As we get out of the house, the gear-obsessed WIRED Reviews team is writing about our favorite bags and EDCs. Today, reviewer Boutayna Chokraneraves about her love for her Lululemon gym bag. You can also check out other Bag Check stories where WIRED writers share their carryall of choice.
I have long had a soft spot for messenger bags. There’s a retro Silicon Valley vibe to the crossbody that I respect: It implies you move fast, travel light, and keep your world compartmentalized. The unfortunate practical reality of many a messenger bag, though, is chronic neck and shoulder pain. With all of its weight relying on one strap, a single shoulder is left to bear all the burden. After a few blocks adorned with a messenger, you may feel that your style choice has transformed into a full-on punishment. After years of testing various incarnations of messenger bag—including micro slings and cavernous totes—I’d made peace with this trade-off. Beauty is pain, after all.
Then I met the comfort-forward, durable, and compact-yet-cavernous Lululemon 3-in-1 Duffle.
Lululemon
3-in-1 Gym Duffle Bag 30L
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True to its name, it’s a multi-use transport system that is easy to reconfigure when my commute demands a different carry. You can grab it by the top handles, sling it across your body when you need your hands, or detach the shoulder strap and wrap it around your yoga mat to use it as a stand-alone mat carrier. No matter how you task it to carry your stuff, rest assured the bag’s design promises utility and comfort: The strap is cushioned enough to spare your shoulder, resilient enough to handle the load of your gym gear, and springy enough to double as a stretching strap. Every component of the duffel has a reason to exist, and some of them even have two.
I’ve been toting this duffel for the gym four days a week since January 2025, which is about as real-world a test as it gets. It has endured Chicago at its most extreme: sleet, wet snow, and torrential rain. The water-repellent nylon shrugs off all elements without any fanfare. The bag dries fast, resists grime, and—most impressively to me—doesn’t hold onto odor. Trust me, I’ve pushed that boundary more than once with sweaty clothes after hot Pilates and have found the included drawstring pouch effectively quarantines everything.
It’s also low-maintenance: After a trip to the beach, a couple of quick shakes cleared out any memory of sand. This duffel requires blessedly minimal upkeep, save for the occasional spot clean, making it a refreshingly low-effort option for commuters who don’t need another chore on their to-do list.
The design is deceptively compact. Externally, it presents as a modest and understated gym bag. But peek inside, and you’ll immediately see that this duffel, with its shocking 30-liter capacity, is Poppins-esque. There’s a dedicated shoe compartment on the side that accommodates up to a men’s size 14, though I prefer to use the bottom section for footwear to keep the main cavity flexible. There’s a slot for a 24-ounce water bottle, interior pockets for keys, AirPods, and other small essentials that tend to disappear into bag voids, and there’s still room for a change of clothes, a Theragun, and a dopp kit. Nothing about this bag feels over-engineered, but nothing feels missing, either.
Our first look at the entire luxury EV designed by LoveFrom.
Ferrari
If the wild, Jony Ive- and Marc Newson-designed interior for the Ferrari Luce had you intrigued and wanting more, here’s the payoff. After committing to build an EV last year, ignoring those earlier statements that it would never happen, Ferrari has finally given me a look at the entire finished product. As big a departure as that interior is from Ferrari’s current suite of sports cars, the exterior is an even bigger step, one that not everyone is going to love.
Whether you love it or hate it, you can likewise attribute Luce’s exterior styling to LoveFrom, the design house founded by Jony Ive in 2019. Though this is LoveFrom’s first full car design, it’s actually Newson’s second, following on the Ford 021C concept from 1999. That vehicle has a very different shape from the Luce, but it does feature doors that open the same way, and I’m picking up similar vibes from both.
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A distinctive shape
The Luce is definitely not a traditional sports car, more like an SUV in its size and shape, featuring four doors and five seats. It isn’t Ferrari’s first four-door; the Purosangue SUV bears that honor, but it is the first time a car with a prancing horse on the hood has seated more than four people.
And it does so reasonably comfortably. The back seat is quite roomy, accessed via a pair of so-called suicide doors that hinge at the rear, making for a slightly more glamorous, less awkward entry to the back. For extra style on the red carpet, there’s a button that swings them shut for you.
I found headroom in the second row to be just a bit limited, but otherwise, I was quite content. There’s even a little control pad back there to fiddle with that has the same funky knobs and dials as found in the interior up front.
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Not yet functional
I spent more time fiddling with those controls from the driver’s seat, and I’m sorry to report the software is still largely non-functional at that point. The cheeky little stopwatch in the upper-right of the touchscreen did nothing, nor did the drive modes or seat ventilation. Still, everything looked good and felt great, something that can’t be said for most pre-production models like this.
Seeing the interior inside of an actual car, rather than standing free on pedestals as I experienced it before, gave me a very different impression. Where previously I thought it was far too cold and clinical for a Ferrari, surrounded by the scent and presence of warm leather, it actually seemed to fit.
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I still don’t think the typical Ferrari owner is going to immediately fall in love with that interior, but then I don’t think the typical Ferrari owner is going to fall in love with the exterior, either. This is a model to not only extend Ferrari’s portfolio but also to diversify its clientele, too. Or, as Ferrari CMO Enrico Galliera said: “The possibility to enlarge our Ferrari community.”
Where it counts
Ferrari
It may not look or feel like a Ferrari, but it should offer the kind of outrageous performance typical of the brand. It has 1,035 horsepower, which is certainly a lot, but more importantly, it comes from a set of four motors. That means one per wheel, a setup that should deliver some impressive dynamics.
