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Culture Wars at the Super Bowl, Meze STRADA’s Curious Tuning, Record Store Day 2026, Hi-Fi Show Overload?: Editor’s Round-Up

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This editor’s roundup lands at a moment when everything feels less like discourse and more like performance art, and not the good kind. Bad Bunny delivered the first mostly Spanish halftime show in Super Bowl history; a powerful, Puerto Rican-rooted celebration that thrust Latino culture onto a stage watched by 124 million people and the reactions were predictably absurd.

Conservatives from cable pundits to President Trump called it divisive and “terrible,” freaked out over language, and even tried to pitch hair-metal bands as replacements, while fanbases tried to learn Spanish just to keep up with the cultural conversation.

And then the other side did what it always does. Turning Point USA’s Super Bowl-adjacent event somehow morphed online into an “ICE rally,” a “Charlie Kirk memorial,” and an act of open racism, as if every folding chair and red lanyard came with a deportation order stapled to it. Context didn’t matter. Facts were optional. 

Even the Grammy Awards could not just hand someone a trophy without turning it into a TED Talk nobody asked for — win, smile, say thanks, and sit the hell down.

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Meanwhile, the internet still can’t decide whether this was patriotism or provocation, which tells you everything about how performative outrage has become the default setting on all sides. Then there’s the actual stuff we cover: Meze Audio dropped the Strada with a tuning curve that’s got listeners scratching heads, Record Store Day 2026 has its own mix of hype and eye-rolls, and the hi-fi show calendar is so bloated even insiders are saying “enough.” Same damn script everywhere — nuance on mute, noise on max.

Bad Bunny Sang in Spanish; Outrage Was Bilingual

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Bad Bunny Singing at Super Bowl LX Halftime Show (Watch on YouTube)

If there was anything worth getting upset about during the Super Bowl, it wasn’t the language, it was the vocals. Bad Bunny can perform, no question: the pacing worked, the energy was there, the rhythm was locked in, and the spectacle did exactly what halftime shows are designed to do. But let’s not pretend we witnessed a once-in-a-generation vocal masterclass. Whitney Houston he is not. Hell, Whitney Houston warming up he is not. The real outrage should’ve been over pitch, breath control, and the fact that halftime vocals have quietly become optional while choreography and vibes do the heavy lifting.

And let’s get real for a second: there are 40-50 million Spanish-speaking people in the United States, many of whom watch the NFL every Sunday, buy jerseys, bet on games, and scream at referees in multiple languages. Holy queso, Batman — Spanish isn’t some foreign invasion; it’s part of the room. Always has been. Acting shocked by that in 2026 is less patriotism and more blind ignorance.

What’s depressing isn’t that a halftime show turned political; it’s that everything does now. We can’t even have a dumb, overproduced Super Bowl anymore without someone turning it into a referendum on national identity. It’s a football game. A mediocre one. Played by two teams most people claim to hate until kickoff. Someone wins, someone loses, and nobody should be afraid to joke about going to Disney World afterward because ICE might be waiting behind Space Mountain. When even that joke feels risky, you don’t have a culture war; you’ve got cultural exhaustion.

For all of the President’s misguided social media outrage about a halftime show, the only real winner here was Bad Bunny. Mission accomplished. He’ll sell out arenas coast to coast, merch will fly, and yes, the pants will remain deeply questionable whether you like the music or not.

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What’s wrong with us is simpler; we’re obsessed with the noise instead of the moment, which makes perfect sense when half the country seems to get its news and its history from TikTok, X, and Instagram comments written at a sixth grade reading level.

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Kendrick Lamar Performing at Super Bowl LIX Halftime Show (Watch on YouTube)

Last year’s Kendrick Lamar halftime worked better for me not because it was louder or angrier, but because it stayed tethered to the game, a genuine Eagles beat down of the Chiefs, Taylor Swift included, and because I actually own his records and took my son to one of his shows, which was pretty great. Football happened. Music happened. Nobody lost their damn mind. That’s apparently too much to ask now. It’s that bad, folks.

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Record Store Day 2026: Great Releases, Too Few Copies, Lots of Cash Required

Record Store Day is still one of my favorite days of the year, and not because I enjoy standing outside at 5am fueled by burnt coffee and poor decisions. It’s because you get to show up for the independent shops that keep this whole hobby from turning into a soulless “add to cart” spreadsheet. You stand in the cold or the heat or the rain, take your pick, clutch your list like it’s an immigration document, and hope the vinyl gods don’t flag you for secondary screening.

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Line at Jack's Music for RSD 2023
RSD 2023: Line at Jack’s Music, Red Bank, New Jersey

It doesn’t always work out, especially if you live somewhere where the first 20 people in line aren’t music fans, they’re flippers with spreadsheets, burner accounts, and the moral compass of a vending machine. They sprint straight to the obvious heat and scoop up the titles that were never pressed in big numbers, the stuff your local store might only have 1 to 5 copies of, then they flip it on Discogs or eBay for 3 to 5 times the price like they personally remastered it. These people don’t love records. They love arbitrage. Please step on a LEGO.

This year’s RSD 2026 list is legitimately stacked. Bruno Mars is the 2026 Record Store Day Ambassador, and shops will be holding Early Listening Parties on February 25 for his new album THE ROMANTIC, ahead of Record Store Day on April 18.

On the guaranteed-mayhem side, you’ve got Pink Floyd with Live From the Los Angeles Sports Arena, April 26th, 1975 (4xLP), plus perennial troublemakers like The Cure, David Bowie, Madonna, Grateful Dead, and Pearl Jam with React/Respond as a photo book plus a 7 inch single, which is basically catnip for the resellers.

Add The Rolling Stones turning RSD into a mini theme park with multiple drops, including the RSD3 mini turntable and a run of 3 inch singles like Get Off of My Cloud, Honky Tonk WomenPlay With FireHeart of StoneMother’s Little Helper, and Have You Seen Your Mother, Baby, Standing in the Shadow? because nothing says “serious collector culture” like tiny-format chaos.

And the jazz titles? Quietly dangerous this year. You’ve got Bill Evans At The BBC: The Complete 1965 London Sets, John Coltrane and the John Coltrane Quartet showing up in the mix, Ahmad Jamal, Roy Hargrove with A Tribute to Pharoah Sanders, plus Joe Henderson Consonance: Live at the Jazz Showcase on Resonance, and Mal Waldron Stardust & Starlight: Live at the Jazz Showcase.

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These are my dark-horse Record Store Day 2026 picks, the ones I’m prioritizing before caffeine fully kicks in and common courtesy disappears.

