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High-quality audio on the go

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It’s been a long time since the original iPod hit the scene, but if you clamour for the days when MP3 players were all the rage, and when listening to music felt like a genuine hobby and not something that simply happens in the background of another task, then you’re in luck. Recreating those glory days of music playback but with a modern twist, there are tons of portable music players you can buy in 2026, and thanks to our tech experts, we know which ones are best.

Although we’re big proponents of portable music players (we wouldn’t have compiled this very list if we weren’t), there are sure to be some people reading this article wondering why on earth they’d ever invest in a dedicated music device when they can so easily jump into a Spotify or Apple Music stream on their smartphone. It’s a fair point, but it’s missing a ton of nuance.

For starters, the big appeal is that if you want to hear your favourite tracks with as much detail as possible, then a portable music player is the way to go. With one of these devices in tow, and a pair of wired headphones, you’ll spot the difference right away as there’s more depth, greater surround sound and a sense of energy that you just don’t get when listening to audio over a smartphone which is downgraded by the very nature of streaming.

However, unlike the music players of old, there are a lot of modern conveniences that can be found with newer tech. There are some devices which run on Android and, as a result, can give you access to your go-to streaming services, but here you can enjoy them with a notable audio boost. There’s a lot to like, but in order to separate the best from the rest, we put each music player through a series of rigorous tests.

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Our review process includes listening to both high and low quality music files across an array of headphones, establishing a device’s versatility along the way, whilst also checking on battery drainage through everyday use. Only the music players that truly excel in all of these checks are then considered for this list. If you don’t already have a pair of cans to go with a new music player then our guides to the best headphones and the best cheap headphones have you covered.

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Learn more about how we test music players

We play a lot of music, different genres and at different file resolutions to get an idea of how well portable music players.

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If there are features then we make sure we fiddle with them until we’re satisfied. We gauge on how long their battery life is and whether the player holds up to the manufacturer’s claims. We try them on their various wireless connections to see if they offer a smooth performance, and we’ll delve into their sub-menus and see if they work as they’re meant to.

Of course, it always comes back to the music. Portable music players are tested by reviewers who have a love of music, a knowledge of sound quality, as well as a context of the market. We’ll compare to similarly priced rivals, so when we recommend a particular model, it’s among the best you can buy for the money.

Obviously, we know not everyone has the same taste in music, so we won’t only test with the same perfectly mastered album, but with a variety of genres and file qualities, from MP3 to Hi-Res FLAC. Find out more about how we test in our ethics policy.

  • Articulate, expressive and confident sound

  • Lavishly specified

  • Significant perceived value and pride of ownership

  • Quite chunky by ‘portable’ standards

  • Wildly expensive

  • Won’t entice vegans

The price of the Astell Kern SP3000T puts the rest of portable players on this list to shame, though it’s (ironically) less expensive than its predecessor. At $3199 / £2999, it is among the most expensive music players we’ve tested.

Like the Astell and FiiO players that feature on this list, the SP3000T is portable in the loosest sense. It’s angular in a similar fashion to other Astell Kern devices but the build quality is outstanding. It’s built from 316L stainless steel, with the front adorned by a 5.5-inch 1080 x 1920 touchscreen that we found to be bright, crisp, and responsive.

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Battery life is similar to the FiiO M17 at ten hours, though the overall feature set is less comprehensive than the FiiO. There are fewer inputs and outputs, and while the built-in storage is bigger (256GB), the SP3000T can only expand to 1TB with the help of a microSD card.

There is aptX and LDAC Bluetooth support, with sample rates of up to DSD512 and 32-bit/768kHz supported too. There are several DAC filters to play around with, the Crossfeed aims to create a soundstage that’s similar to listening to a pair of loudspeakers in a room.

When it comes to listening to music on the SP3000T, the player gives music a consistently natural and lifelike sound. Detail levels are high, control over decay and attack of notes is well-judged, dynamism is well conveyed whether on a small or large scale and integration across the frequency range is superbly well-realised. Its sense of timing is about as good as you can get from a portable player. The price is huge, but in terms of its performance, we found the Astell Kern SP3000T to be a superb portable player.

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  • Truly outstanding sound quality

  • Wonderful build and finish

  • Clever and flexible specification

  • Big and heavy

  • Rather pricey

  • Dedicated portables and full size front ends can cost less

If you’re an audiophile who’s constantly on the go, it makes more sense to have just one device that can serve as your go-to solution for music playback when travelling and when at home. Although such a thing might sound like a pipedream, it is absolutely available in the Astell & Kern PD10.

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This is a high-end portable music player that works just as you’d expect on the move, but when you’re at home you can dock the PD10 in its accompanying cradle and use it as a front end to control playback from compatible speakers. It’s a great solution to have if you’re obsessed with music fidelity no matter where you are.

The PD10 also happens to be one of the most solidly built music players we’ve ever tested. Comprised of a stainless steel chassis, the PD10 is far from lightweight in the hand, clocking in at 435g, but it has that satisfying heft that you expect from a device at this end of the market.

The row of physical buttons on the side are wonderfully tactile and they give you a quicker means of interacting with playback than waking up the six-inch screen. Still, if you do decide to dive in for more granular controls, the bright display works brilliantly, as does Astell & Kern’s Crimson operating system, which feels more refined than ever.

