Security teams log 54% of successful attacks and alert on just 14%. The rest move through your environment unseen.
The Picus whitepaper shows how breach and attack simulation tests your SIEM and EDR rules so threats stop slipping by detection.
One September night in 2025, the luminous face of Baby Jesus appeared in the sky over the Vatican—clearly, verifiably, witnessed by tens of thousands. It was some two millennia after the Book of Revelation prophesied, in John’s apocalyptic vision, that “he is coming with the clouds, and every eye will see him.” Soon, the image transfigured into the late Pope Francis. In a spectacle at once holy and cyberpunk, the papal face blazing across the Roman sky was pixelated—composed not of divine light, but of drones.
Accompanying the apparition wasn’t a seraphic choir but two earthbound mortals, hundreds of feet below, singing “Amazing Grace”: the Italian tenor Andrea Bocelli and, bejeweled in gold chains and cross pendants, the face-tattooed American Teddy Swims. Later to appear above the basilica was a pointillistic rendering of a colossal Pietà, which soon reassembled into the two outstretched fingers of Michelangelo’s famous fresco. Some members of the crowd packed into St. Peter’s Square for “Grace for the World”—the first concert ever held on this holy ground—wept.
The drone show in the Vatican sky was produced by Nova Sky Stories, a company owned by Kimbal Musk, younger brother of Elon (who, in a sense, owns the rest of the sky with his rockets and satellites). One recent afternoon in San Francisco, Kimbal recounted that night to me. “In a world where all the religious people are fighting each other, it was really a powerful message,” he said. Kimbal is the folksier Musk, with his signature cowboy hat and air of a small-town mayor. He found it surreal to be in a WhatsApp thread where Vatican officials and representatives for Pharrell debated artistic direction.
You could say that the unlikely crossover between drones and the papacy has its origins, as these things do, at Burning Man. In 2021, when the event was canceled due to the pandemic, Kimbal convinced longtime burners to join him in Black Rock Desert for an unofficial gathering that became known as the Free Burn. Typically, Burning Man ends with the torching of a massive human-shaped effigy—the eponymous Man—but that year, the US Bureau of Land Management forbade desert-goers from lighting anything on fire.
Present at the Free Burn was Ralph Nauta, a Dutch artist who works with light and technology. Kimbal asked if he could perform a fireless spectacle for the final night, and Nauta obliged. A crowd gathered on the playa as Nauta released a swarm of drones that floated over the earth for a few minutes before snapping into the dotted contour of the Man. The crowd gasped, then roared. The figure slowly raised its arms, turned flame-red, and vanished. “Everyone, including me, we were just in tears, absolute tears,” Kimbal said. “It was one of the most emotionally powerful moments of my life.”
A year later, Kimbal founded Nova Sky Stories; investors in the company’s latest $50 million round included the Hollywood mogul Jeffrey Katzenberg, who joined the board after witnessing a drone show in 2022 at—where else?—Burning Man. A drone show has transformative properties, Kimbal said: “The cynic in you goes away. It’s like a mainline to the spiritual center.” He told me that Pope Leo, who watched the Vatican show from a nearby apartment, passed him a note afterward. “His words,” Kimbal said, “were that I made Michelangelo proud.”
Amazon linked multiple high-profile open-source software supply chain attacks targeting the Node Package Manager (npm) ecosystem to North Korean hackers.
The cloud computing giant linked the compromises of the typo-crypto, debug, chalk, and axios libraries to the Sapphire Sleet threat actor, also known as BlueNoroff and Stardust Chollima.
Initial activity started with trojanizing the typo-crypto package in March 2025, which Amazon believes served as a testing ground. It then escalated in September of the same year with the compromise of the widely used debug and chalk packages, affecting an estimated 10% of cloud environments within two hours.
In March 2026, the hacker targeted axios, one of npm’s most popular packages with over 100 million weekly downloads.
It should be noted that the axios incident has already been publicly attributed to DPRK-linked actors, but Amazon connected it to the earlier package compromises.
Amazon says the attacker gained access by socially engineering package maintainers, and then published malicious updates that were automatically distributed to unsuspecting users.
The attribution to Sapphire Sleet has medium confidence and is based on the shared tactics, techniques, and procedures (TTPs) observed in the campaign, the command-and-control (C2) infrastructure, and various operational similarities.
Also, the researchers believe the attacker had a financial motivation, targeting popular packages to gain indirect access to a large pool of potential downstream victims at once.
Amazon also highlights several trends that have emerged from the recent supply-chain attacks:
Many of these tactics are enhanced and simplified by AI, Amazon explains, as they help attackers generate code, documentation, and maintainer identities.
Amazon highlighted a multi-faceted response to these dangers, including reporting its findings and intelligence to the community, collaborating with OpenSSF and other industry partners, and investing $12.5M in the Akrites initiative, which helps protect critical open-source software from AI-enabled attacks.
Security teams log 54% of successful attacks and alert on just 14%. The rest move through your environment unseen.
The Picus whitepaper shows how breach and attack simulation tests your SIEM and EDR rules so threats stop slipping by detection.
As useful as USB-to-M.2 SSD adapters are, sometimes you come across a bit of a dud. A case in point is the Orico-branded TCM2-C3 that features both an attractive clear case and in its earlier revisions a JMicron controller-based circuit that apparently degrades over time, causing erratic boot behavior. After implementing a fix a few years ago, [Mark Furneaux] can happily report that the thus fixed enclosures are still working.
These faulty board revisions feature the JMicron JMS583 controller IC, which has a 1.0V core voltage input pin. Apparently to save power, Orico designed the board to target the minimum ~-0.95V core voltage per the datasheet. Apparently due to component drift or degradation, this lower core voltage is after a while often not enough any more to start the controller, which thus translates into an unresponsive USB device and presumably some panic about lost data.
Although [Mark] doesn’t describe the fix in detail, it entails bumping up this core voltage to something closer to the nominal 1.0V, which restores functionality at the cost of presumably a measurable amount of extra heat production by said controller.
Later versions of the Orico TCM2-C3 enclosure switched from this JMicron controller to a Realtek one, which so far appears to be noticeably more reliable. Although Orico kept the same model name, the transparent enclosure makes it at least a snap to see which revision you are dealing with.
Just recently Karl warned that we were going to see some absolute nonsense as the US sought to somehow “ban” Chinese AI models from being used in the US. That seems to already be happening. It kicked off with talk that the US might “fight Chinese AI” using nearly identical arguments to what was used to ban (or force the sale of) TikTok before it. Some combination of “national security threat” combined with “oh no China” propaganda.
But most of the AI industry is now speaking out, in an open letter put together by Nvidia, against the potential path that the Trump administration considered taking: an attempt to ban or limit so-called “open weight” models. The companies seem to recognize that focusing on holding back these competitive models would actually do much more damage to the wider AI ecosystem.