On the soul and jazz side, Stax: Killer B’s from Various Artists is exactly the kind of compilation RSD should be about, deep cuts that remind people why Stax mattered beyond the hits. Consonance: Live at the Jazz Showcase by Joe Henderson is a serious live document and another reminder that Resonance continues to treat jazz collectors like adults. Add The New Sounds from Miles Davis, Primeval Blues, Rags, And Gospel Songs by Charlie Patton, and BBC Sessions from John Prine, and you’ve got a stretch of records that feel more like history lessons than collectibles. These are the ones flippers ignore because they require listening instead of speculation.

The alternative and art-pop lane is quietly stacked this year. Analogue 20th Anniversary Deluxe Edition from a-ha is far better than people remember and will vanish once word gets out. The Seduction of Claude Debussy by Art of Noise is still ambitious, strange, and influential in ways that feel increasingly rare. The Rhythmatist shows Stewart Copeland doing something genuinely different outside of The Police, and The Blind Leading the Naked from Violent Femmes remains one of their most overlooked records. None of these scream “safe,” which is exactly why they matter.

Then there are the deceptively obvious picks that people will pretend not to want until they’re gone. Greatest Hits from The Cure will not sit long. MTV Unplugged captures Tony Bennett doing what modern vocalists still study but rarely master. Hallo Spaceboy is David Bowie in his confrontational mid-90s phase, not nostalgia cosplay, and Sledgehammer from Peter Gabriel still works when it’s pressed properly, whether people want to admit it or not.

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Meze STRADA: Green, Gorgeous, and Sonically Side-Eyed

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Meze Audio STRADA

Can Meze’s $799 STRADA closed-back headphones stand out in a market that’s already overcrowded, opinionated, and very sure of itself? That’s the real question, and it’s a fair one. The $500 to $1,000 headphone segment is a knife fight right now, with Grado, Focal, Denon, HiFiMAN, Dan Clark Audio, Beyerdynamic, Audeze, and Sennheiser all going after the same ears and the same wallets. Romanian manufacturer Meze Audio has never tried to win by shouting the loudest. They’ve won by doing the work.

I’m coming at this with some perspective. I own six pairs of Meze headphones, which makes it pretty clear I’ve bought into the approach. That doesn’t mean I love everything blindly. I don’t. If we’re ranking favorites, the Empyrean II, the 109 Pro, and the 99 Classics (2nd generation) sit at the top of my list. Those models get the balance right: comfort that disappears on your head, industrial design that feels intentional, and sound that prioritizes musical engagement over chasing measurements. So where does that leave the STRADA?

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From a build and design perspective, Meze hasn’t missed. The STRADA’s earcups are genuinely beautiful, finished in a deep green that feels more British sports car than Romanian headphone, and I’m ultimately fine with that. That said, the color has been polarizing. I’ve seen plenty of online chatter that wasn’t especially polite, along with no shortage of praise from people who really like the look. I wasn’t sold on it straight out of the box either, but it grew on me. And I’d be a hypocrite if I complained too loudly, considering I’ve owned two cars; a Morgan and a Mini Cooper that weren’t exactly shy about wearing a similar shade.

Meze Audio STRADA

It looks expensive without trying too hard, and it clearly isn’t chasing trends. The magnesium frame, soft padded headband, and balanced weight distribution hit the familiar Meze notes. Comfort remains a core strength, and clamping force is spot on — secure without crossing into fatigue. Long listening sessions aren’t a problem. Do I love the headband as much as some of Meze’s more recent designs? Not quite. It’s different, and that difference will land better for some listeners than others. Still, from a usability standpoint, the brief is handled.

Where things get more complicated is the tuning and the intent. The STRADA is clearly not trying to be a closed-back version of the 109 Pro, and that’s both understandable and slightly puzzling. Closed-back designs come with real constraints. You lose some openness and spatial air by default, but you gain isolation and control.

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There’s also more room to play with treble behavior and bass weight, and Meze leans into that here. The STRADA sounds denser and heavier down low, with a presentation that’s less spacious overall, while the top end sits firmly on the brighter side. I’ve found myself reaching for EQ more than usual to dial it in. That’s not inherently wrong. It’s just different.

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Meze Audio 109 Pro

The question I keep coming back to is why Meze felt the need to “fix” something that already worked so well. The 109 Pro are excellent headphones. They’re balanced, engaging, and easy to live with. The STRADA doesn’t replace them. It sidesteps them. Whether that sidestep feels purposeful or unnecessary will depend on what you’re looking for in a closed-back design at this price. I generally like what the STRADA is doing, but I’m not fully convinced yet that this was a gap in the lineup that needed filling.

The full review is coming next week, and that’s where I’ll land the plane properly. For now, the STRADA feels like a well-made, thoughtfully designed headphone that raises an interesting question about direction rather than execution. And with Meze, that question is usually worth asking.

Hi-Fi Show Overload: When Everything Is “Must-See”

2026 is barely six weeks old and the reality has already set in: there are simply too many hi-fi shows. After covering CES 2026 more deeply than any other hi-fi publication, the eCoustics team barely had time to unpack before heading straight to NAMM 2026. That kind of pace is part of the job, but it’s also a stress test. CanJam launched its first event in Dubai and, by all accounts, it went well enough that a 2027 return is already locked.

And let’s not forget ISE in Barcelona, which already happened, because the year barely waits for you to catch your breath before moving on—mañana is a lie, the calendar never sleeps, and the sangria is never strong enough.

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February arrived with serious, deadly cold and snow pushing far deeper south than anyone expected. I was there. Back home, the same system claimed more than 35 lives across New Jersey and New York over the past three weeks, a grim reminder that this wasn’t just inconvenient weather. Meanwhile, the Tampa Show is next week and CanJam NYC is somehow already right around the corner. We’ll be there. Hopefully the city will have picked up the garbage by then.

And that’s the problem. The 2026 calendar is stacked to the point of absurdity, and it’s putting both the media and manufacturers into a quiet panic. We can’t cover everything. Nobody can. Travel budgets are stretched, crews are thin, and even the companies making the gear are starting to pick and choose because showing up everywhere is expensive and increasingly hard to justify. More shows don’t automatically mean better coverage or better products. At some point, the industry has to ask whether this pace is sustainable—or whether everyone involved is just pretending it is.