In terms of battery life you’re looking at a solid 15-hours of use between charges, so you’ll have more than enough in the tank to get you through a long day of work and commuting. By default there’s a sizeable 256GB of storage included with the PD10, but if you want to expand that, there’s a Micro SD card slot that can add up to an additional 2TB to the mix. Sure, the whole thing costs a lot more than most music players but for a true all-in-one audiophile experience, there’s nothing quite like it.

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  • Open, expansive soundstage with lots of detail

  • Premium build quality

  • Intuitive user interface and operation

  • Extensive specification

  • Swappable DAC feature

  • Player and DAC modules are expensive

  • Not exactly portable

  • Battery life not the longest

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The Astell & Kern A&futura SE180 is one of the South Korean brand’s most advanced players thanks to its DAC switching modules that allows the user to remove the DAC inside and replace with it another.

It’s an innovative idea, though we found the process of swapping DAC modules required some force. That’s an area Astell & Kern could make easier and swifter in future iterations.

The SE180 carries itself well, although like the SP2000T, its 280g isn’t exactly portable (the similarly-sized iPhone 13 is a mere 173g by comparison). It is well-built, less asymmetric in look that Astell’s other players and features wonderfully tactile volume wheel that mimics a dial on a expensive watch. Headphone outputs are catered for by 3.5mm unbalanced and 2.5 and 4.4mm balanced, with a USB-C port for charging and microSD expansion that supports cards up to 1TB.

The Quad Core processor offers a snappy and responsive performance, the 5-inch colour screen offers some lovely looking colours, while we liked the Android-esque interface, which is intuitive to use and easy to grasp. File support extends MP3 to DSD256 and resolutions up to 384kHz, though by changing the DAC modules the file support can be extended further. With support for aptX HD and LDAC, the SE180 is covered on the wireless High-Res Audio front.

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All of that Hi-Res support allows the SE180 to set a high marker for sound. We tested the device with several headphones and found it brought a neutral and noise-free sound to whichever pair we used, featuring terrific amounts of clarity and detail. The soundstage is big and spacious, with the SE180’s sense of precision wringing as much out of music as it can. While it’s capable performer with lower-resolution files, this is a player that shines with higher bit-rates and resolutions, making this a portable player for the audiophile.

  • Brings refinement to music library

  • Compact size

  • Easy to use

  • Wide file support

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  • Wi-Fi performance can be a little slow

  • Battery life doesn’t feel too extensive

  • Getting pricey for an entry level product

The A&ultima SR35 is one of Astell & Kern’s more affordable portable players, though at £799 / $800, it’s more expensive than the SR25 and SR25 MkII, putting dent in those ‘affordable’ credentials.

You get a lot of features and performance packed into the SR35’s compact frame. As usual, it comes with an off-axis screen that does look odd but we adjusted to it in time. The touch screen goes up to 720p resolution but is bright and colourful, while operation is simple enough with buttons on the side for power and playback, as well as the lovely tactile volume wheel. Compared to the cheaper FiiO M11S, the SR35 feels like a premium product.

Its feature set mirrors that of other Astell & Kern players on this list with its wide array of support for audio formats up 32-bit/384kHz PCM and DSD256. Wi-Fi and Bluetooth support is accounted for, though we found with the former that it takes a while for the Wi-Fi connection to boot up when the player is powered on.

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Built-in storage is 64GB, but the SR35 supports expandable storage up to 1TB with a microSD card. Battery life is rated at around 20 hours, but in our experience, the player has a habit of chewing through its battery life quicker than expected. There’s also a choice of Normal and High gain settings to match the impedance of the headphone it’s connected to.

In terms of audio performance, the SR35 doesn’t show too heavy a hand in altering the sound of the headphone it’s partnered with. Unlike the SE180 model where you can hear the effect of the different DAC modules, the SR35 takes the audio signal and gives it more polish and refinement while still keeping true to the headphone’s sonic signature. Compared to the FiiO M15S, it’s sharper across the frequency range, offers more insight, and is more dynamically expressive.

It’s the more assertive and exciting listen of the two similarly priced players. While the SR35 isn’t perfect in all areas, in our opinion, it’s the best portable music player you can buy in the £500 to £1000 range.

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  • Detailed, composed and thoroughly entertaining sound

  • Specified well beyond what the asking price might suggest

  • Impressive standard of build and finish

  • Can get slightly shouty at biggest volumes

  • Miserly usable memory

If you’re completely new to the world of portable music players and just want to start things out with an inexpensive option that doesn’t require a sizeable investment, then the FiiO JM21 is a great place to start. This music player provides so much of what makes FiiO such a household brand in this market, but at a price that massively undercuts the competition.

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Aside from the tempting £179/$199 price point, the key factor that makes the JM21 so alluring to new buyers is that the device itself is wonderfully compact. At just 13mm thick and weighing only 156G, the JM21 is more pocketable than the average smartphone, so unlike with a lot of premium music players, you won’t be bogged down. The Sky Blue colourway also has an eye-catching quality about it, which is more than we can say for a lot of smartphones right now.

When it comes to the sound quality, even though you’re spending less than what you would elsewhere, the JM21 still brings a respectable soundscape to the table with no less than two Cirrus Logic CS43198 DAC chipsets. This paves the way for playback in resolutions up to 32-bit/384kHz which, in layman’s terms, is a serious uptick on what you can get out of your smartphone.

