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Disney Plus: 30 Best TV Shows You Should Stream Right Now

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Disney Plus is one of the best streaming platforms available today. I’m not being hyperbolic: Just take a look at the programming lineup available on the Disney-owned platform.

You want Star Wars? You got it — all of it. The same can be said for Marvel‘s expansive universe of movies and TV shows. Plus, you can never go wrong with Bluey, which is the animated gift that keeps on giving. I’m just cracking the surface with these examples.

Disney Plus is chock-full of engaging content, including top reality shows and educational documentaries, plus a deep well of Disney classics to keep you entertained.

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Scroll on to find the best original programming Disney Plus has to offer. Please check back monthly, as I update this list regularly as new content arrives.

Read more: Cut Your Monthly TV Bill With the Best Streaming Deals Available Right Now

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Marvel takes the meta-comedy route with Wonder Man, which follows a struggling actor named Simon Williams who is looking for his big break in Hollywood. That chance comes in the form of the starring role in a superhero movie. The only issue: He’s got his own superpowers he has been keeping secret. 

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Taylor Swift: The End of an Era

Disney Plus’s six-episode docuseries peels back the curtain to go inside the production of Taylor Swift’s massively successful Eras tour. Whether you’re a fan of her music or not, this series is a riveting look into the organized chaos that comes with putting on a world tour. And if you’re a fan of her music, why have you not watched this yet?

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Photo by Chuck Zlotnick/Marvel Studios

What makes Hawkeye entertaining is the dynamic between Jeremy Renner and Hailee Steinfeld. Their relationship as Clint Barton and Kate Bishop provides the emotional foundation for the series. There are connective elements from this series to the likes of Echo and Daredevil, but other than those cool details, this street-level program is a fun holiday romp through the streets of New York. And sometimes, that’s all you really need.

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Fire and Water: Making the Avatar Films

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In 2009, James Cameron pushed the special effects envelope with the release of Avatar, a groundbreaking cinematic achievement that remains the highest-grossing movie of all time. The 2022 sequel, Avatar: The Way of Water, is the third-highest-grossing movie of all time, which proves that Cameron is doing something right with these career-defining releases. This new two-part docuseries takes audiences behind-the-scenes of the sci-fi franchise to show how this magical world is brought to life.

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Marvel Zombies, which is technically a spin-off of Marvel’s What If…? series, takes inspiration from the comics by Robert Kirkman and Sean Phillips, which means there’s some bona fide zombie drama. Heroes like Ms. Marvel, Ironheart and Hawkeye get thrown into the mix. You want a post-apocalyptic zombie-infested MCU? You got it.

Disney/Pixar

Dream Productions takes place between the events of Inside Out and Inside Out 2 and heads back into the mind of young Riley. Instead of focusing on her emotions, this four-episode mockumentary-style series delves into the production company in charge of her dreams. As Riley grows, her emotions require extra processing, and that’s where the folks at Dream Productions come in. Paula Pell and Richard Ayoade star; the voices of Amy Poehler, Maya Rudolph, Tony Hale, Lewis Black and Phyllis Smith are also featured.

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The newest Marvel series to hit Disney Plus takes place following the events of Black Panther: Wakanda Forever and follows Riri Williams (Dominique Thorne) as she creates her own suit of armor inspired by Tony Stark’s. Part coming-of-age story and part journey of self-discovery, the series finds the brilliant young woman grappling the with intersection of magic and technology while striving to find her place in the world.

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You may be used to animal series narrated by the likes of, say, Richard Attenborough or Morgan Freeman to add gravitas to the informative program. Underdogs takes a different route. Ryan Reynolds takes the voice-over helm on this one to explore Mother Nature’s odd creatures. Misfits to some, weirdos to others, the Deadpool star gives these quirky animals their due in this fun series.

Des Willie/Lucasfilm Ltd.
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Simply put, I think Andor is the best Star Wars series Disney Plus has made. The program ditches the flashy, and often clichéd, production values of its predecessors and goes all-in on some intense ground-level storytelling. Expanding the story of the characters featured in the one-off film Rogue One, Andor comes through with the emotional stakes thanks to its smart writing and the excellent performances of its cast. Phenomenal stuff, right here.

