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HiFiMAN Arya & HE1000 WiFi Debut at CanJam NYC 2026 Bringing Planar Magnetic Headphones Into the Wireless Era

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The market for high end wireless headphones has expanded rapidly over the past few years. What was once dominated by mainstream Bluetooth models has evolved into a category that now includes serious audiophile contenders from brands such as Focal, Bowers & Wilkins, DALI, Mark Levinson, and Sennheiser. These companies have demonstrated that wireless headphones can deliver a level of performance that appeals to listeners who once insisted on wired designs and dedicated headphone amplifiers.

HiFiMAN is now pushing deeper into that space with the introduction of the HE1000 WiFi and Arya WiFi, two open back planar magnetic headphones that rely on Wi-Fi rather than Bluetooth as their primary wireless connection. The company has experimented with wireless concepts before, but these new models represent a more ambitious attempt to bring high bandwidth wireless audio to planar magnetic designs.

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HiFiMAN HE1000 WiFi

HiFiMAN has not announced pricing yet, but the company has indicated that both models will sit closer to the HE1000 Unveiled and Arya Unveiled in its lineup rather than its flagship tier. Both headphones are scheduled to begin shipping next month and will be demonstrated publicly at CanJam NYC 2026 this weekend, where we will have an opportunity to spend time listening to both models.

According to HiFiMAN, the key difference between these headphones and typical wireless designs is the use of Wi-Fi for audio transmission. Bluetooth’s limited bandwidth has long constrained wireless audio quality, while the Wi-Fi connection used here is designed to support full resolution lossless audio streams without compression.

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Both headphones incorporate HiFiMAN’s proprietary Hymalaya R2R DAC, integrated amplification inside the earcups, and planar magnetic drivers based on the company’s established technologies.

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HiFiMAN Arya WiFi

Hymalaya What?

The Hymalaya DAC is HiFiMAN’s proprietary digital to analog converter built around a classic R2R ladder architecture, a design approach favored in many high end audio systems for its natural timing and accurate signal conversion. Unlike the delta sigma DAC chips used in most modern headphones and wireless devices, an R2R DAC converts digital audio using a network of precision resistors that translate binary data directly into analog voltage. This approach can deliver excellent transient response and tonal accuracy, but it is traditionally more complex and power hungry than conventional DAC designs.

HiFiMAN developed the Hymalaya DAC to overcome those limitations by combining the R2R ladder with an FPGA controlled architecture and extremely low power consumption. The result is a compact DAC capable of supporting high resolution audio formats, including PCM up to 768 kHz and native DSD, while drawing far less power than traditional ladder DACs. That efficiency allows HiFiMAN to integrate the technology into portable gear and wireless headphones.

In products such as the HE1000 WiFi and Arya WiFi, the Hymalaya DAC works alongside a built in amplifier to convert digital audio directly inside the headphone. This self contained signal chain allows the headphones to operate more like a complete playback system, handling the digital conversion and amplification internally rather than relying on the DAC and amplifier inside a phone or computer.

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HiFiMAN HE1000 WiFi

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The HE1000 WiFi is an open back planar magnetic headphone that combines HiFiMAN’s familiar driver architecture with onboard digital processing and wireless connectivity. The design incorporates the company’s Nano Diaphragm driver paired with its Stealth Magnet system, a magnet structure intended to reduce wave diffraction and maintain a more consistent sound wave path.

Inside the earcups is a custom Class A/B balanced amplifier working alongside HiFiMAN’s Hymalaya R2R DAC, which converts incoming digital audio streams directly within the headphone. This approach allows the headphone to function more like a self contained playback system rather than relying on the amplification stage of an external device.

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The HE1000 WiFi connects through a dedicated Wi-Fi network created by the headphone itself. Users simply select the headphone from the WiFi menu on a smartphone or tablet and stream audio directly to the headphone. This wireless link supports full resolution audio transmission and is capable of handling high bandwidth formats including PCM up to 768 kHz and native DSD up to DSD512.

