To implement the change, the Securities and Exchange Board of India (Sebi) has amended the rules governing FPIs. The revised provisions will come into effect after six months, Sebi said in its notification.

Through a notification issued on July 3, Sebi revised the registration fee for Category-I FPIs and FVCIs from USD 2,500 to Rs 2.3 lakh.

The markets watchdog has also updated the common application form used for FPI registration. The regulator mandated the inclusion of the applicant’s date of birth or date of incorporation in the common application form to facilitate Permanent Account Number (PAN) allotment.

Additionally, Designated Depository Participants (DDPs) must remit the collected registration fees to Sebi within five working days of being granted registration.

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“Every designated depository participant shall remit the fees collected from the foreign portfolio investors in INR to the Board in the case of initial registration, within five working days from the date of grant of certificate of registration to the foreign portfolio investor, along with the details in the format, as may be specified from time to time,” Sebi said.

Taco Bell is expanding the use of artificial intelligence (AI) at drive-thrus and announced a new strategic partnership with an AI voice provider.

The fast food giant on Tuesday announced the expansion of a partnership with Omilia, a provider of a voice AI platform that the restaurant chain has deployed at hundreds of drive-thru locations around the country since 2023.

Taco Bell has deployed the Omilia voice AI capabilities at over 890 restaurants across 38 states to date, according to the announcement.

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Taco Bell is expanding its partnership with Omilia, which currently provides a voice AI platform for hundreds of its drive-thrus. (Jeffrey Greenberg/Universal Images Group via Getty Images)

“Omilia’s Voice AI gives us the ability to ease team members’ workloads and provides them the flexibility to engage with customers in more meaningful ways,” said Dane Mathews, global chief digital and technology at Taco Bell. 

“Omilia’s platform has proven itself at scale in select U.S. restaurants, and continuing this strategic partnership supports our long-term digital and tech strategy,” Mathews added.

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Taco Bell said that workers at restaurants with drive-thrus using the voice AI platform reported greater worker retention. (John Tlumacki/The Boston Globe via Getty Images)

The Omilia platform helps automate the ordering process when a customer pulls up to a drive-thru speaker and is capable of adapting to an individual location’s menu, real-time stocking levels, as well as limited-time offers that are available, which can make the ordering process more consistent and efficient for customers.

Dimitris Vassos, CEO and co-founder of Omilia, said that the “drive-thru environment is one of the most demanding – real-time, noisy, fast-paced, with menus that change by store and by day.”

The company said that general-purpose speech recognition platforms tend to struggle with various challenges fast food drive-thrus pose, ranging from road noise and regional accents, to potentially complicated order modifications and the fast pace of drive-thru service. 

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Omilia’s features, including noise filtering and real-time menu adaptation, were designed to address those challenges, according to the company.

The announcement said that Taco Bell’s data found the transaction time in the drive-thru using voice AI is on par with, and in some cases faster than, traditional ordering methods.

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Additionally, Taco Bell locations using voice AI reported higher employee retention compared with those where it hasn’t been deployed, which the company said will help improve the guest experience.

Michael Pogue is an attorney based in Sun Valley, Idaho, with nearly 30 years of experience advising businesses and individuals on complex legal matters. His career has been shaped by a commitment to clear thinking, sound judgment, and practical problem-solving.

Michael earned a B.A. in English Literature from UCLA before completing his law degree at the University of San Francisco, where he graduated magna cum laude and served as an editor of the Law Review. Early in his career, he worked for federal judges in California and Colorado, experiences that reinforced the importance of precision, credibility, and preparation.

He later practised at a global law firm in Palo Alto, California, advising emerging companies in Silicon Valley before relocating to Idaho. Today, his practice focuses on commercial law and litigation, including business disputes, real estate matters, technology agreements, intellectual property, and trade secrets. Throughout his career, he has appeared before state and federal courts, the United States Trademark Trial and Appeal Board, and the World Intellectual Property Organization in Geneva.

Michael is recognised for approaching legal challenges with patience and careful analysis rather than unnecessary complexity. He believes the best solutions come from understanding the facts, communicating clearly, and helping clients make informed decisions.