There were notable exceptions from the campaign in defense of open weight models: Anthropic, OpenAI, and Google (the three leading frontier model labs) were not initially signed onto the letter. Though their absence quickly became the story — leading OpenAI and Google to reconsider and sign onto the letter days after it came out.
That left one major player off the letter: Anthropic (a company that has so far refused to release any open weight models). And now the company is trying to explain itself, but seems to only be digging itself a deeper hole.
One of the problems here is that the leading Chinese AI models tend to be open weight models, which can be downloaded and run locally, as compared to the leading frontier models from US companies which require you to access them via their own hosted models. Yes, most of the leading Chinese models also offer (sometimes significantly cheaper) cloud/API access to their models, but you can also run them yourself (for the smaller models directly on your own computers, or for the larger models via your own cloud setup).
There’s no inherent reason why the best open weight models are coming out of China, other than that they seem to have recognized that it may be the best way to get more people to use them and to compete against the American frontier models, which are much more proprietary and locked up. The strategy is a recognition that offering a compelling, more open alternative is how to get people to adopt your system over the American frontier models. If a generation of developers builds on top of Kimi or Qwen or one of the other Chinese open weight models, they become the de facto infrastructure for the next generation of digital tools.
In the same manner that Linux quietly became the substrate of the open internet, and it’s likely that an open weight model may become the equivalent for the next generation. Organizations may rely on frontier models for really deep work, but so much can be done with open weight models that a winner here becomes the commodity infrastructure provider for a new generation of software. That’s why any proposed restrictions on open weight models would get everything precisely backwards. It would guarantee that the wider open ecosystem gets built on non-American tools. Yet, the discussion around such bans seems to treat these as just another software product, rather than a fight over how the infrastructure of the internet will work going forward.
Of course, that’s not the only argument the Trump admin is using to try to stop these models. Last week they focused on claims that Kimi’s K3 model (the latest model to shake up the US market, despite being not quite as good as the frontier models) must have been “distilled” from Anthropic’s Fable 5.
“If we see, especially that overseas models are stealing from our great companies, we have the ability to sanction them because of this theft,” Bessent told Fox Business’ “Mornings with Maria” on Tuesday.
Bessent said the technical term for this theft is called distillation, which is an AI training method where a smaller, less capable model is built using outputs from an existing, stronger model. Anthropic sent a letter to the U.S. Senate Committee on Banking, Housing, and Urban Affairs last month alleging that the Chinese tech company Alibaba had carried out the “the largest known distillation attack” against it to date.
This is rich for a variety of reasons, not the least of which is that all of the frontier AI models were built by feeding their training models whatever information they could get their hands on, including (in Anthropic’s case) building a pirate library of downloaded books for which it had to pay out a pretty massive settlement to authors.
Distillation is not quite the same thing, but is functionally similar. It’s taking the work of an existing model to fine tune the model you’re working on. The claims about Kimi K3 seem somewhat exaggerated, as the initial claims were that it was distilled based on Anthropic’s Fable 5 release, but multiple people I’ve spoken to don’t see how that’s possible, given how Fable 5 has only been out for a little while (and then was turned off for a while due to the US government freaking out over nothing).
No matter what, distilled models are likely to be less powerful, and at least a decent period behind the frontier models, given that they’ll need access to the frontier models and time to train based on them. There’s also some dispute over how the open weight models may be using distillation, and which part of the training process works best.
But either way, the freakout over distillation seems… ridiculous. Bessent calling it “theft” is nonsense. Just as training a model on copyrighted works is a form of reading (which shouldn’t implicate copyright in the first place), so too is distilling, which is (in effect) training your model by having it compare its initial answers to similar answers from a frontier model and then adjusting based on the different results. It’s a form of learning based on observed results by others, not “stealing.” Pretending that it’s stealing or somehow should face sanctions or other consequences will put US AI development in a bad, bad spot.
Which brings us back to that letter. Here’s the case it actually makes:
Open weights also strengthen competition and competition is what keeps the gains of AI broadly shared rather than concentrated in a few hands. By allowing many organizations to build, adapt, and deploy advanced models, open weights create rivalry not only among model developers but across cloud chips, applications, and services. That competition spurs innovation, drives down costs, and distributes the benefits of AI broadly across our economy.
Open weights also give customers greater control. As organizations invest in AI, they want to know that they will not become locked into a single provider or lose the knowledge and capabilities they build over time. Open weight models help provide that assurance by allowing organizations to control their own data, evaluate and adapt models to their own needs, and deploy them wherever their business requirements demand. And as organizations create value with AI, open weights allow them to own that value through self-improving models, specialized capabilities, and accumulated knowledge that drive American sovereignty and prosperity.
The letter is exactly correct. I’ve talked about the importance of open-weight and local models for taking back control over the open web and making sure that we don’t run a repeat of what the earlier internet had of a few giant companies taking over the web.
Of course, Anthropic (which hasn’t released any open weight models) was conspicuously absent from the signatory block of that letter. Earlier this week, Anthropic’s Dario Amodei came out and tried to explain/justify the company’s stance, which boils down to: “we don’t think anyone should ban open weight models… but we do think the US should ban all the conditions that make quality open weight models possible.”
Amodei argues that simply banning Chinese open weight models wouldn’t solve the alleged “threats” that people are concerned about, though he admits directly that it would act as protectionist industrial policy that could benefit American AI companies (like Anthropic):
But banning the use of these models by US businesses does nothing to address this risk, because bad actors are unlikely to be legitimate US businesses. It would protect US AI companies from competition, but that has never been my goal.
It feels a bit like he’s protesting too much regarding the protectionism here, while trying to have it both ways. He claims he really has the best interests of safety at hand, and is against protectionist ideas, but it’s hard to square that with the rest of the article.
While he says the US shouldn’t ban open weight models (and it shouldn’t), he then puts a bunch of conditions on it, which would make it that much more difficult for the current crop of open weight models to compete. Namely, he leans in on the Sinophobia that has become popular these days in warning about “CCP” influence over models (which… should be less of a concern with open weight models, since those who use versions not hosted by the Chinese companies can adjust the models to deal with those concerns).
But then he says that we should punish Chinese AI companies for engaging in distillation:
We should crack down on industrial-scale distillation operations. Distillation is a much more compute-efficient process than training models from scratch. It allows China to build much better models than its number of chips would ordinarily enable, and thus partially evade chip bans. Distillation does not allow the CCP to obtain equivalent or superior AI capabilities to the US, but it can bring the Chinese frontier to within a few months of the US frontier. It is true that many of the companies carrying out these operations release open-weights models—but the open weights are far less relevant than the fact that the operations are backed by an authoritarian state seeking to overtake the US at the frontier. We should have policy interventions to deter this behavior. A blanket ban on open-weights models is neither the correct remedy nor something we have called for.
