DUNU is a veteran Chinese audiophile brand. Over the 10+ years they’ve been in business, DUNU has released a wide variety of acclaimed IEMs. Their previous generation of IEMs, such as the DK3001 and Glacier, spawned entire fan-bases and modding sub-cultures. They’ve begun what looks to be a small shift in marketing and design direction, beginning with their new pair of tribrids, the DN142 and DN242. Whether it be trend-chasing or a genuine interest in exploring Chinese mythology, the new pair of DUNU tribrids lean heavily on the imagery and vision of traditional characters. They’ve simultaneously adopted a new, admittedly adorable, mascot.
The question that matters, though, isn’t whether the branding is eye-catching, but whether all this renewed creative energy translates into well-executed IEMs that actually deliver. Let’s get into it.
Listening Preferences & Review Context
This review is a subjective evaluation, shaped inevitably by my own listening priorities. I make a conscious effort to stay consistent and fair in my comparisons, but no amount of methodology fully removes personal bias. Transparency matters, so here’s the lens through which this review should be read.
My reference sound signature favors controlled, authoritative sub-bass with a textured and articulate mid-bass, a slightly warm and natural midrange, and treble that is extended and detailed without tipping into glare. I also have mild sensitivity to elevated treble energy, which influences how I assess brightness, fatigue, and long-term listenability.
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Full details on my testing equipment, methodology, and evaluation standards can be found here.
For testing, I used a mix of dedicated DAPs and portable dongles, including the HiFiMAN SuperMini, Hidizs AP80 Pro MAX, and Astell & Kern PD10, alongside the Astell & Kern HCL, AudioEngine HXL, Meze Alba Dongle, and the Apple Dongle. This range covers everything from audiophile-leaning sources to everyday mobile use.
Unboxing
Build
The DN142 (and its sibling, the DN242) feature 3D-printed resin shells, manufactured by HeyGears: a well-known 3D-printing outfit based in China. The DN142’s faceplates are pretty and are lined by a chromed piece of plastic. The construction is clean, as is the case with pretty much anything DUNU sells.
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The top of the DN142’s shells houses standard 2-pin cable sockets, with no MMCX option offered. If MMCX is non-negotiable, you’ll need to look elsewhere in DUNU’s lineup. The 2-pin connectors are partially recessed, but clearance is generous enough to maintain compatibility with the vast majority of aftermarket cables.
The DN142’s cable is identical to the one that comes with the ITO and DN242, which is to its benefit. This cable is well-built and uses DUNU’s excellent modular connection system. It comes with a 3.5mm and 4.4mm termination, though as of writing, you can get a free USB-C termination from DUNU when you order from their website. The cable itself is fairly soft and pliable. I can easily coil and store it in smaller cases. It’s not quite as “hefty-feeling” or comfortable as the cables that comes with pricier IEMs like the Vulkan II, but its more-than-acceptable for this price-point..
Comfort
Comfort is inherently personal and heavily dependent on individual ear anatomy, so mileage will vary.
To my ears, the DN142 is of average comfort. Its shells are on the larger side, but it is light and sculpted properly. If I don’t seat it well, I can become uncomfortable in as little as 30 minutes. If I place it carefully in my ear, I can get 1–2 hours of comfortable, uninterrupted listening.
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I’m pretty happy with the DN142’s passive isolation. Its nozzle size and length are compatible with my ears and allow me to block out an above-average amount of noise, even with the stock silicone eartips.
Accessories
Inside the box, you’ll find:
1 x 0.78 mm 2-pin cable
1 x 3.5 mm termination
1 x 4.4 mm termination
1 x semi-hard carrying case
3 x collectible cards
1 x 1/4-inch to 3.5 mm adapter
10 x pairs of silicone eartips
As is tradition with DUNU, the DN142 arrives well stocked. The carrying case, shared across several DUNU models, isn’t flashy, but is sturdy and does the job. The modular cable is the same proven design found elsewhere in the lineup and works exactly as intended. Tip selection is generous for silicone users, offering plenty of fit options out of the box. Foam eartips are absent, which is a bit of a letdown, but it’s consistent with DUNU’s usual approach.
Tech Specs
The DN142 is a seven-driver tribrid IEM built around a hybrid array that combines one dynamic driver for low and ultra-low frequencies, four custom balanced armatures split between midrange and treble duties, and two custom micro planar drivers handling the ultra-high frequencies. This configuration is managed by a four-way crossover architecture designed to maintain phase coherence and smooth handoffs between driver types, rather than sounding stitched together.
Per side, the DN142 weighs approximately 5.6 grams and is rated with a frequency response of 5 Hz to 40 kHz. Impedance is specified at 37 ohms with a sensitivity of 107 dB per milliwatt at 1 kHz, which places it firmly in the “easy to drive” category for most modern DAPs and dongles. Total harmonic distortion is rated below 0.5 percent at 1 kHz, suggesting competent control across the audible range.
The included cable is a 4-core, high-purity silver-plated OCC copper design measuring 1.2 meters in length, terminated with standard 0.78 mm 2-pin connectors and DUNU’s Q-Lock MINI modular plug system. Both 4.4 mm balanced and 3.5 mm single-ended terminations are included in the box.
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Listening
Graph, for the sniffers. Source: HiFiGO
The DN142 follows a U shaped, nearly V shaped, frequency response. It features emphasized sub-bass that gently blends down into the 200Hz range. Its lower-midrange is fairly linear and is not emphasized. The DN142’s upper-mids are energetic and forward, delivering a clear and distinct vocal range. Instrumental position is quite clear thanks to strategic emphasis in the upper-treble near the 6KHz and 8KHz ranges. Mercifully, DUNU properly-tamed the DN142’s 10KHz energy, pushing it down into a small valley to protect treble-sensitive listeners such as myself.
Dang Fine Treble Tuning
DUNU’s tuning team generally favors more treble energy than I do. Past models like the DK3001 and Falcon C are quite bright by my standards, so seeing “dual planar drivers” on the DN142 and DN242 spec sheets immediately set off alarm bells. My concern was not a lack of faith in DUNU’s engineering, but rather the industry’s uneven track record with micro planar implementations, which too often turn into bright, splashy, unfocused affairs.