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HiFiMAN lists a frequency response of 8 Hz to 65 kHz with THD + N rated at 0.009 percent at 32 ohms when the DAC and amplifier are operating together. Channel separation is specified at 105 dB at 1 kHz, and the headphone weighs 452 grams. The HE1000 WiFi can operate in Wi-Fi, USB audio, or Bluetooth modes and charges via USB Type-C with a typical charging time of three to four hours. Standby time is rated at more than 30 days.

HiFiMAN Arya WiFi

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The Arya WiFi uses a similar architecture but incorporates HiFiMAN’s Super Nano diaphragm driver, a thinner variation of the company’s planar driver design intended to improve transient response and overall efficiency. As with the HE1000 WiFi, the Arya WiFi also uses Stealth Magnet technology, integrated amplification, and the Hymalaya R2R DAC.

Like its sibling, the Arya WiFi connects directly to smartphones and tablets through a Wi-Fi network created by the headphone. Once connected, audio streams are transmitted at full resolution without relying on Bluetooth compression. Support for high resolution audio formats is extensive, with PCM playback up to 768 kHz and native DSD up to DSD512.

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HiFiMAN specifies a frequency response of 8 Hz to 55 kHz with THD + N rated at 0.009 percent at 32 ohms when the DAC and amplifier are operating together. Channel separation is listed at 105 dB at 1 kHz and the headphone weighs 452 grams.

The Arya WiFi supports Wi-Fi streaming, Bluetooth 5.1 connectivity with SBC, AAC, aptX, aptX HD, and LDAC codecs, and USB-C wired playback. Battery life is rated at approximately 6.5 to 7.5 hours when operating in Wi-Fi mode and up to 23 hours when using Bluetooth. Charging takes roughly three to four hours, and standby time is listed at more than 30 days.

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Comparison

Arya Unveiled Arya WiFi HE1000 Unveiled  HE1000 WiFi
Product Type Headphones Headphones Headphones Headphones
Price $1,449 ? $2,299 ?
Design Open-back Open-back Open-back Open-back
Driver Type Planar Magnetic with Stealth Magnets Planar Magnetic with Stealth Magnets. Planar Magnetic with Stealth Magnets Planar Magnetic with Stealth Magnets
Frequency Response 8Hz – 65kHz 8Hz – 55kHz 8Hz – 65kHz 8Hz – 65kHz
Impedance 27 Ohms Not indicated 28 Ohms Not indicated
Sensitivity 94dB Not Indicated 95dB Not indicated
Diaphragm Nanometer thickness Nanometer thickness Nanometer thickness Nanometer thickness
THD+N N/A DAC: 0.0055%@-9dB, 1kHz
DAC + Amp: 0.009% @32 ohms, 1kHz
N/A DAC: 0.0055%@-9dB, 1kHz
DAC + Amp: 0.009% @32 ohms, 1kHz
Channel Separation N/A 105dB @1kHz N/A 105dB @1kHz
Connection Modes Wired only WiFi, USB Audio, Bluetooth Wired only WiFi, USB Audio, Bluetooth
Battery Life (WiFi) N/A 6.5-7.5 hours N/A 6.5-7.5 hours
Battery Life (BT) N/A 23 hours N/A 23 hours
Charging Time N/A 3-4 hours N/A 3-4 hours
Standby Time N/A 30+ days N/A 30+ days
Audio Formats N/A PCM 44.1kHz-768kHz, 32/24/16Bit, DSD native 64-512 N/A PCM 44.1kHz-768kHz 32/24/16Bit, DSD native 64-512
Bluetooth Codecs N/A SBC, AAC, aptX, atpX HD, LDAC N/A SBC, AAC, aptX, atpX HD, LDAC
Weight 413g 452g 450g 452g

The Bottom Line

The HE1000 WiFi and Arya WiFi take a different approach to wireless headphone design by focusing on bandwidth and signal integrity rather than convenience features. By combining planar magnetic drivers with a built-in Class A/B amplifier, HiFiMAN’s Hymalaya R2R DAC, and a Wi-Fi based audio connection, these headphones are designed to handle high resolution audio without relying solely on Bluetooth compression.

That said, these are clearly not lifestyle wireless headphones. Both models use open-back earcups, which means they leak sound and provide no isolation from the outside world. They are better suited for listening at home, where wireless freedom can be useful without the compromises that normally come with portable wireless designs.

