Sonos Era 100 SL to the Era 100 and pointed out the key differences and noteworthy similarities between the two below. Keep reading to see which speaker is likely to suit you best.

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Not sold on either? Visit our list of the best Bluetooth speakers and best outdoor speakers to find your new favourite model.

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Price and Availability

At the time of writing, the Sonos Era 100 SL is available for pre-order and will officially launch in stores on March 31st. With an RRP of $189/£169, it’s hailed as being Sonos’ “most cost-effective way to build” a home setup.

Instead, the Sonos Era 100 has an RRP of £199/$219. However, as it’s an older speaker, it is possible to find the device with a price cut, so make sure you keep an eye out during sales events.

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Sonos Era 100 supports voice control

One of the biggest differences between the Sonos Era 100 SL and Era 100 is that the latter has a microphone and, therefore, supports voice control. You can either use Sonos Voice Control to manage music, or you can also rely on Amazon Alexa for answering questions, setting timers and the like. 

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Sonos Era 100. Image Credit (Trusted Reviews)

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On the other hand, the Sonos Era 100 SL isn’t equipped with any voice control or assistants, as it lacks a microphone. Sonos explains that the decision to not equip the Era 100 SL with built-in voice control was to ensure the speaker is more affordable than the 100. However, if you pair the Era 100 SL with a voice-enabled soundbar then you’ll still benefit from voice control, even though the Era 100 SL doesn’t actually support it.

Android users won’t be able to use Trueplay tuning technology on the Sonos Era 100 SL

Following on from the above, the Era 100 features Sonos’ clever Trueplay technology which measures how sound reflects off walls and furnishings in a room and tunes the speaker accordingly. While the Sonos Era 100 SL does also support Trueplay, it will only work with an iOS device. This is because the Era 100 SL doesn’t have a microphone, which Android devices need to activate Trueplay. 

Sonos Era 100 SL lifestyleSonos Era 100 SL lifestyle
Pair of Sonos Era 100 SL speakers. Image Credit (Sonos)

With this in mind, if you’re sporting one of the best Android phones and want optimised sound for your room, then the Sonos Era 100 SL might not be the top choice for you. 

Both have the same sonic architecture

Under their respective hoods, the Sonos Era 100 SL and Era 100 sport the same sonic architecture. In fact, Sonos promises that the more affordable Era 100 SL will have “no compromises on sound quality”. 

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Considering we concluded that the Era 100’s provides a weightier performance across the frequency range, this certainly bodes well for the Era 100 SL. We also found the Era 100 sported an increase in bass over its predecessor that gave music genres such as R&B, Hip Hop and Pop more impact and excitement too.

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Having said that, we’d encourage users to play around with the EQ to perfect the bass and treble levels to best suit your personal listening preferences. Although we haven’t reviewed the Era 100 SL yet, we expect this will be the case for the new speaker too.

Sonos Era 100 logo close upSonos Era 100 logo close up
Sonos Era 100. Image Credit (Trusted Reviews)

Sonos Era 100 SL is designed to fit into your existing speaker set-up

Although you can listen to the Era 100 SL on its own, Sonos explains it’s designed to slot into your existing home entertainment set-up. For example, you can pair two Era 100 SLs to a Sonos soundbar, such as the Sonos Beam or Sonos Arc Ultra, to create a surround sound system.

Alternatively, Sonos does state that you can use the Era 100 SL as a stand-alone speaker too.

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It’s a similar situation with the Era 100, which can be paired with another Era 100 SL and a soundbar too.

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Sonos Arc Ultra. Image Credit (Trusted Reviews)

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Both share similar designs, although the Era 100 SL is slightly lighter

At first glance, you’d be forgiven for thinking the Era 100 and Era 100 SL were the same speakers, as both measure in at 7.19 x 4.72 x 5.14 inches and come in a choice of Black or White. However, unsurprisingly as it lacks a microphone, the Era 100 SL weighs slightly less at 1.95kg compared to 2.02kg. 

Early Verdict

As we haven’t reviewed the Sonos Era 100 SL yet, we’ll hold off from giving a conclusive verdict. However, as it’s slightly more affordable than the Era 100 and promises the same brilliant sound quality and sleek design, the Era 100 SL is certainly an appealing option for many – as long as you’re an iOS user and won’t miss voice control.

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The team behind continuous batching says your idle GPUs should be running inference, not sitting dark

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Every GPU cluster has dead time. Training jobs finish, workloads shift and hardware sits dark while power and cooling costs keep running. For neocloud operators, those empty cycles are lost margin.

