Entertainment
10 Thrillers That Are Perfect From the Opening Shot to the Last
The thriller is one of the most versatile film genres out there. There are political thrillers, noir thrillers, sci-fi and supernatural thrillers, action thrillers…the list goes on and on. Within this massive net of films, there are, subjectively, a wide swath of truly fantastic ones. And then, there is la crème de la crème; an ultra-elite brand of thriller — the thriller that is pitch-perfect from its opening frame to its final shot.
Regardless of sub-genre, here are the thrillers that thrill from the moment they begin to their stunning finales. Some examine deep elements of the human psyche, like Straw Dogs, and others, well, they do that too, but also add some boldly compelling visuals that universally leave audience’s jaws agape, like Black Swan. So, prepare yourself for a little slice of cinematic heaven and let these exhilarating screen gems fully engulf you.
10
‘Straw Dogs’ (1971)
Some films peel back the layer of civility that most humans operate under, and expose the raw nerves underneath with brutal honesty. Director Sam Peckinpah’s masterwork of rising tension and unmitigated rage, Straw Dogs, was one of the first films to bring this level of harsh realness to American audiences. The way the plot weaves and twists, deliberately drawing primal instincts out of the protagonist, is masterful, thus prompting oodles of much deserved praise.
The tale begins with David Sumner (Dustin Hoffman, full immersion method acting on display), an egghead who’s married to a striking British woman, Amy (Susan George). They move to a remote area of Cornwall, England (it’s Britain, what could possibly go wrong?). Well, some local rednecks (yes, they have them in the U.K., too) do not take too kindly to David’s book-learnin’ ways, and they become envious, etc. etc. Eventually Amy is attacked, savagely… Then, David elects to protect a wrongfully accused man from a mob of torch-wielding villagers, and David’s true nature is exposed (in a vengeful, but quite satisfying way). The slow-burn pacing of this film really pays off, and Hoffman’s examination of a man pushed to his breaking point is a thing of sheer (brutal) beauty.
9
‘Black Swan’ (2010)
Darren Aronofsky has a penchant for crafting extremely tight, well-paced thrillers in a host of sub-genres. His films like Requiem for a Dream and Mother! exquisitely tell captivating, entirely unique stories, but none of his other works are as remarkably, painstakingly executed as Black Swan.
Nina Sayers (Natalie Portman, pushed to the very brink of physical and mental exhaustion, with the best possible outcome…an Oscar win) is a prima ballerina looking to take the coveted duel roles of The White Swan and The Black Swan in the famed ballet masterpiece Swan Lake. Her biggest competitor for the part just so happens to be her only friend in the dance company, Lily (Mila Kunis, also delivering a career-high performance at the time). Lily is much more of a free-spirit than the straight-laced Nina, and she does a nice little job of corrupting Nina in the slightest bit…or so it seems. Nina’s relationship with her mother, Erica (Barbara Hershey), is toxic, at best, as Erica reinforces the pressure that Nina places on herself to be “perfect.” Nina’s journey from frilly white swan to devious black swan is remarkable…even if the end result is a bit grisly. The whole movie is a disorienting swirl of dream-like terrors mixing with real-life horrors. Every scene is nuanced, imbued with ineffable meaning — and breathtaking to behold.
8
‘The Fugitive’ (1993)
Harrison Ford was already an international superstar when he was cast as Dr. Richard Kimble in The Fugitive. The addition of Tommy Lee Jones as Samuel Gerard, the unrelenting U.S. Marshal, cemented this adrenaline-fueled action thriller as a film with two of the best lead characters ever. Andrew Davis’s sharp direction coupled with a stylishly adapted script (it was originally a TV series) elevate this movie to one of the most heart-pumping, awesomely executed thrillers ever.
The story begins with Kimble, a man in a “happy marriage.” When his wife, Helen (Sela Ward), is murdered by a one-armed man, but Kimble is framed for the attack, he has no choice but to go on the run (after a convenient little prison break). The ensuing chase, with some of the most jaw-dropping cat-and-mouse set pieces featuring the wily Kimble and surprisingly spry Gerard, is one for the ages. As Kimble pieces together a conspiracy plot, involving illicit pharmaceuticals (…of course…), he leaves Gerard clues, and the plot keeps on thickening until the thrilling conclusion.
7
‘The Night of the Hunter’ (1955)
This film strikes many cords of originality. Famed actor Charles Laughton directed this chilling classic, and broke all kinds of conventions. Focused on a villain as the actual protagonist, The Night of the Hunter cracked the mold of the typical hero story, presenting a very strange type of hero. This look into the mind of a pseudo-religious zealot left audiences aghast, but also, pleasantly shocked by an expertly woven tale.
The plot, especially for the time period, is wild. Morally lax (read: serial killer, focused on slaughtering promiscuous women) reverend Harry Powell (a eerily convicted Robert Mitchum) is sent to jail for a minor infraction. His death row-bound cellmate, Ben Harper (Peter Graves), divulges the secret that he’s stashed ten grand somewhere in his hometown. Naturally, when Powell is freed, he travels to the town and creates a charming facade to get close to Harper’s wife, Willa (Shelley Winters), and family. As Powell’s insidious nature seeps through, the fam begins to suspect him of, er, malfeasance. So, mom ends up dead in the river, and Powell pursues the two tykes who know where the cash is (spoiler: it’s in the little girl’s doll). The ensuing chase is a surreal trip down the (actual) river, with Powell unraveling even more. Structurally, the movie is extraordinarily tight and engaging throughout. Stylistically, it set the stage for many a boldly bizarre thriller to come.
6
‘Fatal Attraction’ (1987)
Some stories have such a tight structure that they inevitably will make good films. Then, there is the brand of expertly crafted tales that are coupled with some of the most intense performances ever found in the thriller genre. Welcome to the anxiety-inducing Fatal Attraction, director Adrian Lyne’s magnum opus.
Poor Dan Gallagher (Michael Douglas). He made one little tiny mistake (that of infidelity) and then had his entire world rocked. That’s what happens when you mess with the feelings of the wrong person, and in this case, Alex Forrest (Glenn Close, Oscar-nominated (again) for this role) was definitely the worst person to attempt to have a casual fling with (…she will not be ignored). The reason this movie is so good is that the tension just keeps escalating, as Alex’s behavior becomes more and more erratic (and eventually, lethal — RIP bunny). As Dan’s wife, Beth (Anne Archer), eventually is made aware of the severity of the situation (beyond just Dan’s flippant philandering), the creeping sense that this will end in tragedy feels completely justified. Lyne’s direction of the brutality inherent to rejection is palpable the entire runtime of this classic.