By adding more power to the outside wheels, the Luce can be made to turn into corners more aggressively. And, by modulating power individually, the EV can more precisely handle low-grip situations, or even wheelspin on high-grip surfaces, which will surely be an issue since 1,035 horsepower is plenty enough to liquify even the best of tires.
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The car also has four-wheel steering, so it can turn the back wheels with or against the fronts to either add more stability or agility. The Luce features a version of Ferrari’s active suspension, which relies on an electrically actuated damper system to not only provide varying degrees of stiffness or softness, but to dynamically adjust ride height, too. Get up to speed on the highway (maximum 193 mph), and it’ll lower itself by 10mm.
Power and control
All that comes together with a new, more advanced traction and stability control systems, all managed by what Ferrari calls the Vehicle Control Unit, or VCU. The system is designed to sample the road surface and motor output on all four corners every 5 milliseconds, adjusting power output and suspension behavior to best suit conditions.
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Power comes from a 122-kWh gross battery pack situated down low in the car, skateboard-style. That charges at a maximum speed of 350 kW, and Ferrari says it’ll deliver 329 miles on the European WLTP cycle. If that holds, it’ll likely be somewhere south of 300 miles on the harsher EPA cycle.
That’s all fair enough, and I look forward to experiencing how well it comes together in due time, but there’s one other system onboard that might prove equally vital in forming the complete driving experience.
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Sound design
Ferrari
EVs, of course, make very little noise. Their silence is one of their strongest attributes when you’re just cruising to work. But with Ferrari, the sound has always been a crucial part of the experience. Thankfully, that continues with the Luce.
Rather than creating a wholly synthesized sound, like Hyundai’s Ioniq 5 N, for example, the Luce actually has a sort of acoustic pickup mounted on the rear axle. There, it can sample the vibrations of the rear motors. That signal is then pumped through a sort of amplifier to create a distinctive note that is suitably evocative but still wholly distinctive. It has a familiar sound that isn’t far off from some of the company’s high-strung V8s in the past, but yet clearly isn’t trying to pretend to be something else. It is its own thing.
Ferrari likens the process to an amp for an electric guitar, pointing to this being the next evolution beyond analog motoring. Ferrari has already evolved through numerous powertrains in the past, both large and small, and with engines mounted ahead of or behind the driver.
This, though, feels rather more significant, a complete reboot to both the brand’s look and feel as well as its means of propulsion. Will it be successful? Before anyone can draw a conclusion there we’ll have to see how it drives. Hopefully that’s an answer we can provide soon.
Hopefully we’ll know how much it costs soon, too. Ferrari has not yet set U.S. pricing, but in its home market of Italy it will carry a starting price of €550,000. That will make it the company’s most expensive model, pricing it well above the roughly $430,000 Purosangue. That’s quite an ask, but then most of LoveFrom’s prior designs have carried quite a premium, so why shouldn’t this?
The EU imposed the share sale as part of antitrust remedies in order to approve Prosus’ acquisition of Just Eat Takeaway.
Tech investor Prosus has asked the European Union to not force it to sell off Delivery Hero shares, as Uber eyes an acquisition of the German food delivery group, Bloomberg reported, citing sources close to the matter.
The EU was concerned that Prosus’ near 30pc stake in Delivery Hero – a Just Eat Takeaway competitor – would cause less competition and a higher likelihood of coordination between the two companies, which could lead to higher prices for consumers.
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Naspers, Prosus’ parent company, had agreed to reduce its shareholding in Delivery Hero to a “single digit percentage” by August this year.
The company also committed not to exercise the voting rights it has with its remaining shares in the company and to not increase its equity in the company above a certain threshold for a “specified considerable time”.
Currently, Prosus holds around 17pc of Delivery Hero, with other shares held by a number of large investors.
Prosus, however, does not want to sell its stake in Delivery Hero as Uber continues to eye the food delivery group for acquisition.
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The ride hailing giant is reportedly considering upping its bid to purchase Delivery Hero, after an offer – which would have valued the company at more than €11.5bn – was rejected.
Last week, Delivery Hero said that Uber made an offer to purchase the company at €33 per share.
Meanwhile, sources told the Financial Times that Uber approached one of Delivery Hero’s largest shareholders with an offer of €38 per share. Both of the offers were rebuffed.
Delivery Hero shares went up by more than 12pc today to nearly €38 per share.
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Last year, the EU fined Delivery Hero and Spanish delivery start-up Glovo €329m for participating in a “cartel” in the online food delivery sector for exchanging commercially sensitive information and allocating geographic markets.
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The OnCampus program, administered by IEEE Educational Activities, last year expanded its engineering experiences from two to seven universities.
Part of TryEngineering, the program is held at universities around the world, offering preuniversity students hands-on opportunities to solve engineering problems.
Also in September, the Majan University College, in Muscat, Oman, hosted 40 high school students who competed in six challenges to design and build circuits. These include an IoT design and an LED brightness control using a potentiometer, a three-terminal, manually adjustable resistor that functions as a variable voltage divider.
The program also highlighted AI and quantum computing technologies and introduced students to job opportunities in the fields.
The workshop transformed curiosity into creation, empowering students with technical skills and confidence in emerging technologies.
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In November at the Universiti Malaysia Perlis, in Arau, 50 students explored the fundamentals of quantum computational intelligence and AI through hands-on activities and interactive simulations. IEEE Senior Member Mohd Hafiz Ismail, a professor of electronic engineering and technology, gave an introduction about quantum computing intelligence technology.