And if you think we’re just kvetching, here’s the part where the calendar starts to look like a cry for help. After Tampa and CanJam NYC; which is already shaping up to be the biggest one yet—the industry rolls straight into Bristol, then Montreal, CanJam Hong Kong, CanJam Singapore, and AXPONA, where six members of the eCoustics team will be on the floor at once. Hope the Wiener Circle has enough char dogs in stock, because nobody’s cooking that week.

Then comes Vienna, now replacing Munich, pushed later into June. Early feedback from people who’ve actually been in the space? Let’s just say the reaction was less wunderbar and more nein, which feels culturally appropriate. From there, we pivot directly into summer with T.H.E. Show SoCal, CanJam London (we’ll be at both), SouthWest Audio Fest in Dallas (I’ll be there), Audio Advice Live in Raleigh (Chris will be there), Pacific Audio Fest, CanJam SoCal (we’ll be there), CEDIA with full-team coverage, CanJam Shanghai, CanJam Dallas, Toronto (I’ll be there), CAF with team coverage, Warsaw, the Paris Show, Singapore Show—yes, again—and a show in Australia, because apparently jet lag is a lifestyle choice now.

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The only things missing on the calendar at this point are CanJam Tel Aviv, CanJam Berlin; and it’s more than a little interesting that there still aren’t any plans for a CanJam in Canada—and something in Mexico or Argentina, because apparently South America remains an untapped frontier. Then there’s T.H.E. Show, which continues to live in a state of strategic ambiguity but is likely to surface with the familiar SoCal show and the New York show, which for those of us in the Garden State is, let’s be honest, New Jersey. Same circus, different exits.

All of this somehow wraps up just in time for Black Friday and Thanksgiving, when everyone either collapses, disappears, or spends a brief but meaningful stretch in an institution. I’ve already done my time. Didn’t enjoy the kosher meal option.

Something has to give. There isn’t a single publication on the planet that can realistically handle that schedule, and I’m genuinely proud of the fact that we can cover the shows we do without turning the whole thing into noise. Travel can be fun, sure, but let’s not kid ourselves — this is work. And there’s a point where listening to the same gear, in the same hotel rooms, under the same conditions, stops being insight and starts becoming background hum. Familiarity doesn’t always breed clarity. Sometimes it just breeds fatigue.

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I’ve spoken to seven manufacturers over the past few weeks, and I’m talking about the big ones — and they’re feeling it too. The math doesn’t work. Showing up everywhere isn’t financially viable, and it’s not strategically smart either. At some point you’re not launching products, you’re just maintaining appearances. And frankly, nobody needs to see the same rotation of ass-kissing journalists and YouTubers with their hands out at every stop on the circuit. That doesn’t serve readers, viewers, or the industry.

I’ve always kept a simple rule. I eat with the team, with a few of the industry’s best PR people; Adam Sohmer, Jaclyn Inglis, Sue Toscano — or alone. That’s it. Anything else invites complications that don’t need to exist. Free dinners from companies aren’t hospitality. They’re bribes. And once you normalize that, you’ve already lost the plot.

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7 new horror movies on Netflix, Shudder, HBO Max, and more in April 2026

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The best streaming services have added plenty of new movies in April, and I was excited to see lots of horror titles among them.

April is a strong month for horror with some of the biggest franchises and originals available to watch from the comfort of your living room. The month is typically associated with pranks and comedies, but if you want something more macabre, I’ve got you covered.

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OldVersion Is Back, And Better Than Ever

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You know what they say — you can’t keep a good website down. OldVersion.com, the repository of outdated software that has been serving up old versions of tools you need for the last twenty-five years, is not going away as we reported last year. Not only is it sticking around, it’s gotten a retro facelift inspired by Windows 3.1 or OS/2. Mostly Windows, given the screensaver, but we’ll let you find that for yourself.

We’re thrilled to see that OldVersion has gotten the support they need to keep going after running into financial troubles. According to founder Alex Levine, some of that support came as a result of the Hackaday article reporting on the then-upcoming closure, so kudos to you guys for stepping up.

While we absolutely love the retro redesign of the new website, that’s one thing notably lacking — an obvious donation button. Well, that and old-school HTTP support so you can get on with your retromachines, but that, at least, is in the works according to the site roadmap. It’s a little weird that in this year of the common era 2026 you have to do extra work to give up on HTTPS functionality, but it is the way it is.

In the meantime, the site is fully usable as long as you have HTTPS capability, or go through a proxy. Perhaps you could use this ESP8266 code to get started making one, if you don’t want to embarrass your old computer by using something more powerful than it as a pass-through.

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Speaking of proxies, if old versions of software aren’t enough for you, how about an old version of the internet? We heard you like old versions, so you can visit an old version of OldVersion!


Note that if you’re reading this after 01/04/2026, the look-and-feel of OldVersion.com may not match what’s depicted here.

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SpaceX Files Draft for Potentially Stratospheric IPO

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SpaceX is looking to the heavens for its upcoming initial public offering based on a $1.75 trillion valuation, according to confidential paperwork filed with the US Securities and Exchange Commission.

As reported by Bloomberg, the draft IPO registration is the first step toward a possible June offering that could raise approximately $75 billion. The filing allows the company to get feedback from the SEC before the information is released publicly.

The IPO may be open to more people than just the wealthiest investors. According to a report by The Motley Fool, SpaceX plans to allocate around 30% of the initial shares to “retail investors,” meaning individual investors. Normal retail allocation tends to be around 10% of shares.

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A SpaceX representative didn’t immediately respond to a request for comment.

Why a SpaceX IPO is a big deal

Spaceflight is an incredibly expensive endeavor; SpaceX gets billions of dollars from the US government to launch satellites and help keep NASA’s programs running. Almost a year ago, the company set a target of launching every other day through the end of 2025 and ended up launching a record 165 orbital flights.

But SpaceX is no longer just a high-flying rocket company. Its Starlink division provides data access to homes, remote locations, airlines and direct to many mobile phones in areas where there’s no cellular coverage. It also recently acquired xAI, another of Elon Musk’s companies, and owns the social media site X (formerly Twitter).

It’s the AI angle that seems to be driving up the company’s valuation ahead of the IPO. The xAI all-stock acquisition valued the company and SpaceX at $1.25 trillion. This year, OpenAI and Anthropic PBC are also expected to go public.

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Although those numbers are eye-popping, the company has plenty of challenges before it can get off the launchpad.

Starlink has announced a plan to send up new V3 third-generation satellites that should bring gigabit internet speeds to its network, but those won’t be ready until 2027. Getting them up requires SpaceX’s heavy-duty Spacecraft vehicle, which has had limited success in testing so far. In the meantime, its current Starlink satellites have been exploding in orbit as recently as this week.