The DN142 dispenses with these preconceptions, authoritatively. Its treble is lively and expressive without crossing into sharpness or sibilance. Extension is handled with control, delivering air and detail while staying composed. Tracks like “When I Come Around” by Green Day showcase the DN142’s treble resolution. It captures the fine nuances in the drummer’s hi hats, cymbals, and snare work with imaging quality that is hard to find below the $500 mark, let alone under $250. Metallic textures are rendered with convincing precision, giving transient details a lifelike, fleeting presence.
Upper treble attack and decay are handled with care, and the DN142’s ability to layer information without turning brittle makes it a genuinely formidable performer. Packing an IEM with treble energy is easy. Doing it without punishing treble sensitive listeners is not. The DN142 manages that balance well. It is not a mellow tuning, but it remains a largely safe listen. Even sharper tracks like “Satisfy” by Nero and “The Funeral” by Band of Horses introduce only the slightest hint of heat, so minor that I never felt compelled to adjust the volume.
Impartial Midrange Tone
The DN142, the first entry in DUNU’s new Delicate Series of IEMs, was designed to be generous, though transparent. While these aren’t wholly-congruent sonic ideals, DUNU did a good job of balancing them. Instrumental tone sits close to neutral, with a slight lean toward the brighter side of the spectrum. Guitar textures in tracks like “Holdin’ It Down for the Underground” by A Day to Remember come through cleanly and with purpose, without excess thickness or blur.
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The DN142 is particularly adept at layering busy mixes while preserving separation. “Bring It on Back” by Jet is a good example, where competing instruments remain clearly defined rather than collapsing into a midrange haze. It also resolves deeper seated string elements well, even at lower listening volumes, which speaks to solid midrange resolution rather than brute force tuning.
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My main reservation with the DN142’s mids is a subtle sheen that can occasionally appear on higher pitched vocals. This effect tends to sit at the edges of vocal lines and shows up intermittently. Oliver Tree’s vocals on “Nothing’s Perfect” by NGHTMRE, already heavily processed in production, take on a bit more shine here than they would on an IEM with a calmer upper register.
Flexibly Tuned Bass
The DN142 features a sub bass focused low end. There is some mid bass presence, but not to the extent you would expect from an IEM tuned specifically for EDM. Modern, bass heavy mastering styles like those used by Joji pair well with this approach. The bass line in “Window” rumbles with satisfying depth and completeness, providing much needed contrast to the track’s high pitched vocals.
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Rock and its many sub genres are genuinely enjoyable here, as the DN142 delivers enough weight and drive to create a lively and engaging soundstage. That said, it does not hit with the visceral force of a dedicated basshead IEM. “My Condition” by Dead Poet Society sounds clear, articulate, and weighty thanks to its robust sub bass foundation, but the drums offer only a modest sense of punch and air movement. “Little Monster” by Royal Blood is presented similarly, with a touch of punch and sufficient depth to properly fill out the lower register.
Balancing performance and fun is never easy, and doing so under $250 only magnifies the challenge. While the DN142 is not a basshead tuning, its ability to deliver an exciting low end without smearing or bleeding into the midrange is impressive. For all but the most ardent bass lovers, it makes an excellent match for rock and alternative music.
Electronic tracks are more of a mixed bag. The DN142’s relatively restrained mid bass means bass performance depends heavily on both listening volume and mastering style. “Quantum Immortality (AWAY Remix)” comes through with richness, weight, and a satisfying sense of fullness. By contrast, “One Minute” by Krewella rumbles convincingly but lacks real punch. “Double Edge” by Flux Pavilion is similarly dynamic and engaging, but once again leans more on sub bass rumble than outright impact.
Comparisons
DUNU ITO
The ITO is a $199 hybrid IEM from DUNU with resin shells and resin nozzles, a 2 pin connection, and the same modular cable used by the DN142 and DN242. Accessory bundles are nearly identical, but the additional $50 for the DN142 gets you metal nozzles, a meaningful upgrade for long term durability. Resin nozzles are more prone to cracking over time, especially in high UV or humid environments, while metal nozzles are effectively worry free.
Tuning is where these two clearly diverge. The ITO is unapologetically bass heavy, with significantly more sub bass and mid bass and a warmer overall presentation. The DN142 is cooler, brighter, and more energetic, with a cleaner and more articulate low end. While the DN142 still handles bass forward music competently, it resolves finer bass textures and mid bass detail that the ITO tends to smooth over. For electronic music, especially artists like Flux Pavilion and Taska Black, the ITO delivers more outright impact, though some listeners may find its bass overwhelming or intrusive in rock and alternative where it can bleed into the lower mids.
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If I had to choose, the DN142 is the easy pick. The modest price increase buys a more flexible and technically capable IEM, along with more durable construction. Its carefully balanced treble also makes it a rare high energy tuning that I can enjoy despite my sensitivity. Bassheads and EDM focused listeners may still gravitate toward the ITO, but my preferences clearly favor the DN142.
DUNU DN242
The DN142 and DN242 may be marketed as siblings, but they sound far less alike than their shared shells and visual design suggest. Where the DN142 follows a U shaped, nearly V shaped, tuning, the DN242 is noticeably more linear. Its sub bass is dialed back, the lower mids are slightly warmer, and the upper mids are less pronounced. Treble on the DN242 is brighter overall, with more fill across the upper register, positioning it as a north of reference tuning with a modest sub bass shelf and elevated highs.
By comparison, the DN142 comes across as friendlier and more dynamic. The DN242 often sounds overly bright and, at times, glaring. Even relatively tame tracks that remain controlled on the DN142 can become sharp and fatiguing on the DN242. While the DN242’s leaner and brighter presentation may appeal to some listeners, it does not align well with my preferences.
