Entertainment
10 Movie Adaptations the Author Hated
Taking a book and turning it into a motion picture is a practice almost as old as cinema itself. Since the days of Georges Méliès, who offered his cinematic takes on literary classics like Cinderella and From the Earth to the Moon, filmmakers have been taking stories from the page to the big screen, experimenting with how the differences between the written word and the cinematic language can be most effectively combined.
Sometimes, the books adapted belong to authors that have since passed away. Other times, the authors are still alive and kicking and commend these cinematic adaptations of their work, no matter how involved they were in their making. On a few noteworthy occasions, however, authors have been quite vocal about their intense dislike for a certain movie adaptation of a book of theirs. From novelists like Stephen King to comic writers like Alan Moore, these are authors who clearly didn’t think the cinematic medium did their work justice. For fairness’ sake, entries will be limited to only one per author. Otherwise, a list of this nature would end up being composed purely of King and Moore adaptations.
10
‘Tales from Earthsea’ (2006)
Ursula K. Le Guin was one of the greatest and most important American writers of her generation, known mainly for her work in speculative fiction. The collection of fantasy stories and essays known as Tales from Earthsea is perhaps her best-known work, and for good reason. Fans couldn’t have possibly been more excited when a Studio Ghibli adaptation of the first four books in the series was announced, which would be Gōro Miyazaki‘s (son of Hayao Miyazaki) directing debut. The rest is history, just not particularly pleasant history.
[Le Guin] felt like the film told a completely different story from the source material.
There are those who would go so far as to call Ghibli’s Tales from Earthsea one of the worst anime movies of all time. Le Guin herself probably would never have gone that far, but she did state that Miyazaki misunderstood the spirit of her books so terribly that she felt like the film told a completely different story from the source material. You’d be hard-pressed to find an Earthsea book fan who would disagree.
9
‘Charlotte’s Web’ (1973)
E. B. White, perhaps best-known as the creator of Stuart Little, was one of the greatest American children’s literature authors in modern history. He also wrote Charlotte’s Web, an illustrated book that, before being turned into a live-action film starring Dakota Fanning in 2006, was turned into a Hanna-Barbera musical cartoon in 1973.
Audiences today mostly remember it fondly as one of the movies that proved 1970s animation was by no means bad, but White wasn’t fond of the film at all. On the contrary, though the author was slightly involved in the movie’s story, he was generally displeased with the final product, calling it “a travesty.” He hated the fact that the movie was a musical, which he felt didn’t gel well with what he had written.
8
‘Rawhead Rex’ (1986)
Legendary British horror author Clive Barker is perhaps best known as the man who wrote the Hellraiser series. When it came time to turn the book into a film, he decided to write and direct it himself. The reason? Rawhead Rex, an adaptation of Barker’s short story of the same name directed by George Pavlou, from a screenplay by Barker himself.
The movie was a colossal failure, and is still remembered as one of the worst horror movies of the ’80s. Barker, obviously, felt that the elements were all there on the page for Rawhead Rex to have been quite a thrilling film. He felt, however, that Pavlou’s direction fell short, failing to provide the stylish oomph that would have made the movie as strong as the source material.
7
‘I Know What You Did Last Summer’ (1997)
Following the success of Wes Craven‘s 1996 slasher classic Scream, many terrible rip-offs followed. Jim Gillespie‘s I Know What You Did Last Summer may be iconic, but there’s no way of denying that it’s just that: a terrible Scream rip-off. It didn’t have to be that way, though. The movie wasn’t based on a horror novel, but rather a well-regarded 1973 YA thriller by Lois Duncan.
Duncan’s daughter, Kaitlyn Arquette, was shot to dead in 1989. In a 2002 interview, the author revealed that as the mother of a murdered young woman, she was absolutely appalled by the fact that her novel had been turned into a silly, cheap slasher. It’s difficult to blame her, made even more difficult by the fact that the film isn’t even a good slasher to begin with.
6
‘Willy Wonka & the Chocolate Factory’ (1971)
As one of the most important voices in the modern history of children’s literature, Roald Dahl is someone who needs no introduction. Another person who needs no introduction is Willy Wonka, and fittingly, Willy Wonka & the Chocolate Factory, one of the best fantasy movie masterpieces of all time, has a reputation that precedes it. A lesser-known part of that reputation, however, is that Dahl hated the film.