To be fair to Amodei, not everything on his list is competitor-hobbling. He also wants chip export controls tightened (a policy that predates this fight and has its own problems, but at least isn’t aimed at a business model), and he wants mandatory pre-release safety testing for all sufficiently capable models — open or closed, foreign or domestic, Claude included. That last one is the tell, though, and not in the way he intends: if you genuinely believe capability-based testing is the right lever, and you’ve just said bans “would protect US AI companies from competition, but that has never been my goal,” then what is the argument about distillation doing on the list at all? Testing catches dangerous capabilities regardless of how the model got them. The distillation crackdown adds nothing on safety. It only serves to kneecap cheaper competition.
And even the “safety testing” plank isn’t as neutral as it sounds. While safety testing is obviously important, when legally mandated, it can quickly turn into an expensive compliance-function of box-checking that only the largest companies can do, taking us back to the world of just a few providers, and limiting smaller competitive models from really being viable. While there are legitimate reasons for it, it can also create its own moat.
The proposed crackdown on distillation is just asking the state to step in and block lower-cost competitors from competing. Yes, these models can be competitive, but they should be driving the leading frontier models to continue to improve and to provide more value. What Amodei is asking for here is basically the US government to help prevent lower cost, lower quality competitors from pushing the floor of the AI market upwards.
Now, to be clear, as with any technology, you can claim that a more open, more widely available, more powerful version can be misused. But that has always been the case and we, in the US, have tended to default to allowing the technology to proceed, and figuring out ways to minimize the dangers/increase the good uses, rather than resorting to assuming the tech will be abused and working backwards to block all possible abuses. Historically, seeking to pre-vet technologies tends not to work well, and (often) opens up the market to foreign competitors to simply build better products.
The open letter makes a sharper version of this point, and you can see why Anthropic wouldn’t want to put its name to this point in particular:
Relying solely on closed models is not inherently safe: they can be breached, misused, or fail in ways that outsiders cannot detect. And concentrating advanced AI capabilities behind a small number of closed models compounds that risk. It results in a small number of single points of failure, weakens competition, and leaves critical technology in the hands of a few providers. Open weight models, on the other hand, allow a broad community of researchers and developers to examine their behavior, identify vulnerabilities, develop safeguards, and improve them over time. Just as open-source software demonstrated that transparency can be more secure than obscurity, AI safety may depend on giving more people the ability to test and strengthen the models on which society relies. It allows for rigorous benchmarking and evaluation, red teaming, and protections tied to real and demonstrated harms rather than assuming that closed systems are safer by default.
Amodei also claims he supports the general argument of the open letter, but he disagrees with the idea that open weight models lead to better security:
This brings me to the open letter. I agree with much of it: open weights expand access to the AI economy, they strengthen competition at least for some use cases, and they give customers greater control. Concerns about distillation should be addressed through targeted legal and commercial frameworks—the same measure I described above. But I don’t agree with the letter’s assertions that open-weights models necessarily make it easier to develop safeguards or that broad access to capabilities necessarily helps defenders more than attackers. It seems at least as likely to me that the opposite will be true.
This strikes me as a repeat of the age-old fight that always shows up in discussions of open source technologies: the claim that by making them open, security vulnerabilities are easier to find. Of course, what we’ve seen historically in other spaces is that this actually means that security vulnerabilities are more quickly patched, rather than in the “security by obscurity” space, where they can remain open (and possibly exploited) for much longer.
Amodei is asserting that the AI space is somehow different, though without much evidence for that other than what feels like a bit of fear-mongering about “weaponizing pandemic-level viruses.”
Of course, part of the problem here is that it often feels like Anthropic treats “crying wolf” as a marketing strategy, whereby much of the company is focused on talking up “our tools are soooooooo dangerous that you need us in there to protect you from them.” Even if there’s some truth to it, it’s awfully convenient that the same argument also happens to justify banning, punishing, or limiting the cheaper, more open, more user-controllable alternatives.
In the end, the federal government still might try to punish the Chinese open models in some form or another just because they view current American industrial policy in very nationalistic terms. But that won’t be good for the wider ecosystem, or for the general incentives to innovate. And, worst of all, it makes it that much harder to build a world where we’re not entirely dependent on a few giant companies controlling the “brains” of the tools the rest of us rely on.
Filed Under: ai, ai safety, competition, dario amodei, distillation, frontier models, industrial policy, open weights
Companies: alibaba, anthropic, google, kimi, nvidia, openai
UL’s Prof Martin Hayes on his systems theory research, why ‘pi-shaped’ graduates are the future of engineering, and the importance of patience.
Prof Martin Hayes is a professor of digital technologies at University of Limerick (UL) who describes his research as sitting “within the space of systems theory for machine learning and AI”.
Hayes’ research looks at how to manage system resources intelligently when they’re subject to uncertainty or mixed messaging introduced by communication channels, sensors or human operators. A large part of his work focuses on the “robust” performance of AI in safety-critical environments.
“How do we correctly choose settings when an AI system’s outputs feed into decision-making by people, without getting that handoff wrong?” asks Hayes.
“Health is an obvious area where such solutions have to be correct 100pc of the time.
“The alternative has real consequences in terms of negative outcomes – so I’m asking how we can guarantee a health system that will exploit the benefits of AI while working optimally for every citizen every time.”
Hayes tells SiliconRepublic.com that as AI and machine learning technologies move from research labs into safety-critical, high-stakes settings, these systems “can’t simply be accurate on the average”, and that understanding how to build in basic levels of robustness allows technology to be deployed responsibly in regulated domains such as digital health.
“Professionals working in the health system, be they medics, engineers or administrators, need to understand not just how to use AI tools, but how to trust, interrogate, explain and govern them appropriately,” he says. “Without that grounding, adoption either stalls through excessive caution or accelerates without the safeguards that safety-critical settings demand.
“Translational research that provides a foundation for those who are already working in or who wish to participate in the new European Health Data Space is a key focus of my work.”
With his work spanning from systems theory to engineering and the real-world domains where these tools get deployed, Hayes says that the interdisciplinary nature of the research is actually a very rewarding part of the job.
In particular, he enjoys the collaborative side of it where he works directly with industry partners, clinicians and SMEs to “understand where the genuine skills gaps are and then translating that into education and research that actually closes them”.
However, according to Hayes the most satisfying part of the job is seeing graduates go on to responsibly deploying this understanding and thinking in the workplace.
“I believe strongly that the future of engineering education revolves around the growth of such ‘pi-shaped’ graduates who have the basic skills in AI-enabled data engineering but who also have the necessary allied health skills to be able to apply those solutions in a safe, human-centred fashion,” he says.
Hayes has worn and continues to wear many hats at UL, where he has worked since 1997.
He is the academic lead for the UL@Work Human Capital Initiative project, which aims to develop digital, industry 4.0 talent through flexible, innovative, technology-enabled, experiential learning. Hayes says his involvement in the UL@Work project has been “hugely insightful”.