The obvious workaround is spot GPU markets — renting spare capacity to whoever needs it. But spot instances mean the cloud vendor is still the one doing the renting, and engineers buying that capacity are still paying for raw compute with no inference stack attached.

FriendliAI’s answer is different: run inference directly on the unused hardware, optimize for token throughput, and split the revenue with the operator. FriendliAI was founded by Byung-Gon Chun, the researcher whose paper on continuous batching became foundational to vLLM, the open source inference engine used across most production deployments today.

Chun spent over a decade as a professor at Seoul National University studying efficient execution of machine learning models at scale. That research produced a paper called Orca, which introduced continuous batching. The technique processes inference requests dynamically rather than waiting to fill a fixed batch before executing. It is now industry standard and is the core mechanism inside vLLM.

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This week, FriendliAI is launching a new platform called InferenceSense. Just as publishers use Google AdSense to monetize unsold ad inventory, neocloud operators can use InferenceSense to fill unused GPU cycles with paid AI inference workloads and collect a share of the token revenue. The operator’s own jobs always take priority — the moment a scheduler reclaims a GPU, InferenceSense yields.

“What we are providing is that instead of letting GPUs be idle, by running inferences they can monetize those idle GPUs,” Chun told VentureBeat.

How a Seoul National University lab built the engine inside vLLM

Chun founded FriendliAI in 2021, before most of the industry had shifted attention from training to inference. The company’s primary product is a dedicated inference endpoint service for AI startups and enterprises running open-weight models. FriendliAI also appears as a deployment option on Hugging Face alongside Azure, AWS and GCP, and currently supports more than 500,000 open-weight models from the platform.

InferenceSense now extends that inference engine to the capacity problem GPU operators face between workloads.

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How it works

InferenceSense runs on top of Kubernetes, which most neocloud operators are already using for resource orchestration. An operator allocates a pool of GPUs to a Kubernetes cluster managed by FriendliAI — declaring which nodes are available and under what conditions they can be reclaimed. Idle detection runs through Kubernetes itself.

“We have our own orchestrator that runs on the GPUs of these neocloud — or just cloud — vendors,” Chun said. “We definitely take advantage of Kubernetes, but the software running on top is a really highly optimized inference stack.”

When GPUs are unused, InferenceSense spins up isolated containers serving paid inference workloads on open-weight models including DeepSeek, Qwen, Kimi, GLM and MiniMax. When the operator’s scheduler needs hardware back, the inference workloads are preempted and GPUs are returned. FriendliAI says the handoff happens within seconds.

Demand is aggregated through FriendliAI’s direct clients and through inference aggregators like OpenRouter. The operator supplies the capacity; FriendliAI handles the demand pipeline, model optimization and serving stack. There are no upfront fees and no minimum commitments. A real-time dashboard shows operators which models are running, tokens being processed and revenue accrued.

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Why token throughput beats raw capacity rental

Spot GPU markets from providers like CoreWeave, Lambda Labs and RunPod involve the cloud vendor renting out its own hardware to a third party. InferenceSense runs on hardware the neocloud operator already owns, with the operator defining which nodes participate and setting scheduling agreements with FriendliAI in advance. The distinction matters: spot markets monetize capacity, InferenceSense monetizes tokens.

Token throughput per GPU-hour determines how much InferenceSense can actually earn during unused windows. FriendliAI claims its engine delivers two to three times the throughput of a standard vLLM deployment, though Chun notes the figure varies by workload type.

Most competing inference stacks are built on Python-based open source frameworks. FriendliAI’s engine is written in C++ and uses custom GPU kernels rather than Nvidia’s cuDNN library. The company has built its own model representation layer for partitioning and executing models across hardware, with its own implementations of speculative decoding, quantization and KV-cache management.

Since FriendliAI’s engine processes more tokens per GPU-hour than a standard vLLM stack, operators should generate more revenue per unused cycle than they could by standing up their own inference service. 

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What AI engineers evaluating inference costs should watch

For AI engineers evaluating where to run inference workloads, the neocloud versus hyperscaler decision has typically come down to price and availability.

InferenceSense adds a new consideration: if neoclouds can monetize idle capacity through inference, they have more economic incentive to keep token prices competitive.

That is not a reason to change infrastructure decisions today — it is still early. But engineers tracking total inference cost should watch whether neocloud adoption of platforms like InferenceSense puts downward pressure on API pricing for models like DeepSeek and Qwen over the next 12 months.