5
‘The French Connection’ (1971)
This “loosely based on a true story” masterpiece truly reinvented the American crime thriller. The car chase scene alone was one of the most revolutionary new aspects of modern cinema of the time. This, and other crazy action scenes, help land The French Connection on many a “best films ever” list, but it’s so much more than just cars racing around New York City. The precise direction provided by William Friedkin, including the cinéma-vérité manner of shooting the high-octane sequences, is really what makes this such a gritty classic — along, of course, with the intense performances of virtually the whole cast.
Jimmy “Popeye” Doyle (Gene Hackman, in the role that made him a star — and got him an Oscar) and Buddy “Cloudy” Russo (Roy Scheider, pre-Jaws) are two narcotics narcs working a major drug smuggling case in New York. It’s an international affair (hence the title), involving beret-wearing, wine-swilling criminals. The big fromage is Alain Charnier (Fernando Rey), who has been operating with impunity for years. Jimmy and Buddy need to stop a massive shipment of heroin from becoming available to the smack-doing public, and Jimmy especially will stop at nothing (even, heaven forfend, break the law himself) to intercept the drugs. This kind of “anti-hero” was seen before in noirs, but not so much in contemporary detective roles, so it was a refreshing take for audiences to consume. Every scene in this film is a banger, and that’s precisely why it took home five Oscars.
4
‘Taxi Driver’ (1976)
With a long, long list of sensational films to choose from, spanning many decades, Taxi Driver may hold up as Martin Scorsese’s finest film. It’s a film in the truest sense, in that it’s a “story told with pictures” more than anything else. While Goodfellas is arguably more entertaining, The Departed is more action-packed, and Raging Bull is more real, Taxi Driver is simply a work of high art. That is, one that is focused on some of the most depraved aspects of humanity imaginable.
Travis Bickle (Robert De Niro, in hands-down one of his best roles ever) is in a bit of an existential pickle. While soft-spoken, he’s got a lot of feelings leftover from serving in the Vietnam War, and he doesn’t really know where to place them. He drives his cab around NYC at night (not the most uplifting setting for a sensitive person, especially in the 70s), searching for fare, but really more for a purpose. A brief stint trying to “help out” a politician’s campaign, and the pulchritudinous visage of Cybill Shepherd (as Betsy), just aren’t cutting it. When he encounters the wily street-child Iris (Jodie Foster), he finally figures out what he’s meant to do: go on a killing spree of the vile offenders of this innocent, naturally. The way Scorsese shot this thing is mind-blowing, and De Niro’s commitment to this tricky part is astounding. This movie is highly disturbing, but it’s certainly thrilling from the first murky shot to the bitter last.
3
‘Seven’ (1995)
Or Se7en, as it was originally titled, is the prime example of using every single frame of a film to aid in the overall story. It’s so precisely constructed that it leaves the viewer longing for the next scene, all while reveling in the current moment. When the end credits first rolled, most audiences found their jaws on the floor, and could only sit and marvel at what the heck they just witnessed.
Inchoate Detective Mills (Brad Pitt) is partnered with long-time veteran Detective Somerset (Morgan Freeman) to try to crack a new serial killer case that looks like it’s just taking off. It appears that some sort of religious nut is enacting the seven deadly sins (listed in your handy bible), utilizing (murdering) “sinners” to illustrate his point. The thing is, this guy, John Doe (Kevin Spacey) is quite creative. And patient. And, well, genius. Most of the movie-going world is aware of how this film concludes (with a very special delivery), but just in case, no spoiling here. Just be aware that what’s in the box is quite heady. Overall, Seven contains one of the best plot lines in cinematic history, some of the strongest performances of any thriller ever, ironically wonderful direction by David Fincher, and the grandest finale ever. Still, this is some dark stuff.
2
‘Vertigo’ (1958)
The phrase “Hitchcockian” was really born out of the film Vertigo. His use of unsettling angles, twirling cameras, and unconventional filming techniques in general were completely innovative at the time (and have since inspired countless imitators). The way that Mr. Alfred Hitchcock made the viewer actually feel like they had an inner ear infection (or any other condition that would cause vertigo) was unprecedented in filmmaking. The final result is an absolutely thrilling picture that is made up of one genius shot after the next.
The disorienting story is (off-) centered on John “Scottie” Ferguson (James Stewart, who worked with Hitchcock on four films, and could thank the English director for helping shed his squeaky clean image). Scottie was a detective, but after a harrowing incident, he came to suffer from acrophobia (fear of heights) and a nasty case of vertigo (y’know, the spins). He’s hired as a private dick to follow this dude’s gorgeous but weird wife, Madeleine (drop-dead gorgeous Kim Novak). Scottie thinks she’s a hottie, but that doesn’t help him prevent her death (again, involving heights)…or so it seems. Scottie eventually meets Madeleine’s doppelgänger, and falls for her…but forces her to dress and act like Madeleine… Things spiral further out of control, and the movie culminates in a twist that will have you falling over in shock. Laden with themes of identity-crisis, unresolved trauma, and unrelenting obsession (your welcome, Obsession), this stunning film laid the groundwork for many thrillers to come. It’s a masterpiece from frame one to the final credit (probably a grateful gaffer).
1
‘The Silence of the Lambs’ (1991)
Perfection. Really the only adjective appropriate to describe this thriller. From the opening scene where soon-to-be agent Clarice Starling’s drive and determination is shown as she navigates a woodsy FBI training obstacle course (a metaphor itself for emerging “out of the woods”) to the final, deliciously ironic wordplay spoken on the phone by the good doctor Lecter — and, of course, literally every scene in between — this masterpiece doesn’t miss a single, tasty beat.
Starling (Jodie Foster, in probably her best role ever) is tasked with interrogating a genius, lunatic serial killer, Dr. Hannibal Lecter (Sir Anthony Hopkins, in definitely his best role ever), to garner info on a newly risen killer, deemed Buffalo Bill (Ted Levine) by the media. Every scene between Foster and Hopkins is fraught with tension, intrigue, and, oddly enough, charm. The rest of Starling’s quest is expertly laid out by director Jonathan Demme, as he fills each set piece with anxiety, guile, and bone-chilling mystery. The atmosphere is rich, fecund even; the sound editing is razor sharp, the scoring terrifying. Every other detail of this film combines to provide a work of cinema that doesn’t have a single lagging moment. The Silence of the Lambs (which, incidentally, swept all the major Oscars) deserves an annual watch, just to appreciate every little nuance. So, sit back, pop open a bottle of nice chianti and enjoy…
The Silence of the Lambs
- Release Date
-
February 14, 1991
- Runtime
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119 minutes
- Director
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Jonathan Demme
- Writers
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Ted Tally, Thomas Harris
Entertainment
Rosie O’Donnell returning to “The View” for season 30: ‘I will go’ with ‘all’ past cohosts
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O’Donnell also recalled a “tense time” with Whoopi Goldberg the last time she was at the Hot Topics table, while she publicly sparred with Elisabeth Hasselbeck in 2025.
