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The network streamer market has become brutally competitive. WiiM upset the apple cart with the $329 Ultra, a compact digital hub with a touchscreen, HDMI ARC, phono input, headphone output, preamp functionality, and room correction. Eversolo then raised expectations at the next level with the $859 DMP-A6 Gen 2, which brings a large touchscreen, balanced outputs, internal storage capability, HDMI ARC, and software that is far more ambitious than its price suggests.
That leaves the $749 Bluesound NODE in a far less comfortable position than its predecessors enjoyed. Cambridge Audio’s $499 MXN10 and AXN10 offer serious competition for listeners who want a conventional, well-sorted network player without spending close to four figures. The days when BluOS alone was enough to make the NODE the automatic recommendation are gone.
Fortunately for Bluesound, BluOS has not been left to rot in the sun. The platform has gone through multiple updates and remains one of the more mature multiroom ecosystems available, with broad streaming-service support, reliable device control, and none of the “we will fix it in the next update” energy that still haunts too many audio apps. Ask Sonos how that worked out for them.
The current NODE also brings a stronger ESS DAC, THX AAA headphone amplification, HDMI eARC, DSD playback, and Dirac Live Room Correction support to the fight. Dirac is not included in the box; buyers need a license and calibration kit, and correction is not available through the NODE’s USB output. But for systems compromised by real rooms, rather than fantasy listening spaces with acoustics designed by the Ministry of Sound, it could be the feature that matters most.
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The current Bluesound NODE is not a cosmetic refresh of the older N130. The N132 uses an ESS ES9039Q2M SABRE DAC, an ARM Cortex A53 quad core processor running at 1.8GHz per core, and revised circuitry intended to keep jitter and electrical noise under control before the signal reaches your amplifier, powered speakers, headphones, or external DAC.
The NODE offers support for native PCM sampling rates up to 192kHz, 16-bit and 24-bit files, DSD256 playback, a specified signal to noise ratio of 118dB, and THD+N rated at 0.0007 percent. The NODE does not offer balanced XLR outputs, dual DACs, or the elaborate display found on the more expensive NODE ICON.
It is a stereo streamer and digital preamplifier designed to slot into almost any existing system. Connect it directly to a pair of active loudspeakers, use it as the front end for an integrated amplifier or separate preamp and power amp combination, or feed its digital outputs into an external DAC.
It can also serve as the central music source for an AVR through its analog, optical, or coaxial outputs, while BluOS lets it join a wider whole-home system with Bluesound’s PULSE FLEX wireless speakers, including stereo-paired FLEX units in another room. It is not a replacement for a full home theater processor, but it can be the component that makes a conventional two-channel or AV system feel considerably less stuck in 2016.

The NODE supports the formats most people actually use, including MP3, AAC, WMA, WMA Lossless, OGG, ALAC, and OPUS. Its high quality file support includes FLAC, MQA, WAV, AIFF, and MPEG 4 SLS.
MQA remains part of the specification sheet for those with an existing MQA library. More relevant in 2026 is the NODE’s support for lossless FLAC through current streaming services and its ability to function as either a complete streamer DAC or a digital transport feeding an external DAC.
BluOS remains the reason many people buy a Bluesound product in the first place. The NODE supports more than 23 music services and internet radio, along with Apple AirPlay 2, Spotify Connect including Spotify Lossless support, TIDAL Connect, Qobuz Connect, and Roon Ready operation.
The NODE can also access a music library over an SMB network share, with Bluesound rating support for libraries of up to 200,000 files. That will cover most collections unless you have inherited the entire Tower Records inventory and refuse to seek professional help. Call me if you need a number.

BluOS works across iOS, Android, macOS, and Windows. The NODE can be grouped with other Bluesound players for synchronized multi-room playback, or used independently in a traditional two channel system. It also supports Amazon Alexa skills and integrates with Crestron, Control4, RTI, ELAN, URC, Lutron, and Josh.ai control systems.
The NODE includes dual band Wi-Fi 5 and a Gigabit Ethernet port. Wired Ethernet remains the sensible choice for large local libraries, Roon use, or homes where the wireless network has been designed by people who believe mesh nodes belong behind furniture.
Bluetooth is specified as Bluetooth 5.2 with aptX Adaptive support and two way operation. That means the NODE can receive audio from a phone or tablet, but it can also transmit audio to compatible Bluetooth headphones or speakers.
The USB Type-A port is not a computer input. It supports FAT32 formatted external storage and Local Server mode, allowing the NODE to index music from an attached drive. The same port can also function as a USB Audio 2.0 digital output for an external DAC.
The NODE is far more than a streaming endpoint. Its HDMI eARC input lets it pull audio from a television, making it a practical front end for a two channel living room system with powered speakers or an integrated amplifier. It also supports Dolby Digital decoding, although this remains a two channel product rather than a replacement for an AV receiver.
There is also a combination 3.5mm analog and Mini TOSLINK optical input. That allows the NODE to accept a line level analog source or an optical source through the same connection. It is useful for a CD player, TV, game console, or external phono preamp.
The important distinction is that the NODE does not include a phono stage. A turntable requires a separate MM or MC phono preamplifier before connecting to the NODE’s analog input.

The NODE offers a proper range of outputs for a component that remains physically small. Its main analog output is stereo RCA, with the option to run at a fixed level into an integrated amplifier or preamplifier, or variable level into a power amplifier or pair of active speakers.
Digital outputs include coaxial RCA, optical TOSLINK, and USB Audio 2.0 through the USB A connection. The USB output is useful for owners who want the BluOS platform and system flexibility of the NODE but prefer to use an external DAC.
There is one important operational limitation: when USB Audio output is enabled, the analog RCA, coaxial, and optical outputs are disabled. Connecting headphones also takes priority over USB Audio output. It is not a deal breaker, but it is the sort of detail that tends to appear five minutes after an installation has gone from elegant to mildly profane.
The NODE includes a dedicated RCA subwoofer output and can also connect wirelessly to Bluesound’s PULSE SUB+. The BluOS app offers adjustable crossover control from 40Hz to 200Hz, with 80Hz as the default setting.
When the subwoofer setting is enabled, the NODE applies a high pass filter to the RCA output and sends lower frequencies to the subwoofer output. The digital outputs remain full range, so users relying on an external DAC or digital preamp need to plan their bass management accordingly.