Still, the experience of using the FiiO JM21 doesn’t feel all that dissimilar to that of a smartphone as it runs on a reworked version of Android 13, with a 4.7-inch touchscreen to boot. With only 3GB RAM onboard, you don’t want to be using it for much more than listening to music, but at least you do have the ability to access your streaming service of choice here.

One thing that is well worth making use of is the available Micro SD card slot. By default, there’s only 32GB storage built into the FiiO JM21 which might be fine for some users who just want a few albums to hand at a time, but for most people you’re better off expanding that memory so you can have a genuine library of music on the go.

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  • Hefty aluminium chassis

  • Bluetooth pairing is easy, and works decently well

  • The warmth and saturated feel of a cassette has a strange appeal

  • Not the most portable of players

  • No auto-stop function is a shame

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Being completely honest, we’re still a bit perplexed by the fact that cassette tapes are having a resurgence given that they were never exactly rated as a medium with noteworthy sound quality, but if an appreciation for all things retro has allowed vinyls to become popular once more, then it does seem like fair game. If you’re one such person who loves the idea of dusting off their old cassette tapes or even buying some of the newer ones that have started to appear, then the We Are Rewind WE-001 is made with you in mind.

Before we can talk about any other aspect, the most striking thing about the WE-001 is its design. Not too dissimilar to a product made by Teenage Engineering (the company behind the Playdate), the WE-001 features a striking, uniform aesthetic, with the orange colourway being particularly eye-catching. It also looks very similar to the classic Sony Walkman, and wouldn’t feel out of place in a scene from Guardians of the Galaxy.

If you’re not sold on the orange colourway then there are quite a few alternatives available. Fans of The King will immediately gravitate towards the special edition Elvis option, while anyone after a more subdued palette will appreciate the Keith model which comes in a dark grey. No matter which one you go for, the physical buttons have a wonderful tactility to them that makes them a joy to use, and they feel like a remedy to a world that’s now so dominated by touchscreens.

Still, even though it very much wears its retro inspiration on its sleeve, the WE-001 is meant to provide a more modern alternative to fans of cassettes. With a built-in battery, the device can be topped up with a USB-C cable and, more importantly, you don’t need to carry around a pair of wired headphones as the WE-001 supports Bluetooth. This means that you can wirelessly listen to your cassettes, making the format feel far less cumbersome.

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You can enjoy up to 12-hours of use on a single charge which should get more than most through an average day. With regards to audio quality, your enjoyment will very much depend on how you view cassettes as a whole. In our testing, we were reminded of the warm sound that cassettes can produce, which does have a nice quality to it, but you won’t get the same level of detail that you can with digital music players.

FAQ

Is it worth buying a portable music player?
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Smartphones are compromised in terms of their performance because they’re designed to do multiple things. A portable music player is expressly designed for one thing, so if you love your music and want to hear it in its best quality, it is worth investing in a portable music player.

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Full Specs

  Astell and Kern Aultima SP3000T Review Astell&Kern PD10 Review Astell and Kern Afutura SE180 Review Astell and Kern Aultima SR35 Review FiiO JM21 Review We Are Rewind WE-001 Review
UK RRP £3199 £2500 £1399 £799 £179 £129
USA RRP $2999 $2500 $1499 $800 $199 $159
EU RRP €3599 €1599 €199
CA RRP CA$369
AUD RRP AU$5299 AU$3000 AU$249
CPU Snapdragon 6125 Octa-core Octa-Core Quad-Core Quad-core Qualcomm Snapdragon 660
Manufacturer Astell & Kern Astell & Kern Astell & Kern Astell & Kern FiiO
Screen Size 5.5 inches 6 inches 5 inches 3.6 inches 4.7 inches
Storage Capacity 256GB 256GB 256GB 64GB 32GB
Expandable storage Up to 1TB Up to 2TB Up to 1TB microSD up to 1TB Up to 2TB
IP rating Not Disclosed
Battery 5050 mAh 5770 mAh 3800 mAh 3150 mAh 2000 mAh
Size (Dimensions) 84.7 x 18 x 141.5 MM 75.4 x 17.3 x 149.5 MM 77 x 19.9 x 137.2 MM 64 x 16.1 x 108.3 MM 68 x 13 x 121 MM 88.8 x 140.8 x 33.5 MM
Weight 483 G 435 G 280 G 184 G 156 G 404 G
ASIN B0D365BX5K B094JZWX7S B0BZS29BVS B0DRYJ9FCG B0C6B2937N
Operating System Android Android 13
DAC AKM AK4191 x2 (Dual Modulator) & AKM AK4499EX x2 (Dual DAC) AKM4191EQ x2 (Dual Modulator) + AKM4498EX x4 (Dual+Dual DAC) SEM1 ESS ES9038PRO Ciruss Logic CS43198 x4 2 x Cirrus Logic CS43198
USB DAC Mode Yes Yes Yes Yes Yes
Release Date 2024 2025 2021 2023 2025 2023
First Reviewed Date 08/01/2026
Model Number SP3000T PD10 AK-SE180-SEM1-MS SR35
Resolution x 1080 x 2160 x x x x
Ports USB-C, microSD, 3.5mm unbalanced, 2.5mm balanced, 4.4 balanced
RAM 8GB
Connectivity Wi-Fi, Bluetooth Wi-Fi, Bluetooth 5. Wi-Fi, Bluetooth 5.0 Wi-Fi, Bluetooth 5.0 Bluetooth 5.1, 3.5mm jack
Colours Silver Moon Silver Charcoal Grey Sky Blue Orange, Black, Blue
Audio Formats WAV, FLAC, WMA, MP3, OGG, APE, AAC, ALAC, AIFF, DFF, DSF, MQA WAV, FLAC, WMA, MP3, OGG, APE, AAC, ALAC, AIFF, DFF, DSF WAV, FLAC, WMA, MP3, OGG, APE, AAC, ALAC, AIFF, DFF, DSF, MQA WAV, FLAC, WMA, MP3, OGG, APE, AAC, ALAC, AIFF, DFF, DSF AAC, AIFF, ALAC, APE, DSD, DST, DXD, FLAC, ISO, MP3, MQA, OGG, WAV, WMA Cassette
Touch Screen Yes Yes Yes Yes Yes No
Wifi Spec 802.11 b/g/n (2.4GHz)
Screen Yes
Bluetooth Yes
USB charging Yes Yes Yes Yes Yes
Headphone port Yes
Inputs USB-C USB-C 3.5mm jack for recording
Outputs 3.5mm balanced, optical out, 2.5mm balanced, 4.4mm Unbalanced, Balanced, Optical 3.5mm unbalanced, 2.5/4.4mm balanced 3.5mm/SPDIF; 4.4mm 3.5mm jack for output, Bluetooth 5.1