HiFiMAN has not revealed pricing yet, but both models appear positioned for listeners who want something closer to a traditional audiophile headphone system that happens to operate wirelessly. We expect to learn more once we have the opportunity to spend time with both models at CanJam NYC 2026 this weekend.

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Portable Tow Rope Batman Would Be Proud Of

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Out of all of Batman’s massive array of tools which turn a relatively ordinary person into a superhero, perhaps his most utilitarian is his grappling gun — allowing him the ability to soar around his city like Spiderman or Superman. [John Boss] isn’t typically fighting crime, but he did develop his own grappling gun of sorts which gives him another superpower: the ability to easily scale snowy hills to quickly get back to the top.

The grappling gun takes inspiration from a commonly used tool called a power ascender, which is often used in industry applications where climbing is required. This one is held in the hand and uses a brushless motor with a belt-driven 3:1 reduction for increased torque. The pulley system, bearings, and motor are all housed in a 3D printed enclosure and are powered by rechargeable Milwaukee power tool batteries. During prototyping the rope intake and output feed locations had to be moved to increase the pulley’s grabbing ability, and with a working prototype he swapped a lot of the plastic 3D printed parts out for metal to increase the sturdiness of the device.

The grappling gun was originally designed for a smaller child to get hoisted up a hill on a sled, but when stress testing the device [John] found out that it actually has more than enough capability to haul even an adult up a hill on skis. As an added bonus, the outfeed for the rope can be put into a bag and used to automatically coil the rope up when he’s done at the hill. Although this is a great solution for a portable rope tow, for something more permanent and more powerful take a look at this backyard rope tow that was built from spare parts.

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Meze Audio ASTRU Debuts at CanJam NYC 2026 as Flagship Single Dynamic Driver IEM

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Meze Audio has introduced the ASTRU ($899), a new top of the line single dynamic driver in-ear monitor (IEM) created for listeners who want true high end performance without venturing into the stratospheric pricing that now defines many flagship IEMs. Built around a focused design philosophy, ASTRU relies on a single dynamic driver to deliver a visceral, full bodied presentation that Meze says can rival the layering, imaging, and resolution typically associated with complex multi driver designs.

The new model will make its first public appearance at CanJam NYC 2026 this weekend. Meze says ASTRU will be available starting March 20 through mezeaudio.com, mezeaudio.eu, and selected retailers worldwide.

While Meze Audio is widely known for its award winning headphones such as the Empyrean II99 Classics 2nd Generation109 Pro, and the recently introduced STRADA, the Romanian brand has also shown it can build compelling in ear monitors as well. Its ADVAR IEM, which we reviewed favorably, stood out for its musical balance, solid build quality, and distinctive industrial design. With ASTRU, Meze appears ready to push further into the high end IEM space while sticking with a simpler single driver approach rather than joining the industry’s escalating multi driver arms race.

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Meze Audio ASTRU

Advanced Multilayer Dynamic Driver Architecture

At the center of the ASTRU is a custom multilayer composite 10 mm dynamic driver designed to balance speed, control, and tonal weight. The diaphragm dome is constructed using more than 80 ultra thin layers of gold, applied through a 48 hour physical vacuum DC magnetron sputtering process. This technique allows extremely thin metallic layers to be deposited with high precision, helping maintain diaphragm rigidity while keeping mass low.

The gold layered dome is bonded to a titanium layer and mounted on a PEEK base, materials chosen for their strength, stability, and resistance to unwanted resonance. The result is a driver structure intended to deliver fast transient response, extended treble, and the fuller low frequency presence that dynamic drivers are known for, while maintaining clarity and control across the frequency range.

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Titanium Construction, Accessories, and Specifications

ASTRU’s housing reflects Meze Audio’s focus on durability, precision manufacturing, and long term comfort. The shell geometry has been carefully shaped to provide a secure and stable fit during extended listening sessions. Each earpiece is CNC machined from a single block of pure titanium and finished through a multi stage electroplating process that results in a smooth satin surface. According to Meze, producing each matched pair of shells requires up to seven days of precision machining and finishing, highlighting the level of manufacturing detail behind the design.

