Kit Harington admitted it was “gross” to film sex scenes with Sophie Turner for their horror movie The Dreadful given their past on Game of Thrones.

“It was weird,” Harington, 39, confessed in a recent interview with fellow Game of Thrones star Peter Dinklage for CNN’s Actors on Actors.

Harington and Turner, 30, essentially grew up together on the set of Game of Thrones, in which they played Jon Snow and Sansa Stark, respectively. For most of the show’s run, Jon and Sansa believed they were siblings before it came out that they were actually first cousins.

Still, the pair’s bond on and off the Game of Thrones set made it awkward when Turner asked Harington to play her lover in The Dreadful. (Turner produced and starred in the gothic horror film, in which Harington portrayed a sinister stranger who reemerged in the lives of Anne and her mother-in-law Morwen.)

Related: Sophie Turner Jokes She Got Her Sex Education on ‘Game of Thrones’

For Sophie Turner, Game of Thrones wasn’t just a job — it was an education. The British actress, 29, was just 13 years old when she was cast as Sansa Stark on the hit HBO fantasy drama, so naturally she learned a lot of life lessons on set, including, she jokes, “more than enough” about sex. […]

“She sent me the script and I said, ‘Sophie, there’s a lot of us getting it on,’” Harington revealed. “She hadn’t seen that. She just said, ‘Yeah, Kit would be good for this part.”

Harington initially had doubts about accepting the role in The Dreadful because he’s “known [Turner] since she was a child” and considers her like “a younger sister.”

“We did it. It was gross but it was fine,” he insisted. “She’s an amazing actor. I know we all know that but she was a child when she [started on Game of Thrones]. She is phenomenal!”

Turner revealed during an appearance on Late Night With Seth Meyers last year that she was equally horrified by the thought of shooting love scenes with Turner.

“I’d just got the script for this amazing gothic horror called The Dreadful, and I was reading through all the characters,” she explained to host Seth Meyers. “And I’m producing it, so the director was asking me, ‘Who do you think?’ And immediately, the first person I thought of was Kit.”

She went on, “So, I sent the script to Kit, and he kind of sent me a message back going like, ‘Yeah, I’d love to, but this is going to be really f***ing weird, Soph.’ And I was like, what is he talking about? Then I was reading it, and I’m like, ‘Kiss, kiss, sex, kiss, sex scene.’ And then I’m like, oh shoot, that’s my brother. But it’s such a good script that he’s like, ‘We kind of have to do it.’”

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Related: Celebs Get Real About Sex Scenes: Awkward Moments, Arousal, and More

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When it comes to filming sex scenes for TV shows and movies, actors have had a variety of good and bad experiences. Intimacy coordinator Brooke M. Haney previously opened up to Us Weekly about how filming steamy scenes between actors goes down on set. Contrary to what some fans may think, Haney said that it […]

Turner joked that the great script for The Dreadful didn’t make filming the love scenes any less awkward.

“We put it out of our minds, and then we get on set, and it’s the first kissing scene,” she recalled. “And we are both retching, like really, it is vile. It was the worst, another really bad moment in my career.”

The Dreadful was released in February.

There couldn’t have been an actor more suited to the role of John Dutton on Yellowstone than Kevin Costner. And despite the ups and downs, the back and forth, the will-they-won’t-they between him and the show’s creator, Taylor Sheridan, Yellowstone turned out to be just the sort of hit that Costner needed at this stage of his career. The show’s success gave him the confidence to mount his own Western epic, Horizon: An American Saga, which remains stalled after the underperformance of the first installment. He spent a considerable amount of his Yellowstone earnings on self-financing the epic Western series, not to mention the fact that he effectively gave up the chance to return for more seasons of the show by focusing on his own project. But Costner and the Western genre go hand-in-hand; some of the best and most underrated movies of his career are Westerns.