The NODE also offers basic bass and treble controls, ReplayGain options, mono and channel specific output modes, volume limits, and fixed output level. These are useful practical tools, but they are not a substitute for a full parametric EQ or sophisticated loudspeaker management system.

Dirac Live is the feature that changes the conversation around the current NODE. Support for the N132 arrived through BluOS 4.8.15 in January 2025, so this is not a future promise hiding behind a marketing asterisk. At least not anymore.
Dirac is not included with the NODE. Owners need to purchase a Dirac Live license and use a compatible calibrated measurement microphone, such as Bluesound’s Room Calibration Kit. Once installed, Dirac Live measures the room and creates correction filters intended to reduce the influence of bass peaks, cancellations, reflections, and other real world acoustic problems.
The NODE supports Dirac Live correction through its RCA, optical, and coaxial outputs. The USB Audio output does not support Dirac Live processing. That distinction matters. Owners planning to use an external USB DAC will get the NODE’s streaming platform and digital transport capability, but not its room correction.
For many systems, particularly those in smaller rooms or living spaces where speaker placement is limited by walls, furniture, spouses, or basic architectural hostility, Dirac Live may prove more meaningful than another incremental DAC chip upgrade.
The front panel includes a full size 6.3mm headphone output driven by THX AAA amplifier technology. THX AAA uses feed forward error correction to reduce conventional distortion mechanisms, which is a less theatrical way of saying that the circuit is designed to remain clean and controlled rather than add its own flavor to the music.
Bluesound rates the headphone stage at 160mW into 16 ohms, 230mW into 32 ohms, 53mW into 250 ohms, and 22mW into 600 ohms, all at less than 0.1 percent THD. If you were thinking of driving a pair of your demanding planar headphones with the NODE, you might want to rethink that strategy. Grado? Sure. Meze Audio 99 Classics Generation 2? Absolutely.
The fact that Bluesound includes a legitimate dedicated headphone section rather than a token 3.5mm afterthought gives the NODE more value as a desktop or secondary system hub, but it’s not a replacement for a proper headphone amplifier.

The NODE keeps physical controls simple. The top panel includes a touch sensitive volume slider, play and pause control, five programmable presets, status LEDs, and a proximity sensor that wakes the controls when a hand approaches.
Those presets can be assigned to favorite stations, playlists, albums, or inputs, which sounds modest until you have used a streamer daily and realize how often you want music without opening another app.
The NODE also includes a built-in IR receiver with remote learning, plus a 3.5mm IR input for integration with more elaborate systems. A 12 volt trigger output can power on compatible amplifiers, active speakers, or other components when the NODE wakes up.
The NODE measures 8.7 inches wide, 1.8 inches high, and 5.7 inches deep, and weighs 2.4 pounds. It is available in matte black or white and is compact enough to disappear into most systems without looking like a discarded cable modem.
Bluesound includes stereo RCA cables, an Ethernet cable, a Mini TOSLINK adapter, power cords, setup documentation, and a Dirac Live information card. The NODE uses a universal 100V to 240V AC power input, which is useful for international use and far more practical than another proprietary external power brick cluttering the floor.
The network streamer market has become increasingly bifurcated. Below $1,500, WiiM, Eversolo, Bluesound, Cambridge Audio, Shanling, iFi Audio, and FiiO are making it difficult to spend more without asking some uncomfortable questions. At the other end sit brands such as Innuos, Nagra, NAD, Aurender, Esoteric, and TEAC, where performance, build quality, power supplies, digital architecture, and brand ambition all move into a very different conversation.
There are exceptions, naturally, but the middle has become less crowded than it should be. I have heard the Bluesound NODE ICON at several dealers and came away impressed, although never in my own system, so I am not going to pretend otherwise. Innuos would probably be my personal choice in a blank cheque scenario, but its newer range has moved decidedly upmarket. That leaves a product like the NODE in a rather sensible position.
Some buyers will complain that the NODE lacks a large touchscreen for album artwork and metadata. I am not one of them. I own an iPhone and an iPad Pro. So do tens of millions of other people. More importantly, displays are often among the first things to fail on modern components, and I cannot read most of them from across the room anyway.
In this case, I do not view the absence of a screen as a meaningful compromise. I would rather have a mature control platform, proper connectivity, and the option to improve the system around it than pay extra for a tiny digital picture frame I will barely use.
The NODE’s flexibility also made it easy to drop into a wide range of systems during the review. I used its analog and digital outputs with the Cambridge Audio Edge A, NAD C 316BEE V2, Audiolab 6000A, WiiM Vibelink, Quad 3, and Advance Paris A10 Classic, along with Q Acoustics’ M40 active speakers and Bluesound PULSE FLEX. External DAC duties were handled by the FiiO K11 R2R.
Cabling came from QED, Chord, Analysis Plus, and Cable Matters, including a CAT 6A Ethernet cable that had been blessed by my Rabbi. Network duties were handled by Verizon 2Gbps fiber service, its supplied modem, and an ASUS Wi-Fi 7 router. Music came primarily from TIDAL, Qobuz, and Spotify Lossless.
One advantage of owning other Bluesound and NAD components is that I have lived with BluOS through several generations. It has improved with each iteration. The interface may not feel quite as slick or immediate as WiiM Home, but it is the devil I know, and more importantly, every one of my streaming accounts has remained stable through it.
TIDAL Connect, Qobuz Connect, and Spotify Connect all worked reliably when used directly from their respective apps. That matters more to me than a few extra animations or a prettier home screen. A streaming platform that gets out of the way and plays music without drama is still worth something.
Bluesound streamers have carried a “warm” reputation for years, and that has generally been fair. Earlier NODE generations were not detail monsters. They tended to favor a full, generous bottom end over the last word in definition or impact, with a smooth, clear midrange, an above-average soundstage, and a slightly rounded treble. In a more neutral or lean sounding system, that balance could be rather appealing.
Push the rest of the chain too far in the darker direction, however, and things could become a little too warm cocoa and slippers for my taste. Pleasant enough, perhaps, but not especially exciting.
WiiM and Eversolo have largely taken the opposite approach. Both sound more linear, more explicit, and quicker on their feet, with sharper image outlines and more apparent detail. They can also sound a touch thin or overly matter-of-fact when paired with the wrong amplifier or loudspeakers. I own a WiiM and two Cambridge Audio network players, so I have a fairly solid baseline for that comparison.