Between the two, the DN142 is the clear choice for me. Its stronger bass presence, warmer midrange, and less aggressive upper register create a listening experience better suited to my music library and personal taste. The DN242’s higher price tag also works against it, offering little incentive given its tuning direction.
EarAcoustic Audio Genesis G318s
The Genesis G318 is an all metal IEM using a single dynamic driver per side and sells for $249, placing it directly against the DN142 on price. Both include solid cables, but I prefer the DN142’s. It makes more generous use of strain relief, features an excellent modular connector, and avoids the distracting microphonics present on the G318’s cable. The Genesis comes with a larger and more visually distinctive case, though it does not offer meaningfully better protection than DUNU’s standard zippered case. The DN142 also includes a far more comprehensive selection of stock eartips, easily surpassing the G318 in both quantity and overall quality.
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Sonically, the DN142 is cooler, brighter, and less bass focused than the G318. It lacks the warm, smooth, mocha latte like richness that defines the Genesis’ presentation. Instead, the DN142 relies on its multi driver configuration to balance energy and technical performance. To my ears, the G318 is the more charming listen. Its bass warmth, combined with solid technical ability and a well judged upper register, delivers a character that is relatively uncommon in the single dynamic driver segment.
That said, the DN142 offers a more electrifying experience overall. Its emphasized upper mids and treble introduce a sense of air and openness that the G318 cannot quite match. The DN142 also reaches deeper into the rear of the soundstage, resolving fine treble textures that the G318 tends to smooth over. If forced to choose just one, I would likely pick the G318 for its metal construction and richer, fuller low end, which pairs well with my library and taste. Listeners who prioritize technical performance, air, and clarity, or who are less inclined toward warmth, will likely find the DN142 the better fit.
ZiiGaat Crescent
The ZiiGaat Crescents a four driver hybrid IEM with resin shells and a metal nozzle, priced at $279. It includes a basic modular cable that, frankly, does little to impress. The stock cable is among my least favorite I have encountered, lacking refinement and feeling uninspired in both handling and build. By contrast, the DN142’s cable is thicker, more flexible, less prone to tangling, and uses a far superior modular termination system.
Sonically, the Crescent presents a smoother and less dramatic upper register. Its upper mids are slightly less forward, while the lower mids carry a bit more warmth and the mid bass is marginally fuller than on the DN142. It delivers a touch more physical impact, but with slower transient response and less control. The DN142 extends further at both frequency extremes, and its added upper treble energy allows it to extract detail with greater vigor. While the Crescent’s relaxed top end is pleasant for casual listening, it does not resolve the same range of textures that the DN142 consistently reveals.
The DN142 also avoids the vocal sizzle that occasionally creeps into the Crescent’s presentation. Its more refined midrange, to my ears, highlights the quality gap between the two. As a result, the DN142 is my clear preference. The Crescent’s weaker accessory package and cable, combined with its higher price, are difficult to justify.
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Kiwi Ears Astral
The Kiwi Ears Astral is a seven driver hybrid IEM using resin shells, metal nozzles, and flush 0.78 mm 2 pin sockets. It sells for $299, placing it $50 above the DN142. In terms of accessories, the comparison is not flattering. The Astral includes a worse case, fewer eartips, and a noticeably inferior cable. Judged on packaging alone, you would assume the DN142 is the more expensive product.
The Astral also adopts a modern U shaped tuning, but one that I find far less convincing. Its bass response lacks the natural weight and consistency of the DN142, especially with electronic music. Despite its unusual frequency response graphs, the DN142 blends sub bass into the mid bass smoothly and predictably.
The Astral, by contrast, rolls off more abruptly into the lower mids, resulting in a lopsided bass presentation. The DN142’s midrange is more linear and avoids the sterile character that creeps into the Astral. Upper mids are more energetic, treble presence is stronger overall, and importantly, the DN142 avoids the large upper treble spike that can make the Astral sound shrill and metallic.
While the Astral technically includes one more driver per side, it does not translate into superior performance. The DN142 retrieves just as much upper register detail, but without the odd timbral artifacts. The Astral’s cleaner sounding low end does not uncover additional texture or nuance, and the DN142 manages to keep pace without sacrificing mid bass body or musicality.
Between the two, the DN142 is the clear choice. Its more natural tuning, broader genre flexibility, and far better accessory package make it the stronger value. Factor in the lower MSRP and excellent stock eartips, and the savings become difficult to ignore.
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The Bottom Line
The DN142 is a confident, well executed IEM that shows DUNU knows exactly what it is doing in the sub $300 space. It is tuned with intent, technically capable, and priced aggressively enough to make a lot of similarly “modern tuned” competitors feel awkwardly positioned. Build quality is solid, the accessory bundle is genuinely generous, and performance consistently outpaces what the asking price suggests.
This IEM is best suited for listeners who want an energetic, engaging sound without crossing into fatigue. If you enjoy clear vocals, strong treble resolution, and a sub bass focused low end that stays disciplined, the DN142 makes a lot of sense. Bassheads looking for maximum slam or listeners who prefer a very relaxed top end may want to look elsewhere, but for anyone chasing balance, detail, and versatility across genres, the DN142 is excellent value and one of the more complete packages in its price bracket.
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Pros:
Well judged U shaped tuning with strong sub bass and lively treble
Excellent treble extension without excessive sharpness or sibilance
Clear, articulate midrange with good separation and layering
Competitive technical performance
Durable metal nozzles and solid overall build quality
Outstanding accessory package, modular cable, and extensive eartip selection
Easy to drive
Cons:
Restrained mid-bass
Slight vocal sheen on higher pitched vocals
Larger shell size may limit comfort for smaller ears
If you’re an American and you use the Internet at home, it seems probable that routers are going to be in short supply. The US government recently mandated all such devices be home grown for security reasons, which would be fine were it not that the US has next-to-no consumer-grade router manufacturing industry.