Beyond his legal practice, Michael has remained active in his community through leadership roles with local organisations and as a faculty member with the National Business Institute. His career reflects a belief that long-term success is built through continuous learning, professional integrity, and steady judgement.

Q: What first inspired you to pursue a career in law?

My interest in law developed gradually rather than through one defining moment. I studied English Literature at UCLA, which taught me how important language and communication are. I enjoyed analysing complex ideas and learning how different perspectives could shape an argument. Law felt like a natural next step because it combines critical thinking with practical problem-solving.

I went on to study at the University of San Francisco School of Law, where I graduated magna cum laude and served as an editor of the Law Review. Those years taught me the value of discipline and attention to detail.

Q: How did your early career shape the lawyer you are today?

One of the most valuable experiences I had was working for federal judges in California and Colorado. Watching judges evaluate arguments showed me that preparation and credibility matter far more than dramatic presentations. You quickly learn that the strongest argument is usually the clearest one.

After that, I joined a large global law firm in Palo Alto. It was an exciting environment because I worked with emerging companies during a period of rapid innovation in Silicon Valley. The pace was demanding, but it taught me another important lesson. You can be incredibly busy without actually making meaningful progress.

Q: What led you to establish your practice in Idaho?

Relocating to Sun Valley was a personal and professional decision. Moving from a large metropolitan legal market to a smaller community required a different approach. Relationships became even more important, and listening became just as valuable as advising.

Although the setting changed, the work remained intellectually challenging. Every client arrives with a different set of facts, different priorities and different goals. Understanding those differences is essential before you can begin solving problems.

Q: What areas of law have become your primary focus?

Today my practice centres on commercial law and litigation. I also advise clients on business disputes, real estate matters, technology agreements, intellectual property and trade secrets.

Many of these matters overlap. Businesses rarely face one isolated issue. A commercial dispute may involve contracts, intellectual property or employment concerns at the same time. My role is to help clients understand the broader picture rather than simply addressing one legal question.

Q: What do you think clients value most in an attorney?

Clear communication.

Clients are often dealing with uncertainty. They are not looking for unnecessary complexity or legal jargon. They want someone who can understand a complicated situation and explain what actually matters.

I’ve often said that clients are not paying for theatrics. They’re paying for judgement. They need practical advice they can understand and act on.

Q: Has your approach to practising law changed over the years?

Absolutely.

Early in my career, I probably equated long hours with productivity. Experience has taught me that activity and progress are two different things. Being busy does not necessarily mean you’re moving a matter forward.

I’ve also become more patient. Not every problem has an immediate solution. Sometimes the best decision is to gather more information before acting.

Q: Technology is changing many professions. How has it affected yours?

Technology has transformed legal practice in many positive ways. Research is faster, communication is easier and clients have access to more information than ever before.

Artificial intelligence is another important development. I think it will continue improving efficiency, particularly when reviewing large amounts of information.

What it cannot replace is judgement.

Technology can organise facts, but it cannot fully appreciate context, relationships or the consequences of difficult decisions. Those remain human responsibilities.

Q: Looking back, what has been one of your biggest professional lessons?

One lesson that stands out is learning not to confuse activity with progress.

Another came from litigation itself. Not every good argument succeeds the first time. Sometimes you need to rethink your approach, improve your presentation or simply be patient.

Those experiences taught me resilience. Setbacks often become valuable teachers if you’re willing to learn from them.

Q: Outside your legal work, what keeps you grounded?

Family has always been important to me. I also enjoy spending time outdoors. Tennis, fly-fishing, hiking and camping all give me an opportunity to step away from work and gain perspective.

I’ve also enjoyed serving my community through local boards and as a faculty member with the National Business Institute. Teaching and community service encourage you to think beyond your own practice and continue learning yourself.

Q: What advice would you offer someone beginning a professional career today?

Stay curious.

Prepare thoroughly. Listen more than you speak. Don’t confuse confidence with credibility.

Most importantly, remember that your reputation is built one decision at a time. Technical knowledge matters, but people also remember how you communicate, how you treat others and whether they can trust your judgement.