“One key takeaway is that universities need to work together and collaborative programmes like Digital Europe are essential in enabling institutions to pool their resources so that they can offer students the bespoke learning that fits their individual needs.”
Hayes is also collaborating with various European universities as principal investigator for a number of Digital Europe projects – such as that of Sustainable Healthcare with Digital Health Data Competence (SUSA).
SUSA is a €12.4m Digital Europe-funded project led by the University of Oulu in Finland that aims to close the digital skills gap in European healthcare and support the EU’s Digital Decade and European Health Data Space ambitions.
The project aims to deliver revamped bachelor’s, master’s and standalone lifelong-learning modules, built around 20 shared SUSA learning objectives that have been benchmarked against frameworks such as the WHO Digital Health Competence Framework.
Hayes is UL’s principal investigator for SUSA, leading the ‘Workpackage’, which frames and co-designs SUSA activities in order to maximise impact.
“We lead in two specific tasks: investigating how to best deliver education on the optimal use of advanced digital technologies in health – particularly XR/AR and digital twin technology – and designing the SUSA employer framework that connects students with industry most efficiently,” he explains.
“UL’s contribution to the SUSA digital ecosystem draws on existing UL@Work advisory board models and Skillnet partnerships to keep the curriculum grounded in current workplace needs.”
As someone working in such a future-focused research area, we asked Hayes about what advice he might have for someone considering a career similar to his own.
First thing on the list? “Build a strong foundation in the fundamentals,” he says.
By fundamentals, he means systems theory, mathematics and statistics.
“These are what let you adapt, configure and ultimately deploy solutions as the technology moves on,” he explains.
Next, he advises newcomers to seek out interdisciplinary collaboration early and not to be “afraid to work at the boundary between engineering and the domains where it gets applied, whether that’s healthcare, manufacturing or elsewhere”.
“Get involved in industry-facing projects where you can; the most consistent feedback we get from our students is that they’ve always enjoyed it most when they’ve been exposed to real-world constraints either through UL’s co-op education programme or the in-house projects they complete during their studies,” Hayes adds.
“Ultimately this sharpens the R&D questions you ask and makes you a more valuable resource,” he says.
“Finally, be patient. Your career, much like a trustworthy AI system, is built over the long term and will inevitably require you to actively manage many uncertain situations.
“Embracing that challenge will give you the confidence to achieve your goals. Repetition builds competence!”
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Xiaomi stepped into the large family SUV game on July 30 with the SkyNomad N90 Max, an extended-range electric vehicle built around the idea that a car can serve as living space first and transportation second. Presales opened the same day in China at 299,900 yuan, roughly 44,000 dollars, with official deliveries set for September. The company also showed a smaller five-seat N70 Max sibling starting lower, but the seven-seat N90 Max is the clear centerpiece.
The N90 Max measures 5285 mm in length, 1998 mm in width, and 1825 mm in height, with a wheelbase of 3080 mm. With a completely flat floor and good long seat rails, the groundwork is created for Xiaomi’s Kunlun architecture, a platform designed expressly for this type of customizable cabin rather than driving for driving itself.
Sale
The N90 Max delivers a powerful punch, thanks to a dual-motor all-wheel-drive system that produces a decent 310 kW (416 horsepower). The rear motor produces 210 kW, and the front one adds another 100 kW to the mix. It takes a decent 5.9 seconds to accelerate from 0 to 100 kilometers per hour. You are limited to 190 km/h, but 0-100 in under 6 seconds gives you an excellent idea of the N90 Max’s capability. A 1.5-liter turbocharged engine from Harbin Dongan serves as a generator, producing 112 kW and charging CALB’s 76 kWh ternary NMC battery. With the battery empty, the N90 Max has a pure-electric range of 464 km on the CLTC cycle. If you put some gas in the tank, you’ll have a total distance of 1705 kilometers (1059 miles). When the battery becomes low, the WLTC cycle consumes approximately 6.26 liters of petrol every 100 kilometers. A 15-minute DC charge adds 285 kilometers to your electric range, while charging from 20 to 80% takes less than 18 minutes.
The N90 Max features a 2+2+3 layout. When parked, the front seats will power swivel fully 180 degrees, allowing you and your passengers to face the second row. If you choose the center table, it will slide out of the tunnel, creating a living space up to 1370 mm wide in four-person mode. Second-row seats include zero-gravity designs with footrests and a 16-point massaging system, providing plenty of extra comfort. You also get a 9-liter compressor fridge in the center island, which has cup and phone slots. The N90 Max has some serious sound setup going on, with up to 25 speakers outputting 4,890 watts over a 7.1.4 arrangement. The rear seats feature a 21.4-inch 3K screen, while the driver has a 20-inch head-up display, an 8.8-inch instrument cluster, and a 16.1-inch primary screen. The majority of seat and table adjustments are controlled by voice commands.


Xiaomi describes the parked cabin as a studio for one, a café for two, a lounge for three, or a playroom for the entire family, so it is quite adaptable. The N90 Max Camping Edition exhibits the same flexibility, with a pop-up roof, a rooftop bed platform, tent attachment points, side cabinets, and an optional removable table. This version is suited for five persons and has the same powertrain as the normal N90 Max. The car includes a roof-mounted LiDAR unit as well as a rear-facing solid-state device with an accuracy of a few centimeters. This is combined with some extremely strong computers, courtesy of NVIDIA’s Thor-level technology, as well as Xiaomi’s whole HAD assisted driving package, which includes their XLA cognitive model. The vehicle’s structure is meant to last, with a frame made of high-strength steel and aluminum.


The three rows are connected together by a continuous hot formed door ring that runs the entire width of the vehicle. Underneath, there’s a really innovative suspension system that combines double wishbone front geometry with a multilink rear configuration, and the vehicle can handle a decent soak with a water wading depth of 750mm. It also has enough electricity to keep your electronics charged, with 220 volt charging outlets and 6.6kW vehicle-to-load capability, making it excellent for camping trips or emergency circumstances. The range extender itself operates silently enough that Xiaomi claims the cabin remains as quiet as a pure electric vehicle even when it is powered up. The pre-sales price for the flagship Sky Nomad N90 Max is 299,900 yuan ($44,322), while the somewhat smaller N70 Max is 259,900 yuan ($38,410).
A trip to college—or even to avoid hard nights at home during high school—might come with an expense you didn’t think about: a good office chair. Dorm chairs are hard, awful, and not exactly ergonomic.
Luckily, there are some decent back-to-school office chair deals right now among chairs I can vouch for. My colleagues at WIRED and I have been testing and tracking the best office chairs for more than seven years. The ProtoArc Flexer Pro ($176) is half the price it was last year, probably the best deal at the moment. Others of our budget favorites, like the Staples Dexley ($169), are kinda always “on sale,” and remain among the best available at a low price.
Here are the best affordable office chairs and back-to-school chair deals available for the 2026 school year. Every single chair I recommend here is one we’ve personally tested. Also check out WIRED’s other back-to-school guides, including dorm room essentials and college laptops.