ASTRU is delivered as a complete listening package designed for portable high end audio use. The IEM includes a premium balanced cable equipped with CNC anodized aluminum hardware and a gold plated 4.4 mm balanced termination. This type of connection is commonly used with modern digital audio players and portable amplifiers because it offers improved channel separation and lower noise compared to standard single ended outputs. A 4.4 mm to 3.5 mm adapter is also included for compatibility with more traditional headphone outputs on Dongle DACs that may not offer a balanced output.

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Additional accessories include five sizes of ear tips ranging from XS to XL to help users achieve a secure seal and proper acoustic performance. Meze also includes two carrying solutions: a protective pouch for everyday transport and a soft PU leather envelope designed for additional protection during travel or storage.

In terms of specifications, ASTRU offers a frequency range of 5 Hz to 35 kHz with a nominal impedance of 32 ohms and a sensitivity rating of 111dB SPL per milliwatt at 1 kHz. Total harmonic distortion is specified at less than 0.1 percent at 1 kHz. The IEM uses a standard 2-pin connector for cable attachment and weighs 13.4 grams (0.47 oz). These specifications indicate that ASTRU should be easy to drive with most modern digital audio players, portable DACs, and headphone amplifiers while still benefiting from higher quality source components.

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The Bottom Line

The Meze Audio ASTRU arrives at an interesting moment for the high end IEM market. With Empire Ears recently shutting down operations, one of the category’s most recognizable boutique brands has exited the stage, leaving more room for companies like Campfire Audio, Noble Audio, 64 Audio, and Astell&Kern to battle it out in the upper tier of the segment. Most of those competitors lean heavily into complex driver arrays, packing multiple balanced armatures, electrostatics, or hybrid configurations into increasingly elaborate designs.

Meze is taking a different path. Rather than joining the escalating multi driver arms race, ASTRU sticks with a single dynamic driver architecture and focuses on materials, diaphragm engineering, and acoustic tuning. The titanium housing, multilayer gold coated diaphragm, and balanced cable package suggest a product built with the same attention to industrial design and materials that has defined Meze’s headphone lineup.

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What ASTRU offers is a simpler approach to high end IEM performance aimed at listeners who prefer the coherence, bass weight, and natural timbre that dynamic drivers are known for. What it does not offer is the kind of driver count marketing that dominates much of the $800 to $1500 IEM category. At $899, that places it in direct competition with multi driver models from several established brands. Whether buyers prioritize driver complexity or the sonic character of a well executed dynamic design will ultimately determine where ASTRU lands in this crowded field.

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Price & Availability

ASTRU will be available for purchase starting March 20, 2026, on mezeaudio.com,
mezeaudio.eu and in selected retailers worldwide, with a suggested retail price of $899.

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Washington governor says he’ll sign millionaires tax

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Gov. Bob Ferguson delivered his State of the State address in Olympia, Wash., on Jan. 13. (Governor’s Office Photo)

Gov. Bob Ferguson said Friday that he will sign the latest version of Washington’s proposed “millionaires tax,” paving the way for legislation that has sparked intense debate within the state’s tech and business circles.

In a statement, Ferguson said the revised proposal met his desire to send more revenue back to working families and small businesses.

“I strongly encourage the Legislature to pass this bill with all of these investments in affordability included,” he said. “It represents a historic step forward in rebalancing our unfair system and making life more affordable for Washington families and small business owners.”

Ferguson earlier this month criticized Senate Bill 6346 for doing too little for small businesses and lower-income residents in the state. He had suggested the measure could be pushed to next year if lawmakers could not strike the right balance.

Ferguson said the latest revision would expand the Working Families Tax Credit, preserve sales-tax exemptions on items such as diapers and hygiene products, add a sales-tax exemption for over-the-counter medicines, support free school meals, and dedicate 5% of revenue to child care and early learning.

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The bill, which passed the Senate last month and still needs approval from the House, would impose a 9.9% tax on Washington taxable income above $1 million, beginning Jan. 1, 2028.

SB 6346 represents one of the most significant efforts in years to establish a personal income tax in Washington.

The bill has drawn opposition from some tech leaders and entrepreneurs who worry it could undermine the sector by souring Washington’s relatively favorable tax laws for startup founders, investors and high-wage earners.