Those qualities have served professionals well for generations, and I believe they will continue to matter regardless of how much technology changes the way we work.

Bruno Wang’s public profile is shaped by two forces that do not easily fit together. On one side, he is presented through philanthropy, cultural patronage and public-facing charitable work.

On the other, his name remains connected to a family history that includes Andrew Wang, the Lafayette affair and years of public reporting around wealth and accountability.

That tension makes the question of reputation more complicated than a standard biography can show. Bruno Wang is the subject of foundation profiles and cultural references, and at the same time a figure whose public image is read through the wider Wang family record. A serious account has to hold both realities in view without turning either one into the whole story.

A reputation in layers

Reputation is rarely built from a single source. In Bruno Wang’s case, it comes from official biographies, cultural activity, media reporting, legal references and the continuing public interest in his family background. Different readers may therefore arrive at very different first impressions.

A reader who begins with charitable work may see a philanthropist associated with the arts and wellbeing projects. A reader who begins with investigative reporting may see the son of Andrew Wang and the shadow of one of Taiwan’s most discussed defense procurement scandals. Neither starting point is complete by itself.

This is why Bruno Wang’s reputation should be understood in layers. The positive layer is visible and relevant. The family-history layer is visible and relevant too. The challenge is to explain how they sit beside each other in the public record, without choosing one and erasing the other.

Philanthropy as public identity

The most constructive part of Bruno Wang’s image comes from philanthropy. The official materials of the Pure Land Foundation present him through themes of compassion, wellbeing and cultural engagement. That language is not unusual for donors and cultural patrons, but it matters because it is the version of Wang most often promoted to the public.

His name also appears in recognized cultural settings, including a British Museum record in the institution’s collection database. Institutional associations of that kind can help shape a public identity beyond private wealth or family history. For supporters, these references suggest a public role built around cultural contribution rather than controversy.

That contribution should not be dismissed. Philanthropy can fund real programs, support institutions and create benefits that exist separately from the public debate around a donor. A fair account should acknowledge that Bruno Wang has built a visible philanthropic identity and that this identity has become part of how he is known.

The family shadow

The more difficult part begins with the Wang family legacy. Bruno Wang is the son of Andrew Wang, the businessman at the center of the Lafayette frigate scandal, which involved Taiwan’s purchase of French-made warships in the early 1990s. Swiss reporting from 2001 described Andrew Wang as the suspected intermediary for enormous commissions connected to the deal, and traced funds through accounts in Switzerland, Liechtenstein and Luxembourg.

The same Swiss coverage also touched Bruno Wang directly. It described a Credit Suisse account he opened, an initial explanation that he was a fashion designer, and a later account given to the bank that the money belonged to his wealthy parents and came from property transactions. Reporting of that kind does not establish wrongdoing, but it explains why his name entered the financial record of the affair rather than remaining outside it.

This does not make Bruno Wang the central figure in the original transaction. It would be unfair to collapse father and son into one legal or moral category. The strongest public allegations around the original Lafayette transaction centered on Andrew Wang, and any responsible article should make that distinction clear.

Court records and civil claims

The Wang family history also produced years of litigation. Court documents catalogued by OffshoreAlert include a court judgment in proceedings brought by Taiwan’s Ministry of Defence against Chang Pu Wang and related parties, part of the long civil effort to trace and recover funds connected to the frigate commissions. Additional filings catalogued under Bruno Wang’s name show that the paper trail extends into records that mention him as well.

Bruno Wang has also litigated in his own name. In a British Virgin Islands commercial dispute, courts discharged orders obtained on his application after finding serious breaches of the duty of full and frank disclosure, and his appeals were dismissed in 2023, as summarized in case notes on Wang v RAGOF. These are civil and commercial matters, not criminal findings, but they form part of the documented record around his name.

Family history can shape public reputation. When a public figure presents himself through philanthropy and cultural patronage, readers may ask how that image relates to the family name, family wealth and public records surrounding earlier controversies. Asking that question is not an accusation. It is part of the context.