“When we have more efficient suppliers, the overall cost will go down,” Chun said. “With InferenceSense we can contribute to making those models cheaper.”

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13 Ryobi Tools Under $75 Worth Adding To Your Collection

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We may receive a commission on purchases made from links.

The full weight of the Ryobi product catalog can be a game changer for home improvers, repairers, and even professionals in the trades. While Ryobi has frequently been considered a tool brand geared toward recreational users, some new developments in its pipeline are certainly bound to turn heads at the pro level. Among Ryobi’s most eye-catching features is the frequency with which its tools come in at cost-effective pricing models while retaining high quality functionality. Ryobi tools are powerful, often feature premium ergonomics and integrated enhancements, and yet they’re routinely priced at affordable levels.

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Many of Ryobi’s highly rated tools can be found for under $100, but an even slimmer threshold still yields excellent gear that can help get the job done efficiently. Searching through Ryobi’s catalog, buyers will find a slate of equipment across its various battery-powered platforms for $75 and under. This might seem like a tough act, but Ryobi delivers in a meaningful way. These tools aren’t gimmicky or niche, and they offer a genuine expansion to a DIYer’s toolkit or an upgrade to existing gear that may be supporting your efforts. They’ve all been reviewed by scores of buyers with great feedback along the way, blending quality and price in a potent mix.

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USB Lithium 3-Port Charger and Power Source

Tools come in many forms. Some deliver unexpected functionality that can modernize the way you move about tasks around the house and more. The USB Lithium 3-Port Charger and Power Source is a high-output power supply tool listed for $60 that provides on-the-go recharging capabilities for large and small devices alike. The tool is particularly useful as a support system for other cord-cutting Ryobi USB Lithium tools, and it can recharge three batteries simultaneously to support the range with up to 80% faster charging speeds than a standard USB cable and wall wart. The tool features a USB-C input/output interface for quick charging in both directions. It utilizes a carabiner clip to allow for heightened mobility and can also operate with a belt clip.

The power source features a perfect 5 star rating at Ryobi’s website, although at time of writing only 15 reviewers have given their feedback on the product. It’s also available from Home Depot for the same price; there, 53 buyers have given it a 4.5 star average rating. The tool’s versatility in supporting batteries for your frontline tools, as well as acting as a remote charging solution for phones, tablets, and more, makes it a great potential find for any sort of user.

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USB Lithium 3/8-Inch Ratchet Kit

The USB Lithium range frequently rivals Ryobi’s mainline 18V One+ catalog. The tools in this line offer surprising power even when compared to standard 18V models, and their low price tags make them ideal for buyers looking to create a mobile toolkit or even renters seeking a few crucial home maintenance tools that won’t break the bank or take up too much space. The USB Lithium 3/8-Inch Ratchet Kit seems to meet these criteria. It’s a $69 purchase and features 251 reviews with a 4.7 star average rating on Ryobi’s website, making it an example of a small-scale tool that provides big time job support. As is the case with other USB Lithium products, it comes packaged with a battery and USB-C cable in tow, allowing you to get working with the unit right away, even if it’s your first tool from Ryobi’s USB Lithium line.

The ratchet features a 3/8-inch drive, sitting in the middle position among the three most common drive sizes. It offers an ergonomic body with an easy-to-use trigger action that delivers up to 10 ft.-lbs. of torque. The tool is shaped just like a typical ratchet handle, however, allowing users to manually tighten fasteners when the job calls for it with the unit. Putting some elbow grease into the tool, you’ll gain the ability to drive 50 ft.-lbs. of torque with the equipment. However, be aware that you’ll have to bring your own ratchet sockets, as none are included.

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18V ONE+ Jig Saw

The 18V ONE+ Jig Saw is among some of the most cost-effective tools Ryobi offers. It’s listed at a new lower price of $50, down from $79 previously. That makes it an extremely valuable addition to the tool collection of any woodworker or home improver, and buyers note that even with this low price tag the tool doesn’t miss a step. It has been reviewed by 457 customers, and they give it a 4.9-star average rating.

The tool offers a variable speed trigger to control its cutting velocity with a range from zero to 3,000 strokes per minute. Ryobi says the tool’s body also dampens vibration by 30%. The jig saw features a ergonomic, D-shaped handle to reduce user fatigue across lengthy cuts and includes a tool-free blade release that makes swapping cutting accessories painless and fast. Other features, like four orbital settings and an LED work light, combine to make this tool a potent cutting option.