And for xAI, the skies aren’t exactly clear despite the current fervor for all things AI. Musk announced in mid-March that “xAI was not built right first time around, so is being rebuilt from the foundations up.” And the company is being sued by three teen girls and their guardians for “devastating” harm caused by its Grok AI generating child sexual abuse images.

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WhatsApp notifies 200 users who installed fake app built by Italian spyware maker SIO

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WhatsApp has notified approximately 200 users, primarily in Italy, that they were tricked into installing a counterfeit version of the messaging app that was actually government spyware. The fake application was built by SIO, an Italian surveillance technology company that develops spyware for law enforcement and intelligence agencies through its subsidiary ASIGINT. WhatsApp said it had proactively identified the affected users, logged them out of their accounts, warned them about the privacy risks, and urged them to delete the fake client and install the official app from a trusted source. The company told TechCrunch it also plans to send a formal legal demand to SIO to halt any malicious activity linked to the campaign.

The disclosure, first reported by Italian newspaper La Repubblica and news agency ANSA, marks the second time in little more than a year that WhatsApp has publicly named a spyware vendor operating against its users in Italy. In early 2025, WhatsApp alerted around 90 users, including journalists and pro-immigration activists, that they had been targeted by Paragon Solutions, a U.S.-Israeli surveillance firm whose flagship product, Graphite, was deployed by Italy’s domestic and foreign intelligence services. That revelation triggered a political crisis in Rome. Italy’s parliamentary intelligence oversight committee, COPASIR, confirmed the use of Graphite and found that seven Italians had been targeted. Paragon subsequently cut ties with Italy’s spy agencies after the government declined to verify whether the spyware had been used against a specific journalist, Francesco Cancellato of the news site Fanpage.

SIO’s spyware operates through a different model. The malware, identified in its own code as Spyrtacus, is embedded in fake applications designed to look like legitimate software. Researchers have found 13 different samples of Spyrtacus dating back to 2019, with the most recent from late 2024. Previous versions impersonated Android apps from Italian mobile providers TIM, Vodafone, and WINDTRE, as well as earlier fake versions of WhatsApp itself. TechCrunch first exposed SIO’s Android distribution campaign in February 2025. The latest operation, targeting iPhones, represents an expansion of the tactic to Apple’s ecosystem. Once installed, Spyrtacus can steal text messages, chat histories, and call logs, as well as record audio and video directly from the device’s microphone and camera.

The delivery mechanism is as revealing as the malware itself. In Italy, authorities routinely obtain cooperation from mobile carriers, who send phishing links to their own customers on behalf of law enforcement. The target receives what appears to be a routine update notification from their provider, directing them to install what looks like a standard WhatsApp update. The Italian justice ministry has maintained a price list and catalogue showing how authorities can compel telecom companies to send such messages, a system that effectively turns the mobile network itself into a distribution channel for state surveillance tools. The cost of renting spyware in Italy is remarkably low: as of late 2022, law enforcement could access these tools for as little as €150 per day, without the large upfront acquisition costs that typically limit deployment in other countries.

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Italy’s position as a spyware hub is unusual among Western democracies. Companies including Hacking Team, Cy4Gate, RCS Lab, and Raxir have all been based in the country, drawn by a legal framework that provides a formal statutory basis for the “captatore informatico,” or computer interceptor, effectively state-sanctioned trojan software. Fabio Pietrosanti, president of the Hermes Center for Transparency and Digital Human Rights, has said that spyware is deployed more frequently in Italy than anywhere else in Europe because the low cost and permissive regulation make it accessible to a far wider range of law enforcement agencies than in neighbouring countries. The result is an ecosystem in which municipal police forces, not just national intelligence agencies, can commission surveillance operations against individuals.

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WhatsApp spokesperson Margarita Franklin told TechCrunch the company could not yet confirm whether the 200 affected users included journalists or members of civil society. “Our priority has been protecting the users who may have been tricked into downloading this fake iOS app,” she said. The company did not specify whether it had referred the matter to Italian prosecutors or to any regulatory authority. Apple and SIO did not respond to requests for comment.

The legal landscape around commercial spyware has shifted substantially in the past year. In May 2025, a California jury ordered NSO Group, the Israeli maker of Pegasus, to pay WhatsApp $167 million in punitive damages after finding it had enabled hacks of approximately 1,400 users through zero-click attacks. A federal judge later reduced the award to $4 million but imposed a permanent injunction barring NSO from targeting WhatsApp’s infrastructure. NSO has appealed. WhatsApp’s parent company Meta described the verdict as a landmark, and it has since expanded its legal strategy against the broader surveillance industry. The formal legal demand WhatsApp intends to send SIO follows the same pattern: use litigation and public disclosure as deterrents against companies that profit from compromising encrypted messaging platforms.

The proliferation of spyware vendors presents a challenge that extends well beyond any single platform. Apple has sent mercenary-spyware threat notifications to users in more than 150 countries since 2021, alerting individuals it believes have been individually targeted by state-sponsored attacks. In April 2025, Apple notified the Italian journalist Ciro Pellegrino, one of the Paragon victims, that he had been targeted. The notification systems run by Apple and WhatsApp now represent the primary mechanism by which victims of government surveillance learn they have been compromised, a function that was once the exclusive domain of the cybersecurity industry’s specialist researchers.

The global lawful-interception market was valued at $4 billion in 2023 and is projected to reach $15 billion by 2032, growing at roughly 16 per cent annually. That growth is being driven not by the Pegasus-style zero-click exploits that attract headlines, but by the kind of low-cost, phishing-based tools that SIO sells. The barrier to entry for government surveillance has dropped to the point where a local police department in a midsize Italian city can commission the same class of spyware deployment that was once the preserve of national intelligence agencies. The gap between regulatory ambition and enforcement capacity in Europe means that the legal frameworks governing these tools have not kept pace with the speed at which they are being adopted.

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What makes the SIO case distinct from the Paragon scandal is the method. Paragon’s Graphite used zero-click exploits that required no action from the target. SIO’s Spyrtacus requires the target to install a fake application, a social-engineering approach that relies on trust in the carrier and familiarity with routine app updates. The fact that Italian telecoms participate in the delivery chain, sending phishing messages to their own subscribers at the state’s request, turns the mobile infrastructure itself into an instrument of surveillance. It is one thing for a government to hack a phone. It is another for the phone company to help.