The piece is really a guide to setting up a Linux router, which he does on a small form factor PC and a hacked-together assembly of old laptop, PCI-express extender, and scrap network kit. In its most basic form a router doesn’t need the latest and greatest hardware, so there exists we’re guessing almost two decades of old PCs just waiting to be pressed into service. Perhaps it won’t help the non-technical Man In The Street much, but maybe it’ll inspire a few people to save themselves a hefty bill when they need to connect.
Although Windows 95 stole the show, Windows 3.0 was arguably the first version of Windows that more or less nailed the basic Windows UI concept, with the major 3.1 update being quite recognizable to a modern-day audience. Even better is that you can still install Win3.1 on a modern x86-compatible PC and get some massive improvements along the way, as [Omores] demonstrates in a recent video.
The only real gotcha here is that the AMD AM5 system with Asus Prime X670-P mainboard is one of those boards whose UEFI BIOS still has the ‘classic BIOS’ Compatibility Support Module (CSM) option. With that enabled, Win 3.1 installs without further fuss via a USB floppy drive from a stack of ‘backup’ floppies that someone made in the early 90s. [Omores] also tried it with CSMWrap, but with this USB to PS/2 emulation didn’t work.
Windows 3.1 supports ‘enhanced mode’ by default, which adds virtual memory and multi-tasking if you have an 80386 CPU or better. To fix crashing on boot and having to use ‘standard mode’ instead, the ahcifix.386 fix for the responsible SATA issue by [PluMGMK] should help, or a separate SATA expansion card.
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For the video driver the vbesvga.drv by [PluMGMK] was used, to support all VESA BIOS Extensions modes. This driver has improved massively since we last covered it and works great with an RTX 5060 Ti GPU. There’s now even DCI support to enable direct GPU VRAM access for e.g. video playback, with audio also working great with only a few driver-related gotchas.
Back in October, Meta announced that its new Instagram Teen Accounts would feature content moderation “guided by the PG-13 rating.” On its face, this made a certain kind of sense as a communication strategy: parents know what PG-13 means (or at least think they do), and Meta was clearly trying to borrow that cultural familiarity to signal that it was taking teen safety seriously.
The Motion Picture Association, however, was not amused. Within hours of the announcement, MPA Chairman Charles Rivkin fired off a statement. Then came a cease-and-desist letter. Then a Washington Post op-ed whining about the threat to its precious brand. The MPA was very protective of its trademark, and very unhappy that Meta was freeloading off the supposed credibility of its widely mocked rating system.
And now, this week, the two sides have announced a formal resolution in which Meta has agreed to “substantially reduce” its references to PG-13 and include a rather remarkable disclaimer:
“There are lots of differences between social media and movies. We didn’t work with the MPA when updating our content settings, and they’re not rating any content on Instagram, and they’re not endorsing or approving our content settings in any way. Rather, we drew inspiration from the MPA’s public guidelines, which are already familiar to parents. Our content moderation systems are not the same as a movie ratings board, so the experience may not be exactly the same.”
In Meta’s official response, you can practically hear the PR team gritting their teeth:
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“We’re pleased to have reached an agreement with the MPA. By taking inspiration from a framework families know, our goal was to help parents better understand our teen content policies. We rigorously reviewed those policies against 13+ movie ratings criteria and parent feedback, updated them, and applied them to Teen Accounts by default. While that’s not changing, we’ve taken the MPA’s feedback on how we talk about that work. We’ll keep working to support parents and provide age-appropriate experiences for teens,” said a Meta spokesperson.
Translation: we’re still doing the same thing, we’re just no longer allowed to call it what we were calling it.
There are several layers of nonsense worth unpacking here. First, there’s the MPA getting all high and mighty about its rating system. Let’s remember how the MPA’s film rating system came into existence in the first place: it was a voluntary self-regulation scheme created in the late 1960s specifically to head off government regulation after the government started making noises about the harm Hollywood was doing to children with the content it platformed. Sound familiar? The studios decided that if they rated their own content, maybe Congress would leave them alone. As the MPA explains in their own boilerplate:
For nearly 60 years, the MPA’s Classification and Rating Administration’s (CARA) voluntary film rating system has helped American parents make informed decisions about what movies their children can watch… CARA does not rate user-generated content. CARA-rated films are professionally produced and reviewed under a human-centered system, while user-generated posts on platforms like Instagram are not subject to the same rating process.
Sure, there’s a trademark issue here, but let’s be real: no one thought Instagram was letting a panel of Hollywood parents rate the latest influencer videos.
Next, the PG-13 analogy never actually made much sense for social media. As we discussed on Ctrl-Alt-Speech back when this whole thing started, the context and scale are just completely different. At the time, I pointed out that a system designed to rate a 90-minute professionally produced film — reviewed in its entirety by a panel of parents — is a wholly different beast than moderating hundreds of millions of short-form posts generated by individuals (and AI) every single day.
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So, yes, calling the system “PG-13” was a marketing gimmick, meant to trade on a familiar brand while obscuring how differently social media actually works — but the idea that this somehow dilutes the MPA’s marks is still pretty silly.
Then there’s the rating system’s well-documented arbitrariness. The MPA’s ratings have been criticized for decades for their seemingly incoherent standards. On that same podcast, I noted that the rating system is famous for its selective prudishness — nudity gets you an R rating, but two hours of violence can skate by with a PG-13.
There was a whole documentary about this — This Film Is Not Yet Rated — that exposed just how subjective and inconsistent the whole process was. Meta was effectively borrowing credibility from a system that was itself created as a regulatory dodge, is famously inconsistent, and was designed for an entirely different medium. And the MPA’s response was essentially: “Hey, that’s our famously inconsistent regulatory dodge, and you can’t have it.”
The whole thing was silly. And now it’s been formally resolved with Meta agreeing to stop doing the thing it had already mostly stopped doing back in December. So even the resolution is anticlimactic.
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But there’s a more substantive point buried under all this trademark squabbling: the whole approach reflects a flawed assumption that one company can set a universal standard for every teen on the planet.