One of those movies, which turns 23 years old this year, dealt with many of the same ideas and themes as Yellowstone. It revolved around a Montana ranch owner — yup — who gets into a turf war with an older herder who believes that his cattle can graze anywhere on God’s green earth. Costner played a Civil War veteran who fights on the side of the free-grazing herder. It’s interesting how the villain in the movie is like the sort of man Costner would go on to play, endearingly, in Yellowstone. A decade after the release of this movie, which Costner also directed, he starred in the limited series Hatfields & McCoys, which revisits a legendary Old West feud. You can tell that Costner loves a story about standing your ground, or, as Regina Hall would say, “sheltering in place.”

Where To Watch Kevin Costner’s Underrated ‘Yellowstone’ Companion Piece

His underrated 2003 movie is now streaming for free in the United States, two decades after a theatrical run during which it grossed nearly $70 million against a reported $22 million budget. We’re talking, of course, about Open Range. The movie also features Robert Duvall, Annette Bening, and Michael Gambon. Open Range marked one of the earliest Hollywood roles for Diego Luna, who’d become a household name thanks to roles in Narcos and Andor. Open Range received positive reviews, and now holds a “Certified Fresh” 79% score on the aggregator website Rotten Tomatoes. The site’s consensus reads, “Greatly benefiting from the tremendous chemistry between Kevin Costner and Robert Duvall, Open Range is a sturdy modern Western with classic roots.” You can watch the movie for free on Tubi, and stay tuned to Collider for more updates.

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August 15, 2003

Runtime

139 Minutes

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Christian Bale has long been a powerhouse in entertainment, from his unnerving role as Patrick Bateman in American Psycho to the Caped Crusader himself in Christopher Nolan’s The Dark Knight trilogy. Batman hung up his cowl in 2012 after The Dark Knight Rises, but that wasn’t the end for Bale. Pretty soon after, the performer delivered a gripping performance in a forgotten thriller that deserves a second chance.

Out of the Furnace is a character-driven crime thriller with an all-star cast difficult to beat. Bale stars in the drama as Russell Baze, a steelworker in the rural part of Pennsylvania that may be familiar to Mare of Easttown fans. Russell is a working-class man who struggles to support his veteran brother, Rodney (Casey Affleck), after he becomes indebted to a local bookie. This starts a cataclysm of events that culminates in a violent revenge plot where there are no winners.

‘Out of the Furnace’ Is Elevated By an All-Star Cast

Out of the Furnace is a haunting story that, in the hands of the impressive ensemble cast, is truly great. Christian Bale carries the worries of his character Russell with grace, while Casey Affleck, as the troubled brother Rodney, is hard to look away from. The Baze brothers, however, are just a small part of the captivating characters. Woody Harrelson steals the show as Harlan DeGroat, the vicious antagonist of the story.

Desperate for money and unable to function at a 9-to-5 job, Rodney enters the world of underground fighting, further digging himself in deeper with a brutal drug dealer from New Jersey. Harrelson disappears completely into the role, becoming a terrifying villain who starts the story by abusing a woman and only gets worse from there. He is truly unredemptive, which is the linchpin of the rest of the narrative.

Russell dives headlong into vengeance after Harlan destroys his family, which may resonate with fans of Batman. Bale brings the same savage energy he had in his work in The Dark Knight trilogy in an even more realistic fashion. Russell’s desperation and grief are palpable, as are the stakes of the world. This small town is a place where not many people are allowed to get ahead. Rodney has to resort to back-alley fighting to make a living, while Russell’s own life falls apart because of a cruel twist of fate.

These characters have to subsist on nothing and still try to scrape by. Therefore, it should come as no surprise that the movie was originally a spec script by Brad Ingelsby, now known for his many vivid characters based in Delaware County. Ingelsby created Mare of Easttown and Task, both crime thrillers that deal with the specificities of what it is to live in that location. Out of the Furnace is equally specific, just on a shorter timeline.