WhatsApp’s decision to publicly name SIO and notify the affected users follows the broader pattern of tech platforms asserting themselves as counterweights to state surveillance in ways that would have been unthinkable a decade ago. The company is not merely patching a vulnerability. It is identifying the vendor, alerting the victims, and threatening legal action, a posture that positions a messaging app owned by Meta as a more effective check on government spyware abuse than any European regulatory body has managed to date. Whether that dynamic is reassuring or alarming depends on your view of where the responsibility for protecting citizens from their own governments should ultimately rest.

For the 200 users in Italy who received WhatsApp’s notification, the immediate question is narrower: who authorised the surveillance, and on what legal basis? The answer may never become public. Italy’s lawful-intercept framework permits the use of these tools under judicial oversight, but the oversight mechanisms have repeatedly proven inadequate to prevent abuse. The Paragon scandal demonstrated that intelligence agencies could target journalists and activists under the cover of lawful authority. The SIO case suggests the problem runs deeper, extending to less prominent vendors, cheaper tools, and a distribution model that exploits the trust citizens place in their mobile carriers. The spyware industry does not need zero-click exploits to be dangerous. It just needs a convincing notification from your phone company.

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California Suspends Enforcement of Law Requiring VCs to Report Diversity Data

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Under a new state regulation, venture capital firms operating in California were supposed to submit demographic data about their portfolio companies, including the gender and race of startup founders they backed. But amid public criticism from some tech leaders, the California agency administering the new requirement suspended it just before the Wednesday deadline for firms to make their first disclosures.

“The California Department of Financial Protection and Innovation (DFPI) has announced that it plans to initiate rulemaking in response to comments by various stakeholders relating to the Fair Investment Practices by Venture Capital Companies Law,” the state agency posted on its website in mid-March. “Implementation and enforcement of the [law] will be suspended pending completion of the rulemaking and until final regulations are in place.”

California lawmakers first passed the measure in 2023, and it was signed into law shortly thereafter by Governor Gavin Newsom. For decades, women and people of color have received only a small share of overall startup funding relative to their representation in the US population. Lawmakers hoped putting more public scrutiny on investment decisions would help foster greater equity in the market, including for people who are disabled, retired military, or LGBTQ+.

The law called for venture capital and some other investment firms to file annual reports starting March 1 of last year about the overall makeup of the founding teams they had invested in and the amount of money they provided to diverse founders. Firms were meant to collect the demographic data through a voluntary survey that was then anonymized. California authorities planned to publish the filings online. Lawmakers amended the law in 2024 to delay reporting until April 1, 2026 and enable the state to levy daily fines for noncompliance.

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The California Department of Financial Protection and Innovation did not immediately respond to a request for comment on the authority it used to sidestep the deadline set by lawmakers. Newsom’s office also didn’t immediately respond to a request for comment.

Financiers focused on funding entrepreneurs from underrepresented backgrounds had supported the law. But the National Venture Capital Association, the tech investment industry’s leading trade group, opposed it. The group argued that voluntary data collection would inflate diversity statistics and that publishing inaccurate data could lead to unfair attacks on investors genuinely trying to tackle diversity issues. Over the past year, the Trump administration has defunded and attacked diversity, equity, and inclusion, or DEI, initiatives in both the public and private sectors, leading many businesses and organizations to pull back from them.

In February, the venture capital association wrote to Newsom asking for the reporting deadline to be pushed back again because, in its view, the state had bungled the process. California authorities didn’t publish the standardized survey founders were supposed to fill out until early this year and, at the time, they still hadn’t introduced a way for firms to register with regulators as required by the law, according to the association. “This administrative timeline creates an environment ripe for error and threatens to produce the misleading and counterproductive data we previously warned against,” association president and CEO Bobby Franklin wrote.

Last month, as the deadline for the first reports loomed, some entrepreneurs and investors began complaining on social media about the survey effort. “The latest California malarky is a requirement for venture investors to collect/report racial and gender statistics,” wrote Blake Scholl, the founder and CEO of venture-backed aviation startup Boom Supersonic. “I want to live in a world where merit matters—not skin color or what you have between your legs.”

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New CrystalRAT malware adds RAT, stealer and prankware features

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New CrystalRAT malware adds RAT, stealer and prankware features

A new malware-as-a-service called CrystalRAT is being promoted on Telegram, offering remote access, data theft, keylogging, and clipboard hijacking capabilities.

The malware emerged in January with a tiered subscription model. Apart from the Telegram channel, the MaaS was also promoted on YouTube, via a dedicated marketing channel that showcased its capabilities.

Kaspersky researchers say in a report today that the malware features strong similarities to WebRAT (Salat Stealer), including the same panel design, Go-based code, and a similar bot-based sales system.

CrystalX also includes an extensive list of prankware features designed to annoy the user or disrupt their work. Despite its “fun” side, CrystalX offers a large set of data theft capabilities.

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Telegram channel promoting CrystaX RAT
Telegram channel promoting CrystaX RAT
Source: Kaspersky

CrystalX RAT details

Kaspersky says that the malware provides a user-friendly control panel and an automated builder tool that supports customization options, including geoblocking, executable customization, and anti-analysis features (anti-debugging, VM detection, proxy detection, etc.).

The generated payloads are zlib-compressed and encrypted with the ChaCha20 symmetric stream cipher for protection.

The malware connects to the command-and-control (C2) via WebSocket and sends info about the host for profiling and infection tracking.

CrystalX’s infostealer component, which Kaspersky found to be temporarily disabled as it is being prepared for an upgrade, targets Chromium-based browsers via the ChromeElevator tool, Yandex, and Opera. Additionally, the tool collects data from desktop apps such as Steam, Discord, and Telegram.

The remote access module can be used to execute commands via CMD, upload/download files, browse the file system, and control the machine in real time via built-in VNC.

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The malware also exhibits spyware-like behavior, as it can capture video and audio from the microphone.

Finally, CrystalX features a keylogger that streams keystrokes in real time to the C2, and a clipper tool that uses regular expressions to detect wallet addresses in the clipboard and replace them with ones the attacker provides.

Remote desktop function in CrystalX RAT panel
Remote desktop function in CrystalX RAT panel
Source: Kaspersky

Putting some “fun” in the package

What sets CrystalX apart in the crowded MaaS space is its rich set of prankware features.

According to Kaspersky, the malware can do the following on infected devices:

  • change desktop wallpaper
  • alter display orientation to various angles
  • force system shutdown
  • remap mouse buttons
  • disable input devices (keyboard/mouse/monitor)
  • show fake notifications
  • change cursor position on the screen
  • hide various components (desktop icons, taskbar, the Task Manager, and the Command Prompt executable)
  • Provide attacker-victim chat window

While the above features do not improve the attack’s monetization potential for cybercriminals, they certainly make the product distinctive, and could bait script kiddies and low-skilled/entry-level threat actors into getting a subscription.