Entertainment
Hailey Bieber Flaunts Her Curves in Pink String Bikini
Hailey Bieber is living her best life while vacationing under the European sun.
The Rhode founder, 29, shared two swimwear snaps in an Instagram carousel on Sunday, August 2, capturing the itty-bitty pink strong bikini she’d opted for while out on a luxury boat amid shimmering water.
“Different blues and lots of Nutella,” she captioned the post, which showed her seated on the ground of the boat while snapping herself in a mirror. Other photos in the carousel showed a turquoise ocean lapping against a gray rocky cave, an azure boat bobbing atop waves, more water shots and a creamy dessert topped with a thick layer of gooey Nutella.
One day prior, Hailey, who is currently vacationing with her husband, Justin Bieber, in Europe, was spotted visiting a bottle shop on Italy’s Panarea Island with Justin, 32, before the pair jumped aboard a golf cart to continue their exploration. Social media footage of the couple showed them swarmed by fans prior to escaping the crowd.
Justin also shared glimpses of the couple’s vacation via his own Instagram account. In a Sunday carousel, he was seen enjoying dinner alongside Hailey as the pair indulged in a bottle of red wine. Additional snaps in Justin’s post showed him puffing on a cigar while enjoying time on a boat, holding Hailey’s hand during another sunlit meal and riding in a golf cart with her.
Hailey recently showed off her enviable figure via Instagram. In her June 23 mirror selfie, Hailey flexed her abs while wearing a sports bra and spandex, completing her look with a navy zip-up hoodie that she wore undone. The post followed Hailey’s Instagram unveiling as an ambassador for Kim Kardashian’s Skims label, with Hailey serving as the face of its lingerie campaign.
Campaign imagery showed Hailey rocking a black Skims bralette and matching thong underwear, a beige bra and boyshort underwear, a white bralette and high-cut thong, and a caramel-hued bra and thong set.
Kim, 45, showed her public approval for Hailey’s part in her brand campaign, taking to Hailey’s post’s comments section to share praise. “Sooooo beautiful and hot and sexy and cutesie ❤️🔥😍❤️,” she wrote, while Kim’s younger sister, Kylie Jenner, also commented with a bitten lip emoji. Kendall Jenner joined in on the fun, writing “really hot ndb” in the comments section, too.
Hailey opened up about her style inspiration, and the enviable couples’ ensembles she shares with Justin, during an interview with Interview magazine in April. “We both just really like expressing ourselves through our style and supporting each other’s individualism,” she said of their sometimes-coordinating, sometimes-clashing wardrobes at the time.
“When we go on a carpet together or something, nobody wants to clash or look crazy, and it’s not very often that we do that,” she added. “Obviously, we’ll talk about what the other person’s wearing, but on a day-to-day basis, I’m like, ‘I don’t give a s*** what you want to wear. Are you comfortable? Do you feel good?’ That’s all that matters to me.”
Entertainment
The 10 Biggest Classic Rock Hits That Never Won Record of the Year, Ranked
Winning a Grammy is one of music’s highest honors, but the Recording Academy is also famous for its history of controversial snubs. And classic rock hits are no exception. Unlike when The Beatles took home the coveted award at the 9th Annual Grammy Awards in 1967 for their hit song “Michelle” that was featured on their 1965 album Rubber Soul. However, over the years, so many legendary songs have lost Record of the Year to songs that have long since faded from the conversation while the “snubs” went on to give us some of the biggest and influential hit records of all time. Looking back, it’s hard to see how the Grammys made their choices.
From Beatles classic hits to arena-filled Queen anthems, these songs topped the Billboard Hot 100 and defined entire generations. They may have been overlooked on music’s biggest night, but their legacy has only grown bolder with time. Here are the 10 biggest classic rock hits that never won Record of the Year.
10
“The Boys Are Back in Town” by Thin Lizzy
Not many classic rock songs have the same melodic vibe as Thin Lizzy‘s “The Boys Are Back in Town.” The song was built around Brian Robertson and Scott Gorham’s unforgettable guitar skills, but the song was equally cinematic in its storytelling. The song does a perfect job of painting vivid pictures of old friends, past hometown bars and those magical nights you’ll always remember. Phil Lynott’s cool vocals give the song a personality unlike any other that makes it anything but a simple song.
The song peaked on the Billboard Hot 100 charts at No. 12 when the song was released in 1976. It was the lead single from Jailbreak. This became the Irish rock band’s signature hit song that introduced them to audiences around the world. But, despite its cultural impact, the song lost at the 1977 Grammy Awards to George Benson’s “This Masquerade.” However, almost 50 years later, “The Boys Are Back in Town” still blasts through stadium speakers, movie soundtracks and classic rock radio playlists with the same electrifying energy.
9
“Carry On Wayward Son” by Kansas
Progressive rock music has produced many songs but very few have crossed into the mainstream, like Kansas‘ “Carry On Wayward Son.” From the track’s instantly recognizable intro to its blaring guitar solos, the song packs an incredible amount of complexity into a song that makes it feel like it was meant to be a sing-along. Kerry Livgren’s lyrics about searching for meaning give the record an emotional weight that separates it from so many other classic rock songs from that era.
The song peaked on the Billboard Hot 100 at No. 11 in 1977. The song became Kansas’ breakout hit from Leftoverture, which helped establish the band as one of the most pivotal acts of 1970s rock. The song would go on to earn a nomination for the 1978 Grammy Awards but lost to Debby Boone‘s “You Light Up My Life.” Decades later, “Carry On Wayward Son” is still one of the most beloved songs in classic rock. For a band that never reached No.1 on the Billboard Hot 100, this song became a timeless classic that’s never gone out of style.
8
“Go Your Own Way” by Fleetwood Mac
The collapse of the relationship between Lindsey Buckingham and Stevie Nicks was not going to wallow in heartbreak when it was left up to Buckingham. Fleetwood Mac’s “Go Your Own Way” turned heartbreak into a bold rock anthem that was fueled by raw emotion and one of the most unforgettable choruses of the 1970s. Mick Fleetwood’s drumming pushes the song into this ultimate sense of controlled chaos that took personal turmoil and turned it into a grand performance.
“Go Your Own Way” peaked at No. 10 on the Billboard Hot 100 in 1977. It was released as the lead single from their iconic album Rumours, which helped turn the album into one of the biggest commercial successes in rock history. Just like Kansas’ “Carry on Wayward Son”, Fleetwood Mac lost to Debby Boone’s “You Light Up My Life” that year. However, you can’t listen to classic rock radio and not hear Fleetwood Mac’s iconic song. The song continues to live on in streaming playlists and live performances almost 50 years later after its release.