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Daredevil: Born Again finds Matt Murdock once again fighting for justice, both in the courtroom and on the streets. The series acts as a reboot of sorts and reunites Charlie Cox with Vincent D’Onofrio’s (who reprises his role as Wilson Fisk) to once again battle for the soul of Hell’s Kitchen. 

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Check out our bone-crushing review of the series.

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Your Friendly Neighborhood Spider-Man

A new spin on Spider-Man lore unfolds in the streamer’s new animated series, Your Friendly Neighborhood Spider-Man. The show, presented in a nostalgic animation style, explores a different timeline in which Peter Parker (Hudson Thames) is mentored by Norman Osborn (Colman Domingo), who you may know better as the villainous Green Goblin. This’ll be interesting.

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Pixar’s first original animated series follows a middle school softball team and their journey to the championship. The eight-episode season takes place over one week and follows different characters as they explore the same events from different perspectives. SNL alums Will Forte and Melissa Villaseñor lend their voices alongside Better Call Saul’s Rhea Seehorn, Lil Rey Howery, Rosa Salazar, Flula Borg and Jo Firestone.

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Disney/Francisco Roman

Justin Long led the first installment of Disney Plus’ YA series, and David Schwimmer takes up the mantle of creepy adult in the show’s second season. The gateway horror series takes inspiration from R.L. Stine’s iconic book series. Each season follows a group of teens wrapped up in a supernatural mystery. 

Matt Kennedy/Lucafilm Ltd.
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Star Wars: Skeleton Crew dials the tone back to the Amblin days of the 1980s. There’s no trace of Luke Skywalker in this show. Instead, Skeleton Crew takes place in a reality where stories of the Jedi are viewed as fairy tales. That is, until a ragtag group of kids stumble upon an abandoned starship and accidentally shoot themselves into space. The result: a (literally) out-of-this-world adventure.

Chuck Zlotnick/Marvel

Agatha All Along isn’t a direct sequel to WandaVision, but the stories are definitely related. Kathryn Hahn reprises her deliciously devilish role in the spooky new series, which follows Agatha and a group of ragtag witches on a journey down the Witches Road to help Ms. Harkness get her powers back. Spoiler: It ain’t gonna be easy.

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Lucasfilm Ltd.

Star Wars: Visions is a fun and edgy animated anthology series that adds an exciting new element to Lucasfilm’s long-established franchise. Seven Japanese animation studios were tapped to create nine unique noncanonical episodes for the program. Additional episodes from Spain, Ireland, Chile, the United Kingdom, South Korea, France, India, Japan and South Africa were released in the show’s second installment. 

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Disney Plus

Doctor Who celebrated its 60th anniversary, and since then, the sci-fi series has undergone multiple revamps. Actors like David Tennant and Matt Smith helped bring the iconic Time Lord into the present day with the program’s run of modern-era seasons. Ncuti Gatwa is the latest actor to take the reins as the Doctor, marking the first time in the program’s history that a Black actor has stepped into the role. Doctor Who made the move to Disney Plus in 2023, and after two years, the contract between the streamer and the BBC has expired. Still, these newer seasons and a few older episodes are still available to watch on the streamer. 

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Bluey is a phenomenon, plain and simple. The kids’ show, which follows a family of anthropomorphic dogs — Bluey, her sister Bingo, dad Bandit and mom Chilli — was the most streamed series in 2023, and for good reason. Nearly all the episodes run at around 8 minutes in length, making it an easy binge. And while the tone remains light and playful, the series digs into relevant and poignant topics in a way that never talks down to its audience. Who knew a show about an Australian dog family would be so addictive? Disney Plus knew.

Disney Plus

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Percy Jackson and the Olympians

This fresh take on Rick Riordan’s cherished books aims to erase the live-action movies from our collective memories. And for the most part, it accomplishes its task. The eight-episode first season follows the events of Lightning Thief, the first book in the series. Thanks to a younger cast and lighter stakes, this Percy Jackson series is positioned to be a YA hit for Disney Plus.

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Lucasfilm Ltd.

Dave Filoni and Jon Favreau took their love of Star Wars to new heights with The Mandalorian. It’s the first live-action Star Wars series to hit Disney Plus and it set the standard for everything that came after. Stylistically inspired by things like the Lone Wolf and Cub manga, Akira Kurosawa’s Yojimbo and Sergio Leone’s iconic Dollars trilogy (which starred Clint Eastwood as the Man With No Name), the series follows a lone bounty hunter who gets a second chance at life when he’s hired to protect a little green alien you may know simply as Baby Yoda.