Another reason for the prank features could be potential for victim manipulation, or even distraction, while the data theft modules run in the background.

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South Dakota GOP, Governor Get Their Voter Suppression On

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from the getting-the-fix-in dept

Because South Dakota governor Larry Rhoden is forever obligated to serve Kristi Noem and Kristi Noem is forever obligated to serve Donald Trump, he and his GOP buddies are making America MAGA again, starting with his home turf.

Non-citizens have never really disrupted voting. But they’re the convenient scapegoat for a party that’s justifiably worried it’s going to lose its majority during the mid-terms. Multiple efforts are being made all over the nation to disenfranchise anyone that’s not part of Trump’s most rabid voting base. Pretending people not allowed to legally vote are somehow flipping elections for the Democratic Party is more than merely obnoxious. It’s actually harming the democratic process.

Here in South Dakota, two laws have been passed in recent weeks with the express purpose of keeping non-white people from showing up to vote. The first, passed at the beginning of this month, allows any rando to claim a person they saw voting shouldn’t be allowed to vote.

Voters in South Dakota will soon be able to challenge other voters’ citizenship.

Republican Gov. Larry Rhoden signed legislation into law last week that authorizes challenges by individuals and election officials.

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[…]

State law already allows challenges to a voter’s registration up to the 90th day before an election, if a person is suspected of lacking South Dakota residency, voting in another state or being registered to vote in another state. The new law adds citizenship as a justification for a challenge.

Challenges may be filed by the South Dakota Secretary of State’s Office, the auditor in the county where the voter is registered, or a voter in the same county. The challenge must be in the form of a signed, sworn statement and must include what the law describes as “documented evidence.”

Now, we can all see what the law is. But we all know how it will be applied. State employees with access to voter rolls will raise challenges against anyone with a foreign-sounding last name. While it’s unlikely few citizens will actually file challenges, they’ll certainly feel comfortable accosting anyone standing in line to vote whose skin is darker than their own. Given the inevitability of these responses, it’s easy to see the law accomplishing exactly what it’s supposed to: limit the number of non-white voters at the polls during the mid-terms and beyond.

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But that’s not the only suppression effort signed into law this month. There’s also this one, which raises the bar for participating in the democratic process with the obvious intention of limiting participation to the sort of voters the GOP thinks with vote for it:

New voters in South Dakota will have to prove that they are United States citizens in order to cast a ballot in state and local races under a bill signed on Thursday by Gov. Larry Rhoden.

The new law, which does not apply to South Dakotans already on the voter rolls, comes amid a national push by Republicans to tighten voting rules and root out voting by noncitizens, which is already illegal and believed to be rare.

“This bill ensures only citizens vote in state elections, keeping our elections safe and secure,” said Mr. Rhoden, who is seeking election to a full term this year and is facing a crowded Republican primary field. 

It’s already illegal in South Dakota to vote if you’re not a citizen. This bill addresses a completely imaginary “problem.” And it forces voters to provide a passport, birth certificate, and other documents proving citizenship before they’re allowed to vote. While it may be easy for many people to present these documents, the simple fact is that they’ve never been asked to do this before, and anyone who’s not aware this law has been passed will be denied the opportunity to vote because the GOP decided to move the goalposts during an election year.

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Non-citizens voting in South Dakota has never been an issue. The fact that 273 non-citizens were recently removed from the state’s voting rolls may seem a bit sketchy but there’s a good reason there might be a few hundred non-citizens with voter registrations:

Noncitizens can obtain a driver’s license or state ID if they are lawful permanent residents or have temporary legal status. There’s a part of the driver’s license form that allows an applicant to register to vote. That part says voters must be citizens. 

The problem is that this is all on the same form. The voter registration part of the form has a signature line, which many applicants will fill out and sign even if their intention is only to get a drivers license or ID card, especially since it appears before the final signature block for the entire application.

If applicants are not asked to affirmatively state their intention to register to vote (as the Department of Public Safety employees ask now, along with asking applicants to write “vote” on the form to signal their affirmation), their applications might be processed, along with the voter registration applicants didn’t realize they enabling.

The Secretary of State’s office (the office that’s supposed to be reviewing voter registrations for eligibility) threw the Department of Public Safety under the bus:

Rachel Soulek, director of the Division of Elections in the Secretary of State’s Office, placed blame on the department in her response to South Dakota Searchlight questions about the situation.

“These non U.S. citizens had marked ‘no’ to the citizenship question on their driver’s license application but were incorrectly processed as U.S. citizens due to human error by the Department of Public Safety,” Soulek wrote.

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That’s not what happened. Their ID applications were processed and the Soulek’s department failed to catch the inadvertent errors. And it doesn’t really even matter who’s at fault because despite the errors, this is still a non-issue.

Soulek said only one of the 273 noncitizens had ever cast a ballot. That was during the 2016 general election.

A handful of clerical errors that resulted in a single illegal vote in the past decade cannot be a rational basis for a new law. And there’s a good chance the sole vote was made in error, rather than maliciously. After all, if the state told this person they could vote, who were they to question that determination?

This is nothing more than state governments stepping up to do what Trump can’t. His SAVE Act is stalled and lots of last-minute gerrymandering at the behest of the president is tied up in court. His loyalists are doing what they can to make his perverted dreams a reality in states that are most likely to lean Republican in the first place, which makes all of this as pointless as it is stupid. But the underlying threat to democracy remains, ever propelled forward by the people who claim to love America the most.

Filed Under: immigration, larry rhoden, racism, south dakota, trump administration, voter fraud, voter suppression

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Meta and YouTube lost landmark social media trials. That’s bad for free speech.

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This week, juries in California and New Mexico dealt a pair of landmark verdicts against America’s social media giants.

In Los Angeles, jurors awarded $6 million to a young woman who alleged that Instagram and YouTube had damaged her mental health. A day earlier, a jury in Santa Fe ruled that Meta had designed its social media platforms in a manner that harmed minors — and ordered the company to pay $375 million in recompense.

These decisions constituted a breakthrough for a legal movement that sees social media companies as the new “Big Tobacco” — an industry that knowingly peddles harmful and addictive products. And it was a triumph for advocates of “child online safety,” who believe that social media is corrosive to minors’ psychological well-being. With thousands of similar lawsuits pending, the California and New Mexico verdicts could prove to be transformative precedents.