Under the leadership of IEEE Senior Member Paulina Chan and volunteers from the IEEE Hong Kong Section, the City and St. Francis universities jointly held the program in July. They welcomed 55 students ages 12 to 18 from 41 schools.
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The students attended tutorials on foundational concepts and theories of AI. They worked in small teams on projects using AI-generated images, voice, and music manipulations. They were coached by students from St. Francis and Imperial College London. The participants presented their projects to judges, teachers, and parents.
The students also visited a nearby semiconductor equipment manufacturer to learn about technology careers from engineers working there.
The results of a post-program survey showed strong satisfaction with OnCampus, with nearly 75 percent of participants giving it a rating of 4 or higher out of 5.
“I enjoyed getting to know about deep learning and its application,” one student participant said. “The content of the activity matched my interest, and I gained new knowledge.”
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“OnCampus is led by a strong team with lots of experts in the field,” another said. “It’s a rare chance for students to use software, learn about the theory behind how deep learning works, and get a glance at future possibilities.”
The students learned about AI, augmented reality, microchip design, microcontrollers, and 3D printing. They also attended presentations by engineers from the industry. To give the students exposure to real-world engineering, they visited two hydroelectric power plants and a green data center.
At the end of the program, students presented their projects and showcased the technical skills they had developed.
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Those involved in the TryEngineering OnCampus program are proud of the impactful experiences students have gained. The opportunities are possible because universities open their doors, share their expertise, and invest in the next generation of innovators.
You think your World Cup TV setup is good? This custom 9.4.4-channel Dolby Atmos home theater was designed for sports, with a unique smart ‘Football Mode’ and powerful sound that’s probably louder than a real stadium crowd
While a lot of people will be considering a visual or audio upgrade to their home setup in time for the World Cup, which kicks off June 11, one football fan’s setup is going to make your plans feel… inadequate. It’s an elite home theater designed with sports in mind, and it’s won two CEDIA awards.
The project is called the Buzzards Road Home Cinema, and it was developed and executed by IndigoZest and Cinema Luxe. It uses a Sony4K projector, an acoustically transparent screen (where LCR speakers were positioned behind the screen), and a 9.4.4-channel Dolby Atmos sound system.
Driving the system is a Artcoustic CPH1000D digital amplifier, an Anthem MCA 325 v2 power amplifier, and an Anthem MRX 1140 v2 Dolby Atmos AV receiver.
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For speakers, Artcoustic made up the majority of the speaker configuration. Artcoustic Spitfire A10 wall speakers, Artcoustic SL 2-1 three-way monitor speakers and Artcoustic SL Architect PAS SPL in-ceiling speakers were used. For subwoofers, there were two Artcoustic Spitfire Sub 3 and two Artcoustic Sub 2 units in use.
(Image credit: Mark Hardy)
For pictures, a Sony 4K projector and a 145-inch Control4 Dragonfly Fixed Ultra AcoustiWeave Projection Screen acoustically transparent screen were installed.
This is a seriously immersive setup with plenty of power and you’ll often find Sony 4K projectors at the heart of a reference setup, like the one I saw at AWE’s headquarters back in 2024. But the AV equipment was only one part of this system.
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(Image credit: Mark Hardy)
One element crucial to the whole concept was the use of the room for showing football games (particularly Newcastle United).
Paul Laventure, Client Director at IndigoZest, said “Big sporting events are ultimately about shared experience, and that sits at the heart of how these spaces are approached. The ‘perfect’ setup goes beyond just a large screen and great sound; it’s about creating an environment that brings people together effortlessly”.
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This was taken into consideration for planning not only the layout of the seating, opting for a more sociable layout to the traditional home theater seating, but also for control. The room’s owner wanted to able to switch easily between movie viewing and football, but not just in a boring regular setup.
The installers used Control4, a smart control system focused on multi-unit control from one platform, the add a one-button ‘Football Mode’. Using this not only switches to watching football in the home theater room, but the match is also broadcast around the wider property.
For an added bit of smart control magic, whenever someone calls to the house on its gate intercom, the content on the screen — including live broadcast matches — pauses to make sure “nothing was missed”.
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A good-looking room
(Image credit: Mark Hardy)
While cinephiles and home theater enthusiasts may not be too worried about the look of a room, Buzzards Road was designed to be a social space that also reflected the look of the rest of the property. This is where interior designer Sinead Kelly Herbert came in.
Working with the AV team, Herbert worked to implement the best fixtures to make the cinema room feel more welcoming. Bronze lighting fixtures were used, as well as a fiber-optic star ceiling, CNC-cut panelling and a stone-finished bar at the rear of the room.
Alongside this, all the speakers listed earlier, and the projector, are hidden so the room feels as comfortable as possible. The result? “Today, it’s the most-used room in the house — a social space, a sanctuary, and a statement in refined entertainment,” says Laventure.
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With all these visual touches and the focus on a social environment for a great atmosphere for football, not to mention the Football Mode and exquisite-looking list of equipment, this sounds like the ultimate World Cup watch party place. Alas most of us will just have to settle for the best TVs and best soundbars.
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Summer is here, and Disneyland is continuing its year-long 70th anniversary, a celebration of the original Disney theme park opening its gates in 1955. Three new rides are also being built at the California Disney Parks, as well as a sprawling new Avatar area.
Over at Walt Disney World in Florida, four new lands are being constructed right now, themed around villains, Pixar characters and more.