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Apple Corps Ltd

This three-part documentary series puts us smack-dab in the creative maelstrom of one of the world’s biggest musical groups. Directed by Oscar-winner Peter Jackson, The Beatles: Get Back gives a cinéma vérité-style look at a band at the top of their game and on the precipice of collapse. This previously unseen footage shows John Lennon, Paul McCartney, George Harrison and Ringo Starr in rehearsal for their infamous rooftop concert at their Apple Corps headquarters on London’s Savile Row. It was their last live performance. It’s breathtaking, inspiring and heartbreaking. And definitely worth a watch.

Marvel Studios

Marvel Animation
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X-Men: The Animated Series ended its five-season run in 1997. Almost three decades later, X-Men ’97 continues the story of everyone’s favorite mutant superhero crew. The pacing is quick, the writing is tight, and the 2D animation style acts as a nice bow tying together this lovely nostalgic gift for ’90s kids everywhere.

Chuck Zlotnick/Marvel Studios

Echo (Alaqua Cox) was first introduced in a three-episode arc in Hawkeye. Marvel’s Echo is centered on the hearing-impaired antihero. She’s also a member of the Choctaw Nation, which leads the series to wonderfully explore these aspects of her identity. Her association with Wilson Fisk (Vincent D’Onofrio) further connects the MCU shows on Disney Plus with those previously on Netflix — and sets up the arrival of Matt Murdock (Charlie Cox) and crew quite nicely.

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Lucasfilm Ltd.

The Bad Batch is an intense, action-packed spin-off of the celebrated Star Wars animated series The Clone Wars. Audiences have seen the fallout of Order 66 take shape in various forms throughout the Star Wars franchise, but never like this. The Bad Batch follows a squad of elite clone troopers with genetic defects. They may have special abilities, but that doesn’t make them invisible to the top-secret execution order. In turn, the animated series fills in some blanks in Star Wars lore. It does so in an incredibly entertaining way.

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Disney Plus

Ms. Marvel is a breath of fresh air for the Marvel Cinematic Universe. The Disney Plus series flips the script on what we have grown to expect from Marvel shows on the streamer. Iman Vellani is a revelation as the titular hero. It’s a challenge for a show to balance the heavy responsibilities of being a superhero with the trials and tribulations of high school. The story pulls it off, and does so with a welcome helping of Muslim representation.

Disney Plus
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WandaVision started it all on Disney Plus. It’s the first original series in the Marvel Cinematic Universe to hit the streamer. It’s a genre-bending adventure that finds Wanda and Vision living out different realities inspired by TV sitcoms, from I Love Lucy and The Dick Van Dyke Show to The Brady Bunch and Family Ties. How does the emotional fallout of Avengers: Endgame (and Vision’s death, specifically) affect Wanda? Well, let’s just say her grief takes her down one heck of a weird rabbit hole.

Read our full WandaVision review.

Gareth Gatrell/Marvel/Disney Plus
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Tom Hiddleston has appeared as Loki, the God of Mischief, throughout the Marvel Cinematic Universe for the past decade. Thanks to Disney Plus, he finally leads his own odd adventure. The quirky sci-fi series puts Loki in the unlikely position of hero. Here, he works with a barrage of interesting characters, including Owen Wilson’s Mobius M. Mobius, to correct the timeline. It’s an offbeat, fun and thoroughly weird series that appeals to die-hard fans and newbs alike.

Chuck Zlotnick/Marvel Studios

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The Falcon and the Winter Soldier

What happens when Captain America hangs up his shield? That’s the question going into Marvel’s The Falcon and the Winter Soldier. Here, Sam Wilson (better known as Falcon) and Bucky Barnes (aka the Winter Soldier) buddy up in a surprisingly funny and heartfelt series that deals with trauma, grief and classism as the world picks up the pieces from the earth-shattering events of Avengers: Endgame.

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Disney

Moon Knight stars Oscar Isaac as Steven Grant, a troubled man with dissociative identity disorder. These aren’t simple anxiety issues — no, Grant actually shares his body with a mercenary named Marc Spector. The discovery of this alter-ego leads Grant on an adventure that pits him against a sinister cult leader named Arthur Harrow (Ethan Hawke) and a gang of formidable Egyptian gods. It’s a trippy ride that may even scratch that Indiana Jones itch.