7
“Sweet Home Alabama” by Lynyrd Skynyrd
Some songs become hits and others become part of a place’s identity. “Sweet Home Alabama” by Lynyrd Skynyrd is clearly cemented in both. The hit song began as a response to Neil Young’s criticism of the American South, but it evolved into one of the most recognizable rock songs ever recorded. The opening guitar riff makes the song feel instantly familiar and there is a sense of warmth that washes over when the beginning chords, infused with blues, begin. The song feels infectious and that has made it impossible to ignore all of these years later.
The hit song peaked on the Billboard Hot 100 at No. 8 in 1974. The song gave Lynyrd Skynyrd their biggest hit, and it helped establish Southern rock as a force to reckon with. In 1975, the song earned the Record of the Year nomination but ultimately lost to Olivia Newton-John’s “I Honestly Love You.” While the Recording Academy chose a softer ballad as the winner, history has largely sided with Lynyrd Skynyrd. “Sweet Home Alabama” has become a cultural phenomenon of a song that even if you don’t listen to the genre as a preference, you definitely know this song.
6
“More Than a Feeling” by Boston
Boston’s “More Than a Feeling” is one of the most instantly captivating songs to ever be recorded. Tom Scholz spent years crafting the layered guitars, harmonies and spotless production that created a song that didn’t sound like anything else on rock radio in the mid 1970s. But at the core of the song, is the wistful reflection on memory and lost love the song provides. It’s as if the song transports you back into time.
In 1976, Boston’s “More Than a Feeling” peaked on the Billboard Hot 100 at No. 5. As the lead single from Boston’s self-titled album, “More Than a feeling” pushed the band into stardom and became one of the defining songs of the classic rock era. In 1977, the song received a nomination but lost to George Benson’s “This Masquerade.” Despite losing, Boston’s hit song has cast a longer shadow between the two. The influence of this song can be heard in generations of artists who followed. And nearly 50 years later, the song still stands as a how some songs have just become timeless.
5
“Bohemian Rhapsody” by Queen
It’s impossible to think of rock music without thinking of Queen’s legendary hit “Bohemian Rhapsody.” A six-minute epic song that doesn’t have a traditional chorus, with an opera-style middle section with one of Freddie Mercury’s greatest vocal performances of all time. The song broke almost every rule when it comes to the traditional layout of a song. On paper, there is no way this song should have worked. However, Queen decided to make one of the boldest statements in music, proving that audiences would like this type of record when backed by perfect songwriting and production.
“Bohemian Rhapsody” peaked on the Billboard Hot 100 at No.9 and spent a total of 19 weeks on the charts. What makes the Grammy’s treatment of this song so surprising isn’t that it lost Record of the Year. Because it never got the chance. Despite this iconic song becoming an international sensation and single-handedly redefining what a rock single could accomplish, the song wasn’t nominated for the award at all. It feels criminal and, looking back, the omission of the song makes it as shocking as the other losses on this list. “Bohemian Rhapsody” has since become one of the most celebrated songs ever. However, in 2004, the song was inducted into the Grammy Hall of Fame and has continuously topped “the greatest songs of all time lists.”
4
“Sweet Child O’ Mine” by Guns N’ Roses
If you ever find yourself thinking of iconic guitar riffs, Guns N’ Roses “Sweet Child O’ Mine” has to be at the top of that list. Not every rock song announces itself with a roaring power chord and ultimately gifts us one of the most famous guitar riffs ever written. The song unfolds into a love song that is unlike anything Guns N’ Roses had released before. The song was inspired by Axl Rose’s relationship with Erin Everly and displayed the band’s gritty attitude to love without sacrificing an ounce of their edge.
Luckily, the gamble paid off in a major way. “Sweet Child O’ Mine” peaked at No.1 on the Billboard Hot 100 in 1988. The song would go on to become the band’s only No.1 hit, but this introduced them to an even bigger audience and officially cemented the band as one of rock’s biggest acts. However, despite the massive success and lasting influence, the song lost the 1989 Grammy Award to Bobby McFerrin’s “Don’t Worry Be Happy.” Although McFerrin’s song is truly beloved as a moment in pop culture, “Sweet Child O’ Mine” has stretched far beyond that. Nearly four decades later, it’s still the song that defined Guns N’ Roses and one of the most recognizable tracks out there.
3
“American Pie” by Don McLean
From the beginning, this song had a lot of things working against it. Don McLean’s “American Pie” is more than eight minutes long, radio stations rarely embraced playing songs of that length, and its poetic and packed lyrics left audiences trying to interpret their meaning. However, this is exactly what made Don McLean’s song a masterpiece. Instead of just stating things plainly, McLean wanted to take listeners on a musical mystery ride when talking about nostalgia and cultural change with the loss of innocence. The track’s lyrics are still being dissected almost 50 years later, which proves how timeless the storytelling remains.
The risk paid off for this iconic song, released in 1971. “American Pie” climbed all the way to No.1 on the Billboard Hot 100 and stayed there for four weeks. It was nominated for the 1973 Grammy Award for Record of the Year but lost to Roberta Flack’s “The First Time Ever I Saw Your Face.” Flack’s classic earned its acclaim, but McLean’s song grew into one of those rare songs that feels less like a hit single and more like a shared piece of American culture. The song has been sung by generations that have disagreed on the actual meaning of the song, but that is part of what makes this song a masterpiece. This is many decades later and the song still holds such power and fascination, making the Grammy snub one of the most memorable.
2
“Hotel California” by Eagles
Ever had a song that left you with questions, and it kept pulling you back to find them? That’s the true magic of “Hotel California.” Since its release, fans have spent decades debating the song’s true meaning, which has varied between interpretations about fame, the music industry, the American dream and excess. Don Henley and Glenn Frey left much of the symbolism behind the lyrics open-ended, which allowed for listeners to find something different with those haunting lyrics. Bring in Don Felder’s unforgettable guitar work, and you have a song that becomes more fascinating after each listen.
“Hotel California” was released on the Eagles‘ legendary album of the same name in 1976. The song peaked at No. 1 on the Billboard Hot 100 for one week, while the album spent eight non-consecutive weeks at number one on the Billboard 200. The song earned a nomination for the 1978 Grammy Award but ultimately lost to Debby Boone’s “You Light Up My Life”, suffering the same fate as Fleetwood Mac and Kansas on this list. Despite only one song being able to take home the coveted award, no one can deny the impact “Hotel California” has had, especially with its closing solo, which is often called the greatest recording ever. “Hotel California” has only become more legendary with time.