In fairness, Dahl hated the vast majority of the movies based on his work, thinking that Hollywood had a tendency to twist his stories into things he had never intended. His dislike for Willy Wonka, however, was particularly strong. He disowned the movie and declared himself “infuriated” by its plot deviations, its being a musical, and its shifting the narrative’s focus from Charlie to Wonka. The original book purist, Dahl would have vastly preferred it if director Mel Stuart had stuck far more closely to what was already on the page, even if this has proven to age as one of the best family movies of all time.
5
‘The NeverEnding Story’ (1984)
Wolfgang Petersen‘s first English-language film, The NeverEnding Story is one of the most iconic family films of the ’80s, even if some find it to traumatizingly dark that its “family film” status is not uncontested. It was based on German writer Michael Ende‘s 1979 book of the same title, and it was a hit both with critics and at the box office.
Someone it wasn’t a hit with, however, was Ende himself. The author only got to see the script days before the movie’s premiere, and claimed to have been “horrified” by what he saw. He felt that Petersen completely changed the essence and spirit of the book, and later called the film a “gigantic melodrama of kitsch, commerce, plush and plastic.”
4
‘Percy Jackson & the Olympians: The Lightning Thief’ (2010) and ‘Percy Jackson: Sea of Monsters’ (2013)
Of the many book series that tried to be the next Harry Potter, few came as remarkably close with something as original, fun, and genuinely high-quality as Rick Riordan‘s Percy Jackson & the Olympians book series. But out of every book-to-film adaptation that’s nothing like the books, few cases are as egregious as The Lightning Thief and Sea of Monsters, the movies based on the first two installments in the saga.
Riordan was extremely vocal about how he felt about these movies. He said the writing was terrible, and not just because it deviated tremendously from the source material. He shared email recommendations for script changes that he sent to the people behind the movies—recommendations that clearly went unheard. Most of all, the author was bothered because he knew that these adaptations would anger and disappoint fans. It’s no wonder why Riordan became far more directly involved with the new Disney+ TV series adaptation of Percy Jackson.
3
‘Mary Poppins’ (1964)
Mary Poppins is widely recognized as one of the most perfect live-action Disney movies of all time, a marvelously magical and beautifully nostalgic musical bolstered by Julie Andrews and Dick Van Dyke‘s lead performances. It’s based on Autralian-British writer P. L. Travers‘ Mary Poppins book series, and Walt Disney‘s repeated decades-spanning attempts to buy the film rights to her books made for such an arduous production process that it became the subject of the Tom Hanks and Emma Thompson-starring Saving Mr. Banks.
Contrary to what the ending of Saving Mr. Banks depicts, however, Travers did not, in fact, like what Disney did with her books. Travers famously cried at the movie’s premiere due to how distorted and saccharine her story and characters had become as a result of their Disney-ification. She hated the animated segments, she objected to the musical numbers, and she disliked the casting of Julie Andrews in the titular role. Audiences, of course, have disagreed with Travers over the course of the film’s existence; but one can only sympathize with her sadness.
Another author who famously hates pretty much any and every film that’s ever been made about their work is Alan Moore. The writer is of the vehement opinion that it’s impossible to turn a comic book into a film that properly captures its essence, and as a result, adaptations of his work—from Zack Snyder‘s Watchmen to James McTeigue‘s V for Vendetta—rub him the wrong way. But out of every movie adaptation of his oeuvre, Moore had the most contempt for Stephen Norrington‘s The League of Extraordinary Gentlemen.
In all fairness to Moore, this is far and away one of the most abysmal superhero movies ever made, so it’s difficult to blame him for disliking it. What really added salt to the wound, however, was the lawsuit brought forward against 20th Century Studios by Larry Cohen and Martin Poll, who claimed that the studio had plagiarized their script. Moore got tangled up in the whole ordeal, and that only made League all the more of an unpleasant experience.
1
‘The Shining’ (1980)
As one of the authors whose work is most often adapted by Hollywood, and not often with good results, Stephen King is someone with a long track record of being critical of big-screen adaptations of his work. But the most notorious King adaptation that he despised, and perhaps the most notorious case of an author hating a movie based on their work, is Stanley Kubrick‘s The Shining. Based on the third novel King ever wrote, many think of this ’80s classic as one of the greatest horror movies ever made, complete with one of the scariest movie villains of all time—but the author himself disagreed.
King’s dislike for Kubrick’s movie has become a subject of study itself, with fans having spent the last 46 years diving deep into why King might have felt such an aversion to this version of The Shining. He once said that it was the only adaptation of his novels that he could truly remember hating, calling it “maddening, perverse, and disappointing.” He admitted to Kubrick’s brilliance as a director, but felt that the film twisted the message and essence of what he had written as an allegory for alcoholism (with many autobiographical elements) into something he couldn’t recognize. Knowing King’s deeply personal connection to the story, it becomes impossible to blame him for hating what even the film’s biggest fans must admit is vastly different from the source material.