This Flexer Pro ergonomic chair from ProtoArc was a decent deal when it debuted last year at close to $400. But over the past year and month, prices have dropped considerably—this is the lowest price I’ve seen. The chair offers several points of adjustment, including seat pan depth, multiple recline angles, and four-way adjustable armrests.
The build quality and looks are far better than one could generally expect south of $200, with a five-year warranty that’ll get you through those undergrad years. Just note that there’s a detachable lumbar support that can pop off a little too easily from the backrest, and it’s not a great chair for people taller than 6 feet.
Staples basically holds down the discount chair scene, and the Staples Dexley is the best ergonomic chair that can be consistently had below $200. The five-year warranty will take it through most degree programs without a big hit to the wallet and the all-mesh seat offers terrific airflow; the chair is also easy to put together and decently adjustable. The mesh is a little scratchy for shorts wearers, but otherwise this is a solid chair with ergonomics good enough to support the occasional all-nighter.
Amazon has confirmed its “low Earth orbit” (LEO) satellite network has submitted an application to the Federal Communications Commission (FCC) to deploy a constellation of 5,105 satellites which will provide voice, data, messaging, emergency services access, and Internet of Things support for under the Amazon Leo Direct-to-Device (D2D) project.
The application follows Amazon’s merger with Globalstar, acquiring the US satellite telecommunications company’s operations, infrastructure, and global licenses and authorizations.
This step into orbit will see Amazon Leo’s existing satellites work alongside the Globalstar HIBLEO and C-3 satellite constellations, kicking off early D2D project support ahead of approval for the full network of comsats.
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Much like Starlink, the Amazon Leo network is intended to bridge the connectivity gap between cities and remote communities. It aims to deliver high-speed, low-latency broadband for domestic and enterprise markets, as well as governments, with consumers gaining connectivity via the Leo Nano, Leo Pro, and Leo Ultra high-performance antennae. Meanwhile, mobile devices with satellite-capable chipsets can connect to the satellites without an additional antenna.
Apple iPhones and Apple Watch models are also supported, under a previous agreement to collaborate with Apple. Amazon Leo already delivers data for Emergency SOS, Messages, Find My, and Roadside Assistant to iPhones.
Other partnerships have also been announced that feed into the D2D project. “Telecom operators like Vodafone, DirecTV, Herotel, and Australia’s National Broadband Network […] it plans to continue working with mobile network operators and other partners to deliver on its long-term vision for space-based connectivity.”
Beyond offering connectivity to remote locations, D2D can enable data support for global fleet management, remote operations for supply chains, and IoT connectivity.
Following initial deployment in 2025 with 80+ launches with Arianespace, Blue Origin, SpaceX, and United Launch Alliance, Amazon Leo is aiming at 5,105 low Earth orbit satellites. These units are connected using optical links, capable of high-speed data transfer, with secure gateways networked across the planet, with fiber connectivity.
The D2D satellites are intended to operate across five orbital “shells” – essentially five groups that share the same altitude and inclination. Three shells will cover the mid-latitude, one shell will cover the high-latitude, and the fifth providing coverage for “near-polar” zones. Mid-latitude zones are the world’s most heavily populated regions (North America, Europe, parts of Asia, and southern/central Africa) while the high-latitude coverage aims to deliver high speed internet to the Arctic and sub-Arctic circles.
With increasing demands for mobile data, not just for remote working but also Internet of Things applications, Amazon Leo could prove to be the solution that facilitates home and workplace automation around the world – assuming, of course, that it gets that FCC approval.
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The bloc began engaging with Japan over a potential membership in 2024.
Japan has officially joined Horizon Europe, the European Union’s €93.5bn flagship research and innovation programme.
The agreement allows Japanese researchers and organisations to tap EU funding and take part in Horizon Europe on equal footing with the bloc’s member states and the programme’s 22 other associated countries, including the UK, Ukraine, Canada and Israel.
With €93.5bn allocated for a period of six years between 2021 and 2027, Horizon Europe supports cutting-edge research to address global challenges such as the climate crisis, help achieve the United Nations’ Sustainable Development Goals and improve the bloc’s competitiveness and growth.
Japan’s association covers the third pillar of the programme, which has a budget of €52.4bn. This pillar, according to the EU, funds multinational research and innovation projects that address challenges related to climate, energy, health and the digital economy.
For example, earlier this month, an international team of researchers funded by the programme set off on an expedition to track chemical and biological changes in the North Atlantic ocean.
Japan will also contribute financially to Horizon Europe’s budget, the EU said, by covering for the Japanese organisations participating in the programme. Transitional arrangements that started in January this year has already enabled organisations from the country to apply for funding calls, it added.
The bloc has collaborated with the Asian country a number of times outside the programme. In early 2023, the two strengthened their bond in space research by agreeing to share Earth observation data, and jointly launched an enhanced dialogue on advanced materials a year later.
Japan takes the title for the most populous country associated with the programme, with a population of 123m. The bloc began engaging with the country over a potential membership in 2024 and concluded negotiations a year later, it said.
“As Horizon Europe’s 23rd associated country, Japan strengthens a growing global community that believes openness, excellence and international cooperation are essential to turning research into innovation and innovation into prosperity,” said Ekaterina Zaharieva, the EU commissioner for start-ups, research and innovation.
“Science thrives when talent, ideas and innovation cross borders,” she added.
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KEF has spent 65 years proving that loudspeakers do not need to resemble black shipping crates to deliver credible high-end sound. Its LS Wireless range has become a major part of that legacy, with the compact LSX II and larger LS50 Wireless II earning strong reviews by combining amplification, streaming, and KEF’s Uni-Q driver technology in complete stereo systems that do not require a rack full of equipment.
The British manufacturer is now pushing that formula further upscale with the KEF LS LUXE, which it describes as its most ambitious wireless HiFi speaker system to date. Developed with industrial designer Ross Lovegrove, whose previous work with KEF includes the rather less affordable MUON, the LS LUXE is designed to deliver a luxury listening experience without surrendering half the room to loudspeakers, amplifiers, cables, and source components.
The industrial design also has our sci-fi juices flowing. The sculpted enclosure looks less like another pair of compact wireless speakers and more like something that rolled off the Krell assembly line in Forbidden Planet—which is very much a compliment.

The LS LUXE is designed as a functional work of art that engages the senses and enhances its surroundings, whether music is playing or not.
The LS LUXE continues KEF’s long-running collaboration with industrial designer Ross Lovegrove, whose previous work for the company includes the towering MUON loudspeaker, Mu3 wireless earphones, Mu7 wireless headphones, and the more recent Muo portable speaker.
Internationally recognized for his sculptural, organic forms, Lovegrove has shaped the LS LUXE into something that refuses to disappear into the background. It is part loudspeaker, part sculpture, and considerably more interesting than another rectangular box covered in fabric.