Here’s everything you need to know about Disneyland and Disney World — starting with offerings coming this summer and then exploring what’s arriving beyond 2026.
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Disneyland’s 70th anniversary
Disneyland continues its celebration of its 70th anniversary, following its kick-off in May 2025, for much of the summer. Its last day is Aug. 9, 2026 — after which the parks will transition to Halloween decor on Aug. 21, then the holidays on Nov. 18, before fully returning to its natural state in early 2027.
There are many 70th anniversary shows to see, including the Paint the Night parade, Celebrate Happy Cavalcade and the Wondrous Journeys fireworks and projection show on the castle. Mickey and friends are also wearing 70th celebration outfits.
You can catch 70th anniversary-themed merchandise, food and drink items as well as a projection show at Carthay Circle and a 50-foot sculpture of Sleeping Beauty Castle on the esplanade between Disneyland and California Adventure; you can also find decorations sprinkled throughout Downtown Disney, Main Street USA, Disney’s hotels and even inside rides.
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Disneyland’s Paint the Night parade.
Disney Parks
Rock ‘n’ Roller Coaster starring The Muppets opens this week
“The legendary ride roars back to life with a rock-charged remix that drops guests straight into the middle of The Electric Mayhem’s biggest night yet. With high-speed thrills, a pulse-pounding soundtrack, and a VIP list like no other, this reimagined attraction hits all the right notes,” the Disney Parks Blog posted on April 16.
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Concept art of the Monsters, Inc. suspender coaster.
“The first time I saw Monsters, Inc., all I wanted to do was ride on one of those doors like Mike and Sulley,” Disney Experiences Chair Josh D’Amaro said at D23 in 2024. “Remember in the movie how those claws grab the doors and hoist them up into the air to take them away? We’re doing that too. And you’re going along for the ride.” This TikTok shows the design concept for the Monsters Inc. ride.
MuppetVision 3D closed permanently on June 8, 2025, but we don’t expect Monstropolis to be complete for another year or two.
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Soarin’ Across America, coast to coast
Disney Parks
At Disney’s California Adventure and Disney World’s Epcot, the Soarin’ Around the World attraction is getting a US-themed makeover. Soarin’ Across America will arrive on July 2, 2026, and will feature scenes, sounds and scents from more than a dozen cityscapes and scenic areas.
Disney released a trailer starring Patrick Warburton, the original Soarin’ narrator and pilot, in which he says we’ll soon “sail across spacious skies” and may see “amber waves of grain” and “purple mountain majesties.” It’s part of Disney’s celebration of America’s 250th anniversary.
This event on Juneteenth kicks off the Celebrate Soulfully: Summer Vibes celebration, which goes from June 19 until July 19 to celebrate Black music, food, art and culture. Concerts will be held on certain days at Paradise Gardens in California Adventure, as well as “special character encounters and live variety acts” on Fridays and Saturdays, per Disney.
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Bluey has arrived at Disneyland
Disney Parks
Bluey and her family are now hosting a stage show and themed area at the original Disney park. Debuting two months ago, Bluey’s Best Day Ever is located at the Fantasyland Theatre next to Mickey’s Toontown, which has been transformed into Bluey’s school classroom and grounds, including a gnome village and fairy garden.
Bluey and her sister, Bingo, appear several times each day, along with actors and musicians, to “bring to life the popular music and games emblematic of beloved Bluey episodes.” Those games will include “keepy uppy” and the “grannies,” as well as appearances by Chattermax and Unicorse.
There are also puzzles, games and photo ops throughout the Bluey area, and Disneyland is serving up Bluey-themed foods at Troubadour Tavern.
The hugely popular Australian cartoon about a family of dogs is a worldwide hit, and Disney is slated to release a Bluey movie in 2027. (In the meantime, you can watch Bluey episodes and minisodes on Disney Plus.)
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Star Wars Galaxy’s Edge: Old characters, new Mandalorian missions
Disney Parks
New characters have begun roaming around the Star Wars-themed lands in Disneyland, as the area “expands its timeline” to include Luke Skywalker, Leia Organa and Han Solo. The original trio of Star Wars main characters arrived in Batuu on April 29 and are now interacting with guests and other characters.
To help tie them in with the more modern Star Wars land, there are also new props, merch, graphics and music (featuring the legendary John Williams score) in Galaxy’s Edge.
“Black Spire Outpost will roll back in time several decades, thoughtfully introducing beloved characters from across the Star Wars timeline,” the Disney Parks Blog announced in April. “Each era will be brought to life with the same care and attention to detail that the land was originally designed with, masterfully weaving together stories from across time and space in one location.”
Darth Vader has also joined the fun, and you can still see Ahsoka Tano, The Mandalorian, Grogu, Rey, Chewbacca and R2-D2.
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Over in Tomorrowland, Space Mountain has transformed into Hyperspace Mountain for a limited time.
Disneyland (and Hollywood Studios at Disney World) has also now added Mandalorian and Grogu missions to the Millennium Falcon: Smuggler’s Run ride in Star Wars: Galaxy’s Edge, tying in with the release of The Mandalorian and Grogu in cinemas. The new missions launched on May 22.
Discounted summer Disney tickets
Disneyland now has a Kids’ Summer Ticket deal, with a one-day Park Hopper ticket costing $50 per child, ages 3 through 9. It can be used until Sept. 7.