As I argued on the podcast, the deeper issue is that the whole framework is wrong for the medium. The MPA’s rating system was built to evaluate a single 90-minute film, reviewed in its entirety by a panel of parents. Applying that logic to hundreds of millions of short-form posts generated by people across wildly different cultural contexts — a kid in rural Kansas, a teenager in Berlin, a twelve-year-old in Lagos — was never going to produce anything coherent. Different kids, different families, different communities have different standards, and no single company should be setting a universal threshold for all of them. The smarter approach is giving parents and users real controls with customizable defaults, rather than having Zuckerberg (or a Hollywood trade association) decide what counts as age-appropriate for every teenager on the planet.
This whole dispute was silly from start to finish.
The Drift Protocol lost at least $280 million after a threat actor took control of its Security Council administrative powers in a planned, sophisticated operation.
The attacker leveraged durable nonce accounts and pre-signed transactions to delay execution and strike with accuracy at a chosen time, the platform explained.
Drift underlines that the hacker did not exploit any flaws in its programs or smart contracts, and no seed phrases have been compromised.
Drift Protocol is a DeFi trading platform built on the Solana blockchain that serves as a non-custodial exchange, giving users full control of their funds as they interact with on-chain markets.
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As of late 2024, the platform claimed to have 200,000 traders, supporting total trading volumes of more than $55 billion and a daily peak of $13 million.
According to Drift’s report, the heist was prepared between March 23 and 30, with the attacker setting up durable nonce accounts and obtaining 2/5 multisig approvals from Security Council members to meet the required threshold.
This enabled them to pre-sign malicious transactions that weren’t executed immediately.
On April 1st, the attacker performed a legitimate transaction and immediately executed the pre-signed malicious transactions, transferring admin control to themselves within minutes.
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Having gained admin control, they introduced a malicious asset, removed withdrawal limits, and eventually drained funds.
Source: PeckShield
Drift Protocol estimates the losses at about $280 million, while blockchain tracking account PeckShieldAlert has calculated them at $285 million.
When unusual activity on the protocol was detected, Drift issued a public warning to users, stating that started an investigation and urging them not to deposit any funds until further notice.
As a result of the attack, borrow/lend deposits, vault deposits, and trading funds have been affected, and all protocol functions are now essentially frozen. Drift said DSOL is unaffected, and insurance fund assets are secured.
The platform is now working with security firms, cryptocurrency exchanges, and law enforcement authorities to trace and freeze the stolen funds.
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Drift promised to publish a detailed post-mortem report in the coming days.
Automated pentesting proves the path exists. BAS proves whether your controls stop it. Most teams run one without the other.
This whitepaper maps six validation surfaces, shows where coverage ends, and provides practitioners with three diagnostic questions for any tool evaluation.
Fortis Solutions, an enterprise technology partner with decades of experience across infrastructure, cybersecurity, and data systems, approaches artificial intelligence as a force that is redefining how work is performed while preserving the importance of human contribution. Its perspective reflects a future where human judgment and machine precision operate in tandem, introducing new ways to elevate performance, strengthen decision-making, and expand what teams can accomplish together.
This perspective emerges within a rapidly evolving landscape where AI continues to influence how organizations operate, decide, and govern. Leadership conversations have shifted from verifying processes to explaining how AI-driven decisions occur, how fairness is maintained, and how control is exercised. This signals a broader transition from traditional compliance models toward governance frameworks that prioritize accountability, transparency, and oversight.
Within this environment, Fortis Solutions emphasizes a foundational principle: AI benefits from human governance. Myron Duckens, President and CEO, says, “Technology becomes meaningful when it reflects human intention. Governance is where intention is translated into action, ensuring that innovation continues with clarity and purpose.” He adds that systems often require clearly defined rules, structured frameworks, and ethical guardrails established by people who understand both operational realities and broader societal expectations.
Fortis Solutions acknowledges that even with strong governance, human limitations remain part of the equation. Fatigue, cognitive overload, and the complexity of modern infrastructure introduce variables that may influence outcomes in subtle ways. In high-stakes environments such as healthcare systems or large-scale venues, even minor inconsistencies can carry significant implications. CTO Jeremy Roach says, “This reality has shaped how we approach the integration of AI. We view it as a complementary force that enhances human capability while maintaining oversight at every critical juncture.”
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Credit: CTO, Jeremy Roach
At the same time, the current AI landscape presents challenges that require careful consideration. Generative AI systems can produce outputs that appear credible yet lack factual grounding, often referred to as hallucinations. These outcomes frequently stem from gaps in data quality, incomplete context, or overly generalized training models. Tony Gonzalez, CIO, offers a practical perspective on this dynamic. He says, “Data determines direction. When inputs are precise and validated, outcomes become more dependable. That relationship sits at the center of every AI system.”
Credit: CIO Tony Gonzalez
Concerns around data integrity extend further when considering the widespread use of open and crowdsourced AI models. Industry insights highlight how data provenance, security, and governance remain central concerns for organizations scaling AI initiatives, with a significant percentage of leaders prioritizing risk management and cybersecurity investments. These concerns reflect a broader awareness that while AI introduces new capabilities, it also introduces new considerations around accountability and control.
Another dimension of the current landscape is the pace at which AI innovation is advancing. Roach notes that technological capabilities continue to expand quickly, while governance frameworks, regulatory structures, and organizational policies evolve more gradually. “This creates a gap where systems may operate faster than the mechanisms designed to oversee them,” he explains. The result can include exposure to misinformation, vulnerabilities within infrastructure, and unintended data movement across systems.
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Fortis Solutions aims to address this gap through a focus on controlled AI environments. Its approach centers on privatized large language models designed to operate within defined boundaries, using verified internal data rather than external, unfiltered sources. Roach states, “Control creates clarity. When systems learn within a defined environment, they become more aligned with the objectives they are designed to support.” This controlled model is designed to support consistency, help reduce the likelihood of unpredictable outputs, and reinforce confidence in the system’s performance.