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Coway Airmega Mighty2 Review: The Sequel Is Better Than the Original

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The Mighty2 has a built-in AQI (air quality index) monitor and a MegaScan laser sensor to automatically detect three distinct air particle sizes: bacteria and microplastics; fumes, smoke, allergens, and fine dust; and dust mites, pollen, pet dander, and mold. The monitor can quantify in real time how much pollution is in the air, including large and ultrafine particles.

Coway uses its own air-quality color-coding system, but the Mighty2 uses different colors from the OG Mighty model. Now the air quality light flashes blue for clean air, green for moderate, orange for unhealthy, and red for very unhealthy. Coway’s color-coding system is a bit confusing, considering that it differs from the US air quality index standards of green for good, red for unhealthy, and purple for very unhealthy. At a glance, I was often confused by what the color was signifying about my home’s air. Using the built-in air sensors, the Mighty2 automatically adjusts its fan speed (in auto mode) to most effectively purify the air in response to air quality changes.

Coway Airmega Mighty2 Review The Sequel Is Better Than the Original

Photograph: Molly Higgins

When I tested, I mostly used it in my bedroom near my cats’ litter boxes; near my living room window, which has lots of outside exhaust and pollutants; and in my kitchen while cooking on my gas stove, which doesn’t have proper ventilation. I tested this model for several weeks, moving around my home and letting the air purifier automatically adjust for various situations where air quality periodically became unhealthy. Although I most often used the auto feature, I also tested the timer and sleep features, which worked as expected every time, and I appreciated the auto-enabled sleep mode when dark, when I forgot to change settings at night.

For all air purifiers, I manually test the air with my own air quality monitor in various situations, and use a decibel monitor to measure how loud the purifier is on the highest setting. I also use a sealed tent and smoke pellets to see how quickly each air purifier clears the pellet smoke (and returns the air to healthy quality) inside the tent when in auto mode. For the smoke test, the Mighty2 took 50 seconds for the smoke to visually clear, and another three minutes and 20 seconds for the built-in air quality sensor light to read that the air was back to healthy on auto mode (from red to blue indication light). In a test with the slightly cheaper Levoit Vital 200S, the smoke cleared in about 40 seconds and took another four and a half minutes to read back as healthy air. Although the statistics are comparable, the Mighty2 was a bit faster overall. However, I really appreciated having the Levoit’s app to check air quality and purification through my phone (since the purifier was visually covered in smoke), and the app notified me when it had reached clean air status again.

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According to my decibel reader, the Mighty2 hovered around a moderate 65 to 70 dB on the highest fan setting, and was about 35 dB on sleep mode, not even registering on the reader above the ambient noises of my home. For reference, the hum of a refrigerator is somewhere between 40 and 50 decibels, and a conversation is around 60 decibels. Even on the highest setting, it didn’t feel egregiously loud and provided white noise. Ideally, an air purifier should be able to clean the air in your room five times an hour without reaching the noise levels of a conversation. On auto modes and sleep mode, the fan noise was virtually undetectable.

If you’re a fan of Coway’s air purifiers, or want to upgrade your air purifier from the previous model, the Mighty2 is a solid choice. It’s only $30 more than the previous model, can effectively purify more square feet per hour, and its filters last twice as long as the previous model’s. The upgrade to the Mighty2 will pay for itself in a year of use through filters alone. It’s easy to clean and disassemble, and the purifier helped to keep the residual dust from my cats’ litter down, reduce dander during shedding season, and improve the overall quality of the air around their toilet/general living space.

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The TI-84 Evo Revives a Classroom Legend with Fresh Power and Clarity

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TI-84 Evo Graphing Calculator
Students everywhere once pulled the same trusty graphing calculator from their backpacks for every math class. Texas Instruments just released the TI-84 Evo, a direct update that keeps everything people already know and like while fixing the slow spots that frustrated users for years.