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USB Lithium Soldering Pen Kit

Ryobi makes few different soldering tools, and it’s most ambitious hybrid power station is among the best soldering irons you’ll find on the market (more on that later). For a similarly low price that doesn’t disappoint, the USB Lithium Soldering Pen Kit is a tool with plenty of premium features and a mobile footprint that cuts the cord entirely. It’s available for $70 at Ryobi’s website and at Home Depot; at Ryobi the tool has received a 4.2 star average rating from 34 buyers, while Home Depot’s listing features a 4.5 star average from 97 customer reviews.

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The tool delivers up to 900 degree Fahrenheit temperatures in under two minutes, and when placing the tip cover back on the tool it automatically shuts off and begins the cooldown process for safety and convenient storage. It also features an auto shutoff function after 10 minutes of use, allowing for the complete elimination of worry over whether you turned the tool off when you finished or not. It’s ready to solder in just 40 seconds from startup and features a 10 watt power output for a small but powerful approach to delicate electronic repair and jewelry making tasks. The unit naturally comes with a USB Lithium battery and USB-C cable, and it features introduces a battery level status bar and an LED work light.

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USB Lithium Power Cutter Kit

Home improvement enthusiasts may not immediately see a use for a tool like the USB Lithium Power Cutter Kit. It’s ideal for cutting through cardboard, plastic, and other materials, but this might seem like overkill for a box opener and other similar functions. However, this power cutter features the ability to shear through carpet and other tricky material like and leather. This makes it an ideal crafting solution as well as a home improvement tool, as it can provide vast coverage across a wide range of cutting requirements. It can provide precise, powerful shearing action that’s simply not replicable with a hand tool or other more intense powered solutions that might also serve this purpose in a pinch.

The power cutter is available for $60 and it features 541 reviews with a 4.7-star average rating. It utilizes an integrated guideline that enhances the precision of the tool’s cutting capability. The tool features an onboard LED fuel gauge and also comes equipped with a self-sharpening blade that naturally maintains itself without any additional work on your part. It delivers up to 270 RPM cutting speeds, potentially making it a critical efficiency booster in tackling not just home improvement tasks but also a range of crafting needs like wrapping presents or cutting hobby material.

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18V ONE+ One-Handed Reciprocating Saw

The reciprocating saw is a tool that finds itself at home in a variety of settings. There’s a variety of formats these come in, and the Ryobi 18V ONE+ One-Handed Reciprocating Saw is an interesting addition to this well-established catalog of cutting and demolition tools. This unit is lightweight, featuring a scaled-down body that allows it to be used with a single hand while maintaining the same level of accuracy and control of a two-handed model. It delivers a maximum speed of 3,000 strokes per minute with a ⅝-inch stroke length, placing it largely in line with the standard reciprocating saw you’ll find elsewhere, including within Ryobi’s own ecosystem. The tool retails for $60, making it a cost-effective option as well as a functionally rich solution to support cutting needs across the board. Moreover, it features a quick release blade change function to make swapping out cutting implements easier.

The tool has been reviewed by 23 buyers at Ryobi’s website with a 5-star average rating coming in the process. It’s available at Home Depot for the same price and features 255 reviews with a 4.5-star rating. The tool features a variable speed trigger and an overmold grip that aims to make it more comfortable to use across numerous demanding tasks. It also features a non-marring shoe in the event that you need to maintain the structural integrity of elements around the component you’re cutting.

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18V ONE+ 3/8-Inch Crown Stapler

Ryobi’s 18V ONE+ 3/8-Inch Crown Stapler is among its highest rated products, as 899 reviewers on Ryobi’s website have given it a 4.9-star average rating. It’s also offered for $70, down from its previous list price of $99. The tool can deliver more than 5,500 staples per charge when paired with a ONE+ high capacity Lithium+ battery. It accepts crown staples ranging from ¼-inch to 9/16 of an inch and is also compatible with Arrow T50 staples. The tool comes with a belt clip and a dual screen/wire attachment that make it easier to use across numerous job requirements.

The stapler also utilizes an adjustment knob to control the depth of drive, giving users the ability to dial in precise power output for both heavy duty applications and light fastening tasks. The tool weighs just 3 pounds and operates with a magazine capacity of 85 staples. It aims to deliver quick and efficient fastening coverage for plenty of use cases, including upholstery repair and lawn and garden modernizations like installing chicken wire or weed suppressant layers in planter boxes. The tool eliminates the need to manually grip a stapler, speeding up the process significantly and removing the fatigue that is often associated with this kind of tool.