The new NODE sounds different. Not “throw the Tim Hortons out and replace it with a cauldron of double-doubles” different, but clearly different. The presentation is more spacious, the low end is tighter, and there is a little less of the old Bluesound warmth in the midbass and lower midrange. Fine detail is easier to hear, transients have more snap, and the treble sounds more open and less toffee-coated.
It still does not turn into a WiiM or Eversolo overnight, nor should it. The NODE retains enough body and ease to avoid sounding clinical, but it is more neutral, more transparent, and more controlled than the Bluesound players that established the brand’s earlier sonic identity.
Nick Cave’s “Avalanche” showed off the NODE’s improved tonal balance particularly well. Cave’s piano had the right weight and dark resonance, while his weathered baritone retained its grizzly edge and low-register authority without sounding overly smoothed or thinned out.
The decay around the piano notes hung in the air long enough to preserve the recording’s atmosphere, and the NODE cast a wider, more open soundstage than earlier Bluesound streamers I have heard. The track still had real power, but the presentation remained controlled and appropriately bleak.
Sia’s bass-heavy pop, including “Unstoppable,” “Cheap Thrills,” and “Breathe Me,” revealed a similar shift. The NODE gave up a little of the old Bluesound thunder at the very bottom, but the bass was better defined and less prone to spreading across the lower midrange. Her voice also came through with more clarity, while the mixes sounded more open and spacious.
That worked particularly well with the Q Acoustics 5040, which can throw a wall-to-wall soundstage that seems slightly ridiculous for a compact floorstander. The NODE took full advantage of that quality. It also helped the Q Acoustics M40 active speakers sound less confined between the cabinets on tracks where they can occasionally pull the image inward. Not here. The stage opened up, and the music had more room to breathe without losing its weight.
Switching to electronic music, the NODE proved far more capable than older Bluesound streamers in keeping pace with less expensive WiiM and Eversolo rivals. Kraftwerk’s “The Robots” and “Tour de France Étape 2,” deadmau5’s “Strobe” and “Ghosts ’n’ Stuff,” The Orb’s “Little Fluffy Clouds,” Aphex Twin’s “Xtal,” and Boards of Canada’s “Roygbiv” all benefited from tighter, more convincing midbass and upper bass.
The NODE did not always deliver quite the same top-end bite or etched detail as some of those competitors, but it kept the pulse intact. Synth lines had better separation, bass patterns were easier to follow, and the music filled the space with more purpose. That matters with this material. I can live without the last degree of sparkle, but the low-end drive has to land somewhere below the rib cage and make you want to channel that increasingly tired Jon Hamm dancing-in-a-club meme. I am already on bipolar medication. Stronger chemical assistance seems unnecessary.
Bluesound has improved this aspect of the NODE considerably. It sounds quicker, more spacious, and more confident with electronic music without losing the fuller tonal balance that has long been part of the brand’s appeal.
The Bluesound NODE is not the least expensive way into high-resolution streaming, nor is it the most feature-packed box on paper. The WiiM Ultra remains a ridiculous value at $329, especially for listeners who want a more neutral presentation and the freedom to pair it with a better external DAC later. Cambridge Audio’s MXN10 and CXN100 SE also remain serious alternatives, offering a more familiar British balance that will appeal to listeners who value tonal weight and a more traditional hi-fi presentation.
At $750, the NODE has to justify the premium. It does. The N132 is a meaningful improvement over the previous generation, with a more open and spacious presentation, tighter bass, better clarity, and less of the soft warmth that defined earlier Bluesound players. It still sounds closer in character to the Cambridge streamers than to WiiM or Eversolo, but it delivers a little more transparency and control than I expected.
Neither BluOS nor the StreamMagic app is perfect. BluOS is not as slick as WiiM Home, but it has been more stable in my experience, and its ability to integrate the NODE into a larger Bluesound or NAD ecosystem remains a genuine advantage. The NODE’s real strength is that it can serve as a complete streamer, DAC, preamplifier, headphone amplifier, and television audio hub today, while also working as a very capable digital transport if the rest of the system improves around it.
The Dirac Live story is not finished. Bluesound did not provide access in time for this review, and I was not prepared to offer a verdict after trying it with only one amplifier and one pair of loudspeakers. A follow-up focused on Dirac Live is forthcoming, using multiple speaker and amplifier combinations. That is the only sensible way to judge whether it genuinely shifts the NODE’s value proposition.
The changes here also make me want to spend more time with the NODE ICON. A balanced DAC, preamplifier, and a very particular pair of speakers are already waiting in the listening room. That could get expensive quickly.
For now, the answer is straightforward: the new NODE is definitely a better streamer than the model it replaces. It costs more than the WiiM Ultra and asks buyers to live without a touchscreen, but its improved sound quality, mature platform, broad connectivity, upgrade flexibility, and eventual Dirac Live capability make it one of the more compelling network players in its class.
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California’s Protect Our Games Act, which would have required publishers to provide remedies when ending support for paid online games, stalled in the state Senate after falling just three votes short of a majority. The bill’s leading supporter, Stop Killing Games, quickly seized on an opposing lobbyist’s claim that private…
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Clyde Shaffer spent years working on a console that would let people create and play entirely new 8-bit games on real cartridges. He started from the premise that most modern retro devices either replay old titles or rely on programmable chips that hide how the hardware actually works. GameTank takes a different route by using only common, still-available logic chips and two real 6502-family processors.
The finished machine is covered in a bright blue 3D-printed case with a cartridge slot on top and two controller ports visible from the front. A typical RCA jack allows composite video to be sent to antique CRT televisions or any other device that takes that signal. Power is connected via a simple barrel plug. The general design pays homage to classic machines while not imitating any of them.
Inside, the magic happens with a W65C02S CPU chugging away at 3.5Mhz to handle the primary software. Another identical processor running at 14MHz serves as a dedicated coprocessor for the audio side. There’s no FPGA in the mix, and no single microcontroller attempting to do everything. Instead, the design depends on plain old 74-series logic chips and RAM to handle address decoding, timing, and data movement, making it easy to fix and allowing anyone with minimal electronics knowledge to follow the schematics.