You can see the color selections straight away: a pure clean white, a gentle raspberry, mint, lavender, teal, silver, pink, and a bright yellow. Each one includes a matching slide cover and a compact USB-C cable, all neatly bundled together. It still feels substantial in the hand, same like the earlier TI-84 Plus CE models, but it now has a nicer keypad layout with much clearer labeling, making it a lot easier to use.

The TI-84 Evo is powered by an ARM Cortex CPU that runs at 156 megahertz. This single adjustment provides you three times the speed of the old devices. No more waiting for graphs to load; they are now drawn quickly. Complex equations are solved faster, and you can switch between panels without detecting any pauses.


The screen still boasts 320 by 240 pixels, but Texas Instruments has managed to shoehorn in a larger graphing window to make the most of the display. The result is an additional 50% of area to play with, and it truly makes a difference: curves appear nicer, labels are lot simpler to read at a glance, and kids can discover patterns faster because nothing is packed in and butchered anymore.

You get a much smoother experience from the moment you switch it on. A pleasant, large icon-based home screen welcomes you with clear tiles for the most common functions. Menus now have smaller wording and shorter explanations, requiring fewer button pushes to get to your desired destination. The graphing menu has been completely overhauled, and helpful status notes are now displayed at the top of each screen, right where you need them.

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TI-84 Evo Graphing Calculator
There are some fresh new math features included in, such as the points of interest trace, which automatically follows any curve and highlights critical areas. The Lines and Conics app has also been updated to make it easier to navigate those difficult themes. Both of these modifications save time by eliminating the need to browse through menus the old way.

TI-84 Evo Graphing Calculator
Python is now included alongside the classic TI-BASIC language. Students can build basic scripts and connect them directly to the calculator’s math engine, allowing coding lessons to be completed without leaving the device. Furthermore, because the operating system enables USB upgrades, new features and fixes will be available long after your purchase.

TI-84 Evo Graphing Calculator
The TI-84 Evo remains eligible for the SAT, ACT, AP examinations, IB programs, and all other important standardized assessments. Teachers like a tool that is purely focused on math and does not try to lure pupils with social media or games. It’s priced at $160, but schools can contact the company to negotiate a bulk sale at a cheaper rate. Availability began immediately following the April announcement, so the new units are currently available at major shops including Amazon.

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The best life advice I ever followed was deleting Instagram, and it soothed my frustrated soul

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I won’t lie, I got addicted to Instagram. And for a long time, I didn’t even realize how much it was messing with my head. It sounds dramatic when you say it out loud, but it really crept up on me. I got so used to watching Instagram reels all the time that my brain just stopped having patience for anything longer. A full YouTube video felt like a commitment, and reading something without checking my phone in between felt impossible. And the worst part was, I knew exactly why it was happening.

I tried fixing it the usual ways — set app timers, try apps that stop you from doomscrolling, and tell myself I’d cut down. Some days it worked, most days it didn’t. I’d still find myself opening Instagram without even thinking about it. So one day, I stopped trying to control it and just deleted the app from my iPhone. And honestly, that one small decision did more for me than everything else I had tried.

The first few days were strangely uncomfortable

I thought I’d feel relieved right away, but that’s not how it went. The first thing I noticed was how often I reached for it without thinking. I’d unlock my phone and instinctively swipe to where Instagram used to be — my thumb just knew the spot. It made me realize how deeply the habit had settled in. I kept picking up my phone for no reason, opening it, finding nothing to scroll, and putting it back down. It felt like something was missing, even though I knew I hadn’t lost anything important.

There was this low, constant restlessness. But that phase didn’t last as long as I expected. After a few days, the urge started to weaken. I still had the habit, but it didn’t pull me in the same way. And slowly, that restlessness turned into something quieter. My phone stopped feeling like something I needed to check all the time.

I didn’t realize how much it was affecting how I saw my own life

This part took a little longer to sink in. Instagram has a way of making you feel like you’re just keeping up with people. That’s what I used to tell myself. I’m just scrolling, catching up, passing time, but it really wasn’t that simple.

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Every time I opened the app, I saw people traveling, celebrating, looking their best, living what looked like better versions of their lives. And even if I wasn’t consciously comparing, it still affected me. It created this constant background feeling that I was somehow behind. That other people had figured things out better than I had. I didn’t actively think about it, but it was always there, shaping how I felt. Once Instagram was gone, that feeling didn’t have anything to feed on anymore. And slowly, it faded.

My attention span came back, and I actually noticed it

This is something I didn’t expect at all. A couple of weeks in, I sat down to watch a 20-minute video and didn’t feel the urge to skip through it. I just watched it. This sounds like a small thing, but it didn’t feel small to me. Before that, my brain needed constant stimulation. If something didn’t grab me instantly, I’d lose interest. That’s what reels had trained me to expect.

Without that constant loop, things started to change. I could sit with something a little longer. Then a little longer than that. I started reading again, properly reading. Not jumping between paragraphs, not getting distracted every few minutes. It felt like getting a part of my focus back that I didn’t even realize I had lost.