Earlier this week, a group of AI researchers, founders, and investors sent a letter to Ferguson, arguing that higher taxes on high earners and investment gains would push top talent and future startups elsewhere. They urged the state to “pause” work on the tax, as well as an increase to Washington’s capital gains tax.

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Supporters argue those fears are overblown and say the bill helps correct the state’s regressive tax code, which relies heavily on property, sales and business taxes to fund education and other public programs.

The bill is expected to generate an estimated $3.7 billion annually.

The action comes as the state is struggling to plug a more than $2 billion budget hole with spending cuts and a slate of potential tax changes, while at the same time some of Washington’s largest employers are cutting thousands of jobs from their payrolls.

Lawmakers have also advanced an amendment that would repeal, in 2030, part of a recent sales‑tax expansion on select services that drew criticism from tech companies and prompted a Comcast lawsuit. However, the higher tax on advertising services would remain in place.

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How do IT and tech recruiters match the right applicant to the right role?

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IT Search’s Karla O’Rourke discusses her career in recruitment and how candidates can make themselves more attractive to organisations looking to hire.

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Ask anyone who has applied for a new job lately and they will likely tell you that the application process is almost a full-time role in itself as you spend weeks, sometimes even months, amending cover letters, submitting documents and interviewing, only to not be considered the ‘right fit’. Then the routine starts up again, until you finally land a job. 

“One of the most common mistakes is applying for roles that are not aligned with a candidate’s experience,” explained Karla O’Rourke, an associate director and technology recruiter at Irish recruitment agency IT Search, which is a member of the Vertical Markets Group.

She said: “While it is natural to explore opportunities, submitting applications for a large number of roles that are not a close match rarely leads to positive outcomes. Another issue is failing to tailor a CV to the role being applied for. If a job description highlights specific technologies or responsibilities, candidates should ensure that their relevant experience is clearly reflected in their CV.”

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Unsurprisingly, she finds that more and more, recruiters are coming across CVs that have been created using AI technologies, which is leading to a rise in generic applications.

Artificial intelligence can be useful in assisting with format and structure. However, she noted that hiring managers are quick to recognise when a CV has not been written solely by the individual, often because AI-generated descriptions will lack detail and provide little clarity around the applicant’s specific contributions or achievements. The strongest CVs, she said, will offer a clear outline and understanding of responsibilities and projects, and how this translates to measurable results.  

So, how does an IT or technology recruiter utilise their skills to ensure that the person behind the CV is matched to a role that suits their goals and ambitions?

Don’t rush to judgement

In her own role, as someone who evaluates applications to assess whether they match the expectations of the organisation and if there is a likelihood that the person could be fulfilled working there, O’Rourke said effective recruitment depends heavily on solid judgement, communication skills and possessing a deep understanding of both the organisation and the candidate.

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“A key part of the process is looking beyond the job description to understand what the organisation truly needs. While technical capability is obviously critical in technology roles, long-term success often depends on additional factors such as adaptability, communication style and how someone fits within a team,” she said. 

“Equally, understanding a candidate’s motivations and career ambitions is essential. A CV can provide a snapshot of someone’s experience, but conversations often reveal much more about how a person approaches their work and the type of environment where they will perform best.”

She is of the opinion that strong networks also play a crucial role, as recruiters who actively engage with their market build a deep understanding of the talent landscape, which allows them to introduce candidates who are not only technically capable but also well aligned with the organisation’s culture and objectives.

When it comes to technical prowess – having noted that AI should be used sparingly (if at all) in the creation of a CV – for tech and IT experts looking to move ahead, O’Rourke encourages the use of opportunities to include genuine skills in AI on their documentation. 

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“Unsurprisingly, AI is one of the biggest topics across the technology sector at the moment. Organisations are actively exploring how they can integrate AI into their systems, development processes and wider business operations. At the same time, many companies are also navigating the learning curve that comes with implementing these technologies effectively.

“While the demand for AI expertise is extremely high, the pool of professionals with deep, practical experience in this area remains relatively small. Many organisations want to incorporate AI into their platforms and workflows, but there are fewer individuals who have the experience required to genuinely lead those initiatives.”