Graphics are rendered using a 128 by 128 pixel framebuffer. A clever small blitter circuit handles the difficult task of copying sprite data into the buffer at full clock speed, freeing up the main processor to focus on game logic. Sprite pages are stored in 512Kb of dedicated memory. Each one may be enlarged, turned on either axis, and can have transparency applied to the background. Artists get to work with a 200-color palette, which provides more versatility than many vintage systems. Sound is routed through the audio coprocessor and its own tiny memory. The chip then activates a four-voice FM synthesizer. The game code just passes note, instrument and timing info across a simple link . The result is music and effects that seem right at home in the 8-bit universe yet benefit from the extra processing punch.

Memory banking expands the address space. The top part of the bus maps directly to the cartridge slot. 6522 Versatile Interface The adapter chip swaps 8Kb banks in the bottom cartridge space while also managing the controller input and the back expansion connector. That 26-pin socket on the back accepts GPIO lines and other signals, allowing future add-ons to be easily integrated without the need to rework the mainboard. Cartridges plug in to a unique 36 pin edge connector with a 0.1 inch pitch. Production carts have a massive 2Mb of flash memory. Blank carts come with development kits so creators can load up their own code. Programming is done using a small Arduino-based flasher that connects to a PC. The entire process takes seconds and works with both EPROM and flash versions.

There is no operating system or built-in menu inside the console, as each game loads directly from the cartridge. This keeps the focus on new applications rather than obsolete title libraries. Developers get to write in assembly for maximum speed or mix C and assembly through the open SDK. There’s an emulator that runs on Windows, macOS, Linux, and even mobile phones that closely matches the real hardware, so most code just crosses over with minimal tweaking. A successful crowdfunding campaign on Crowd Supply reached its goal earlier this year. The development kit includes the built console, a matching controller, a blank cart, the flasher, and a physical copy of Accursed Fiend. Units are scheduled to arrive with backers in July.
We’ve been waiting for this one for a long time. And while it doesn’t disappoint, it doesn’t leave a whole lot of room for celebration.
Okello Chatrie has been challenging the geofence warrant that led to his arrest and prosecution since 2019(!). Nearly seven years later, he’s a step closer to… well, maybe setting precedent that will help others? That’s how it usually works in cases like these: the person experiencing a new violation of rights sets the precedent. But because there was no precedent, the government is generally given a “good faith” pass, even when warrants seem so far removed from Fourth Amendment principles even the government should have known its warrants were unconstitutional.
The Fourth Circuit Appeals Court handled Chatrie’s case multiple times. It reviewed it twice and still decided the government didn’t do anything (intentionally) wrong when it used a geofence warrant to narrow down its list of suspect and, finally, put Chatrie on trial.
Don’t let the word “warrant” fool you. There are legitimate warrants that adhere to particularity standards meant to deter officers from just searching wherever, whenever. Then there are geofence warrants, which are more comparable to the “general warrants” the Fourth Amendment was put in place to prevent.
When investigators have no idea who they’re looking for, they stop looking for people and start demanding Google cough up tons of location data. The government argues these warrants are “particular” because they only ask the most likely repository of this data to search for this data. Normal people would argue these are “general warrants” because they force Google to search everyone’s location data on the government’s behalf, in hopes of generating a list of devices that match up with the government’s date/location range inputs — something that’s also often far more vague than it should be.
The government likes to say it doesn’t even need a warrant. Location info generated by phones is “third party” data “voluntarily” relinquished by phone users. The problem with that argument is that the Supreme Court — via its 2018 Carpenter decision — has already made it clear there is at least some expectation of privacy in that data, especially when the government is capable of gathering it en masse.
The time stamp on the Carpenter ruling works a bit in Okello Chatrie’s favor because the alleged crime happened after that ruling. The Supreme Court majority also agrees with Chatrie’s other arguments, including those pointing out geofence warrants cannot possibly satisfy probable cause/particularity requirements generated by Fourth Amendment case law.
Here’s the briefest description of the Supreme Court’s ruling [PDF], as delivered by SCOTUS itself:
Police officers conducted a Fourth Amendment search when they acquired Chatrie’s location data from Google because an individual has a reasonable expectation of privacy in his cell-phone location information.
More specifically, the Court points to its own precedent:
Everything Carpenter relied on to find that law enforcement officers conducted a Fourth Amendment search when they accessed CSLI records applies as well or better to the police’s accessing of Location History data. First, Location History provides an even more fine-tuned picture of a person’s movements, pinpointing location within around twenty meters rather than within sectors of one-eighth to four square miles; it records location every two minutes or so for a daily average of 720 chartings rather than 101; and it can estimate elevation to reveal which floor of a building a phone is on.
Second, Location History allows police to reconstruct “retrospective[ly],” and with no real effort, people’s comings and goings in any area, enabling “tireless and absolute surveillance” of any number of people in any number of places. Carpenter, 585 U. S., at 312.
And third, Location History implicates personal privacy interests even more than CSLI, because Location History is more the cell-phone user’s own. Most cell-phone users have no awareness of CSLI records, and would never try to retrieve them; by contrast, Google users regularly employ Location History as a personal journal. In that way, Location History resembles other private materials—e.g., emails, documents, photographs, or calendars— that even if stored on Google’s servers, a user reasonably views as his own and expects to be shielded from the “inquisitive eyes” of the government.
While this is a good ruling, it also does little more than tell the Fourth Circuit to do what it has already done: rule the warrant a search under the Fourth Amendment but still give the government a pass for not knowing its warrant was unconstitutional. A concurrence written by Justices Jackson and Sotomayor says the Court should have gone further, declaring this warrant (and any like it — which would be most of them) so unconstitutional the government couldn’t possibly claim to have obtained them in good faith.
Geofence warrants generate waves. The first one is the vaguest. Once more information comes in, investigators approach Google with narrowed lists. These repeat visits are almost never brought to the attention of magistrate judges. If a judge OKs the first search, the government just keeps going back to the well without bothering to seek judicial approval.
This “uncommon, multi-step” process, ante, at 30, meant that officers conducted key portions of the search outside the supervision of “a neutral and detached magistrate,” Johnson v. United States, 333 U. S. 10, 14 (1948). Put differently, officers could obtain additional, sensitive information at steps two and three without having to convince a magistrate that there was probable cause to believe this particular information would uncover evidence related to
the crime. In this way, the warrant left “too much to the discretion of the officer[s] executing the order,” giving them a “roving commission” to collect more data absent any justification to a magistrate.The facts of this case illustrate why the lack of magisterial oversight is dangerous. When executing steps two and three, law enforcement initially sought unbounded data and account information from all 19 devices identified at step one. Nothing in the warrant prevented officers from obtaining this broad set of data; they narrowed the list only because Google insisted on it.