I stopped comparing my life without even trying to

When Instagram was part of my daily routine, I was constantly exposed to other people’s best moments. Trips, milestones, perfect photos, everything looking effortless. I told myself it didn’t affect me that much. But once it was gone, I realized it had been affecting me all along. Because suddenly, there was nothing to compare against.

No constant reminders of what I should be doing or how my life should look. No silent pressure to measure up. And in that space, something changed — I felt more at ease with my own life. Not because anything big had happened, but because I wasn’t constantly looking at someone else’s version of “better.” It was just a steady sense of being okay with where I am.

The quiet I didn’t know I was missing

Deleting Instagram didn’t suddenly turn my life around. I didn’t wake up the next day feeling more productive, more focused, or completely at peace. That kind of overnight change is a myth. What actually happened was much simpler. At first, it just felt like there was less happening. Fewer distractions, fewer impulses to pick up my phone, fewer moments where my attention got pulled away without me realizing it. My days didn’t become perfect, but they became easier to sit through. I wasn’t constantly interrupting myself. Over time, that started to add up.

I noticed I could stay with a thought a little longer. I didn’t feel the need to fill every gap with something to watch. Even boredom felt different; it wasn’t something I needed to escape immediately. Sometimes I just let it be, and that in itself felt new. There was also this unexpected sense of relief. Not loud or overwhelming, just a steady feeling in the background. Like I had stopped carrying something heavy without realizing I was carrying it in the first place. And maybe that’s what changed the most. It wasn’t about gaining something extraordinary; it was actually about losing something unnecessary. The constant noise, the low-level comparison, the habit of reaching for my phone without thinking. All of it slowly faded out. My life didn’t become more exciting. It just became more mine — clearer, calmer, and a lot less crowded in my head.

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Norton VPN enters the AI agent space with ‘first truly AI native’ VPN for agents

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  • Norton VPN has launched “first truly AI native” VPN for Agents
  • It is fundamentally integrated with AI agent activities
  • It offers multi-tunnel support

Norton VPN has launched VPN for Agents, its AI-native VPN built for autonomous AI.

Traditionally, the best VPNs have been designed for users browsing the web, forcing AI agents to share your VPN and internet settings. The setup so far hasn’t been ideal, with AI Agents performing tasks on your behalf, either not being able to utilise VPNs when necessary or, at best, necessarily dictating your host’s entire VPN settings.

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ASUS launches ProArt PZ14 with 144Hz OLED and Snapdragon X2 Elite

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ASUS is clearly going all-in on Snapdragon-powered creator machines, and its latest launch might be one of the most interesting yet. The new ProArt PZ14 is here, and it’s not just another 2-in-1. It’s ASUS trying to blend AI, portability, and serious creator-grade hardware into one compact device.

What makes the new ProArt PZ14 stand out?

The new ProArt PZ14 is a 14-inch detachable 2-in-1 built around the latest Snapdragon X2 Elite (X2E-88-100) chip, and that alone sets the tone. This is the successor to the ProArt PZ13, and it isn’t your typical thin-and-light. It’s an 18-core processor with up to 80 TOPS of AI performance, which means it’s built for tasks like on-device AI editing, rendering, and multitasking without relying heavily on the cloud.

Then there’s the display, which honestly steals the show. ASUS has packed in a 14-inch Lumina OLED panel with a 144Hz refresh rate, 3K resolution, and excellent color accuracy aimed squarely at creators. The form factor is equally important here. It’s a detachable design with a stylus, keyboard, and stand, making it equally usable as a tablet or a laptop, depending on the workflow.

Is this the best creator laptop?

This device feels like ASUS positioning itself right in the middle of the AI PC transition. With Snapdragon chips gaining traction thanks to efficiency and AI capabilities, the ProArt PZ14 is clearly built to take advantage of that shift. It also checks all the boxes for creators on the move. It’s lightweight at around 0.79 kg, packs up to 32GB RAM and 1TB storage, and includes a fairly large 75Wh battery for a device this thin. The inclusion of Wi-Fi 7, USB4, and stylus support further reinforces that this is meant to be a flexible, all-in-one creative machine rather than just a secondary device.

Right now, the ProArt PZ14 has launched in China, with ASUS confirming that a global rollout is coming soon. While exact timelines vary, earlier announcements suggest broader availability could follow in the coming months as part of ASUS’s wider 2026 lineup.

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GameStop Is Reportedly Preparing An Offer To Buy eBay

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It doesn’t look like GameStop’s wild ride is stopping anytime soon, after the Wall Street Journal reported that the company is about to make an offer to acquire eBay. While an official offer hasn’t been submitted yet, WSJ said that GameStop could make a buyout offer for eBay “as soon as later this month.”

The WSJ noted that GameStop’s market value sat at around $11 billion, while eBay towered over it with a $45 billion market value, as of Friday’s market close. The report didn’t have details on the potential offer, but WSJ said that Cohen could also take the offer directly to eBay’s shareholders instead if eBay isn’t receptive.

It’s important to note that the company’s CEO, Ryan Cohen, could receive a $35 billion in stock if he meets certain criteria, including increasing GameStop’s market value to $100 billion. Acquiring eBay could also be a part of Cohen’s plans to evolve GameStop beyond its reputation as a video games and collectibles retailer.