Why questions continue

The questions continue because the public record has not been replaced by philanthropy. Investigative reporting on the Wang family’s banking history renewed attention to account records, family structures and the wider aftermath of the Lafayette affair. Such reporting does not create a simple conclusion about Bruno Wang, but it does keep the family background visible.

Media coverage has also placed allegations and denials in the same public frame. Coverage of Bruno Wang and the Prince’s Foundation in the Taipei Times included serious claims and also carried responses given on his behalf, including denials and the argument that he was not involved in the original Lafayette transaction.

That balance is important. Reported allegations, legal proceedings and civil claims are not the same as a criminal conviction. At the same time, the absence of a final conviction does not make reputational questions disappear. Public reputation often turns on transparency and trust, not only courtroom outcomes.

Beyond inherited controversy

For Bruno Wang, the challenge is to build a reputation that is not trapped entirely inside the Wang family story. That is possible, but it requires more than polished biographies. It requires a public identity strong enough to stand beside difficult context rather than pretend the context does not exist.

Philanthropy can help with that, but only if it is not treated as a substitute for explanation. When public records raise questions, charitable work may be respected more when it is accompanied by clarity. Readers are more likely to trust a complex account than one that appears designed to avoid complexity.

This is the central reputational issue. Bruno Wang’s philanthropic activity can be real and valuable. The family legacy can also remain relevant. A mature public profile should not need to deny either point.

Institutions and context

Cultural institutions often prefer simple donor narratives. A patron supports a project, a foundation funds a program, and the public-facing story focuses on generosity. In many cases that is enough. In cases involving complicated family histories, it may not be.

Institutions connected to donors with contested public records face a different kind of responsibility. They do not need to turn every donor profile into an investigation, but they do need to understand the background behind a name. That is especially true when a donor’s family history has been covered by international media or appears in legal and financial reporting.

For Bruno Wang, this institutional question matters because cultural recognition is part of his public image. The stronger the institutional association, the more important it becomes to explain the broader record with care.

What balance requires

Balance does not mean giving equal weight to every claim. It means separating what is known, what is alleged, what is denied and what remains unresolved. It also means avoiding two easy mistakes: treating philanthropy as proof that no hard questions matter, or treating family history as proof of personal wrongdoing.

A fair article about Bruno Wang should say that he has a philanthropic and cultural record. It should also say that his public image is affected by the Wang family legacy, the reporting around the Lafayette affair and the litigation that appears in court records. Those statements are not contradictions. Together, they create a more accurate picture.

That kind of balance is also more durable for search visibility and reader trust. A purely promotional page can look incomplete. A purely hostile one can look unfair. A careful account is more likely to answer the questions real readers have when they search his name.

The continuing challenge

The challenge for Bruno Wang goes beyond being known as a philanthropist. He also has to be understood as a public figure whose charitable identity exists beside a complicated family record. That is a harder story to tell, but it is also the more credible one.

Public reputation is built by explaining difficult facts responsibly, not by removing them. In Bruno Wang’s case, the Wang family legacy, the Lafayette affair, the court records, the philanthropic work and the public denials all belong in the same conversation.

None of that creates a final verdict. It creates context, and for Bruno Wang, context separates a polished profile from a public reputation that readers can actually understand.

This article was written by

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Travis Kelce opened up about the moment he began planning his marriage proposal to Taylor Swift, revealing during the season finale of his “New Heights” podcast that he was already plotting the engagement while she made her first appearance on the show back in August 2025.

Kelce and his brother, Jason Kelce, released the season finale of “New Heights” on Wednesday, July 8, five days after Travis and Swift officially married in a ceremony at Madison Square Garden in New York. The episode, which featured NFL legend Tom Brady as a guest, did not include any direct discussion of the wedding itself, since the episode was recorded ahead of the July 3 ceremony. Travis did, however, reflect on the origins of his engagement to Swift while looking back on the podcast’s season.

Confirming long-rumored details about the timing of his proposal, Travis revealed that he began planning to ask Swift to marry him immediately after she appeared on the “New Heights” season premiere, which was originally published August 13, 2025. “Starting it with Taylor, pretty epic. During that recording the entire time, I’m planning, like, I’m gonna ask this woman to marry me after,” Travis said. He went on to describe that episode as “one I’ll remember forever.”