At the end of the day, IT and tech recruiters have the same end goal as someone looking to begin or continue their career in the IT and tech space. Both want to show the organisation that the application put forth is representative of the person best suited to the position. To achieve this, O’Rourke explained that applicants should find what makes them unique.

“When many candidates have similar technical skills on paper, differentiation becomes increasingly important. Rather than listing every technology you have encountered, it is often more effective to focus on the areas where you have genuine depth of experience and can clearly demonstrate value.”

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And perhaps above all else, be prepared. She finds that the candidates who can confidently stand over projects, showcase the challenges they have resolved and highlight the impact of their work are significantly more likely to stand out in a positive way during the interview process. 

The career labyrinth

Knowing the direction you want to go in professionally can make the route to get there simpler, but that is by no means the only way to reach your target, nor is it as common as we might tell ourselves. Typically, the route towards a desired career diverts occasionally, and it is important to be aware and accepting of that. 

“My route into recruitment was actually quite unexpected,” noted O’Rourke, who explained that initially, she was employed at Dunnes Stores as a brand manager, with the assumption that she would eventually take up a position in the human resources division.

Interestingly, the opportunity came from someone who had ‘mystery shopped’ me several times while I was working there. Their full-time role was in recruitment and after a number of visits, they reached out to ask whether I would consider exploring a career in agency recruitment.

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“At that stage I had very little awareness of the industry, but I was open to the conversation. Looking back, it proved to be one of the best decisions I have made professionally.”

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Call of Duty co-founder claims Activision pushed for an Iran-Israel war title

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Glasco, a co-founding developer of both Infinity Ward and the Call of Duty franchise, now works as a consultant in the video game industry. He shared his recollection of Activision’s pressure on social media, joining an ongoing discussion about the unusually blunt way the Trump administration is embedding video game…
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Python ‘Chardet’ Package Replaced With LLM-Generated Clone, Re-Licensed

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Ancient Slashdot reader ewhac writes: The maintainers of the Python package `chardet`, which attempts to automatically detect the character encoding of a string, announced the release of version 7 this week, claiming a speedup factor of 43x over version 6. In the release notes, the maintainers claim that version 7 is, “a ground-up, MIT-licensed rewrite of chardet.” Problem: The putative “ground-up rewrite” is actually the result of running the existing copyrighted codebase and test suite through the Claude LLM. In so doing, the maintainers claim that v7 now represents a unique work of authorship, and therefore may be offered under a new license. Version 6 and earlier was licensed under the GNU Lesser General Public License (LGPL). Version 7 claims to be available under the MIT license.

The maintainers appear to be claiming that, under the Oracle v. Google decision, which found that cloning public APIs is fair use, their v7 is a fair use re-implementation of the `chardet` public API. However, there is no evidence to suggest their re-write was under “clean room” conditions, which traditionally has shielded cloners from infringement suits. Further, the copyrightability of LLM output has yet to be settled. Recent court decisions seem to favor the view that LLM output is not copyrightable, as the output is not primarily the result of human creative expression — the endeavor copyright is intended to protect. Spirited discussion has ensued in issue #327 on `chardet`s GitHub repo, raising the question: Can copyrighted source code be laundered through an LLM and come out the other end as a fresh work of authorship, eligible for a new copyright, copyright holder, and license terms? If this is found to be so, it would allow malicious interests to completely strip-mine the Open Source commons, and then sell it back to the users without the community seeing a single dime.

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These Beats Headphones We Like Are $150 Off

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On the hunt for a fresh pair of headphones that stand out in the style department? Until the end of the weekend, Best Buy has the Beats Studio Pro marked down to just $200, a $150 discount from the usual price.

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While this headset isn’t nearly as fancy as some of our other favorite over-ear headsets, it makes up for it with classic Beats styling and a sound profile that the brand has become known for among its fans. They’re bass-forward and punchy, a fact you’ll just have to live with whether you like it or not, because they lack a dedicated equalizer. Thankfully they aren’t as bold and brash as the Beats of old, but it’s still something to keep in mind if your normal beat isn’t hip-hop or rock.