Because that’s only a dissent, it won’t be taken into consideration when the Fourth Circuit takes its third look at the case. That should have been a point raised by the majority. As it stands, it just means the government will take its good faith ruling and sprinkle it generously on the further unconstitutional acts it engages in while holding a single geofence warrant.
There’s a dissent, of course. And if you can guess two of the three authors, you won’t win anything. No one is going to offer those odds.
JUSTICE ALITO, with whom JUSTICE THOMAS joins as to Part I and with whom JUSTICE BARRETT joins as to Parts II–B, II–C–1, and II–C–2, dissenting.
As is always the case when something isn’t about what this president wants to do/get away with, Alito and Thomas are there to LiveJournal their complaints about constitutional rights:
Eight years ago, I warned that this Court’s decision in Carpenter v. United States, 585 U. S. 296 (2018), would produce one of two outcomes. Either the Court would need to clarify Carpenter’s limits in a future decision, or Carpenter would usher in “revolutionary developments” in our doctrine by giving criminal suspects a “protected Fourth Amendment interest in any sensitive personal information about them that is collected and owned by third parties.” Id., at 385 (ALITO, J., dissenting). Today, the Court takes the country down the latter path. In doing so, the Court sheds Carpenter’s self-imposed boundaries and further destabilizes longstanding Fourth Amendment jurisprudence.
To make matters worse, the majority does all this in an advisory opinion. Although today’s decision will send seismic waves through our Fourth Amendment doctrine, not one iota of the majority opinion will affect the outcome of this case. The Court knows this and does not claim otherwise. Indeed, by refusing to review the one question that could have at least theoretically given Chatrie some hope of relief, the Court carefully set the stage for its planned performance: striking a pose as a great champion of privacy in the digital age. I cannot support this irresponsible escapade.
Note the loaded language, where Alito attaches “giving criminal suspects” to his complaint about recognizing the Fourth Amendment needs to be interpreted in conjunction with today’s realities, not left to be a dusty relic that cannot be expanded to cover things that were impossible to envision more than two centuries ago.
Note also that Alito, et al. bitch about the majority not addressing the one thing that might have helped Chatrie: a ruling on the good faith exception itself. And while I have the same complaint, I would have limited myself to asking the court why it didn’t do this, rather than immediately pivot in the very next paragraph to saying the Court should never have taken this case up in the first place.
The Court should not have granted certiorari in this case, and under any faithful application of our precedents.
Right after that Alito immediately says “Fuck Chatrie,” only sentences after (disingenuously) expressing concern for the Court’s unwillingness to tangle with the “one question” that could have given Chatrie “some hope of relief.”
[I[t should now either dismiss this petition or affirm the decision below based on the “good-faith exception” to the exclusionary rule.
I agree with the dissent in terms of the Court’s unwillingness to draw a bright line that will guide future rulings. But I say that because I think this will just allow law enforcement to roll the dice on questionable searches and hope the muddied water will get them forgiven for willfully bypassing the spirit of this ruling, which unfortunately hasn’t carried over to the letter of the ruling.
But these motherfuckers — Justices Alito and Thomas — think the real harm is that the government won’t be able to engage in as much warrantless surveillance as it would like to:
If the Court maintains its unwillingness to engage with such “line-drawing questions,” ante, at 21, n. 9, Carpenter’s warrant requirement might soon come for all forms of digital surveillance.
Take a long walk off a short pier, boys. You are the worst people to be entrusted with standing as a bulwark against government excess. You welcome it. You absolutely crave it when its one of your boys sitting in the Oval Office. You’re supposed to be serving the entire United States, not just those in the ruling class. But you’d clearly rather give the government unlimited power, rather than ensure the only people guaranteed rights — WE, THE PEOPLE — are allowed to use them.
Filed Under: 4th amendment, carpenter v. us, csli, general warrants, geofence warrants, location tracking, okello chatrie, privacy, reverse warrant, scotus
Anthropic is now rolling out Sonnet 5, and it’s almost as good as the Opus range, but it is designed to be cheaper than the company’s flagship model.
In a blog post, Anthropic said Claude Sonnet 5 is “built to be the most agentic Sonnet model yet,” and added that it comes with advanced features, such as the ability to make plans and use tools like browsers and terminals.
Previously, these features were mostly locked to Opus 4.8, but now Sonnet 5 can do almost everything the flagship model can.
According to Anthropic, Sonnet 5 is a big upgrade, especially for those who rely on Claude for coding, research, automation, document work, and other multi-step tasks.
“Sonnet 5 narrows the gap,” Anthropic said, confirming the new model is a step closer to the expensive Opus 4.8 model.
I personally found the Sonnet 5 experience similar to Opus, which means it’s better at creating plans or calling tools, and it’s also surprisingly good at verifying its own work.
In other words, it handles “Can you fix your code?” queries much better, almost closer to Opus.

Anthropic argues that the agentic AI era began with Sonnet-class models, referring to earlier models such as Claude Sonnet 3.5, 3.6, and 3.7.
However, more recently, the largest gains in agentic capability had been limited to its Opus-class models.
Anthropic no longer wants to limit agentic gains to just the Opus-class or more expensive models. That’s why Sonnet 5 is meant to bring some of those improvements back to the cheaper Sonnet tier.
Anthropic said testers described Sonnet 5 as “much more agentic than its predecessors,” and noted that it can check its own output without always being explicitly asked.
As a developer, I love Opus 4.8, and I still strongly believe nothing comes close to Fable, which was recently pulled after orders from the United States government. But Sonnet 5 is one of those models that becomes a better cost-performance option compared with Opus 4.8 or Fable.
I personally pay for the Max subscription, which costs $200, and I often run out of my usage because Opus can use more tokens than Sonnet, and it costs far more. But even as a heavy user, I like to interact with the model to understand my own code, and in those cases, it makes sense to use a cheaper model.
However, Sonnet 4.6 wasn’t a great model at planning or understanding a massive code base. That seems to have changed with Sonnet 5.
In my tests so far, I’ve found Sonnet 5 to be far better than Sonnet 4.6 at following instructions, and also for agentic search.
These performance gains are also justified by benchmarking companies, including BrowseComp and OSWorld-Verified.

Anthropic says users can adjust effort levels between Sonnet 5 and Opus 4.8 depending on whether they want lower cost or maximum performance.