“At KEF, we have always aimed to redefine the listening experience and make it truly inspiring. LS LUXE is that vision realized,” said Grace Lo, President & Head of Global Marketing at KEF. “True luxury doesn’t announce itself – it transforms the atmosphere of a space, blending design excellence and acoustic mastery in a way that feels both immersive and effortless. When people ask what luxury sounds like, this is our answer.”
The LS LUXE has a rounded, low-diffraction design, robust materials, a flexible decoupling chassis, and an advanced bulk molding compound that enable a purer sound experience, with sharper clarity and deeper bass, setting a new benchmark beyond the gold-standard LS50 Wireless II.

The LS LUXE incorporates KEF’s 12th-generation 6.5-inch Uni-Q driver with Metamaterial Absorption Technology (MAT). For added support, the LS LUXE also includes KEF’s debut of Velocity Control Technology (VECO) for speakers. Working together, Uni-Q, MAT, and VECO are designed to help the LS LUXE deliver a level of performance that belies its compact dimensions.
KEF’s Metamaterial Absorption Technology (MAT) is designed to absorb 99% of the unwanted sound radiating from the rear of the tweeter, reducing distortion and coloration while helping create a wider, more consistent listening area.
The Uni-Q driver assembly is also mechanically decoupled from the cabinet by a flexible chassis, helping isolate it from unwanted vibrations and preserve clarity across the frequency range.
The LS LUXE is designed to deliver tighter bass, lower distortion, and greater control across the frequency range. It is also KEF’s first loudspeaker to use Velocity Control Technology (VECO), following the technology’s debut in the XIO soundbar.
The closed-loop system uses a velocity sensor to monitor the movement of the Uni-Q driver in real time. That information is fed to a dedicated amplifier, which corrects inconsistencies in the driver’s motion before they can obscure detail or introduce distortion.

The LS LUXE is designed to preserve detail, tonal accuracy, and clarity at lower listening levels and during longer sessions. Its advanced hardware is supported by KEF’s proprietary Music Integrity Engine (MIE), which uses optimized DSP algorithms to manage the system’s performance across different volume levels.
As the amplifiers and drivers are pushed harder, MIE is designed to maintain balance, definition, and control while reducing the risk of distortion.
Each LS LUXE speaker combines a 100-watt Class AB amplifier with a 280-watt Class D current-drive amplifier, for 380 watts of amplification per enclosure.
That hybrid arrangement is unusual in a compact wireless speaker. KEF uses Class AB amplification where finesse matters most and Class D power where greater efficiency and output are required, giving the LS LUXE the headroom to play loudly while keeping distortion under control.

The LS LUXE incorporates KEF’s W2 Wireless Platform, supporting music files at resolutions up to 24-bit/384kHz along with multiroom playback. Listeners can access TIDAL, Amazon Music, Qobuz, Deezer, and other services through KEF Connect, while Spotify Connect, TIDAL Connect, QPlay, AirPlay 2, and Google Cast provide additional streaming options from compatible apps.
Wired connectivity includes HDMI eARC, analog, optical, and coaxial digital inputs for connecting a television, CD player, game console, or other source component. Dedicated subwoofer outputs are also provided, while support for local NAS drives and compatible music servers gives listeners access to their own digital libraries without relying exclusively on streaming services.

LS LUXE is easy to set up and can be precisely configured through the KEF Connect App (iOS, Android) that allows users to fine-tune the LS LUXE to suit their room and listening preferences. Normal mode provides step-by-step guidance with minimal setup, while Expert mode offers more granular control over EQ settings in decibels.
Advanced Room EQ DSP helps optimize the speakers for their placement and acoustic environment, while dedicated subwoofer presets are designed to simplify integration with KEF’s subwoofer range.
Volume, source selection, and system settings can be managed through the KEF Connect app or the C3 Remote. Both are designed for straightforward operation, allowing users to enjoy the LS LUXE without navigating an unnecessarily complicated setup.

The LS LUXE is available in three finishes: Dusk Titanium, Eclipse Black, and Mineral White. Each pair includes KEF’s C3 Remote, which features an aluminum top plate, backlit buttons, and a customizable favorite button for quick access to frequently used functions.
Optional S-LUXE floor stands include integrated cable management for a cleaner installation. KEF’s K-Stream interspeaker cable supports high-resolution signal transfer and allows the speakers to be positioned up to eight meters apart. For added convenience, the KW1 wireless subwoofer adapter kit (available at Amazon) enables a cable-free connection between LS LUXE and KEF subwoofers.

| KEF Model | LS LUXE (2026) | LS50 Wireless II (2020) | LS60 (2022) |
| Product Type | Compact Wireless HiFi Speakers | Compact Wireless HiFi Speakers | Floorstanding Wireless HiFi Speakers |
| Price per pair | $3,999.99 | $2,999.99 | $5,999.99 |
| Drive units | Uni-Q Driver Array: HF: 25 mm (1 in.) vented aluminium dome with MAT LF/MF: 165 mm (6.5 in.) aluminium cone |
Uni-Q Driver Array: HF: 25 mm (1 in.) vented aluminium dome with MAT LF: 130 mm (5.25 in.) aluminium cone |
Uni-Q Driver Array: HF: 19 mm (0.75 in.) vented aluminium dome with MAT MF: 100 mm (4 in.) aluminium cone LF: 4 x 135 mm (5.25 in.) Uni-Core Force Cancelling Driver |
| Frequency Range (-6dB) measured at 85dB/1m | 35 Hz – 47 kHz | 40 Hz – 47 kHz | 26 Hz – 36 kHz |
| Frequency Response (±3dB) measured at 85dB/1m | 42 Hz – 28 kHz | 45 Hz – 28 kHz | 31 Hz – 24 kHz |
| Amplifier output power (per speaker) | LF: 280 W HF: 100 W |
LF: 280W HF: 100W |
LF: 500W MF: 100W HF: 100W |
| Amplifier class (per speaker) | LF: Class D HF: Class AB |
LF: Class D HF: Class AB |
LF: Class D MF: Class D HF: Class AB |
| Max SPL measured at 1m | 110 dB | 108 dB | 111 dB |
| Wireless streaming features | AirPlay
Chromecast Roon Ready UPnP Compatible Plays with Audirvāna |
AirPlay 2
Google Cast ROON Ready UPnP Compatible Bluetooth 5.0 Plays with Audirvāna |
AirPlay 2
Google Chromecast Roon Ready UPnP Compatible Bluetooth 5.0 Plays with Audirvāna |
| Streaming services | Spotify via Spotify Connect
Tidal via Tidal Connect Qobuz via Qobuz Connect Amazon Music Internet Radio Podcast |
Spotify via Spotify Connect
Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcast |
Spotify via Spotify Connect
Tidal via Tidal Connect Amazon Music Qobuz Deezer QQ Music via QPlay Internet Radio Podcast |