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However, the company has experienced plenty of ups and downs in recent history. In 2022, GameStop attempted to build a marketplace for non-fungible tokens that ultimately shuttered a couple of years later. More recently, GameStop announced its plans to pivot towards retro gaming at select locations. While the company is still throwing ideas at the wall and seeing what sticks, it also closed down more than 400 retail locations across the US earlier this year.



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iOS 27 will offer a range of AI features that can still be ignored

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Apple will reveal more Apple Intelligence features than ever before during WWDC, but they will continue to stay out of the user’s way. Those that don’t want AI can just ignore it or turn it off.

We’re only a few weeks away from WWDC 2026, so the internal leaks have begun in earnest. While I’m sure Apple Intelligence and AI will play a major role at the event, I also expect Apple to respect its user base.

Unless something dramatic has changed at Apple, and no, I’m not talking about a CEO transition, I doubt Apple’s stance on AI has shifted. Ever since its first big AI event at WWDC 2024, Apple has made it clear that it views AI as a tool that should be in the background and on device.

Of course, Apple did want to emphasize that it had AI at all, so that’s where the rainbow Siri interface and various elements in features like Writing Tools came from. This approach is what earned Apple the “behind” label from pundits.

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That label carries a lot of weight, especially when it isn’t properly defined. Apple definitely doesn’t have a competitive tool for image or video generation, nor does it have a chatbot. It also doesn’t have a can opener on the iPhone, so I could also say Apple is behind in that department as well.

The reality is that Apple’s hardware ecosystem is above and beyond what most other companies are offering in the AI space today. If rumors are correct about what is coming in iOS 27, Apple will be a powerhouse in the space that can’t be ignored.

But the AI itself? It can be ignored.

It’ll be there, but not in your face

AI is and should have always been treated as a background task that users have no business knowing about or interacting with directly. Imagine if the industry had the same reaction to the first successful machine learning decision tree.

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Sure, the Photos editing tools will get some new AI features like extending beyond the frame, changing the perspective of a Spatial Photo, or an AI-powered enhance tool. Most iPhone users don’t even open the edit pane or even know that it is there, but know that some of the tools will have an AI backend with iOS 27.

Visual Intelligence is apparently moving to the Camera app as a toggle. I’m willing to bet that the toggle can be hidden, especially since the feature can still be launched by long-pressing Camera Control. Either way, don’t want it? Don’t use it.

Siri is being revamped with a new backend powered by Apple Foundation Models, but users don’t need to know that. They’ll still be able to play music, set timers, or make calls with the assistant as usual. Those that want to can go further by entering into longer chatbot-like conversations, but it isn’t a requirement.

I could go on, but I believe I’ve made my point.

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Apple is the only company doing AI right. It is a background tool that can do some very interesting things, but it isn’t meant to be the product itself.

Apple doesn’t need AI to succeed

What is most interesting about Apple’s place in the AI race is that it has proven it doesn’t need AI at all. The iPhone’s growing popularity is the key indicator. So, seeing Apple slowly grow its AI feature set even if it doesn’t really need it is very interesting.

Red running track with numbered lanes and white finish lines, overlaid by several colorful abstract tech-style logos stacked along the center lane

Apple’s position in the AI race may soon become irrelevant as it hosts all of its rivals

If anything, AI needs Apple to succeed.

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One of the more significant features of iOS 27, that yes, can still be ignored, will be the ability to call out to any third-party tool. For example, if a user wants to have a query go through Claude, it could designate the Claude app as an endpoint. Anthropic would support this action through an API.

It means that Apple Foundation Models powering Apple Intelligence could drive on-device functions and Private Cloud Compute, but where needed, users could choose to target other models on their own. This would also mean not needing some kind of partnership with other companies like OpenAI to pull it off.

While I wish we had some of these AI features to play with today, I’m excited for what the summer beta cycle might provide. WWDC 2026 is nearly a month away, so we don’t have long to wait.

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‘Tetris’ comes to Apple Vision Pro via Apple Arcade

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Relive the magic of the 1980s by stepping inside a classic Japanese arcade and playing “Tetris” on the Apple Vision Pro.

Tetris may not be the first video game, but it’s hard to think of any other franchise that is as iconic. In fact, Tetris ranks number two on the best-selling video game franchise list, seconded only to everyone’s favorite plumber, Mario.

And now you can relive the magic of classic Tetris on the Apple Vision Pro, thanks to Retrocade.

This isn’t technically Tetris’ first appearance on Retrocade. Initially, the classic title featured as an Easter egg in the in-game back office.

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But now it’s joined the growing list of classic titles showing up on Retrocade. Currently, Tetris is exclusive to Retrocade for the Apple Vision Pro, and comes with a brand new Japanese arcade environment.

Resolution Games’ Retrocade was added to Apple Arcade in February. As the name implies, it’s an app that aims to give the arcade experience to a modern audience by including a selection of classic titles to play.

Currently the list of games available for Retrocade include:

  • Asteroids
  • Bubble Bobble
  • Breakout
  • Centipede
  • Dig Dug
  • Frogger
  • Galaga
  • Haunted Castle
  • Pac-Man
  • Space Invaders
  • Tempest
  • Tetris
  • Track & Field

While most games are also available for iPhone and iPad, Tetris is exclusively available for the Apple Vision Pro. Retrocade is available via an Apple Arcade subscription, which costs $6.99 per month or $49.99per year.

Apple Arcade can be shared with up to six family members. It is also included in every Apple One tier.