1
“Hey Jude” by The Beatles
Some songs are instant hits that you know will become a classic. While others slowly earn that title over time, “Hey Jude” by The Beatles somehow managed to do both. The song was written by Paul McCartney for John Lennon’s son Julian, during his parents’ divorce and what started as a deeply personal message evolved into one of the most uplifting songs in rock history. The gentle encouragement, the skyrocketing melody and the unforgettable “na-na-na” finale took this simple ballad to new heights. This song is a great example of how joy brings people together by having them sing along, whether it’s in a stadium, around a campfire or through their own headphones.
“Hey Jude” became The Beatles’ biggest hit single when released in 1968. The song peaked at No.1 on the Billboard Hot 100 and broke records by spending 9 weeks at No. 1. The song would go on to sell 8 million copies worldwide and become The Beatles’ longest-running chart-topper in the United States. But despite this massive success, the song lost the 1969 Grammy Award for Record of the Year to Simon & Garfunkel’s “Mrs. Robinson.” This “snub” is often considered one of the biggest in Grammy history. The song remains one of the Beatles’ defining achievements, regularly appearing on lists of the greatest songs ever written. If there is a single song that proves Grammy victories don’t determine greatness, it’s “Hey Jude.”
Entertainment
Jen Hamilton Responds to Calls for Her to Be Bachelorette
Influencer Jen Hamilton has responded to fans hoping to see her star in a new season of The Bachelorette.
“They do not want me and this is why,” Jen, 35, began in a hilarious Instagram video shared on Sunday, August 2, that responded to a fan advocating for her to be featured in the reality TV dating series.
The social media star, who announced her split from her husband, Brian Hamilton, in June, continued with various vignettes that poked fun at her potential place in the show. “Don’t miss the most dramatic season of The Bachelorette ever. Featuring Jen Hamilton who we did not vet but got lots of comments about,” she said in a sarcastic voice-over before staging would-be meetings with suitors.
“Hi, my name is Jen, what do you like to do? Run? That’s what you can do, that way, thank you for coming,” she said. “A beach date? Did ya’ll … research me first? I’m built different than my predecessors. There’s no drawers that cover it alls.”
Fans took to the clip’s comments section to share praise for Jen’s tongue-on-cheek content, including former Bachelorette Katie Thurston who threw support behind what she saw. “Just say the word, and I’ll give you a direct number,” Thurston, 35, wrote, attracting more than 400 “likes.”
Another fan wrote, “I mean, I’d watch this season,” while another added, “Divorced Mom edition 😂the only season I want to watch.”
Four days prior, Jen shared a similarly hysterical Facebook video that attracted another call for her Bachelorette debut. “Something tells me when you’re ready to get back on the market, you will have a plethora of eligible suitors. Maybe Jen should be the next Bachelorette?” the fan wrote, attracting almost 7,000 thumbs up and heart responses.
Jen’s new Instagram video comes days after she seemingly shared a text exchange with her estranged husband. After telling Brian that she will “always love” him, he appeared to write, “Thank you for being you. Losing you is the dumbest thing I’ve ever done.”
Brian then appeared to continue, “I don’t want to leave you in rubble. I want all of you guys to be in my life.” (Jen and Brian share two sons, Ellis and Luke, though it is unclear who Brian was allegedly referring to in the text.)
Jen appeared to respond, “You already have.”
After the former couple confirmed their split via a joint Instagram statement, Jen has since accused her ex of leading a “double life” with a 56-year-old woman behind her back.
Entertainment
Leonardo DiCaprio’s ‘Heat 2’ Takes Its Biggest Step Forward Yet
Michael Mann’s Heat 2 is among the highly anticipated movies that were announced in the last few years. The director follows up his 1995 crime thriller of the same name based on the best-selling novel he co-wrote with Meg Gardiner, which serves as both a prequel and sequel. The feature has changed many studios, going from Warner Bros. to Paramount, Sony, and finally Amazon MGM.
Heat 2 has roped in a stellar cast including Leonardo DiCaprio and Christian Bale. Their roles were revealed previously, with Bale set to fill Al Pacino‘s shoes and take the lead as detective Vincent Hanna, while DiCaprio will step into the shoes of the late great Val Kilmer‘s character, Chris Shiherlis, the lone survivor of Neil McCauley’s (Robert De Niro) crew. Further, Stephen Graham is set to take on Robert De Niro’s role, while long-rumored Adam Driver was reportedly in talks to embody Otis Wardell, the serial killer who has haunted Vincent since the 1980s.
However, with most top-line talents set in place, the feature has been in development hell for a while, given Mann wanted a bigger budget than Warner Bros.’ desired $125 million, per a new report. That became one of the main reasons for Heat 2 to change studios. Eventually, the project landed at Amazon Prime, which also took creative control of the James Bond franchise recently.
‘Heat 2’ Will Begin Production This Year
Now Heat 2 is ready to go on the floor, as the report confirms, “with production scheduled to begin in November and Bale and DiCaprio fully onboard, ‘Heat 2’ has reached its final form.” The feature will be backed by F1 producer Jerry Bruckheimer alongside Mann, United Artists’ Scott Stuber, and Nick Nesbitt. As for the scope of the movie, it hasn’t shrunk at all and “features action sequences that dwarf the first film.” And that’s saying something because Heat has a legendary heist/gunfight that was so realistic that law enforcement agencies use it in training exercises.
The makers are expecting Heat 2 to be a global hit: “’Heat 2’ could do for men of different ages what ‘Barbie’ did for women,” a source revealed. “It won’t reach the same box office, but it could easily approach more than $500 million which would make the film profitable theatrically and then a huge hit for Amazon on their platform.”
No release date has been confirmed for Heat 2. Stay tuned to Collider for more such updates.
- Director
-
Michael Mann
- Writers
-
Meg Gardiner, Michael Mann
- Producers
-
Jerry Bruckheimer, Art Linson, Michael Mann, Nick Nesbitt, Jan Pance, Scott Stuber
Entertainment
Jon Bernthal Says Fear Of Pit Bulls Is ‘Dog Racism’
A clip from a 2017 interview with Jon Bernthal is making the rounds online, bringing renewed attention to the actor’s passionate defense of pit bulls. In the resurfaced footage, the “Punisher” star argues that fear of the breed is rooted in unfair stereotypes, even going so far as to describe it as “dog racism.” His past comments have reignited online discussion about the stigma surrounding the dog breed.
On August 1, “The Howard Stern Show” reuploaded a 2017 interview featuring actor Jon Bernthal, in which he defended pit bulls. The resurfaced clip quickly gained traction, with numerous media outlets and social media accounts highlighting his remarks, turning them into a trending topic online.