| Source resolution | Network up to 384 kHz/24-bit
Optical up to 96 kHz/24-bit Coaxial up to 192 kHz/24-bit HDMI eARC up to 192 kHz/24-bit |
Network up to 384kHz/24-bit
Optical up to 96kHz/24-bit Coaxial up to 192kHz/24-bit HDMI up to 192kHz/24-bit |
Network up to 24-bit/384kHz
Optical up to 24-bit/96kHz Coaxial up to 24-bit/192kHz HDMI up to 24-bit/192kHz |
| Interspeaker connection | Wireless: all sources resampled to 96 kHz/24-bit PCM
Wired: all sources resampled to 192 kHz/24-bit PCM |
Wireless: all sources resampled to 96kHz/24-bit PCM
Wired: all sources resampled to 192kHz/24-bit PCM |
Wireless: all sources resampled to 24-bit/96kHz PCM
Wired: all sources resampled to 24-bit/192kHz PCM |
| Supported format (network) | DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis | DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis MQA DSF: DSD64, DSD128 DFF: DSD64 |
FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM and Ogg Vorbis MQA DSD |
| Power input | 100 – 240VAC 50/60Hz 200W | 100 – 240VAC 50/60Hz | 100 – 240VAC 50/60Hz |
| Power consumption | 200 W (operating power)
<2.0 W (standby power) |
200W (operating power)
< 2.0 W (standby power) |
450W (operating power)
< 2.0 W (standby power) |
| Inputs (Primary speaker) | HDMI eARC
TOSLINK Optical Analog 3.5 mm RJ45 Ethernet (network) |
HDMI eARC
TOSLINK Optical Digital Coaxial Analog 3.5mm Auxiliary RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) USB Type A (service) |
HDMI eARC
TOSLINK Optical Digital Coaxial Analog RCA RJ45 Ethernet (network) RJ45 Ethernet (interspeaker) USB Type A (service) |
| Inputs (Secondary Speaker) | RJ45 Ethernet (interspeaker) | RJ45 Ethernet (interspeaker)
USB Type A (service) |
RJ45 Ethernet (interspeaker)
USB Type A (service) |
| Output (Primarty Speaker) | RCA Subwoofer output
USB Type C (charge out 5V/2A max.) |
RCA Subwoofer output | RCA Subwoofer output |
| Output (Secondary Speaker) | None | None | RCA Subwoofer output |
| Wi-Fi network standard | IEEE 802.11a/b/g/n/ac/ax Pv4, IPv6 |
Wi-Fi Network StandardIEEE 802.11a/b/g/n/ac IPv4, IPv6 |
Wi-Fi Network StandardIEEE 802.11a/b/g/n/ac IPv4, IPv6 |
| Wi-Fi network frequency band | Dual-band 2.4 GHz / 5 GHz | Dual-band 2.4 GHz / 5 GHz | Dual-band 2.4 GHz / 5 GHz |
| Dimensions (HWD per speaker) | 336 x 223 x 298 mm
13.2 x 8.8 x 11.7 in. |
305 x 200 x 311 mm
12 x 7.9 x 12.2 in. |
1090 x 212 x 394 mm
42.9 x 8.3 x 15.5 in. |
| Weight (per set) | 20 kg (44.1 lbs) | 20.1 kg (44.3lbs) | 62.4 kg (138 lbs) |
| Finish Options | Eclipse Black
Dusk Titanium Mineral White |
Carbon Black
Sand Shell Moss Green Mineral White Crimson Red Special Edition |
Carbon Black
Titanium Grey Royal Blue Mineral White |

The KEF LS LUXE is more than another compact wireless loudspeaker dressed for Milan Design Week. It is KEF’s attempt to plant its flag at the top of the category, although Focal and Naim’s considerably larger and more expensive DIVA UTOPIA systems might object to the coronation.
What makes the LS LUXE different is the combination of Ross Lovegrove’s sculptural industrial design, KEF’s proven Uni-Q and MAT technologies, and the first use of Velocity Control Technology in a KEF loudspeaker following its debut in the XIO soundbar. VECO monitors driver movement and applies real-time corrections through a feedback loop, while each speaker uses an unusual combination of 100-watt Class A/B and 280-watt Class D current-drive amplification. Few compact wireless systems combine that level of driver control, amplification, streaming support, and visual ambition in one stereo package.
At $3,999.99, however, the omissions matter. The LS LUXE does not include a built-in phono preamplifier, so turntable users will need either a model with an integrated phono stage or a separate external phono preamp. That feels like a missed opportunity for a luxury wireless system aimed partly at audiophiles, especially when the analog revival shows no interest in quietly leaving the room.
It also remains a two-channel speaker system. HDMI eARC makes the LS LUXE a potentially formidable soundbar alternative, but it does not decode Dolby Atmos or DTS. Klipsch’s The Nines II offers both immersive formats, HDMI 2.1 video pass-through, and Dirac Live, while KEF’s own $2,499.99 XIO delivers Dolby Atmos and DTS through a 5.1.2-channel configuration.
The LS LUXE therefore makes the most sense for listeners who want genuine stereo separation, high-resolution streaming, serious amplification, and industrial design that has our sci-fi juices flowing—all without constructing a traditional component system. It is expensive, it leaves vinyl users to supply another box, and home theater buyers can find more immersive alternatives.
But as a compact, high-end wireless stereo system that looks nothing like the competition, the LS LUXE may be KEF’s most convincing argument yet that convenience and ambitious HiFi performance no longer have to occupy separate rooms.
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Vinyl is, as you’re probably tired of hearing by now, huge. Driven by megastars such as Taylor Swift, vinyl sales broke past the $1 billion mark in 2025, capping a meteoric rise in sales of $800 million since 2016. It’s undoubtedly the vanguard of the general resurgence of physical media, and it looks like the format is merely going from strength to strength: According to MusicWeek, vinyl sales grew 16.4% year-on-year in the first half of 2026, setting the stage for another massive 12 months.
This is not a new phenomenon, of course. Vinyl has been back for nearly two decades as of 2026. This means that, unlike the modern cassette player market, which is much smaller, there’s a dizzying number of new turntables out there. From big-name, legacy brands like Technics and Rega to newer entrants like Fluance and U-Turn, there really is a turntable out there for everyone. It just depends, as ever, on how much you’re willing to spend.
Thankfully, you don’t actually have to part with that much cash to get a solid, reliable turntable. There are a handful of great options under the $600 mark that can do a great job and will serve as a solid upgrade, be it from an old thrifted turntable or a cheap all-in-one record player. And while, yes, you could go with one of the latter to really save money, there are plenty of reasons to prefer turntables to record players, and so we’ll focus on the former.
I spent over five years working part-time at a record store, and one of our most common recommendations when a customer asked for a starter turntable was the Audio-Technica AT-LP60. While it’s still a great option for absolute beginners, it has some limitations that mean it won’t be for everyone, not least the lack of a significant upgrade path due to its lower-quality fixed cartridge.