The company says Sonnet 5 is launching with introductory API pricing of $2 per million input tokens and $10 per million output tokens through August 31, 2026.
After that, Sonnet 5 will cost $3 per million input tokens and $15 per million output tokens.
That is still cheaper than Opus 4.8, which Anthropic lists at $5 per million input tokens and $25 per million output tokens.
For regular users. Sonnet 5 is available to everyone with Free, Pro, and Max subscriptions.
Security teams log 54% of successful attacks and alert on just 14%. The rest move through your environment unseen.
The Picus whitepaper shows how breach and attack simulation tests your SIEM and EDR rules so threats stop slipping by detection.
Call me crazy, but I tend to think when Supreme Court Justices make a big sweeping statement in one case, they should actually follow it through with other cases. You may recall, for example, that in the Dobbs case, where the right to an abortion was overturned, Justice Samuel Alito took the ‘history and tradition’ test and made it the centerpiece of modern conservative jurisprudence — using it to wipe out a 50-year-old precedent. Specifically, his reason for overturning Roe v. Wade was that he, a very weak amateur historian, could find no support for such a right in the history at the time the 14th Amendment was passed.
That very bad amateur historian shtick was on display again this week in the (otherwise good) decision in Watson v. the Republican National Committee, regarding whether or not the federal government could invalidate mail-in ballots received after election day. The majority, written by Justice Amy Coney Barrett, and joined by Chief Justice Roberts, along with Justices Sotomayor, Kagan, and Jackson, pointed out that (duh!) while the federal government sets the date of the presidential election, the states get to determine how those elections are run, including how the ballots are counted, including absentee ballots.
Barrett goes through the history of how absentee and “mail-in” ballots have been used since the Civil War, and for over a century many states have allowed them to be counted, so long as they were post-marked by election day. And democracy has survived without any indication of any problem with those mail-in ballots arriving after election day.
But, to Justice Alito, this is the end of democracy. In a typically overwrought dissent, he claims that this move (which again, many states started doing over a century ago), upsets the entire concept of an election.
The acceptance of these late-arriving ballots effectively postpones the date on which the electorate’s choice is made, and federal law precludes that postponement.
But as Barrett notes in the majority opinion, federal law sets the date of the election, not the date of the vote counting, or the date results get announced. Those are different things, and Alito pretending they’re the same is bizarre for someone who seems to think history should be his guide in legal issues. The majority points out:
The Constitution requires the “Day on which [the electors] shall give their Votes” to be “the same throughout the United States.” Art. II, §1, cl. 4. But it says nothing about the day for receipt, and, of course, 18th-century modes of transmission did not offer same-day delivery. The Constitution therefore envisions a system in which receipt is necessarily divorced from voting, and it sets the crucial, uniform day as the day of voting, leaving receipt to happen down the line. The federal election-day statutes follow the same pattern: They set when the people “shall give their Votes,” ibid., but leave open when those votes must be received.
And here, Alito’s complete ignorance of the history of American elections shines through. All we need to do is go back to the very first presidential election of George Washington, in which election day was set as February 4th, 1789, but Congress waited until April 6th of that year to fully gather and actually count and certify those votes — over a month past the originally planned March 4 inauguration date. The votes were all technically “submitted” — you could loosely say “mailed in” by election day — but it took two months to actually count them (and then over a week for anyone to tell George Washington he’d been elected).
So, I’m sorry, but Alito can spare me with the idea that counting ballots that arrive after election day somehow “postpones the day on which the electorate’s choice is made.” That’s just utter bullshit and wholly inconsistent with the history of this country and the way elections work. The actual election day can be a single day, but the votes can be counted way later, and the results announced even later. Saying that it violates the historical concept of “election day” to allow mail-in ballots that are post-marked by election day makes zero sense at all.
And it’s not like the Washington situation was a one-off of a young country trying to sort out its presidential election system. Four elections later, in the infamous 1800 presidential battle between Thomas Jefferson and Aaron Burr, the US had to wait until months later when the matter went to the House to resolve (perhaps Alito should rewatch the musical Hamilton, which dramatizes this moment).
Or the elections of John Quincy Adams, which was also sent to the House to decide long after election day. Or the infamous Hayes-Tilden fight in 1876, where many of the votes were disputed and it took a specific (and possibly corrupt) “Electoral Commission” to sort things out and give the election to Hayes just days before the inauguration was set to take place.
No matter how you look at it: the US has a long “history and tradition” of voting on election day, and then (sometimes) taking a great long while to sort out who actually won, including waiting to count all the ballots. Mail-in ballots that are post-marked by election day and counted later are perfectly within that tradition, no matter what Alito has to say.
Alito’s entire jurisprudential brand is built on the idea that history and tradition should constrain what courts can do. He made that the centerpiece of Dobbs. But when that same history turns around and bites him — when it turns out the United States has a long, consistent tradition of counting ballots well after election day — suddenly history doesn’t matter anymore. What matters, apparently, is whether the outcome suits the narrative. That’s Alito retrofitting a legal standard to reach an outcome he desires. It should be seen as an embarrassment for a Supreme Court Justice to do so, but as we’ve all learned, Alito has zero shame in cooking up pretenses to reach his desired outcome.
Filed Under: absentee ballots, amy coney barrett, counting ballots, election day, history, missisippi, samuel alito
After a closer look at some new data, Apple’s iPhone 18 Pro modem situation may not be cut-and-dried. Here’s what the latest leaks say is in store for cellular connectivity, the A20 chip, and possible camera improvements.
On June 25, AppleInsider exclusively revealed that iPhone 18 Pro schematics and documents were among the more than 630GB of files taken from Tata in a cyberattack.
An initial analysis of the leaked documentation uncovered Apple’s plans to use its proprietary C2 modem in the iPhone 18 Pro and iPhone 18 Pro Max. Additional details have since come to light, thanks to new research conducted by us and an analyst we’ve worked with in the past.
Our findings suggest Apple may implement a region-based modem approach and a split release, with some iPhone 18 Pro models using the C2 chip and others a Qualcomm modem.
While all models of the iPhone Air use an Apple-designed mode, that may not be the case with the iPhone 18 Pro.
For the U.S. variant of the iPhone 18 Pro, which will feature mmWave compatibility, Apple seemingly plans to use Qualcomm modem hardware.