Read our full Moon Knight review.

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Toy Story 5 Is A Surprisingly Thoughtful Critique Of Technology

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After five films, digital technology has finally arrived in the cloth-and-plastic world of Toy Story. But the film, directed by franchise veteran Andrew Stanton and McKenna Grace, mostly avoids the easy trope of making technology inherently bad. Instead, it’s a disruptive force that can be either helpful or harmful, depending on how it’s used. The film makes the case that parents need to take a hands-on approach to help kids manage their gadgets, especially when it comes to managing screen time or dealing with bullying.

Slight spoilers ahead for Toy Story 5.

Toy Story 5 centers on Bonnie, a young girl struggling to make friends who was gifted Woody, Buzz and Andy’s other toys from the first three films. She’s the only kid in her neighborhood not using a Lilypad tablet — instead, she prefers to play the old fashioned way, by crafting scenarios purely out of her imagination. Her parents reluctantly decide to get her a Lilypad (played by Greta Lee) as a way to connect with other kids.

Like a McKinsey consultant storming into a quaint local business, Lilypad decides she knows the best way for Bonnie to make friends. The tablet sends friend requests to several girls Bonnie knows, and she miraculously gets an invite to a sleepover. But instead of playing together, all of the girls just zone out endlessly on their Lilypads, barely saying a word to each other. Those same girls later start bullying Bonnie for playing with older toys, which leads to Bonnie’s parents wisely disabling the Lilypad’s social network access.

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It might seem crazy that parents even have to worry about social networking for 8-year-olds, but platforms like Zigazoo and JusTalk Kids already exist. They market themselves as safe spaces where kids can chat with close friends and family members, but there’s still room for awful social dynamics. Kids will be kids, and many of them are little jerks.

While Lilypad stumbles to help Bonnie connect, older toys like Cowgirl Jessie (Joan Cusack) also realize they’re out of touch with the way kids play today. When Jessie tries to sneak her way into Bonnie’s sleepover, she immediately becomes a source of shame.

Research shows a relationship between managing anxiety and imaginative play in kids, and Toy Story’s main cast make convenient messengers for that information. But the film surprised me by finding ways to make room for Lilypad and other new devices. A messageboard app on Lilypad helps Bonnie connect with Blaze, another young girl who still plays with toys the old fashioned way. Without Lilypad, they probably never would have met.

It’s hokey, but it works in the context of the film. And it’s also the reality parents have to live with today. Despite their potential harms, it’s helpful for kids to sometimes watch TV on the go. There are tons of educational games on iPadOS and Android, and both platforms also have a bevy of video chatting apps for staying in touch with friends and relatives. The key is moderation and parental supervision.

Toy Story 5 would be even more of an insightful critique if it made room for new types of play. Lilypad just has a few basic games for kids. But these days, any iPad can play Minecraft, a game that is appealing precisely because it so closely mirrors imaginative play. It’s also complex enough to grow with kids into adulthood, more so than the likes of Woodie and Buzz Lightyear.

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Now that tablets have entered the world of Toy Story, it’s unclear where the franchise can go next. Pixar has already wrung the series’ core concept dry. We’ve explored the inner lives of toys, we’ve seen them wrestle with the meaning of their existence and they’ve even confronted death directly. (Toy Story 3 must have traumatized an entire generation.) Toy Story 5 isn’t nearly as essential as the original trilogy, but at least it’s a reminder to parents that they can’t just sit back and relax when it comes to tech.

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When A Favicon Becomes The Entire Website

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Putting hidden data in places where few expect it can be a fun hobby or even a professional career. In the case of [Tim Wehrle] it’s just the former. His most recent project in this area uses a favicon image for storing a HTML-based website and rendering its contents within the browser after the favicon has been downloaded.

To pull this off, a very basic HTML page was turned into a series of UTF-8 encoded bytes that were then declared to be a standard PNG image. The original 208 byte payload plus 4-byte PNG header only used part of a 9×9 pixel favicon. With a larger favicon image as typically used you could thus easily store more data, whether as visual noise like here or a bit more hidden.