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18V ONE+ 45W Hybrid Soldering Station

The 18V ONE+ 45W Hybrid Soldering Station we briefly mentioned above worth a closer look. It’s an interesting solution, listed for $63, which makes it cost-effective for handling electronics repair tasks and more. The tool provides functionality that can be taken on the go; it operates in either a corded power mode or with support from an 18V One+ battery. When powered by a 6Ah battery, it can operate for over 4 hours. The tool features a temperature control knob that provides temperatures between 300 degrees and 900 degrees Fahrenheit. The soldering iron itself is attached via a 3-foot cord and the iron holder and other storage elements are all housed within the same station body.

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The tool has received 166 reviews from buyers with a 4.8 star average rating. The station’s unique hybrid power setup marks it as a dynamic soldering solution that many other tools in the arena can’t match. It comes with support accessories like solder coil and a tip cleaning sponge, as well as two different soldering tips to get you started right away.

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18V ONE+ Cordless Compact Workshop Blower

Ryobi’s 18V ONE+ Cordless Compact Workshop Blower is a support tool that can be of significant use across numerous workspaces. This can stand in as an outdoor power tool when necessary, handling leaves and other debris in a pinch; however, its primary use case is in on worksites. The tool features three speed settings with a maximum air speed of up to 160 MPH. It’s a lightweight and compact tool that allows you to easily blow debris off of workbenches, across the shop floor, and into a corner to form a pile. Rather than painstakingly sweeping the entire area, using a workshop blower allows you to contain your mess in seconds.

This tool is listed for $65 and features a 4.8-star rating from 772 buyers. It utilizes a variable speed trigger alongside its integrated settings, providing significant flexibility and control across your working requirements. The tool measures just under 20 inches in length and is ideally suited to one-handed use, and its 2.5-pound weight allows for a cleanup solution with plenty of power and lots of versatility.

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4V Screwdriver

Like many other brands, Ryobi makes a number light duty screwdriving tools. There are plenty of excellent multibit screwdrivers that operate under hand fastening power to consider. Ryobi went a different route with its 4V Screwdriver, though; this solution that can make a genuine and lasting difference in your assembly tasks and repair needs. The tool is listed at Ryobi’s website for just $25, and it features a 4.8 star average rating from 852 buyers.

The screwdriver can deliver up to 350 RPM and features ¼-inch hex collet connection to support all standard screwdriving bits. It utilizes an internal 4V battery with compatibility for USB charging built directly into the butt of the tool. A simple forward and reverse button setup stands on the top of the tool to make use easy, and it features two LED lights to cast illumination on your workpiece for use inside dark or recessed areas.

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18V ONE+ 10 Oz. Caulk Gun

Professionals often rely on powered caulking guns because of the time saving capabilities of the tool. DIY users frequently don’t, however; a standard skeleton caulking gun will run you just a few bucks at your local hardware store, making it feel the upgrade simply isn’t worth it. Yet the 18V ONE+ 10 Oz. Caulk Gun is available for $50, realistically a marginal price hike over the typical handheld tool in this arena. It’s also notably cheaper than many other powered implements a buyer might consider when adding to their collection. The tool delivers up to 500 pounds of push force, powered by a simple trigger and controlled by a variable speed dial. It includes an onboard puncture tool to eliminate the need for additional gear to open a tube of caulk, adhesive, or sealant before placing it in the tool’s holding compartment. It also offers a switch lock and anti-drip technology to keep the tool from dispensing your chosen product unless you’re actively using the gun.

Buyers give this tool a 4.8 star average rating across 233 reviews. The control offered by the unit allows for strain-free application of tubed construction and renovation products, significantly improving upon the experience you’ll have with a standard caulk gun. Rounding things out, the tool has the ability to dispense over 200 10-oz. tubes on a single battery charge, making it ideal for bulk use and simple home improvement projects like sealing up window edges ahead of the winter months.

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18V ONE+ 10-Inch Orbital Buffer

Automotive enthusiasts can gain significant value from the 18V ONE+ 10-Inch Orbital Buffer. It’s a tool listed for $45 and features a 4.8-star average rating from 330 buyers. The tool features a pair of handles, located on either end of the buffer, allowing for complete control over the unit as rotates the buffing pad beneath the main body. The unit can rotate at speeds up to 2,500 RPM; Ryobi claims it delivers a swirl-free finish for a pristine shine.

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As is the case with many tools featuring a constant-on state of use, buffers often give users concern about the longevity of their tool on a single battery charge. However, this Ryobi model delivers up to 90 consecutive minutes of use when paired with an 18V One+ Lithium+ high capacity battery. That’s more than enough operational time to get through shining up multiple cars without worrying about running out of power. The tool weighs 4.3 pounds, comes with Ryobi’s standard three year warranty covering its power tools, and includes elastic applicator and buffing bonnets in the packaging.