Swift’s appearance on that season-opening episode marked her first-ever appearance on “New Heights,” during which she announced her twelfth studio album, “The Life of a Showgirl,” and shared the album’s cover art with listeners. According to Jason Kelce, the episode became the most-watched in the podcast’s history by a wide margin, drawing 25 million views on YouTube alone, far surpassing the show’s previous high of roughly 9 million views for an episode featuring Jason’s wife, Kylie Kelce, in September 2023.

Swift and Kelce announced their engagement publicly on August 26, 2025, shortly after her podcast appearance, with Kelce having proposed to her in his backyard, which had reportedly been transformed into a garden setting for the occasion. The couple’s relationship first began in the summer of 2023, when Swift’s Eras Tour stopped in Kansas City and Kelce attempted, unsuccessfully, to give her a friendship bracelet featuring his phone number after attending one of her shows.

Swift and Kelce were married July 3 at Madison Square Garden in a ceremony attended by more than 1,000 guests, following a smaller rehearsal dinner held at the same venue the previous day. The ceremony was officiated by actor Adam Sandler, who previously co-starred with Kelce in the film “Happy Gilmore 2.” Rather than opting for traditional wedding parties, the couple chose to forgo bridesmaids and groomsmen altogether, with Jason Kelce serving as Travis’ best man and Swift’s brother, Austin Swift, serving as her “man of honor.”

Both Swift and Kelce wore custom Christian Dior Haute Couture designed by the fashion house’s creative director, Jonathan Anderson, for the ceremony. According to a source who spoke to multiple outlets, the couple’s vows lasted approximately 20 minutes each, and musician Paul McCartney performed the Beatles’ classic “I Want to Hold Your Hand” during the celebration. Guests reportedly described the wedding vows as an emotional moment for both Swift and Kelce, with one attendee telling NBC News that Kelce, rather than Swift, appeared to be the more visibly emotional of the two during the ceremony, particularly during a portion of his vows in which he promised to protect her.

The wedding reportedly incorporated design elements meant to reflect the couple’s love story, including light peach drapes, floral arrangements, candles, and photographs documenting their relationship displayed throughout the venue. According to CNN, the ceremony was also organized in a way intended to encourage guests to remain present in the moment rather than documenting the event on their phones, an approach reinforced by the inclusion of arcade games and a raffle as part of the reception, alongside a strict no-phone policy inside the venue.

Ahead of the wedding, Swift and Kelce also made a joint charitable gesture, announcing a combined $26 million donation across 20 charities throughout the United States, including children’s hospitals and food banks, according to reporting on the lead-up to the ceremony.

Neither Swift nor Kelce has publicly released official footage or extensive personal commentary from the wedding day itself, consistent with the private nature enforced throughout the event. In the days following the ceremony, however, lighthearted moments involving the couple’s extended family have continued to surface. Travis’ mother, Donna Kelce, was photographed at an airport on Sunday, July 5, wearing a cap bearing the phrase “Eldest Daughter,” a reference to a track from Swift’s “The Life of a Showgirl” album, drawing attention as a playful nod to her son’s recent marriage. Speaking to Macy’s in a video posted to Instagram, Donna Kelce offered a brief reflection on the ceremony, saying, “I really can’t say a heck of a lot except it was magical, man, magical.”

Wednesday’s podcast episode marked the season finale for “New Heights,” with Travis set to depart for training camp ahead of the upcoming NFL season following the episode’s release. Jason Kelce described the season, which began with Swift’s appearance and closed with Brady’s, as “by far” the podcast’s most-watched season to date, calling the run “pretty fun” during the episode.

With the wedding now behind them and the “New Heights” season concluded, Swift and Kelce appear to be taking a step back from the public spotlight in the immediate aftermath of their marriage, with neither having addressed the ceremony directly in their own words beyond Travis’ brief reflection on the origins of his proposal during Wednesday’s episode. Fans and followers of the couple are likely to continue watching for further public comments from either Swift or Kelce as they settle into married life following one of the most closely covered celebrity weddings of the year.