Of course there’s a catch, and in this case it’s the Typescript code to unpack the bytes from the “image” and render them; you have to load that separately. But still, in these days of all-singing, all-dancing websites that take forever to render, it’s refreshing to see what you can do with so few bytes that they fit in a favicon.

As for the purpose of such an approach, that’s left as an exercise for the reader, but you’re more than welcome to take a poke at the GitHub project and the demonstration site..

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Apple’s new home product releases will stretch into 2028

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Apple’s home automation updates and new product roadmap powered by Siri AI will kick off in 2026 with HomePod and Apple TV updates, but if you’re excited for the robotic arm for a Home Hub, you’re going to be waiting a while.

It’s no secret that Apple’s new AI push will include several new products like the long-rumored Home Hub. However, the timing of some of those products’ releases remains in question.

According to the “Power On” newsletter from Bloomberg, the new Apple TV and HomePod mini could arrive at any time in 2026, while the robotic arm attachment for HomeHub won’t be ready for some time yet.

The Home Hub itself is expected in 2026 as well, which means an Apple Home-focused release cycle or event could occur in the fall. That device should launch as a standalone display that can be paired with various mounts like speakers, wall mounts, and articulating arms.

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The new Apple TV is expected to support Apple Intelligence in some specific capacity and may have a new Siri Remote. The HomePod mini would also gain access to Siri AI, but that’s likely the only major feature of the product.

The robotic arm accessory for the Home Hub, which may include an upgraded AI-focused version of the tablet device, isn’t expected until 2027 or 2028. That device has always been more of a moonshot, with the Pixar Lamp-like device with a personality still in early testing.

It’s sure to be a busy hardware season for Apple given the three new iPhones, two new Apple Watches, and a slew of Macs expected by the end of the calendar year.

It’s not really a question of if these products are coming, but when. With everything else releasing, Apple will need to find time to reveal its new Home Hub product category and sell people on why the new Apple TV and HomePod mini are necessary.

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The September keynote will already be packed as it is, and I don’t think these products will fit the “just drop a press release” model. My expectation is that there will be a lengthy Apple Home segment during a primarily Mac-focused keynote in October.

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SmallRun.net Enters The Marketplace Market

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So you have a project that you love, and everyone else loves too. People start saying “you should sell this” but where? Well, there’s a new marketplace you might want to consider called called SmallRun, aiming at makers and their, well, small production runs.

SmallRun will absolutely host your custom PCBs, on-demand 3D prints, and other traditional maker products — but they’ll also happily sell your merch, too. Along with electronics and hardware, they aim to allow you to sell products in categories like tabletop gaming, sciences, and yes, accessories/apparel.

For sellers, they offer automatic payouts and promise to take care of the taxes by integrating with Stripe. That said, they’re still working on getting the whole VAT thing set up for products imported to the EU. EU to EU sales are apparently OK. They’ll host build logs, which may drive engagement with your product. There’s even a handy tool to import your existing listings from eBay, Tindie, Lectronz, Etsy, Shopify, or Crowd Supply if you’re already in the biz. They make their money by taking a cut of your sales: eight percent, plus forty cents per listing.

Depending on your perspective, you might wonder if we need another marketplace, To that we can only say: “Let a thousand flowers bloom!” Competition should drive these marketplaces to continuously improve and we all win.

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If you’re selling online, even packaging can become a project. If you’re not, but are interested in starting, our “From Project to Kit” series from ten years back remains surprisingly relevant.

Thanks to [Aron] for the tip!

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Apple Vision Pro vs Snap Specs: Two visions of face-worn computing, compared

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Apple wants you to step into a virtual world, while Snap wants you to stay in the real one. Here’s how their very different approaches to spatial computing compare.

Two futuristic black headsets on a gradient green-to-purple background: a smooth, visor-like VR headset on the left and rectangular smart glasses with reflective lenses on the right
Apple Vision Pro [left] vs Snap Specs [right]

The launch of Snap Specs at Augmented World Expo on June 16 is a big shift forward for the social company. After the previous effort of Snap Spectacles, Snap Specs are a step closer to the augmented reality future by being smart glasses with a built-in display.
This is something that brings Snap’s efforts in line with the Ray-Ban eyewear that Meta has produced, including its yet-to-ship Meta Ray-Ban Display. It’s also a massively different product from Apple’s own head-mounted computing device, the Apple Vision Pro.
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When the Trump administration cracks down on Anthropic, who benefits?