Yet the decisions have also raised alarm bells for many free speech advocates. To organizations like FIRE — and civil libertarian writers like Reason’s Elizabeth Nolan Brown — these decisions will do more to undermine free expression online than to safeguard young people’s mental well-being.

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To better understand — and interrogate — this perspective, I spoke with Nolan Brown. We discussed how the recent verdicts could open the door to broader censorship, the evidence for social media’s psychological harms, and whether parents can sufficiently protect their kids from problematic internet use without the government’s help. Our conversation has been edited for clarity and concision.

You’ve written that these verdicts are “a very bad omen for the open internet and free speech.” How so?

One key protection for online speech is Section 230 of the Federal Communications Decency Act, which prevents online platforms from being held liable for speech they host but don’t create.

What we’re seeing in these cases is an attempt to get around Section 230 by recharacterizing speech issues as “product liability” issues. Instead of saying, “We’re going after platforms for hosting harmful speech,” the plaintiffs are saying, “We’re going after them for negligent product design.”

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In other words, the choices that social media companies make about how to curate their feeds or encourage engagement.

Right. Some of the things they complained about were “endless scroll” (where you keep going down and the feed doesn’t stop at the end of a page), recommendation algorithms that promote content that a user is more likely to engage with, and beauty filters.

But ultimately, if you look at what they’re actually going after, it comes down to speech. When you talk about TikTok or YouTube being so engaging that it’s “addictive,” you’re talking about content: No matter how TikTok’s algorithm is designed, it wouldn’t be compelling to people if the content wasn’t compelling.

Similarly, in the California case, the plaintiff argued that Meta allowing beauty filters on images was a negligent product design, since they promote unrealistic beauty standards, which caused her to develop body image issues.

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But that really just comes back to speech: The choice to use a filter is something that individual users do to express themselves. Providing those tools for users is a form of speech.

But aren’t many of these product design choices content-neutral? A defender of these verdicts might argue: Social media companies are manipulating minors into compulsively using their platforms, in a manner that’s bad for their mental health. And they’re doing this, in part, through push notifications, autoplaying videos, and endlessly scrolling feeds. So, why can’t we legally restrict their use of those features — without constraining the kinds of speech they’re allowed to platform?

Some people will say, “Why don’t we limit notifications — or kick people off after an hour — if they’re minors?” But in order to implement any set of rules or product design choices just for young people, these platforms would need to have a foolproof way of knowing who is a minor and who is an adult.

And that means age verification procedures, where they’re either checking everyone’s government-issued ID, or they’re using biometric data — or something else that requires everyone to submit identification before they can speak anywhere on the internet.

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And that creates a lot of problems. It makes people’s data more vulnerable to identity theft, hackers, and scammers. It also means that your identity is tied to everything you do online. And that can be dangerous, especially for people who are talking about sensitive issues or protesting the government. The ability to speak and organize online anonymously is very important.

What if the product design restrictions applied to adults and minors alike? If we barred social media companies from issuing push notifications for everyone, that would avoid the age verification issue, right?

Many platforms give people the tools to do these things already. You can turn autoplay off. You can have a chronological feed. You can tailor your settings so that you don’t have these features.

If we’re saying, “Why can’t the government mandate these options?” I think that’s a very slippery slope. You might think, “Okay, who cares about push notifications? Why can’t the government just mandate that they not do push notifications?” But the rationale for that gets us into much broader territory.

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It’s effectively saying: Since some people will have a problem with this, the government must micromanage the way that the product is made. Yet people can use all sorts of products in a problematic way: Fitness regimes, streaming services, food. And we’re not saying like, okay, the government gets to step in and tell these companies exactly how to do business in the way that would be least harmful to people. And that attitude is particularly dangerous when we’re talking about products involving speech.

A skeptic might argue that the slope here isn’t actually that slippery. After all, the government has already shown that it can enact targeted, content-neutral restrictions on speech without triggering a cascade of censorship.

For example, since 1990, there have been limits on the amount of advertising that can air during children’s programming in a given hour — and also a requirement that ads and content be clearly separated. Those measures are arguably more intrusive on speech than, say, banning autoplay of videos on a social media platform. And yet, the Children’s Television Act of 1990 didn’t lead to any really sweeping constraints on First Amendment rights.

I just think it makes a big difference if you’re talking about restricting speech for minors and restricting it for adults. And what you were just mentioning were restrictions that would apply to everybody.

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Beyond the First Amendment issues, you’ve expressed some skepticism about the specific causal claims made by plaintiffs in these cases: Specifically, that social media caused their mental health difficulties. Yet many social psychologists — most prominently Jonathan Haidt — have argued that these platforms are corrosive to children’s psychological being. So, why do you think the allegations here are overstated?

In the California case specifically, this young woman is alleging that, because she was on social media since she was very young, she developed mental health issues. But there was a lot of testimony showing that there were many other things going wrong in her life. She was exposed to domestic violence. She had troubles with her parents, troubles at school.

So the idea that social media directly caused her difficulties — rather than these life stressors that are well-known to cause harm — I think that’s kind of suspect.

And I think you see this problem in the broader research on social media’s mental health impacts. There’s often a correlation between depressive symptoms and heavy social media use because people who are having a difficult time at home and at school — people who are socially isolated — tend to use social media more than people in better circumstances.

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How much do your views on the regulation of social media hinge on skepticism about the actual harms of these platforms? If we acquired evidence that there really were major impacts here — that autoplay and beauty filters were dramatically worsening kids’ mental health — would you support legal restrictions on these features? Or would First Amendment considerations override public health concerns, irrespective of the evidence?

The strength of the evidence is important for guiding the decision-making of individuals, parents, families, communities, and school districts. But even if we knew that beauty filters caused a lot of harm, the government still would not be justified in banning them, since they are avenues for speech. Plenty of people are not harmed by them.

There are so many things that harm some people, but that are useful to others. And I don’t think the existence of problematic use justifies banning those things for everyone.

I think talk of social media “addiction” can be unhelpful on this front. That language suggests that this is something that’s automatically harmful for everyone. And that just isn’t the case. Plenty of people use social media in a healthy way, in the same way that countless people can drink alcohol without it harming them, or eat a bag of chips without bingeing on them.

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I think it’s the same way with social media. This is a technology that can harm some people, particularly those who already have psychological issues.

But it isn’t this addictive substance or a poison where you can’t even be exposed to it, or else. I think that view imbues smartphones with an almost mystical quality.