Integral to this approach are platforms such as Source of Truth and NetRaven, which function together as interconnected layers within the infrastructure. Source of Truth operates as a centralized decision layer, maintaining a dynamic, real-time understanding of infrastructure components and their relationships. NetRaven complements this by translating system activity into accessible insights through continuous monitoring and visualization.
Together, they form what the team describes as a SMART operational foundation, an acronym which stands for Seeing everything across the infrastructure, Monitoring activity continuously, Assessing what is happening as conditions evolve, Remediating issues automatically to optimize and troubleshoot, and Translating vendor‑agnostic CLI data into a unified operational language. The goal is to create an environment where accuracy and responsiveness are closely aligned.
According to Roach, this alignment becomes particularly meaningful when considering the role of human error in complex systems. Extended work hours, high-pressure scenarios, and large-scale operations may introduce challenges that affect even the most experienced professionals.
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“AI systems can help reduce operational inconsistencies, enhance monitoring capabilities, and provide additional layers of validation,” he says. “In healthcare environments, this may support more consistent system performance, while in business contexts, it may contribute to more reliable operational continuity.”
Despite these advancements, perceptions around AI continue to evolve. Fortis Solutions points to concerns related to job displacement and data security that often accompany discussions about adoption. The company notes that these sentiments mirror earlier reactions to cloud computing, where initial hesitation transitioned into widespread acceptance as trust and familiarity developed. “Every transformative technology begins with questions. Over time, understanding replaces uncertainty, and organizations begin to see how these tools can extend their capabilities,” Roach remarks.
A key theme within Fortis Solutions’ approach is the importance of collaboration. AI systems can benefit from diverse perspectives, continuous feedback, and the ability to adapt as organizational needs and societal expectations evolve. Input from both technical and non-technical stakeholders contributes to more well-rounded systems, helping ensure that technology reflects a broader range of insights and experiences.
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This collaborative dynamic reinforces the idea that AI functions most effectively as a partner. Humans establish the direction, define the parameters, and interpret outcomes, while AI contributes speed, scalability, and analytical depth. Together, they create a model that aims to enhance efficiency while supporting thoughtful decision-making.
As technology and societal expectations continue to evolve, adaptability remains essential. Fortis Solutions argues that systems built with flexibility, strong governance, and secure infrastructure are best positioned to grow with these shifts, ensuring long-term relevance. In this view, AI becomes a broader opportunity to strengthen organizational decision-making and operational resilience. By emphasizing human oversight and collaborative design, Fortis Solutions frames AI as a means to enhance reliability, maintain continuity, and elevate the overall quality of outcomes.
An anonymous reader quotes a report from Ars Technica: Google’s Gemini AI models have improved by leaps and bounds over the past year, but you can only use Gemini on Google’s terms. The company’s Gemma open-weight models have provided more freedom, but Gemma 3, which launched over a year ago, is getting a bit long in the tooth. Starting today, developers can start working with Gemma 4, which comes in four sizes optimized for local usage. Google has also acknowledged developer frustrations with AI licensing, so it’s dumping the custom Gemma license.
Like past versions of its open-weight models, Google has designed Gemma 4 to be usable on local machines. That can mean plenty of things, of course. The two large Gemma variants, 26B Mixture of Experts and 31B Dense, are designed to run unquantized in bfloat16 format on a single 80GB Nvidia H100 GPU. Granted, that’s a $20,000 AI accelerator, but it’s still local hardware. If quantized to run at lower precision, these big models will fit on consumer GPUs. Google also claims it has focused on reducing latency to really take advantage of Gemma’s local processing. The 26B Mixture of Experts model activates only 3.8 billion of its 26 billion parameters in inference mode, giving it much higher tokens-per-second than similarly sized models. Meanwhile, 31B Dense is more about quality than speed, but Google expects developers to fine-tune it for specific uses.
The other two Gemma 4 models, Effective 2B (E2B) and Effective 4B (E4B), are aimed at mobile devices. These options were designed to maintain low memory usage during inference, running at an effective 2 billion or 4 billion parameters. Google says the Pixel team worked closely with Qualcomm and MediaTek to optimize these models for devices like smartphones, Raspberry Pi, and Jetson Nano. Not only do they use less memory and battery than Gemma 3, but Google also touts “near-zero latency” this time around.
The Apache 2.0 license is much more flexible with its terms of use for commercial restrictions, “granting you complete control over your data, infrastructure, and models,” says Google.
Clement Delangue, co-founder and CEO of Hugging Face, called it “a huge milestone” that will help developers use Gemma for more projects and expand what Google calls the “Gemmaverse.”
These days, it’s easy to digitally sign important documents from your computer or phone. But sometimes you’re handed physical versions on paper that you need to sign, scan and send over email. When you just have to put your signature on a real-life document but don’t have a standalone scanner handy, the easiest way is right in your pocket.
Yes, your iPhone doubles as a document scanner. It may not produce images as sharp as a dedicated scanner would, but it does a respectable job, even when the phone is positioned at odd angles, trying to capture text. iPhones have had this hidden feature since iOS 11 launched in 2017, but as the cameras built into Apple phones have improved, so has their ability to take decent scans of documents and turn them into PDFs you can email.
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You won’t need to download additional software or pay for a third-party app — Apple’s Notes app, which comes preinstalled on iPhones, does the trick. The good news is that it’s quick and easy to scan a document, save it, and send it wherever it needs to go. If you’ve kept your phone up to date with iOS 26, it’s easy to use this feature. Keep in mind that the process will be different if you haven’t upgraded past iOS 17, but we’ll walk you through it.
Here’s how to scan a document with your iPhone.
James Martin/CNET
Scan a document with your iPhone or iPad
To scan a document with your iPhone or iPad, first place the document on a flat surface in a well-lit area.
Open up the Notes app and either open an existing note or start a new one by tapping the New Note button in the bottom right corner (pencil-in-square icon). On iOS 17 and earlier, tap the Camera button at the bottom of the screen (or, if you’re editing a note, the same Camera icon above the keyboard), then tap Scan Documents. If you’re on iOS 26, instead of a Camera icon, tap the Attachments button (the paperclip icon), then tap Scan Documents.