The grim drama was a perfect first project after Bale’s tenure as Gotham’s protector. His range is evident in this story as Russell commits to some of the worst choices anyone could make. A tragic character portrait, it is a surprise that the star-studded film didn’t get more play the first time around. Now fans can see it to their heart’s content, streaming on Prime Video.

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December 6, 2013

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116minutes

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It’s been four years since the conspiracy thriller series The Capture was last on our screens, and since then, there have been rapid advancements in the technologies the show focuses on. When it was first released in 2019, AI deepfakes were still an emerging technology, so the way The Capture paired a crime thriller with the underbelly of the digital era felt novel. It took another three years for the second season to air, in which the political implications of deepfakes and surveillance were ramped up with the evolution of AI. Now, four years later, Season 3 is bound to grow bigger and hit harder, so there’s no better time to catch up with The Capture in preparation for June 18, when this alarmingly timely show returns on Peacock in the U.S.

‘The Capture’ Plunges Viewers Into the Terrors of the Digital Age

The Capture‘s first season kicks off with a crime that may or may not have occurred, depending on how much you trust the live video footage. DI Rachel Carey (Holliday Grainger) investigates the assault and kidnapping of lawyer Hannah Roberts (Laura Haddock), and a CCTV camera that captured the entire scene points to Corporal Emery (Callum Turner) as the perpetrator. The thing is, not only is there plenty of evidence that Emery is innocent, but also that the video is a terrifyingly convincing deepfake, tossing the viewer into the uncertain waters of conspiracy and betrayal. This continues into Season 2, where the use of deepfakes expands from framing innocent people to manipulating the public.

The Capture‘s premise already feels very Black Mirror-esque, but the show is a uniquely invigorating entry in the thriller genre. With a plot that is meticulously mapped and swiftly paced, the series remains an engaging narrative on a personal level for its characters while still connecting to the larger implications of surveillance and AI. Ironically enough, this conspiracy thriller barely leaves the viewer time to form their own theories, as the plot sets up and lands twists and revelations with a startling precision. As such, the audience is simply tossed into the deep end and carried away by the current of mind-boggling deceptions and high-stakes political maneuvers, while still feeling the acute sense of danger that defines a thriller.

The Capture‘s tech-horror can be deeply outrageous in its portrayal, almost dystopian in the sheer magnitude of how deepfakes and surveillance can be weaponized against the public, but it is this quality that also makes the series alarmingly relevant. There’s a chilling horror in watching footage being doctored in real-time, where the words on live footage are dissonant with the words actually coming out of someone’s mouth. This digital threat hangs heavy in the air, constantly evolving in ways neither the audience nor the characters can keep up with.

‘The Capture’ Questions Technology Through Compelling Characters

Alongside simply reflecting technology’s most dangerous aspects, The Capture raises ethical dilemmas about how law enforcement employs it in the name of justice and service. It questions the line between protection and invasion, as well as commitment to justice versus individual autonomy. Grainger’s Carey becomes the anchor that sifts through these questions, with her own grit, determination, and slight paranoia making her a lead we are happy to follow, yet she also has to confront and take accountability for her own role in this dynamic between the police and the public. On the other side in Season 1 is Turner’s Emery, a layered and flawed antagonist who complicates the line even further, while Season 2 gives us an idealistic politician (Paapa Essiedu) whose morals are tested in this AI-plagued society.

With The Capture‘s return just around the corner, now is the time to submerge yourself in a world that feels just as dystopian as it is hyperrealistic. While the show constructs its dramatic vision of the modern age, the humanly flawed characters and the rapidly-moving plot will sweep you away into larger conspiracies that are impossible to tear your eyes from. It makes for the perfect weekend binge, one that will make you second-guess every picture, video, or livestream you see on a screen from that moment on.

Some films are so fun and surprising that you’re almost certain they’re going to be a sensation with audiences as well as critics — especially if it’s connected to an already beloved IP that’s long been in need of a good adaptation. One key example of this had a great cast and a pair of directors who are sharp as a tack. What could go wrong? Sadly, everything.