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18V ONE+ 1/4 Sheet Sander

Sanding tools are often a high priority for carpenters and woodworkers, DIY renovators, and builders. Sanding equipment can be useful in metalworking shops as well as serving as a support tool for mechanics and project car enthusiasts. Sanders come in many different layouts, and the Ryobi 18V ONE+ 1/4 Sheet Sander is a versatile solution that pairs bulk sanding capabilities with a tool geometry that allows for easy access to corners and tight spaces. A sheet sander is the ideal tool for rapid material removal, and this unit delivers sanding speeds of up to 14,000 oscillations per minute. It features a quick paper change capability and operates with quarter sheets for an easy fractional divide of a whole piece of sandpaper.

The sander is available as a bare tool for $59. It can also be found with a 4Ah battery and charger for $117 for those needing additional power support for their collection. The individual tool’s price tag is notably reasonable, and buyers give it high praise. 183 reviewers have given it a 4.7 star average rating, indicating its value as a high volume support solution when tackling numerous jobs. It offers onboard dust collection with additional vacuum compatibility and comes with a dust bag and an assortment of sandpaper, regardless if you buy the standalone tool or as part of the kit.

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Methodology

All of these cordless, battery-powered Ryobi tools come recccommeded by users, as they have at least 50 reviews and sport a 4.0 star average or better. Each one is an interesting find that may not already be in your toolkit, therefore offering the ability to expand your horizons as a DIYer or repairer tackling jobs around the house or in the workshop.

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Alexa+ gets a new ‘adults only’ personality option that curses but won’t get into NSFW content

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Amazon’s AI assistant Alexa+ is getting another new personality. On Thursday, the company announced it’s expanding its lineup of personality styles for users to choose from to include a “Sassy” option, which is for adults only. Notes Amazon, before opting to use the Sassy personality, users will be required to go through additional security checks in the Alexa app.

The personality style will also not be available when Amazon Kids is enabled, Amazon says.

The new option joins others like Brief, Chill, and Sweet, launched last month.

Image Credits:Amazon

When you toggle on the option for Sassy in the Alexa mobile app, you’re warned that the Sassy style uses explicit language, which is why it requires a security check. On iOS, this involved a Face ID scan.

The AI assistant explained its style to us like this: “The Sassy style is built on one premise: help first, judge always. Every answer comes wrapped in wit and a well-placed roast — it’ll answer your question; it’ll just make you feel something about it first. Expect reality checks delivered with charm, compliments that somehow sting, and warmth you didn’t see coming. Equal-opportunity irreverence, zero apologies. Honest, sharp, and funny — and somehow that’s more helpful than helpful.”

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Alexa’s app also had warned that the style could contain “mature subject matter.”

However, further investigation discovered this is not Amazon’s version of something like Grok’s adult AI companions. The AI assistant said the new option won’t get into areas like explicit sexual content, hate speech, illegal activities, personal attacks, or anything that could cause harm to oneself or others.

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The move is the latest example of how Amazon is trying to make Alexa+ more customizable, as it revamps the assistant for the generative AI era. By offering the assistant different personalities — including one positioned as more adult — Amazon is borrowing from a broader trend in AI, where companies have been experimenting with tone, style, and personas to make their assistants more engaging and personalized to the individual users’ choices.

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David Ellison Pinky Swears CNN Will Retain Editorial Independence, Points To CBS

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from the the-truth-business dept

We’ve already all seen what the Ellison family’s version of “editorial independence” looks like over at CBS, where contrarian troll Bari Weiss has turned the already very Republican friendly news giant into a safe space for right wing zealots and autocrats. All overseen by a Brendan Carr chosen censor tasked with ensuring the channel always makes Donald Trump happy.

As always with authoritarian regimes (and corporate ownership), this is all presented to the public as an effort to restore balance, eliminate (nonexistent) “liberal bias,” and reach out to real Americans. As if billionaires and their useful idiots could care less about everyday Americana.

After being gifted two Hollywood studios and two major news empires by daddy and Donald Trump, fail-upward nepobaby David Ellison made the rounds last week to insist that CNN’s “editorial independence” would be retained under Paramount/CBS ownership. His evidence? CBS:

“So, look, I’ve said this since the beginning, which is, you know, for — when it really comes to — editorial independence will absolutely be maintained. It’s maintained at CBS. It’ll be maintained at CNN. And, really, who we want to talk to is the 70% of Americans and really around the world that identify as center-left, as center-right. And we want to be in the truth business. We want to be in the trust business. And that’s not going to change.”