Disneyland is also adding (and removing) a Magic Key option: The Explore Key will replace the Enchant Key. All California residents will be able to purchase it — not only Southern California residents. It will allow access on weekdays in June and July, which were blocked out for Enchant Key holders. The Explore Key costs $999, with a $99 down payment and 0% APR on repayments for 12 months. Disney said its “full value” can be unlocked in just four visits to the parks, thanks to Park Hopper admission, 25% off parking, Lightning Lane Multi-Passes and 10% off merchandise and dining.
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Disneyland’s World of Color 70th anniversary show.
Disney Parks
For what Disney World is calling Cool Kids’ Summer, it’s offering two free nights and two free theme park days when you buy a four-night, four-day Disney hotel and ticket package for a visit during May 26 through Sept. 15. You can also save up to 30% on some Disney hotels between May 1 and Oct. 4.
Also part of Cool Kids’ Summer is a free day at a Disney World water park (Typhoon Lagoon or Blizzard Beach) on your check-in day when staying at a Disney hotel between May 26 and Sept. 8; and a free dining plan for kids aged 3-9 when you buy a dining package for guests over 10 and a room at a Disney hotel.
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California Adventure celebrates 25 years
The second Disney theme park built in Anaheim opened 25 years ago on Feb. 8, 2001. While the look of the park has changed a lot over those years, California Adventure has a few ways it’s celebrating the quarter-century milestone: It’s switching the Soarin’ attraction back to Soarin’ Over California until July 1; dressing Mickey Mouse and Minnie Mouse on Buena Vista Street with new outfits, featuring sun motifs like the one originally on the roller coaster; and offering anniversary-themed food items, merchandise and drinks.
Disneyland expansion: Avatar area begins construction
Concept art showing an aerial shot of the Avatar-themed area coming to Disneyland Resort.
Disney
Disneyland is finally expanding after unveiling plans almost five years ago. The expansion is expected to take a couple of years to complete and will push the park’s current boundaries past Downtown Disney and into the nearby parking lots. It’ll also transform “a portion of the current Hollywood Backlot area,” leading to the closure of the Monsters Inc. attraction permanently in 2027.
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The biggest part of the expansion will be adding an Avatar-themed land, based on the second film, The Way of Water, as well as Avatar: Fire and Ash. It will include a dark boat ride much like Pirates of the Caribbean, “taking guests all the way to the wide-open seas of Pandora.”
It follows the success of the world of Pandora, based on the original Avatar film, in Disney World’s Animal Kingdom. Disney has no dates or details yet on when it’ll be complete.
Coming sooner than the Avatar land, however, is a new esplanade entry “experience” to replace the current walkway entry at the east side of Disneyland, as well as a new parking structure and pedestrian bridge over Harbor Boulevard. Construction on this begins in the fall.
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Concept art of the new pedestrian bridge that will cross Harbor Boulevard.
Disney
A Coco ride is coming to California Adventure
It won’t be launching this year, but construction has begun backstage at California Adventure to build a new dark ride. It’ll be themed for the beloved Pixar movie Coco and populated by audio-animatronics.
The Coco ride will be located in the area near Pixar Pier and Paradise Gardens, in what is primarily backstage areas for cast members currently. It’ll have characters and music from the movies as you travel through the land of the dead with Miguel.
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Concept art for the new Coco ride.
Disney/Pixar
Two more Avengers Campus rides
Avengers Campus already has two rides: Spider-Man Web Slingers and Guardians of the Galaxy. Soon, this will double as Disney builds two more Marvel attractions at California Adventure.
“We’re doubling the size of the land with two new attractions,” a structural engineer said in a video posted to Walt Disney Imagineering’s Instagram account on Feb. 26. The engineer showed off how the Avengers Infinity Defense structure is looking now, including its columns, foundations and a catwalk that will “support projectors, speakers and other types of show elements.”
Avengers Infinity Defense will see you assemble alongside the Avengers, battling King Thanos — set in a multiverse — featuring appearances by Black Panther, Ant-Man and Hulk.
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Concept art of the Avengers Infinity Defense attraction coming to California Adventure.
Disney
Stark Flight Lab, the second ride, will see you help test Tony Stark’s latest tech.
“In Stark Flight Lab, guests will sit in ‘gyro-kinetic pods’ and roll along a track before stopping in front of a giant robot arm,” Disney said. “This robot arm will hoist you into the air where you’ll make several high-speed maneuvers inspired by Iron Man and some other Avengers.”
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Construction began in 2025, but no launch dates have been revealed yet.
Villains Land at Disney World
While it won’t be ready in time for 2026, construction is well underway for Disney’s first villains-themed area. Villains Land, which will celebrate all the classic baddies from Disney films, is coming to the Magic Kingdom at Disney World in Florida.
Imagineers have been drawing inspiration from architectural structures in Paris and Barcelona — like Gaudí’s buildings in the latter — to design Villains Land, Disney revealed during Destination D23 in August 2025.
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Concept art for the new Villains Land.
Disney
“Paris is a city full of classic Art Nouveau … natural motifs and swirling designs there make nature appear to be ‘cursed,’ like magic has frozen it into place,” Disney said on its Parks Blog. “Barcelona’s art style is Modernisme, which has less natural patterns but gives the architecture an otherworldly, unnerving appearance.”
Villains Land, first teased during D23 2022, will be positioned on the other side of Big Thunder Mountain at the top left edge of the current Magic Kingdom map and will stretch around to where the Haunted Mansion is.
Two major attractions are planned, along with dining and shopping. Still no word yet on when it’ll open.