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Chicago Med is causing concern after putting a beloved character’s future at risk — but did they officially get killed off?
During the Wednesday, April 1, episode of the hit NBC series, Dr. Charles (Oliver Platt) has a difficult day when he tries to help someone who calls into the suicide hotline. The man reveals he’s holding a gun before disconnecting. With the case sent over to emergency services, Dr. Charles can’t follow up.
He then has a fight with his daughter, is accused of a patient of letting his emotional issues affect his work, got an official complaint raised again him and considering another job after an argument with Goodwin.
Dr. Charles ultimately has blurry vision and hallucinates his childhood. The final scene shows him on the ground while gasping for while, which left his health scare and future on the show unclear. Fans noted that the trailer for next week’s episode hinted at a stroke but it wasn’t confirmed if Dr. Charles died.
If there’s one thing Dick Wolf isn’t afraid of, it’s killing off a beloved character. A fact that fans of the One Chicago universe know all too well. The franchise kicked off in 2012 with Chicago Fire. Chicago P.D. was added in 2014 and Chicago Med debuted in 2015. The cast of each show has […]
One Chicago fans have gotten used to seeing their favorite characters come and go from Chicago Fire, Chicago Med and Chicago P.D. over the years. After there were some questions about the franchise’s revolving door of cast members, NBC’s president of program planning Jeff Bader explained why he wasn’t concerned.
“Cast comes in, cast goes out,” Bader told TVLine in an interview published in July 2024. “It’s interesting. Because every year there are cast changes, and every year someone asks the same question about what’s going on within the One Chicago universe. But [those shows] just keep going on.”
Bader pointed out that each of the Chicago shows have continued to find success, adding, “We’re thrilled with how the Chicagos do on Wednesday. We have no plans on changing anything on that night.”
Elsewhere in the One Chicago universe, Dermot Mulroney surprised fans by departing Chicago Fire — for now.
A March episode of the hit NBC series showed Pascal having his position revoked after he previously disobeyed a federal agent’s order to stand down while collecting evidence at a house fire. Pascal was arrested, but despite the federal charges against him being dropped, his position was still in jeopardy.
Pascal ultimately confirmed to Firehouse 51 that he was told to vacate the position effective immediately. Amid the big professional change, Pascal considered retiring from firefighting but then shared that a former colleague in Phoenix offered to connect him with a firehouse in Arizona. It remained unclear what choice Pascal would make about his future.
“He’s been on the ropes,” Chicago Fire showrunner Andrea Newman told NBC Insider. “[The arrest] puts him in a situation, it’s kind of a journey for him from the beginning, where he really wasn’t connected to 51 as closely as the chiefs obviously we’ve seen in the past, like Boden.”
Newman continued: “So he makes the ultimate sacrifice for his team, for all the teams really in this episode, and it sends him in a totally different and new direction at the end here. And he’s gonna have to figure out if he’s going to fight and claw to get back to 51, or if he’s now going to be on a new path altogether.”
Chicago Med airs on NBC Wednesdays at 8 p.m. ET.
Sometimes Hollywood knows exactly what old flick needs an update. Sometimes, they get it oh so wrong. Thumbs up or down on these remakes and reboots?
Be sure to sign in and track your day-to-day progress. Don’t forget that you can try today’s TV Quiz if you’re in the mood for another challenge, and you’ll always find all of our current and archived quizzes here.
Tomorrow, we’re going to wrap up the week with the MGM classic, The Wizard of Oz, so be sure to come back for that.
For today’s movie challenge, we’re looking at remakes and reboots. Whether we asked for them or not, these movies put a new spin on an existing story. It’s all about thoroughly monetizing that IP, baby! Scroll down for our feature presentation.
Entertainment
Howie Mandel doubles down on awkward semi-apology after snapping at Mark Consuelos, Kelly Ripa on air
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Mandel said it’s “up to you to discern” whether or not his apology video was genuine, after he snapped at Ripa and Consuelos on “Live With Kelly and Mark.”
Howie Mandel has admitted that he has mixed feelings about apologizing to Kelly Ripa after their awkward interview on Live with Kelly and Mark.
“If somebody is offended [or] if somebody feels that I did wrong, then I apologize,” Mandel said on the Tuesday, March 31, episode of the “Hot Mics with Billy Bush” podcast. “I don’t believe in apologizing but, as I said in my post, which I kinda regret making the post, I don’t think you should apologize for a joke.”