Of course, if anybody had actually been paying attention to CBS, they’d see how the network under Weiss has already tried to repeatedly kill stories that aren’t favorable to Donald Trump, gone out of its way to normalize right wing opportunists like Erika Kirk, and has driven away a lot of remaining CBS journalists with Weiss’ obvious efforts to pander to Trump and Netanyahu.

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Like CBS, CNN already goes well out of its way to be extra friendly to authoritarians. The network has routinely faced criticism for consistently airing sneering MAGA devotee Scott Jennings. Under Ellison ownership there’s zero serious doubt, by anyone, that CNN will become even more friendly to autocrats. After they get done firing untold thousands of people to try and pay down the deal’s immense debt.

Traditionally there’s only one editorial direction U.S. journalism usually goes under consolidated corporate ownership. U.S. media owners like tax cuts, deregulation, subsidies, access, and merger approvals, so corporate media’s editorial slant generally follows the financial interests of ownership. The pretense that U.S. media suffers from widespread “liberal bias,” or the belief that there are still functional firewalls between ownership and editorial, are long-deceased relics.

Larry Ellison clearly wants to hoover up what’s left of corporate media (including CBS, CNN, HBO) — and fuse it with his co-ownership of TikTok to create a sort of Hungary-esque autocratic state media, where administration allies praise dear leader while the government strangles independent and public media just out of frame.

The only thing saving us from the full and terrible vision of this outcome to date is the fact that very few of the weird nepobabies and brunchlords being tasked with its creation have anything you’d mistake for competence.

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Filed Under: authoritarian, bari weiss, consolidation, david ellison, journalism, layoffs, media, propaganda, state media

Companies: cbs, cnn, paramount, warner bros. discovery

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Gumloop lands $50M from Benchmark to turn every employee into an AI agent builder

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When Max Brodeur-Urbas co-founded Gumloop in mid-2023, his vision was to help non-technical employees automate repetitive tasks using AI. At that time, the concept of AI agents was still largely experimental and prone to errors.

As AI technology has matured, so has Gumloop’s offering.

The company claims that it now allows teams at organizations like Shopify, Ramp, Gusto, Samsara, Instacart, and Opendoor to deploy reliable AI agents that autonomously handle complex, multi-step tasks, all without ever needing an engineer.

Employees can share the agents they build with colleagues, creating a compounding effect that accelerates internal automation. “They get addicted, they start building more agents, and then all of a sudden, the whole company is AI native,” Brodeur-Urbas told TechCrunch.

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As companies race to adopt AI, Benchmark general partner Everett Randle believes the key to success lies in empowering every worker with AI superpowers, and Gumloop’s intuitive agent-builder is an example of the kind of tool that will unlock that potential.

That’s why Randle, who joined Benchmark last October from Kleiner Perkins, chose to lead a $50 million Series B investment into Gumloop. The deal, which is Randle’s first at his new firm, included participation from Nexus VP, First Round Capital, Y Combinator, Box Group, The Cannon Project, and Shopify.

Though Gumloop wasn’t actively seeking new capital, the startup decided this was the year to “step on the gas.” For Brodeur-Urbas, partnering with Benchmark—the firm behind icons like eBay, Uber, and Dropbox—was a “no-brainer.”

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While Brodeur-Urbas previously planned to ‘build a 10-person, billion-dollar company,’ the surging demand from enterprise clients has compelled him to build a dedicated sales force and scale up his engineering team, he said.

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Gumloop is by no means the only player vying to turn every knowledge worker into an AI agent-builder. The startup faces stiff competition from established automation platforms like Zapier and n8n, as well as specialized agent builders like Dust. Even foundational AI labs are entering the fray.  For instance, Anthropic’s Claude Co-Work allows users to create autonomous agents without writing a single line of code.

But Randle believes Gumloop is superior to all its rivals. During his due diligence, he discovered that at least one of the company’s customers had adopted Gumloop somewhat organically.

When Randle asked a CTO how they chose Gumloop, the response was telling. The company had given employees full access to Gumloop alongside two competitors. Six months later, the results were clear: staff were using Gumloop daily or weekly, while the competing tools sat untouched, Randle told TechCrunch.

The reason Gumloop gained such momentum, according to Randle, is its minimal learning curve. “You can go in and start making agents and workflow automations immediately,” he said.