There are many cases, though, where we choose to heavily regulate a substance or practice — not because it harms everyone who engages with it — but rather, because it imposes massive harms on a minority of problem users. Gambling and alcohol are two examples. But even with opioids, many people can pop some pills and never develop a dependency. Yet some end up addicted and dying of overdoses. And for that reason, we heavily restrict access to opioids.

So, I feel like the question here might be less about whether social media is bad for everyone than whether it has truly large harms for problem users.

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I think there are people who talk about it the way you do. But others describe social media as if it’s something that people are powerless against. But yes, I don’t think we have strong evidence that this is harmful in the way that addictive substances are. In fact, I think the evidence is really mixed. Some studies suggest that moderate smartphone use is actually correlated with better mental health outcomes.

You argue that, instead of seeking government restrictions on social media, parents should exercise more responsibility over their kids’ use of smartphones and apps.

Many parents argue that their capacity to monitor their children’s social media use is really limited and that they lack the tools to protect their kids from the harmful effects of these platforms. What would you say to them?

I think this is straightforward with very young children. Like, why is a 6-year-old having unfettered alone time on a digital device? In the California case, the plaintiff was using social media as a very young child. And at that age, parents definitely have control over what their kids do and see online; you can control whether your kid has access to a smartphone. With adolescents, there are areas where tech companies are working with parents. We’ve seen more parental controls being introduced in recent years. We’ve seen Meta roll out specific accounts for minors that have some restrictions on them. We’ve seen things like the introduction of phones that allow basic texting but not certain apps. So, I think private solutions are possible here. I think we can address people’s legitimate concerns without having the government infringe on free expression.

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Apple expands iOS 18 updates to more iPhones to block DarkSword attacks

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Apple has now made it possible for more iPhones still running iOS 18 to receive security updates that protect against the actively exploited DarkSword exploit kit.

“We enabled the availability of iOS 18.7.7 for more devices on April 1, 2026, so users with Automatic Updates turned on can automatically receive important security protections from web attacks called DarkSword,” reads a note in today’s iOS 18.7.7 security update changelog.

“The fixes associated with the DarkSword exploit first shipped in 2025.”

In March, researchers at Lookout, iVerify, and Google Threat Intelligence revealed a new “DarkSword” exploit kit that targeted iPhones running iOS 18.4 through 18.7.

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The six vulnerabilities used by the DarkSword exploit kit are tracked as CVE-2025-31277, CVE-2025-43529, CVE-2026-20700, CVE-2025-14174, CVE-2025-43510, and CVE-2025-43520.

While iOS exploits have typically been used in highly targeted spyware campaigns, this iOS exploit kit was used much more widely, including by Turkish commercial surveillance vendor PARS Defense, a threat actor tracked as UNC6748, and a suspected Russian espionage group tracked as UNC6353.

In these attacks, GTIG observed three separate information-stealing malware families deployed on victims’ devices: a highly aggressive JavaScript infostealer named GhostBlade, the GhostKnife backdoor, and the GhostSaber JavaScript malware, which can execute code and steal data.

Since July 2025, with the release of iOS 18.6, Apple has been steadily fixing the flaws as they are disclosed in security updates pushed out to compatible devices.

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Threat actors using the DarkSword exploit kit
Source: GTIG 

However, by late 2025, Apple stopped offering iOS 18 updates to newer devices capable of running the newer iOS 26. 

For those who decided not to upgrade and stay on iOS 18, availability to the security updates became limited, with newer devices no longer receiving patches for DarkSword vulnerabilities released in 2026.

Since then, only a small number of devices remained able to receive iOS 18 updates, and the last 18.7.6 update was offered only to iPhone XS, iPhone XS Max, and iPhone XR devices.

To make matters worse, a researcher released the DarkSword exploit kit on GitHub last month, making it accessible to other threat actors who wanted to target older iPhones.

Today, Apple has released iOS 18.7.7 to make it available to more devices that want to stay on the older operating system while remaining protected from the latest threats.

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Devices eligible to receive the new update now include iPhone XR, iPhone XS, iPhone XS Max, iPhone 11 (all models), iPhone SE (2nd generation), iPhone 12 (all models), iPhone 13 (all models), iPhone SE (3rd generation), iPhone 14 (all models), iPhone 15 (all models), iPhone 16 (all models), iPhone 16e, iPad mini (5th generation – A17 Pro), iPad (7th generation – A16), iPad Air (3rd – 5th generation), iPad Air 11-inch (M2 – M3), iPad Air 13-inch (M2 – M3), iPad Pro 11-inch (1st generation – M4), iPad Pro 12.9-inch (3rd – 6th generation), and iPad Pro 13-inch (M4).

iPhone users still running iOS 18 with Automatic Updates enabled will now receive the latest version and protections against the DarkSword exploit kit.

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Yeo’s lays off 25 staff in S’pore, moves can manufacturing operations to M’sia

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It will consolidate production in its Johor and Selangor plants

Yeo Hiap Seng (Yeo’s) announced today (Mar 31) that it will retrench 25 employees at its Senoko facility in Singapore as it shifts its can manufacturing operations to Malaysia.

The company explained that consolidating production in its Johor and Selangor plants will help “optimise capacity utilisation and strengthen overall manufacturing efficiency” across its network.

Despite the move, Yeo’s Senoko site will remain its headquarters, as well as a hub for cross-border logistics and limited-scale production.

Yeo’s added that it will support affected staff through job placement services, career guidance, and counselling, and may offer them opportunities in Malaysia where suitable roles are available.

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The company said it worked closely with the Food, Drinks and Allied Workers Union to ensure that the retrenchment package and transition support “reflect appreciation for the contributions of affected staff”. 

The compensation packages will follow guidelines from Singapore’s Ministry of Manpower and will be based on each worker’s salary and length of service.

“These benefits will be commensurate with each employee’s salary and years of service.”

This is not the first round of layoffs for Yeo’s.

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In Dec 2024, it cut 25 jobs after Oatly shut its Singapore plant—roles that had been created specifically for that production. Earlier, in 2022, the company retrenched 32 employees, citing shifts in consumer behaviour, retail challenges, and rising costs.

Financially, the SGX-listed firm reported a net profit of S$21.1 million for the year ending Dec 31, 2025, a significant increase from S$6.9 million the year before.

However, both overall revenue and core food and beverage revenue declined, which the company attributed to softer consumer spending and stronger competition in key markets.

  • Read other articles we’ve written on Singaporean businesses here.

Featured Image Credit: Google Street View/ Yeo’s via Facebook

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