The newer Audio-Technica AT-LP70XBT does not, admittedly, resolve that issue entirely, as it still has a tonearm with an integrated cartridge. The difference is that it uses the brand’s VM95 styli, which are higher quality than the ones available to the LP60. They also include higher-end variations like the Shibata-equipped VMN95SH, which is a very capable stylus for the price. The 95C stylus it comes with isn’t amazing, but it’s honestly not that bad, either, and the LP70 sounds good enough to serve most vinyl hobbyists well. Sure, it’s pricier than the LP60 at around $300, but you could conceivably use the LP70XBT as it is for a while and focus your energy on, say, getting acquainted with the quirks of shopping for used vinyl instead.
The LP70XBT has, as the final two letters suggest, Bluetooth connectivity, but those of you interested in wired operation will appreciate the inclusion of a defeatable phono preamp that sounds surprisingly good. It’s also a fully automatic turntable, which is a good newbie-friendly feature. You press a button to start, and it does the rest, including lifting the tonearm once the record ends.
Sony’s PS-LX310BT does not immediately stand out, at least not based on its specs. This isn’t to say that it’s a bad turntable — far from that — but what it offers is not, on paper, unique. It has Bluetooth connectivity and is automatic, both of which are quite common. It also has a not-insignificant downside in the form of an integrated cartridge without any adjustability, which means you can’t really tweak it or get a better cart once your tastes evolve. This makes the Sony essentially plug-and-play, though, which some of you will appreciate.
The reason the PS-LX310BT is on this list is that it sounds remarkably good for the price, and has a decent phono stage as well. No, you’re not getting audiophile-grade output from the Sony, and putting it side-by-side to a higher-end turntable (especially one with a better cartridge) will show up its deficiencies, but what audio it does pump out is very enjoyable. I’ve spent time with one and, while I would never take it over my Technics SL1200, I wouldn’t say it’s leagues worse either.
Sony’s offering is also one of the most living-room-friendly turntables in its $450-ish price bracket, too. While most will probably accept that a turntable will never fully blend into the furniture, the PS-LX310BT’s sleek, unobtrusive lines and minimalist cool do at least mean it won’t stick out like a sore thumb in a modern living space either. Not everyone wants their Hi-Fi setup to be the center of attention, after all.
There are quite a lot of options for the buyer seeking a longterm solution and willing to spend $600 to do so. Pro-Ject and Rega have some appealing options in this price range, but we think that the one to go for, and one of the best turntables overall, is the Fluance RT85 or RT85N — especially given its availability in the U.S. and $550 MSRP.
The RT85 is, spec-wise, probably one of the best deals in its price bracket. The standout is the cartridge: The 85 ships with an Ortofon 2M Blue cartridge, which, in my experience, is noticeably better than almost every other cartridge you’ll get on a comparably priced new turntable. It’s not the greatest cart ever, but it’s a detailed performer that’s a cut above carts like the Ortofon 2M Red on the U-Turn Orbit Special, which costs about the same. The Fluance RT85N swaps the Ortofon for the similarly great Nagaoka MP-110, my entry-level cartridge of choice.
Both versions have auto-stop, an MDF plinth and acrylic platter combo, speed control, a fully adjustable tonearm, and a removable headshell for easy cartridge swaps — all features that I guarantee you will find useful if you stick with the vinyl hobby for a few years. No, you don’t get a phono preamp, which means will have to spend more than the RT85’s $550 MSRP, but that’s a small price to pay in the long run. Either way, once you figure that out, though, you’ll be treated to a great-sounding turntable that makes good use of the cartridge it comes with.
Most affordable turntables are belt-driven, which means that the motor spins a belt, which then pulls the platter around. It’s a perfectly adequate technology present on cheap and high-end decks alike, but having choice — and the chance to go with an alternative — can only be a good thing. That’s what the Audio-Technica AT-LP120XBT offers. And a lot more besides, of course.
The AT-LP120 is a direct-drive turntable, which means that it has a motor that spins the platter directly. This has some benefits, such as better torque and more stable rotational speed, at the cost of noise from the motor potentially being transmitted to the stylus. As a dyed-in-the-wool direct-drive turntable user, though, I feel that said drawback is somewhat overstated — especially in this context, where you’re not likely to be pairing a $450 turntable with a setup that’s revealing (and expensive) enough to expose any noise issues.
Admittedly, the LP120 isn’t the biggest and best-sounding turntable ever, but it is perfectly adequate for the price, with solid sound quality and an easy upgrade path. You can either swap new VM95 stylus onto the included Audio-Technica cartridge or install an entirely new cartridge, thanks to the standard cartridge mount and fully-adjustable tonearm. You also get a pitch control, support for 78s, a built-in phono preamp, Bluetooth connectivity, and a USB output — although the latter is a bit noisy. None of these are must-haves, but they’re all great value-adds that make the LP120 quite compelling.
If you’re looking for turntables with the potential to serve you well for a very long time and don’t mind compromising on features to hit lower price points, U-Turn’s Orbit turntables are worth considering. The starter model, the Orbit Basic, comes in at just $249. It’s as basic as turntables can get, with manual switching between 33 and 45 RPM, no tonearm cue lever, fixed tracking weight, and non-adjustable anti-skate.
Not everyone will like the no-frills design, but it delivers on the sound quality front and is a significant upgrade over bad turntables like the $280 Victrola Automatic. Of course, you can get better-sounding turntables, but the Orbit Basic will give you a fine taste of what vinyl can offer — and that’s more than enough for the price. If you’re willing to spend a bit more, you can step up to the $400 Orbit Plus or the $550 Orbit Special. These have better cartridges — an Ortofon OM5E on the Plus and a 2M Red on the Special — and upgraded materials, such as an acrylic platter on the Orbit Plus (versus the MDF platter on the Basic).
If you can afford it, the Orbit Special is the U-Turn product to consider. Not only does it sound genuinely good, it also includes creature comforts like a cue lever and convenient speed switching via a dial. The value proposition does diminish slightly, given that anti-skate and tracking weight are still fixed (not an issue on, say, the Fluance RT85), but it’s a fine purchase if you like U-Turn’s vibe.
To put together this list of affordable turntables, we first had to decide on a definition of “affordable.” We settled on a $600 ceiling, which, while not outright cheap, is relatively affordable considering that higher-end turntables can easily cost $2,500 or more. After setting a cutoff point for price, we then selected a handful of turntables based primarily on professional reviews from reputable publications, combined with hands-on experience.
Generally speaking, we made sure to choose turntables with a reputation for good build quality, enjoyable sound, long-term viability, and solid functionality for a wide range of users with no major deal-breakers. Sub-$600 turntables will never be the final word in terms of vinyl reproduction, materials, or premium design cues, of course, and there will always be compromises, but a good one can and will serve as a great starting point for new record collectors and budding Hi-Fi enthusiasts.
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