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This will open a version of the Camera app that just looks for documents. Once you position your iPhone over the document you want to scan and place it in view of the camera, a yellow rectangular layer will automatically appear over the document, showing approximately what will be captured. Hover over the document for a few seconds, and the iPhone should automatically capture and scan the document, but you can also tap the Shutter button in the bottom center. You can scan multiple documents at once if you’d like. When you’re done, tap the yellow checkmark in the top-right corner.
James Martin/CNET
Sign, share or save your scanned document
Once you’ve captured a document, you can tap it and any others you’ve captured in the same session to edit them before saving. You can also tap Retake in the top right corner to start again.
When you edit the document, you can recrop it from the original photo (if you need to tweak its edges) and switch between color filters (color, black and white, grayscale or the unedited original photo). Then you can save the scanned document.
Once it’s saved as a note, you can tap the Markup button (circled pen icon) at the bottom to sketch or scribble with different colors. If you tap the Add button at the bottom right (the plus sign icon), you can add text, your signature, shapes or even stickers. Once you’ve added a signature, you can tap it to bring up a menu, then tap the diagonal line to edit its thickness and color. You can tap and hold the signature to move it around.
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There are also AI tools for adding and rewriting text, though they aren’t helpful for signing documents. To use them, tap the center button that looks like a diagonal pencil stylus surrounded by a circle of loops.
To send or save the document locally, tap the Share button at the top (the square-and-arrow icon) to send it via Messages or other apps, copy it, save it locally in the Files app, or print it via a linked printer or other options.
Watch this: ProRaw vs. JPEG: The Hidden Setting Every iPhone Photographer Needs
How to export your scanned document as a PDF
Understandably, you may want to send your scanned document as a PDF. Tap the Share button at the top (the square-and-arrow icon) and scroll down below the contact and app roulettes to the additional list of options.
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The easiest way to send your scanned document as a PDF is a bit convoluted: among the aforementioned list, tap Print, then tap the Share button at the top (square-and-arrow icon) again — this will share your PDF-converted document. Then pick your share method of choice, most easily via email, though you can also upload it to cloud storage or send it via text message if you want.
You can also use a third-party app to convert your document to PDF if you so choose. Scroll down past the Print button to find your app of choice. For instance, if you have the Adobe Acrobat app downloaded to your device, you can select Convert to PDF in Acrobat to do so — though you’ll need to wade past several screens attempting to upsell you on Adobe subscriptions first.
Why can’t I find the camera button to scan documents?
If you’re running iOS 26, the Camera button has been replaced by an Attachments button (a paperclip symbol). It should function just the same: Tap it and choose Scan Documents from the dropdown menu
If you can’t see the Camera or the Attachments button, check to see if you’ve opened the note in either the iCloud section or the On My iPhone section — you’ll only be able to scan documents and save them in either of these places. If you can’t tell, tap Folders in the top-left corner of the Notes screen, then select either iCloud or On My iPhone.
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The document scanner is just one of many unnoticed iPhone features that come prepackaged in Apple’s handsets, often nested in the apps that come with your phone. Some hidden iOS 26 features add even more surprising capabilities already on your iPhone. But you can also find ways to do other tasks, like making a GIF on your iPhone, using third-party apps, or doing it in your browser.
Google has launched Gmail’s AI Inbox in beta for Google AI Ultra subscribers in the United States, replacing the traditional unread message count with an AI-driven system.
The feature sits as a separate label in Gmail’s sidebar and divides unread emails into two sections, To-dos and Topics, with To-dos surfacing time-sensitive items, including messages from designated VIPs, upcoming bills, appointments, and reminders for emails that have gone unanswered.
Topics groups related email threads together under a single heading, allowing users to scan conversations by subject area rather than sender, reducing the back-and-forth of hunting through an inbox for connected messages spread across different dates.
AI Inbox also tracks whether a user has already engaged with a suggested task through signals like reading, archiving, or deleting the relevant email, with Google planning to add a dedicated Mark as Done option to the feature in the near future.
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All processing takes place within Gmail’s own infrastructure, with Google confirming that the AI Inbox handles email content securely without routing data outside the platform, a reassurance aimed at users cautious about AI tools accessing sensitive correspondence.
It’s only available as part of the top-end AI plan
Access is currently limited to Google AI Ultra subscribers, a plan priced at $250 per month that also includes the highest usage limits across Gemini, 30TB of Google Cloud storage, a Google Home Premium Advanced plan, YouTube Premium, and access to Google’s broader suite of AI tools.
AI Inbox was previously available only to a small group of testers, with Google having promised broader availability later in the year, though the expansion to Ultra subscribers stops well short of a general rollout given the plan’s steep monthly cost.
For existing Ultra subscribers, the addition represents meaningful value without any extra charge, while users on lower-tier Google plans will need to wait for confirmation of whether AI Inbox will eventually reach more affordable subscription options.
It’s easy to think of online console gaming as an invention of the 2000s. Microsoft made waves when Xbox Live dropped in 2002, with Nintendo and Sony scrambling to catch up with their own offerings that were neither as sleek or well-integrated.
However, if you were around a decade earlier, you might have experienced online console gaming much closer to the dawn of the Internet era. As far back as 1990, you could jump online with your Sega Mega Drive. But what did an online console feel like in the dial-up era?
Mega
The Sega Mega Drive was launched in Japan in October 1988. The company was in a tough battle with Nintendo for gaming dominance, and the new 16-bit console was intended to best its rival’s offerings across the board. With a forward-looking attitude, Sega quickly developed an online offering for the console, which went under a few different names. It was known as Mega Net, or alternatively, the Sega Net Work System.