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First peek at Piston Peak
Piston Peak National Park: the setting for the new Cars-themed land at Magic Kingdom.
Disney Parks
The Rivers of America and Tom Sawyer Island at Disney World’s Magic Kingdom have been closed and removed from the online map, as Disney works to construct a new land themed after Pixar’s Cars movies. Cars Land, which was added to Disney’s California Adventure back in 2012, remains extremely popular in the west, so it was only a matter of time before it was added to the eastern outpost.
In an expansion of Frontierland — which also includes Tiana’s Bayou Adventure and Big Thunder Mountain Railroad — Route 66 will feature a look inspired by the Rocky Mountains and the “American Frontier and its national parks.”
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The Disney Parks Blog described the new area as “an awe-inspiring wilderness filled with towering trees, snowcapped mountains, breathtaking waterfalls, roaring rivers and impressive geysers.” Disney Imagineers are “using a style of architecture called ‘Parkitecture,’ which was developed by the National Park Service to create structures that harmonize with the natural environment.”
Concept art of the Cars rally race attraction coming to Disney World.
Disney
There will be two attractions, one of which is a rally race. Pixar Chief Creative Officer Pete Docter and Imagineer Michael Hundgen spoke about the new ride vehicle for this, and you can see a TikTok of Imagineers testing out off-road vehicles in the Arizona desert to create what the ride will feel like. Each rally car will have its own personality, name and racing number, Docter said.
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“These are all things Lightning McQueen and Mater haven’t experienced before, like racing over rocky terrain, ascending to mountain peaks and dodging around geysers — how do you take these real-world elements and put a Cars spin on it?” Disney Parks said in a previous blog post.
While construction has begun and Disney has even released a map showing what the land may look like (geysers shooting water, a running river, an off-road rally track, mountains, a visitor’s lodge, a Ranger HQ and walking trails), we don’t expect Piston Peak to open until at least 2027 or 2028.
Tropical Americas Land at Animal Kingdom
Concept art of Tropical Americas.
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Disney
Animal Kingdom’s DinoLand USA area is no more, with the area on the Disney World map now a blank sea of grass as Disney slowly builds out the new Tropical Americas Land.
Construction began in the fall of 2024, with TriceraTop Spin and the midway area closing down in January 2025. The Dinosaur ride remained open until Feb. 1 this year, but has since closed its doors as it’s transformed into a new Indiana Jones ride through a Maya temple (a relatively easy overlay since Disneyland’s Indiana Jones reportedly follows almost exactly the same ride track as Disney World’s Dinosaur).
The Pueblo Esperanza area will be themed like a South American village, with an Encanto-themed attraction, where you get to explore Antonio’s rainforest room inside the Casita, as well as a huge quick-service dining location, a fountain and a carousel.
Tropical Americas is planned to open in 2027.
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Disney Cruise Line: New ships
Disney has been all in on launching cruise ships over the last few years, including the Disney Wish in 2022, the Disney Treasure in 2024 and the Disney Destiny in 2025.
“The Disney Believe will bring to life the magical worlds of Encanto and Frozen, the wishing wells of Snow White and the Seven Dwarfs, and the depths of the sea with Moana and The Little Mermaid,” Disney said.
The Disney Believe is expected to set sail in late 2027. The other ship names and destinations have yet to be revealed, but they’re expected to sail before 2031.
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Everything else new at Disneyland and Disney World
Here’s what else is new and coming soon to the theme parks:
Buzz Lightyear’s Space Ranger Spin closed at the Magic Kingdom in August to receive new ride vehicles with video monitors and two handheld blasters featuring always-on lasers in two different colors (so you can finally see which laser is yours). It’s also getting a new opening scene starring Buddy the friendly robot, and static Z targets will light up when you hit them. The ride reopened on April 8.
Big Thunder Mountain Railroad reopened on May 3 at Magic Kingdom after a lengthy refurbishment. It will include “a journey through the spectacular natural phenomena of the Rainbow Caverns.”
Kids summer shows at Disneyland include Disney Friends Dance Party at Hollywood Land in Disney California Adventure, and Stitch’s Intergalactic Beach Party Blast at Tomorrowland Terrace in Disneyland.
Bluey and Bingo meet-and-greets are coming to Disney World at the Conservation Station at Animal Kingdom as part of the Cool Kids’ Summer celebration, which goes from May 26 until Sept. 8.
Cinderella Castle at Magic Kingdom is currently being repainted in its original theme colors: gray, cream, blue and gold.
From July onwards, you’ll be able to book a wedding at the Haunted Mansion in Disneyland. Weddings will be hosted at the courtyard right outside the mansion’s front doors. The area can seat up to 25 guests. Unfortunately, it doesn’t include thematic midnight ceremonies — you can only host your wedding there in the early morning before park opening. Other new Disneyland wedding venues include the Magnolia Park Gazebo (right outside Tiana’s Palace), Magnolia Park Terrace (right outside the new Haunted Mansion queue) and Fantasy Faire Garden (opposite the castle).
On this week’s episode of the Smart Home Insider podcast, we talk about security systems, and how they can integrate with other devices to protect your home and family.
Joining as guest host for this security episode is Jimmy Lin, Vice President of Product Management at ADT. We dive into what’s new with ADT as well as security systems and Matter in the latter half of the episode.
First, we talk through the news. Bose has a new lifestyle collection of smart speakers, complete with AirPlay support and sleek, upscale designs.