Dungeons & Dragons: Honor Among Thieves is streaming for free on Pluto this month, giving viewers a chance to catch up with the 2023 movie, which will now only be successful on streaming. Based on the iconic tabletop role-playing game, the film follows charming thief Edgin Darvis (Chris Pine) and a ragtag crew who set out to retrieve a lost relic, only to get pulled into a much bigger magical mess.

The ensemble cast also includes Michelle Rodriguez (Fast & Furious) as Holga Kilgore, Regé-Jean Page (Bridgerton) as Xenk Yendar, Justice Smith (Pokémon Detective Pikachu) as Simon Aumar, Sophia Lillis (It) as Doric, Hugh Grant (Paddington 2) as Forge Fitzwilliam, Daisy Head (Shadow and Bone) as Sofina, and Chloe Coleman (My Spy) as Kira Darvis.

Was ‘Dungeons and Dragons: Honor Among Thieves’ Successful?

Tragically, this one was a total flop in terms of financial return, which was a terrible shame because of how charming and funny it is. It opened strongly with about $37–38.5 million domestically and topped the box office in its first weekend, beating John Wick: Chapter 4 in North America, but the big issue was the budget, because it reportedly cost around $150 million, and it only took in $208 million worldwide. Once marketing and distribution costs are factored in, that means disaster.

Critically, though, it did extremely well. Rotten Tomatoes’ consensus calls it an “infectiously good-spirited comedy with a solid emotional core,” and it sits in the low 90s with critics. Collider’s Carly Lane gave it a B+ in her highly positive review, praising directors Jonathan Goldstein and John Francis Daley (Game Night), who also co-wrote the screenplay alongside Michael Gilio, for how they let their affection for the game shine through, as well as the performances of the stars, particularly Page.

Dungeons & Dragons: Honor Among Thieves is streaming for free on Pluto this month.

The thriller genre has come a long way from simply making the audience question what comes next. There’s no denying that suspense and shocking twists are still important to a great thriller story, but tension alone isn’t enough. Modern thrillers are striking a chord with the audience because they aren’t afraid to explore the depths of fear, obsession, morality, and the darker sides of human nature.

Of course, this evolution didn’t happen overnight. Over the years, a handful of groundbreaking series pushed the genre into new territory and reinvented it through layered, character-driven storytelling. Here is a list of six such shows that have helped shape the thriller genre into what it is today.

1

‘Twin Peaks’ (1990–1991)

Image via ABC

Without Twin Peaks, thriller television would probably look very different today. Before the show set an entirely new benchmark for the genre, thriller shows were generally pretty straightforward, where the audience would follow investigators as they gathered clues to solve a crime, and every episode ended with a clear resolution. However, David Lynch and Mark Frost completely disrupted that formula. Twin Peaks begins with the murder of homecoming queen Laura Palmer (Sheryl Lee), which leads FBI Special Agent Dale Cooper (Kyle MacLachlan) to the small town of Twin Peaks. The murder investigation immediately takes a turn as Cooper uncovers secrets hidden beneath the town’s seemingly peaceful surface. Almost every resident here has something to hide, and each new revelation only deepens the mystery surrounding Laura’s death.

The show constantly shifts between crime drama, psychological thriller, dark comedy, soap opera, and supernatural horror without ever feeling disjointed. This kind of tonal blending was almost unheard of on television at the time and constantly kept the audience on the edge of their seats. Instead of just focusing on who killed Laura, Twin Peaks explores the slow unraveling of a community built on lies. The narrative introduces strange dreams, cryptic clues, unsettling visions, and forces that are beyond explanation. It practically forces the audience to follow along without ever fully receiving any definitive answers. In fact, Twin Peaks is still influencing thriller TV to embrace ambiguity and long-running mysteries. Few series have had a greater impact on the evolution of the thriller genre, which is why Twin Peaks remains essential viewing even over three decades later.