The conversation turned to pit bulls when Howard Stern asked the actor about a 2009 incident in Venice Beach. Bernthal was arrested following an altercation with a drunk individual who attempted to grab his pit bull. The actor punched the man, who ended up unconscious after hitting his head on the ground.
Stern asked why his pit bull didn’t attack, to which Bernthal answered, “My dogs are the greatest, and they’re unbelievably well trained.” He further added that the stereotype against pit bulls being aggressive is just “dog racism.”
“To be afraid of a breed of dog is completely ridiculous. It’s like being afraid of somebody for their race or their sexual orientation,” Bernthal told Stern.
The Actor Placed The Responsibility On Dog Owners

Bernthal admitted that it would “suck” to be bitten by a pit bull. However, he claimed that “they’re no more likely to bite you than a chihuahua or any other breed of dog.”
Moreover, the actor believes that a dog’s behavior depends largely on its owner and how it is raised and trained, regardless of the breed. “I think that a lot of knuckleheads, unfortunately, are attached to that breed of dog,” he added.
The resurfaced clip sparked an online debate. While many agreed with his view, others argued that genetics also play a role. One said mixed breeds are responsible for many attacks, but when it comes to specific breeds, “pit bulls are by far the most dangerous.” One person commented, “If you meet a pit bull who’s an a-shole it’s because an a-shole human taught them to be an a-shole.”
Jon Bernthal Is An Advocate For Pit Bulls
Bernthal has long been vocal about his love of pit bulls. In 2014, he shared that he often traveled by car to work instead of taking a plane, as he wanted to bring his pit bulls, Boss and Venice, with him.
“They’re beautiful. They’re sweethearts,” the actor said, adding that apart from them being his best friends, he wanted to change the public’s perception about the breed. “It’s pretty sick and twisted how people feel about them a lot of the time, and my dogs are total sweethearts,” he told Live Science.
In 2015, Bernthal, who starred in “The Walking Dead” for two seasons in 2010 to 2012, said there wasn’t a day when his dogs were not on set with him, and they were also his companions to meetings and auditions. “Our dogs are part of our family,” he said, per CBS News.
The Actor’s Father Served As Chair For The Humane Society
Bernthal isn’t the only one in his family advocating for pit bulls. His father, Eric, served as chair of the board of directors for the Humane Society of the United States (HSUS) until 2019.
In 2012, the Maryland Court of Appeals declared pit bulls and pit bull mixes “inherently dangerous” breeds. Through his leadership, Eric and the HSUS fought the decision and called out Maryland lawmakers for issuing a “death warrant” for thousands of dogs in shelters. The court ruling was overturned, and a new breed-neutral bill was enacted.
Bernthal credited his father for inspiring his passion for dogs, especially pit bulls, saying Eric “loved dogs to an insane level.”
Fatal Dog Attack Statistics
The role of breed in dog attacks remains a divisive issue, with pit bulls and Rottweilers at the center of discussion.
In 2025, there were 84 reported fatal dog attacks in the U.S. and Canada, with 64 involving dogs identified as pit bulls. Despite the statistics, several studies have shown that a dog’s breed does not correlate to its aggression.
Both the Centers for Disease Control and Prevention (CDC) and the American Veterinary Medical Association (AVMA) have previously warned against breed-specific fatality statistics, as they often rely on visual identification, which may be inaccurate.
Entertainment
10 Forgotten Fantasy Books That Have Aged Like Fine Wine
Many of history’s greatest fantasy books go on to receive exactly as much love and praise as they deserve. Inevitably, however, the years have seen many other exceptional works of fantasy literature which have been all but forgotten, even though they’ve only gotten better with age. Of course, saying that they’ve been “forgotten” is a bit of an exaggeration for dramatic effect, but there’s no denying that these great fantasy books haven’t been read by nearly as many people as they deserve.
These are, through and through, some of the greatest fantasy books of their time. Some of them are the work of huge names in fantasy literature like Ursula K. Le Guin and her Powers. Others are by considerably smaller names, like Katharine Kerr‘s The Silver Mage, the most tragically forgotten fantasy books of all time have all aged like the finest of wines. No matter their origin, these fantasy books are worthwhile and unworthy of their forgotten status.
‘Marianne, the Matchbox and the Malachite Mouse’ (1989)
The winner of several big awards and one of the most prolific authors of feminist speculative fiction of her generation, Sheri S. Tepper was nothing short of an absolute legend. Marianne, the Matchbox and the Malachite Mouse is one of her best works, the final installment in the Marianne trilogy, where the titular character’s magical past begins to feel like a distant dream while she struggles in the real world.
But even though it’s one of Tepper’s best works, it’s still one of the most underappreciated fantasy novels of the ’80s. It’s a really strong ending to the series, one that’s every bit as creative as it is emotionally satisfying. Tepper finds ways to introduce fresh new ideas to the world of Marianne even as it’s coming to an end, all through the wit and fast pacing that makes her voice as an author so unique.
‘Powers’ (2007)
Ursula K. Le Guin is one of the greatest and most important authors of speculative fiction of the 20th and 21st centuries, and over her illustrious career, she wrote several of the best fantasy books and book series the world has ever seen. One such series is the YA trilogy Annals of the Western Shore, whose conclusion is the exceptional Powers, following a young boy raised as a domestic slave who can see the future.
Thankfully for fantasy readers not looking to get into a full new series right now, each book in Annals of the Western Shore follows a different main character, making Power—the best of the bunch—easily understandable by itself. It’s one of those fantasy books better than most movies out there, a nuanced exploration of freedom and power that even those who don’t typically love YA fantasy should consider reading.
‘Myth Conceptions’ (1980)
Robert Asprin isn’t exactly a mainstream literary fantasy giant, which makes the discovery of his work all the more satisfying. He was arguably best known for his comedic work, his amusing Myth Adventures series in particular being one of the most enjoyable fantasy comedy book series of not just the 20th century, but perhaps of all time. Myth Conceptions, the second installment, where a court magician has to oppose the world’s mightiest army, is the best of the bunch.
Asprin’s writing style across the whole Myth Adventures series is delectably accessible and amusing, and Myth Conceptions in particular blends Asprin’s universally appealing sense of humor with some surprisingly deep worldbuilding and razor-sharp dialogue. It’s not high art, but anyone who loves their fantasy with a hearty side of puns and banter is pretty much guaranteed to love this underrated gem.
‘Sword-Dancer’ (1986)
Well-known for her work in both fantasy and historical fiction, Jennifer Roberson isn’t a particularly big name outside of niche fantasy fan circles, but she absolutely deserves to be. For reasons why, one needn’t look further than Sword-Dancer, the first chapter of the Tiger and Del series. In it, a legendary mercenary and a mysterious warrior team up on a dangerous rescue mission across the desert.