Govee has two new releases to check out, starting with the Govee TV Backlight 3. This uses an updated hybrid lens camera to synchronize what is on-screen with a light strip positioned around your television.
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Then the firm has also released a new G25 filament-style bulb. The bulb has a cool double-helix filament in the center that is able to do different colors, and not just tunable hues of white.
Moving into security, guest Jimmy Lin talks through new releases from ADT, such as its innovative Live Light smart sign to help first responders find your home and its DIY Blu system.
We start to talk more broadly then, such as how security devices can do more than just protect your home. Lin discusses various scenarios such as identifying anomalies in your home, like if a cupboard door doesn’t open or someone doesn’t arrive home at an expected time.
Of course, we couldn’t end this interview without getting into Matter. Currently, ADT still doesn’t support Matter and we get into the weeds on whether or not it needs to and what users should look for now.
Links from the Smart Home Insider podcast
Those interested in sponsoring the show can reach out to us at [email protected]
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Keep up with everything Apple in the weekly AppleInsider Podcast. Just say, “Hey, Siri,” to your HomePod mini and ask it, and our latest Smart Home Insider episode too. If you want an ad-free main AppleInsider Podcast experience, you can support the AppleInsider podcast by subscribing for $5 per month through Apple’s Podcasts app, or via Patreon if you prefer any other podcast player.
Pope Leo XIV published his first encyclical on Monday. Titled Magnifica Humanitas, it addresses “safeguarding the human person in the time of artificial intelligence.” And while AI is the hook, the problems Leo focuses on are older and more pervasive: inequality, war, the erosion of democracy, and the concentration of power in the hands of those who don’t necessarily care whether humanity writ large remains magnificent.
Throughout the 200-page document, which the pope presented alongside Chris Olah, co-founder of AI company Anthropic, Leo argues that technology built and governed by a small elite cannot, by definition, serve the common good.
“When such power is concentrated in the hands of a few, it tends to become opaque and evade public oversight, increasing the risk of distorted forms of development that give rise to new dependencies, exclusions, manipulations and inequalities,” he writes.
“In fact, as with every major technological shift, AI tends to amplify the power of those who already possess economic resources, expertise and access to data,” the encyclical continues, highlighting concerns that elites can use their power to “shape information and consumption patterns, influence democratic processes and steer economic dynamics to their own advantage.”
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The encyclical comes a few days after President Donald Trump delayed signing his executive order on AI, which would have given the government oversight over new models before they are released, reportedly on the urging of VC investor and former White House AI czar David Sacks.
Pope Leo called for AI to be guided by “clear criteria and effective oversight” rooted in participation from communities that will be affected by it. More concretely, Leo called for an end to the AI arms race — the push to build “ever more powerful algorithms and larger datasets” that companies and countries believe will “secure geopolitical or commercial dominance.”
“To disarm means discrediting the assumption that technical power automatically confers the right to govern,” he wrote.
Again, these dynamics predate AI. Pope Leo XIII’s 1891 Rerum Novarum addressed the same concentration of power during the Industrial Revolution, but we needn’t look back that far. Consider Elon Musk’s acquisition of Twitter and his deployment of the platform to help elect Trump, or the hundreds of millions flowing from tech elites into super PACs to block AI regulation — patterns that clearly inspired Leo XIV’s work.
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The pope arrives at a conclusion many have already reached: the surreal power and capabilities of today’s AI raise the stakes enormously.
Notre Dame Law School professor Paolo Carozza, a member of the Pontifical Academy of Social Sciences and chair of the Meta Oversight Board, told TechCrunch that AI-driven misinformation and deepfakes have “corroded our capacity to recognize what’s true and what’s not true, and that really has consequences for democratic politics.” The tech industry’s practice of “harvesting and manipulating” human data, he added, poses “fundamental challenges to cognitive freedom.”
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AI PCs are quickly becoming the next big thing in the laptop world, but desktops haven’t seen the same level of attention yet. ASUS now wants to change that with the launch of the new VM441 AiO, which is designed to offer a smarter desktop experience by combining the Snapdragon X platform with Microsoft’s Copilot+ PC features. In simpler terms, ASUS wants this to feel less like a traditional bulky desktop and more like a modern AI-first machine for everyday users.
ASUS VM441 AiO Features
The AiO delivers up to 45 TOPS of NPU performance for advanced functions on the device. The Copilot+ PC helps its users perform all their daily activities, multitask, and communicate during discussions and collaborations. The VM441 AiO comes with an impressive 24-inch full-HD touch-screen monitor with great aesthetics. The screen has a wide 178-degree viewing angle and 100% sRGB color coverage.
ASUS VM441 AiO comes with two 3W stereo speakers that feature Dolby Atmos technology for clear, immersive audio. The inclusion of a bass reflex system helps deliver clearer audio output while you stream content and participate in video conferencing sessions. It also features a 5 MP IR camera with Windows Hello technology.
ASUS has designed the device to provide a complete desktop package for everyday users. It comes with quick SSD storage options, free wireless accessories, and compatibility with productivity suite software. Buyers also receive a one-year Microsoft 365 Basic subscription with 100GB cloud storage access for files and backups.
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Price and Availability
ASUS has priced the ASUS VM441 AiO starting at ₹1,01,990 for the 512GB model. The higher 1TB storage variant starts at ₹1,11,990. The desktop will be available across online and offline platforms, including Amazon, Flipkart, ASUS stores, and Croma. ASUS also includes No Cost EMI plans and cashback benefits on eligible bank cards.