Multiple Qualcomm components, including the SDX80M, SDR875, QDM8771, QDM8720, PMK75, PMX75, and QET7100A, are referenced in a bill of materials related to the iPhone 18 Pro model Apple plans to sell in the United States.
As for the iPhone 18 models which will be sold elsewhere, Tata documentation suggests these configurations will use Apple’s proprietary C2 modem. While this approach may sound unusual, there is at least one possible explanation.
Apple’s current in-house modems, the C1 and the C1X, do not support 5G mmWave, and it looks as though the C2 will continue this trend. Until Apple develops a modem compatible with mmWave, it looks as though the company will offer mmWave support to iPhone 18 Pro users by using Qualcomm hardware.
With the iPhone 17 range, Apple already offers a mixed bag in terms of cellular hardware. The iPhone Air and iPhone 17e use Apple-designed modems, while the iPhone 17, iPhone 17 Pro, and iPhone 17 Pro Max use Qualcomm hardware.
This split-release strategy will likely become more complex, as the iPhone 18 Pro now factors region into the equation. iPhone 18 Pro board schematics reinforce this idea, as two separate part numbers and logic board variants exist.
820-04340-06 corresponds to the iPhone 18 Pro logic board with a mmWave connector and Qualcomm modem hardware. The non-mmWave iPhone 18 Pro logic board, meanwhile, bears the part number 820-04305-06.
With Apple’s current iPhone 17 lineup, some cellular features already vary by region.
iPhone models sold in mainland China, for instance, do not use eSIM, instead offering support for two physical SIM cards. That may change in the near future, as Tata’s documentation suggests iPhone 18 Pro models sold in China might gain eSIM support.
“No more dual PSIM starting in V64 P2,” reads a region-based configuration list for the iPhone 18 Pro Max, up to the Proto2 stage of development. The document outright mentions eSIM and physical SIM support for a configuration labeled CN, more than likely referring to mainland China.
As AppleInsider originally pointed out, among the files leaked from Tata were documents related to the upcoming A20 Pro chip, codenamed Borneo.
Further analysis of the more than 630GB worth of files has revealed new details about the A20 Pro system-on-chip. The documentation appears to suggest Apple will use a WMCM-style package for the A20 Pro chip, with the AP and memory side-by-side, unlike in the standard InFO-PoP packaging.
WMCM is short for Wafer-Level Multi-Chip Module, while InFo-PoP stands for Integrated Fan-Out Package-on-Package. Both are chip packaging processes, but the two are quite different.
With InFo, Apple uses a single die housing the CPU, GPU, and the Neural Engine, and limited memory configurations. Non-CPU components, like the memory, are added to the chip package rather than being an external component.
By using WMCM, meanwhile, Apple could have separate dies for the CPU, the GPU, and the Neural Engine. This means the company might be able to better mix and match the combinations of each, increasing the number of different chip configurations available to consumers.
Rumors of Apple using WMCM date back to at least August 2025. Tata’s files appear to corroborate these claims, at least regarding the A20 Pro chip.
Additionally, some of the iPhone 18 Pro board schematics suggest the system-on-chip will move closer to the outer edge of the dual-layer board. The storage of the device will seemingly sit deeper between the two board layers, though.
This design decision could ultimately impact thermal performance and repairability, though the exact impact remains to be seen.
Diagnostic data, which compares the iPhone 17 Pro to the iPhone 18 Pro, reveal that the ID of the Wide sensor has changed from 0x903 to 0x905. This more than likely means the main rear camera of the iPhone 18 Pro is changing.
To be more specific, the wide or main camera of the iPhone 17 Pro uses the Sony IMX-903 image sensor. Our findings would thus suggest that the iPhone 18 Pro will use the Sony IMX-905, a new custom-made image sensor.
As for what the upgrade itself might entail, rumors from October 2025, February 2026, and April 2026 claim the iPhone 18 Pro will get a rear camera with a variable aperture. If implemented, a variable aperture would reduce the need for computational photography to accomplish bokeh effects.
Though the documentation taken from Tata reveals a multitude of information about the upcoming iPhone 18 Pro and iPhone 18 Pro Max, the documents themselves detail prototype hardware in various stages of development. It’s not yet clear if these are final schematics, or interim ones.
It should be obvious at this point that JD Vance is a purely political creature. There’s no virtue to find in there, no moral stances firmly taken, nor anything resembling a true political ideology. There is only the attainment and retention of more and more power. You need look no further than Vance’s prior status as a self-affirmed “never Trumper” that compared the current president to Hitler, only to flip-flop completely and become both Trump’s greatest defender and running mate. He wants to be president, of course, and will take whatever action or stance he thinks gives him the best chance to sit behind the Resolute Desk.
Now, I’m not particularly keen on giving free political advice to someone so loathsome, but I don’t think I’m breaking new ground when I say it’s not a great idea for Vance to brag about how this administration has so perfectly neutered the free press that they could do a bunch of Watergates and it wouldn’t be a major issue for them.
Vice President JD Vance on Thursday said the Watergate scandal that brought down President Richard Nixon would have been a blip in today’s news cycle, and he drew parallels between Nixon and President Donald Trump — arguing that both were targeted by “deep state” forces.
“If Watergate happened tomorrow, it would be like a 12-hour news story. The idea that it would have taken down a presidency is crazy,” Vance said.
He went on: “If you look at the story of how the deep state took down Richard Nixon, it’s not all that different from what the same groups of people, the same institutions tried to do to Donald Trump in the first Trump administration.”
On this, Vance is sadly correct on multiple fronts, while incorrect on others. A Watergate scandal today probably wouldn’t get as much attention as it did in the 70s, in large part due to the bifurcation of our news media into one traditional media wing and one plain propaganda wing for the proverbial right. But that’s not a good thing. It’s bragging about the culmination of a long term plan to subjugate the press being that you can pull off wild scandals and get away with it. And if you need proof of that, you need only remember that January 6th happened, Donald Trump attempted to pull off a coup to retain the presidency over the clear will of the voters, and then managed to get elected to office again.
Vance’s comparison of Trump to Nixon is also quite apropos, though it’s quite incredible to see him willing to make it voluntarily. Once again, if you’re making a list of the worst political scandals in United States history, Watergate and January 6th are 1 and 1a, with the only argument being in which order you place them.