2

‘Mindhunter’ (2017–2019)

Image via Netflix

Mindhunter is far from the average crime thriller because the show actually focuses on understanding criminals, rather than just catching them. The series is set in the late 1970s and follows FBI agents Holden Ford (Jonathan Groff) and Bill Tench (Holt McCallany) alongside psychologist Wendy Carr (Anna Torv), as they begin interviewing imprisoned serial killers in an attempt to figure out how these offenders think and why they commit such horrific acts. In many ways, Mindhunter serves as the origin story of criminal profiling and shows how the FBI’s Behavioral Science Unit developed techniques that would eventually transform modern homicide investigations forever.

Holden, Bill, and Wendy travel across the country speaking to notorious killers, based on real-life criminals including Edmund Kemper, Jerry Brudos, and Charles Manson. These conversations give the show its sense of tension because every meeting feels like a psychological chess match, with the agents trying to extract information without being manipulated in return. Mindhunter transformed the seemingly simple process of interviewing people into one of the most suspenseful premises ever aired on TV. The series proved that getting to know a killer could be just as gripping as hunting one down. The show’s emotional depth and commitment to realism redefined what thriller television could be.

3

‘Breaking Bad’ (2008–2013)

Image via AMC

Breaking Bad is one of the clearest examples of how to keep audiences hooked for years without ever losing momentum. The series follows high school chemistry teacher Walter White (Bryan Cranston), who learns he has terminal cancer. In a desperate attempt to secure his family’s financial future, Walter teams up with his former student Jesse Pinkman (Aaron Paul) to produce and sell methamphetamine. The plan is initially only supposed to be temporary, but soon enough, Walter finds himself pulled deeper into the criminal underworld. The show’s five seasons follow Walter dealing with ruthless drug dealers, violent cartels, and increasingly dangerous situations.

All of this pushes Walter further from the man he used to be until he becomes one of the most feared figures in the drug trade. Every choice Walter makes brings him closer to the power and control he secretly craves. This transformation is the reason Breaking Bad became such a compelling thriller. Rather than relying on mysteries or twists alone, the show built suspense around character decisions and consequences. The show turned its main character’s moral decline into the source of its tension and set a standard for long-form storytelling that hasn’t been matched to this day.

4

‘Broadchurch’ (2013–2017)

Image via ITV

Broadchurch is a no-frills thriller that strips the genre to its essentials. The show opens with the body of an 11-year-old boy being discovered on a beach in the small coastal town of Broadchurch. Detectives Alec Hardy (David Tennant) and Ellie Miller (Olivia Colman) are assigned to investigate the case. However, instead of a straightforward murder investigation, they discover secrets hidden throughout the community that place almost every resident under suspicion. As the detectives follow new leads, friendships begin to fracture, and families turn against one another.

Through this premise, Broadchurch explores the emotional fallout of a crime like this and gives as much weight to the victim’s family as it does to the investigation. Every episode peels away another layer of the mystery and forces both the detectives and the audience to reconsider what came before. Broadchurch builds suspense through constant uncertainty, and this approach is exactly why the show became so influential. The series combines a gripping whodunit premise with an extremely realistic portrayal of grief, and in doing so, it became a blueprint for many prestige thriller shows that followed.

5

‘24’ (2001–2010)

Image via FOX

24 completely changed television in general by introducing a concept that felt revolutionary at the time. Each season of the show follows counterterrorism agent Jack Bauer (Kiefer Sutherland) over the course of a single day, with every episode representing one hour in real time. This pacing gave the show a level of urgency that few thrillers had ever achieved back then. Jack is constantly forced to make impossible decisions as he deals with terrorist attacks, political conspiracies, assassinations, hostage situations, and more, with almost no time to think.