It’s one of the most near-perfect fantasy books nobody remembers, a really underappreciated book written by a really underappreciated fantasy author. Led by a pair of deeply compelling characters and told with a sense of adventure that fans of the genre can always appreciate, it’s a page-turner that should be perfectly able to get anyone instantly hooked on Tiger and Del.
‘The Silver Mage’ (2009)
Many fantasy book series run for several years and many installments, but Katharine Kerr’s Deverry Cycle, a sweeping narrative of Celtic fantasy spanning several centuries, is on a whole other level. A whopping 23 years after the publication of Daggerspell, the first novel in the series, came the fifteenth installment, The Silver Mage. It’s the highest-rated chapter in the series on Goodreads, and for good reason.
Of course, getting to this point in the Deverry Cycle already means that the reader has fallen in love with the world of Deverry deeply enough to read fifteen books’ worth of it. But even if one were to (for some reason) start here, The Silver Mage would still be an incredible novel in its own right. The writing is hugely accessible, different arcs and plot lines are brought to deeply satisfying conclusions, and the bits of Celtic folklore are the cherry on top.
‘Dragonsong’ (1986)
When a story blends elements of science fiction and fantasy, it’s referred to as science fantasy. It’s the genre that has given us some of the greatest sci-fi and fantasy novels of all time, including the awfully underrated Dragonsong by Anne McCaffrey. It’s the third installment in the 24-novel Dragonriders of Pern series, and it’s also one of the best fantasy books of the last 50 years.
Even older readers ought to consider adding it to their library, because it really is that good of a book.
As one of the best YA fantasy books of its time, Dragonsong is the perfect bridge for younger science fantasy readers to transition into more mature novels. And yet, even older readers ought to consider adding it to their library, because it really is that good of a book. With its richly detailed worldbuilding, heroic protagonist, and deeply emotional story, it’s a wonderful piece of uniquely ’80s-y fantasy literature.
‘The Dying Earth’ (1950)
It’s not just younger readers who deserve great fantasy books, but grown adults too; and as far as underappreciated fantasy books for adult readers go, it doesn’t get much more timeless than the 76-year-old book The Dying Earth. It’s the first (and best) chapter of the book series of the same name by Jack Vance, a collection of science fantasy short stories set in a distant future when humanity is disappearing, and civilization is decaying.
Part post-apocalyptic, part fatalistic adventure, and part sword-and-sorcery gem, The Dying Earth is easily one of the best fantasy books of the 1950s. It was considerably praised upon release and even went on to influence elements of Dungeons & Dragons, and yet, it has faded into relative obscurity over the years. Even still, it has aged like fine wine, blending science and magic in ways so delightfully creative that they’re also endlessly re-readable.
‘The High King’ (1968)
The fifth and final installment of Lloyd Alexander‘s The Chronicles of Prydain series, The High King is top-tier children’s fantasy from the mid-20th century. It is, indeed, one of the best books of the 1960s when it comes to fantasy for the smallest readers of the family, and it’s even hugely enjoyable for fans of the genre who are well into their adult years.
The book delivers powerful character arcs, sky-high and wonderfully emotional stakes, and a timeless message about heroism that you always expect from a Hero’s Journey tale like this one. Today, The High King remains a childhood classic for many readers even after almost six decades of its publication—but that’s still not nearly as big of an audience as it deserves.
‘Troy: Lord of the Silver Bow’ (2005)
David Gemmell was a master of heroic fantasy and has proven to have been massively influential over the years, yet his Troy trilogy still doesn’t deserve even a fraction of the love and praise it deserves. The series is historical fiction just as much as it is fantasy, and its opening installment, Troy: Lord of the Silver Bow, just so happens to be the best of the three.
It’s a fantastic introduction to Gemmell for those unfamiliar with him. Like the rest of the author’s work, Lord of the Silver Bow blends highly stylized depictions of violence and brutal combat with deeply layered character development and vivid worldbuilding. It’s a book that’s just as much of a must-read for fantasy fans as it is for history buffs.
‘Tigana’ (1990)
Canadian writer Guy Gavriel Kay is one of the most accomplished names in the modern history of fantasy literature. He revolutionized historical fantasy and helped Christopher Tolkien edit J. R. R. Tolkien‘s The Silmarillion, and yet there are those who’d argue that his biggest achievement is Tigana. This masterful high fantasy epic follows a band of rebels seeking to overthrow a pair of rival tyrants.
It’s one of the best fantasy books of the 1990s, hugely elevated by Kay’s lyrical, poetic, absolutely gorgeous prose. Within a single tightly-paced book, you get the thematic and emotional scale of an entire epic saga of fantasy novels. That’s just the kind of artist that Kay was. Complex, creative, and bittersweet, Tigana is a must-read for anyone who loves fantasy.
Entertainment
Phil Collins Recounts Near-Death Ordeal In 2024
Phil Collins has enjoyed one of the most celebrated careers in music, first rising to fame as the drummer and later the lead singer of Genesis before launching a successful solo career. The musician concluded his final tour in 2022, and at 75 years old, he is reflecting on the frightening health scare he had in 2024 that left him believing he was nearing the end of his life.
Phil Collins has faced a number of health challenges over the past two decades that have significantly affected his ability to perform. Among them is a spinal injury that caused mobility issues and a few knee surgeries.
In 2023, the singer was more than a decade sober before he had a relapse that eventually sent him to the hospital in 2024 for alcohol addiction and organ failure. His health was in such dire condition that he was placed on life support, and his family and close friends were called to say goodbye.
“My kidneys were packing up, my organs were just seizing up. People were coming to say goodbye,” Collins told The Sunday Times. Admittedly, he said he was mostly unconscious at that time, but noted that those who were closest to him feared it was the end. “It could all have gone so terribly wrong,” he said.
All The Singer’s Five Children Were By His Bedside
Collins added that important decisions had to be made, such as whether to keep him on life support. All of the drummer’s children visited him to say their final goodbyes.
He has been married three times and is the father of five children. He shares Joely and Simon with his first wife, Andrea Bertorelli. He later welcomed daughter Lily Collins, best known for starring in “Emily in Paris,” with his second wife, Jill Tavelman. With his third wife, Orianne Cevey, he has two sons, Nicholas and Mathew.
Fortunately, he went on to recover. “I haven’t had a drink since,” he proudly shared. His recuperation wasn’t swift, though, as he spent seven months in a hospital in Switzerland.
Phil Collins Years For Companionship
Collins is currently based in Switzerland and has a live-in nurse who helps care for him following his health crisis. The singer admitted that he would like to find love again and misses certain parts of being in a relationship.
“I’d love to be in love again. I would love a relationship. Kissing somebody, for example. You know, pretty basic stuff,” the singer confessed.