The drama started on March 23 while Mandel was being interviewed by Ripa, 55, and her husband, Mark Consuelos, on Live. Ripa pointed out that Mandel recently celebrated his 70th birthday, before joking that his age “doesn’t make any sense.”
When Consuelos interjected that Mandel looked “great,” the comedian shot back, “I [do] look great. That doesn’t mean anything to me.”
The America’s Got Talent judge complained that he doesn’t like people commenting on his age because it always comes as “a caveat.”
“Because you tell someone you’re 70 and they go, ‘You look great,” he added.
Ripa tried to clarify that she wasn’t trying to say Mandel looked “great for 70,” before he interrupted again to declare, “It’s like saying you’re smart for a stupid person. ‘Oh, you look smart! You seem smart!’ I don’t look good.”
Mandel added later in the conversation, “Well, actually, before we go out, there’s, like, a mirror back there. … Honestly, now, I’ll be serious for a minute: I’m gorgeous. I am. I am.”
“You’re a thing of beauty,” Ripa quipped.
Howie Mandel in January 2025. Ethan Miller/Getty Images
The awkward interview clip quickly went viral, leading to Mandel making a public apology for the awkward moment a few days later.
“I have been debating for 48 hours whether I should make this post or not, and I don’t know if I’m doing the right thing,” he said via Instagram on Saturday, March 28. “Philosophically, I don’t believe that somebody who’s a comedian needs to apologize for a joke. It is a joke, it is meant as a joke, and it’s not meant to offend.”
Mandel pointed out, “You can not like it and, in all my years in the business, I haven’t ever publicly apologized for [a joke].”
Howie Mandel’s campaign with Skechers was a match made in heaven — but he took an untraditional route to get there. “I went to a Skechers store and I went to buy what I love and what I wear and what I find easy to do,” Mandel, 68, explained during an exclusive interview with Us […]
Longtime Live With Kelly and Mark executive producer Michael Gelman poked fun at the controversy by replying to Mandel’s Instagram post, writing, “During these divided times, one thing we can all agree upon is that you do look great … for your age.”
The comic has made nearly 50 appearances on Live With Kelly and Mark and its previous iterations, dating back to 1995. He often guest hosted Live with Ripa following the departure of her original cohost, the late Regis Philbin, in November 2011. (Michael Strahan and Ryan Seacrest later landed the cohosting job alongside Ripa before Consuelos joined full time in 2023.)
Entertainment
30 Years Later, the Greatest Horror Saga Ever Told Is Officially Dominating Streaming Again
The era of the once mighty slasher film has fallen on hard times. Grief-fueled horror films are all the rage, with only a few bastions of the subgenre remaining. How quickly viewers forget the seeds of the genre that celebrated blood and guts. The only slasher franchise that truly remains is Scream, the iconic series of films from the late horror director Wes Craven.
Premiering in 1996, the first Scream film was a fresh take on a trend that seemed to have lost its luster. The film starred Neve Campbell as Sidney Prescott, a new final girl for the modern era. In the town of Woodsboro, a killer in a Ghostface mask terrorizes high school students in an entertaining and meta take on the genre. Scream deconstructed these horror tropes and laid out the rules for surviving a horror film. The franchise was so successful that it outlived Craven. Now, after the seventh entry of the Scream series, it has found life again on Tubi.
‘Scream’ Fans Can Revisit Ghostface on Streaming
Scream has endured for so long because it was unlike any other horror franchise at the time. In the ‘90s, slashers like Freddy Krueger and Jason Voorhees had lost their charm. It was time for a new take on the subject, and there was no one better to address this than Wes Craven. With the help of screenwriter Kevin Williamson, who wrote zippy lines and witticisms, Scream became a smash success.
The first Scream film threw out the hallmarks of the past. Instead of one killer, there were two, and their motives were incidental. While Billy Loomis (Skeet Ulrich) blamed his murder spree on his mother leaving after Maureen Prescott’s affair with his father, it was really an excuse. Co-killer Stu Macher (Matthew Lillard) cited peer pressure as his reason for the crimes. This was a tongue-in-cheek way to acknowledge that killers didn’t need a motive to be truly heinous.
Scream set up a theme that reoccurred in the following two films of the trilogy, offering red herrings and horror cameos to drive the point home that this was not the typical franchise. The meta take on the genre continued to take on a life of its own. Just like Ghostface, Scream continues to return and only rarely disappoints.