Every hour raises the stakes, and this relentless escalation became one of the show’s defining strengths. Not just that, but 24 also popularized the serialized thriller format that dominates TV today. The show premiered when most network dramas were still largely episodic. Its continuous, high-stakes storytelling demanded that the viewers keep watching and created a level of weekly suspense that turned every episode into an event of its own. Many other shows have tried to replicate 24’s intensity, but almost none have managed to do justice to it.

6

‘Lost’ (2004–2010)

Image via ABC

Lost not only redefined thriller TV but also became a cultural phenomenon thanks to its immersive storytelling. The series begins after Oceanic Flight 815 crashes on a mysterious island and dozens of survivors are left stranded. Initially, the narrative unfolds like a typical survival story as the passengers search for food, shelter, and a way to escape. However, it quickly becomes clear that the island is hiding secrets of its own. Soon enough, the characters start spotting strange creatures roaming the jungle, discover mysterious hatches buried underground, and encounter a group known as the Others, who seem to know far more about the island than anyone else. The mystery only expands as the seasons progress.

The show uses flashbacks and flash-forwards to reveal how nearly every survivor on the island was connected way before the crash. At the same time, though, every discovery raises several more questions to deliver a compelling narrative that kept evolving in new ways for the show’s entire run. Lost combines a nail-biting mystery with a character drama about the people it follows, and somehow manages to keep expanding its mythology without ever feeling inaccessible. However, what makes the show so important is the way it transformed television into a communal experience. Every new clue, theory, and revelation sparked endless discussion between episodes. The show turned viewers into active participants who would analyze every clue and theory online while waiting for the next episode to air. Given all this, it’s evident that modern prestige TV owes a lot to Lost.

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Lost

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2004 – 2010-00-00

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Damon Lindelof, Carlton Cuse

Directors

Jack Bender, Paul A. Edwards, Tucker Gates, Eric Laneuville, Bobby Roth, Greg Yaitanes, Daniel Attias, J.J. Abrams, Karen Gaviola, Kevin Hooks, Rod Holcomb, Stephen Semel, Adam Davidson, Alan Taylor, David Grossman, Deran Sarafian, Fred Toye, Mario Van Peebles, Marita Grabiak, Mark Goldman, Matt Earl Beesley, Michael Zinberg, Paris Barclay, Robert Mandel

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By Chris Snellgrove
| Published 1 hour ago

When I went to see Masters of the Universe, I couldn’t help but be a little nervous. I was a huge fan of the original He-Man cartoon as a kid, and I remember being disappointed by all the ways that the 1987 live-action movie with Dolph Lundgren changed what I loved about the show. While I’ve since grown to appreciate the earlier film, the fact remains that it was such a critical and commercial bomb that we didn’t get a new one for nearly four decades. Plus, the new movie had problematic king and certified franchise killer Jared Leto playing the iconic Skeletor, so I mentally braced myself for the worst.

To my surprise, though, the new Masters of the Universe was fantastic. From the character designs to the action and quirky humor, this film brought my favorite childhood cartoon to life. I’m not alone in my love for He-Man’s latest adventure: certified fresh on Rotten Tomatoes with an 87 percent audience score, this movie is clearly a crowd-pleaser. Unfortunately, it doesn’t seem like it had the power to please enough people, as it is projected to earn a little over $30 million in its opening weekend. Factor in the high budget and the costs of marketing, and Masters of the Universe may not make enough money to justify a sequel.

He-Man Can’t Get A Grip

On paper, Masters of the Universe’s opening weekend was relatively solid. It’s going to earn over $30 million, which indicates just how eager audiences were to revisit this high-flying, sword-slashing sci-fi franchise. However, He-Man faced some stiff box office competition, and not from the films you’d expect. Going into the summer, many assumed that The Mandalorian and Grogu, the first Star Wars film in seven years, would dominate the box office. But it continues to lose ground against boot-strap, low-budget horror movies like Obsession and Backrooms. Speaking of horror, the newly premiered Scary Movie is on track to be the number one movie this weekend. 