The Mega Modem plugged into the back of the Model 1 Mega Drive. With data rates maxing out at 1,200 bps, it was somewhat limited in what it could offer. Credit: boffy_b, CC BY-SA 3.0
The system hit the market on November 3 1990, exclusively for the Japanese market, with Sega talking up a future launch in the US under the “Tele-Genesis” name. The initial Mega Net kit cost ¥12,800, which included the Mega Modem accessory—a simple 1,200 bps dial-up modem which plugged into the “EXT” DE-9 port on the back of the Model 1 Mega Drive. Access to Mega Net service came at a cost of ¥800 a month. Users got a copy of Nikkan Sports Pro Baseball VAN, which provided live updates and statistics on baseball matches when connected to the service.
The Mega Net pack also included the “Game Library” cartridge. This allowed users to dial up to Mega Net and play a variety of downloadable games. These titles had to be incredibly compact, usually under 128 KB. This was both because of the glacially slow 1,200 bps modem, and because the Mega Drive had no real storage capability to speak of. 42 games were released on the system, and titles would take about 5 to 8 minutes to download. The vast majority were single player experiences. However, two games – Tel-Tel Stadium and Tel-Tel Mahjong – featured online play via Mega Net. Perhaps unsurprisingly, both games were turn-based—a practical necessity given the limited speeds and latency achievable with the slow Mega Modem. A handful of games from Mega Net would later see cartridge releases of their own.
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Users could also engage in multiplayer gaming with certain cartridge-based titles. However, this was not using a server-based online system. Instead, this merely consisted of point-to-point dial-up play between two consoles equipped with the Mega Modem.
The Mega Anser kit allowed you to manage your banking or life insurance from the comfort of your living room. The optional thermal printer could be used to print statements or receipts. Credit: Sega
Mega Net wasn’t just limited to gaming, however. Sega explored more utilitarian uses for the Mega Drive with the release of Mega Anser. This came as a package that included the Mega Modem, the Mega Anser software, and a numeric keypad controller called the Ten Key Pad. There was also an optional printer that plugged into one of the controller ports. The most notable use of the Mega Anser was for online banking. Depending on your bank, you could manage your funds with the Naisu-kun Mini,Osaka Ginkou no Home Banking Service My Line, or Sumisei Home Tanmatsu.
Unfortunately, the technology wasn’t quite there in 1990 to support a fully-vibrant online gaming service. By 1992, Sega realised there wasn’t a large market for Mega Net and Mega Anser services, and the hardware started turning up in bargain bins for drastically reduced prices. By 1993, Sega had released a remodelled Mega Drive which eliminated the EXT port required for the Mega Modem, making it clear that there was no interest in taking the service any further.
You could use the Mega Net system to access live baseball scores and statistics, though one wonders if it might not have been easier to just watch a televised match instead. Credit: Sega
The end of Mega Net in Japan was swift, but the name would live once more. That time came in 1995, when a similar service saw a last gasp release in Brazil, of all places. Supported by local distributor Tectoy, it ran using a unique modem accessory that plugged into the cartridge slot. The range of services on offer was quite different—users could access emails, fax messages, and read an electronic magazine called Revista Eletrônica. The system was designed to be used with the Sega Mouse for a more computer-like interface experience, and prices started at R$5 a month for access to the service. The service was, in many ways, completely unrelated to the original Sega effort, but was inspired by it and wore similar branding.
Brazil’s Mega Net was more modern and had additional ways for users to interact with each other.
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Sega’s early experiment with online console gaming was not a grand success. It failed to attract a huge user base or offer any ground-breaking features. However, it did give the company a base to work from when it came to getting later consoles online, like the Saturn and Dreamcast that arrived years later. Ultimately, Sega would largely be out of the console market by the time online gaming really took off in that world, but you can’t fault the former Japanese titan for trying to get in early.
Dell Pro Premium prioritizes mobility while supporting serious business workloads
Magnesium alloy chassis reduces weight without sacrificing durability or structural integrity
Modular motherboard design improves cooling and maintains CPU performance under load
Dell is pushing its executive-oriented notebook business laptop line toward a genuinely workstation-grade experience without adding bulk or weight.
The new 14-inch Dell Pro Premium sits at the top of the refreshed Dell Pro lineup, built for senior executives and customer-facing managers who move between offices, airports, and conference rooms throughout the day.
Dell says it is the lightest notebook in the Dell Pro family, and calculations suggest its chassis could shrink to roughly 15mm — 7% thinner than its predecessor — while still housing a full-sized 14-inch display.
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Dell Pro Premium
The chassis relies on a magnesium alloy body finished in magnetite, which keeps mass down while giving the device a more solid, premium feel than a typical all-plastic business offering.
That lighter frame makes it easier to carry alongside a power brick and briefcase over long periods.
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Inside, Dell’s modular motherboard layout frees up space for larger cooling fans and more efficient thermal management, helping keep CPU and graphics performance stable during extended meetings or AI-assisted workloads rather than throttling under heat.
The performance of this device focuses on modern business workflows, handling multiple apps, video calls, whiteboards, and large datasets rather than gaming or heavy rendering.
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Users can choose between Intel Core Ultra Series 3 and AMD Ryzen AI 400 processor options, both of which integrate on-device AI and support Copilot+ PC experiences.
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The 14-inch screen offers a Tandem OLED panel with richer contrast and deeper blacks, although higher power use may limit all-day battery life.
An 8MP HDR camera provides high-resolution video calls, supporting executives who rely on a polished virtual presence.
However, for those who need a true workstation, Dell’s Pro Precision 5S and 9 Series hardware complement the Pro Premium by offering much heavier compute and graphics muscle.
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The Precision 5S marks the thinnest and lightest mobile workstation Dell has ever shipped – and relies on integrated Intel Arc Pro or AMD Radeon Pro graphics instead of a discrete GPU to keep weight and thickness in check.
At the other end of the spectrum, the Dell Pro Precision 9 T2 / T4 / T6 desktops are built for extreme workloads.
They feature up to 15 PCIe slots and add support for five 300W Nvidia RTX PRO Blackwell-generation GPUs.
“IT leaders can deploy sleek and modern devices users are excited to use at every level of the organization, along with improved performance, without sacrificing the manageability, security, or value they demand,” said Rob Bruckner, president, CSG Commercial, Dell Technologies.
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