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I’m keen to add to my Lego Star Wars collection and these May the Fourth discounts are very tempting

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As a Star Wars fan and someone who grew up with Lego as my favourite toy, Lego Star Wars sets have become some of my aspirational purchases as an adult — partly because the larger sets are expensive on their own, and I also don’t have the room to display all the sets in my wish list in my small apartment.

At present, there are just two sets in my Lego Star Wars collection — the big-ticket Ultimate Collector Series (UCS) X-Wing Starfighter and a smaller set with a Grogu (aka baby Yoda) minifigure — but I’ve been keen to add to it, particularly the 7,541-piece Millennium Falcon and the 9,023-piece Death Star.

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It’s time we blindly stop believing that Snapdragon phones are superior

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For years, the smartphone chip conversation has been pretty straightforward. A phone with Snapdragon inside was almost always assumed to be the better option. If it had Exynos or MediaTek, the reaction was usually more doubtful. Qualcomm earned its reputation over time, but by 2026, that hierarchy no longer feels as solid.

MediaTek’s last couple of Dimensity 9000-series chips have been going neck and neck with Snapdragon 8-series SoCs, while Exynos has typically trailed behind both. Now, though, the race has become a lot more interesting.

My recent time with the Galaxy S26, powered by Exynos 2600, has already surprised me in terms of performance. And once you widen the lens to include the Snapdragon 8 Elite Gen 5 in the S26 Ultra and the Dimensity 9500 in devices like the Oppo Find X9, the whole “Snapdragon automatically equals better” idea starts showing some cracks.

Benchmark Galaxy S26 (Exynos 2600) Galaxy S26 Ultra (Snapdragon 8 Elite Gen 5) Oppo Find X9 (Dimensity 9500)
AnTuTu Total 3,101,654 3,638,265 3,512,048
Geekbench 6 Single-Core 3,036 3,524 3,207
Geekbench 6 Multi-Core 10,534 10,823 9,345
3DMark Wild Life Extreme 6,366 6,519 7,142
3DMark Wild Life Extreme Stress Test Stability (%) 53.5 63.2 54.9
Temperature After Stress Test (°C) 40.2 38.7 39.2

Galaxy S26 was a pleasant surprise

The easiest surprise here is that the Exynos 2600 does not show up as some obvious weak link. In my testing, the base Galaxy S26 put up 3,036 single-core and 10,534 multi-core in Geekbench 6, plus an AnTuTu score of 2,859,177. Historically, Samsung released its flagship devices in two variants. Historically, Samsung released its flagship devices in two variants. North America, China, and Japan got Snapdragon versions, while the rest of the world got Exynos processors. The company faced a lot of criticism for that split because older flagship models on Exynos chips often fell behind their Snapdragon-powered counterparts.

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That, along with chip production yield issues, pushed Samsung to make a few generations of Galaxy S phones exclusively with Snapdragon processors. But it looks like Exynos is back. On 3DMark Wild Life Extreme, the Galaxy S26 scored 6366. The stress-test results are a little more mixed, delivering 53.5% stability in the stress test. These are healthy numbers for a smaller flagship, especially one many people were probably ready to dismiss the moment they saw “Exynos” on the spec sheet.

The S26 Ultra is faster, but not by much

The Galaxy S26 Ultra still has advantages, and that’s not really surprising. Its Wild Life Extreme Stress Test posted a best loop score of 6,519 and 63.2% stability, helped by its larger vapor chamber cooling setup. So yes, the overall thermal performance was better, but not by the kind of margin that completely changes the conversation when you compare it with the standard S26. In both AnTuTu and Geekbench, the Galaxy S26 Ultra led the pack. Exynos still lags a bit, but the gap is no longer the kind you would notice in ordinary day-to-day performance.

The S26 Ultra is clearly faster, but the difference is nowhere near as dramatic as older Snapdragon-versus-Exynos comparisons used to be. Especially when you compare the GeekBench scores, the performance is almost identical. Even without the upgraded cooling setup, the Galaxy S26 managed to stay surprisingly close to the S26 Ultra in the stress test. Where the Ultra does pull ahead more clearly is stability, which matters more once you start talking about sustained performance under load.

MediaTek is the part that makes the race fun

The Dimensity 9500 in the Oppo Find X9 Pro is what really makes this conversation interesting. Its Geekbench 6 single-core score of 3,203 beats the base Galaxy S26, while its AnTuTu score of 3,512,048 edges ahead as well. On 3DMark Wild Life Extreme, it posted 7,142, which puts it above both the S26 and the S26 Ultra.

MediaTek is no longer showing up as the “other” flagship chip brand. It is putting up top-tier numbers and staying in the same conversation as Qualcomm and Samsung’s in-house silicon. For a long time, Dimensity chips were seen as the more budget-friendly alternative powering cheaper mid-range and entry-level phones. Results like these show how much ground MediaTek has made up at the high end. There is still a weak point here, which is the 54.9% stress-test stability, which trails the S26 Ultra.

Snapdragon still makes excellent chips, and the S26 Ultra proves that easily. But reputation alone is no longer a substitute for looking at the actual results. The Exynos 2600 has enough performance to not fall behind anymore, and the Dimensity 9500 is close enough in raw horsepower to make the flagship chip race feel properly competitive again.

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