If not for this surprisingly strong competition, Masters of the Universe might have earned even more. Why, though, is $30 million in its opening weekend not good enough? Part of the answer is the budget. It cost $170 million to bring this new He-Man film to life, and that doesn’t count the costs for marketing, which is always more expensive than you might think. Accordingly, big-budget sci-fi blockbusters often need a major opening weekend to make a profit because they earn less and less at the box office with every subsequent weekend. Superman (2025) made $125 million in its opening weekend, but between marketing costs and splitting profits with theaters, it may have actually lost money.

Bone, Thugs, And Disharmony

Masters of the Universe cost less to make and presumably less to market than Superman, but it’s also earning 76 percent less money in its opening weekend. The film will hopefully benefit from solid word of mouth, but you can bet every weight bench in Eternia that it’s going to make less than $30 million each week from here on out. Possibly a lot less: The Mandalorian & Grogu, for example, dropped about 70 percent in its second weekend. If Star Wars can falter like that, then it’s entirely possible that this fan-favorite He-Man movie could suffer an even worse fate.

That’s a shame because Masters of the Universe is a genuinely great film. It’s got all the ingredients (including faithful character designs, deep lore, and Easter eggs galore) to make franchise fans happy. It’s also got everything it needs (including great humor, fun performances, and epic action sequences) to win over general audiences. As a sci-fi movie that breaks free of the Marvel (and Marvel wannabe) mold, Masters of the Universe is everything most moviegoers claim they want out of a summer blockbuster. Should this new film franchise prove to be dead on arrival, it will make movie studios even more averse to taking big, creative swings.

It Could Still Have The Power

Now, more than ever, I’m really hoping to be proven wrong. Maybe Masters of the Universe will follow in the footsteps of Obsession and earn more in its second weekend. Or maybe all of the positive word of mouth will keep its box office from plummeting as fast as The Mandalorian & Grogu. Ultimately, I’m just hoping more people give this movie a chance. It’s genuinely the most thrilling film I’ve seen this year, and one that gets the action/adventure formula better than Marvel has since Avengers: Endgame. Want to see some fun, funny, and genuinely freaky sci-fi on the big screen?

Then go watch it today, and by the power of Grayskull, be sure to tell your friends how awesome it was!

Alexis Bledel made a very rare public appearance at the 2026 Tribeca Film Festival.

The former Gilmore Girls star, 44, walked the red carpet for the prestigious film industry gathering at New York City’s Village East Cinema on Saturday, June 6, to promote her new movie Ponderosa.

Bledel looked elegant as always in a golden top with a cutout collar and bow over a knee-length black skirt, with matching pumps.

The veteran TV star made this rare appearance to celebrate Ponderosa’s world premiere alongside writer-director Rob Rice and costar Jack Dylan Grazer (Luca).

Related: When Were Lauren Graham and Alexis Bledel Last Together Before 2025 Emmys?

Lauren Graham and Alexis Bledel’s upcoming joint appearance at the 2025 Emmy Awards will be their first reunion in eight years. Graham, 58, and Bledel, 43, stepped out for a joint outing at Deadline’s “The Contenders” panel in April 2017, where they discussed their costarring turn on The WB’s Gilmore Girls and Netflix’s Gilmore Girls: […]

The horror-comedy centers around a young man (Grazer) who fends off the advances of an odd older man who is insistent on becoming his stepfather after his mom loses her job at a local buffet. The Queen’s Gambit actor Bill Camp also appears in Ponderosa.

Ponderosa marks Bledel’s first movie role since 2019’s crime thriller Crypto, though she did appear sporadically on the small screen as Emily in The Handmaid’s Tale up until 2025.

Her last major public appearance before attending the Tribeca Film Festival was at the 77th Primetime Emmy Awards in September 2025, where she reunited onstage with her Gilmore Girls costar Lauren Graham to celebrate the 25th anniversary of the classic show on a replica of the Stars Hollow set.