Following his split from his third wife, he entered a relationship with news anchor Dana Tyler in 2007, which lasted until 2020.
At his age, however, Collins said love may no longer be in the cards for him. “I think it’s probably too late for that. I’m not a very social person. I don’t you know, I don’t go out,” he said.
Lily Collins Wrote An Open Letter To Her Father
Lily didn’t always have a close relationship with her father, which he detailed in her 2017 memoir “Unfiltered: No Shame, No Regrets, Just Me.” The actress said her bond with Collins deteriorated after her parents’ divorce.
Lily also penned an open letter to him in the chapter “A Letter to All Dads,” in which she later realized that many of her insecurities stemmed from “issues” with her father. “I forgive you for not always being there when I needed you and for not being the dad I expected. I forgive the mistakes you made,” she wrote.
The father and daughter have since mended their relationship, and Collins shared that he spent the New Year in London with family and Lily. “I have a wonderful relationship with Lily now. So everything has a happy ending, most of the time,” he said.
Phil Collins Is Not Closed Off To Performing Again

Collins last performed at “The Last Domino? Tour” in 2022 with Genesis. At that time, he announced his retirement due to multiple health issues.
In May, however, Collins shared a positive update on his health, revealing that he feels the healthiest he has in a long time. The musician has unfinished songs and ideas that he’s toying with, as well as a few finished works, and he isn’t opposed to the idea of returning to the stage. “I would contemplate… I’m constantly saying to myself, I better go back down to my studio at home,” he said.
Collins will be inducted at the Rock & Roll Hall of Fame for a second time in November, this time in recognition of his solo career.
Entertainment
Edgerunners,’ This Legendary Sci-Fi Thriller Is Coming to a New Streamer
In the mid-1990s, a groundbreaking mecha series emerged from producers Gainax and Tatsunoko Production, forever changing the sci-fi genre. Set in the year 2015, 15 years after a devastating global catastrophe, the anime follows a reluctant teenage boy who is recruited by his estranged father to pilot a mysterious biomechanical weapon against monstrous creatures called Angels that threaten humanity.
Running for 26 episodes between October 4, 1995, and March 27, 1996, Neon Genesis Evangelion remains one of the greatest anime series ever made. It debuted to widespread critical acclaim and today holds a rare 100% Certified Fresh critics’ score on Rotten Tomatoes, alongside an 89% audience score. Over the past three decades, the series has profoundly influenced anime and sci-fi while remaining one of Japan’s most commercially successful multimedia franchises through television, films, merchandise, and home video releases.
Now, one of the most essential sci-fi anime ever made is heading to a new streaming home. According to Polygon, Neon Genesis Evangelion will arrive on The Criterion Channel on September 1, 2026, through a partnership with North American distributor GKIDS. The collection will include three entries from the franchise. First is the original 26-episode series, available in the Japanese dub and the original English dub, the latter streaming officially for the first time. Also included is Evangelion: Death (True)², the 1998 feature-length recap film, and The End of Evangelion, the acclaimed 1997 movie that serves as the alternate conclusion to the OG series.
The Legendary Mecha Series Has Aged Like Fine Wine
Directed by Hideaki Anno, Neon Genesis Evangelion concluded with two famously divisive episodes that many viewers found confusing. In response to the mixed reception, Gainax released The End of Evangelion, written and co-directed by Anno, which has since become one of the most celebrated anime films ever made.
Anno later revisited the franchise with the four-film Rebuild of Evangelion series, released between 2007 and 2021. Rather than serving as straightforward remakes, the films gradually branch off from the original story before delivering an entirely new conclusion. While the Rebuild films will not be part of Criterion Channel’s lineup, they are available on Prime Video until they leave the service in mid-August.
Neon Genesis Evangelion arrives on The Criterion Channel this September. Stay tuned to Collider for the latest entertainment news.
- Release Date
-
1995 – 1996
- Network
-
TV Tokyo
- Directors
-
Keiichi Sugiyama, Masahiko Otsuka, Tensai Okamura, Shoichi Masuo, Minoru Ohara, Seiji Mizushima, Tetsuya Watanabe, Ken Ando
- Writers
-
Akio Satsukawa, Yoji Enokido
-
Megumi Ogata
Shinji Ikari (voice)
-
Kotono Mitsuishi
Misato Katsuragi (voice)
Entertainment
10 Years Later, a ‘Predator’ Director’s Sci-Fi Horror Hit Is Back on Streaming
Taking charge of a beloved franchise is no mean feat, but to try to turn around the fortunes of a sinking cinematic ship is much harder. This was the task Dan Trachtenberg had to undertake when he was given the keys to the Predator franchise, looking to bring back quality and refresh the IP for a new generation. Trachtenberg started impressively with Prey in 2022, which earned a pair of Critics’ Choice Awards. He then followed with the animated Predator: Killer of Killers last year, but his biggest task came later in that same year with Predator: Badlands.
The film might’ve flopped at the box office, earning just $184.6 million against a $105 million budget, but the reaction from both critics and audiences was overwhelmingly positive, represented by an 86% critics’ score and 94% audience score on review aggregator Rotten Tomatoes. After three movies, it was clear that the future of the franchise was at least in creatively fresh and exciting hands with Trachtenberg, the sort of freshness that was obvious to anyone who enjoyed the director’s 2016 debut, 10 Cloverfield Lane.
Although in much less high-profile circumstances, 10 Cloverfield Lane saw Trachtenberg take charge of another franchise following the success of 2008’s Cloverfield. Unlike Predator: Badlands, 10 Cloverfield Lane was a notable box office triumph, turning a small $15 million production budget into $108 million worldwide. The film follows Michelle (Mary Elizabeth Winstead), who is kept in a bunker by Howard (John Goodman), a man who convinces her that the world outside has been ravaged by aliens. If you’re a fan of Trachtenberg’s work on Predator but haven’t seen his debut, then you’re in luck, as 10 Cloverfield Lane is available to stream on Paramount+ this month.
Dan Trachtenberg Directed an Episode of a Smash Hit Sci-Fi Series
Trachtenberg hasn’t just unleashed his sci-fi prowess on the big screen. In 2016, he directed the Season 3 episode of Black Mirror, “Playtest,” which follows an American traveler (Wyatt Russell) who signs up to test a revolutionary game to try and earn some cash. However, when the game starts to blur the line between reality and nightmare, the walls of his mind begin to crumble. A perfectly shocking, uncanny episode of Black Mirror, “Playtest” is a gem among the series’ vast catalog.
10 Cloverfield Lane is available to stream on Paramount+ this month. Make sure to stay tuned to Collider for the latest streaming stories.
- Release Date
-
March 10, 2016
- Runtime
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103 Minutes
- Director
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Dan Trachtenberg
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