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Anthropic recently took its two newest AI models offline due to an export control order from the Trump administration, prompting broad debates about AI policy and digital sovereignty.

On the latest episode of TechCrunch’s Equity podcast, Sean O’Kane, Rebecca Bellan, and I discussed what actually prompted the administration’s moves against Anthropic, and what this might mean for the broader AI ecosystem.

As Sean put it, “Anthropic has not had the best relationship with the Trump administration in a way that stands apart from the other leading AI labs,” so perhaps other Anthropic’s rivals don’t need to worry about a similar crackdown.

But Rebecca also noted that leading cybersecurity experts have “signed an open letter to ask Trump to revoke the order, and they say it’s actually dangerous to have to pull these advanced cybersecurity capabilities from network defenders in the U.S.”

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And we wondered whether this could all end up being good publicity for Anthropic, especially since — in Rebecca’s words — “everybody loves a bad boy.”

Keep reading for a preview of our conversation, edited for length and clarity.

Rebecca Bellan: As I’m sure many of our listeners know, the U.S. government basically just forced Anthropic to pull its two newest models offline — Fable 5, and then there was also Mythos 5, which was the one that was available to current Mythos users, [whereas] Fable 5 was more available to the public.

They sent a letter [last] Friday that cited “national security concerns.” No one knows what those concerns are. That report has not been made public, they gave no specifics and told [Anthropic] that they had to ensure that those models couldn’t be used by any foreign nationals. So Anthropic was like, “Okay, I guess we have to just pull the models entirely, because we don’t know when someone’s a foreign national. A lot of our own employees are foreigners.” 

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But really, [reports said] the White House got tipped off to this because of some Amazon researchers that allegedly found a way to bypass Fable 5’s guardrails. Amazon CEO Andy Jassy raised these concerns with the White House, and it just kind of spiraled from there.

Sean O’Kane: This all moved really fast, especially for a Friday afternoon into a weekend. And it’s at the same time that the administration was ostensibly trying to negotiate some sort of treaty for the war that it started in Iran. 

Rebecca: Friday evening for us in New York. They love a distraction.

Sean: Let’s step real far back for a moment. Anthropic has not had the best relationship with the Trump administration in a way that stands apart from the other leading AI labs — I think there’s an element, at least, of that playing here. 

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So do you think that this is going to have implications for those other companies? Do you think that the Trump administration would be less inclined to sort of turn off the tap on one of those competitors?

Anthony Ha: Part of the context here is that both the reporting and an analysis from independent security experts suggest that the actual security risk from Anthropic is not that unique. So a lot of this seems to stem as much from parts of the Trump administration and Anthropic just [not getting] along very well. Whatever risks there are, those things are gonna blow up out of proportion just because it seems like they can’t have a civil phone call with each other.

If you’re another company — on the one hand, maybe that’s advantageous to you, because you can say, “Well, we just don’t get these guys mad at us and we can do what we want.” But that’s also not a great regulatory landscape to just [say], “Boy, I hope they don’t get mad at us.”

Rebecca: On the one hand, it definitely feels retaliatory — after the government labeled Anthropic a supply chain risk, there’s this big lawsuit going on between them, it really feels like the White House is just looking out for any excuse to pummel Anthropic. And I feel that way not only because that was my initial reaction, but because of what a lot of cybersecurity researchers have said. They say that this should never have triggered an export control [order]. They’ve all signed an open letter to ask Trump to revoke the order, and they say it’s actually dangerous to have to pull these advanced cybersecurity capabilities from network defenders in the U.S. Anthropic itself said some of the same jailbreaks could have been found in several other AI models. 

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Cynically, it’s like: Okay, are you just pausing Anthropic so that others can catch up to where Anthropic was?

But at the same time, I’ve also seen reactions that [say]: Anthropic kinda had this coming. They’re like, “This is too dangerous for anyone to use, but not us, we’re the good guys.” They’re talking out of both sides of their mouth. A week before Fable came out, they were [saying], “Hey, we need to slow down AI, guys. It’s getting really dangerous.” But then boom, “Here’s our most insane ever, super powerful model, go off.” 