They’re technically produced by Apple, but the Beats Studio Pro have a feature set that’s decidedly cross-platform, with one-touch pairing for both Apple and Android mobile devices, and an impressively large wireless range in case you like to leave your phone on the porch while working in the yard. If you don’t mind being physically connected to your device, you can even use the USB-C mode to enjoy some high-resolution audio. There’s also head tracking for spatial audio, a trick we’ve seen on some other headsets that sometimes ends up being more of a gimmick, although it is neat to use while watching movies in apps that support it like Disney+ and Netflix.

They get up to 24 hours of battery life with the ANC on, or closer to 40 without, which is fine, but not quite as good as some of its more expensive counterparts. Speaking of active noise-canceling, our reviewer Ryan Waniata said “it holds its own against competitors from Sony and Bose, and outdoes rivals like Sennheiser’s Momentum 4 Wireless.” It works just as well for calling as it does for catching some tunes, and has a microphone that folks on the other hand of the call described as clear and detailed.

If you’re interested in scooping this deal on the Beats Studio Pro, make sure to head over to Best Buy to save $150, or check out our guide to the best wireless headphones we’ve head the pleasure of testing.

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This New Company Aims To Take OLED TV Tech To The Next Level

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Did you know some colors are actually harder to produce than others in OLED displays? Blue, specifically, is perhaps the biggest problem child — at least when compared to red and green. We’ll get to the “whys” in a bit, but the basic premise is that red and green use phosphorescent materials, which are far more energy-efficient. Meanwhile, blue relies on an older, less efficient method called fluorescence. Unfortunately, a chain is only as strong as its weakest link, and blue has basically been dragging the whole package for years. Fixing it has proven surprisingly difficult for the display industry. A solution does exist, and it even has a name — blue phosphorescent OLED, sometimes called blue PHOLED. The problem is that it usually has a short lifespan and is unstable. But if someone does get around the downsides and ships the tech in a production-ready form, OLED TVs could get brighter, cheaper, and longer-lasting all at once.

Now, a South Korean OLED material company called Lordin is apparently on the verge of doing just that. According to a report from The Elec, Lordin has locked down the manufacturing capabilities needed to mass-produce its own take on blue phosphorescent OLED. The company is calling its approach ZRIET, which stands for zero radius of intramolecular energy transfer. It’s already sent evaluation kits to global OLED manufacturers for testing.

Lordin CEO Oh Young-hyun also told The Elec in an interview that the firm has secured a supply line for deuterium in India. That’s a non-radioactive isotope of hydrogen and is used in nuclear reactors as a stabilizer. Turns out, they benefit OLED materials similarly, helping them last longer and stay more stable over time. India happens to be one of the world’s top producers of it, thanks to the country’s nuclear energy program.

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The blue-colored problem in OLEDs

Circling back to why blue is the difficult one in the RGB LED, well, it all comes down to energy. Blue has the shortest wavelength among the three primary colors of light, which means producing it requires the most energy. Red and green phosphorescent OLED panels can harvest energy from both singlet and triplet excited states, and those account for 25% and 75% of available energy, respectively. Put those together, and you get 100% luminous efficiency. On the other hand, fluorescent blue OLED can only tap into singlet energy. That caps its efficiency at around 25%. To make up for that, manufacturers have to stack three or four layers of blue fluorescent material, which drives up cost and complexity. This affects both types of OLED TVs on the market today – WOLED and QD-OLED – though each handles blue differently.

Lordin’s ZRIET approach tries to sidestep this by combining the energy host and dopant into a single molecule. In traditional OLED emitters, energy has to travel from one molecule to another, and the farther that distance, the more efficiency you lose along the way. Meanwhile, Lordin’s ZRIET approach basically collapses the travel distance to near zero, which means way less energy gets wasted in the process.

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With these tricks, Lordin says its blue emitters can hit over 20% external quantum efficiency and roughly 60% longer lifespan compared to fluorescent blue. Expect better color accuracy on a finished panel, too, since the company claims the emitters reach a wavelength of 456 nanometers with a narrow spectral width.