But it’s what he gets wrong about Watergate that explains why Vance somehow thinks these are good words to say out loud. The Nixon resignation from office was most certainly not the work of some “deep state.” Quite the opposite, in fact. Nixon used what might be called the deep state, or at least government intelligence services and the Justice Department, to attempt to evade accountability for breaking into the DNC headquarters and bugging them. He was caught attempting to hide and destroy evidence of his involvement in this crime. He’s on tape ordering an end to an investigation into his own reelection campaign. He resigned instead of being impeached. None of the above is a matter of debate.
Which is why, when Vance goes even further and happily compares himself to Nixon, I suggest we take him at his word.
Vance then noted his own similarities with Nixon.
“Young senator, vice president, writes some bestselling books, is hated by the media,” he said. “It kind of sounds like JD Vance. I’ve always liked Richard Nixon.”
Nixon was not a perfectly terrible president, but nobody serious wants to compare themselves to Mussolini over the apocryphal claims that he kept the trains running on time. Until the current president, Nixon was clearly the most disgraced American president ever. Again, I don’t really think that is a matter for debate.
What this smells like instead is Vance attempting to will into existence the “renaissance” he claims Nixon’s legacy is undergoing at the moment. I have not heard of this renaissance until Vance decided to talk about it. Normalizing a scandal-plagued president must surely serve some purpose, but I can already see campaign ads in a few years asking the public if they really want another Nixon president, since that was Vance claims to be.
These are not the most talented people, it is clear. I can’t possibly see the percentage for Vance in trying to frame himself as a modern day Nixon. But I suppose there is some honesty in the claim, for what it’s worth.
Filed Under: jd vance, politics, richard nixon, scandals
An anonymous reader quotes a report from Inside Climate News: A new state law limits Florida communities’ aims to offset greenhouse gas emissions that are warming the global climate and intensifying disasters such as hurricanes. Specifically, HB 1217 prohibits local governments from pursuing net-zero emissions goals. At least 10 cities and counties have implemented such policies, including Fort Lauderdale, Miami, Orlando and Leon County, where Tallahassee, the state capital, is located. But the new law will not necessarily upend these policies, said Bradley Marshall, senior attorney at Earthjustice, an advocacy group. “It’s certainly meant to scare municipalities and local governments from trying to do things to further net-zero policies,” he said. “Now, its exact impact and what it exactly prohibits is probably up for some debate. Things that are adjacent to it — emissions reductions and even climate change reduction policies — on their face will not run afoul at all of a ban on adopting a net zero policy.”
The measure requires local governments to submit an affidavit annually to the state Department of Revenue verifying compliance. Gov. Ron DeSantis, a Republican, signed the measure on April 22, Earth Day, and the law will take effect July 1. It states that “net zero policies, carbon taxes and assessments, and emission trading programs are detrimental to this state’s energy security and economic interests and inconsistent with the energy policy and the environmental policy of this state.” […] HB 1217 also prevents local governments from purchasing items such as vehicles or appliances based on the fuels they use or production of the items. Local governments may not participate in carbon-trading programs or use public funds to support other organizations with net-zero policies. Cities and counties also may not charge a tax or fee tied with carbon emissions. “This bill is definitely part of a larger coordinated push by the political enablers of the fossil fuel industry to obstruct any tools — legal or legislative tools — to hold the industry accountable for its contributions to climate change,” said Laura Peterson, senior analyst at the Union for Concerned Scientists, an advocacy group. “Florida is really on the front lines. So I imagine the governor is taking this step because he sees what’s coming down the pike. It’s not getting better. So I can only assume that this is an effort to satisfy some of the pressures that he’s getting from donors and from his party to protect the industry. And he’s doing it at the expense of his constituents.”
Anthropic is restoring full access to Claude Fable 5 starting tomorrow, weeks after a US government directive forced the company to suspend the model for all users. The government order arrived on June 12 and required Anthropic to block foreign nationals from using Fable 5 and its more capable Mythos 5 model. Since the rule took effect immediately and Anthropic had no way to verify a user’s nationality in real time, the company suspended both models entirely rather than risk a violation.
The restrictions followed a report from Amazon researchers, who found a way to prompt Fable 5 into identifying software vulnerabilities its safeguards were designed to block. In one instance, the model generated code showing how a flaw could be exploited.
Anthropic says it later confirmed that several less capable models, including Opus 4.8 and competing models, could produce similar results, which suggests the bypass didn’t hinge on capabilities unique to Fable 5.
Fable 5 will be available globally starting July 1 to users on the Claude Platform, Claude.ai, Claude Code, and Claude Cowork. Pro, Max, Team, and select Enterprise plans will get the model included for up to half their weekly usage limits through July 7, after which usage will draw from credits. Access on AWS, Google Cloud, and Microsoft Foundry will follow.
Mythos 5 already returned earlier for a limited set of approved US organizations, and Anthropic says it has received further government clearance to expand that access on June 26. The company has revealed that it built a new safety classifier that blocks the flagged technique in more than 99 percent of cases and is working with Amazon, Microsoft, and Google on a shared industry standard for grading the severity of AI jailbreaks going forward.
Apple CEO Tim Cook will soon be Executive Chairman and handle government interactions, but that isn’t stopping him from taking a phone call today with a European Commission head over Apple AI in the EU.
WWDC 2026 was focused on system optimization, child safety, and the new Apple Foundation Models. Apple Users in the EU were cut off completely from that last third of the keynote, as those features can’t launch in the region as they exist today.
According to a report from The Financial Times, first shared by 9to5Mac, Apple CEO Tim Cook had a virtual meeting with Henna Virkkunen, Executive Vice President of the European Commission, which reportedly was “constructive.” People familiar with the exchange said that the conversation centered around how Apple might launch its revamped AI tools in the EU without violating the Digital Markets Act (DMA).
For anyone paying attention, such a phone call was inevitable. It could be months or years of back and forth before Apple and the EU find a compromise here.
What’s actually interesting here is Tim Cook himself being on the other end of the phone. He’s still CEO, but will be stepping down on September 1 to take over as Executive Chairman with John Ternus taking on the CEO role.
Normally, such things would have involved Eddy Cue or a similar senior executive. It seems that Cook is taking on his role as a government liaison sooner than expected.
Of course, Cook has already acted as a buffer between the United States administration and Apple in the past. That role is expanding with his position as Executive Chairman.
It isn’t clear who might budge first in these negotiations. The problem is that Apple likely won’t be materially affected by this delayed launch and the EU seems rather stubborn in its demands.
In the end, it is the Apple customers in the EU that lose the most.
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