Anthony: In some ways this feels like a microcosm of a lot of the discussion around AI, where people like Sam Altman and Jensen Huang are [saying], “Hey, let’s try to lower the temperature. Why is everybody mad at us?” Well, you spent the last couple years essentially saying you’ve built this God machine that will take jobs away from everyone. It’s not exactly a shock that people don’t feel great about this.

And there’s something about the way Anthropic talks about Mythos in particular, where they’re like, “This is the most incredibly powerful model ever, it’s too dangerous to release to the public.” And so on some level, [you say,] “Well, okay, let’s say that we take that seriously then. That means that there’s going to be an incredible level of scrutiny around it.”

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And I do wonder — it does seem like Anthropic is not happy about this. I want to be careful about not overstating how this could be beneficial to them. But we also ran some stories about Ramp analysis to highlight the fact that the last big blow-up between Anthropic and the Trump administration was good for the company, in at least some ways. Downloads of Claude shot up. I think a lot of people who maybe had thought of ChatGPT as the chatbot, the AI assistant before, suddenly they were looking at Claude as maybe the more responsible one, the more “resistance” one.

And in the same way, [while] Anthropic is very stressed out about this, this could, again, make their models seem even more powerful.

Rebecca: Definitely. “We’re so dangerous.” Everyone loves a bad boy, right? Everyone’s like, “It’s the most powerful model, even Trump says so. Of course, I’ve got to get my hands on it.”

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The Secret Revolution in Battery Technology: 3-D Printing

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“There’s a revolution in battery technology hiding in plain sight,” reports The Wall Street Journal. “The 3-D printing of batteries has the potential to put energy storage inside any device.

“This will enable lightweight and long-lasting consumer gadgets, long-range military drones and even nanoscale robots.”
Almost all the innovations we regularly hear about — from cheaper, tougher electric-vehicle batteries to “Holy Grail” solid-state batteries — are about changing the chemistry of batteries. The promise of battery-tech 3-D printing (aka additive manufacturing) is simple: What if batteries could fill any available space, even structural elements of our gadgets, rather than always taking a rigid shape like a pouch or cylinder?

The new approach has obvious appeal. The entire airframe of a drone could be filled with energy storage for increased range. Smartglasses could have sleek battery-packed frames, so they look like everyday eyewear rather than “Revenge of the Nerds” props. One of the biggest advantages of 3-D printing is that it works with any battery, regardless of its cell chemistry. It could advance today’s lithium-ion as well as emerging sodium-ion and solid-state tech… Some [startups] are trying to use 3-D printing to create efficiencies in existing battery manufacturing systems. A brave handful of startups are pursuing radical new designs and approaches. They’re starting with defense applications, where cost and scale are less of an issue…

At Silicon Valley-based Sakuu… [r]ather than trying to 3-D-print whole batteries, the company is working on replacing one of battery manufacturing’s biggest pain points, says Arwed Niestroj, Sakuu’s chief operating officer, who is also a nuclear physicist and former head of Mercedes-Benz Research & Development North America. Existing battery assembly lines include football-field-long ovens for drying layers of material that have been dissolved in solvents. This requires a huge amount of energy and is a significant contributor to manufacturing costs, a big reason EV batteries aren’t cheaper. Sakuu’s process, under development for years, uses additive manufacturing to lay down key battery components without solvents, eliminating the need for ovens, says Niestroj.

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Sakuu is currently working to commercialize this tech with a major battery manufacturer…

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Hackaday Links: June 21, 2026

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Today marks the summer solstice, the longest day of the year and the start of astronomical summer in the Northern Hemisphere. This doesn’t really have much to do with hacking hardware or building gadgets other than the fact that from this point on you’ll have progressively less daylight hours to do it in each day. Of course, if you do your best work in the middle of the night this won’t impact things much.

If you’re as likely to find a controller in your hand as a soldering iron in the evenings, you might be interested in a recent filing against Sony. Lawyers representing a group of four gamers allege that the entertainment giant is violating a California law that says digital storefronts need to make it clear that buyers don’t technically own the games in question but are merely licensing them — a license which, as we’ve seen in the past, can be revoked or modified at any time with no restitution made to the purchaser.