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Lordin isn’t the only player

The current market leader in OLED materials is Universal Display Corporation, a U.S. company that holds key patents for red and green dopants used by Samsung Display and LG Display. But even UDC hasn’t commercialized a phosphorescent blue emitter yet. Lordin’s CEO has stressed that his company’s technology uses a fundamentally different structure, which could matter a lot if and when this market finally opens up.

Helping Lordin achieve its goals is a $25 million funding round, which the company is in the middle of. It wants to close it by the end of 2026, with plans to go public in South Korea the following year. That said, Lordin isn’t the only one chasing this. LG Display announced last year that it had reached the commercialization stage for blue PHOLED on smaller screens like tablets and smartphones, and that was a first for the industry. Ultimately, if and when this market opens up, there’s going to be real demand for alternatives that don’t depend on any single supplier. And with LG Display, Lordin, and others all pushing forward, that future might not be as far off as it once seemed.

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Sub Pop Records leaving Amazon HQ space for new store on Seattle waterfront

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The Sub Pop location on 7th Avenue in Seattle, with Amazon’s Spheres visible across the street. (GeekWire Photo / Kurt Schlosser)

Longtime Seattle independent record label Sub Pop Records is leaving Amazonia.

The company announced via social media on Thursday that its retail store at 2130 7th Ave., at the base of Amazon’s re:Invent headquarters tower, is closing this Sunday after five years.

A new Sub Pop store will open April 1 on the Seattle waterfront in the Maritime Building at 908 Alaskan Way.

The move comes a few months after Sub Pop closed its Sea-Tac Airport location at the end of 2025, ending a 12-year run for that space near the entrance of Concourse C.

(GeekWire Photo / Kurt Schlosser)

Sub Pop set up its brick-and-mortar shop in the heart of Amazon’s headquarters campus in January 2021, offering merchandise ranging from clothing, knick knacks and trinkets emblazoned with the iconic Sub Pop logo to vinyl records.

The sticker-plastered front of the shop stood out in the Denny Triangle neighborhood of steel and glass high rises, across the street from the Spheres and the first Amazon Go location.

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Opening during the pandemic was a retail anomaly, especially in the building of an e-commerce giant. Amazon reshaped a city which in many ways was put on the map by Sub Pop and the grunge music movement, fueled by bands on the label such as Nirvana, Soundgarden, Mudhoney and others.

The label was founded in 1988 by Jonathan Poneman and Bruce Pavitt, six years before Jeff Bezos started his online bookseller in a Bellevue, Wash., garage.

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Washington state bill to ban microchipping of employees heads to governor for approval

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The Legislative Building in Olympia, Wash. (GeekWire Photo / Lisa Stiffler)

Washington state legislators approved a bill to ban employers from requiring or pressuring workers to be microchipped, aiming to prohibit the practice before it ever becomes an issue.

HB 2303 was unanimously passed by the Senate this week. The House of Representatives passed the legislation 87-6 last month. If Gov. Bob Ferguson signs the legislation, Washington would become the 14th state to pass such a law.

The bill prohibits employers from requiring, requesting or coercing employees to have microchips implanted in their bodies as a condition of employment, and would bar the use of subcutaneous tracking or identification technology for workplace management or surveillance.

“We are getting out ahead of the problem because the practice of requiring these chips is too dangerous to wait for it to show up in Washington,” Reps. Brianna Thomas (D-34) previously told GeekWire. “An employee with a microchip stops being an employee — they are essentially being dehumanized into corporate equipment.”

HB 2303 would add a new section to Chapter 49.44 of the Revised Code of Washington (RCW), titled “Violations — Prohibited Practices.” The chapter serves as a catch-all for labor regulations that define and prohibit specific unfair or illegal activities by employers, employees, and labor representatives.

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The legislation is similar to laws passed in Arkansas, California, Missouri, Montana, Nevada, New Hampshire, North Dakota, Oklahoma, Utah, Wisconsin, Indiana, Alabama, and Mississippi.

The Carnegie Council for Ethics in International Affairs reported that internationally, more than 50,000 people have elected to receive microchip implants to serve as their swipe keys, credit cards, and more. The organization noted that the technology is especially popular in Sweden, where chip implants are more widely accepted for gym access, e-tickets on transit systems, and to store emergency contact information.

Previously:

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