IBM India’s Sandip Patel says the country can become the world’s AI skill capital by 2030. The arithmetic of getting there is harder than the headline number suggests.
ndia has roughly six hundred million workers, and on a recent Bengaluru morning, the head of IBM’s India business put a number on how many of them know enough about artificial intelligence to be useful in the next economy.Two hundred million. About thirty per cent of the workforce. Sandip Patel, managing director of IBM India and South Asia, told Reuters on Monday that this is the country’s headline opportunity, and also the heart of its problem.“That demographic dividend, that’s sitting here, unleashing that is a phenomenal opportunity,” Patel said.
“You will be at a 350 million AI-trained workforce that can be deployed not just here, but can be doing work around the world.”
The figure comes from a joint study by IBM’s Institute for Business Value and IndiaAI, published earlier this month, which estimates that AI could add more than $500 billion to India’s economy by 2030.
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To get there, the AI-literate share of India’s technology workforce will have to rise from around thirty per cent today to nearly fifty-seven per cent by the end of the decade. That is the gap between 200 million and 350 million workers, and it is meant to close in less than five years.
The pressure is structural. India produces millions of engineers a year, and many of them work in the IT-services industry that built the country’s reputation as the world’s back office.
Those jobs are precisely the ones generative AI is now coming for. Coding, ticket handling, junior analyst work: the tasks that have, until recently, scaled with headcount are now scaling with model calls. Patel framed it carefully.
“AI is both creating productivity improvements, which is changing the complexion of jobs, but it’s also creating new skill sets that people have to adapt and learn, which then creates newer jobs,” he told ANI at the report’s launch.
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The report itself is blunter than the executive on stage. Seventy-two per cent of surveyed organisations admit they are behind global peers on AI. Only fifteen per cent are scaling AI through cross-functional investment; the remaining eighty-five per cent are stuck in pilots.
The execution gap is not unique to India. It is the same story in Brussels, where Eurostat’s December release showed only a fifth of EU enterprises using AI, and where European executives name skills shortages as a top barrier behind only regulation.
What is unique to India is the demographic arithmetic. More than half of the country’s 1.4 billion people are under thirty.
The government’s IndiaAI FutureSkills programme is trying to translate that into AI literacy at scale, with data and AI labs being expanded into Tier 2 and Tier 3 cities. IBM, which in December committed to skill five million Indians in AI, cybersecurity and quantum computing by 2030 through its SkillsBuild platform, is one of the corporate vehicles for that effort.
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The company has been quietly growing its footprint outside Bengaluru and Hyderabad, expanding in Kochi to roughly four thousand staff within two years and opening a presence in Lucknow.
Patel pressed one further point that is less commonly raised in the AI-and-jobs conversation: intellectual property. India will need stronger IP enforcement, he said, if it wants to move from running the world’s back office to creating monetisable technology of its own.
If the next decade of AI value accrues to the firms that own the models, the country that trains the workforce but not the IP will, again, be operating someone else’s product. The skill capital and the model capital are not the same thing. India, on Monday’s evidence, is aiming for both.
Anthropic appears to be preparing for the public rollout of “Mythos,” which was announced in April as a restricted model that poses major security risks to private and public software.
On April 7, Anthropic announced the Mythos in early preview and called it a new frontier model with strikingly advanced capabilities in computer security tasks.
Anthropic said the Mythos model shows major improvements in code reasoning and autonomy, far above its current flagship model, Opus 4.7.
Coding improvements aren’t new for AI models, but in the case of Mythos, Anthropic found that the model can automatically develop functional cyberattacks at a highly professional level.
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The company also claimed its rollout poses a severe risk to global digital infrastructure.
“The advantage will belong to the side that can get the most out of these tools,” Anthropic warned.
“In the short term, this could be attackers, if frontier labs aren’t careful about how they release these models. In the long term, we expect it will be defenders who will more efficiently direct resources and use these models to fix bugs before new code ever ships.”
To prevent attackers from exploiting a massive volume of unpatched vulnerabilities in popular apps, such as Firefox, Anthropic decided against the public rollout of the Mythos model until it prepared a powerful guardrail system.
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It looks like Anthropic may have developed a strong guardrail system, as Claude Code and Claude Security now have references to the Mythos model.
In fact, some users briefly noticed the toggle to enable Mythos in the public version of Claude Code before it was taken offline.
The model is called claude-mythos-1-preview, and it also briefly appeared in the public version of Claude Security.
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This confirms that Anthropic is preparing the model for public rollout, but it’s unclear whether it’ll be available across all subscription tiers.
Anthropic says it’s working with companies on finding potential AI-driven exploits
Anthropic has confirmed it’s working on a new project called “Glasswing,” where the AI startup collaborates with other companies to secure the world’s most critical software from potential AI-driven exploits.
This initiative uses the unreleased Claude Mythos Preview, and it has already managed to help up to 50 organizational partners.
Anthropic showed off a dashboard containing open-source vulnerabilities. This has vulnerabilities of all severities found by Mythos Preview.
Mythos model managed to uncover 10,000 high- or critical-severity vulnerabilities in its first month alone, which explains why Anthropic has been holding off its public release.
Anthorpic currently offers Claude Opus 4.7, Opus 4.6, Opus 4.5, Sonnet 4.6, and Haiku 5.5.
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Automated pentesting tools deliver real value, but they were built to answer one question: can an attacker move through the network? They were not built to test whether your controls block threats, your detection rules fire, or your cloud configs hold.
This guide covers the 6 surfaces you actually need to validate.
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