Now while we agree conceptually that selling gamers a license rather than an actual copy of the game is clearly a one-sided deal, we’re still not sure this case has a lot of merit. As far as we can tell, Sony does make it clear in the fine print that you’re not really going to own anything once they take your money. Or, at the very least, they make it equally as clear as any other company that’s selling digital downloads these days. Should the court actually find that said fine print is a little too fine, it could conceivably have ramifications throughout the entertainment industry. This is certainly a case to keep an eye on.

If you want to be sure none of your games can be removed from your digital grasp without warning, perhaps your best bet is to stick to the classics. Fans of 1989’s F-15 Strike Eagle II on PC will be excited to hear that there’s an ongoing effort by Neuvieme Porte to reverse engineer the flight sim and re-implement the whole thing in portable C.

This would open up all sorts of possibilities, such as ports to other platforms and the addition of new features and content. But before the project can get to that point however, Neuvieme is looking to recruit some virtual test pilots. Just keep in mind that the goal, at least for now, is to recreate the game exactly. That means bugs present in the original release are to be preserved. As such, it would help to have logged enough hours back in the DOS days to recognize what’s an OG bug and what’s been newly introduced.

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From working on virtual jet fighters to the real deal, IEEE Spectrum recently ran an article about a startup called Phoenix Semiconductor that’s looking to produce bespoke pin-compatible replacements of critical chips for the military. They reason that the Air Force won’t mind paying $1,000 for a chip that cost them a buck back in 1975 when the alternative is grounding a $70+ million F-18 that needs the thing to take off. The goal isn’t really to recreate the old parts as they were, but instead to build drop-in replacements that are tailored for specific applications. In other words, Uncle Sam doesn’t care of the IC actually looks like the original, so long as it fits and it gets the jet up in the air again.

Finally, on the subject of aerospace technology, NASA’s Jet Propulsion Laboratory published a blog post earlier this week detailing their work on the Exploration Rover for Navigating Extreme Sloped Terrain (ERNEST). While NASA’s Curiosity and Perseverance rovers have done some incredible work on Mars, they’re slow and have to be operated with the utmost caution to make sure they don’t get stuck. In comparison, ERNEST is several times faster and is designed with an active suspension system that lets it lift each wheel up off the ground independently if needed.

The prototype rover also features improved autonomy that may allow future rovers make more decisions on their own. That may not be a huge time saver on the Moon, but given the communication delays with the Red Planet, a Mars rover that doesn’t have to stop and ask Earth for directions so often will be able to get more useful work done at the end of the day.

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See something interesting that you think would be a good fit for our weekly Links column? Drop us a line, we’d love to hear about it.

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Polymarket Has Reportedly Been Paying Creators To Post Fake Betting Videos

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The Wall Street Journal reviewed 1,105 videos along with guidance given to creators for crafting their posts.

In case you needed another reason to be wary of those videos showing people winning big on Polymarket, an investigation by The Wall Street Journal has found that the company is paying social media creators to post misleading content promoting the prediction market. Of the 1,105 TikTok videos the publication reviewed, 778 appeared to show someone placing a bet — but a closer look reportedly revealed that none of the latter featured the actual Polymarket website, instead using dummy sites made to look like the real thing.

For more than half of the videos that appeared to show winning bets, those bets would in reality have been losses, The Wall Street Journal reports. The publication spoke to creators who worked with Polymarket and viewed materials they say they were given to ensure their videos were convincing and engaging. In addition, Polymarket reportedly also enlisted a “social-media army” to repost these videos and help them go viral.

Polymarket has been making headlines this year as governments grapple with how to regulate prediction markets. Minnesota last month became the first US state to ban them. Other states have tried to do the same, but multiple lawsuits have challenged these efforts. Meanwhile, Spain blocked Polymarket and another prediction market, Kalshi, in May as it figures out whether they violate the country’s gambling law.

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How to watch New Zealand vs Egypt: Free Streams & TV Channels for World Cup 2026

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Mo Salah’s Egypt meet Chris Wood’s New Zealand at BC Place in Vancouver, with both teams looking to break away from the Group G bottleneck after all four sides opened their World Cup 2026 campaigns with draws.

Although Egypt performed well, especially defensively, in their opener against Belgium, they led for nearly two-thirds of the match before an own goal by Mohamed Hany, arguably caused by the impact of Romelu Lukaku’s introduction, brought Belgium level.

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