Scream 4 was a surprise, premiering a decade after the previous film. Craven proved he had not lost his touch as the film was ahead of its time. Featuring a new cast of teenagers, the fourth film in the franchise notes the dangers of influencer culture in an extremely underrated entry. Now, 30 years after the first film, Scream remains a nostalgic pleasure for fans. Michael Myers can be a one-note killer, but Scream continues to prove it is the best of the best because it always reinvents itself.
There are, of course, no comparisons to the originals, but there is always room to deconstruct the horror genre in a new meta take. Viewers can relive the brutal kills and classic one-liners by catching the franchise on its new home, Tubi.
- Release Date
-
December 20, 1996
- Runtime
-
112 minutes
- Writers
-
Kevin Williamson
- Producers
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Bob Weinstein, Cary Woods, Cathy Konrad, Harvey Weinstein
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Rebel Wilson is not afraid to keep it real with herself about her weight-loss journey.
The “Bridesmaids” actress has always been open about her weight and the steps she has taken to pursue a healthier lifestyle. Now, she’s sharing even more candid reflections as she navigates her body transformation.
While continuing to focus on her wellness, Wilson is also dealing with an ongoing legal battle tied to her film “The Deb.”
Rebel Wilson Gets Candid About Never Getting A Bikini Body
The “Senior Year” actress did not sugarcoat where she’s at recently with her fitness, admitting she may never look a certain way.
Taking to Instagram Stories, Wilson shared a photo of herself in a sports bra and shorts, confidently showing her midsection while embracing her reality in the caption.
“I don’t think I’ll ever have a bikini body – that’s just not me,” Wilson wrote. “But my body has carried me through this life, and I am so grateful for it!”
The soon-to-be mom of two followed up her candid admission with a glimpse into her wellness routine. “I’m trying to get in my daily steps, do a Pilates class once or twice a week, some strength training when I can – eat as healthy as I can,” she explained.
Wilson also chimed in on her use of medication to support slimming down, writing, “But let’s face it, I love sweets – so I need those GLPs [sic] from time to time to give a little help.”
The ‘Pitch Perfect’ Star Turned To GLP-1 For Weight Loss
Wilson’s latest update comes about six months after she revealed she was considering GLP-1 medications as part of her weight management plan.
As The Blast reported at that time, she had partnered with Noom as its Chief Wellness Ambassador, describing the medication as a complementary tool alongside proper nutrition and exercise.
Wilson had revealed back then that she was struggling to stay in shape due to her busy schedule, from motherhood to her career. However, getting on board with the Noom program helped her still keep her fitness in check.
How Rebel Wilson’s ‘Year of Health’ Reshaped Her Career
Throughout her transformation, Wilson has been an open book. In 2020, embarked on a strict routine, famously dubbed her “year of health,” shedding nearly 80 pounds in the process.
According to the Australian actress, the change was not just physical; it also shifted how she was perceived in the industry, opening doors to a wider range of roles.
“That weirdly made me more versatile as an actress, even though I had the same skills,” the 46-year-old explained per The Blast.
She added, “I think people see you differently [after weight loss] and can imagine you more easily in different roles. So I think that probably had the biggest effect.”
Wilson’s ‘The Deb’ Film Lawsuit Took a New Messy Turn
Putting her fitness journey aside, the “Jojo Rabbit” actress is currently in the middle of a legal showdown involving her directorial debut.
The dispute began in 2024 after Wilson accused members of the production team of embezzlement and other misconduct. In response, the producers hit back with a lawsuit, alleging her claims were false.
The case has now taken a new twist. Weeks ago, an audio surfaced as part of the evidence, reportedly suggesting that Wilson may have been involved in orchestrating a smear campaign against producer Amanda Ghost.
According to The Blast, the recording features crisis management professional Jed Wallace discussing ways to spread false claims against Ghost, including that she was getting hookers for Sir Len Blavatnik.
Wallace also mentioned Wilson’s attorney, Bryan Freedman, in his plans against Ghost.
Rebel Wilson Spoke Out Amid Legal Battle
Following the release of the recording, Wilson spoke out, making it clear she is fully prepared to say her truth. As The Blast reported, the comedian revealed that she was waiting until she testified. However, the increasing allegations against her made her speak up.
She disclosed that there were “powerful people” who wanted her silenced after reporting what she saw as “dodgy behavior” from the producers on set.
Wilson called out Blavatnik to take action before noting she won’t be quiet. She added that when “push comes to shove,” she would take the stand and “tell it as it is.”
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