“25 years ago, a show called Gilmore Girls premiered and apparently took the season of fall hostage,” Graham, 59, joked during the segment.

The duo reflected on initially having a meager budget on Gilmore Girls, which required the cast to get creative when it came to catering.

“If there was a birthday at The Drew Carey Show next door, they would send us their leftover sheet cake,” Graham said.

“We looked hungry … Basically we were bullied and starving,” Bledel chimed in.

The Gilmore Girls alums mimicked the show’s fast-talking dialogue by insisting that, whatever hardships they faced on set, they were always more than satisfied with the “great scripts,” “big scripts” and “terrifyingly lengthy scripts.” (Gilmore Girls originally aired for seven seasons between 2000 and 2007 and later returned for the Netflix miniseries, Gilmore Girls: A Year in the Life, in 2016.)

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The duo later presented the Outstanding Writing for a Comedy Series Emmy Award to Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory and Frida Perez for The Studio.

Related: Alexis Bledel Recalls Upsetting ‘Handmaid’s Tale’ Arc in Rare Interview

After taking a step back from acting, Alexis Bledel gave a rare interview in which she reflected on her last role before her hiatus. Bledel, 43, discussed her time on The Handmaid’s Tale with The Hollywood Reporter on Thursday, May 22, ahead of the show’s series finale, saying, “I was actually offered the role [of […]

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Prior to presenting at the Emmys alongside Graham, Bledel had not attended any public events since she made the guest list for the Elton John AIDS Foundation’s 32nd Annual Academy Awards Viewing Party in West Hollywood, California, in March 2024.

Bledel spent the first four years of the 2020s almost entirely out of the spotlight, aside from attending the Screen Actors Guild Awards (now known as The Actor Awards) in January 2020. The following year, Bledel looked back on the legacy of Gilmore Girls during a Zoom interview on Watch What Happens Live With Andy Cohen in May 2021.

War films can be very serious at times. Understandable, given the utterly grim subject matter at play. After all, war isn’t fun. But it can be chaotic, and pleasure and entertainment can be derived from it. Why not make suffering frantic, in a rock-and-roll kind of way? That’s exactly the vibe that this movie has going for it.

Fury is streaming for free on Pluto this month, giving viewers another chance to check out one of the most bruising and mental World War II movies of this century. Set during the final days of the war in Europe, the movie follows the increasingly deranged crew of an American Sherman tank as they push deeper into Nazi Germany on a deadly mission behind enemy lines. Stars Jon Bernthal and Shia LaBeouf are the standouts from a “you didn’t need to go this hard” perspective, with the latter actually removing his own tooth forcibly just for authenticity. Crikey.

The cast also includes Brad Pitt (Once Upon a Time in Hollywood) as Don “Wardaddy” Collier, Logan Lerman (The Perks of Being a Wallflower) as Norman Ellison, Michael Peña (Ant-Man) as Trini “Gordo” Garcia, Jason Isaacs (Harry Potter and the Chamber of Secrets) as Captain Waggoner, and Scott Eastwood (The Longest Ride) as Sergeant Miles.

Was ‘Fury’ Successful?

Financially, Fury was a solid success, especially given that it was a mid-budget adult war movie rather than a giant franchise IP exposion extravaganze. It opened at No. 1 domestically with $23.7 million, knocking Gone Girl out of the top spot, and went on to gross $85.8 million domestic and $211.8 million worldwide against a reported $68 million budget. Once marketing is factored in, it wasn’t some runaway monster, but it made more than three times its production budget worldwide, so this one definitely landed in the win column.

Critically, it did well too. Rotten Tomatoes called it a “rock solid war film,” praising its bracing battle scenes and you-are-there authenticity, while Metacritic lists it at 64, indicating generally favorable reviews. The audience response was strong as well, with an A- CinemaScore, which is pretty impressive for a bleak, muddy WWII tank movie.

Fury is streaming for free on Pluto this month.

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Release Date

October 17, 2014

Runtime

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135 Minutes

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