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While many AI startups worry that foundational models will replicate the same functionality and render them obsolete, Randle is convinced that Gumloop’s model-agnostic approach is precisely what will keep attracting customers.

As models continue to evolve, one may perform better than another for a specific task. So, Gumloop provides the flexibility to choose the model best suited for the job at any given moment.

Another reason why model independence is attractive, according to Randle, is cost. “Plenty of enterprises have OpenAI, Gemini, and Anthropic credits. They want to use all of them,” he said

His excitement for the company ultimately comes down to the sheer size of the opportunity.

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“Enterprise automation is a massive pot of gold,” Randle said. “I think it’s the biggest category in enterprise AI.”

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Hands On With Creality’s New M1 Filament Maker

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Ever since 3D printing has become a popular tool, the question of waste has been looming in the background. The sad reality of rapid prototyping is that you’re going to generate a lot of prints that just don’t aren’t fit for purpose, even if your printer runs them off perfectly every time. Creality has some products on the way aimed at solving that problem, and [Embrace Making] on YouTube has got his hands on a pre-production prototype of the Creality M1 Filament Maker to give the community a first look.

The M1 is actually only half of the system; Creality is also working on an R1 shredder to reduce your prints into re-usable shreds. [Embrace Making] hasn’t gotten his hands on that, but shredding prints isn’t the hard part. We’ve featured plenty of DIY shredders in the past. Extruding filament reliably at home has traditionally proven much more difficult, which is why we mostly outsource it to professionals.

Lacking the matching shredder, and wanting to give the M1 the fairest possible shake, [Embrace] tests the machine out first using Creality-supplied PLA pellets. The filament diameter isn’t as stable as we’ve gotten used to, and the spool rolling setup needs a bit more work.

Again, this is an early prototype. Creality says they’re working on it and claims they’ll get to ±0.05 mm precision in the production models. Doubtless they’ll also fix the errors that led to [Embrace]’s messy spool. That’s probably just software given that the winding mechanism did a pretty good job on the Creality-supplied spool.

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Most importantly, the M1-produced filament does print. The prints aren’t perfect due to the variation in diameter, but they turn out surprisingly well for home-made filament. [Embrace] also shows off the ability to mix custom colors and gradients, but, again, using raw PLA rather than shredded material. Hopefully Creality lets him test drive the R1 shredder once its design is further along.

This is hardly the first time we’ve seen a filament extruder. The goal of this product is to pair with a shredder and use it for recycling, but if you’re going to stick with raw plastic pellets, you may as well print them directly.

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MacBook Neo is more repairable than any Apple laptop made in the last decade

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Apple’s new MacBook Neo design makes it startlingly quick and simple to repair, with Self Service Repair program instructions proving the point.

Open slim laptop with light green body, large trackpad, and white keyboard, viewed from above at an angle, screen dark and reflecting the keys on a gray surface
MacBook Neo’s keyboard is now easier to repair

Apple first announced its Self Service Repair program back in 2021, and it was really a case of doing it before being forced to by law. It’s slowly expanded out, launching first for the iPhone in April 2022, and later expanding to Macs.
Throughout, it’s been criticized for being expensive and for making users go through hoops to get the work done. Now, though, Apple appears to be embracing the Right to Repair pressures it has faced, and do so both with the program, and with its designs.
Continue Reading on AppleInsider | Discuss on our Forums

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Open Source Radar Has Up To 20 KM Range

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Phased-array radars are great for all sorts of things, whether you’re doing advanced radio research or piloting a fifth-generation combat aircraft. They’re also typically very expensive. [Nawfal] hopes to make the technology more affordable with an open-source radar design of their own.

The design is called the AERIS-10, and is available in two versions. Operating at 10.5 GHz, it can be built to operate at ranges between 3 or 20 kilometers depending on the desired spec. The former uses an 8 x 16 patch antenna array, while the latter extends this to a 32 x 16 array. Either way, each design is capable of fully-electronic beam steering in azimuth and can be hacked to enable elevation too—one of the most attractive features of phased array radars. The hardware is based around an STM32 microcontroller, an FPGA, and a bunch of specialist clock generators, frequency synthesizers, phase shifters, and ADCs to do all the heavy lifting involved in radar.

Radar is something you probably don’t spend a lot of time thinking about unless you’re involved in maritime, air defence, or weather fields. All of which seem to be very much in the news lately! Still, we feature a good few projects on the topic around these parts. If you’ve got your own radar hacks brewing up in the lab, don’t hesitate to let us know. 

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